[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-reference-en":3,"site-nav-en":4,"site-nav-en-all-arts":289,"event-categories-en":902,"site-settings":1145,"node-en-arts\u002Fchinese-poetry-literature\u002Fchinese-bookshops-book-markets-publishers-routes-readers":1187,"live-course-events":1221},null,{"data":5},{"header":6,"footer":264},[7,51,82,123,161,187,229,260],{"to":8,"label":9,"label_zh":10,"children":11},"\u002Fdao","TAO","道",[12,17,22,26,30,34,39,43,47],{"to":13,"label":14,"label_zh":15,"n":16},"\u002Fdao\u002Fintroduction","Begin with the Tao","道学入门",9,{"to":18,"label":19,"label_zh":20,"n":21},"\u002Fdao\u002Fyi-jing","I Ching","易经",7,{"to":23,"label":24,"label_zh":25,"n":16},"\u002Fdao\u002Fdao-de-jing","Tao Te Ching","道德经",{"to":27,"label":28,"label_zh":29,"n":21},"\u002Fdao\u002Ftaiji","Taiji","太极",{"to":31,"label":32,"label_zh":33,"n":21},"\u002Fdao\u002Fzhuang-zi","Zhuangzi","庄子",{"to":35,"label":36,"label_zh":37,"n":38},"\u002Fdao\u002Fclassics","Classical 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A Guide to Places and Architecture","道教名山与宫观：圣地、建筑与制度指南",{"to":175,"label":176,"label_zh":177,"n":21},"\u002Fdaoism\u002Ftaoist-schools-lineages","Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派与传承：正一、全真及历史道派",{"to":179,"label":180,"label_zh":181,"n":182},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教节日与科仪：神诞、斋醮与岁时仪式",19,{"to":184,"label":185,"label_zh":186,"n":60},"\u002Fdaoism\u002Feight-immortals","The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象征与道教传说",{"to":188,"label":189,"label_zh":190,"children":191},"\u002Fchinese-metaphysics","Chinese Metaphysics","易学与传统术数",[192,196,200,204,208,213,217,221,225],{"to":193,"label":194,"label_zh":195,"n":21},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Yin-Yang and the Five Phases in Chinese 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Chosen","中国择吉：传统吉日如何选择",{"to":218,"label":219,"label_zh":220,"n":21},"\u002Fchinese-metaphysics\u002Fphysiognomy","Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中国相术：面相、手相及其局限",{"to":222,"label":223,"label_zh":224,"n":21},"\u002Fchinese-metaphysics\u002Fdivination-arts","Chinese Divination Arts: Methods, History and Responsible Use","中国占卜术：方法、历史与负责任使用",{"to":226,"label":227,"label_zh":228,"n":21},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河图、洛书与九宫：中国传统图式的历史与用途",{"to":230,"label":231,"label_zh":232,"children":233},"\u002Fwudang-mountain","Experience Wudang","武当之旅",[234,238,243,248,252,256],{"to":235,"label":236,"label_zh":237,"n":21},"\u002Fwudang-mountain\u002Fintroduction","Introduction to Wudang Mountain","初识武当山",{"to":239,"label":240,"label_zh":241,"n":242},"\u002Fwudang-mountain\u002Ftemples-and-sites","Wudang Mountain Temples and Sacred Sites","武当山宫观与胜迹",3,{"to":244,"label":245,"label_zh":246,"n":247},"\u002Fwudang-mountain\u002Fplanning-a-visit","Planning a Visit to Wudang Mountain","武当山行前规划指南",4,{"to":249,"label":250,"label_zh":251,"n":242},"\u002Fwudang-mountain\u002Fstudying-at-wudang","Studying Martial Arts at Wudang Mountain","在武当山学习武术",{"to":253,"label":254,"label_zh":255,"n":242},"\u002Fwudang-mountain\u002Ftemple-etiquette","Wudang Temple Etiquette: A Visitor’s Guide","武当宫观参访礼仪",{"to":257,"label":258,"label_zh":259,"n":69},"\u002Fwudang-mountain\u002Fpractical-reference","Wudang Mountain Practical Reference","武当山实用参考资料",{"to":261,"label":262,"label_zh":263},"\u002Fwudang-mountain\u002Feveryday-wudang","Everyday Wudang","武当日常",[265,266,267,268,269,270,271,272,273,277,281,285],{"to":8,"label":9,"label_zh":10},{"to":52,"label":53,"label_zh":54},{"to":83,"label":84,"label_zh":85},{"to":124,"label":125,"label_zh":126},{"to":162,"label":163,"label_zh":164},{"to":188,"label":189,"label_zh":190},{"to":230,"label":231,"label_zh":232},{"to":261,"label":262,"label_zh":263},{"to":274,"label":275,"label_zh":276},"\u002Fabout","About Wudang.Org","关于 Wudang.Org",{"to":278,"label":279,"label_zh":280},"\u002Fstart-here","Start Here","从这里开始",{"to":282,"label":283,"label_zh":284},"\u002Ffind-a-practice","Find a Practice","找到适合你的修习",{"to":286,"label":287,"label_zh":288},"\u002Fteachers","Our Teachers","授课老师",{"data":290},{"all":291,"header":900,"footer":901},[292],{"to":124,"label":125,"label_zh":126,"children":293},[294,492,562,720,770,832,870],{"to":129,"label":130,"label_zh":131,"children":295},[296,300,304,308,312,316,320,324,328,332,336,340,344,348,352,356,360,364,368,372,376,380,384,388,392,396,400,404,408,412,416,420,424,428,432,436,440,444,448,452,456,460,464,468,472,476,480,484,488],{"to":297,"label":298,"label_zh":299},"\u002Farts\u002Fchinese-poetry-literature\u002Forigins-spirit-of-chinese-poetry","Origins of Chinese Poetry: Song, Text and Interpretation","中国诗歌的源流：歌唱、文本与阐释",{"to":301,"label":302,"label_zh":303},"\u002Farts\u002Fchinese-poetry-literature\u002Fbook-of-songs-classical-foundations","The Book of Songs: Voices, Performance and Interpretation","《诗经》：声音、礼乐与阐释",{"to":305,"label":306,"label_zh":307},"\u002Farts\u002Fchinese-poetry-literature\u002Ftang-poetry-golden-age","Tang Poetry: Forms, Voices and a Lasting 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Colophons","中国画上的诗：怎样读题款与题跋",{"to":345,"label":346,"label_zh":347},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-fu-rhapsody-catalogues-courts-expansive-description","Chinese Fu (Rhapsody): Catalogues, Courts and Expansive Description","中国赋：铺陈、宫廷与展开描写的艺术",{"to":349,"label":350,"label_zh":351},"\u002Farts\u002Fchinese-poetry-literature\u002Fwenxin-diaolong-liu-xie-writing-reading-literary-thought","Wenxin Diaolong: How Liu Xie Thought About Writing and Reading","《文心雕龙》导读：刘勰怎样思考写作与阅读",{"to":353,"label":354,"label_zh":355},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-shihua-poetry-talks-notes-anecdotes-criticism","Shihua (Poetry Talks): How Chinese Criticism Speaks in Notes and Anecdotes","中国诗话导读：批评怎样写进笔记、轶事与评语",{"to":357,"label":358,"label_zh":359},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-prefaces-afterwords-xu-ba-books-texts-readers","Chinese Prefaces and Afterwords (Xu and Ba): How Books Frame Texts and 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Works (Bieji): How an Author’s Writings Become a Book","中国别集导读：一位作者的诗文怎样成为一部书",{"to":393,"label":394,"label_zh":395},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-guwen-pianwen-ancient-style-parallel-prose-rhythm-argument","Guwen and Pianwen: Two Ways of Shaping Classical Chinese Prose","古文与骈文导读：中国古典散文的两种组织方式",{"to":397,"label":398,"label_zh":399},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-eight-legged-essay-baguwen-examination-classics-composition","The Eight-Legged Essay (Baguwen): How an Examination Form Organized Classical Thought","八股文导读：科举文章怎样组织经典义理",{"to":401,"label":402,"label_zh":403},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-examination-compounds-gongyuan-cells-candidate-experience","Chinese Examination Compounds (Gongyuan): How Architecture Shaped the Candidate Experience","中国贡院导读：考场空间怎样塑造士子的应试体验",{"to":405,"label":406,"label_zh":407},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-academies-shuyuan-books-teaching-ritual-landscape","Chinese Academies (Shuyuan): How Books, Teaching and Ritual Made a Scholarly Place","中国书院导读：书籍、讲学与礼仪怎样构成学术空间",{"to":409,"label":410,"label_zh":411},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-private-libraries-cangshulou-collectors-catalogues-transmission","Chinese Private Libraries (Cangshulou): How Collectors Built Paths for Books to Survive","中国藏书楼导读：私人收藏怎样为典籍延续开辟路径",{"to":413,"label":414,"label_zh":415},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-bookshops-book-markets-publishers-routes-readers","Chinese Bookshops and Book Markets: How Books Became Goods, Routes and Encounters","中国书肆与书市导读：书籍怎样成为商品、路线与相遇",{"to":417,"label":418,"label_zh":419},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-illustrated-books-woodblock-images-page-design-reading","Illustrated Chinese Books: How Woodblock Images Shaped the Page","中国古籍插图导读：木刻图像怎样塑造书页",{"to":421,"label":422,"label_zh":423},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-bibliographies-mulu-catalogues-classification-books-knowledge","Chinese Bibliographies (Mulu): How Catalogues Classified Books and Knowledge","中国目录学导读：书目怎样分类书籍与知识",{"to":425,"label":426,"label_zh":427},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-textual-collation-jiaokan-variant-readings-witnesses-editions","Chinese Textual Collation (Jiaokan): How Scholars Read Variant Texts","中国校勘导读：怎样阅读异文与文本传本",{"to":429,"label":430,"label_zh":431},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-commentaries-subcommentaries-zhu-jian-shu-layered-reading","Chinese Commentaries and Subcommentaries: How Notes Became Part of the Text","中国注疏导读：注、笺、疏怎样层层塑造经典阅读",{"to":433,"label":434,"label_zh":435},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-book-marginalia-meipi-pangpi-pijiao-reading-history","Marginalia in Chinese Books: How Readers Wrote Back","中国古籍批注导读：读者怎样在书页上留下阅读史",{"to":437,"label":438,"label_zh":439},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-book-ownership-seals-cangshuyin-provenance-impressions","Book-Ownership Seals in China: Reading Provenance in Red","中国古籍藏书印导读：怎样从朱印追索递藏",{"to":441,"label":442,"label_zh":443},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-book-paper-fibres-sizing-repairs-dating-evidence","Paper in Chinese Books: Fibres, Sizing, Repairs and the Limits of Dating","中国古籍用纸导读：纤维、施胶、修补与断代边界",{"to":445,"label":446,"label_zh":447},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-book-page-layout-frames-columns-fishtails-centre-fold","Inside the Chinese Book Page: Frames, Columns, Fishtails and the Centre Fold","中国古籍版式导读：版框、界行、鱼尾与版心",{"to":449,"label":450,"label_zh":451},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-book-printers-marks-paiji-kanji-publishing-claims","Printer’s Marks in Chinese Books: Reading Paiji, Kanji and Publishing Claims","中国古籍牌记与刊记导读：怎样辨认刊刻、藏版与书坊信息",{"to":453,"label":454,"label_zh":455},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-movable-type-printing-clay-wood-metal-reuse","Movable Type in Chinese Book History: Clay, Wood, Metal and Reuse","中国古籍活字印刷导读：泥活字、木活字、金属活字与复用",{"to":457,"label":458,"label_zh":459},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-woodblock-printing-workflow-writing-carving-inking-impressions","How Chinese Woodblock Printing Worked: Writing, Carving, Inking and Impressions","中国雕版印刷工艺导读：写样、上版、刻版、刷墨与印纸",{"to":461,"label":462,"label_zh":463},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-woodblock-lifecycle-storage-repair-recutting-later-impressions","After the First Printing: How Chinese Woodblocks Were Stored, Repaired and Reused","初印之后：中国雕版的储藏、递修、重刻与后印",{"to":465,"label":466,"label_zh":467},"\u002Farts\u002Fchinese-poetry-literature\u002Fwho-paid-chinese-book-printing-patronage-profit-donors-funding","Who Paid to Print? Patronage, Profit and Collective Funding in Chinese Book History","谁出资刻书？