[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-fr":3,"site-nav-reference-en":1928,"site-nav-fr-all":3780,"event-categories-fr":5263,"site-settings":5473,"node-fr-dao\u002Fclassics\u002Fliezi\u002Fchapter-01-tian-rui":5515},{"data":4},{"header":5,"footer":1907},[6,624,763,877,1257,1425,1659,1904],{"to":7,"label":8,"children":9},"\u002Fdao","Dao",[10,41,259,533,558,583,615,618,621],{"to":11,"label":12,"children":13},"\u002Fdao\u002Fintroduction","Commencer avec le Dao",[14,17,20,23,26,29,32,35,38],{"to":15,"label":16},"\u002Fdao\u002Fintroduction\u002Fwhat-is-taoism","Qu'est-ce que le taoïsme ? Textes, traditions et pratiques",{"to":18,"label":19},"\u002Fdao\u002Fintroduction\u002Fthe-dao-explained","Le Tao : la source de tous les êtres",{"to":21,"label":22},"\u002Fdao\u002Fintroduction\u002Fcore-ideas","Idées essentielles : wu wei, yin-yang et ziran",{"to":24,"label":25},"\u002Fdao\u002Fintroduction\u002Fphilosophical-vs-religious","Taoïsme philosophique et religieux : des voies distinctes, un héritage partagé",{"to":27,"label":28},"\u002Fdao\u002Fintroduction\u002Fa-short-history","Une brève histoire du taoïsme",{"to":30,"label":31},"\u002Fdao\u002Fintroduction\u002Fkey-texts","Les principaux textes taoïstes en un regard",{"to":33,"label":34},"\u002Fdao\u002Fintroduction\u002Feveryday-life","Le taoïsme dans la vie quotidienne",{"to":36,"label":37},"\u002Fdao\u002Fintroduction\u002Funderstanding-taoism-in-context","Comprendre le taoïsme dans son contexte",{"to":39,"label":40},"\u002Fdao\u002Fintroduction\u002Fwhere-to-go-next","Où poursuivre votre découverte ?",{"to":42,"label":43,"children":44},"\u002Fdao\u002Fyi-jing","Yijing",[45,48,51,247,250,253,256],{"to":46,"label":47},"\u002Fdao\u002Fyi-jing\u002Forigins-history","Origines et histoire du Yijing",{"to":49,"label":50},"\u002Fdao\u002Fyi-jing\u002Feight-trigrams","Les huit trigrammes (bagua)",{"to":52,"label":53,"children":54},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams","Les 64 hexagrammes",[55,58,61,64,67,70,73,76,79,82,85,88,91,94,97,100,103,106,109,112,115,118,121,124,127,130,133,136,139,142,145,148,151,154,157,160,163,166,169,172,175,178,181,184,187,190,193,196,199,202,205,208,211,214,217,220,223,226,229,232,235,238,241,244],{"to":56,"label":57},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-01-qian","1 · Qian 乾 ䷀",{"to":59,"label":60},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-02-kun","2 · Kun 坤 ䷁",{"to":62,"label":63},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-03-zhun","3 · Zhun 屯 ䷂",{"to":65,"label":66},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-04-meng","4 · Meng 蒙 ䷃",{"to":68,"label":69},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-05-xu","5 · Xu 需 ䷄",{"to":71,"label":72},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-06-song","6 · Song 讼 ䷅",{"to":74,"label":75},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-07-shi","7 · Shi 师 ䷆",{"to":77,"label":78},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-08-bi","8 · Bi 比 ䷇",{"to":80,"label":81},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-09-xiao-xu","9 · Xiao Xu 小畜 ䷈",{"to":83,"label":84},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-10-lu","10 · Lü 履 ䷉",{"to":86,"label":87},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-11-tai","11 · Tai 泰 ䷊",{"to":89,"label":90},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-12-pi","12 · Pi 否 ䷋",{"to":92,"label":93},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-13-tong-ren","13 · Tong Ren 同人 ䷌",{"to":95,"label":96},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-14-da-you","14 · Da You 大有 ䷍",{"to":98,"label":99},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-15-qian-modesty","15 · Qian 谦 ䷎",{"to":101,"label":102},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-16-yu","16 · Yu 豫 ䷏",{"to":104,"label":105},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-17-sui","17 · Sui 随 ䷐",{"to":107,"label":108},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-18-gu","18 · Gu 蛊 ䷑",{"to":110,"label":111},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-19-lin","19 · Lin 临 ䷒",{"to":113,"label":114},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-20-guan","20 · Guan 观 ䷓",{"to":116,"label":117},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-21-shi-he","21 · Shi He 噬嗑 ䷔",{"to":119,"label":120},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-22-bi","22 · Bi 贲 ䷕",{"to":122,"label":123},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-23-bo","23 · Bo 剥 ䷖",{"to":125,"label":126},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-24-fu","24 · Fu 复 ䷗",{"to":128,"label":129},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-25-wu-wang","25 · Wu Wang 无妄 ䷘",{"to":131,"label":132},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-26-da-xu","26 · Da Xu 大畜 ䷙",{"to":134,"label":135},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-27-yi","27 · Yi 颐 ䷚",{"to":137,"label":138},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-28-da-guo","28 · Da Guo 大过 ䷛",{"to":140,"label":141},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-29-kan","29 · Kan 坎 ䷜",{"to":143,"label":144},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-30-li","30 · Li 离 ䷝",{"to":146,"label":147},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-31-xian","31 · Xian 咸 ䷞",{"to":149,"label":150},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-32-heng","32 · Heng 恒 ䷟",{"to":152,"label":153},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-33-dun","33 · Dun 遁 ䷠",{"to":155,"label":156},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-34-da-zhuang","34 · Da Zhuang 大壮 ䷡",{"to":158,"label":159},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-35-jin","35 · Jin 晋 ䷢",{"to":161,"label":162},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-36-ming-yi","36 · Ming Yi 明夷 ䷣",{"to":164,"label":165},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-37-jia-ren","37 · Jia Ren 家人 ䷤",{"to":167,"label":168},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-38-kui","38 · Kui 睽 ䷥",{"to":170,"label":171},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-39-jian","39 · Jian 蹇 ䷦",{"to":173,"label":174},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-40-jie","40 · Jie 解 ䷧",{"to":176,"label":177},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-41-sun","41 · Sun 损 ䷨",{"to":179,"label":180},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-42-yi","42 · Yi 益 ䷩",{"to":182,"label":183},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-43-guai","43 · Guai 夬 ䷪",{"to":185,"label":186},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-44-gou","44 · Gou 姤 ䷫",{"to":188,"label":189},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-45-cui","45 · Cui 萃 ䷬",{"to":191,"label":192},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-46-sheng","46 · Sheng 升 ䷭",{"to":194,"label":195},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-47-kun","47 · Kun 困 ䷮",{"to":197,"label":198},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-48-jing","48 · Jing 井 ䷯",{"to":200,"label":201},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-49-ge","49 · Ge 革 ䷰",{"to":203,"label":204},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-50-ding","50 · Ding 鼎 ䷱",{"to":206,"label":207},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-51-zhen","51 · Zhen 震 ䷲",{"to":209,"label":210},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-52-gen","52 · Gen 艮 ䷳",{"to":212,"label":213},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-53-jian","53 · Jian 渐 ䷴",{"to":215,"label":216},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-54-gui-mei","54 · Gui Mei 归妹 ䷵",{"to":218,"label":219},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-55-feng","55 · Feng 丰 ䷶",{"to":221,"label":222},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-56-lu","56 · Lü 旅 ䷷",{"to":224,"label":225},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-57-xun","57 · Xun 巽 ䷸",{"to":227,"label":228},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-58-dui","58 · Dui 兑 ䷹",{"to":230,"label":231},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-59-huan","59 · Huan 涣 ䷺",{"to":233,"label":234},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-60-jie","60 · Jie 节 ䷻",{"to":236,"label":237},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-61-zhong-fu","61 · Zhong Fu 中孚 ䷼",{"to":239,"label":240},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-62-xiao-guo","62 · Xiao Guo 小过 ䷽",{"to":242,"label":243},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-63-ji-ji","63 · Ji Ji 既济 ䷾",{"to":245,"label":246},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-64-wei-ji","64 · Wei Ji 未济 ䷿",{"to":248,"label":249},"\u002Fdao\u002Fyi-jing\u002Fyin-yang-philosophy","Le yin, le yang et la philosophie du changement",{"to":251,"label":252},"\u002Fdao\u002Fyi-jing\u002Fdivination-method-practice","Méthode et pratique de la divination",{"to":254,"label":255},"\u002Fdao\u002Fyi-jing\u002Ftaoism-connection","Le Yijing dans la pratique taoïste",{"to":257,"label":258},"\u002Fdao\u002Fyi-jing\u002Fkey-translations-further-reading","Principales traductions et lectures complémentaires",{"to":260,"label":261,"children":262},"\u002Fdao\u002Fdao-de-jing","Dao De Jing",[263,266,269,272,275,278,281,283,530],{"to":264,"label":265},"\u002Fdao\u002Fdao-de-jing\u002Forigins-authorship","Origines et auteur du Dao De Jing",{"to":267,"label":268},"\u002Fdao\u002Fdao-de-jing\u002Fstructure-of-the-text","Structure du texte",{"to":270,"label":271},"\u002Fdao\u002Fdao-de-jing\u002Fcore-themes","Thèmes centraux : le Dao, le wuwei et le naturel",{"to":273,"label":274},"\u002Fdao\u002Fdao-de-jing\u002Fsimplicity-humility-the-uncarved-block","Simplicité, humilité et bloc brut",{"to":276,"label":277},"\u002Fdao\u002Fdao-de-jing\u002Fgovernance-the-sage-ruler","Le gouvernement et le souverain-sage",{"to":279,"label":280},"\u002Fdao\u002Fdao-de-jing\u002Ftaoism-connection","Le Dao De Jing dans la pratique taoïste",{"to":282,"label":258},"\u002Fdao\u002Fdao-de-jing\u002Fkey-translations-further-reading",{"to":284,"label":285,"children":286},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text","Tao Te Ching : les 81 chapitres",[287,290,293,296,299,302,305,308,311,314,317,320,323,326,329,332,335,338,341,344,347,350,353,356,359,362,365,368,371,374,377,380,383,386,389,392,395,398,401,404,407,410,413,416,419,422,425,428,431,434,437,440,443,446,449,452,455,458,461,464,467,470,473,476,479,482,485,488,491,494,497,500,503,506,509,512,515,518,521,524,527],{"to":288,"label":289},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-01","Chapitre 1 — Le Tao au-delà des noms",{"to":291,"label":292},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-02","Chapitre 2 — Les contraires naissent ensemble",{"to":294,"label":295},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-03","Chapitre 3 — Apaiser la rivalité",{"to":297,"label":298},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-04","Chapitre 4 — La source vide",{"to":300,"label":301},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-05","Chapitre 5 — Le soufflet du ciel et de la terre",{"to":303,"label":304},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-06","Chapitre 6 — L’esprit de la vallée",{"to":306,"label":307},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-07","Chapitre 7 — Durer au-delà de soi",{"to":309,"label":310},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-08","Chapitre 8 — La bonté de l’eau",{"to":312,"label":313},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-09","Chapitre 9 — Savoir s’arrêter",{"to":315,"label":316},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-10","Chapitre 10 — Embrasser l’Un",{"to":318,"label":319},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-11","Chapitre 11 — L’utilité de l’espace vide",{"to":321,"label":322},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-12","Chapitre 12 — Veiller sur les sens",{"to":324,"label":325},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-13","Chapitre 13 — Honneur, disgrâce et moi",{"to":327,"label":328},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-14","Chapitre 14 — La forme sans forme",{"to":330,"label":331},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-15","Chapitre 15 — Les maîtres anciens",{"to":333,"label":334},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-16","Chapitre 16 — Revenir à la racine",{"to":336,"label":337},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-17","Chapitre 17 — Diriger sans peser",{"to":339,"label":340},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-18","Chapitre 18 — Quand le grand Tao se perd",{"to":342,"label":343},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-19","Chapitre 19 — Revenir à la simplicité",{"to":345,"label":346},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-20","Chapitre 20 — Différer de la foule",{"to":348,"label":349},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-21","Chapitre 21 — Suivre le Tao",{"to":351,"label":352},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-22","Chapitre 22 — Plier sans rompre",{"to":354,"label":355},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-23","Chapitre 23 — Peu de paroles, une action naturelle",{"to":357,"label":358},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-24","Chapitre 24 — Se tenir debout sans forcer",{"to":360,"label":361},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-25","Chapitre 25 — La Voie de la nature",{"to":363,"label":364},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-26","Chapitre 26 — S’enraciner dans le calme",{"to":366,"label":367},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-27","Chapitre 27 — Ne laisser personne de côté",{"to":369,"label":370},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-28","Chapitre 28 — Revenir au bloc non taillé",{"to":372,"label":373},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-29","Chapitre 29 — Le monde n’est pas un objet",{"to":375,"label":376},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-30","Chapitre 30 — La puissance sans domination",{"to":378,"label":379},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-31","Chapitre 31 — La victoire sans célébration",{"to":381,"label":382},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-32","Chapitre 32 — La simplicité sans nom",{"to":384,"label":385},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-33","Chapitre 33 — Se connaître soi-même",{"to":387,"label":388},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-34","Chapitre 34 — Grand sans posséder",{"to":390,"label":391},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-35","Chapitre 35 — La grande image",{"to":393,"label":394},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-36","Chapitre 36 — La compréhension subtile",{"to":396,"label":397},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-37","Chapitre 37 — Agir sans forcer",{"to":399,"label":400},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-38","Chapitre 38 — Du Tao au rituel",{"to":402,"label":403},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-39","Chapitre 39 — S’enraciner dans l’Un",{"to":405,"label":406},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-40","Chapitre 40 — Retourner et céder",{"to":408,"label":409},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-41","Chapitre 41 — Le Tao qui paraît contraire",{"to":411,"label":412},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-42","Chapitre 42 — Yin, yang et harmonie",{"to":414,"label":415},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-43","Chapitre 43 — Le plus souple surmonte le plus dur",{"to":417,"label":418},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-44","Chapitre 44 — La vie avant la réputation",{"to":420,"label":421},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-45","Chapitre 45 — Le grand accomplissement semble incomplet",{"to":423,"label":424},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-46","Chapitre 46 — La suffisance du contentement",{"to":426,"label":427},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-47","Chapitre 47 — Connaître sans voyager au loin",{"to":429,"label":430},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-48","Chapitre 48 — Apprendre en lâchant prise",{"to":432,"label":433},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-49","Chapitre 49 — Un cœur ouvert au peuple",{"to":435,"label":436},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-50","Chapitre 50 — Vivre sans s’agripper à la vie",{"to":438,"label":439},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-51","Chapitre 51 — La vertu profonde nourrit",{"to":441,"label":442},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-52","Chapitre 52 — Revenir à la mère",{"to":444,"label":445},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-53","Chapitre 53 — La grande Voie et les chemins de traverse",{"to":447,"label":448},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-54","Chapitre 54 — Le travail sur soi, de soi au monde",{"to":450,"label":451},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-55","Chapitre 55 — La vitalité du nourrisson",{"to":453,"label":454},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-56","Chapitre 56 — L’unité mystérieuse",{"to":456,"label":457},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-57","Chapitre 57 — Gouverner avec moins d’interférences",{"to":459,"label":460},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-58","Chapitre 58 — Le bonheur repose sur le malheur",{"to":462,"label":463},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-59","Chapitre 59 — Racines profondes et préservation",{"to":465,"label":466},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-60","Chapitre 60 — Gouverner comme on cuit un petit poisson",{"to":468,"label":469},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-61","Chapitre 61 — Le grand État se tient en bas",{"to":471,"label":472},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-62","Chapitre 62 — Le refuge de tous les êtres",{"to":474,"label":475},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-63","Chapitre 63 — Commencer par ce qui est petit",{"to":477,"label":478},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-64","Chapitre 64 — Soigner la fin autant que le début",{"to":480,"label":481},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-65","Chapitre 65 — Au-delà de l’habileté manipulatrice",{"to":483,"label":484},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-66","Chapitre 66 — Diriger depuis le bas",{"to":486,"label":487},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-67","Chapitre 67 — Les trois trésors",{"to":489,"label":490},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-68","Chapitre 68 — La vertu de ne pas rivaliser",{"to":492,"label":493},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-69","Chapitre 69 — Ne jamais sous-estimer l’adversaire",{"to":495,"label":496},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-70","Chapitre 70 — Des habits simples, du jade au-dedans",{"to":498,"label":499},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-71","Chapitre 71 — Savoir que l’on ne sait pas",{"to":501,"label":502},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-72","Chapitre 72 — L’autorité sans oppression",{"to":504,"label":505},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-73","Chapitre 73 — Le courage de ne pas forcer",{"to":507,"label":508},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-74","Chapitre 74 — Ne pas prendre la place du bourreau",{"to":510,"label":511},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-75","Chapitre 75 — Quand les dirigeants consomment trop",{"to":513,"label":514},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-76","Chapitre 76 — Les vivants sont souples",{"to":516,"label":517},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-77","Chapitre 77 — La Voie du ciel ressemble à un arc",{"to":519,"label":520},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-78","Chapitre 78 — Rien n’est plus souple que l’eau",{"to":522,"label":523},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-79","Chapitre 79 — Après un grand ressentiment",{"to":525,"label":526},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-80","Chapitre 80 — Une communauté petite et satisfaite",{"to":528,"label":529},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-81","Chapitre 81 — La Voie qui bénéficie sans nuire",{"to":531,"label":532},"\u002Fdao\u002Fdao-de-jing\u002Fdao-de-jing-commentaries-heshang-gong-wang-bi-xianger","Comment les commentaires transforment le Dao De Jing : Heshang Gong, Wang Bi et le Xiang’er",{"to":534,"label":535,"children":536},"\u002Fdao\u002Ftaiji","Taiji",[537,540,543,546,549,552,555],{"to":538,"label":539},"\u002Fdao\u002Ftaiji\u002Forigins-meaning","Origines et sens du Taiji",{"to":541,"label":542},"\u002Fdao\u002Ftaiji\u002Ftaijitu-diagram","Le diagramme du Taiji (taijitu)",{"to":544,"label":545},"\u002Fdao\u002Ftaiji\u002Ftaiji-wuji-cosmology","Taiji, Wuji et cosmologie",{"to":547,"label":548},"\u002Fdao\u002Ftaiji\u002Fyin-and-yang-within-taiji","Le yin et le yang au sein du Taiji",{"to":550,"label":551},"\u002Fdao\u002Ftaiji\u002Ftaiji-in-neo-confucian-taoist-thought","Le Taiji dans la pensée néo-confucéenne et taoïste",{"to":553,"label":554},"\u002Fdao\u002Ftaiji\u002Finternal-martial-practice","Le Taiji et la pratique martiale interne",{"to":556,"label":557},"\u002Fdao\u002Ftaiji\u002Fkey-sources-further-reading","Sources principales et pour aller plus loin",{"to":559,"label":560,"children":561},"\u002Fdao\u002Fzhuang-zi","Zhuangzi",[562,565,568,571,574,577,580],{"to":563,"label":564},"\u002Fdao\u002Fzhuang-zi\u002Flife-historical-context","Zhuangzi : sa vie et son contexte historique",{"to":566,"label":567},"\u002Fdao\u002Fzhuang-zi\u002Fstructure-authorship","Structure et auteurs du texte",{"to":569,"label":570},"\u002Fdao\u002Fzhuang-zi\u002Fcore-themes","Thèmes centraux : l’errance, le wuwei et la spontanéité",{"to":572,"label":573},"\u002Fdao\u002Fzhuang-zi\u002Fequality-of-things","L’égalité des choses et la relativité des points de vue",{"to":575,"label":576},"\u002Fdao\u002Fzhuang-zi\u002Ffamous-parables","Les paraboles célèbres du Zhuangzi",{"to":578,"label":579},"\u002Fdao\u002Fzhuang-zi\u002Ftaoism-connection","Zhuangzi dans la pratique taoïste et son influence ultérieure",{"to":581,"label":582},"\u002Fdao\u002Fzhuang-zi\u002Fkey-translations-further-reading","Traductions essentielles et lectures pour aller plus loin",{"to":584,"label":585,"children":586},"\u002Fdao\u002Fclassics","Bibliothèque des classiques",[587],{"to":588,"label":589,"children":590},"\u002Fdao\u002Fclassics\u002Fliezi","Le Liezi",[591,594,597,600,603,606,609,612],{"to":592,"label":593},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-01-tian-rui","Chapitre 1 : Tian Rui 天瑞",{"to":595,"label":596},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-02-huang-di","Chapitre 2 : Huang Di 黄帝",{"to":598,"label":599},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-03-zhou-mu-wang","Chapitre 3 : Zhou Mu Wang 周穆王",{"to":601,"label":602},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-04-zhong-ni","Chapitre 4 : Zhong Ni 仲尼",{"to":604,"label":605},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-05-tang-wen","Chapitre 5 : Tang Wen 汤问",{"to":607,"label":608},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-06-li-ming","Chapitre six : Li Ming 力命",{"to":610,"label":611},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-07-yang-zhu","Chapitre sept : Yang Zhu 杨朱",{"to":613,"label":614},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-08-shuo-fu","Chapitre huit : Shuo Fu 说符",{"to":616,"label":617},"\u002Fdao\u002Fdaoist-philosophy","Philosophie taoïste",{"to":619,"label":620},"\u002Fdao\u002Fwu-wei-natural-living","Wu wei et vie naturelle",{"to":622,"label":623},"\u002Fdao\u002Fdaoist-view-of-life","Une vision taoïste de la vie",{"to":625,"label":626,"children":627},"\u002Fmartial-arts","Arts martiaux de Wudang",[628,650,675,694,713,738],{"to":629,"label":630,"children":631},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Fondements des arts martiaux internes",[632,635,638,641,644,647],{"to":633,"label":634},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Finternal-vs-external","Arts internes et externes : comprendre neijia et waijia",{"to":636,"label":637},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fzhang-sanfeng-legend","Zhang Sanfeng : histoire et traditions de Wudang",{"to":639,"label":640},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fthree-treasures","Jing, qi et shen dans l’apprentissage martial",{"to":642,"label":643},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fsong-rooting-jin","Song, enracinement et puissance du corps entier",{"to":645,"label":646},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fmartial-cultivation","Arts martiaux et cultivation de soi dans le taoïsme",{"to":648,"label":649},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fkey-sources-further-reading","Sources et lectures pour comprendre les arts internes",{"to":651,"label":652,"children":653},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan : comprendre le tai-chi et choisir sa pratique",[654,657,660,663,666,669,672],{"to":655,"label":656},"\u002Fmartial-arts\u002Ftaijiquan\u002Forigins-history","Origines et histoire du taijiquan",{"to":658,"label":659},"\u002Fmartial-arts\u002Ftaijiquan\u002Ffamily-styles","Les styles familiaux du taijiquan : Chen, Yang, Wu, Wu (Hao) et Sun",{"to":661,"label":662},"\u002Fmartial-arts\u002Ftaijiquan\u002Fwudang-taijiquan","Taijiquan de Wudang : histoire, renouveau et pratique vivante",{"to":664,"label":665},"\u002Fmartial-arts\u002Ftaijiquan\u002Fprinciples-classics","Principes essentiels et classiques du taiji",{"to":667,"label":668},"\u002Fmartial-arts\u002Ftaijiquan\u002Fpush-hands","Poussée des mains du taijiquan (tuishou) : exercices à deux, compétences et sécurité",{"to":670,"label":671},"\u002Fmartial-arts\u002Ftaijiquan\u002Fhealth-and-combat","Santé et pratique martiale dans le taijiquan",{"to":673,"label":674},"\u002Fmartial-arts\u002Ftaijiquan\u002Fkey-sources-further-reading","Sources et parcours de lecture sur le taijiquan",{"to":676,"label":677,"children":678},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang : marche en cercle, changements de paume et mobilité",[679,682,685,688,691],{"to":680,"label":681},"\u002Fmartial-arts\u002Fbaguazhang\u002Forigins-history","Origines et histoire du baguazhang : Dong Haichuan et les sources",{"to":683,"label":684},"\u002Fmartial-arts\u002Fbaguazhang\u002Fcircle-walking-palm-changes","Marche en cercle et changements de paume en baguazhang",{"to":686,"label":687},"\u002Fmartial-arts\u002Fbaguazhang\u002Fbagua-yijing-connection","Baguazhang et Yijing : histoire, diagrammes et pratique",{"to":689,"label":690},"\u002Fmartial-arts\u002Fbaguazhang\u002Fprinciples","Principes du baguazhang : tourner, prendre l’angle et changer",{"to":692,"label":693},"\u002Fmartial-arts\u002Fbaguazhang\u002Fkey-sources-further-reading","Sources sur le baguazhang et parcours de lecture",{"to":695,"label":696,"children":697},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan : structure, intention et entraînement direct",[698,701,704,707,710],{"to":699,"label":700},"\u002Fmartial-arts\u002Fxingyiquan\u002Forigins-history","Origines et histoire du xingyiquan",{"to":702,"label":703},"\u002Fmartial-arts\u002Fxingyiquan\u002Ffive-element-fists","Les cinq poings du xingyiquan",{"to":705,"label":706},"\u002Fmartial-arts\u002Fxingyiquan\u002Ftwelve-animals","Les douze formes animales du xingyiquan",{"to":708,"label":709},"\u002Fmartial-arts\u002Fxingyiquan\u002Fprinciples","Principes du xingyiquan : six coordinations, intention et puissance",{"to":711,"label":712},"\u002Fmartial-arts\u002Fxingyiquan\u002Fkey-sources-further-reading","Sources du xingyiquan et parcours de lecture",{"to":714,"label":715,"children":716},"\u002Fmartial-arts\u002Fweapons","Épée et armes de Wudang : histoire, pratique et contextes",[717,720,723,726,729,732,735],{"to":718,"label":719},"\u002Fmartial-arts\u002Fweapons\u002Fwudang-jian","Épée droite de Wudang : le programme de 1931 et son contexte",{"to":721,"label":722},"\u002Fmartial-arts\u002Fweapons\u002Fbroadsword-staff-spear","Sabre, bâton et lance : découvrir les armes chinoises",{"to":724,"label":725},"\u002Fmartial-arts\u002Fweapons\u002Fwhisk-fan-rare-weapons","Chasse-mouches, éventail et autres instruments de Wudang",{"to":727,"label":728},"\u002Fmartial-arts\u002Fweapons\u002Fweapon-as-extension","L’arme et le corps : coordination, perception et pratique",{"to":730,"label":731},"\u002Fmartial-arts\u002Fweapons\u002Fkey-sources-further-reading","Sources et parcours de lecture sur les armes de Wudang",{"to":733,"label":734},"\u002Fmartial-arts\u002Fweapons\u002Fhow-to-read-chinese-jian","Comment lire une épée chinoise jian : lame, poignée, fourreau et contexte",{"to":736,"label":737},"\u002Fmartial-arts\u002Fweapons\u002Fhow-to-read-chinese-dao","Comment lire un dao chinois : tranchant, courbure, monture et contexte",{"to":739,"label":740,"children":741},"\u002Fmartial-arts\u002Ftraining-practice","Entraînement et pratique : construire une routine durable",[742,745,748,751,754,757,760],{"to":743,"label":744},"\u002Fmartial-arts\u002Ftraining-practice\u002Fjibengong-stances","Jibengong et travail des postures : construire des bases sûres",{"to":746,"label":747},"\u002Fmartial-arts\u002Ftraining-practice\u002Fforms-drills-applications","Formes, exercices et applications : relier pratique solo et travail à deux",{"to":749,"label":750},"\u002Fmartial-arts\u002Ftraining-practice\u002Fneigong","Neigong : entraînement interne, respiration et attention",{"to":752,"label":753},"\u002Fmartial-arts\u002Ftraining-practice\u002Fwude-lineage","Wude : éthique martiale, transmission et enseignement responsable",{"to":755,"label":756},"\u002Fmartial-arts\u002Ftraining-practice\u002Ftraining-at-wudang","S’entraîner à Wudang : choisir une école ou un stage",{"to":758,"label":759},"\u002Fmartial-arts\u002Ftraining-practice\u002Fkey-sources-further-reading","Sources d’entraînement et parcours de lecture : des manuels à la pratique",{"to":761,"label":762},"\u002Fmartial-arts\u002Ftraining-practice\u002Fbeginner-pathway","Comment commencer la pratique de Wudang : un parcours pour débuter",{"to":764,"label":765,"children":766},"\u002Fwellness","Bien-être à Wudang",[767,792,814,836,858,861,864,867,870],{"to":768,"label":769,"children":770},"\u002Fwellness\u002Fqigong","Qigong : comprendre les méthodes et choisir sa pratique",[771,774,777,780,783,786,789],{"to":772,"label":773},"\u002Fwellness\u002Fqigong\u002Forigins-history-of-qigong","Origines et histoire du qigong",{"to":775,"label":776},"\u002Fwellness\u002Fqigong\u002Fthe-three-regulations","Les trois régulations du qigong",{"to":778,"label":779},"\u002Fwellness\u002Fqigong\u002Ffamous-forms-and-families","Formes et familles de qigong",{"to":781,"label":782},"\u002Fwellness\u002Fqigong\u002Fa-qigong-session","Déroulement d’une séance de qigong",{"to":784,"label":785},"\u002Fwellness\u002Fqigong\u002Fhealth-benefits-and-evidence","Qigong : bienfaits et niveau de preuve",{"to":787,"label":788},"\u002Fwellness\u002Fqigong\u002Fgetting-started-further-reading","Débuter le qigong et poursuivre son apprentissage",{"to":790,"label":791},"\u002Fwellness\u002Fqigong\u002Fmawangdui-daoyin-tu-early-chinese-exercise-chart","Le Daoyin tu de Mawangdui : lire une ancienne planche d’exercices chinois",{"to":793,"label":794,"children":795},"\u002Fwellness\u002Fherbal-healing","Pharmacopée chinoise",[796,799,802,805,808,811],{"to":797,"label":798},"\u002Fwellness\u002Fherbal-healing\u002Forigins-and-traditions","Origines et traditions de la pharmacopée chinoise",{"to":800,"label":801},"\u002Fwellness\u002Fherbal-healing\u002Fhow-herbs-are-understood","Comment la pharmacopée chinoise décrit les plantes",{"to":803,"label":804},"\u002Fwellness\u002Fherbal-healing\u002Fherbs-of-the-wudang-tradition","Plantes et pharmacopée dans la tradition de Wudang",{"to":806,"label":807},"\u002Fwellness\u002Fherbal-healing\u002Fformulas-and-preparation","Formules et préparation",{"to":809,"label":810},"\u002Fwellness\u002Fherbal-healing\u002Fsafety-and-responsible-use","Sécurité et usage responsable",{"to":812,"label":813},"\u002Fwellness\u002Fherbal-healing\u002Ffurther-reading-and-practice","Pour aller plus loin et pratiquer au quotidien",{"to":815,"label":816,"children":817},"\u002Fwellness\u002Ftaoist-medicine","Médecine taoïste",[818,821,824,827,830,833],{"to":819,"label":820},"\u002Fwellness\u002Ftaoist-medicine\u002Fthe-taoist-view-of-the-body","Le corps dans les traditions taoïstes",{"to":822,"label":823},"\u002Fwellness\u002Ftaoist-medicine\u002Fthe-three-treasures","Jing, qi et shen : les trois trésors",{"to":825,"label":826},"\u002Fwellness\u002Ftaoist-medicine\u002Fpractices-for-nourishing-life","Yangsheng : les pratiques pour nourrir la vie",{"to":828,"label":829},"\u002Fwellness\u002Ftaoist-medicine\u002Fpreventing-illness-and-the-seasons","Vivre avec les saisons : tradition et prévention",{"to":831,"label":832},"\u002Fwellness\u002Ftaoist-medicine\u002Ftaoist-and-modern-medicine","Médecines taoïstes et soins modernes : comprendre leurs relations",{"to":834,"label":835},"\u002Fwellness\u002Ftaoist-medicine\u002Ffurther-reading-and-practice","Lire et pratiquer au quotidien : repères taoïstes",{"to":837,"label":838,"children":839},"\u002Fwellness\u002Fenergy-sound-healing","Pratiques du son et de l’énergie",[840,843,846,849,852,855],{"to":841,"label":842},"\u002Fwellness\u002Fenergy-sound-healing\u002Fthe-taoist-sound-tradition","La tradition sonore taoïste",{"to":844,"label":845},"\u002Fwellness\u002Fenergy-sound-healing\u002Fsound-baths-and-instruments","Bains sonores et instruments",{"to":847,"label":848},"\u002Fwellness\u002Fenergy-sound-healing\u002Fforms-of-energy-work","Pratiques dites « énergétiques »",{"to":850,"label":851},"\u002Fwellness\u002Fenergy-sound-healing\u002Fa-session-what-to-expect","Une séance de son ou d’énergie : à quoi s’attendre",{"to":853,"label":854},"\u002Fwellness\u002Fenergy-sound-healing\u002Fhow-it-works-and-the-evidence","Comment cela agit : mécanismes et niveau de preuve",{"to":856,"label":857},"\u002Fwellness\u002Fenergy-sound-healing\u002Fgetting-started-further-reading","Débuter les pratiques du son et de l’énergie",{"to":859,"label":860},"\u002Fwellness\u002Fstanding-practice","Zhan zhuang : la pratique debout",{"to":862,"label":863},"\u002Fwellness\u002Fwudang-internal-cultivation","Cultivation intérieure de Wudang",{"to":865,"label":866},"\u002Fwellness\u002Fmoxibustion","Moxibustion",{"to":868,"label":869},"\u002Fwellness\u002Fbigu","Bigu",{"to":871,"label":872,"children":873},"\u002Fwellness\u002Fbaduanjin","Baduanjin (les Huit Brocarts)",[874],{"to":875,"label":876},"\u002Fwellness\u002Fbaduanjin\u002Feight-sections","Les huit mouvements du Baduanjin",{"to":878,"label":879,"children":880},"\u002Farts","Arts lettrés chinois : poésie, calligraphie, thé, guqin, peinture, encens et fleurs",[881,936,991,1112,1152,1201,1232],{"to":882,"label":883,"children":884},"\u002Farts\u002Fchinese-poetry-literature","Poésie et littérature chinoises : formes, contextes et parcours de lecture",[885,888,891,894,897,900,903,906,909,912,915,918,921,924,927,930,933],{"to":886,"label":887},"\u002Farts\u002Fchinese-poetry-literature\u002Forigins-spirit-of-chinese-poetry","Origines de la poésie chinoise : chant, texte et interprétation",{"to":889,"label":890},"\u002Farts\u002Fchinese-poetry-literature\u002Fbook-of-songs-classical-foundations","Le Livre des Odes : voix, performance et interprétation",{"to":892,"label":893},"\u002Farts\u002Fchinese-poetry-literature\u002Ftang-poetry-golden-age","Poésie des Tang : formes, voix et formation d’un canon",{"to":895,"label":896},"\u002Farts\u002Fchinese-poetry-literature\u002Ftaoist-landscape-poetry","Traditions daoïstes et poésie de paysage : lieux, retrait et interprétation",{"to":898,"label":899},"\u002Farts\u002Fchinese-poetry-literature\u002Fpoetry-as-cultivation","Poésie et formation de soi à Wudang : lire, observer, écrire",{"to":901,"label":902},"\u002Farts\u002Fchinese-poetry-literature\u002Fkey-poets-further-reading","Poésie chinoise : poètes, éditions et parcours de lecture",{"to":904,"label":905},"\u002Farts\u002Fchinese-poetry-literature\u002Fhow-to-read-chinese-regulated-verse","Comment lire la poésie chinoise régulière : vers, rime, tons et parallélisme",{"to":907,"label":908},"\u002Farts\u002Fchinese-poetry-literature\u002Fhow-to-read-chinese-ci-lyrics","Comment lire les ci chinois : airs, voix et transmission",{"to":910,"label":911},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-poetry-anthologies-canon-transmission","Comment les anthologies de poésie chinoise façonnent nos lectures",{"to":913,"label":914},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-thread-bound-books-folding-stitching-reading","Les livres chinois cousus : pliage, reliure et formes de lecture",{"to":916,"label":917},"\u002Farts\u002Fchinese-poetry-literature\u002Fhow-to-read-chinese-paired-couplets-parallelism-calligraphy-place","Lire les couplets chinois par le parallélisme, la calligraphie et le lieu",{"to":919,"label":920},"\u002Farts\u002Fchinese-poetry-literature\u002Fpoetry-on-chinese-paintings-inscriptions-colophons","La poésie sur la peinture chinoise : lire inscriptions et colophons",{"to":922,"label":923},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-fu-rhapsody-catalogues-courts-expansive-description","Le fu chinois : catalogues, cours et art de la description ample",{"to":925,"label":926},"\u002Farts\u002Fchinese-poetry-literature\u002Fwenxin-diaolong-liu-xie-writing-reading-literary-thought","Lire le Wenxin diaolong : comment Liu Xie pense l’écriture et la lecture",{"to":928,"label":929},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-shihua-poetry-talks-notes-anecdotes-criticism","Lire les shihua chinois : critique, notes et anecdotes sur la poésie",{"to":931,"label":932},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-prefaces-afterwords-xu-ba-books-texts-readers","Lire les préfaces et postfaces chinoises : comment les livres encadrent textes et lecteurs",{"to":934,"label":935},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-biji-brush-notes-notebooks-miscellanies","Lire les biji chinois : comment des fragments deviennent savoir et littérature",{"to":937,"label":938,"children":939},"\u002Farts\u002Fcalligraphy","Calligraphie chinoise : écritures, matériaux et regard",[940,943,946,949,952,955,958,961,964,967,970,973,976,979,982,985,988],{"to":941,"label":942},"\u002Farts\u002Fcalligraphy\u002Forigins-history-of-calligraphy","Origines et histoire de la calligraphie chinoise",{"to":944,"label":945},"\u002Farts\u002Fcalligraphy\u002Fthe-five-script-styles","Les cinq grandes écritures de la calligraphie chinoise",{"to":947,"label":948},"\u002Farts\u002Fcalligraphy\u002Fcalligraphy-as-taoist-cultivation","Calligraphie et culture de soi taoïste : texte, attention et pratique",{"to":950,"label":951},"\u002Farts\u002Fcalligraphy\u002Ffour-treasures-of-the-study","Les Quatre Trésors du lettré : choisir et utiliser le matériel de calligraphie",{"to":953,"label":954},"\u002Farts\u002Fcalligraphy\u002Fbrush-technique-living-line","Le pinceau en calligraphie chinoise : observer et pratiquer la ligne vivante",{"to":956,"label":957},"\u002Farts\u002Fcalligraphy\u002Fgreat-masters-further-reading","Maîtres