中国书籍史中的官刻、私资、坊刻与募资",{"to":469,"label":470,"label_zh":471},"\u002Farts\u002Fchinese-poetry-literature\u002Fhow-readers-got-books-imperial-china-buying-borrowing-gifts-copying","How Readers Got Books in Imperial China: Buying, Borrowing, Gifting and Copying","古代中国读者怎样获得书籍？购书、借阅、馈赠与抄写",{"to":473,"label":474,"label_zh":475},"\u002Farts\u002Fchinese-poetry-literature\u002Fhow-classical-chinese-poetry-was-heard-recitation-chanting-historical-sound","How Classical Chinese Poetry Was Heard: Recitation, Chanting and Historical Sound","古典诗歌怎样被听见？诵读、吟咏与历史声音",{"to":477,"label":478,"label_zh":479},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-poetry-social-exchange-gifts-farewells-replies-rhyme-matching","Poetry as Social Exchange: Gifts, Farewells, Replies and Rhyme-Matching in China","诗歌作为交往：赠答、送别、唱和与次韵",{"to":481,"label":482,"label_zh":483},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-poetry-gatherings-themes-rhyme-lots-linked-composition","How Chinese Poetry Gatherings Worked: Themes, Rhyme Lots and Linked Composition","中国古典诗歌雅集怎样运作：命题、分韵与联句",{"to":485,"label":486,"label_zh":487},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-poetry-revision-drafts-variants-editorial-layers","How Chinese Poems Changed: Drafts, Variants and Editorial Layers","中国古典诗歌怎样改定与流传：草稿、异文与编辑层次",{"to":489,"label":490,"label_zh":491},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-poetry-attribution-anonymity-disputed-authorship","Who Wrote This Poem? Attribution, Anonymity and Disputed Authorship in Chinese Poetry","这首诗是谁写的？中国古典诗歌的署名、佚名与作者争议",{"to":134,"label":135,"label_zh":136,"children":493},[494,498,502,506,510,514,518,522,526,530,534,538,542,546,550,554,558],{"to":495,"label":496,"label_zh":497},"\u002Farts\u002Fcalligraphy\u002Forigins-history-of-calligraphy","Origins and History of Chinese Calligraphy","中国书法的源流与历史",{"to":499,"label":500,"label_zh":501},"\u002Farts\u002Fcalligraphy\u002Fthe-five-script-styles","The Five Script Styles in Chinese Calligraphy","中国书法的五种主要书体",{"to":503,"label":504,"label_zh":505},"\u002Farts\u002Fcalligraphy\u002Fcalligraphy-as-taoist-cultivation","Calligraphy and Taoist Cultivation: Text, Attention and Practice","书法与道家修养：读懂文字，专注落笔",{"to":507,"label":508,"label_zh":509},"\u002Farts\u002Fcalligraphy\u002Ffour-treasures-of-the-study","The Four Treasures of the Study: Choosing and Using Calligraphy Materials","文房四宝：认识、选择与使用笔墨纸砚",{"to":511,"label":512,"label_zh":513},"\u002Farts\u002Fcalligraphy\u002Fbrush-technique-living-line","Chinese Calligraphy Brushwork: Reading and Practising the Living Line","书法笔法：观察与练习有生气的线条",{"to":515,"label":516,"label_zh":517},"\u002Farts\u002Fcalligraphy\u002Fgreat-masters-further-reading","Chinese Calligraphy Masters and Reading Paths","中国书法名家与阅读路径",{"to":519,"label":520,"label_zh":521},"\u002Farts\u002Fcalligraphy\u002Fchinese-seals-and-seal-carving","Chinese Seals and Seal Carving: Script, Surface and Impression","中国印章与篆刻：文字、印面与钤印",{"to":523,"label":524,"label_zh":525},"\u002Farts\u002Fcalligraphy\u002Fchinese-ink-rubbings","Chinese Ink Rubbings: Stone, Paper and the Life of Calligraphy","中国传拓：石刻、纸墨与书法的流传",{"to":527,"label":528,"label_zh":529},"\u002Farts\u002Fcalligraphy\u002Fchinese-inkstones","Chinese Inkstones: Stone, Carving and the Scholar’s Desk","中国砚台：石材、雕刻与文房生活",{"to":531,"label":532,"label_zh":533},"\u002Farts\u002Fcalligraphy\u002Fchinese-inksticks","Chinese Inksticks: Soot, Moulds and the Scholar’s Desk","中国墨锭：烟料、墨模与文房生活",{"to":535,"label":536,"label_zh":537},"\u002Farts\u002Fcalligraphy\u002Fchinese-calligraphy-paper","Chinese Calligraphy Paper: Xuan, Sizing and the Life of a Sheet","中国书画纸：宣纸、施胶与纸张的一生",{"to":539,"label":540,"label_zh":541},"\u002Farts\u002Fcalligraphy\u002Fchinese-calligraphy-brushes","Chinese Calligraphy Brushes: Hair, Handle and the Working Point","中国毛笔：毫料、笔管与笔锋",{"to":543,"label":544,"label_zh":545},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-rests","Chinese Brush Rests: Mountains, Materials and the Scholar’s Desk","中国笔架：山形、材质与文人书案",{"to":547,"label":548,"label_zh":549},"\u002Farts\u002Fcalligraphy\u002Fchinese-water-droppers-scholars-desk","Chinese Water Droppers: Flow, Form and the Scholar’s Desk","中国水滴：控水、造型与文人书案",{"to":551,"label":552,"label_zh":553},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-pots-materials-scholars-desk","Chinese Brush Pots: Function, Material and the Scholar’s Desk","中国笔筒：收纳、材质与文人书案",{"to":555,"label":556,"label_zh":557},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-washers-water-form-scholars-desk","Chinese Brush Washers: Water, Form and the Scholar’s Desk","中国笔洗：洗笔、造型与文人书案",{"to":559,"label":560,"label_zh":561},"\u002Farts\u002Fcalligraphy\u002Fchinese-paperweights-form-material-scholars-desk","Chinese Paperweights: Form, Material and the Scholar’s Desk","中国镇纸：形制、材质与文人书案",{"to":139,"label":140,"label_zh":141,"children":563},[564,568,572,576,580,584,588,592,596,600,604,608,612,616,620,624,628,632,636,640,644,648,652,656,660,664,668,672,676,680,684,688,692,696,700,704,708,712,716],{"to":565,"label":566,"label_zh":567},"\u002Farts\u002Ftea-ceremony\u002Ftea-meditation-taoist-practice","Tea, Meditation and Taoist Practice","茶、静坐与道家修习",{"to":569,"label":570,"label_zh":571},"\u002Farts\u002Ftea-ceremony\u002Forigins-history-of-tea-culture","Origins and History of Chinese Tea Culture","中国茶文化的源流与历史",{"to":573,"label":574,"label_zh":575},"\u002Farts\u002Ftea-ceremony\u002Fthe-way-of-tea","The Way of Tea: Attention, Care and Hospitality","茶道：在一杯茶中练习用心与待客",{"to":577,"label":578,"label_zh":579},"\u002Farts\u002Ftea-ceremony\u002Ftypes-of-tea-and-character","Six Chinese Tea Families: Processing and Taste","六大茶类：从制法到品饮",{"to":581,"label":582,"label_zh":583},"\u002Farts\u002Ftea-ceremony\u002Futensils-and-gongfu-method","Gongfu Tea: Utensils and a Flexible Method","工夫茶：茶具与灵活冲泡法",{"to":585,"label":586,"label_zh":587},"\u002Farts\u002Ftea-ceremony\u002Ffurther-reading-and-practice","Learning Chinese Tea: Reading and Practice","学茶入门：阅读与品饮练习",{"to":589,"label":590,"label_zh":591},"\u002Farts\u002Ftea-ceremony\u002Fwater-for-chinese-tea","Water for Chinese Tea: Springs, Minerals and a Practical Tasting Method","中国茶用水：山泉、矿物与实用对比方法",{"to":593,"label":594,"label_zh":595},"\u002Farts\u002Ftea-ceremony\u002Fchinese-teaware-clay-glaze-form","Chinese Tea Ware: Clay, Porcelain, Glaze and the Uses of Form","中国茶器：胎土、瓷釉、造型与使用",{"to":597,"label":598,"label_zh":599},"\u002Farts\u002Ftea-ceremony\u002Fchinese-tea-caddies","Chinese Tea Caddies: Storage, Materials and the Traveling Leaf","中国茶叶罐：贮藏、材质与流动的茶叶",{"to":601,"label":602,"label_zh":603},"\u002Farts\u002Ftea-ceremony\u002Fsong-whisked-tea-powder-bowls-foam","Whisked Tea in Song China: Powder, Bowls and Foam","宋代点茶：茶末、茶盏与汤花",{"to":605,"label":606,"label_zh":607},"\u002Farts\u002Ftea-ceremony\u002Fyixing-teapots-clay-form-makers-marks","Yixing Teapots: Clay, Form and Reading the Maker’s Mark","宜兴紫砂壶：泥料、器形与款识",{"to":609,"label":610,"label_zh":611},"\u002Farts\u002Ftea-ceremony\u002Fcompressed-tea-cakes-bricks-trade-storage-object-reading","Compressed Tea in China: Cakes, Bricks and How to Read Them","中国紧压茶：茶饼、茶砖与辨读方法",{"to":613,"label":614,"label_zh":615},"\u002Farts\u002Ftea-ceremony\u002Ftea-horse-trade-networks-routes-markets-cultural-exchange","Tea–Horse Trade Networks: Routes, Markets and Cultural Exchange","茶马贸易网络：路线、市场与文化交流",{"to":617,"label":618,"label_zh":619},"\u002Farts\u002Ftea-ceremony\u002Ftea-landscapes-china-gardens-forests-terraces-living-knowledge","Tea Landscapes in China: Gardens, Forests, Terraces and Living Knowledge","中国茶景观：茶园、古茶林、梯田与活态知识",{"to":621,"label":622,"label_zh":623},"\u002Farts\u002Ftea-ceremony\u002Fpicking-tea-china-seasons-bud-leaf-standards-skilled-labour","Picking Tea in China: Seasons, Bud-and-Leaf Standards and Skilled Labour","中国采茶：季节、芽叶标准与劳作技艺",{"to":625,"label":626,"label_zh":627},"\u002Farts\u002Ftea-ceremony\u002Fwithering-tea-leaves-water-loss-time-first-transformation","Withering Tea Leaves: Water Loss, Time and the First Transformation","茶叶萎凋：失水、时间与采后初变",{"to":629,"label":630,"label_zh":631},"\u002Farts\u002Ftea-ceremony\u002Ffixing-tea-leaves-shaqing-heat-enzymes-turning-point","Fixing Tea Leaves (Shaqing): Heat, Enzymes and a Turning Point in Chinese Tea","茶叶杀青：热、酶活性与中国制茶的转折点",{"to":633,"label":634,"label_zh":635},"\u002Farts\u002Ftea-ceremony\u002Frolling-tea-leaves-rounian-pressure-shape-cell-disruption","Rolling Tea Leaves (Rounian): Pressure, Shape and Controlled Cell