de la calligraphie chinoise et parcours de lecture",{"to":959,"label":960},"\u002Farts\u002Fcalligraphy\u002Fchinese-seals-and-seal-carving","Sceaux chinois et gravure sigillaire : écriture, matrice et empreinte",{"to":962,"label":963},"\u002Farts\u002Fcalligraphy\u002Fchinese-ink-rubbings","Les estampages chinois : pierre, papier et transmission de la calligraphie",{"to":965,"label":966},"\u002Farts\u002Fcalligraphy\u002Fchinese-inkstones","Pierres à encre chinoises : matière, sculpture et cabinet du lettré",{"to":968,"label":969},"\u002Farts\u002Fcalligraphy\u002Fchinese-inksticks","Bâtons d’encre chinois : suie, moules et cabinet du lettré",{"to":971,"label":972},"\u002Farts\u002Fcalligraphy\u002Fchinese-calligraphy-paper","Papier chinois de calligraphie : xuan, encollage et vie d’une feuille",{"to":974,"label":975},"\u002Farts\u002Fcalligraphy\u002Fchinese-calligraphy-brushes","Pinceaux chinois de calligraphie : poils, manche et pointe de travail",{"to":977,"label":978},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-rests","Repose-pinceaux chinois : montagnes, matières et table du lettré",{"to":980,"label":981},"\u002Farts\u002Fcalligraphy\u002Fchinese-water-droppers-scholars-desk","Les compte-gouttes chinois : débit, formes et table du lettré",{"to":983,"label":984},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-pots-materials-scholars-desk","Les pots à pinceaux chinois : usage, matières et table du lettré",{"to":986,"label":987},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-washers-water-form-scholars-desk","Les lave-pinceaux chinois : eau, formes et table du lettré",{"to":989,"label":990},"\u002Farts\u002Fcalligraphy\u002Fchinese-paperweights-form-material-scholars-desk","Presse-papiers chinois : formes, matières et table du lettré",{"to":992,"label":993,"children":994},"\u002Farts\u002Ftea-ceremony","Culture chinoise du thé",[995,998,1001,1004,1007,1010,1013,1016,1019,1022,1025,1028,1031,1034,1037,1040,1043,1046,1049,1052,1055,1058,1061,1064,1067,1070,1073,1076,1079,1082,1085,1088,1091,1094,1097,1100,1103,1106,1109],{"to":996,"label":997},"\u002Farts\u002Ftea-ceremony\u002Ftea-meditation-taoist-practice","Thé, méditation et pratique taoïste",{"to":999,"label":1000},"\u002Farts\u002Ftea-ceremony\u002Forigins-history-of-tea-culture","Origines et histoire de la culture chinoise du thé",{"to":1002,"label":1003},"\u002Farts\u002Ftea-ceremony\u002Fthe-way-of-tea","La voie du thé : attention, soin et hospitalité",{"to":1005,"label":1006},"\u002Farts\u002Ftea-ceremony\u002Ftypes-of-tea-and-character","Les six familles de thé chinois : fabrication et dégustation",{"to":1008,"label":1009},"\u002Farts\u002Ftea-ceremony\u002Futensils-and-gongfu-method","Thé gongfu : ustensiles et méthode adaptable",{"to":1011,"label":1012},"\u002Farts\u002Ftea-ceremony\u002Ffurther-reading-and-practice","Apprendre le thé chinois : lectures et pratique",{"to":1014,"label":1015},"\u002Farts\u002Ftea-ceremony\u002Fwater-for-chinese-tea","L’eau pour le thé chinois : sources, minéraux et méthode de comparaison",{"to":1017,"label":1018},"\u002Farts\u002Ftea-ceremony\u002Fchinese-teaware-clay-glaze-form","Les ustensiles chinois du thé : terre, porcelaine, glaçure et usage",{"to":1020,"label":1021},"\u002Farts\u002Ftea-ceremony\u002Fchinese-tea-caddies","Boîtes à thé chinoises : conservation, matières et circulation des feuilles",{"to":1023,"label":1024},"\u002Farts\u002Ftea-ceremony\u002Fsong-whisked-tea-powder-bowls-foam","Le thé fouetté sous les Song : poudre, bols et écume",{"to":1026,"label":1027},"\u002Farts\u002Ftea-ceremony\u002Fyixing-teapots-clay-form-makers-marks","Théières de Yixing : argile, forme et lecture des marques",{"to":1029,"label":1030},"\u002Farts\u002Ftea-ceremony\u002Fcompressed-tea-cakes-bricks-trade-storage-object-reading","Thé compressé en Chine : galettes, briques et méthode de lecture",{"to":1032,"label":1033},"\u002Farts\u002Ftea-ceremony\u002Ftea-horse-trade-networks-routes-markets-cultural-exchange","Les réseaux du thé et des chevaux : routes, marchés et échanges culturels",{"to":1035,"label":1036},"\u002Farts\u002Ftea-ceremony\u002Ftea-landscapes-china-gardens-forests-terraces-living-knowledge","Paysages du thé en Chine : jardins, forêts anciennes, terrasses et savoirs vivants",{"to":1038,"label":1039},"\u002Farts\u002Ftea-ceremony\u002Fpicking-tea-china-seasons-bud-leaf-standards-skilled-labour","La cueillette du thé en Chine : saisons, jeunes pousses et savoir-faire",{"to":1041,"label":1042},"\u002Farts\u002Ftea-ceremony\u002Fwithering-tea-leaves-water-loss-time-first-transformation","Le flétrissage du thé : perte d’eau, temps et première transformation",{"to":1044,"label":1045},"\u002Farts\u002Ftea-ceremony\u002Ffixing-tea-leaves-shaqing-heat-enzymes-turning-point","La fixation des feuilles de thé (shāqīng) : chaleur, enzymes et tournant de la fabrication chinoise",{"to":1047,"label":1048},"\u002Farts\u002Ftea-ceremony\u002Frolling-tea-leaves-rounian-pressure-shape-cell-disruption","Le roulage des feuilles de thé (róuniǎn) : pression, forme et rupture cellulaire maîtrisée",{"to":1050,"label":1051},"\u002Farts\u002Ftea-ceremony\u002Fdrying-tea-leaves-moisture-heat-stability-finished-tea","Le séchage des feuilles de thé : humidité, chaleur et stabilité du thé fini",{"to":1053,"label":1054},"\u002Farts\u002Ftea-ceremony\u002Fsorting-grading-tea-leaf-size-shape-grade-meaning","Tri et classement du thé : taille, forme et sens réel d’un grade",{"to":1056,"label":1057},"\u002Farts\u002Ftea-ceremony\u002Ftea-blending-batch-construction-consistency-style-transparency","Assemblage du thé et construction des lots : constance, style et transparence",{"to":1059,"label":1060},"\u002Farts\u002Ftea-ceremony\u002Ftea-oxidation-post-fermentation-enzymes-microbes-terms","Oxydation et post-fermentation du thé : enzymes, microbes et termes trompeurs",{"to":1062,"label":1063},"\u002Farts\u002Ftea-ceremony\u002Fyellow-tea-menhuang-moist-heat-time-tea-family","Le thé jaune et le menhuang : chaleur humide, temps et formation d’une famille de thé",{"to":1065,"label":1066},"\u002Farts\u002Ftea-ceremony\u002Frefiring-roasting-tea-later-heat-aroma-finished-leaf","Réchauffage et torréfaction du thé : chaleur tardive, arômes et différence avec le séchage",{"to":1068,"label":1069},"\u002Farts\u002Ftea-ceremony\u002Fjasmine-tea-scenting-flowers-repeated-rounds-aroma-transfer","Thé au jasmin et parfumage : fleurs, cycles répétés et transfert des arômes",{"to":1071,"label":1072},"\u002Farts\u002Ftea-ceremony\u002Ftea-sensory-evaluation-appearance-aroma-taste-score-limits","Évaluation sensorielle du thé : aspect, arômes, goût et limites d’une note",{"to":1074,"label":1075},"\u002Farts\u002Ftea-ceremony\u002Fdoucha-song-tea-contests-whisked-tea-jian-bowls-modern-judging","Doucha : concours de thé sous les Song et limites des reconstitutions modernes",{"to":1077,"label":1078},"\u002Farts\u002Ftea-ceremony\u002Fbeiyuan-tribute-tea-song-court-labour-imperial-label","Le thé tribut de Beiyuan : goût de cour sous les Song, travail qualifié et limites de l’étiquette « impériale »",{"to":1080,"label":1081},"\u002Farts\u002Ftea-ceremony\u002Freading-chinese-tea-classics-authorship-editions-recipe-limits","Lire les classiques chinois du thé : auteurs, éditions et limites d’une lecture en « recette »",{"to":1083,"label":1084},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-poetry-social-worlds-metaphor-historical-evidence","Le thé dans la poésie chinoise : sociabilités, métaphores et limites du témoignage littéraire",{"to":1086,"label":1087},"\u002Farts\u002Ftea-ceremony\u002Fchinese-teahouses-commerce-conversation-performance-urban-publics","Les maisons de thé chinoises : commerce, conversation, spectacle et publics urbains en mutation",{"to":1089,"label":1090},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-painting-objects-social-worlds-visual-evidence","Le thé dans la peinture chinoise : objets, mondes sociaux et limites du témoignage visuel",{"to":1092,"label":1093},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-dream-of-the-red-chamber-hospitality-rank-labour-fiction","Le thé dans Le Rêve dans le pavillon rouge : hospitalité, rang, travail et fiction",{"to":1095,"label":1096},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-travel-writing-roads-hospitality-regional-evidence","Le thé dans les récits de voyage chinois : routes, hospitalité et limites de l’itinéraire",{"to":1098,"label":1099},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-letters-gifts-visits-friendship-private-writing","Le thé dans les lettres chinoises : dons, visites, amitié et limites d’une écriture « privée »",{"to":1101,"label":1102},"\u002Farts\u002Ftea-ceremony\u002Ftea-tax-monopoly-imperial-china-fiscal-records-daily-life","Thé, fiscalité et monopole dans la Chine impériale : lire les archives sans confondre recettes et vie quotidienne",{"to":1104,"label":1105},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-local-gazetteers-place-production-local-knowledge","Le thé dans les monographies locales chinoises : lieux, production et limites du savoir local",{"to":1107,"label":1108},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-materia-medica-names-preparations-medical-claims","Le thé dans les matières médicales chinoises : noms, préparations et limites des assertions médicales",{"to":1110,"label":1111},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-buddhist-monastic-rules-ceremony-office-origin-stories","Le thé dans les règles monastiques bouddhiques chinoises : cérémonies, charges et limites des récits d’origine",{"to":1113,"label":1114,"children":1115},"\u002Farts\u002Fguqin","Le guqin : sonorités, histoire et premières écoutes",[1116,1119,1122,1125,1128,1131,1134,1137,1140,1143,1146,1149],{"to":1117,"label":1118},"\u002Farts\u002Fguqin\u002Forigins-history-of-the-guqin","Histoire du guqin : objets, textes et transmission musicale",{"to":1120,"label":1121},"\u002Farts\u002Fguqin\u002Fanatomy-of-the-guqin","Comment fonctionne le guqin : cordes, caisse et sonorités",{"to":1123,"label":1124},"\u002Farts\u002Fguqin\u002Fplaying-technique-and-notation","Jouer du guqin : gestes, tablature et interprétation",{"to":1126,"label":1127},"\u002Farts\u002Fguqin\u002Ffamous-melodies-and-stories","Mélodies du guqin : récits, versions et pistes d’écoute",{"to":1129,"label":1130},"\u002Farts\u002Fguqin\u002Fguqin-as-taoist-cultivation","Guqin et cultivation taoïste : écoute, pratique et limites",{"to":1132,"label":1133},"\u002Farts\u002Fguqin\u002Ffurther-listening-and-study","Apprendre le guqin : écouter, s’informer et choisir un professeur",{"to":1135,"label":1136},"\u002Farts\u002Fguqin\u002Fguqin-tables-playing-spaces","Tables de guqin et espaces de jeu : support, posture et écoute",{"to":1138,"label":1139},"\u002Farts\u002Fguqin\u002Fhow-to-read-guqin-handbook-tablature-editions-dapu","Lire un manuel de guqin : tablature, éditions et dapu",{"to":1141,"label":1142},"\u002Farts\u002Fguqin\u002Freading-guqin-lacquer-layers-crack-patterns-repair","Lire la laque du guqin : couches, craquelures et réparations",{"to":1144,"label":1145},"\u002Farts\u002Fguqin\u002Freading-guqin-inscriptions-seals-names-dates-provenance","Lire les inscriptions et sceaux du guqin : noms, dates et provenance",{"to":1147,"label":1148},"\u002Farts\u002Fguqin\u002Fguqin-forms-zhongni-banana-leaf-shapes","Formes du guqin : comprendre les modèles Zhongni, feuille de bananier et autres silhouettes",{"to":1150,"label":1151},"\u002Farts\u002Fguqin\u002Fguqin-strings-silk-modern-composites-playing","Cordes du guqin : soie, composites modernes et effets du matériau sur le jeu",{"to":1153,"label":1154,"children":1155},"\u002Farts\u002Fpainting","Peinture chinoise : matériaux, formats et manières de regarder",[1156,1159,1162,1165,1168,1171,1174,1177,1180,1183,1186,1189,1192,1195,1198],{"to":1157,"label":1158},"\u002Farts\u002Fpainting\u002Forigins-history-of-chinese-painting","Origines et histoire de la peinture chinoise : œuvres, cours et communautés",{"to":1160,"label":1161},"\u002Farts\u002Fpainting\u002Fart-of-ink-and-brush","Encre et pinceau dans la peinture chinoise : matières, eau et traces",{"to":1163,"label":1164},"\u002Farts\u002Fpainting\u002Flandscape-painting-shanshui","Shanshui : comment regarder la peinture de paysage chinoise",{"to":1166,"label":1167},"\u002Farts\u002Fpainting\u002Fbirds-flowers-four-gentlemen","Oiseaux, fleurs et Quatre Gentilshommes dans la peinture chinoise",{"to":1169,"label":1170},"\u002Farts\u002Fpainting\u002Fpainting-as-taoist-cultivation","Peinture et cultivation taoïste : images, idées et pratique",{"to":1172,"label":1173},"\u002Farts\u002Fpainting\u002Fgreat-masters-further-study","Maîtres de la peinture chinoise : un parcours guidé",{"to":1175,"label":1176},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-handscroll","Comment lire un rouleau horizontal chinois : séquence, colophons et sceaux",{"to":1178,"label":1179},"\u002Farts\u002Fpainting\u002Fchinese-fan-painting","La peinture chinoise sur éventail : forme, pinceau et art du petit format",{"to":1181,"label":1182},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-painting-album","Comment lire un album de peinture chinoise : feuillets, séquence et regard intime",{"to":1184,"label":1185},"\u002Farts\u002Fpainting\u002Fchinese-scholars-rocks","Pierres de lettrés chinoises : matière, présentation et paysages imaginés",{"to":1187,"label":1188},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-hanging-scroll","Comment lire un rouleau vertical chinois : espace, montage et présentation",{"to":1190,"label":1191},"\u002Farts\u002Fpainting\u002Fchinese-screens-space-painting","Écrans chinois : espace, image et art du pli",{"to":1193,"label":1194},"\u002Farts\u002Fpainting\u002Fmounting-chinese-painting","Le montage des peintures chinoises : bordures de soie, papiers de doublage et vie du rouleau",{"to":1196,"label":1197},"\u002Farts\u002Fpainting\u002Fchinese-portrait-painting-likeness-role-ancestral-memory","Le portrait chinois : ressemblance, rôle social et mémoire ancestrale",{"to":1199,"label":1200},"\u002Farts\u002Fpainting\u002Fthree-distances-chinese-landscape-painting","Les trois distances dans la peinture de paysage chinoise : hauteur, profondeur et horizon",{"to":1202,"label":1203,"children":1204},"\u002Farts\u002Fincense","Culture chinoise de l’encens",[1205,1208,1211,1214,1217,1220,1223,1226,1229],{"to":1206,"label":1207},"\u002Farts\u002Fincense\u002Forigins-history-of-incense-culture","Origines et histoire de la culture chinoise de l’encens",{"to":1209,"label":1210},"\u002Farts\u002Fincense\u002Faromatic-materials-fragrant-woods","Matières aromatiques : bois, résines et approvisionnement responsable",{"to":1212,"label":1213},"\u002Farts\u002Fincense\u002Fforms-and-art-of-appreciation","Formes d’encens et art de l’appréciation",{"to":1215,"label":1216},"\u002Farts\u002Fincense\u002Fincense-in-ritual-and-temple-life","L’encens dans les rites taoïstes et la vie des temples",{"to":1218,"label":1219},"\u002Farts\u002Fincense\u002Fincense-meditation-taoist-practice","Encens, méditation et pratique taoïste",{"to":1221,"label":1222},"\u002Farts\u002Fincense\u002Ffurther-reading-and-practice","Apprendre la culture chinoise de l’encens : lectures et pratique",{"to":1224,"label":1225},"\u002Farts\u002Fincense\u002Fchinese-incense-burners","Brûle-parfums chinois : bronze, céramique, formes et contextes",{"to":1227,"label":1228},"\u002Farts\u002Fincense\u002Fchinese-incense-seals-fragrant-time","Les sceaux d’encens chinois : cendre, motifs et temps parfumé",{"to":1230,"label":1231},"\u002Farts\u002Fincense\u002Fchinese-incense-sets-burner-box-vase-tools","Ensembles chinois pour l’encens : brûle-parfum, boîte, vase et outils",{"to":1233,"label":1234,"children":1235},"\u002Farts\u002Fflower-arrangement","L’art floral chinois : histoire, matériaux et manières de regarder",[1236,1239,1242,1245,1248,1251,1254],{"to":1237,"label":1238},"\u002Farts\u002Fflower-arrangement\u002Forigins-history-of-floral-art","Histoire de l’art floral chinois : objets, images et voix",{"to":1240,"label":1241},"\u002Farts\u002Fflower-arrangement\u002Fprinciples-of-flower-arrangement","Composition florale chinoise : lignes, équilibre et regard",{"to":1243,"label":1244},"\u002Farts\u002Fflower-arrangement\u002Fvessels-tools-and-composition","Choisir récipients et outils : formes, soutien et entretien",{"to":1246,"label":1247},"\u002Farts\u002Fflower-arrangement\u002Fseasonal-flowers-and-symbolism","Fleurs de saison et symboles : lire le contexte",{"to":1249,"label":1250},"\u002Farts\u002Fflower-arrangement\u002Fflower-arrangement-as-cultivation","L’arrangement floral comme pratique : attention, changement et limites",{"to":1252,"label":1253},"\u002Farts\u002Fflower-arrangement\u002Ffurther-reading-and-practice","Pour aller plus loin : sources, musées et premier mois de pratique",{"to":1255,"label":1256},"\u002Farts\u002Fflower-arrangement\u002Fchinese-flower-baskets-weaving-painting-vessels","Les paniers de fleurs chinois : tressage, peinture et récipient",{"to":1258,"label":1259,"children":1260},"\u002Fdaoism","Culture taoïste",[1261,1292,1317,1342,1403],{"to":1262,"label":1263,"children":1264},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Les divinités taoïstes et le panthéon chinois : guide de structure",[1265,1268,1271,1274,1277,1280,1283,1286,1289],{"to":1266,"label":1267},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-pure-ones","Les Trois Purs : les plus hautes divinités taoïstes",{"to":1269,"label":1270},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fjade-emperor","L’Empereur de Jade : sa place dans le taoïsme",{"to":1272,"label":1273},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Forigins-of-pantheon","Comment s’est formé le panthéon taoïste",{"to":1275,"label":1276},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fcelestial-bureaucracy","Immortels taoïstes et bureaucratie céleste : shen et xian",{"to":1278,"label":1279},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fguan-yu-mazu-popular-deities","Guan Yu, Mazu et les divinités populaires : comment les humains deviennent des dieux",{"to":1281,"label":1282},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fdeities-of-wudang-mountain","Les divinités du mont Wudang : Zhenwu et sa cour sacrée",{"to":1284,"label":1285},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fworship-temples-offerings","Culte dans les temples taoïstes : encens, offrandes, vœux et dons",{"to":1287,"label":1288},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fnorthern-dipper-stars-images-ritual-maps","Le Boisseau du Nord dans la culture taoïste : étoiles, images et cartes rituelles",{"to":1290,"label":1291},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-officials-sanguan-heaven-earth-water-three-yuan","Les Trois Officiers taoïstes : Ciel, Terre, Eau et les Trois Yuan",{"to":1293,"label":1294,"children":1295},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Temples et montagnes sacrées taoïstes : guide des lieux et de l’architecture",[1296,1299,1302,1305,1308,1311,1314],{"to":1297,"label":1298},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwudang-mountain","Le mont Wudang dans le taoïsme : Zhenwu, la cour des Ming et un statut sacré",{"to":1300,"label":1301},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-longhu","Le mont Longhu et les Maîtres célestes : centre du taoïsme Zhengyi",{"to":1303,"label":1304},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-qingcheng","Le mont Qingcheng : comment le taoïsme organisé a pris forme institutionnelle",{"to":1306,"label":1307},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-tai","Le mont Tai : la première montagne sacrée de l’État chinois",{"to":1309,"label":1310},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwhite-cloud-temple-beijing","Le