Disruption","茶叶揉捻：压力、形态与受控细胞破损",{"to":637,"label":638,"label_zh":639},"\u002Farts\u002Ftea-ceremony\u002Fdrying-tea-leaves-moisture-heat-stability-finished-tea","Drying Tea Leaves: Moisture, Heat and the Stability of Finished Tea","茶叶干燥：水分、热量与成茶稳定",{"to":641,"label":642,"label_zh":643},"\u002Farts\u002Ftea-ceremony\u002Fsorting-grading-tea-leaf-size-shape-grade-meaning","Sorting and Grading Tea: Leaf Size, Shape and What a Grade Really Means","茶叶筛分与分级：叶片大小、形态与等级的真正含义",{"to":645,"label":646,"label_zh":647},"\u002Farts\u002Ftea-ceremony\u002Ftea-blending-batch-construction-consistency-style-transparency","Tea Blending and Batch Construction: Consistency, Style and Transparent Labels","茶叶拼配与批次构建：稳定、风格与透明标示",{"to":649,"label":650,"label_zh":651},"\u002Farts\u002Ftea-ceremony\u002Ftea-oxidation-post-fermentation-enzymes-microbes-terms","Oxidation and Post-Fermentation in Tea: Enzymes, Microbes and Misleading Labels","茶叶氧化与后发酵：酶、微生物与容易混淆的标签",{"to":653,"label":654,"label_zh":655},"\u002Farts\u002Ftea-ceremony\u002Fyellow-tea-menhuang-moist-heat-time-tea-family","Yellow Tea and Menhuang: Moist Heat, Time and the Making of a Tea Family","黄茶与闷黄：湿热、时间与一类茶的形成",{"to":657,"label":658,"label_zh":659},"\u002Farts\u002Ftea-ceremony\u002Frefiring-roasting-tea-later-heat-aroma-finished-leaf","Re-Firing and Roasting Tea: Later Heat, Aroma and the Difference from Drying","茶叶复火与焙火：后段加热、香气及其与干燥的区别",{"to":661,"label":662,"label_zh":663},"\u002Farts\u002Ftea-ceremony\u002Fjasmine-tea-scenting-flowers-repeated-rounds-aroma-transfer","Jasmine Tea and Scenting: Flowers, Repeated Rounds and How Aroma Enters Tea","茉莉花茶与窨制：鲜花、多次窨香与茶叶如何吸收香气",{"to":665,"label":666,"label_zh":667},"\u002Farts\u002Ftea-ceremony\u002Ftea-sensory-evaluation-appearance-aroma-taste-score-limits","Tea Sensory Evaluation: Appearance, Aroma, Taste and the Limits of a Score","茶叶感官审评：外形、香气、滋味与分数的边界",{"to":669,"label":670,"label_zh":671},"\u002Farts\u002Ftea-ceremony\u002Fdoucha-song-tea-contests-whisked-tea-jian-bowls-modern-judging","Doucha: Tea Contests in Song China and the Limits of Modern Re-Creation","斗茶：宋代茶事竞赛与现代重现的边界",{"to":673,"label":674,"label_zh":675},"\u002Farts\u002Ftea-ceremony\u002Fbeiyuan-tribute-tea-song-court-labour-imperial-label","Beiyuan Tribute Tea: Song Court Taste, Skilled Labour and the Limits of ‘Imperial Tea’","北苑贡茶：宋代宫廷品味、制茶劳作与“御茶”标签的边界",{"to":677,"label":678,"label_zh":679},"\u002Farts\u002Ftea-ceremony\u002Freading-chinese-tea-classics-authorship-editions-recipe-limits","Reading Chinese Tea Classics: Authorship, Editions and the Limits of a ‘Recipe’","如何阅读中国茶书：作者、版本与“配方”式解读的边界",{"to":681,"label":682,"label_zh":683},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-poetry-social-worlds-metaphor-historical-evidence","Tea in Chinese Poetry: Social Worlds, Metaphor and the Limits of Literary Evidence","中国诗歌中的茶：社会交往、诗意表达与文学证据的边界",{"to":685,"label":686,"label_zh":687},"\u002Farts\u002Ftea-ceremony\u002Fchinese-teahouses-commerce-conversation-performance-urban-publics","Chinese Teahouses: Commerce, Conversation, Performance and Changing Urban Publics","中国茶馆：商业、交往、表演与变动中的城市公共生活",{"to":689,"label":690,"label_zh":691},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-painting-objects-social-worlds-visual-evidence","Tea in Chinese Painting: Objects, Social Worlds and the Limits of Visual Evidence","中国绘画中的茶：器物、社会空间与视觉证据的边界",{"to":693,"label":694,"label_zh":695},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-dream-of-the-red-chamber-hospitality-rank-labour-fiction","Tea in Dream of the Red Chamber: Hospitality, Rank, Labour and Fiction","《红楼梦》中的茶：待客、等级、劳动与小说叙事",{"to":697,"label":698,"label_zh":699},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-travel-writing-roads-hospitality-regional-evidence","Tea in Chinese Travel Writing: Roads, Hospitality and the Limits of an Itinerary","中国游记中的茶：道路、待客与行程证据的边界",{"to":701,"label":702,"label_zh":703},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-letters-gifts-visits-friendship-private-writing","Tea in Chinese Letters: Gifts, Visits, Friendship and the Limits of ‘Private’ Writing","中国书信中的茶：馈赠、访友、人情与“私语”证据的边界",{"to":705,"label":706,"label_zh":707},"\u002Farts\u002Ftea-ceremony\u002Ftea-tax-monopoly-imperial-china-fiscal-records-daily-life","Tea, Tax and Monopoly in Imperial China: Reading Fiscal Records Without Mistaking Revenue for Daily Life","中国历代茶税与专卖：财政记录能告诉我们什么，又不能告诉我们什么",{"to":709,"label":710,"label_zh":711},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-local-gazetteers-place-production-local-knowledge","Tea in Chinese Local Gazetteers: Place, Production and the Limits of Local Knowledge","中国地方志中的茶：产地、生产与地方知识的边界",{"to":713,"label":714,"label_zh":715},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-materia-medica-names-preparations-medical-claims","Tea in Chinese Materia Medica: Names, Preparations and the Limits of Medical Claims","中国本草中的茶：名称、制法与医药记载的边界",{"to":717,"label":718,"label_zh":719},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-buddhist-monastic-rules-ceremony-office-origin-stories","Tea in Chinese Buddhist Monastic Rules: Ceremony, Office and the Limits of Origin Stories","中国佛教清规中的茶：礼仪、职事与起源故事的边界",{"to":144,"label":145,"label_zh":146,"children":721},[722,726,730,734,738,742,746,750,754,758,762,766],{"to":723,"label":724,"label_zh":725},"\u002Farts\u002Fguqin\u002Forigins-history-of-the-guqin","A History of the Guqin: Objects, Texts and Living Music","古琴的历史：实物、文献与传习",{"to":727,"label":728,"label_zh":729},"\u002Farts\u002Fguqin\u002Fanatomy-of-the-guqin","How the Guqin Works: Strings, Body and Sound","古琴如何发声：琴弦、琴身与结构",{"to":731,"label":732,"label_zh":733},"\u002Farts\u002Fguqin\u002Fplaying-technique-and-notation","Playing the Guqin: Gesture, Notation and Interpretation","古琴怎样弹、怎样读谱：指法、减字谱与诠释",{"to":735,"label":736,"label_zh":737},"\u002Farts\u002Fguqin\u002Ffamous-melodies-and-stories","Guqin Melodies: Stories, Versions and Ways to Listen","听懂古琴名曲：故事、版本与聆听线索",{"to":739,"label":740,"label_zh":741},"\u002Farts\u002Fguqin\u002Fguqin-as-taoist-cultivation","Guqin and Daoist Cultivation: Listening, Practice and Limits","古琴与道家修养：聆听、练习与边界",{"to":743,"label":744,"label_zh":745},"\u002Farts\u002Fguqin\u002Ffurther-listening-and-study","Learning the Guqin: Listening, Sources and Finding a Teacher","怎样学古琴：聆听、资料与择师",{"to":747,"label":748,"label_zh":749},"\u002Farts\u002Fguqin\u002Fguqin-tables-playing-spaces","Guqin Tables and Playing Spaces: Support, Posture and Listening","古琴桌与弹琴空间：承托、坐姿与聆听",{"to":751,"label":752,"label_zh":753},"\u002Farts\u002Fguqin\u002Fhow-to-read-guqin-handbook-tablature-editions-dapu","How to Read a Guqin Handbook: Tablature, Editions and Dapu","如何读古琴谱：减字谱、版本与打谱",{"to":755,"label":756,"label_zh":757},"\u002Farts\u002Fguqin\u002Freading-guqin-lacquer-layers-crack-patterns-repair","Reading Guqin Lacquer: Layers, Crack Patterns and Repair","读懂古琴漆面：漆层、断纹与修缮",{"to":759,"label":760,"label_zh":761},"\u002Farts\u002Fguqin\u002Freading-guqin-inscriptions-seals-names-dates-provenance","Reading Guqin Inscriptions and Seals: Names, Dates and Provenance","读懂古琴铭款与印章：琴名、年代与流传",{"to":763,"label":764,"label_zh":765},"\u002Farts\u002Fguqin\u002Fguqin-forms-zhongni-banana-leaf-shapes","Guqin Forms: Reading Zhongni, Banana-Leaf and Other 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Painting","山水画：怎样读懂中国山水",{"to":785,"label":786,"label_zh":787},"\u002Farts\u002Fpainting\u002Fbirds-flowers-four-gentlemen","Birds, Flowers and the Four Gentlemen in Chinese Painting","中国画中的花鸟与四君子",{"to":789,"label":790,"label_zh":791},"\u002Farts\u002Fpainting\u002Fpainting-as-taoist-cultivation","Painting and Taoist Cultivation: Images, Ideas and Practice","绘画与道家修养：图像、观念与实践",{"to":793,"label":794,"label_zh":795},"\u002Farts\u002Fpainting\u002Fgreat-masters-further-study","Chinese Painting Masters: A Guided Path","中国画名家与进阶研习",{"to":797,"label":798,"label_zh":799},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-handscroll","How to Read a Chinese Handscroll: Sequence, Colophons and Seals","怎样观看中国手卷：展开顺序、题跋与印章",{"to":801,"label":802,"label_zh":803},"\u002Farts\u002Fpainting\u002Fchinese-fan-painting","Chinese Fan Painting: Shape, Brushwork and the Art of the Small Format","中国扇面书画：形制、笔墨与方寸之美",{"to":805,"label":806,"label_zh":807},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-painting-album","How to Read a Chinese Painting Album: Leaves, Sequence and Intimate Viewing","如何阅读中国画册页：开页、次序与案头观看",{"to":809,"label":810,"label_zh":811},"\u002Farts\u002Fpainting\u002Fchinese-scholars-rocks","Chinese Scholars’ Rocks: Stone, Display and Imagined Landscapes","中国文人赏石：石质、陈设与想象山水",{"to":813,"label":814,"label_zh":815},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-hanging-scroll","How to Read a Chinese Hanging Scroll: Vertical Space, Mounting and Display","如何阅读中国立轴：纵向空间、装裱与陈设",{"to":817,"label":818,"label_zh":819},"\u002Farts\u002Fpainting\u002Fchinese-screens-space-painting","Chinese Screens: Space, Painting and the Art of the Fold","中国屏风：空间、图像与开合之艺",{"to":821,"label":822,"label_zh":823},"\u002Farts\u002Fpainting\u002Fmounting-chinese-painting","Mounting Chinese Painting: Silk Borders, Backing Papers and the Life of a Scroll","中国画装裱：绫边、托纸与卷轴的生命",{"to":825,"label":826,"label_zh":827},"\u002Farts\u002Fpainting\u002Fchinese-portrait-painting-likeness-role-ancestral-memory","Chinese Portrait Painting: Likeness, Role and Ancestral Memory","中国肖像画：形神、身份与祖先记忆",{"to":829,"label":830,"label_zh":831},"\u002Farts\u002Fpainting\u002Fthree-distances-chinese-landscape-painting","The Three Distances in Chinese Landscape Painting: High, Deep and Level Space","中国山水画的“三远”：高远、深远与平远",{"to":154,"label":155,"label_zh":156,"children":833},[834,838,842,846,850,854,858,862,866],{"to":835,"label":836,"label_zh":837},"\u002Farts\u002Fincense\u002Forigins-history-of-incense-culture","Origins