temple des Nuages blancs à Pékin : le monastère urbain du taoïsme Quanzhen",{"to":1312,"label":1313},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Ftemple-architecture-sacred-geometry","Comment lire l’architecture des temples taoïstes et l’espace sacré",{"to":1315,"label":1316},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fpilgrimage-temple-etiquette","Pèlerinage taoïste et étiquette des temples : un guide pratique",{"to":1318,"label":1319,"children":1320},"\u002Fdaoism\u002Ftaoist-schools-lineages","Écoles et lignées taoïstes : Zhengyi, Quanzhen et traditions historiques",[1321,1324,1327,1330,1333,1336,1339],{"to":1322,"label":1323},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcelestial-masters-zhengyi","Le taoïsme Zhengyi et les Maîtres célestes : prêtres laïcs et autorité rituelle",{"to":1325,"label":1326},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcomplete-perfection-quanzhen","Le taoïsme Quanzhen : vie monastique, cultivation intérieure et Wudang",{"to":1328,"label":1329},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fshangqing-school","Le taoïsme Shangqing : révélations de la Pureté suprême et visualisation intérieure",{"to":1331,"label":1332},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Flingbao-tradition","Le taoïsme Lingbao : écritures du Joyau numineux et rituel communautaire",{"to":1334,"label":1335},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fwu-liu-school","L’école Wu-Liu : un système plus clair d’alchimie intérieure taoïste",{"to":1337,"label":1338},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmonastic-vs-householder-priesthood","Moines Quanzhen et prêtres Zhengyi vivant en famille : quelle différence ?",{"to":1340,"label":1341},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmodern-transmission-ordination","Ordination et lignée taoïstes aujourd’hui : comment vérifier une transmission",{"to":1343,"label":1344,"children":1345},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Fêtes et rituels taoïstes : calendriers, offrandes et rites communautaires",[1346,1349,1352,1355,1358,1361,1364,1367,1370,1373,1376,1379,1382,1385,1388,1391,1394,1397,1400],{"to":1347,"label":1348},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjade-emperor-birthday","Anniversaire de l’Empereur de Jade et fêtes de la Cour céleste",{"to":1350,"label":1351},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhongyuan-ghost-festival","Fête de Zhongyuan : fantômes, Officier de la Terre et salut universel",{"to":1353,"label":1354},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Flaozi-birthday","Anniversaire de Laozi : du sage au divin Seigneur Lao",{"to":1356,"label":1357},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdouble-ninth-festival","Fête du Double Neuf : Chongyang, longévité et respect des aînés",{"to":1359,"label":1360},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjiao-offering-ritual","Les rituels jiao : la grande offrande communautaire du taoïsme",{"to":1362,"label":1363},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhai-purification-fasting","Les rituels zhai : purification, jeûne et préparation dans le taoïsme",{"to":1365,"label":1366},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Ftemple-fairs-pilgrimage","Fêtes de temple taoïstes et pèlerinages saisonniers",{"to":1368,"label":1369},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-robes-garment-image-ceremony","Les vêtements rituels taoïstes : coupe, images et rôle cérémoniel",{"to":1371,"label":1372},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdavid-vases-daoist-offering-blue-white-porcelain","Les vases David : offrande taoïste et jalon daté de la porcelaine bleu-et-blanc",{"to":1374,"label":1375},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-seals-impression-authority-documents","Les sceaux rituels taoïstes : empreinte, autorité et travail documentaire",{"to":1377,"label":1378},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-music-bells-drums-chant","Musique rituelle taoïste : cloches, tambours, chant et temps cérémoniel",{"to":1380,"label":1381},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-lamp-rituals-light-cosmic-patterns-ceremonial-space","Rituels taoïstes des lampes : lumière, configurations cosmiques et espace cérémoniel",{"to":1383,"label":1384},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-talismans-script-ritual-action","Talismans taoïstes : écriture, action rituelle et limites du regard",{"to":1386,"label":1387},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-mirrors-reflection-cosmology-ritual-evidence","Miroirs taoïstes : reflet, cosmologie et indices rituels",{"to":1389,"label":1390},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-petitions-memorials-celestial-administration","Pétitions et mémoriaux taoïstes : écrire à l’administration céleste",{"to":1392,"label":1393},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-registers-lu-rank-transmission-celestial-administration","Les registres taoïstes (lu) : rang, transmission et administration céleste",{"to":1395,"label":1396},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-audience-tablets-hu-courtly-form-ritual-address","Tablettes d’audience taoïstes (hu) : forme de cour et adresse rituelle",{"to":1398,"label":1399},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-crowns-headscarves-dress-rank-ritual-context","Couronnes et coiffes taoïstes : vêtement, rang et contexte rituel",{"to":1401,"label":1402},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-footwear-cloth-cloud-shoes-ritual-movement","Chaussures taoïstes : souliers de toile, chaussures de nuages et mouvement rituel",{"to":1404,"label":1405,"children":1406},"\u002Fdaoism\u002Feight-immortals","Les Huit Immortels : origines, symboles et légendes taoïstes",[1407,1410,1413,1416,1419,1422],{"to":1408,"label":1409},"\u002Fdaoism\u002Feight-immortals\u002Flu-dongbin","Lü Dongbin : lettré immortel, patriarche du Quanzhen et porteur d’épée",{"to":1411,"label":1412},"\u002Fdaoism\u002Feight-immortals\u002Fzhang-guolao","Zhang Guolao : ermite des Tang et immortel monté à l’envers",{"to":1414,"label":1415},"\u002Fdaoism\u002Feight-immortals\u002Fhe-xiangu","He Xiangu : la femme immortelle parmi les Huit",{"to":1417,"label":1418},"\u002Fdaoism\u002Feight-immortals\u002Fhan-xiangzi-lan-caihe","Han Xiangzi et Lan Caihe : musique, fleurs et identité indéfinie",{"to":1420,"label":1421},"\u002Fdaoism\u002Feight-immortals\u002Fcao-guojiu-li-tieguai","Cao Guojiu et Li Tieguai : privilège, pauvreté et corps immortel",{"to":1423,"label":1424},"\u002Fdaoism\u002Feight-immortals\u002Fzhongli-quan","Zhongli Quan : maître de Lü Dongbin et patriarche de l’alchimie intérieure",{"to":1426,"label":1427,"children":1428},"\u002Fchinese-metaphysics","Métaphysique chinoise",[1429,1453,1478,1503,1528,1556,1584,1609,1634],{"to":1430,"label":1431,"children":1432},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Le yin-yang et les Cinq Phases dans la pensée chinoise",[1433,1436,1439,1442,1445,1448,1451],{"to":1434,"label":1435},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Forigins-early-history","Origines et histoire ancienne de la pensée du yin-yang",{"to":1437,"label":1438},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fmeaning-of-yin-and-yang","Le sens du yin et du yang",{"to":1440,"label":1441},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Ffive-phases","Les Cinq Phases : Bois, Feu, Terre, Métal et Eau",{"to":1443,"label":1444},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fgenerating-controlling-cycles","Les cycles d’engendrement et de domination",{"to":1446,"label":1447},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fcorrelative-cosmology","La cosmologie corrélative : le corps, les saisons et le cosmos",{"to":1449,"label":1450},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fin-the-metaphysical-arts","Le yin-yang et les Cinq Phases dans les arts métaphysiques",{"to":1452,"label":557},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fkey-sources-further-reading",{"to":1454,"label":1455,"children":1456},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Les Troncs célestes et les Rameaux terrestres chinois (ganzhi)",[1457,1460,1463,1466,1469,1472,1475],{"to":1458,"label":1459},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Forigins-history","Origines et histoire du cycle sexagésimal chinois",{"to":1461,"label":1462},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ften-heavenly-stems","Les dix Troncs célestes : noms, Cinq Phases et significations",{"to":1464,"label":1465},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ftwelve-earthly-branches","Les douze Rameaux terrestres : animaux, heures, mois et significations",{"to":1467,"label":1468},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fsixty-year-jiazi","Le cycle jiazi en soixante termes : comment se combinent les Troncs et les Rameaux",{"to":1470,"label":1471},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fstems-branches-yin-yang-five-phases","Comment les Troncs célestes et les Rameaux terrestres codent le yin et le yang et les Cinq Phases",{"to":1473,"label":1474},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fin-the-metaphysical-arts","L’usage du ganzhi dans le BaZi, le Feng Shui, le choix des dates et les autres arts",{"to":1476,"label":1477},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fkey-sources-further-reading","Troncs célestes, Rameaux terrestres et ganzhi : sources et lectures complémentaires",{"to":1479,"label":1480,"children":1481},"\u002Fchinese-metaphysics\u002Ffeng-shui","Le Feng Shui chinois : paysage, boussole et pratique responsable",[1482,1485,1488,1491,1494,1497,1500],{"to":1483,"label":1484},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Forigins-history","Origines et histoire du Feng Shui chinois",{"to":1486,"label":1487},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fqi-compass-two-schools","Le qi, la boussole du Feng Shui et les deux écoles",{"to":1489,"label":1490},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fform-school-landscape","L’École des formes en Feng Shui : lire le paysage",{"to":1492,"label":1493},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fcompass-school-luopan","L’École de la boussole en Feng Shui : l’usage du luopan",{"to":1495,"label":1496},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fdwellings-and-graves","Le Feng Shui des maisons et des tombes : yangzhai et yinzhai",{"to":1498,"label":1499},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fmodern-world","Le Feng Shui aujourd’hui : maisons, villes, design et pratique culturelle",{"to":1501,"label":1502},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fkey-sources-further-reading","Sources du Feng Shui chinois : textes classiques et pour aller plus loin",{"to":1504,"label":1505,"children":1506},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","Le BaZi (Quatre Piliers du destin) : comment fonctionnent les huit caractères",[1507,1510,1513,1516,1519,1522,1525],{"to":1508,"label":1509},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Forigins-history","Histoire du BaZi et des Quatre Piliers du destin",{"to":1511,"label":1512},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fbuilding-the-chart","Comment se calcule un thème BaZi : les Quatre Piliers et les huit caractères",{"to":1514,"label":1515},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fday-master-ten-gods","Le Maître du jour et les Dix Dieux du BaZi : guide des relations",{"to":1517,"label":1518},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Ffive-phase-balance","Comment on lit un thème BaZi : l’équilibre des Cinq Phases et le Dieu utile",{"to":1520,"label":1521},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fluck-pillars-annual-influences","Piliers de chance et influences annuelles du BaZi : comment se lit le temps",{"to":1523,"label":1524},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fin-practice","Le BaZi aujourd’hui : interprétation, responsabilité et limites",{"to":1526,"label":1527},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fkey-sources-further-reading","Sources du BaZi : textes classiques, commentaires et pour aller plus loin",{"to":1529,"label":1530,"children":1531},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (astrologie de l’étoile pourpre) : comment fonctionne le thème aux douze palais",[1532,1535,1538,1541,1544,1547,1550,1553],{"to":1533,"label":1534},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Forigins-history","Histoire du Zi Wei Dou Shu : origines, légendes et témoignages documentés",{"to":1536,"label":1537},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ftwelve-palaces","Les douze palais du Zi Wei Dou Shu : guide des domaines de vie",{"to":1539,"label":1540},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fthe-stars","Les étoiles du Zi Wei Dou Shu : les quatorze étoiles majeures et leur sens",{"to":1542,"label":1543},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fcasting-and-reading","Comment établir et lire un thème de Zi Wei Dou Shu",{"to":1545,"label":1546},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ffour-transformations","Les Quatre Transformations du Zi Wei Dou Shu : comment le thème se meut dans le temps",{"to":1548,"label":1549},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fin-practice","Les lectures de Zi Wei Dou Shu aujourd’hui : interprétation, responsabilité et limites",{"to":1551,"label":1552},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fkey-sources-further-reading","Sources du Zi Wei Dou Shu : textes classiques, écoles et lectures complémentaires",{"to":1554,"label":1555},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fglossary","Glossaire du Zi Wei Dou Shu : palais, étoiles, transformations et cycles du temps",{"to":1557,"label":1558,"children":1559},"\u002Fchinese-metaphysics\u002Fdate-selection","Le choix des dates en Chine : comment on choisit les jours fastes",[1560,1563,1566,1569,1572,1575,1578,1581],{"to":1561,"label":1562},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Forigins-history","Origines et histoire du choix des dates en Chine",{"to":1564,"label":1565},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fthe-almanac","L’almanach chinois : comment le tongshu guide le choix des jours au quotidien",{"to":1567,"label":1568},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcyclical-qualities","Comment les calendriers chinois décrivent la qualité des jours",{"to":1570,"label":1571},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fstars-and-officers","Étoiles fastes et officiers des jours dans le choix des dates en Chine",{"to":1573,"label":1574},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fchoosing-a-date","Le choix des dates en Chine, en pratique",{"to":1576,"label":1577},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcultural-meaning-and-responsible-practice","Le choix des dates en Chine : sens culturel et pratique responsable",{"to":1579,"label":1580},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fkey-sources-further-reading","Le choix des dates en Chine : sources principales et pour aller plus loin",{"to":1582,"label":1583},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Ftwenty-four-solar-terms-seasonal-time-chinese-calendar","Les Vingt-Quatre Termes solaires : le temps saisonnier du calendrier chinois",{"to":1585,"label":1586,"children":1587},"\u002Fchinese-metaphysics\u002Fphysiognomy","La physiognomonie chinoise : lecture du visage, chiromancie et leurs limites",[1588,1591,1594,1597,1600,1603,1606],{"to":1589,"label":1590},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Forigins-history","Origines et histoire de la physiognomonie chinoise",{"to":1592,"label":1593},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fface-reading","La lecture du visage chinoise (mianxiang) : méthodes, significations et limites",{"to":1595,"label":1596},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fpalm-reading","La chiromancie chinoise (shouxiang) : traditions, méthodes et limites",{"to":1598,"label":1599},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-practice","La physiognomonie chinoise en pratique aujourd’hui : lectures, applications et risques",{"to":1601,"label":1602},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fhistory-interpretation-and-context","Comment interpréter la physiognomonie chinoise de manière responsable",{"to":1604,"label":1605},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-culture","La physiognomonie chinoise dans l’histoire, la littérature et la culture quotidienne",{"to":1607,"label":1608},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fkey-sources-further-reading","La physiognomonie chinoise : sources primaires et pour aller plus loin",{"to":1610,"label":1611,"children":1612},"\u002Fchinese-metaphysics\u002Fdivination-arts","Les arts divinatoires chinois : méthodes, histoire et usage responsable",[1613,1616,1619,1622,1625,1628,1631],{"to":1614,"label":1615},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Forigins-history","Origines et histoire de la divination chinoise",{"to":1617,"label":1618},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Foracle-bones","Os oraculaires et divination par la carapace de tortue en Chine",{"to":1620,"label":1621},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fyijing-milfoil","Le Yijing et la divination par l’achillée : tirer et lire les hexagrammes",{"to":1623,"label":1624},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fcoins-and-lots","Divination par les pièces et fiches de temple en Chine : méthodes et sens",{"to":1626,"label":1627},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fin-practice","La divination chinoise aujourd’hui : consultations, applications et risques",{"to":1629,"label":1630},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fmeaning-reflection-and-responsible-practice","Pratiquer la divination chinoise de manière responsable",{"to":1632,"label":1633},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fkey-sources-further-reading","La divination chinoise : sources principales et pour aller plus loin",{"to":1635,"label":1636,"children":1637},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","Le Hetu, le Luoshu et les Neuf Palais dans la cosmologie chinoise",[1638,1641,1644,1647,1650,1653,1656],{"to":1639,"label":1640},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Forigins-history","Origines et histoire des diagrammes du Hetu et du Luoshu",{"to":1642,"label":1643},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fhetu-river-chart","Le Hetu, Diagramme du Fleuve : nombres, directions et Cinq Phases",{"to":1645,"label":1646},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fluoshu-magic-square","Le carré magique du Luoshu : nombres, structure et signification culturelle",{"to":1648,"label":1649},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fnine-palaces","Les Neuf Palais (jiugong) : directions, cycles temporels et usages traditionnels",{"to":1651,"label":1652},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fin-practice","Le Hetu, le Luoshu et les Neuf Palais dans la pratique aujourd’hui",{"to":1654,"label":1655},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fmathematics-tradition-and-interpretation","Comment interpréter le Hetu et le Luoshu : mathématiques, histoire et symbolisme",{"to":1657,"label":1658},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fkey-sources-further-reading","Hetu, Luoshu et Neuf Palais : sources primaires et lectures complémentaires",{"to":1660,"label":1661,"children":1662},"\u002Fwudang-mountain","Vivre Wudang",[1663,1688,1755,1802,1845,1885],{"to":1664,"label":1665,"children":1666},"\u002Fwudang-mountain\u002Fintroduction","Découvrir les montagnes de Wudang",[1667,1670,1673,1676,1679,1682,1685],{"to":1668,"label":1669},"\u002Fwudang-mountain\u002Fintroduction\u002Fzhenwu","Zhenwu, la divinité au cœur de Wudang",{"to":1671,"label":1672},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-today","Wudang aujourd’hui : temples, patrimoine et vie quotidienne",{"to":1674,"label":1675},"\u002Fwudang-mountain\u002Fintroduction\u002Fis-a-visit-right-for-you","Un voyage à Wudang vous convient-il ?",{"to":1677,"label":1678},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-world-heritage","Patrimoine mondial du Wudang : que protège l’UNESCO ?",{"to":1680,"label":1681},"\u002Fwudang-mountain\u002Fintroduction\u002Fstone-inscriptions-and-steles","Lire les inscriptions de Wudang : stèles, dates et mémoire impériale",{"to":1683,"label":1684},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-gazetteers-sacred-geography","Comment le Wudang fut consigné : monographies et géographie sacrée",{"to":1686,"label":1687},"\u002Fwudang-mountain\u002Fintroduction\u002Fplaques-couplets-calligraphy","Lire les plaques et les couplets du Wudang : noms, calligraphie et strates du temps",{"to":1689,"label":1690,"children":1691},"\u002Fwudang-mountain\u002Ftemples-and-sites","Temples et sites sacrés du mont Wudang",[1692,1708,1721],{"to":1693,"label":1694,"children":1695},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route","L’itinéraire central des temples du mont Wudang",[1696,1699,1702,1705],{"to":1697,"label":1698},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fmozhen-well-and-taizipo","Le puits Mozhen et Taizipo au mont Wudang",{"to":1700,"label":1701},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fzixiao-palace","Le palais Zixiao au mont Wudang : guide du visiteur",{"to":1703,"label":1704},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fnanyan-palace","Le palais Nanyan au mont Wudang : temple de falaise et encens de la Tête de dragon",{"to":1706,"label":1707},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fthe-summit","Le sommet du mont Wudang : le palais Taihe et la Salle d’or",{"to":1709,"label":1710,"children":1711},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces","Palais périphériques et sites paisibles du mont Wudang",[1712,1715,1718],{"to":1713,"label":1714},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fyuxu-palace","Le palais Yuxu au mont Wudang : ruines impériales et centre administratif",{"to":1716,"label":1717},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fyuzhen-palace","Le palais Yuzhen au mont Wudang : Zhang Sanfeng, l’incendie et la surélévation",{"to":1719,"label":1720},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fwulong-palace","Le palais Wulong au mont Wudang : le plus ancien site de temple isolé",{"to":1722,"label":1723,"children":1724},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture","Plan et architecture des temples du mont Wudang",[1725,1728,1731,1734,1737,1740,1743,1746,1749,1752],{"to":1726,"label":1727},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fthe-overall-plan","Comment les temples du mont Wudang forment un seul itinéraire impérial",{"to":1729,"label":1730},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fbuilding-on-difficult-ground","Comment les temples du mont Wudang furent bâtis sur un terrain difficile",{"to":1732,"label":1733},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fwhat-survives","Ce qui est d’origine au mont Wudang — et ce qui a été reconstruit",{"to":1735,"label":1736},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-roofs","Lire un toit du Wudang : tuiles, rang et restauration",{"to":1738,"label":1739},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-painted-timber","Lire les décors peints du Wudang : couleurs, savoir-faire et renouvellement",{"to":1741,"label":1742},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-dougong","Lire les dougong du Wudang : assemblages, charges et rang architectural",{"to":1744,"label":1745},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-bronze","Lire le bronze au Wudang : fonte, dorure et réseaux impériaux",{"to":1747,"label":1748},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-doors-windows","Lire les portes et fenêtres du Wudang : cadres, treillis et restauration",{"to":1750,"label":1751},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-wudang-temples-manage-rainwater","Comment l’eau s’évacue d’un temple du Wudang : toits, cours et drainage de montagne",{"to":1753,"label":1754},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-stonework-platforms-steps-weathering","Lire la pierre au Wudang : plateformes, marches et altération",{"to":1756,"label":1757,"children":1758},"\u002Fwudang-mountain\u002Fplanning-a-visit","Préparer une visite au mont Wudang",[1759,1769,1782,1792],{"to":1760,"label":1761,"children":1762},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around","Se rendre au mont Wudang et s’y déplacer",[1763,1766],{"to":1764,"label":1765},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around\u002Freaching-wudang","Comment se rendre au mont Wudang",{"to":1767,"label":1768},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around\u002Fgetting-around-the-mountain","Se déplacer sur le mont Wudang",{"to":1770,"label":1771,"children":1772},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons","Mont Wudang : billets, budget et meilleures saisons",[1773,1776,1779],{"to":1774,"label":1775},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Ftickets-and-what-they-cover","Les billets du mont Wudang et ce qu’ils couvrent",{"to":1777,"label":1778},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Fwhat-a-trip-costs","Combien coûte un voyage au mont Wudang",{"to":1780,"label":1781},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Fwhen-to-go","Quand visiter le mont Wudang",{"to":1783,"label":1784,"children":1785},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fstaying-and-eating","Où dormir et manger au mont Wudang",[1786,1789],{"to":1787,"label":1788},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fstaying-and-eating\u002Fwhere-to-stay","Où loger au mont 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Wudang",{"to":1827,"label":1828},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school\u002Fhow-to-evaluate","Comment évaluer une école d’arts martiaux de Wudang avant de payer",{"to":1830,"label":1831},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school\u002Fwarning-signs","Les signaux d’alerte dans le choix d’une école d’arts martiaux de Wudang",{"to":1833,"label":1834,"children":1835},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like","À quoi ressemble vraiment l’entraînement aux arts martiaux au mont Wudang",[1836,1839,1842],{"to":1837,"label":1838},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like\u002Fa-typical-day","Une journée type d’entraînement dans une école d’arts martiaux du Wudang",{"to":1840,"label":1841},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like\u002Fcosts-and-practicalities","S’entraîner aux arts martiaux au Wudang : coûts, formalités et aspects 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Wudang",{"to":1860,"label":1861,"children":1862},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls","À l’intérieur d’une salle de temple du mont Wudang",[1863,1866,1869],{"to":1864,"label":1865},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fentering-a-hall","Entrer et circuler dans une salle de temple du mont Wudang",{"to":1867,"label":1868},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fincense-and-bowing","Encens, inclinations et offrandes dans les temples du mont Wudang",{"to":1870,"label":1871},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fphotography","Photographie et respect dans les temples du mont Wudang",{"to":1873,"label":1874,"children":1875},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes","Clergé taoïste, dons et erreurs courantes dans les temples du mont Wudang",[1876,1879,1882],{"to":1877,"label":1878},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Ftaoist-clergy","Le clergé taoïste : comment s’adresser aux religieux",{"to":1880,"label":1881},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Fdonations-and-fees","Dons, frais et ce qu’il faut refuser dans les temples du mont Wudang",{"to":1883,"label":1884},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Fcommon-mistakes","Les impairs courants dans les temples du mont Wudang",{"to":1886,"label":1887,"children":1888},"\u002Fwudang-mountain\u002Fpractical-reference","Mont Wudang : références pratiques",[1889,1892,1895,1898,1901],{"to":1890,"label":1891},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fnames-and-terms","Glossaire des noms et termes du mont Wudang",{"to":1893,"label":1894},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fidentifying-the-figures","Identifier les divinités dans les salles des temples de Wudang",{"to":1896,"label":1897},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fitineraries","Itinéraires au mont Wudang : d’une demi-journée à plusieurs jours",{"to":1899,"label":1900},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fsources-and-further-reading","Mont Wudang : sources et lectures complémentaires",{"to":1902,"label":1903},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fmap-and-route-guide","Carte et guide des itinéraires du mont Wudang",{"to":1905,"label":1906},"\u002Fwudang-mountain\u002Feveryday-wudang","Wudang au quotidien",[1908,1909,1910,1911,1912,1913,1914,1915,1916,1919,1922,1925],{"to":7,"label":8},{"to":625,"label":626},{"to":764,"label":765},{"to":878,"label":879},{"to":1258,"label":1259},{"to":1426,"label":1427},{"to":1660,"label":1661},{"to":1905,"label":1906},{"to":1917,"label":1918},"\u002Fabout","À propos de Wudang.Org",{"to":1920,"label":1921},"\u002Fstart-here","Découvrir Wudang : culture, pratiques et vie 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A Map of Texts, Traditions and Practice","什么是道家与道教？经典、传统与实践地图",{"to":18,"label":1943,"label_zh":1944},"Tao: The Source of All Things","道生万物",{"to":21,"label":1946,"label_zh":1947},"Core Ideas: Wu Wei, Yin-Yang & Ziran","核心概念：无为、阴阳与自然",{"to":24,"label":1949,"label_zh":1950},"Philosophical and Religious Taoism: Distinct Paths, Shared Traditions","道家与道教：不同路径，共同传统",{"to":27,"label":1952,"label_zh":1953},"A Short History of Taoism","道家与道教简史",{"to":30,"label":1955,"label_zh":1956},"Key Texts at a Glance","主要经典一览",{"to":33,"label":1958,"label_zh":1959},"Taoism in Everyday Life","道家思想与日常生活",{"to":36,"label":1961,"label_zh":1962},"Understanding Taoism in Context","认识道家与道教的文化脉络",{"to":39,"label":1964,"label_zh":1965},"Where to Go Next","接下来读什么",{"to":42,"label":1967,"label_zh":1968,"children":1969},"I Ching","易经",[1970,1973,1976,2108,2111,2114,2117],{"to":46,"label":1971,"label_zh":1972},"Origins & History of the I Ching","《易经》是怎么来的",{"to":49,"label":1974,"label_zh":1975},"The Eight Trigrams 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Ching","《道德经》全文",[2148,2151,2154,2157,2160,2163,2166,2169,2172,2175,2178,2181,2184,2187,2190,2193,2196,2199,2202,2205,2208,2211,2214,2217,2220,2223,2226,2229,2232,2235,2238,2241,2244,2247,2250,2253,2256,2259,2262,2265,2268,2271,2274,2277,2280,2283,2286,2289,2292,2295,2298,2301,2304,2307,2310,2313,2316,2319,2322,2325,2328,2331,2334,2337,2340,2343,2346,2349,2352,2355,2358,2361,2364,2367,2370,2373,2376,2379,2382,2385,2388],{"to":288,"label":2149,"label_zh":2150},"Chapter 1 — The Tao Beyond Names","第一章　道可道，非常道",{"to":291,"label":2152,"label_zh":2153},"Chapter 2 — Opposites Arise Together","第二章　有无相生",{"to":294,"label":2155,"label_zh":2156},"Chapter 3 — Quieting Rivalry","第三章　为无为，则无不治",{"to":297,"label":2158,"label_zh":2159},"Chapter 4 — The Empty Source","第四章　道冲而用之",{"to":300,"label":2161,"label_zh":2162},"Chapter 5 — The Bellows of Heaven and Earth","第五章　天地之间",{"to":303,"label":2164,"label_zh":2165},"Chapter 6 — The Valley Spirit","第六章　谷神不死",{"to":306,"label":2167,"label_zh":2168},"Chapter 7 — Lasting Beyond the Self","第七章　天长地久",{"to":309,"label":2170,"label_zh":2171},"Chapter 8 — The Goodness of Water","第八章　上善若水",{"to":312,"label":2173,"label_zh":2174},"Chapter 9 — Knowing When to Stop","第九章　功成身退",{"to":315,"label":2176,"label_zh":2177},"Chapter 10 — Holding the One","第十章　抱一与玄德",{"to":318,"label":2179,"label_zh":2180},"Chapter 11 — The Usefulness of Empty Space","第十一章　无之以为用",{"to":321,"label":2182,"label_zh":2183},"Chapter 12 — Guarding the Senses","第十二章　为腹不为目",{"to":324,"label":2185,"label_zh":2186},"Chapter 13 — Honour, Disgrace, and the Self","第十三章　宠辱若惊",{"to":327,"label":2188,"label_zh":2189},"Chapter 14 — The Formless Form","第十四章　无状之状",{"to":330,"label":2191,"label_zh":2192},"Chapter 15 — The Ancient Masters","第十五章　古之善为士者",{"to":333,"label":2194,"label_zh":2195},"Chapter 16 — Returning to the Root","第十六章　归根曰静",{"to":336,"label":2197,"label_zh":2198},"Chapter 17 — Leadership That Leaves No Burden","第十七章　百姓皆谓我自然",{"to":339,"label":2200,"label_zh":2201},"Chapter 18 — When the Great Tao Is Lost","第十八章　大道废，有仁义",{"to":342,"label":2203,"label_zh":2204},"Chapter 19 — Returning to Simplicity","第十九章　见素抱朴",{"to":345,"label":2206,"label_zh":2207},"Chapter 20 — Different from the Crowd","第二十章　我独异于人",{"to":348,"label":2209,"label_zh":2210},"Chapter 21 — Following the Tao","第二十一章　孔德之容",{"to":351,"label":2212,"label_zh":2213},"Chapter 22 — Bending Without Breaking","第二十二章　曲则全",{"to":354,"label":2215,"label_zh":2216},"Chapter 23 — Few Words, Natural Action","第二十三章　希言自然",{"to":357,"label":2218,"label_zh":2219},"Chapter 24 — Standing Without Straining","第二十四章　企者不立",{"to":360,"label":2221,"label_zh":2222},"Chapter 25 — The Way of Nature","第二十五章　道法自然",{"to":363,"label":2224,"label_zh":2225},"Chapter 26 — Rooted in Stillness","第二十六章　重为轻根",{"to":366,"label":2227,"label_zh":2228},"Chapter 27 — Leaving No One Behind","第二十七章　无弃人，无弃物",{"to":369,"label":2230,"label_zh":2231},"Chapter 28 — Returning to the Uncarved Block","第二十八章　复归于朴",{"to":372,"label":2233,"label_zh":2234},"Chapter 29 — The World Is Not an Object","第二十九章　天下神器不可为",{"to":375,"label":2236,"label_zh":2237},"Chapter 30 — Power Without Domination","第三十章　果而勿强",{"to":378,"label":2239,"label_zh":2240},"Chapter 31 — Victory Without Celebration","第三十一章　胜而不美",{"to":381,"label":2242,"label_zh":2243},"Chapter 32 — The Nameless Simplicity","第三十二章　知止不殆",{"to":384,"label":2245,"label_zh":2246},"Chapter 33 — Knowing Yourself","第三十三章　自知者明",{"to":387,"label":2248,"label_zh":2249},"Chapter 34 — Great Without Possessing","第三十四章　终不自为大",{"to":390,"label":2251,"label_zh":2252},"Chapter 35 — The Great Image","第三十五章　执大象",{"to":393,"label":2254,"label_zh":2255},"Chapter 36 — Subtle Understanding","第三十六章　柔弱胜刚强",{"to":396,"label":2257,"label_zh":2258},"Chapter 37 — Acting Without Forcing","第三十七章　无为而无不为",{"to":399,"label":2260,"label_zh":2261},"Chapter 38 — The Descent from Tao to Ritual","第三十八章　上德不德",{"to":402,"label":2263,"label_zh":2264},"Chapter 39 — Rooted in the One","第三十九章　得一",{"to":405,"label":2266,"label_zh":2267},"Chapter 40 — Returning and Yielding","第四十章　反者道之动",{"to":408,"label":2269,"label_zh":2270},"Chapter 41 — The Tao That Appears Contrary","第四十一章　道隐无名",{"to":411,"label":2272,"label_zh":2273},"Chapter 42 — Yin, Yang, and Harmony","第四十二章　负阴抱阳",{"to":414,"label":2275,"label_zh":2276},"Chapter 43 — The Softest Overcomes the Hardest","第四十三章　至柔驰骋至坚",{"to":417,"label":2278,"label_zh":2279},"Chapter 44 — Life Before Reputation","第四十四章　知足不辱",{"to":420,"label":2281,"label_zh":2282},"Chapter 45 — Great Completion Seems Incomplete","第四十五章　清静为天下正",{"to":423,"label":2284,"label_zh":2285},"Chapter 46 — The Sufficiency of Contentment","第四十六章　知足之足",{"to":426,"label":2287,"label_zh":2288},"Chapter 47 — Knowing Without Travelling Far","第四十七章　不出户知天下",{"to":429,"label":2290,"label_zh":2291},"Chapter 48 — Learning by Letting Go","第四十八章　为道日损",{"to":432,"label":2293,"label_zh":2294},"Chapter 49 — A Heart Open to the People","第四十九章　以百姓心为心",{"to":435,"label":2296,"label_zh":2297},"Chapter 50 — Living Without Clinging to Life","第五十章　善摄生者",{"to":438,"label":2299,"label_zh":2300},"Chapter 51 — Profound Virtue Nourishes","第五十一章　道生德畜",{"to":441,"label":2302,"label_zh":2303},"Chapter 52 — Returning to the Mother","第五十二章　见小曰明",{"to":444,"label":2305,"label_zh":2306},"Chapter 53 — The Great Way and the Side Paths","第五十三章　大道甚夷",{"to":447,"label":2308,"label_zh":2309},"Chapter 54 — Cultivation from Self to World","第五十四章　修之于身",{"to":450,"label":2311,"label_zh":2312},"Chapter 55 — The Vitality of the Infant","第五十五章　含德之厚",{"to":453,"label":2314,"label_zh":2315},"Chapter 56 — Mysterious Unity","第五十六章　玄同",{"to":456,"label":2317,"label_zh":2318},"Chapter 57 — Governing with Fewer Interferences","第五十七章　我无为而民自化",{"to":459,"label":2320,"label_zh":2321},"Chapter 58 — Fortune Rests on Misfortune","第五十八章　祸福相倚",{"to":462,"label":2323,"label_zh":2324},"Chapter 59 — Deep Roots and Conservation","第五十九章　深根固柢",{"to":465,"label":2326,"label_zh":2327},"Chapter 60 — Governing Like Cooking a Small Fish","第六十章　治大国若烹小鲜",{"to":468,"label":2329,"label_zh":2330},"Chapter 61 — The Great State Takes the Lower Place","第六十一章　大者宜为下",{"to":471,"label":2332,"label_zh":2333},"Chapter 62 — The Refuge of All Things","第六十二章　道者万物之奥",{"to":474,"label":2335,"label_zh":2336},"Chapter 63 — Begin with What Is Small","第六十三章　天下大事作于细",{"to":477,"label":2338,"label_zh":2339},"Chapter 64 — Careful at the End as at the Beginning","第六十四章　慎终如始",{"to":480,"label":2341,"label_zh":2342},"Chapter 65 — Beyond Manipulative Cleverness","第六十五章　玄德深远",{"to":483,"label":2344,"label_zh":2345},"Chapter 66 — Leading from Below","第六十六章　善下为王",{"to":486,"label":2347,"label_zh":2348},"Chapter 67 — The Three Treasures","第六十七章　三宝",{"to":489,"label":2350,"label_zh":2351},"Chapter 68 — The Virtue of Non-Contention","第六十八章　不争之德",{"to":492,"label":2353,"label_zh":2354},"Chapter 69 — Never Take the Enemy Lightly","第六十九章　哀者胜矣",{"to":495,"label":2356,"label_zh":2357},"Chapter 70 — Plain Clothes, Jade Within","第七十章　被褐怀玉",{"to":498,"label":2359,"label_zh":2360},"Chapter 71 — Knowing That You Do Not Know","第七十一章　知不知上",{"to":501,"label":2362,"label_zh":2363},"Chapter 72 — Authority Without Oppression","第七十二章　自知不自见",{"to":504,"label":2365,"label_zh":2366},"Chapter 73 — The Courage Not to Force","第七十三章　天网恢恢",{"to":507,"label":2368,"label_zh":2369},"Chapter 74 — Do Not Take the Executioner’s Place","第七十四章　代大匠斲",{"to":510,"label":2371,"label_zh":2372},"Chapter 75 — When Rulers Consume Too Much","第七十五章　民之饥",{"to":513,"label":2374,"label_zh":2375},"Chapter 76 — The Living Are Soft","第七十六章　柔弱处上",{"to":516,"label":2377,"label_zh":2378},"Chapter 77 — The Way of Heaven Is Like a Bow","第七十七章　损有余补不足",{"to":519,"label":2380,"label_zh":2381},"Chapter 78 — Nothing Is Softer Than Water","第七十八章　柔之胜刚",{"to":522,"label":2383,"label_zh":2384},"Chapter 79 — After a Great Resentment","第七十九章　和大怨",{"to":525,"label":2386,"label_zh":2387},"Chapter 80 — A Small and Contented Community","第八十章　小国寡民",{"to":528,"label":2389,"label_zh":2390},"Chapter 81 — The Way That Benefits Without Harm","第八十一章　为而不争",{"to":531,"label":2392,"label_zh":2393},"How Commentaries Change the Dao De Jing: Heshang Gong, Wang Bi and Xiang’er","注本如何改变《道德经》的读法：河上公、王弼与《想尔注》",{"to":534,"label":535,"label_zh":2395,"children":2396},"太极",[2397,2400,2403,2406,2409,2412,2415],{"to":538,"label":2398,"label_zh":2399},"Origins & Meaning of Taiji","“太极”这个词从哪来，本来什么意思",{"to":541,"label":2401,"label_zh":2402},"The Taiji Diagram (Taijitu)","太极图：阴阳互动与变化的象征",{"to":544,"label":2404,"label_zh":2405},"Taiji, Wuji & Cosmology","从无极到万物：这套生成图式是怎么拼起来的",{"to":547,"label":2407,"label_zh":2408},"Yin and Yang within Taiji","怎么判断一样东西是阴还是阳",{"to":550,"label":2410,"label_zh":2411},"Taiji in Neo-Confucian & Taoist Thought","同一个“太极”，理学与道教各取所需",{"to":553,"label":2413,"label_zh":2414},"Taiji and Internal Martial Practice","太极拳为什么叫太极：从哲理到动作",{"to":556,"label":2416,"label_zh":2417},"Key