and History of Chinese Incense Culture","中国香文化的源流与历史",{"to":839,"label":840,"label_zh":841},"\u002Farts\u002Fincense\u002Faromatic-materials-fragrant-woods","Aromatic Materials: Woods, Resins and Responsible Sourcing","香材指南：香木、树脂与负责任的来源",{"to":843,"label":844,"label_zh":845},"\u002Farts\u002Fincense\u002Fforms-and-art-of-appreciation","Incense Forms and the Art of Appreciation","香的形态与品香方法",{"to":847,"label":848,"label_zh":849},"\u002Farts\u002Fincense\u002Fincense-in-ritual-and-temple-life","Incense in Daoist Ritual and Temple Life","香在道教科仪与宫观生活中",{"to":851,"label":852,"label_zh":853},"\u002Farts\u002Fincense\u002Fincense-meditation-taoist-practice","Incense, Meditation and Taoist Practice","香、静坐与道家修习",{"to":855,"label":856,"label_zh":857},"\u002Farts\u002Fincense\u002Ffurther-reading-and-practice","Learning Chinese Incense: Reading and Practice","学习中国香文化：阅读与实践",{"to":859,"label":860,"label_zh":861},"\u002Farts\u002Fincense\u002Fchinese-incense-burners","Chinese Incense Burners: Bronze, Ceramic, Form and Context","中国香炉：青铜、陶瓷、形制与使用语境",{"to":863,"label":864,"label_zh":865},"\u002Farts\u002Fincense\u002Fchinese-incense-seals-fragrant-time","Chinese Incense Seals: Ash, Patterns and Fragrant Time","中国香篆：香灰、篆纹与芬芳计时",{"to":867,"label":868,"label_zh":869},"\u002Farts\u002Fincense\u002Fchinese-incense-sets-burner-box-vase-tools","Chinese Incense Sets: Burner, Box, Vase and Tools","中国香具三式：炉、盒、瓶与匙箸",{"to":158,"label":159,"label_zh":160,"children":871},[872,876,880,884,888,892,896],{"to":873,"label":874,"label_zh":875},"\u002Farts\u002Fflower-arrangement\u002Forigins-history-of-floral-art","A History of Chinese Flower Arrangement: Vessels, Pictures and Voices","中国插花史：器物、图像与文字中的花事",{"to":877,"label":878,"label_zh":879},"\u002Farts\u002Fflower-arrangement\u002Fprinciples-of-flower-arrangement","Chinese Flower Arrangement: Line, Balance and Ways of Looking","中国插花构图：线条、平衡与观看方法",{"to":881,"label":882,"label_zh":883},"\u002Farts\u002Fflower-arrangement\u002Fvessels-tools-and-composition","Choosing Flower Vessels and Tools: Form, Support and Care","选择花器与工具：形制、支撑和养护",{"to":885,"label":886,"label_zh":887},"\u002Farts\u002Fflower-arrangement\u002Fseasonal-flowers-and-symbolism","Seasonal Flowers and Symbolism: How to Read Context","时令花材与象征：怎样结合语境来读",{"to":889,"label":890,"label_zh":891},"\u002Farts\u002Fflower-arrangement\u002Fflower-arrangement-as-cultivation","Flower Arrangement as Cultivation: Attention, Change and Limits","插花与修养：专注、变化与界限",{"to":893,"label":894,"label_zh":895},"\u002Farts\u002Fflower-arrangement\u002Ffurther-reading-and-practice","Further Reading and Practice: Sources, Museums and a First Month","延伸阅读与练习：史料、博物馆与第一个月",{"to":897,"label":898,"label_zh":899},"\u002Farts\u002Fflower-arrangement\u002Fchinese-flower-baskets-weaving-painting-vessels","Chinese Flower Baskets: Weaving, Painting and the Vessel","中国花篮：编织、绘画与器物",[],[],{"data":903},[904,940,963,982,1003,1022,1042,1060,1081,1104,1126],{"id":38,"uuid":905,"slug":906,"available_locales":907,"name":911,"description":914,"body":916,"path":919,"images":920,"image_urls":925,"hero_image":3,"hero_image_url":3,"seo_title":930,"seo_description":933,"sort_order":935,"is_active":936,"status":937,"created_at":938,"updated_at":939},"f1a30881-20c6-407b-b546-669e839a178a","feng-shui-learning",[908,909,910],"en","zh","fr",{"en":912,"zh":913},"Feng Shui Learning","风水课程",{"en":915,"zh":3},"Study feng shui as a historical Chinese tradition of interpreting orientation, form and environment—with clear limits on predictive claims.",{"en":917,"zh":918},"\u003Ch2>\u003Cem>Feng shui 風水 developed through multiple schools, texts and professional traditions. 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Programmes may include Baduanjin, Taijiquan, qigong, standing practice, breathing and their cultural foundations.\u003C\u002Fp>\u003Cp>Each listing provides its teacher, schedule, experience level and registration arrangements.\u003C\u002Fp>","\u003Cp>本类别汇集武当内家功法与传统养生修习的小班课程、工作坊及静修活动，内容可涵盖八段锦、太极拳、气功、站桩、呼吸练习及相关文化基础。\u003C\u002Fp>\u003Cp>每项活动都会注明导师、日期、适合程度与报名方式，方便参加者选择合适的学习体验。\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"en":957,"zh":958},"Internal Arts & Wellness Events","内家功法与养生活动",{"en":960,"zh":961},"Explore Baduanjin, Taijiquan, qigong and traditional wellness classes, workshops and retreats listed by Wudang.Org.","探索八段锦、太极拳、气功与传统养生课程、工作坊及静修活动。","2026-08-16T19:23:45.000000Z",{"id":964,"uuid":965,"slug":966,"available_locales":967,"name":968,"description":971,"body":972,"path":973,"images":974,"image_urls":975,"hero_image":3,"hero_image_url":3,"seo_title":976,"seo_description":978,"sort_order":935,"is_active":936,"status":937,"created_at":981,"updated_at":939},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[908,909,910],{"en":969,"zh":970},"Face Reading Learning","面相课程",[],[],"\u002Fevents\u002Fface-reading-learning",[],[],{"en":977},"Chinese Face Reading Classes and Workshops",{"en":979,"zh":980},"Learn Chinese face reading (面相) as a cultural tradition: its classical framework, history and uses, taught with clear limits on predictive claims.","把面相作为中国传统文化来学习：认识其经典框架、历史与用法，并清楚说明传统诠释的边界。","2026-08-30T17:01:43.000000Z",{"id":983,"uuid":984,"slug":985,"available_locales":986,"name":987,"description":990,"body":992,"path":995,"images":996,"image_urls":997,"hero_image":3,"hero_image_url":3,"seo_title":998,"seo_description":1001,"sort_order":38,"is_active":936,"status":937,"created_at":938,"updated_at":939},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[908,909,910],{"en":988,"zh":989},"Zi Wei Dou Shu Learning","紫微斗数课程",{"en":991,"zh":3},"Explore Purple Star Astrology as a traditional Chinese interpretive system, approached as cultural knowledge rather than scientific prediction.",{"en":993,"zh":994},"\u003Cp>Zi Wei Dou Shu 紫微斗數 organises birth information through palaces, stars and patterned relationships. The system has a substantial technical vocabulary and several interpretive traditions, but its predictive claims are not established by modern scientific evidence.\u003C\u002Fp>\u003Cp>Courses explain how charts are structured, how symbols are read and how historical and contemporary practitioners differ. The aim is cultural literacy and disciplined reflection—not certainty about the future. Readings do not replace medical, legal, financial, employment or psychological expertise.\u003C\u002Fp>","\u003Cp>紫微斗数依据出生信息，以宫位、星曜和彼此关系组织命盘。它具有复杂的术语与多种解释传统，但其预测主张并未得到现代科学证据的确立。\u003C\u002Fp>\u003Cp>课程说明命盘结构、符号阅读方法，以及历史与当代实践者之间的差异。学习目的在于文化理解与有纪律的自我反思，而不是获得关于未来的确定答案。相关解读不能代替医疗、法律、财务、就业或心理专业意见。\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"en":999,"zh":1000},"Zi Wei Dou Shu (Purple Star Astrology) Classes","紫微斗数课程：命盘、宫位与星曜入门",{"en":991,"zh":1002},"把紫微斗数作为中国传统诠释体系来学习，认识命盘、宫位与星曜，不把它包装成科学预测。",{"id":247,"uuid":1004,"slug":1005,"available_locales":1006,"name":1007,"description":1010,"body":1011,"path":1012,"images":1013,"image_urls":1014,"hero_image":3,"hero_image_url":3,"seo_title":1015,"seo_description":1018,"sort_order":38,"is_active":936,"status":937,"created_at":1021,"updated_at":939},"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[908,909,910],{"en":1008,"zh":1009},"Tea Arts","茶艺",[],[],"\u002Fevents\u002Ftea-arts",[],[],{"en":1016,"zh":1017},"Chinese Tea Art Classes and Workshops","茶艺课程与工作坊",{"en":1019,"zh":1020},"Chinese tea art (茶艺) classes and workshops: tea types, brewing methods, tea-table etiquette and the quiet attention of sharing tea.","茶艺课程与工作坊：认识茶类、泡茶方法与茶席礼仪，在一席茶中体会从容与专注。","2026-08-16T17:13:57.000000Z",{"id":242,"uuid":1023,"slug":1024,"available_locales":1025,"name":1026,"description":1029,"body":1031,"path":1034,"images":1035,"image_urls":1036,"hero_image":3,"hero_image_url":3,"seo_title":1037,"seo_description":1040,"sort_order":983,"is_active":936,"status":937,"created_at":938,"updated_at":939},"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[908,909,910],{"en":1027,"zh":1028},"Ba Zi Learning","八字课程",{"en":1030,"zh":3},"Study the Four Pillars as a traditional system of stems, branches and five-phase correspondence, with history and limitations made explicit.",{"en":1032,"zh":1033},"\u003Cp>Ba Zi 八字 interprets year, month, day and hour through the heavenly stems, earthly branches, yin-yang and five-phase relationships. It is an influential part of Chinese metaphysical culture, not an observational science in the modern empirical sense.\u003C\u002Fp>\u003Cp>Classes introduce chart structure, terminology and common interpretive methods while distinguishing tradition from evidence. Students are encouraged to treat readings as prompts for reflection and never as guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>八字以年、月、日、时四柱为框架，通过天干、地支、阴阳与五行关系进行解释。它是中国术数文化中影响深远的传统体系，并非现代经验科学。\u003C\u002Fp>\u003Cp>课程介绍命盘结构、基本术语和常见诠释方法，同时说明传统观点与科学证据的差别。学员可把解读作为反思的线索，但不应把它当作保证、诊断，或任何专业意见的替代品。\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"en":1038,"zh":1039},"BaZi (Four Pillars) Classes and Courses","八字课程：四柱、天干地支与五行入门",{"en":1030,"zh":1041},"学习四柱中的天干、地支与五行关系，理解其历史与方法，也清楚区分传统诠释和现代实证知识。",{"id":69,"uuid":1043,"slug":1044,"available_locales":1045,"name":1046,"description":1049,"body":1050,"path":1051,"images":1052,"image_urls":1053,"hero_image":3,"hero_image_url":3,"seo_title":1054,"seo_description":1057,"sort_order":983,"is_active":936,"status":937,"created_at":1021,"updated_at":939},"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[908,909,910],{"en":1047,"zh":1048},"Incense Culture","香文化",[],[],"\u002Fevents\u002Fincense-culture",[],[],{"en":1055,"zh":1056},"Chinese Incense Culture Workshops","香文化活动与工作坊",{"en":1058,"zh":1059},"Workshops on Chinese incense culture (香文化): aromatic materials, traditional ways of preparing and appreciating incense, and incense as calm attention.","香文化活动与工作坊：认识香材、传统制香与品香方式，在一炉香中练习安静与专注。",{"id":1061,"uuid":1062,"slug":1063,"available_locales":1064,"name":1065,"description":1068,"body":1071,"path":1074,"images":1075,"image_urls":1076,"hero_image":3,"hero_image_url":3,"seo_title":1077,"seo_description":1079,"sort_order":983,"is_active":936,"status":937,"created_at":1080,"updated_at":939},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[908,909,910],{"en":1066,"zh":1067},"I Ching Learning","易经课程",{"en":1069,"zh":1070},"Explore the I Ching through its hexagrams, traditional interpretive methods and historical context, with scope and limitations made explicit.","通过卦象、传统解读方法与历史语境认识《易经》，并清楚说明其适用范围与局限。",{"en":1072,"zh":1073},"\u003Cp>The I Ching 易经 is a classical Chinese text centred on sixty-four hexagrams and a long history of commentary and divination. It has shaped Chinese philosophy, cosmology and metaphysical practice, but its divinatory claims are not established as modern empirical science.\u003C\u002Fp>\u003Cp>Classes introduce structures, terminology and traditional methods such as Liu Yao while distinguishing cultural study from evidence. Readings should be treated as prompts for reflection, not guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>《易经》是一部以六十四卦为核心的中国经典，形成了悠久的注疏与占筮传统，并深刻影响中国哲学、宇宙观与术数文化；其占筮主张并非现代经验科学所证实。\u003C\u002Fp>\u003Cp>课程介绍基本结构、术语和六爻等传统方法，同时区分文化学习与科学证据。解读宜作为反思线索，不应视为保证、诊断或任何专业意见的替代品。\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"en":1078,"zh":1067},"I Ching Classes and Courses",{"en":1069,"zh":1070},"2026-09-08T00:15:35.000000Z",{"id":21,"uuid":1082,"slug":1083,"available_locales":1084,"name":1085,"description":1088,"body":1091,"path":1094,"images":1095,"image_urls":1096,"hero_image":3,"hero_image_url":3,"seo_title":1097,"seo_description":1100,"sort_order":242,"is_active":936,"status":937,"created_at":1103,"updated_at":939},"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[908,909,910],{"en":1086,"zh":1087},"Traditional Arts & Crafts","传统艺术与手作",{"en":1089,"zh":1090},"Hands-on workshops exploring Chinese handicrafts and decorative arts through guided making and cultural appreciation.","通过亲手制作与文化欣赏，体验中国传统手作及装饰艺术。",{"en":1092,"zh":1093},"\u003Cp>Discover practical workshops in Chinese decorative arts and handcraft traditions. Activities may include gold-leaf painting, cloisonné enamel, mother-of-pearl work, Song brocade and other guided projects.\u003C\u002Fp>\u003Cp>These welcoming sessions introduce materials, techniques and cultural context while allowing participants to complete a piece of their own.\u003C\u002Fp>","\u003Cp>本类别汇集中国传统装饰艺术与手作体验，内容可涵盖金箔画、掐丝珐琅、螺钿工艺、宋锦及其他创作项目。\u003C\u002Fp>\u003Cp>课程以轻松易懂的方式介绍材料、技法与文化背景，让参加者在导师带领下完成属于自己的作品。\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"en":1098,"zh":1099},"Traditional Arts & Crafts Events","传统艺术与手作活动",{"en":1101,"zh":1102},"Explore Chinese handicraft and decorative arts workshops, including gold-leaf, cloisonné, mother-of-pearl and brocade.","探索金箔画、掐丝珐琅、螺钿、宋锦等中国传统手作及装饰艺术体验。","2026-08-16T19:24:04.000000Z",{"id":212,"uuid":1105,"slug":1106,"available_locales":1107,"name":1108,"description":1111,"body":1114,"path":1117,"images":1118,"image_urls":1119,"hero_image":3,"hero_image_url":3,"seo_title":1120,"seo_description":1122,"sort_order":247,"is_active":936,"status":937,"created_at":1125,"updated_at":939},"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[908,909,910],{"en":1109,"zh":1110},"Wudang Community","武当社群活动",{"en":1112,"zh":1113},"Talks, broadcasts and community gatherings connecting people with Wudang culture, learning and living practice.","通过讲座、直播与社群聚会，连接武当文化、学习与日常实践。",{"en":1115,"zh":1116},"\u003Cp>Wudang Community brings together public talks, livestreams, gatherings and shared cultural activities connected with Wudang.\u003C\u002Fp>\u003Cp>These programmes create welcoming ways to meet practitioners, explore ideas and participate in a growing community of learning and practice.\u003C\u002Fp>","\u003Cp>武当社群活动汇集与武当文化相关的公开讲座、直播、聚会及共享文化体验。\u003C\u002Fp>\u003Cp>这些活动以友善开放的方式连接练习者与学习者，让大家交流心得、认识传统，并共同参与持续发展的文化社群。\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"en":1121,"zh":1110},"Wudang Community Events",{"en":1123,"zh":1124},"Discover Wudang community talks, broadcasts and gatherings connecting people with culture, learning and living practice.","探索连接武当文化、学习与日常实践的讲座、直播及社群聚会。","2026-08-16T19:24:18.000000Z",{"id":16,"uuid":1127,"slug":1128,"available_locales":1129,"name":1130,"description":1133,"body":1134,"path":1135,"images":1136,"image_urls":1137,"hero_image":3,"hero_image_url":3,"seo_title":1138,"seo_description":1141,"sort_order":69,"is_active":936,"status":937,"created_at":1144,"updated_at":939},"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[908,909,910],{"en":1131,"zh":1132},"Wudang Journeys & Retreats","武当旅修与行程",[],[],"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"en":1139,"zh":1140},"Wudang Mountain Retreats and Guided Journeys","武当山旅修与静修行程",{"en":1142,"zh":1143},"Guided journeys and retreats to Wudang Mountain that combine practice, temple visits and cultural learning, with itineraries and expectations set out clearly.","前往武当山的旅修与静修：结合修习、宫观参访与文化学习，提前说明行程安排与参加须知。","2026-08-18T11:09:38.000000Z",{"data":1146},{"hero_type":1147,"hero_image":1148,"hero_image_alt":1149,"hero_youtube_id":1150,"hero_content_on":936,"hero_heading":1151,"hero_subheading":1152,"hero_text":1153,"hero_subheading_zh":1154,"hero_text_zh":1155,"hero_buttons":1156,"home_seo":1162,"page_layout":1168,"shop_enabled":1169,"contact":1170,"journey":1186},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武当文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","这里既是学习之地，也是让文化融入日常的所在。","从道家思想、内家武术、文人雅艺与武当山出发，以清晰、踏实的方式，在新加坡及世界各地认识和体验武当文化。",[1157,1159],{"label":1158,"link":278},"Start Your Wudang Journey",{"label":1160,"link":1161},"View Events & Courses","\u002Fevents",{"title":1163,"description":1165},{"en":1164,"zh":3},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":1166,"zh":1167},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","从太极、气功、道家思想、武术、传统雅艺与养生文化认识武当山，探索武当文化及武当山的日常生活。","sidebar",false,{"methods":1171,"has_any":936,"text":1179},{"email":1172,"whatsapp":1173,"wechat_id":1174,"wechat_qr_url":1175,"instagram":1176,"instagram_handle":1177,"facebook":1178,"facebook_handle":1177},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":1180,"china_heading_zh":1181,"china_company_en":1182,"china_company_zh":1183,"china_address_en":1184,"china_address_zh":1185},"China Operations","中国运营","Xunwei Wudang Co., Ltd.","寻味武当有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武当山王家园剑河二路72号",{"title_en":3,"title_zh":3,"intro_en":3,"intro_zh":3,"enabled":936},{"data":1188},{"to":413,"type":1189,"available_locales":1190,"is_content_page":936,"title":1191,"subtitle":1192,"body":1195,"hero_image_url":1198,"hero_width":1199,"hero_height":1200,"hero_image_alt":1201,"hero_image_decorative":1169,"hero_credit":1204,"hero_alt":1211,"hero_style":1212,"card_layout":1213,"link_type":3,"link_ref":3,"seo_title":1214,"seo_description":1217,"children":1220},"page",[908,909,910],{"en":414,"zh":415},{"en":1193,"zh":1194},"Follow books through publisher-booksellers, regional centres, urban districts, itinerant routes, catalogues, trust and unequal access.","从书坊、区域出版中心、城市书业街区、流动商路、目录、信用与不均等的阅读机会，理解中国书籍市场。",{"en":1196,"zh":1197},"\u003Ch2>A bookshop was a junction, not just a room with shelves\u003C\u002Fh2>\n\u003Ch3>Several Chinese terms describe different kinds of trade\u003C\u002Fh3>\n\u003Cp>Historical sources use terms such as 書肆\u002F书肆 (\u003Cem>shūsì\u003C\u002Fem>), 書坊\u002F书坊 (\u003Cem>shūfāng\u003C\u002Fem>), 書鋪\u002F书铺 (\u003Cem>shūpù\u003C\u002Fem>) and 書攤\u002F书摊 (\u003Cem>shūtān\u003C\u002Fem>). Their meanings overlap and shift: a named business might print, publish, bind and sell; a stall might specialize in used books; an itinerant merchant might carry stock between towns. “Bookshop” is therefore a starting label, not a timeless legal category. Our \u003Ca href=\"\u002Farts\u002Fchinese-poetry-literature\">Chinese literature reading paths\u003C\u002Fa> show what readers encountered; this guide asks how those texts reached them.\u003C\u002Fp>\n\u003Ch3>Commerce connected work usually separated in modern accounts\u003C\u002Fh3>\n\u003Cp>Authors, editors, block cutters, printers, binders, wholesalers, carriers and retailers could be linked through one enterprise or several contracts. Kai-wing Chow’s \u003Ca href=\"https:\u002F\u002Fwww.hup.harvard.edu\u002Fbooks\u002F9780674009554\">\u003Cem>Publishing, Culture, and Power in Early Modern China\u003C\u002Fem>\u003C\u002Fa> treats commercial publishing as part of larger social and political change. A shop name in an imprint may identify a publisher-bookseller, but it does not by itself reveal who wrote, financed, cut, printed or physically sold every copy.\u003C\u002Fp>\n\n\u003Ch2>Commercial publishing responded to readers as markets\u003C\u002Fh2>\n\u003Ch3>Printers selected formats, subjects and levels of finish\u003C\u002Fh3>\n\u003Cp>Commercial decisions affected page size, paper, illustration, commentary, type of binding and number of copies. A durable scholarly edition and a cheaper working text could serve different buyers. Our guide to \u003Ca href=\"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-thread-bound-books-folding-stitching-reading\">Chinese thread-bound books\u003C\u002Fa> explains why the surviving binding may postdate the printed sheets; price and prestige must not be inferred from today’s condition alone.