Sources & Further Reading","想深入的话，读什么",{"to":559,"label":560,"label_zh":2419,"children":2420},"庄子",[2421,2424,2427,2430,2433,2436,2439],{"to":563,"label":2422,"label_zh":2423},"Life & Historical Context of Zhuangzi","庄子这个人：一个漆园小吏和他的时代",{"to":566,"label":2425,"label_zh":2426},"Structure & Authorship of the Text","三十三篇，至少三批人写的",{"to":569,"label":2428,"label_zh":2429},"Core Themes: Wandering, Wu Wei & Spontaneity","逍遥、无待、技进乎道",{"to":572,"label":2431,"label_zh":2432},"The Equality of Things & the Relativity of Perspectives","齐物不是“都一样，无所谓”",{"to":575,"label":2434,"label_zh":2435},"Famous Parables of the Zhuangzi","那些人人知道的寓言，和总被略掉的下一句",{"to":578,"label":2437,"label_zh":2438},"Zhuangzi in Taoist Practice & Later Influence","从魏晋玄学到禅宗与诗画，庄子影响了什么",{"to":581,"label":2118,"label_zh":2440},"读《庄子》该用什么本子",{"to":584,"label":2442,"label_zh":2443,"children":2444},"Classical Library","道家经典文库",[2445],{"to":588,"label":2446,"label_zh":2447,"children":2448},"Liezi","列子：八篇总览与现代解读",[2449,2452,2455,2458,2461,2464,2467,2470],{"to":592,"label":2450,"label_zh":2451},"Chapter One: Tian Rui 天瑞","第一篇：天瑞",{"to":595,"label":2453,"label_zh":2454},"Chapter Two: Huang Di 黄帝","第二篇：黄帝",{"to":598,"label":2456,"label_zh":2457},"Chapter Three: Zhou Mu Wang 周穆王","第三篇：周穆王",{"to":601,"label":2459,"label_zh":2460},"Chapter Four: Zhong Ni 仲尼","第四篇：仲尼",{"to":604,"label":2462,"label_zh":2463},"Chapter Five: Tang Wen 汤问","第五篇：汤问",{"to":607,"label":2465,"label_zh":2466},"Chapter Six: Li Ming 力命","第六篇：力命",{"to":610,"label":2468,"label_zh":2469},"Chapter Seven: Yang Zhu 杨朱","第七篇：杨朱",{"to":613,"label":2471,"label_zh":2472},"Chapter Eight: Shuo Fu 说符","第八篇：说符",{"to":616,"label":2474,"label_zh":2475},"Taoist Philosophy","道家哲学",{"to":619,"label":2477,"label_zh":2478},"Wu Wei & Natural Living","无为与自然生活",{"to":622,"label":2480,"label_zh":2481},"A Taoist View of Life","道家人生观",{"to":625,"label":2483,"label_zh":2484,"children":2485},"Martial Arts","武当武术",[2486,2508,2533,2552,2571,2596],{"to":629,"label":2487,"label_zh":2488,"children":2489},"Foundations of Internal Martial Arts","内家拳基础",[2490,2493,2496,2499,2502,2505],{"to":633,"label":2491,"label_zh":2492},"Internal vs. External: Neijia and Waijia","内家与外家",{"to":636,"label":2494,"label_zh":2495},"Zhang Sanfeng: Ming-Dynasty Daoist, Wudang Tradition and Martial Legacy","张三丰：明代道士、武当传统与武术传承",{"to":639,"label":2497,"label_zh":2498},"The Three Treasures: Jing, Qi and Shen","精、气、神：内丹词汇与武术训练",{"to":642,"label":2500,"label_zh":2501},"Song, Rooting and Whole-Body Power","松、沉、整劲：核心功夫与检验方法",{"to":645,"label":2503,"label_zh":2504},"Martial Arts as Taoist Cultivation","以武入道：武术与道家修养的关系",{"to":648,"label":2506,"label_zh":2507},"Key Sources and Further Reading","读什么，用什么本子，按什么顺序",{"to":651,"label":2509,"label_zh":2510,"children":2511},"Taijiquan (Tai Chi)","太极拳",[2512,2515,2518,2521,2524,2527,2530],{"to":655,"label":2513,"label_zh":2514},"Origins and History of Taijiquan","太极拳从哪来：传说、拳谱与考据",{"to":658,"label":2516,"label_zh":2517},"Taijiquan Family Styles: Chen, Yang, Wu, Wu (Hao) and Sun","太极拳五大家：陈式、杨式、吴式、武（郝）式与孙式",{"to":661,"label":2519,"label_zh":2520},"Wudang Taijiquan: History, Revival and Living Practice","武当太极拳：历史、复兴与当代实践",{"to":664,"label":2522,"label_zh":2523},"Core Principles and the Taiji Classics","太极拳经典与核心原则",{"to":667,"label":2525,"label_zh":2526},"Taijiquan Push Hands (Tui Shou): Partner Drills, Skills and Safety","太极拳推手：双人练习、训练目标与安全规则",{"to":670,"label":2528,"label_zh":2529},"Health and Martial Practice in Taijiquan","太极拳养生与技击：证据、目标与训练方法",{"to":673,"label":2531,"label_zh":2532},"Taijiquan Sources and Reading Paths","太极拳资料与阅读路径",{"to":676,"label":2534,"label_zh":2535,"children":2536},"Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、换掌与身法变化",[2537,2540,2543,2546,2549],{"to":680,"label":2538,"label_zh":2539},"Origins and History of Baguazhang: Dong Haichuan and the Record","八卦掌源流：董海川、碑铭与早期资料",{"to":683,"label":2541,"label_zh":2542},"Circle Walking and Palm Changes in Baguazhang","八卦掌走圈与换掌：变量、转向与练习进阶",{"to":686,"label":2544,"label_zh":2545},"Baguazhang and the Yijing: History, Diagrams and Practice","八卦掌与《易》：历史、卦图与练法解释",{"to":689,"label":2547,"label_zh":2548},"Baguazhang Principles: Turning, Angling and Continuous Change","八卦掌法则：转身、走斜与连续变化",{"to":692,"label":2550,"label_zh":2551},"Baguazhang Sources and Reading Paths","八卦掌资料与阅读路径",{"to":695,"label":2553,"label_zh":2554,"children":2555},"Xingyiquan: Structure, Intention and Direct Training","形意拳：结构、意念与直接训练",[2556,2559,2562,2565,2568],{"to":699,"label":2557,"label_zh":2558},"Origins and History of Xingyiquan","形意拳的起源与历史",{"to":702,"label":2560,"label_zh":2561},"The Five Fists of Xingyiquan","形意拳五行拳：劈、崩、钻、炮、横",{"to":705,"label":2563,"label_zh":2564},"Xingyiquan’s Twelve Animal Forms","形意拳十二形：动物意象与训练方法",{"to":708,"label":2566,"label_zh":2567},"Xingyiquan Principles: Six Harmonies, Intention and Power","形意拳原理：六合、意与劲力训练",{"to":711,"label":2569,"label_zh":2570},"Xingyiquan Sources and Reading Paths","形意拳资料与阅读路径：拳谱、版本与证据",{"to":714,"label":2572,"label_zh":2573,"children":2574},"Wudang Sword and Weapons: History, Practice and Context","武当剑与兵器：历史、练习与文化语境",[2575,2578,2581,2584,2587,2590,2593],{"to":718,"label":2576,"label_zh":2577},"Wudang Straight Sword: The 1931 Curriculum and Its Context","武当剑：1931年课程、十三势与史料边界",{"to":721,"label":2579,"label_zh":2580},"The Sabre, Staff and Spear: A Guide to Chinese Weapons","刀、棍、枪：认识传统兵器与练习方式",{"to":724,"label":2582,"label_zh":2583},"Whisk, Fan and Other Wudang Implements: Objects and Practice","拂尘、扇与其他武当器械：器物、文化与练习",{"to":727,"label":2585,"label_zh":2586},"The Weapon and the Body: Coordination, Perception and Practice","器械与身体：协调、知觉与练习",{"to":730,"label":2588,"label_zh":2589},"Weapons Sources and Reading Paths: How to Compare the Evidence","武当兵器资料与阅读路径：怎样比较不同证据",{"to":733,"label":2591,"label_zh":2592},"How to Read a Chinese Jian: Blade, Hilt, Scabbard and Context","怎样读懂中国剑：剑身、剑柄、剑鞘与时代语境",{"to":736,"label":2594,"label_zh":2595},"How to Read a Chinese Dao: Edge, Curve, Mountings and Context","怎样读懂中国刀：刃口、弧度、装具与时代语境",{"to":739,"label":2597,"label_zh":2598,"children":2599},"Training and Practice: Building a Sustainable Wudang Routine","训练与习练：建立可持续的武当练习",[2600,2603,2606,2609,2612,2615,2618],{"to":743,"label":2601,"label_zh":2602},"Jibengong and Stance Training: Building Foundations Safely","基本功与桩功：安全建立训练基础",{"to":746,"label":2604,"label_zh":2605},"Forms, Drills and Applications: Connecting Solo and Partner Practice","套路、操手与应用：连接单练与对练",{"to":749,"label":2607,"label_zh":2608},"Neigong: Internal Training, Breath and Attention","内功：内在训练、呼吸与专注",{"to":752,"label":2610,"label_zh":2611},"Wude: Martial Ethics, Lineage and Responsible Teaching","武德：武术伦理、传承与负责任的教学",{"to":755,"label":2613,"label_zh":2614},"Training at Wudang: How to Choose a School or Retreat","在武当习武：如何选择武馆或研修项目",{"to":758,"label":2616,"label_zh":2617},"Training Sources and Reading Paths: From Manuals to Practice","训练资料与阅读路径：从拳谱到实练",{"to":761,"label":2619,"label_zh":2620},"How to Begin Wudang Practice: A Beginner Pathway","如何开始武当修习：初学者路径",{"to":764,"label":2622,"label_zh":2623,"children":2624},"Wellness","养生",[2625,2650,2672,2692,2712,2715,2718,2720,2722],{"to":768,"label":2626,"label_zh":2627,"children":2628},"Qigong","气功",[2629,2632,2635,2638,2641,2644,2647],{"to":772,"label":2630,"label_zh":2631},"Origins & History of Qigong","气功的源流与历史",{"to":775,"label":2633,"label_zh":2634},"The Three Regulations","三调",{"to":778,"label":2636,"label_zh":2637},"Famous Forms & Families of Qigong","气功的著名功法与家族",{"to":781,"label":2639,"label_zh":2640},"What a Qigong Session Involves","一堂气功练习包含些什么",{"to":784,"label":2642,"label_zh":2643},"Health Benefits & the Evidence","养生功效与证据",{"to":787,"label":2645,"label_zh":2646},"Getting Started & Further Reading","如何入门与延伸阅读",{"to":790,"label":2648,"label_zh":2649},"The Mawangdui Daoyin Tu: Reading an Early Chinese Exercise Chart","马王堆《导引图》：怎样读懂一幅早期中国导引图像",{"to":793,"label":2651,"label_zh":2652,"children":2653},"Chinese Herbal Medicine","中药与本草",[2654,2657,2660,2663,2666,2669],{"to":797,"label":2655,"label_zh":2656},"Origins & Traditions of Chinese Herbal Medicine","中药的源流与传统",{"to":800,"label":2658,"label_zh":2659},"How Herbs Are Understood","药草是如何被理解的",{"to":803,"label":2661,"label_zh":2662},"Herbs of the Wudang Tradition","武当传统中的药草",{"to":806,"label":2664,"label_zh":2665},"Formulas & Preparation","方剂与配制",{"to":809,"label":2667,"label_zh":2668},"Safety & Responsible Use","安全与负责任的使用",{"to":812,"label":2670,"label_zh":2671},"Further Reading & Everyday Practice","延伸阅读与日常实践",{"to":815,"label":2673,"label_zh":2674,"children":2675},"Taoist Medicine","道家医学",[2676,2679,2682,2685,2688,2691],{"to":819,"label":2677,"label_zh":2678},"The Taoist View of the Body","道家对身体的看法",{"to":822,"label":2680,"label_zh":2681},"The Three Treasures","三宝",{"to":825,"label":2683,"label_zh":2684},"Practices for Nourishing Life","养生的功夫",{"to":828,"label":2686,"label_zh":2687},"Preventing Illness & the Seasons","防病与顺应四时",{"to":831,"label":2689,"label_zh":2690},"How Taoist and Modern Medicine Relate","道家医学与现代医学如何相互参照",{"to":834,"label":2670,"label_zh":2671},{"to":837,"label":2693,"label_zh":2694,"children":2695},"Sound & Energy Practices","声音与能量练习",[2696,2699,2702,2705,2708,2711],{"to":841,"label":2697,"label_zh":2698},"The Taoist Sound Tradition","道家的音声传统",{"to":844,"label":2700,"label_zh":2701},"Sound Baths & Instruments","颂钵音疗与乐器",{"to":847,"label":2703,"label_zh":2704},"Forms of Energy Work","能量之功的种种形式",{"to":850,"label":2706,"label_zh":2707},"A Session: What to Expect","一次课程：会经历什么",{"to":853,"label":2709,"label_zh":2710},"How It Works & the Evidence","它如何起作用与证据",{"to":856,"label":2645,"label_zh":2646},{"to":859,"label":2713,"label_zh":2714},"Standing Practice","站桩",{"to":862,"label":2716,"label_zh":2717},"Wudang Internal Cultivation","武当内修",{"to":865,"label":866,"label_zh":2719},"艾灸",{"to":868,"label":869,"label_zh":2721},"辟谷",{"to":871,"label":2723,"label_zh":2724,"children":2725},"Baduanjin (Eight Brocades)","八段锦",[2726],{"to":875,"label":2727,"label_zh":2728},"The Eight Sections of Baduanjin","八段锦八式详解",{"to":878,"label":2730,"label_zh":2731,"children":2732},"Literati Arts","文人雅艺",[2733,2788,2843,2964,3004,3053,3084],{"to":882,"label":2734,"label_zh":2735,"children":2736},"Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中国诗词与文学：体式、语境与阅读路径",[2737,2740,2743,2746,2749,2752,2755,2758,2761,2764,2767,2770,2773,2776,2779,2782,2785],{"to":886,"label":2738,"label_zh":2739},"Origins of Chinese Poetry: Song, Text and Interpretation","中国诗歌的源流：歌唱、文本与阐释",{"to":889,"label":2741,"label_zh":2742},"The Book of Songs: Voices, Performance and Interpretation","《诗经》：声音、礼乐与阐释",{"to":892,"label":2744,"label_zh":2745},"Tang Poetry: Forms, Voices and a Lasting Canon","唐诗：体式、声音与经典的形成",{"to":895,"label":2747,"label_zh":2748},"Daoist Traditions and Landscape Poetry: Place, Reclusion and Interpretation","道家、道教与山水诗：地方、隐逸与解读",{"to":898,"label":2750,"label_zh":2751},"Poetry as Cultivation at Wudang: Reading, Attention and Writing","武当诗文与自我涵养：阅读、观察与写作",{"to":901,"label":2753,"label_zh":2754},"Chinese Poetry: Poets, Editions and Reading Paths","中国诗词阅读：诗人、版本与入门路径",{"to":904,"label":2756,"label_zh":2757},"How to Read Chinese Regulated Verse: Lines, Rhyme, Tone and Parallelism","怎样读中国近体诗：句式、押韵、平仄与对仗",{"to":907,"label":2759,"label_zh":2760},"How to Read Chinese Ci Lyrics: Tune Patterns, Voice and Transmission","怎样读中国词：词牌、声音与文本流传",{"to":910,"label":2762,"label_zh":2763},"How Chinese Poetry Anthologies Shape What We Read","中国诗歌选本怎样塑造我们的阅读",{"to":913,"label":2765,"label_zh":2766},"Chinese Thread-Bound Books: Folding, Stitching and the Shape of Reading","中国线装书：折页、装订与阅读形态",{"to":916,"label":2768,"label_zh":2769},"How to Read Chinese Paired Couplets: Parallel Lines, Calligraphy and Place","怎样读中国对联：对仗、书法与空间",{"to":919,"label":2771,"label_zh":2772},"Poetry on Chinese Paintings: How to Read Inscriptions and Colophons","中国画上的诗：怎样读题款与题跋",{"to":922,"label":2774,"label_zh":2775},"Chinese Fu (Rhapsody): Catalogues, Courts and Expansive Description","中国赋：铺陈、宫廷与展开描写的艺术",{"to":925,"label":2777,"label_zh":2778},"Wenxin Diaolong: How Liu Xie Thought About Writing and Reading","《文心雕龙》导读：刘勰怎样思考写作与阅读",{"to":928,"label":2780,"label_zh":2781},"Shihua (Poetry Talks): How Chinese Criticism Speaks in Notes and Anecdotes","中国诗话导读：批评怎样写进笔记、轶事与评语",{"to":931,"label":2783,"label_zh":2784},"Chinese Prefaces and Afterwords (Xu and Ba): How Books Frame Texts and Readers","中国序跋导读：书籍怎样安排文本、作者与读者",{"to":934,"label":2786,"label_zh":2787},"Chinese Biji (Brush Notes): How Fragments Become Knowledge and Literature","中国笔记导读：零散见闻怎样成为知识与文学",{"to":937,"label":2789,"label_zh":2790,"children":2791},"Chinese Calligraphy: Scripts, Materials and Ways of Looking","中国书法：书体、材料与观赏入门",[2792,2795,2798,2801,2804,2807,2810,2813,2816,2819,2822,2825,2828,2831,2834,2837,2840],{"to":941,"label":2793,"label_zh":2794},"Origins and History of Chinese Calligraphy","中国书法的源流与历史",{"to":944,"label":2796,"label_zh":2797},"The Five Script Styles in Chinese Calligraphy","中国书法的五种主要书体",{"to":947,"label":2799,"label_zh":2800},"Calligraphy and Taoist Cultivation: Text, Attention and Practice","书法与道家修养：读懂文字，专注落笔",{"to":950,"label":2802,"label_zh":2803},"The Four Treasures of the Study: Choosing and Using Calligraphy Materials","文房四宝：认识、选择与使用笔墨纸砚",{"to":953,"label":2805,"label_zh":2806},"Chinese Calligraphy Brushwork: Reading and Practising the Living Line","书法笔法：观察与练习有生气的线条",{"to":956,"label":2808,"label_zh":2809},"Chinese Calligraphy Masters and Reading Paths","中国书法名家与阅读路径",{"to":959,"label":2811,"label_zh":2812},"Chinese Seals and Seal Carving: Script, Surface and Impression","中国印章与篆刻：文字、印面与钤印",{"to":962,"label":2814,"label_zh":2815},"Chinese Ink Rubbings: Stone, Paper and the Life of Calligraphy","中国传拓：石刻、纸墨与书法的流传",{"to":965,"label":2817,"label_zh":2818},"Chinese Inkstones: Stone, Carving and the Scholar’s Desk","中国砚台：石材、雕刻与文房生活",{"to":968,"label":2820,"label_zh":2821},"Chinese Inksticks: Soot, Moulds and the Scholar’s Desk","中国墨锭：烟料、墨模与文房生活",{"to":971,"label":2823,"label_zh":2824},"Chinese Calligraphy Paper: Xuan, Sizing and the Life of a Sheet","中国书画纸：宣纸、施胶与纸张的一生",{"to":974,"label":2826,"label_zh":2827},"Chinese Calligraphy Brushes: Hair, Handle and the Working Point","中国毛笔：毫料、笔管与笔锋",{"to":977,"label":2829,"label_zh":2830},"Chinese Brush Rests: Mountains, Materials and the Scholar’s Desk","中国笔架：山形、材质与文人书案",{"to":980,"label":2832,"label_zh":2833},"Chinese Water Droppers: Flow, Form and the Scholar’s Desk","中国水滴：控水、造型与文人书案",{"to":983,"label":2835,"label_zh":2836},"Chinese Brush Pots: Function, Material and the Scholar’s Desk","中国笔筒：收纳、材质与文人书案",{"to":986,"label":2838,"label_zh":2839},"Chinese Brush Washers: Water, Form and the Scholar’s Desk","中国笔洗：洗笔、造型与文人书案",{"to":989,"label":2841,"label_zh":2842},"Chinese Paperweights: Form, Material and the Scholar’s Desk","中国镇纸：形制、材质与文人书案",{"to":992,"label":2844,"label_zh":2845,"children":2846},"Chinese Tea Culture","中国茶文化",[2847,2850,2853,2856,2859,2862,2865,2868,2871,2874,2877,2880,2883,2886,2889,2892,2895,2898,2901,2904,2907,2910,2913,2916,2919,2922,2925,2928,2931,2934,2937,2940,2943,2946,2949,2952,2955,2958,2961],{"to":996,"label":2848,"label_zh":2849},"Tea, Meditation and Taoist Practice","茶、静坐与道家修习",{"to":999,"label":2851,"label_zh":2852},"Origins and History of Chinese Tea Culture","中国茶文化的源流与历史",{"to":1002,"label":2854,"label_zh":2855},"The Way of Tea: Attention, Care and Hospitality","茶道：在一杯茶中练习用心与待客",{"to":1005,"label":2857,"label_zh":2858},"Six Chinese Tea Families: Processing and Taste","六大茶类：从制法到品饮",{"to":1008,"label":2860,"label_zh":2861},"Gongfu Tea: Utensils and a Flexible Method","工夫茶：茶具与灵活冲泡法",{"to":1011,"label":2863,"label_zh":2864},"Learning Chinese Tea: Reading and Practice","学茶入门：阅读与品饮练习",{"to":1014,"label":2866,"label_zh":2867},"Water for Chinese Tea: Springs, Minerals and a Practical Tasting Method","中国茶用水：山泉、矿物与实用对比方法",{"to":1017,"label":2869,"label_zh":2870},"Chinese Tea Ware: Clay, Porcelain, Glaze and the Uses of Form","中国茶器：胎土、瓷釉、造型与使用",{"to":1020,"label":2872,"label_zh":2873},"Chinese Tea Caddies: Storage, Materials and the Traveling Leaf","中国茶叶罐：贮藏、材质与流动的茶叶",{"to":1023,"label":2875,"label_zh":2876},"Whisked Tea in Song China: Powder, Bowls and Foam","宋代点茶：茶末、茶盏与汤花",{"to":1026,"label":2878,"label_zh":2879},"Yixing Teapots: Clay, Form and Reading the Maker’s Mark","宜兴紫砂壶：泥料、器形与款识",{"to":1029,"label":2881,"label_zh":2882},"Compressed Tea in China: Cakes, Bricks and How to Read Them","中国紧压茶：茶饼、茶砖与辨读方法",{"to":1032,"label":2884,"label_zh":2885},"Tea–Horse Trade Networks: Routes, Markets and Cultural Exchange","茶马贸易网络：路线、市场与文化交流",{"to":1035,"label":2887,"label_zh":2888},"Tea Landscapes in China: Gardens, Forests, Terraces and Living Knowledge","中国茶景观：茶园、古茶林、梯田与活态知识",{"to":1038,"label":2890,"label_zh":2891},"Picking Tea in China: Seasons, Bud-and-Leaf Standards and Skilled Labour","中国采茶：季节、芽叶标准与劳作技艺",{"to":1041,"label":2893,"label_zh":2894},"Withering Tea Leaves: Water Loss, Time and the First Transformation","茶叶萎凋：失水、时间与采后初变",{"to":1044,"label":2896,"label_zh":2897},"Fixing Tea Leaves (Shaqing): Heat, Enzymes and a Turning Point in Chinese Tea","茶叶杀青：热、酶活性与中国制茶的转折点",{"to":1047,"label":2899,"label_zh":2900},"Rolling Tea Leaves (Rounian): Pressure, Shape and Controlled Cell Disruption","茶叶揉捻：压力、形态与受控细胞破损",{"to":1050,"label":2902,"label_zh":2903},"Drying Tea Leaves: Moisture, Heat and the Stability of Finished Tea","茶叶干燥：水分、热量与成茶稳定",{"to":1053,"label":2905,"label_zh":2906},"Sorting and Grading Tea: Leaf Size, Shape and What a Grade Really Means","茶叶筛分与分级：叶片大小、形态与等级的真正含义",{"to":1056,"label":2908,"label_zh":2909},"Tea Blending and Batch Construction: Consistency, Style and Transparent Labels","茶叶拼配与批次构建：稳定、风格与透明标示",{"to":1059,"label":2911,"label_zh":2912},"Oxidation and Post-Fermentation in Tea: Enzymes, Microbes and Misleading Labels","茶叶氧化与后发酵：酶、微生物与容易混淆的标签",{"to":1062,"label":2914,"label_zh":2915},"Yellow Tea and Menhuang: Moist Heat, Time and the Making of a Tea Family","黄茶与闷黄：湿热、时间与一类茶的形成",{"to":1065,"label":2917,"label_zh":2918},"Re-Firing and Roasting Tea: Later Heat, Aroma and the Difference from Drying","茶叶复火与焙火：后段加热、香气及其与干燥的区别",{"to":1068,"label":2920,"label_zh":2921},"Jasmine Tea and Scenting: Flowers, Repeated Rounds and How Aroma Enters Tea","茉莉花茶与窨制：鲜花、多次窨香与茶叶如何吸收香气",{"to":1071,"label":2923,"label_zh":2924},"Tea Sensory Evaluation: Appearance, Aroma, Taste and the Limits of a Score","茶叶感官审评：外形、香气、滋味与分数的边界",{"to":1074,"label":2926,"label_zh":2927},"Doucha: Tea Contests in Song China and the Limits of Modern Re-Creation","斗茶：宋代茶事竞赛与现代重现的边界",{"to":1077,"label":2929,"label_zh":2930},"Beiyuan Tribute Tea: Song Court Taste, Skilled Labour and the Limits of ‘Imperial Tea’","北苑贡茶：宋代宫廷品味、制茶劳作与“御茶”标签的边界",{"to":1080,"label":2932,"label_zh":2933},"Reading Chinese Tea Classics: Authorship, Editions and the Limits of a ‘Recipe’","如何阅读中国茶书：作者、版本与“配方”式解读的边界",{"to":1083,"label":2935,"label_zh":2936},"Tea in Chinese Poetry: Social Worlds, Metaphor and the Limits of Literary Evidence","中国诗歌中的茶：社会交往、诗意表达与文学证据的边界",{"to":1086,"label":2938,"label_zh":2939},"Chinese Teahouses: Commerce, Conversation, Performance and Changing Urban Publics","中国茶馆：商业、交往、表演与变动中的城市公共生活",{"to":1089,"label":2941,"label_zh":2942},"Tea in Chinese Painting: Objects, Social Worlds and the Limits of Visual Evidence","中国绘画中的茶：器物、社会空间与视觉证据的边界",{"to":1092,"label":2944,"label_zh":2945},"Tea in Dream of the Red Chamber: Hospitality, Rank, Labour and Fiction","《红楼梦》中的茶：待客、等级、劳动与小说叙事",{"to":1095,"label":2947,"label_zh":2948},"Tea in Chinese Travel Writing: Roads, Hospitality and the Limits of an Itinerary","中国游记中的茶：道路、待客与行程证据的边界",{"to":1098,"label":2950,"label_zh":2951},"Tea in Chinese Letters: Gifts, Visits, Friendship and the Limits of ‘Private’ Writing","中国书信中的茶：馈赠、访友、人情与“私语”证据的边界",{"to":1101,"label":2953,"label_zh":2954},"Tea, Tax and Monopoly in Imperial China: Reading Fiscal Records Without Mistaking Revenue for Daily Life","中国历代茶税与专卖：财政记录能告诉我们什么，又不能告诉我们什么",{"to":1104,"label":2956,"label_zh":2957},"Tea in Chinese