\u003C\u002Fp>\n\u003Ch3>Popular demand did not make every book “mass” culture\u003C\u002Fh3>\n\u003Cp>Commercial publishers offered examination aids, primers, reference works, drama, fiction, ritual manuals and practical guides, but audiences remained uneven. Timothy Brook and other scholars summarized in \u003Ca href=\"https:\u002F\u002Fcommons.princeton.edu\u002Frbwg\u002Fwp-content\u002Fuploads\u002Fsites\u002F141\u002F2019\u002F09\u002FHistory-of-the-Book-in-China.pdf\">the Oxford history of the Chinese book\u003C\u002Fa> connect economic change with expanding private and commercial publication. Expansion did not mean universal literacy, identical prices or equal access across regions and social groups.\u003C\u002Fp>\n\n\u003Ch2>Regional production centres built distinctive networks\u003C\u002Fh2>\n\u003Ch3>Jianyang joined production to long-distance distribution\u003C\u002Fh3>\n\u003Cp>Lucille Chia’s study of \u003Ca href=\"https:\u002F\u002Fbrill.com\u002Fdisplay\u002Fbook\u002Fedcoll\u002F9781684173815\u002FBP000010.xml\">commercial publishing in Jianyang\u003C\u002Fa> follows a major centre whose output travelled far beyond northern Fujian. Its history shows why a book market cannot be understood only at the point of sale: woodblocks, paper, labour, capital and merchant routes gave local imprints a wider life. Not every Jianyang edition had the same quality, audience or circulation.\u003C\u002Fp>\n\u003Ch3>Sibao shows how rural enterprises reached many kinds of readers\u003C\u002Fh3>\n\u003Cp>Cynthia Brokaw’s \u003Ca href=\"https:\u002F\u002Fbrill.com\u002Fdisplay\u002Ftitle\u002F58128\">\u003Cem>Commerce in Culture\u003C\u002Fem>\u003C\u002Fa> reconstructs publishing houses, bookselling routes, branch shops and itinerant trade based in western Fujian. Her \u003Ca href=\"https:\u002F\u002Fvivo.brown.edu\u002Fdisplay\u002Fcbrokaw\">Brown University research profile\u003C\u002Fa> emphasizes the distribution of educational works, household guides, medical manuals, fortune-telling texts, poetry and fiction into county seats, market towns and villages. It is a powerful regional case, not a template for all China.\u003C\u002Fp>\n\n\u003Ch2>Urban book districts sold current information as well as old books\u003C\u002Fh2>\n\u003Ch3>Liulichang served readers attached to the Qing capital\u003C\u002Fh3>\n\u003Cp>Beijing’s Liulichang is famous for antiquarian books and collecting, but Emily Mokros’s study of \u003Ca href=\"https:\u002F\u002Fscholars.uky.edu\u002Fen\u002Fpublications\u002Freading-the-guides-directories-manuals-and-anthologies-of-liulich\u002F\">its guides, directories, manuals and anthologies\u003C\u002Fa> restores commercial informational publishing to the picture. Bookseller-printers supplied clerks, merchants and aspiring officials with official directories, examination results, administrative compilations and guidebooks. A book district was thus both a cultural landmark and a changing information market.\u003C\u002Fp>\n\u003Ch3>Publishers gathered, recycled and standardized information\u003C\u002Fh3>\n\u003Cp>Useful books had to be updated, sourced and made recognizable to buyers. Shopkeepers cultivated connections, reused material and adjusted formats as demand changed. The resulting books were not neutral databases: selection, timing and commercial strategy shaped them. Compare our guides to \u003Ca href=\"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-leishu-classified-books-excerpts-knowledge\">classified books\u003C\u002Fa> and \u003Ca href=\"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-poetry-anthologies-canon-transmission\">anthologies\u003C\u002Fa>, where excerpting and arrangement likewise construct knowledge.\u003C\u002Fp>\n\n\u003Cfigure>\u003Cimg src=\"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FhBOExz830beUVDLImyeZ.webp\" alt=\"Overhead conceptual photograph of three blank modern facsimile book parcels, blank inventory cards, folded order slips and an abstract cord-and-token route diagram on a cool archive table.\" loading=\"lazy\">\u003Cfigcaption>AI-generated conceptual distribution still life. The blank parcels, cards and route tokens suggest stock, orders and circulation; they are not historical books, accounts, maps, money or evidence of a real shipment.\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\u003Ch2>Books travelled through shops, stalls, branches and boats\u003C\u002Fh2>\n\u003Ch3>A fixed storefront was only one point in the network\u003C\u002Fh3>\n\u003Cp>Publishers and wholesalers could maintain branch shops, send sojourning merchants, supply periodic markets or sell through intermediaries. In places without a permanent specialist shop, mobile sellers mattered. Fan Wang’s article on \u003Ca href=\"https:\u002F\u002Fdoi.org\u002F10.1353\u002Flate.2018.0009\">the itinerant book trade in Jiangnan\u003C\u002Fa> documents “book boats” operating from the sixteenth through nineteenth centuries. The term names a researched regional practice, not every boat that carried printed matter.\u003C\u002Fp>\n\u003Ch3>Transport selected what could be offered\u003C\u002Fh3>\n\u003Cp>Weight, distance, season, demand and credit affected what a merchant carried. A travelling seller needed stock broad enough to find buyers but compact enough to move. Books could also travel with officials, students, pilgrims and ordinary cargo. The network linking a \u003Ca href=\"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-academies-shuyuan-books-teaching-ritual-landscape\">Chinese academy\u003C\u002Fa> to a production centre was therefore made by people, roads, rivers, accounts and trust—not by “circulation” as an abstract force.\u003C\u002Fp>\n\n\u003Ch2>Catalogues, imprints and condition mediated trust\u003C\u002Fh2>\n\u003Ch3>A sales list captured an offer, not a permanent inventory\u003C\u002Fh3>\n\u003Cp>Booksellers used lists, catalogues, notices and correspondence to advertise titles or prices. Indiana University’s record for a \u003Ca href=\"https:\u002F\u002Fiucat.iu.edu\u002Flilly\u002F6599680\">Liulichang old-book price catalogue\u003C\u002Fa> preserves one bibliographic trace of that practice. Such a catalogue may mix available stock, desired acquisitions or prices from one moment; it should not be treated as a complete census of the shop or the district.\u003C\u002Fp>\n\u003Ch3>Buyers evaluated more than a title\u003C\u002Fh3>\n\u003Cp>Edition, completeness, paper, printing, annotations and repair could change value. Prefaces, colophons and shop imprints framed authority and provenance; our guide to \u003Ca href=\"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-prefaces-afterwords-xu-ba-books-texts-readers\">Chinese prefaces and afterwords\u003C\u002Fa> explains why a printed claim must be read as an interested statement. Reputation could reduce uncertainty, but mistaken attribution, defective sets and later rebinding still complicate modern reconstruction.\u003C\u002Fp>\n\n\u003Ch2>The market widened access without erasing boundaries\u003C\u002Fh2>\n\u003Ch3>Different books addressed different pockets and purposes\u003C\u002Fh3>\n\u003Cp>Cheap educational works could reach buyers far from elite collecting circles, while rare editions remained expensive and socially restricted. Primers, model essays and practical manuals served readers at particular stages or occupations. Connect the \u003Ca href=\"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-primers-sanzijing-baijiaxing-qianziwen-literacy\">Three, Hundred and Thousand primers\u003C\u002Fa> with the \u003Ca href=\"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-eight-legged-essay-baguwen-examination-classics-composition\">eight-legged essay\u003C\u002Fa>: both could become commercial products, yet buying a text did not guarantee comprehension, examination success or entry into official life.\u003C\u002Fp>\n\u003Ch3>Profit operated within regulation, censorship and risk\u003C\u002Fh3>\n\u003Cp>Publishers faced state prohibition, local enforcement, block loss, piracy, unpaid credit and shifts in demand. Regulation was neither constant nor perfectly enforced, and a banned title’s survival does not prove unrestricted sale. Merchants also exercised judgment about what could be printed and where it might sell. A commercial market expanded possibilities while remaining shaped by law, capital, reputation and unequal literacy.\u003C\u002Fp>\n\n\u003Ch2>Read a book market through routes, roles and surviving traces\u003C\u002Fh2>\n\u003Ch3>Private libraries preserve only part of the commercial story\u003C\u002Fh3>\n\u003Cp>A collector’s seal or catalogue may show the destination of a purchase, but usually not every negotiation, carrier or intermediary. Our guide to \u003Ca href=\"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-private-libraries-cangshulou-collectors-catalogues-transmission\">Chinese private libraries\u003C\u002Fa> follows books after acquisition; the book-market perspective follows the temporary stock and relationships that made acquisition possible. The two histories overlap without being identical.\u003C\u002Fp>\n\u003Ch3>Eight questions make the market visible\u003C\u002Fh3>\n\u003Cp>Ask: (1) who financed or owned the enterprise? (2) which tasks did it perform—publishing, printing, binding, wholesale or retail? (3) where were books produced? (4) which routes and branch shops moved them? (5) who were the intended buyers? (6) how were titles, prices and condition described? (7) what credit, regulation or risk shaped the sale? (8) what kind of evidence survives—imprint, catalogue, account, letter, book or later memory? Together these questions turn a shop name into a social history of books.\u003C\u002Fp>","\u003Ch2>书肆不只是一间摆满书架的屋子\u003C\u002Fh2>\n\u003Ch3>多个旧称指向不同而交叠的交易形态\u003C\u002Fh3>\n\u003Cp>史料中常见书肆、书坊、书铺、书摊等称呼，含义会随时代与地域变化：一家字号可能兼营刊刻、出版、装订与销售；书摊可能专售旧书；行商则把存书带往不同城镇。因此，“书店”只是理解的起点，并非古今不变的法律分类。本站的\u003Ca href=\"\u002Fzh\u002Farts\u002Fchinese-poetry-literature\">中国文学阅读路径\u003C\u002Fa>关心读者读到什么，本文则追问这些文本怎样来到读者手中。\u003C\u002Fp>\n\u003Ch3>商业把今天常被分开的工序连接起来\u003C\u002Fh3>\n\u003Cp>作者、编者、刻工、印工、装订者、批发商、运送者与零售者，可能属于同一经营体，也可能由多份约定连接。周启荣关于\u003Ca href=\"https:\u002F\u002Fwww.hup.harvard.edu\u002Fbooks\u002F9780674009554\">明清出版文化与权力\u003C\u002Fa>的研究，把商业出版放在更广的社会政治变化中考察。牌记中的书坊名可能指向出版兼销售者，却不能单凭它判定每一册由谁撰写、出资、刻版、刷印或当面售出。\u003C\u002Fp>\n\n\u003Ch2>商业出版把读者视为市场\u003C\u002Fh2>\n\u003Ch3>出版者选择版式、题材与制作等级\u003C\u002Fh3>\n\u003Cp>开本、纸张、插图、评注、装订与印数，都受商业判断影响。精校本与较便宜的日用本可能面向不同买家。本站的\u003Ca href=\"\u002Fzh\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-thread-bound-books-folding-stitching-reading\">中国线装书导读\u003C\u002Fa>说明，今天所见装订可能晚于书叶本身；不能只凭现今品相推断当时价格与身份。\u003C\u002Fp>\n\u003Ch3>需求扩大不等于所有书都成了“大众文化”\u003C\u002Fh3>\n\u003Cp>商业出版包含应试书、蒙书、工具书、戏曲、小说、仪式手册与日用指南，但受众并不均等。\u003Ca href=\"https:\u002F\u002Fcommons.princeton.edu\u002Frbwg\u002Fwp-content\u002Fuploads\u002Fsites\u002F141\u002F2019\u002F09\u002FHistory-of-the-Book-in-China.pdf\">中国书籍史综述\u003C\u002Fa>把经济变化与十八世纪私家、商业出版增长联系起来。增长并不意味着人人识字、各地价格相同，或不同性别与阶层都能同样取得书籍。\u003C\u002Fp>\n\n\u003Ch2>区域性出版中心建立各自的流通网络\u003C\u002Fh2>\n\u003Ch3>建阳把生产与远距离销售连在一起\u003C\u002Fh3>\n\u003Cp>贾晋珠关于\u003Ca href=\"https:\u002F\u002Fbrill.com\u002Fdisplay\u002Fbook\u002Fedcoll\u002F9781684173815\u002FBP000010.xml\">建阳商业出版\u003C\u002Fa>的研究，追踪一处重要中心怎样让书籍走出闽北。它提醒我们，不能只在售书柜台上理解市场；版片、纸张、劳动力、资本与商路，共同使地方刻本获得更长的生命。不同建阳本的质量、受众与流通范围也并不相同。\u003C\u002Fp>\n\u003Ch3>四堡说明乡村经营怎样触达多种读者\u003C\u002Fh3>\n\u003Cp>包筠雅的\u003Ca href=\"https:\u002F\u002Fbrill.com\u002Fdisplay\u002Ftitle\u002F58128\">《文化贸易》\u003C\u002Fa>重建闽西四堡的书坊、销售路线、分店与行商；她在\u003Ca href=\"https:\u002F\u002Fvivo.brown.edu\u002Fdisplay\u002Fcbrokaw\">布朗大学研究介绍\u003C\u002Fa>中又概括了蒙学、家用指南、医书、术数书、诗集与小说向县城、市镇和村落的传播。四堡是极有解释力的区域个案，却不是全中国通用的模板。\u003C\u002Fp>\n\n\u003Ch2>城市书业街区既售旧书，也出售当下信息\u003C\u002Fh2>\n\u003Ch3>琉璃厂服务于清代京城周边的读者\u003C\u002Fh3>\n\u003Cp>北京琉璃厂常以古旧书与收藏闻名，但 Emily Mokros 对\u003Ca href=\"https:\u002F\u002Fscholars.uky.edu\u002Fen\u002Fpublications\u002Freading-the-guides-directories-manuals-and-anthologies-of-liulich\u002F\">指南、名录、手册与选本\u003C\u002Fa>的研究，把商业性信息出版重新放回图景。书坊为吏员、商人和候选官员提供缙绅录、考试结果、行政汇编与城市指南；书业街区既是文化地标，也是不断变化的信息市场。\u003C\u002Fp>\n\u003Ch3>出版者搜集、复用并规范信息\u003C\u002Fh3>\n\u003Cp>实用书需要更新材料、建立来源，并让买家容易识别。经营者维持人脉、重复利用文本，也随着需求调整版式。成书并非中性的数据库：取舍、时间与商业策略都会塑造内容。可与本站的\u003Ca href=\"\u002Fzh\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-leishu-classified-books-excerpts-knowledge\">类书\u003C\u002Fa>及\u003Ca href=\"\u002Fzh\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-poetry-anthologies-canon-transmission\">诗歌选本\u003C\u002Fa>导读对照；摘录和编排同样在建构知识。\u003C\u002Fp>\n\n\u003Cfigure>\u003Cimg src=\"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FhBOExz830beUVDLImyeZ.webp\" alt=\"顶视概念照片：三包封面空白的现代仿制书、空白存货卡与订货单，以及由细绳和无标记木片组成的抽象路线图，置于冷色档案工作台上。\" loading=\"lazy\">\u003Cfigcaption>AI 生成的概念性流通静物。空白书包、卡片与路线木片用于表现存货、订单和流通；它们不是历史古籍、账簿、地图、货币或真实运输记录。\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\u003Ch2>书籍经由店铺、书摊、分号与书船移动\u003C\u002Fh2>\n\u003Ch3>固定店面只是网络中的一个节点\u003C\u002Fh3>\n\u003Cp>出版与批发经营者可以设分号、派出客商、参加定期市场，或借中间人售书；没有专门书店的地方更依赖流动商贩。Fan Wang 关于\u003Ca href=\"https:\u002F\u002Fdoi.org\u002F10.1353\u002Flate.2018.0009\">江南书船\u003C\u002Fa>的研究，记录了十六至十九世纪的水上行商。“书船”指向有史料支持的区域实践，不能泛指所有运书船只。\u003C\u002Fp>\n\u003Ch3>运输条件决定能卖什么\u003C\u002Fh3>\n\u003Cp>重量、距离、季节、需求与赊欠都会影响行商携带的书。流动售书者既要让品种足以找到买家，又要控制体积。书也会随官员、学生、香客与普通货物移动。一所\u003Ca href=\"\u002Fzh\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-academies-shuyuan-books-teaching-ritual-landscape\">书院\u003C\u002Fa>与出版中心的联系，靠的是人员、道路、水路、账目与信用，而非抽象的“流通”二字。\u003C\u002Fp>\n\n\u003Ch2>书目、牌记与品相共同建立信任\u003C\u002Fh2>\n\u003Ch3>售书目录记录一次报价，而非永久库存\u003C\u002Fh3>\n\u003Cp>书商会用书目、价格目录、告示与书信宣传书名和价格。印第安纳大学所藏一份\u003Ca href=\"https:\u002F\u002Fiucat.iu.edu\u002Flilly\u002F6599680\">琉璃厂旧书店古书价格目录\u003C\u002Fa>，就是这种实践留下的书目证据。目录可能同时包含当时库存、拟购书与某一时点的定价，不能当作店铺或整个街区的完整普查。\u003C\u002Fp>\n\u003Ch3>买家判断的不只有书名\u003C\u002Fh3>\n\u003Cp>版本、卷册完整度、纸张、刷印、批注与修补都会改变价值。序跋、牌记与题识又会塑造权威和来源；本站的\u003Ca href=\"\u002Fzh\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-prefaces-afterwords-xu-ba-books-texts-readers\">中国序跋导读\u003C\u002Fa>提醒我们，印在书上的说法也是带有目的的陈述。字号声誉能降低不确定性，却不能消除误认版本、缺卷与后配装订。\u003C\u002Fp>\n\n\u003Ch2>市场扩大了接触面，却没有消除边界\u003C\u002Fh2>\n\u003Ch3>不同书籍面向不同财力与用途\u003C\u002Fh3>\n\u003Cp>较便宜的教育用书能走出精英收藏圈，而稀见版本仍昂贵且受社会关系限制。蒙书、范文与实用手册服务于特定学习阶段或职业。可把\u003Ca href=\"\u002Fzh\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-primers-sanzijing-baijiaxing-qianziwen-literacy\">“三百千”蒙书\u003C\u002Fa>与\u003Ca href=\"\u002Fzh\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-eight-legged-essay-baguwen-examination-classics-composition\">八股文\u003C\u002Fa>导读连起来看：它们都可成为商品，但买到书不等于读懂、应试成功或进入仕途。\u003C\u002Fp>\n\u003Ch3>利润始终受规制、禁令与风险制约\u003C\u002Fh3>\n\u003Cp>出版者面对禁毁、地方执法、版片损失、盗版、赊账未收与需求变化。规制不会始终一致，执行也不可能完全；禁书幸存并不能证明它曾自由出售。商人还要判断什么能印、在哪里能卖。商业市场打开了可能性，同时仍被法律、资本、声誉与不均等的识字能力塑造。\u003C\u002Fp>\n\n\u003Ch2>沿着路线、角色与残留证据阅读书籍市场\u003C\u002Fh2>\n\u003Ch3>私家藏书只保存商业故事的一部分\u003C\u002Fh3>\n\u003Cp>藏书印与私家目录可能说明购书后的去向，却往往不记录每一次议价、承运与转手。本站的\u003Ca href=\"\u002Fzh\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-private-libraries-cangshulou-collectors-catalogues-transmission\">中国藏书楼导读\u003C\u002Fa>追踪书进入收藏后的生命；书籍市场史则追踪促成购买的临时库存与人际关系。两者相互重叠，却不是同一段历史。\u003C\u002Fp>\n\u003Ch3>八个问题让市场重新可见\u003C\u002Fh3>\n\u003Cp>请问：（1）谁出资或拥有字号？（2）它兼营出版、印刷、装订、批发还是零售？（3）书在哪里生产？（4）经由哪些路线与分号移动？（5）预期买家是谁？（6）怎样描述书名、价格与品相？（7）赊欠、规制与风险如何影响交易？（8）今天留下的是牌记、书目、账簿、书信、实物，还是后来的回忆？这些问题能把一个字号还原为书籍的社会史。\u003C\u002Fp>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FuhjaxXpGTvj1xLgGWAb6.webp",1536,1024,{"en":1202,"zh":1203},"Anonymous modern visitors browse blank-covered facsimile books in a warm invented timber market arcade while a bookseller arranges stock.","几位不具名的当代访客在暖色调的虚构木构书市廊道中浏览封面空白的仿制书，一名书商正在整理存书。",{"caption":1205,"creator":1206,"source_url":1207,"license_label":1208,"license_url":1209,"changes":1210},"AI-generated conceptual book-market arcade; not a real shop, market, historic district, person or event.","OpenAI","https:\u002F\u002Fopenai.com\u002F","AI-generated image","https:\u002F\u002Fopenai.com\u002Fpolicies\u002Fterms-of-use\u002F","Generated independently for this article; converted to WebP without compositing.",{"en":1202,"zh":1203},"banner","list",{"en":1215,"zh":1216},"Chinese Bookshops and Book Markets: Trade, Routes and Readers","中国书肆与书市导读：出版、商路与读者",{"en":1218,"zh":1219},"Explore Chinese bookshops and markets through publisher-booksellers, Jianyang, Sibao, Liulichang, book boats, catalogues, credit and unequal access.","从书坊、建阳、四堡、琉璃厂、书船、目录、信用与阅读机会，理解中国书籍贸易和流通网络。",[],{"data":1222},[1223,1299,1400,1491],{"id":1224,"slug":1225,"available_locales":1226,"path":1227,"title":1228,"venue":1231,"hero_image_url":3,"card_image_url":1234,"card_landscape_url":1235,"lifecycle":1236,"session_mode":1237,"sessions":1238,"next_session":1298},15601,"liu-yao-beginner-course",[908,909,910],"\u002Fevents\u002Fi-ching-learning\u002Fliu-yao-beginner-course",{"en":1229,"zh":1230},"Liu Yao 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2026","2026年11月21日",21,"Sat",{"status":1240,"date_slug":1272,"time_label":1242,"timezone_abbr":1243,"date_label":1273,"date_label_fr":1274,"date_short_fr":1275,"date_only_fr":1276,"date_range_label_fr":3,"time_label_fr":1248,"date_label_zh":1277,"date_short":1278,"date_short_zh":1279,"date_only":1280,"date_only_zh":1281,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":147,"month_short":1282,"month_long":1283,"month_num":147,"year":1256,"weekday_short":1270,"weekday_index":60},"2026-12-12","Saturday, 12 December 2026","samedi 12 décembre 2026","sam. 12 déc.","12 déc. 2026","2026年12月12日 星期六","Sat 12 Dec","12月12日 周六","12 Dec 2026","2026年12月12日","Dec","December",{"status":1240,"date_slug":1285,"time_label":1242,"timezone_abbr":1243,"date_label":1286,"date_label_fr":1287,"date_short_fr":1288,"date_only_fr":1289,"date_range_label_fr":3,"time_label_fr":1248,"date_label_zh":1290,"date_short":1291,"date_short_zh":1292,"date_only":1293,"date_only_zh":1294,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":137,"month_short":1295,"month_long":1296,"month_num":38,"year":1297,"weekday_short":1257,"weekday_index":935},"2027-01-17","Sunday, 17 January 2027","dimanche 17 janvier 2027","dim. 17 janv.","17 janv. 2027","2027年1月17日 星期日","Sun 17 Jan","1月17日 周日","17 Jan 2027","2027年1月17日","Jan","January",2027,{"status":1240,"date_slug":1241,"time_label":1242,"timezone_abbr":1243,"date_label":1244,"date_label_fr":1245,"date_short_fr":1246,"date_only_fr":1247,"date_range_label_fr":3,"time_label_fr":1248,"date_label_zh":1249,"date_short":1250,"date_short_zh":1251,"date_only":1252,"date_only_zh":1253,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":38,"month_short":1254,"month_long":1255,"month_num":1061,"year":1256,"weekday_short":1257,"weekday_index":935},{"id":1300,"slug":1301,"available_locales":1302,"path":1303,"title":1304,"venue":1307,"hero_image_url":1308,"card_image_url":1308,"card_landscape_url":1309,"lifecycle":1236,"session_mode":1237,"sessions":1310,"next_session":1399},78700,"baduanjin-workshop-september",[908,909,910],"\u002Fevents\u002Finternal-arts-wellness\u002Fbaduanjin-workshop-september",{"en":1305,"zh":1306},"Baduanjin Workshop — November 2026 Sessions","古法八段锦 · 2026年11月班",{"en":1232,"zh":1233},"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FWU46jadRUq4I84xPdaTQ.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002Fvariants\u002FCQB6xxmg8kF7eqWPQgAl-16x9.webp",[1311,1328,1340,1353,1364,1365,1376,1387],{"status":1312,"date_slug":1313,"time_label":1314,"timezone_abbr":1243,"date_label":1315,"date_label_fr":1316,"date_short_fr":1317,"date_only_fr":1318,"date_range_label_fr":3,"time_label_fr":1319,"date_label_zh":1320,"date_short":1321,"date_short_zh":1322,"date_only":1323,"date_only_zh":1324,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":1325,"month_short":1326,"month_long":1327,"month_num":16,"year":1256,"weekday_short":1257,"weekday_index":935},"completed","2026-09-13","10:00am–12:00pm","Sunday, 13 September 2026","dimanche 13 septembre 2026","dim. 13 sept.","13 sept. 2026","10:00–12:00","2026年9月13日 星期日","Sun 13 Sep","9月13日 周日","13 Sep 2026","2026年9月13日",13,"Sep","September",{"status":1312,"date_slug":1329,"time_label":1314,"timezone_abbr":1243,"date_label":1330,"date_label_fr":1331,"date_short_fr":1332,"date_only_fr":1333,"date_range_label_fr":3,"time_label_fr":1319,"date_label_zh":1334,"date_short":1335,"date_short_zh":1336,"date_only":1337,"date_only_zh":1338,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":1339,"month_short":1326,"month_long":1327,"month_num":16,"year":1256,"weekday_short":1257,"weekday_index":935},"2026-09-27","Sunday, 27 September 2026","dimanche 27 septembre 2026","dim. 27 sept.","27 sept. 2026","2026年9月27日 星期日","Sun 27 Sep","9月27日 周日","27 Sep 2026","2026年9月27日",27,{"status":1312,"date_slug":1341,"time_label":1314,"timezone_abbr":1243,"date_label":1342,"date_label_fr":1343,"date_short_fr":1344,"date_only_fr":1345,"date_range_label_fr":3,"time_label_fr":1319,"date_label_zh":1346,"date_short":1347,"date_short_zh":1348,"date_only":1349,"date_only_zh":1350,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":247,"month_short":1351,"month_long":1352,"month_num":964,"year":1256,"weekday_short":1257,"weekday_index":935},"2026-10-04","Sunday, 4 October 2026","dimanche 4 octobre 2026","dim. 4 oct.","4 oct. 2026","2026年10月4日 星期日","Sun 4 Oct","10月4日 周日","4 Oct 2026","2026年10月4日","Oct","October",{"status":1312,"date_slug":1354,"time_label":1314,"timezone_abbr":1243,"date_label":1355,"date_label_fr":1356,"date_short_fr":1357,"date_only_fr":1358,"date_range_label_fr":3,"time_label_fr":1319,"date_label_zh":1359,"date_short":1360,"date_short_zh":1361,"date_only":1362,"date_only_zh":1363,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":1061,"month_short":1351,"month_long":1352,"month_num":964,"year":1256,"weekday_short":1257,"weekday_index":935},"2026-10-11","Sunday, 11 October 2026","dimanche 11 octobre 2026","dim. 11 oct.","11 oct. 2026","2026年10月11日 星期日","Sun 11 Oct","10月11日 周日","11 Oct 2026","2026年10月11日",{"status":1240,"date_slug":1241,"time_label":1314,"timezone_abbr":1243,"date_label":1244,"date_label_fr":1245,"date_short_fr":1246,"date_only_fr":1247,"date_range_label_fr":3,"time_label_fr":1319,"date_label_zh":1249,"date_short":1250,"date_short_zh":1251,"date_only":1252,"date_only_zh":1253,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":38,"month_short":1254,"month_long":1255,"month_num":1061,"year":1256,"weekday_short":1257,"weekday_index":935},{"status":1240,"date_slug":1366,"time_label":1314,"timezone_abbr":1243,"date_label":1367,"date_label_fr":1368,"date_short_fr":1369,"date_only_fr":1370,"date_range_label_fr":3,"time_label_fr":1319,"date_label_zh":1371,"date_short":1372,"date_short_zh":1373,"date_only":1374,"date_only_zh":1375,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":212,"month_short":1254,"month_long":1255,"month_num":1061,"year":1256,"weekday_short":1257,"weekday_index":935},"2026-11-08","Sunday, 8 November 2026","dimanche 8 novembre 2026","dim. 8 nov.","8 nov. 2026","2026年11月8日 星期日","Sun 8 Nov","11月8日 周日","8 Nov 2026","2026年11月8日",{"status":1240,"date_slug":1377,"time_label":1314,"timezone_abbr":1243,"date_label":1378,"date_label_fr":1379,"date_short_fr":1380,"date_only_fr":1381,"date_range_label_fr":3,"time_label_fr":1319,"date_label_zh":1382,"date_short":1383,"date_short_zh":1384,"date_only":1385,"date_only_zh":1386,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":152,"month_short":1254,"month_long":1255,"month_num":1061,"year":1256,"weekday_short":1257,"weekday_index":935},"2026-11-15","Sunday, 15 November 2026","dimanche 15 novembre 2026","dim. 15 nov.","15 nov. 2026","2026年11月15日 星期日","Sun 15 Nov","11月15日 周日","15 Nov 2026","2026年11月15日",{"status":1240,"date_slug":1388,"time_label":1314,"timezone_abbr":1243,"date_label":1389,"date_label_fr":1390,"date_short_fr":1391,"date_only_fr":1392,"date_range_label_fr":3,"time_label_fr":1319,"date_label_zh":1393,"date_short":1394,"date_short_zh":1395,"date_only":1396,"date_only_zh":1397,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":1398,"month_short":1254,"month_long":1255,"month_num":1061,"year":1256,"weekday_short":1257,"weekday_index":935},"2026-11-22","Sunday, 22 November 2026","dimanche 22 novembre 2026","dim. 22 nov.","22 nov. 2026","2026年11月22日 星期日","Sun 22 Nov","11月22日 周日","22 Nov 2026","2026年11月22日",22,{"status":1240,"date_slug":1241,"time_label":1314,"timezone_abbr":1243,"date_label":1244,"date_label_fr":1245,"date_short_fr":1246,"date_only_fr":1247,"date_range_label_fr":3,"time_label_fr":1319,"date_label_zh":1249,"date_short":1250,"date_short_zh":1251,"date_only":1252,"date_only_zh":1253,"is_multi_day":1169,"date_range_label":3,"date_range_label_zh":3,"day_of_month":38,"month_short":1254,"month_long":1255,"month_num":1061,"year":1256,"weekday_short":1257,"weekday_index":935},{"id":1401,"slug":1402,"available_locales":1403,"path":1404,"title":1405,"venue":1408,"hero_image_url":3,"card_image_url":1409,"card_landscape_url":1410,"lifecycle":1236,"session_mode":1237,"sessions":1411,"next_session":1490},11823,"i-ching-beginner-course-singapore",[908,909],"\u002Fevents\u002Fi-ching-learning\u002Fi-ching-beginner-course-singapore",{"en":1406,"zh":1407},"I Ching Beginner Course in Singapore","新加坡易经入门课程",{"en":1232,"zh":1233},"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FJwpNJzsusDghcVRnEeFK.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002Fvariants\u002FJwpNJzsusDghcVRnEeFK-16x9.webp",[1412,1429,1444,1459,1474],{"status":1312,"date_slug":1413,"time_label":1414,"timezone_abbr":1243,"date_label":1415,"date_label_fr":1416,"date_short_fr":1417,"date_only_fr":1418,"date_range_label_fr":1419,"time_label_fr":1420,"date_label_zh":1421,"date_short":1422,"date_short_zh":1423,"date_only":1424,"date_only_zh":1425,"is_multi_day":936,"date_range_label":1426,"date_range_label_zh":1427,"day_of_month":182,"month_short":1351,"month_long":1352,"month_num":964,"year":1256,"weekday_short":1428,"weekday_index":38},"2026-10-19","7:00–5:00pm","Monday, 19 October 2026","lundi 19 octobre 2026","lun. 19 oct.","19 oct. 2026","19 oct. 2026 – 24 oct. 2026","19:00–17:00","2026年10月19日 星期一","Mon 19 Oct","10月19日 周一","19 Oct 2026","2026年10月19日","19–24 Oct 2026","2026年10月19日–24日","Mon",{"status":1240,"date_slug":1430,"time_label":1414,"timezone_abbr":1243,"date_label":1431,"date_label_fr":1432,"date_short_fr":1433,"date_only_fr":1434,"date_range_label_fr":1435,"time_label_fr":1420,"date_label_zh":1436,"date_short":1437,"date_short_zh":1438,"date_only":1439,"date_only_zh":1440,"is_multi_day":936,"date_range_label":1441,"date_range_label_zh":1442,"day_of_month":1443,"month_short":1254,"month_long":1255,"month_num":1061,"year":1256,"weekday_short":1428,"weekday_index":38},"2026-11-16","Monday, 16 November 2026","lundi 16 novembre 2026","lun. 16 nov.","16 nov. 2026","16 nov. 2026 – 21 nov. 2026","2026年11月16日 星期一","Mon 16 Nov","11月16日 周一","16 Nov 2026","2026年11月16日","16–21 Nov 2026","2026年11月16日–21日",16,{"status":1240,"date_slug":1445,"time_label":1414,"timezone_abbr":1243,"date_label":1446,"date_label_fr":1447,"date_short_fr":1448,"date_only_fr":1449,"date_range_label_fr":1450,"time_label_fr":1420,"date_label_zh":1451,"date_short":1452,"date_short_zh":1453,"date_only":1454,"date_only_zh":1455,"is_multi_day":936,"date_range_label":1456,"date_range_label_zh":1457,"day_of_month":1458,"month_short":1282,"month_long":1283,"month_num":147,"year":1256,"weekday_short":1428,"weekday_index":38},"2026-12-14","Monday, 14 December 2026","lundi 14 décembre 2026","lun. 14 déc.","14 déc. 2026","14 déc. 2026 – 19 déc. 2026","2026年12月14日 星期一","Mon 14 Dec","12月14日 周一","14 Dec 2026","2026年12月14日","14–19 Dec 2026","2026年12月14日–19日",14,{"status":1240,"date_slug":1460,"time_label":1414,"timezone_abbr":1243,"date_label":1461,"date_label_fr":1462,"date_short_fr":1463,"date_only_fr":1464,"date_range_label_fr":1465,"time_label_fr":1420,"date_label_zh":1466,"date_short":1467,"date_short_zh":1468,"date_only":1469,"date_only_zh":1470,"is_multi_day":936,"date_range_label":1471,"date_range_label_zh":1472,"day_of_month":1473,"month_short":1295,"month_long":1296,"month_num":38,"year":1297,"weekday_short":1428,"weekday_index":38},"2027-01-18","Monday, 18 January 2027","lundi 18 janvier 2027","lun. 18 janv.","18 janv. 2027","18 janv. 2027 – 23 janv. 2027","2027年1月18日 星期一","Mon 18 Jan","1月18日 周一","18 Jan 2027","2027年1月18日","18–23 Jan 2027","2027年1月18日–23日",18,{"status":1240,"date_slug":1475,"time_label":1414,"timezone_abbr":1243,"date_label":1476,"date_label_fr":1477,"date_short_fr":1478,"date_only_fr":1479,"date_range_label_fr":1480,"time_label_fr":1420,"date_label_zh":1481,"date_short":1482,"date_short_zh":1483,"date_only":1484,"date_only_zh":1485,"is_multi_day":936,"date_range_label":1486,"date_range_label_zh":1487,"day_of_month":152,"month_short":1488,"month_long":1489,"month_num":983,"year":1297,"weekday_short":1428,"weekday_index":38},"2027-02-15","Monday, 15 February 2027","lundi 15 février 2027","lun. 15 févr.","15 févr. 2027","15 févr. 2027 – 20 févr. 2027","2027年2月15日 星期一","Mon 15 Feb","2月15日 周一","15 Feb 2027","2027年2月15日","15–20 Feb 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