Local Gazetteers: Place, Production and the Limits of Local Knowledge","中国地方志中的茶：产地、生产与地方知识的边界",{"to":1107,"label":2959,"label_zh":2960},"Tea in Chinese Materia Medica: Names, Preparations and the Limits of Medical Claims","中国本草中的茶：名称、制法与医药记载的边界",{"to":1110,"label":2962,"label_zh":2963},"Tea in Chinese Buddhist Monastic Rules: Ceremony, Office and the Limits of Origin Stories","中国佛教清规中的茶：礼仪、职事与起源故事的边界",{"to":1113,"label":2965,"label_zh":2966,"children":2967},"Guqin: Sound, History and Ways to Listen","古琴：认识声音、历史与聆听方法",[2968,2971,2974,2977,2980,2983,2986,2989,2992,2995,2998,3001],{"to":1117,"label":2969,"label_zh":2970},"A History of the Guqin: Objects, Texts and Living Music","古琴的历史：实物、文献与传习",{"to":1120,"label":2972,"label_zh":2973},"How the Guqin Works: Strings, Body and Sound","古琴如何发声：琴弦、琴身与结构",{"to":1123,"label":2975,"label_zh":2976},"Playing the Guqin: Gesture, Notation and Interpretation","古琴怎样弹、怎样读谱：指法、减字谱与诠释",{"to":1126,"label":2978,"label_zh":2979},"Guqin Melodies: Stories, Versions and Ways to Listen","听懂古琴名曲：故事、版本与聆听线索",{"to":1129,"label":2981,"label_zh":2982},"Guqin and Daoist Cultivation: Listening, Practice and Limits","古琴与道家修养：聆听、练习与边界",{"to":1132,"label":2984,"label_zh":2985},"Learning the Guqin: Listening, Sources and Finding a Teacher","怎样学古琴：聆听、资料与择师",{"to":1135,"label":2987,"label_zh":2988},"Guqin Tables and Playing Spaces: Support, Posture and Listening","古琴桌与弹琴空间：承托、坐姿与聆听",{"to":1138,"label":2990,"label_zh":2991},"How to Read a Guqin Handbook: Tablature, Editions and Dapu","如何读古琴谱：减字谱、版本与打谱",{"to":1141,"label":2993,"label_zh":2994},"Reading Guqin Lacquer: Layers, Crack Patterns and Repair","读懂古琴漆面：漆层、断纹与修缮",{"to":1144,"label":2996,"label_zh":2997},"Reading Guqin Inscriptions and Seals: Names, Dates and Provenance","读懂古琴铭款与印章：琴名、年代与流传",{"to":1147,"label":2999,"label_zh":3000},"Guqin Forms: Reading Zhongni, Banana-Leaf and Other Shapes","古琴式样：读懂仲尼式、蕉叶式与其他琴式",{"to":1150,"label":3002,"label_zh":3003},"Guqin Strings: Silk, Modern Composites and How Material Changes Playing","古琴琴弦：丝弦、现代复合弦与材质如何改变演奏",{"to":1153,"label":3005,"label_zh":3006,"children":3007},"Chinese Painting: Materials, Formats and Ways of Looking","中国绘画：材料、形制与观看方法",[3008,3011,3014,3017,3020,3023,3026,3029,3032,3035,3038,3041,3044,3047,3050],{"to":1157,"label":3009,"label_zh":3010},"Origins and History of Chinese Painting: Objects, Courts and Communities","中国绘画的源流与历史：作品、宫廷与社会",{"to":1160,"label":3012,"label_zh":3013},"Ink and Brush in Chinese Painting: Materials, Water and Marks","中国画的笔墨：材料、水分与笔痕",{"to":1163,"label":3015,"label_zh":3016},"Shanshui: How to Read Chinese Landscape Painting","山水画：怎样读懂中国山水",{"to":1166,"label":3018,"label_zh":3019},"Birds, Flowers and the Four Gentlemen in Chinese Painting","中国画中的花鸟与四君子",{"to":1169,"label":3021,"label_zh":3022},"Painting and Taoist Cultivation: Images, Ideas and Practice","绘画与道家修养：图像、观念与实践",{"to":1172,"label":3024,"label_zh":3025},"Chinese Painting Masters: A Guided Path","中国画名家与进阶研习",{"to":1175,"label":3027,"label_zh":3028},"How to Read a Chinese Handscroll: Sequence, Colophons and Seals","怎样观看中国手卷：展开顺序、题跋与印章",{"to":1178,"label":3030,"label_zh":3031},"Chinese Fan Painting: Shape, Brushwork and the Art of the Small Format","中国扇面书画：形制、笔墨与方寸之美",{"to":1181,"label":3033,"label_zh":3034},"How to Read a Chinese Painting Album: Leaves, Sequence and Intimate Viewing","如何阅读中国画册页：开页、次序与案头观看",{"to":1184,"label":3036,"label_zh":3037},"Chinese Scholars’ Rocks: Stone, Display and Imagined Landscapes","中国文人赏石：石质、陈设与想象山水",{"to":1187,"label":3039,"label_zh":3040},"How to Read a Chinese Hanging Scroll: Vertical Space, Mounting and Display","如何阅读中国立轴：纵向空间、装裱与陈设",{"to":1190,"label":3042,"label_zh":3043},"Chinese Screens: Space, Painting and the Art of the Fold","中国屏风：空间、图像与开合之艺",{"to":1193,"label":3045,"label_zh":3046},"Mounting Chinese Painting: Silk Borders, Backing Papers and the Life of a Scroll","中国画装裱：绫边、托纸与卷轴的生命",{"to":1196,"label":3048,"label_zh":3049},"Chinese Portrait Painting: Likeness, Role and Ancestral Memory","中国肖像画：形神、身份与祖先记忆",{"to":1199,"label":3051,"label_zh":3052},"The Three Distances in Chinese Landscape Painting: High, Deep and Level Space","中国山水画的“三远”：高远、深远与平远",{"to":1202,"label":3054,"label_zh":3055,"children":3056},"Chinese Incense Culture","中国香文化",[3057,3060,3063,3066,3069,3072,3075,3078,3081],{"to":1206,"label":3058,"label_zh":3059},"Origins and History of Chinese Incense Culture","中国香文化的源流与历史",{"to":1209,"label":3061,"label_zh":3062},"Aromatic Materials: Woods, Resins and Responsible Sourcing","香材指南：香木、树脂与负责任的来源",{"to":1212,"label":3064,"label_zh":3065},"Incense Forms and the Art of Appreciation","香的形态与品香方法",{"to":1215,"label":3067,"label_zh":3068},"Incense in Daoist Ritual and Temple Life","香在道教科仪与宫观生活中",{"to":1218,"label":3070,"label_zh":3071},"Incense, Meditation and Taoist Practice","香、静坐与道家修习",{"to":1221,"label":3073,"label_zh":3074},"Learning Chinese Incense: Reading and Practice","学习中国香文化：阅读与实践",{"to":1224,"label":3076,"label_zh":3077},"Chinese Incense Burners: Bronze, Ceramic, Form and Context","中国香炉：青铜、陶瓷、形制与使用语境",{"to":1227,"label":3079,"label_zh":3080},"Chinese Incense Seals: Ash, Patterns and Fragrant Time","中国香篆：香灰、篆纹与芬芳计时",{"to":1230,"label":3082,"label_zh":3083},"Chinese Incense Sets: Burner, Box, Vase and Tools","中国香具三式：炉、盒、瓶与匙箸",{"to":1233,"label":3085,"label_zh":3086,"children":3087},"Chinese Flower Arrangement: History, Materials and Ways of Looking","中国插花：历史、花材与观看方法",[3088,3091,3094,3097,3100,3103,3106],{"to":1237,"label":3089,"label_zh":3090},"A History of Chinese Flower Arrangement: Vessels, Pictures and Voices","中国插花史：器物、图像与文字中的花事",{"to":1240,"label":3092,"label_zh":3093},"Chinese Flower Arrangement: Line, Balance and Ways of Looking","中国插花构图：线条、平衡与观看方法",{"to":1243,"label":3095,"label_zh":3096},"Choosing Flower Vessels and Tools: Form, Support and Care","选择花器与工具：形制、支撑和养护",{"to":1246,"label":3098,"label_zh":3099},"Seasonal Flowers and Symbolism: How to Read Context","时令花材与象征：怎样结合语境来读",{"to":1249,"label":3101,"label_zh":3102},"Flower Arrangement as Cultivation: Attention, Change and Limits","插花与修养：专注、变化与界限",{"to":1252,"label":3104,"label_zh":3105},"Further Reading and Practice: Sources, Museums and a First Month","延伸阅读与练习：史料、博物馆与第一个月",{"to":1255,"label":3107,"label_zh":3108},"Chinese Flower Baskets: Weaving, Painting and the Vessel","中国花篮：编织、绘画与器物",{"to":1258,"label":3110,"label_zh":3111,"children":3112},"Taoist Culture","道教文化",[3113,3144,3169,3194,3255],{"to":1262,"label":3114,"label_zh":3115,"children":3116},"Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙与神明体系：结构与层级指南",[3117,3120,3123,3126,3129,3132,3135,3138,3141],{"to":1266,"label":3118,"label_zh":3119},"The Three Pure Ones: Highest Deities of the Taoist Pantheon","道教三清：神明体系中的最高尊神",{"to":1269,"label":3121,"label_zh":3122},"The Jade Emperor in Taoism: Ruler of the Celestial Bureaucracy","道教玉皇大帝：天庭官府的治理者",{"to":1272,"label":3124,"label_zh":3125},"How the Taoist Pantheon Developed: Origins of Its Gods","道教神明体系如何形成：诸神的不同来源",{"to":1275,"label":3127,"label_zh":3128},"Taoist Immortals and the Celestial Bureaucracy: Shen and Xian","道教神明、仙真与天庭官府：神和仙有什么不同",{"to":1278,"label":3130,"label_zh":3131},"Guan Yu, Mazu and Popular Chinese Deities: How Humans Become Gods","关羽、妈祖与民间神祇：人如何成为神",{"to":1281,"label":3133,"label_zh":3134},"Deities of Wudang Mountain: Zhenwu and His Sacred Court","武当山神明：真武大帝与他的神圣侍从",{"to":1284,"label":3136,"label_zh":3137},"Taoist Temple Worship: Incense, Offerings, Vows and Donations","道教宫观祭祀：上香、供养、许愿与捐献",{"to":1287,"label":3139,"label_zh":3140},"The Northern Dipper in Daoist Culture: Stars, Images and Ritual Maps","道教文化中的北斗：星象、图像与仪式图式",{"to":1290,"label":3142,"label_zh":3143},"The Three Officials in Daoism: Heaven, Earth, Water and the Three Yuan","道教三官大帝：天、地、水与三元节期",{"to":1293,"label":3145,"label_zh":3146,"children":3147},"Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山与宫观：圣地、建筑与制度指南",[3148,3151,3154,3157,3160,3163,3166],{"to":1297,"label":3149,"label_zh":3150},"Wudang Mountain in Taoism: Zhenwu, the Ming Court and Sacred Status","道教中的武当山：真武信仰、明廷与圣地地位",{"to":1300,"label":3152,"label_zh":3153},"Mount Longhu and the Celestial Masters: Centre of Zhengyi Taoism","龙虎山与天师道：正一道的制度中心",{"to":1303,"label":3155,"label_zh":3156},"Mount Qingcheng: How Organised Taoism Took Institutional Form","青城山：有组织道教如何形成制度",{"to":1306,"label":3158,"label_zh":3159},"Mount Tai: China’s Foremost State Sacred Mountain","泰山：中国最重要的国家祭祀名山",{"to":1309,"label":3161,"label_zh":3162},"White Cloud Temple in Beijing: Quanzhen Taoism’s Urban Monastery","北京白云观：全真道的城市宫观",{"to":1312,"label":3164,"label_zh":3165},"How to Read Taoist Temple Architecture and Sacred Space","如何读懂道教宫观建筑与神圣空间",{"to":1315,"label":3167,"label_zh":3168},"Taoist Pilgrimage and Temple Etiquette: A Practical Guide","道教朝山进香与宫观礼仪：实用指南",{"to":1318,"label":3170,"label_zh":3171,"children":3172},"Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派与传承：正一、全真及历史道派",[3173,3176,3179,3182,3185,3188,3191],{"to":1322,"label":3174,"label_zh":3175},"Zhengyi Taoism and the Celestial Masters: Householder Priests and Ritual Authority","正一道与天师道：在家道士和科仪权威",{"to":1325,"label":3177,"label_zh":3178},"Quanzhen Taoism: Monastic Life, Inner Cultivation and Wudang","全真道：出家生活、内在修炼与武当",{"to":1328,"label":3180,"label_zh":3181},"Shangqing Taoism: Highest Clarity Revelations and Inner Visualisation","上清道：最高明启、存思与身体内的神明",{"to":1331,"label":3183,"label_zh":3184},"Lingbao Taoism: Numinous Treasure Scriptures and Communal Ritual","灵宝道：经典、普度与共同体科仪",{"to":1334,"label":3186,"label_zh":3187},"The Wu-Liu School: A Clearer System of Taoist Internal Alchemy","伍柳派：较为清晰的道教内丹体系",{"to":1337,"label":3189,"label_zh":3190},"Quanzhen Monastics and Zhengyi Householder Priests: What Is the Difference?","全真出家道士与正一在家道士有什么不同",{"to":1340,"label":3192,"label_zh":3193},"Taoist Ordination and Lineage Today: How Transmission Is Verified","今日道教传承与授箓传戒：如何核实师承",{"to":1343,"label":3195,"label_zh":3196,"children":3197},"Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教节日与科仪：神诞、斋醮与岁时仪式",[3198,3201,3204,3207,3210,3213,3216,3219,3222,3225,3228,3231,3234,3237,3240,3243,3246,3249,3252],{"to":1347,"label":3199,"label_zh":3200},"The Jade Emperor’s Birthday and Festivals of the Heavenly Court","玉皇诞：正月初九的意义与宫观仪式",{"to":1350,"label":3202,"label_zh":3203},"Zhongyuan Festival: Ghost Festival, the Earth Official and Universal Salvation","中元节：七月十五、地官赦罪与普度",{"to":1353,"label":3205,"label_zh":3206},"Laozi’s Birthday: From the Sage Laozi to the Divine Lord Lao","老君诞：从老子到太上老君",{"to":1356,"label":3208,"label_zh":3209},"Double Ninth Festival: Chongyang, Longevity and Respect for Elders","重阳节：九月初九、长生观念与敬老传统",{"to":1359,"label":3211,"label_zh":3212},"Jiao Rituals: Taoism’s Grand Community Offering","醮仪：道教大型共同体祭献科仪",{"to":1362,"label":3214,"label_zh":3215},"Zhai Rituals: Taoist Purification, Fasting and Preparation","斋仪：道教洁净、持戒与祭前准备",{"to":1365,"label":3217,"label_zh":3218},"Taoist Temple Fairs and Seasonal Pilgrimage","道教庙会与朝山：宗教、集市与季节性朝圣",{"to":1368,"label":3220,"label_zh":3221},"Daoist Ritual Robes: Garment, Image and Ceremonial Role","道教法衣：衣式、图像与科仪身份",{"to":1371,"label":3223,"label_zh":3224},"The David Vases: A Daoist Offering and a Dated Porcelain Landmark","大维德对瓶：道观供器与青花纪年坐标",{"to":1374,"label":3226,"label_zh":3227},"Daoist Ritual Seals: Impression, Authority and the Work of Documents","道教法印：印痕、权威与仪式文书",{"to":1377,"label":3229,"label_zh":3230},"Daoist Ritual Music: Bells, Drums, Chant and Ceremonial Time","道教科仪音乐：钟铃、鼓乐、经韵与仪式时间",{"to":1380,"label":3232,"label_zh":3233},"Daoist Lamp Rituals: Light, Cosmic Patterns and Ceremonial Space","道教灯仪：光明、星象秩序与科仪空间",{"to":1383,"label":3235,"label_zh":3236},"Daoist Talismans: Script, Ritual Action and the Limits of Looking","道教符箓：书写、科仪行动与观看边界",{"to":1386,"label":3238,"label_zh":3239},"Daoist Mirrors: Reflection, Cosmology and Ritual Evidence","道教铜镜：映照、宇宙图式与科仪证据",{"to":1389,"label":3241,"label_zh":3242},"Daoist Petitions and Memorials: Writing to the Celestial Administration","道教章表：写给天庭的仪式文书",{"to":1392,"label":3244,"label_zh":3245},"Daoist Registers (Lu): Rank, Transmission and Celestial Administration","道教法箓：品秩、传授与天曹体系",{"to":1395,"label":3247,"label_zh":3248},"Daoist Audience Tablets (Hu): Courtly Form and Ritual Address","道教朝笏：朝仪形制与科仪奏达",{"to":1398,"label":3250,"label_zh":3251},"Daoist Crowns and Headscarves: Dress, Rank and Ritual Context","道教冠巾：衣制、职司与科仪语境",{"to":1401,"label":3253,"label_zh":3254},"Daoist Footwear: Cloth Shoes, Cloud Shoes and Ritual Movement","道教鞋履：布鞋、云履与科仪步伐",{"to":1404,"label":3256,"label_zh":3257,"children":3258},"The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象征与道教传说",[3259,3262,3265,3268,3271,3274],{"to":1408,"label":3260,"label_zh":3261},"Lü Dongbin: Scholar Immortal, Quanzhen Patriarch and Sword Bearer","吕洞宾：士人仙真、全真祖师与佩剑象征",{"to":1411,"label":3263,"label_zh":3264},"Zhang Guolao: Tang Recluse and Backward-Riding Immortal","张果老：唐代隐士与倒骑驴的仙人",{"to":1414,"label":3266,"label_zh":3267},"He Xiangu: The Woman Immortal of the Eight","何仙姑：八仙中唯一的女性仙真",{"to":1417,"label":3269,"label_zh":3270},"Han Xiangzi and Lan Caihe: Music, Flowers and Ambiguous Identity","韩湘子与蓝采和：音乐、花与身份边界",{"to":1420,"label":3272,"label_zh":3273},"Cao Guojiu and Li Tieguai: Privilege, Poverty and the Immortal Body","曹国舅与铁拐李：特权、贫困与身体身份",{"to":1423,"label":3275,"label_zh":3276},"Zhongli Quan: Teacher of Lü Dongbin and Patriarch of Internal Alchemy","钟离权：吕洞宾之师与内丹祖师",{"to":1426,"label":3278,"label_zh":3279,"children":3280},"Chinese Metaphysics","易学与传统术数",[3281,3305,3330,3355,3380,3408,3436,3461,3486],{"to":1430,"label":3282,"label_zh":3283,"children":3284},"Yin-Yang and the Five Phases in Chinese Thought","阴阳五行：理解关系与变化",[3285,3288,3291,3294,3297,3300,3303],{"to":1434,"label":3286,"label_zh":3287},"Origins & Early History of Yin-Yang Thought","阴阳观念的来历",{"to":1437,"label":3289,"label_zh":3290},"The Meaning of Yin and Yang","阴阳的含义",{"to":1440,"label":3292,"label_zh":3293},"The Five Phases: Wood, Fire, Earth, Metal & Water","五行：五种运行",{"to":1443,"label":3295,"label_zh":3296},"The Generating & Controlling Cycles","相生与相克",{"to":1446,"label":3298,"label_zh":3299},"Correlative Cosmology: Body, Seasons & the Cosmos","天人相应：关联宇宙论",{"to":1449,"label":3301,"label_zh":3302},"Yin-Yang & the Five Elements in the Metaphysical Arts","阴阳五行在术数中的应用",{"to":1452,"label":2416,"label_zh":3304},"参考文献与延伸阅读",{"to":1454,"label":3306,"label_zh":3307,"children":3308},"Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中国历法与术数的六十循环",[3309,3312,3315,3318,3321,3324,3327],{"to":1458,"label":3310,"label_zh":3311},"Origins and History of the Chinese Sexagenary Cycle","中国干支与六十甲子的起源和历史",{"to":1461,"label":3313,"label_zh":3314},"The Ten Heavenly Stems: Names, Five Phases and Meanings","十天干：名称、五行属性与含义",{"to":1464,"label":3316,"label_zh":3317},"The Twelve Earthly Branches: Animals, Hours, Months and Meanings","十二地支：生肖、时辰、月份与含义",{"to":1467,"label":3319,"label_zh":3320},"The Sixty-Part Jiazi Cycle: How Stems and Branches Combine","六十甲子：天干地支如何组合成六十循环",{"to":1470,"label":3322,"label_zh":3323},"How Heavenly Stems and Earthly Branches Encode Yin–Yang and the Five Phases","天干地支如何结合阴阳五行",{"to":1473,"label":3325,"label_zh":3326},"How Ganzhi Is Used in BaZi, Feng Shui, Date Selection and Other Arts","干支如何应用于八字、风水、择日与其他术数",{"to":1476,"label":3328,"label_zh":3329},"Heavenly Stems, Earthly Branches and Ganzhi: Sources and Further Reading","天干地支与干支历的重要资料和延伸阅读",{"to":1479,"label":3331,"label_zh":3332,"children":3333},"Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中国风水：形势、罗盘方法与负责任实践",[3334,3337,3340,3343,3346,3349,3352],{"to":1483,"label":3335,"label_zh":3336},"Origins and History of Chinese Feng Shui","中国风水的起源与历史",{"to":1486,"label":3338,"label_zh":3339},"Qi, the Feng Shui Compass and the Two Schools","风水中的气、罗盘与形势理气之分",{"to":1489,"label":3341,"label_zh":3342},"Feng Shui Form School: How Landscapes Are Read","风水形势派：如何观察山水与地形",{"to":1492,"label":3344,"label_zh":3345},"Feng Shui Compass School: How the Luopan Is Used","风水理气派：罗盘如何用于方位判断",{"to":1495,"label":3347,"label_zh":3348},"Feng Shui for Homes and Graves: Yangzhai and Yinzhai","阳宅与阴宅风水：住宅和墓葬有何不同",{"to":1498,"label":3350,"label_zh":3351},"Feng Shui Today: Homes, Cities, Design and Cultural Practice","今日风水：住宅、城市、设计与文化实践",{"to":1501,"label":3353,"label_zh":3354},"Chinese Feng Shui Sources: Classical Texts and Further Reading","中国风水资料：经典文献与延伸阅读",{"to":1504,"label":3356,"label_zh":3357,"children":3358},"BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八个字如何构成命盘",[3359,3362,3365,3368,3371,3374,3377],{"to":1508,"label":3360,"label_zh":3361},"History of BaZi and the Four Pillars of Destiny","八字与四柱命理的起源和历史",{"to":1511,"label":3363,"label_zh":3364},"How a BaZi Chart Is Calculated: The Four Pillars and Eight Characters","八字命盘如何排定：四柱八字的计算方法",{"to":1514,"label":3366,"label_zh":3367},"The BaZi Day Master and Ten Gods: A Relationship Guide","八字日主与十神：命盘关系如何分类",{"to":1517,"label":3369,"label_zh":3370},"How BaZi Charts Are Read: Five-Phase Balance and the Useful God","八字命盘如何解读：五行平衡与用神",{"to":1520,"label":3372,"label_zh":3373},"BaZi Luck Pillars and Annual Influences: How Time Is Read","八字大运与流年：命盘如何推移时间",{"to":1523,"label":3375,"label_zh":3376},"BaZi Readings Today: Interpretation, Responsibility and Limits","今日八字解读：意义、责任与界限",{"to":1526,"label":3378,"label_zh":3379},"BaZi Sources: Classical Texts, Commentaries and Further Reading","八字资料：经典、注疏与延伸阅读",{"to":1529,"label":3381,"label_zh":3382,"children":3383},"Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗数：十二宫命盘如何运作",[3384,3387,3390,3393,3396,3399,3402,3405],{"to":1533,"label":3385,"label_zh":3386},"History of Zi Wei Dou Shu: Origins, Legends and Documented Evidence","紫微斗数的起源与历史：传说、文献与可考证据",{"to":1536,"label":3388,"label_zh":3389},"The Twelve Palaces of Zi Wei Dou Shu: A Guide to the Life Domains","紫微斗数十二宫：命盘生活领域完整指南",{"to":1539,"label":3391,"label_zh":3392},"Zi Wei Dou Shu Stars: The Fourteen Major Stars and Their Meanings","紫微斗数星曜：十四主星及其含义",{"to":1542,"label":3394,"label_zh":3395},"How a Zi Wei Dou Shu Chart Is Cast and Read","紫微斗数如何排盘与解读",{"to":1545,"label":3397,"label_zh":3398},"Zi Wei Dou Shu Four Transformations: How the Chart Moves Through Time","紫微斗数四化：命盘如何随时间变化",{"to":1548,"label":3400,"label_zh":3401},"Zi Wei Dou Shu Readings Today: Interpretation, Responsibility and Limits","今日紫微斗数解读：意义、责任与界限",{"to":1551,"label":3403,"label_zh":3404},"Zi Wei Dou Shu Sources: Classical Texts, Schools and Further Reading","紫微斗数资料：经典、流派与延伸阅读",{"to":1554,"label":3406,"label_zh":3407},"Zi Wei Dou Shu Glossary: Palaces, Stars, Transformations and Time Cycles","紫微斗数术语表：宫位、星曜、四化与时间周期",{"to":1557,"label":3409,"label_zh":3410,"children":3411},"Chinese Date Selection: How Auspicious Days Are Chosen","中国择吉：传统吉日如何选择",[3412,3415,3418,3421,3424,3427,3430,3433],{"to":1561,"label":3413,"label_zh":3414},"Origins and History of Chinese Date Selection","中国择吉的起源与历史",{"to":1564,"label":3416,"label_zh":3417},"The Chinese Almanac: How the Tongshu Guides Everyday Dates","通书：中国人的日用择日指南",{"to":1567,"label":3419,"label_zh":3420},"How Chinese Calendars Describe the Qualities of Days","中国历法如何描述日子的周期属性",{"to":1570,"label":3422,"label_zh":3423},"Auspicious Stars and Day Officers in Chinese Date Selection","择吉中的吉星、值日神与神煞",{"to":1573,"label":3425,"label_zh":3426},"How Chinese Date Selection Works in Practice","中国择日的实际操作",{"to":1576,"label":3428,"label_zh":3429},"Chinese Date Selection: Cultural Meaning and Responsible Practice","中国择日的文化意义与负责任实践",{"to":1579,"label":3431,"label_zh":3432},"Chinese Date Selection: Key Sources and Further Reading","中国择日的重要资料与延伸阅读",{"to":1582,"label":3434,"label_zh":3435},"The Twenty-Four Solar Terms: Seasonal Time in the Chinese Calendar","二十四节气：中国历法中的季节时间",{"to":1585,"label":3437,"label_zh":3438,"children":3439},"Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中国相术：面相、手相及其局限",[3440,3443,3446,3449,3452,3455,3458],{"to":1589,"label":3441,"label_zh":3442},"Origins and History of Chinese Physiognomy","中国相术的起源与历史",{"to":1592,"label":3444,"label_zh":3445},"Chinese Face Reading (Mianxiang): Methods, Meanings and Limits","中国面相术：方法、含义与局限",{"to":1595,"label":3447,"label_zh":3448},"Chinese Palm Reading (Shouxiang): Traditions, Methods and Limits","中国手相术：传统、方法与局限",{"to":1598,"label":3450,"label_zh":3451},"Chinese Physiognomy in Practice Today: Readings, Apps and Risks","当代中国相术：看相、应用程序与风险",{"to":1601,"label":3453,"label_zh":3454},"How to Interpret Chinese Physiognomy Responsibly","如何负责任地理解中国相术",{"to":1604,"label":3456,"label_zh":3457},"Chinese Physiognomy in History, Literature and Everyday Culture","中国相术在历史、文学与日常文化中",{"to":1607,"label":3459,"label_zh":3460},"Chinese Physiognomy: Primary Sources and Further Reading","中国相术的重要资料与延伸阅读",{"to":1610,"label":3462,"label_zh":3463,"children":3464},"Chinese Divination Arts: Methods, History and Responsible Use","中国占卜术：方法、历史与负责任使用",[3465,3468,3471,3474,3477,3480,3483],{"to":1614,"label":3466,"label_zh":3467},"Origins and History of Chinese Divination","中国占卜的起源与历史",{"to":1617,"label":3469,"label_zh":3470},"Chinese Oracle Bones and Turtle-Shell Divination","中国甲骨与龟卜：商代占卜和早期文字",{"to":1620,"label":3472,"label_zh":3473},"The Yijing and Milfoil Divination: How Hexagrams Are Cast and Read","《易经》与筮占：卦象如何生成与解读",{"to":1623,"label":3475,"label_zh":3476},"Chinese Coin Divination and Temple Lots: Methods and Meaning","中国钱占与求签：方法、解读与文化意义",{"to":1626,"label":3478,"label_zh":3479},"Chinese Divination in Practice Today: Consultations, Apps and Risks","当代中国占卜：咨询、应用程序与风险",{"to":1629,"label":3481,"label_zh":3482},"How to Use Chinese Divination Responsibly","如何负责任地使用中国占卜",{"to":1632,"label":3484,"label_zh":3485},"Chinese Divination: Primary Sources and Further Reading","中国占卜的重要资料与延伸阅读",{"to":1635,"label":3487,"label_zh":3488,"children":3489},"The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河图、洛书与九宫：中国传统图式的历史与用途",[3490,3493,3496,3499,3502,3505,3508],{"to":1639,"label":3491,"label_zh":3492},"Origins and History of the Hetu and Luoshu Diagrams","河图与洛书图式的起源与历史",{"to":1642,"label":3494,"label_zh":3495},"The Hetu River Chart: Numbers, Directions and the Five Phases","河图：数字、方位与五行结构",{"to":1645,"label":3497,"label_zh":3498},"The Luoshu Magic Square: Numbers, Structure and Cultural Meaning","洛书幻方：数字结构与文化含义",{"to":1648,"label":3500,"label_zh":3501},"The Nine Palaces (Jiugong): Directions, Time Cycles and Traditional Uses","九宫：方位、时间周期与传统用途",{"to":1651,"label":3503,"label_zh":3504},"Hetu, Luoshu and Nine Palaces in Practice Today","河图、洛书与九宫在今天的实际应用",{"to":1654,"label":3506,"label_zh":3507},"How to Interpret the Hetu and Luoshu: Mathematics, History and Symbolism","如何理解河图与洛书：数学、历史与象征",{"to":1657,"label":3509,"label_zh":3510},"Hetu, Luoshu and Nine Palaces: Primary Sources and Further Reading","河图、洛书与九宫的重要资料与延伸阅读",{"to":1660,"label":3512,"label_zh":3513,"children":3514},"Experience Wudang","武当之旅",[3515,3540,3607,3654,3697,3737],{"to":1664,"label":3516,"label_zh":3517,"children":3518},"Introduction to Wudang Mountain","初识武当山",[3519,3522,3525,3528,3531,3534,3537],{"to":1668,"label":3520,"label_zh":3521},"Zhenwu: The Taoist Deity at the Heart of Wudang Mountain","真武大帝：武当山的主神",{"to":1671,"label":3523,"label_zh":3524},"Wudang Mountain Today: Temples, Tourism and Daily Life","今天的武当山：宫观、旅游与日常生活",{"to":1674,"label":3526,"label_zh":3527},"Should You Visit Wudang Mountain?","武当山适合你去吗？",{"to":1677,"label":3529,"label_zh":3530},"Wudang World Heritage: What UNESCO Inscribed and Why","武当山世界遗产：古建筑群为何列入名录",{"to":1680,"label":3532,"label_zh":3533},"Reading Wudang’s Stone Inscriptions: Steles, Dates and Imperial Memory","读懂武当碑刻：碑石、年代与皇家记忆",{"to":1683,"label":3535,"label_zh":3536},"How Wudang Was Recorded: Gazetteers and Sacred Geography","武当如何被写进山志：文献与神圣地理",{"to":1686,"label":3538,"label_zh":3539},"Reading Wudang’s Plaques and Couplets: Names, Calligraphy and Layers of Time","读懂武当匾额与楹联：名号、书法与历史层次",{"to":1689,"label":3541,"label_zh":3542,"children":3543},"Wudang Mountain Temples and Sacred Sites","武当山宫观与胜迹",[3544,3560,3573],{"to":1693,"label":3545,"label_zh":3546,"children":3547},"The Central Temple Route at Wudang Mountain","武当山主线宫观路线",[3548,3551,3554,3557],{"to":1697,"label":3549,"label_zh":3550},"Mozhen Well and Taizipo at Wudang Mountain","武当山磨针井与太子坡",{"to":1700,"label":3552,"label_zh":3553},"Zixiao Palace at Wudang Mountain: A Visitor’s Guide","武当山紫霄宫：参观指南",{"to":1703,"label":3555,"label_zh":3556},"Nanyan Palace at Wudang Mountain: Cliff Temple and Dragon-Head Incense","武当山南岩宫：悬崖宫观与龙头香",{"to":1706,"label":3558,"label_zh":3559},"Wudang Mountain Summit: Taihe Palace and the Golden Hall","武当山金顶：太和宫与金殿",{"to":1709,"label":3561,"label_zh":3562,"children":3563},"Outlying Palaces and Quiet Sites at Wudang Mountain","武当山外围宫观",[3564,3567,3570],{"to":1713,"label":3565,"label_zh":3566},"Yuxu Palace at Wudang Mountain: Imperial Ruins and Administrative Centre","武当山玉虚宫：明代皇家遗址与全山管理中心",{"to":1716,"label":3568,"label_zh":3569},"Yuzhen Palace at Wudang Mountain: Zhang Sanfeng, Fire and Relocation","武当山遇真宫：张三丰、火灾与整体抬升",{"to":1719,"label":3571,"label_zh":3572},"Wulong Palace at Wudang Mountain: The Oldest Remote Temple Site","武当山五龙宫：最古老的偏远宫观遗址",{"to":1722,"label":3574,"label_zh":3575,"children":3576},"Wudang Mountain Temple Layout and Architecture","武当山宫观布局与建筑",[3577,3580,3583,3586,3589,3592,3595,3598,3601,3604],{"to":1726,"label":3578,"label_zh":3579},"How Wudang Mountain’s Temples Form One Imperial Route","武当山宫观总体布局：一条皇家朝山路线",{"to":1729,"label":3581,"label_zh":3582},"How Wudang Mountain Temples Were Built on Difficult Ground","武当山宫观如何建在险峻山地",{"to":1732,"label":3584,"label_zh":3585},"What Is Original at Wudang Mountain—and What Was Rebuilt","武当山哪些是原物，哪些经过修复或复建",{"to":1735,"label":3587,"label_zh":3588},"How to Read a Wudang Roof: Tiles, Rank and Repair","如何读懂武当屋顶：瓦作、等级与修缮",{"to":1738,"label":3590,"label_zh":3591},"How to Read Painted Timber at Wudang: Colour, Craft and Renewal","如何读懂武当建筑彩画：色彩、工艺与更新",{"to":1741,"label":3593,"label_zh":3594},"How to Read Dougong at Wudang: Brackets, Loads and Building Rank","如何读懂武当斗拱：构件、荷载与建筑等级",{"to":1744,"label":3596,"label_zh":3597},"How to Read Bronze at Wudang: Casting, Gilding and Imperial Networks","如何读懂武当铜建筑：铸造、鎏金与帝国网络",{"to":1747,"label":3599,"label_zh":3600},"How to Read Doors and Windows at Wudang: Frames, Lattice and Repair","如何读懂武当门窗：框架、棂格与修缮",{"to":1750,"label":3602,"label_zh":3603},"How Water Leaves a Wudang Temple: Roofs, Courtyards and Mountain Drainage","武当宫观如何排水：屋面、院落与山地水路",{"to":1753,"label":3605,"label_zh":3606},"How to Read Stonework at Wudang: Platforms, Steps and Weathering","怎样读懂武当山石作：台基、阶道与风化痕迹",{"to":1756,"label":3608,"label_zh":3609,"children":3610},"Planning a Visit to Wudang Mountain","武当山行前规划指南",[3611,3621,3634,3644],{"to":1760,"label":3612,"label_zh":3613,"children":3614},"Getting to and Around Wudang Mountain","如何前往武当山并在景区内出行",[3615,3618],{"to":1764,"label":3616,"label_zh":3617},"How to Reach Wudang Mountain","如何前往武当山",{"to":1767,"label":3619,"label_zh":3620},"Getting Around Wudang Mountain","如何在武当山景区内出行",{"to":1770,"label":3622,"label_zh":3623,"children":3624},"Wudang Mountain Tickets, Costs and Best Seasons","武当山门票、花费与最佳季节",[3625,3628,3631],{"to":1774,"label":3626,"label_zh":3627},"Wudang Mountain Tickets and What They Cover","武当山门票包含什么",{"to":1777,"label":3629,"label_zh":3630},"What a Trip to Wudang Mountain Costs","去武当山旅行需要多少费用",{"to":1780,"label":3632,"label_zh":3633},"When to Visit Wudang Mountain","什么时候去武当山最合适",{"to":1783,"label":3635,"label_zh":3636,"children":3637},"Where to Stay and Eat at Wudang Mountain","武当山住宿与饮食指南",[3638,3641],{"to":1787,"label":3639,"label_zh":3640},"Where to Stay at Wudang Mountain","去武当山住在哪里",{"to":1790,"label":3642,"label_zh":3643},"What to Eat at Wudang Mountain","武当山吃什么",{"to":1793,"label":3645,"label_zh":3646,"children":3647},"Wudang Mountain Fitness, Access and Safety","武当山体力要求、通行条件与安全",[3648,3651],{"to":1797,"label":3649,"label_zh":3650},"How Physically Demanding Is Wudang Mountain?","游览武当山需要多少体力",{"to":1800,"label":3652,"label_zh":3653},"Wudang Mountain Weather and Safety","武当山天气与出行安全",{"to":1803,"label":3655,"label_zh":3656,"children":3657},"Studying Martial Arts at Wudang Mountain","在武当山学习武术",[3658,3671,3684],{"to":1807,"label":3659,"label_zh":3660,"children":3661},"What Wudang Mountain Martial Arts Schools Actually Teach","武当山武馆实际教什么",[3662,3665,3668],{"to":1811,"label":3663,"label_zh":3664},"Wudang Martial Arts: What the Label Means","“武当武术”这个名目",{"to":1814,"label":3666,"label_zh":3667},"Qigong, Meditation and Internal Practice at Wudang Schools","武当武馆的气功、打坐与内功训练",{"to":1817,"label":3669,"label_zh":3670},"Weapons and Other Subjects at Wudang Martial Arts Schools","武当武馆的兵器与其他课程",{"to":1820,"label":3672,"label_zh":3673,"children":3674},"How to Choose a Martial Arts School at Wudang Mountain","如何选择武当山武馆",[3675,3678,3681],{"to":1824,"label":3676,"label_zh":3677},"How Wudang Martial Arts Schools Are Organised","武当武馆如何组织和运作",{"to":1827,"label":3679,"label_zh":3680},"How to Evaluate a Wudang Martial Arts School Before Paying","交费前如何考察武当武馆",{"to":1830,"label":3682,"label_zh":3683},"Warning Signs When Choosing a Wudang Martial Arts School","选择武当武馆时需要警惕的迹象",{"to":1833,"label":3685,"label_zh":3686,"children":3687},"What Martial Arts Training at Wudang Mountain Is Really Like","武当山武术训练的真实样子",[3688,3691,3694],{"to":1837,"label":3689,"label_zh":3690},"A Typical Day Training at a Wudang Martial Arts 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Ses écoles et ses textes sont variés. Il ne se réduit pas à des règles de décoration et ne constitue pas une méthode prouvée pour garantir richesse, santé ou relations harmonieuses.\u003C\u002Fp>\n\u003Cp>Les cours expliquent le vocabulaire, les différences entre écoles et leurs contextes historiques. Ils invitent à examiner avec discernement les usages contemporains. Les décisions immobilières et financières demandent des informations concrètes et, selon leur nature, un conseil professionnel.\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[5281,5282,5283,5284],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[5286,5287,5288,5289],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",null,{"fr":5292},"Étudier le feng shui : cours et ateliers",{"fr":5276},0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":5300,"uuid":5301,"slug":5302,"available_locales":5303,"name":5304,"description":5306,"body":5308,"path":5310,"images":5311,"image_urls":5312,"hero_image":5290,"hero_image_url":5290,"seo_title":5313,"seo_description":5315,"sort_order":5294,"is_active":5295,"status":5296,"created_at":5316,"updated_at":5298},6,"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[5270,5271,5272],{"fr":5305},"Arts internes et bien-être",{"fr":5307},"Cours, ateliers et séjours de tai-chi, qigong et baduanjin, avec un travail progressif du mouvement et de la respiration.",{"fr":5309},"\u003Cp>Découvrez des cours et des ateliers en petit groupe consacrés aux arts internes, aux postures, à la respiration et à leurs fondements culturels.\u003C\u002Fp>\n\u003Cp>Chaque programme précise l’enseignant, les dates, le niveau attendu et les modalités d’inscription. Consultez la fiche de l’activité pour choisir un cadre adapté à votre expérience.\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"fr":5314},"Arts internes et bien-être : cours et ateliers",{"fr":5307},"2026-08-16T19:23:45.000000Z",{"id":5318,"uuid":5319,"slug":5320,"available_locales":5321,"name":5322,"description":5324,"body":5326,"path":5328,"images":5329,"image_urls":5330,"hero_image":5290,"hero_image_url":5290,"seo_title":5331,"seo_description":5333,"sort_order":5294,"is_active":5295,"status":5296,"created_at":5334,"updated_at":5298},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[5270,5271,5272],{"fr":5323},"Étudier la lecture du visage",{"fr":5325},"Découvrir la lecture chinoise du visage, son cadre classique, son histoire et ses usages, en distinguant tradition et prédiction démontrée.",{"fr":5327},"","\u002Fevents\u002Fface-reading-learning",[],[],{"fr":5332},"Étudier la lecture du visage : cours et ateliers",{"fr":5325},"2026-08-30T17:01:43.000000Z",{"id":5336,"uuid":5337,"slug":5338,"available_locales":5339,"name":5340,"description":5342,"body":5344,"path":5346,"images":5347,"image_urls":5348,"hero_image":5290,"hero_image_url":5290,"seo_title":5349,"seo_description":5351,"sort_order":5266,"is_active":5295,"status":5296,"created_at":5297,"updated_at":5298},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[5270,5271,5272],{"fr":5341},"Étudier le Zi Wei Dou Shu",{"fr":5343},"Aborder le Zi Wei Dou Shu comme un système traditionnel chinois d’interprétation, avec son vocabulaire, son histoire et ses limites.",{"fr":5345},"\u003Cp>Le Zi Wei Dou Shu (紫微斗數) organise les informations de naissance à travers des palais, des étoiles et leurs relations. Il possède un vocabulaire technique étendu et plusieurs traditions d’interprétation. Ses affirmations prédictives ne sont pas établies par les connaissances scientifiques modernes.\u003C\u002Fp>\n\u003Cp>Les cours expliquent la structure des thèmes, la lecture des symboles et les différences entre praticiens anciens et contemporains. L’objectif est la compréhension culturelle et une réflexion méthodique, sans certitude sur l’avenir. Une lecture ne remplace aucun avis médical, juridique, financier, professionnel ou psychologique.\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"fr":5350},"Étudier le Zi Wei Dou Shu : cours et ateliers",{"fr":5343},{"id":5353,"uuid":5354,"slug":5355,"available_locales":5356,"name":5357,"description":5359,"body":5361,"path":5362,"images":5363,"image_urls":5364,"hero_image":5290,"hero_image_url":5290,"seo_title":5365,"seo_description":5367,"sort_order":5266,"is_active":5295,"status":5296,"created_at":5368,"updated_at":5298},4,"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[5270,5271,5272],{"fr":5358},"Arts du thé",{"fr":5360},"Cours et ateliers de thé chinois : familles de thé, infusion, gestes d’accueil et attention partagée autour d’une table.",{"fr":5327},"\u002Fevents\u002Ftea-arts",[],[],{"fr":5366},"Arts du thé : cours et ateliers",{"fr":5360},"2026-08-16T17:13:57.000000Z",{"id":5370,"uuid":5371,"slug":5372,"available_locales":5373,"name":5374,"description":5376,"body":5378,"path":5380,"images":5381,"image_urls":5382,"hero_image":5290,"hero_image_url":5290,"seo_title":5383,"seo_description":5385,"sort_order":5336,"is_active":5295,"status":5296,"created_at":5297,"updated_at":5298},3,"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[5270,5271,5272],{"fr":5375},"Étudier le Ba Zi",{"fr":5377},"Découvrir les quatre piliers, les troncs célestes, les branches terrestres et les cinq phases, avec leur histoire et leurs limites.",{"fr":5379},"\u003Cp>Le Ba Zi (八字) interprète l’année, le mois, le jour et l’heure à travers les troncs célestes, les branches terrestres, le yin-yang et les cinq phases. Il occupe une place importante dans la métaphysique chinoise ; il ne constitue pas une science empirique.\u003C\u002Fp>\n\u003Cp>Les cours présentent la structure des thèmes, le vocabulaire et différentes traditions de lecture. Ils distinguent les interprétations héritées de la tradition des connaissances étayées par des preuves. Une lecture peut nourrir la réflexion, mais ne garantit pas un résultat, ne pose aucun diagnostic et ne remplace pas un avis professionnel.\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"fr":5384},"Étudier le Ba Zi : cours et ateliers",{"fr":5377},{"id":5387,"uuid":5388,"slug":5389,"available_locales":5390,"name":5391,"description":5393,"body":5395,"path":5396,"images":5397,"image_urls":5398,"hero_image":5290,"hero_image_url":5290,"seo_title":5399,"seo_description":5401,"sort_order":5336,"is_active":5295,"status":5296,"created_at":5368,"updated_at":5298},5,"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[5270,5271,5272],{"fr":5392},"Culture de l’encens",{"fr":5394},"Découvrir les matières parfumées, la fabrication traditionnelle et l’art d’apprécier l’encens dans une attention calme.",{"fr":5327},"\u002Fevents\u002Fincense-culture",[],[],{"fr":5400},"Culture de l’encens : cours et ateliers",{"fr":5394},{"id":5403,"uuid":5404,"slug":5405,"available_locales":5406,"name":5407,"description":5409,"body":5411,"path":5413,"images":5414,"image_urls":5415,"hero_image":5290,"hero_image_url":5290,"seo_title":5416,"seo_description":5418,"sort_order":5336,"is_active":5295,"status":5296,"created_at":5419,"updated_at":5298},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[5270,5271,5272],{"fr":5408},"Étudier le Yi Jing",{"fr":5410},"Explorer les hexagrammes, les méthodes traditionnelles d’interprétation et l’histoire du Yi Jing, avec un cadre et des limites explicites.",{"fr":5412},"\u003Cp>Le Yi Jing (易经), ou Livre des mutations, est un classique chinois organisé autour de soixante-quatre hexagrammes et d’une longue tradition de commentaires et de divination. Il a marqué la philosophie et la cosmologie chinoises. Ses affirmations divinatoires ne sont pas établies par les sciences empiriques modernes.\u003C\u002Fp>\n\u003Cp>Les cours présentent les structures, les termes et des méthodes traditionnelles comme le Liu Yao. Ils distinguent l’étude culturelle des connaissances fondées sur des preuves. Les interprétations peuvent servir à réfléchir ; elles ne sont ni des garanties, ni des diagnostics, ni des substituts à un avis professionnel.\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"fr":5417},"Étudier le Yi Jing : cours et ateliers",{"fr":5410},"2026-09-08T00:15:35.000000Z",{"id":5421,"uuid":5422,"slug":5423,"available_locales":5424,"name":5425,"description":5427,"body":5429,"path":5431,"images":5432,"image_urls":5433,"hero_image":5290,"hero_image_url":5290,"seo_title":5434,"seo_description":5436,"sort_order":5370,"is_active":5295,"status":5296,"created_at":5437,"updated_at":5298},7,"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[5270,5271,5272],{"fr":5426},"Arts et artisanat traditionnels",{"fr":5428},"Des ateliers pratiques pour découvrir les techniques décoratives chinoises et leur contexte culturel en réalisant un objet.",{"fr":5430},"\u003Cp>Découvrez les arts décoratifs et les traditions artisanales chinoises par la pratique. Selon les ateliers, les projets peuvent faire appel à la feuille d’or, à l’émail cloisonné, à la nacre ou au brocart Song.\u003C\u002Fp>\n\u003Cp>Ces séances accessibles présentent les matériaux, les gestes et leur contexte culturel. Chaque participant est accompagné dans la réalisation de sa propre pièce.\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"fr":5435},"Arts et artisanat traditionnels : cours et ateliers",{"fr":5428},"2026-08-16T19:24:04.000000Z",{"id":5439,"uuid":5440,"slug":5441,"available_locales":5442,"name":5443,"description":5445,"body":5447,"path":5449,"images":5450,"image_urls":5451,"hero_image":5290,"hero_image_url":5290,"seo_title":5452,"seo_description":5454,"sort_order":5353,"is_active":5295,"status":5296,"created_at":5455,"updated_at":5298},8,"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[5270,5271,5272],{"fr":5444},"Rencontres autour de Wudang",{"fr":5446},"Conférences, diffusions et rencontres pour partager la culture de Wudang, ses savoirs et ses pratiques vivantes.",{"fr":5448},"\u003Cp>Cette rubrique réunit des conférences publiques, des diffusions en direct, des rencontres et des activités culturelles liées à Wudang.\u003C\u002Fp>\n\u003Cp>Ces programmes permettent de rencontrer des pratiquants, d’échanger des idées et de prendre part à une communauté d’apprentissage et de pratique.\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"fr":5453},"Rencontres autour de Wudang : cours et ateliers",{"fr":5446},"2026-08-16T19:24:18.000000Z",{"id":5457,"uuid":5458,"slug":5459,"available_locales":5460,"name":5461,"description":5463,"body":5465,"path":5466,"images":5467,"image_urls":5468,"hero_image":5290,"hero_image_url":5290,"seo_title":5469,"seo_description":5471,"sort_order":5387,"is_active":5295,"status":5296,"created_at":5472,"updated_at":5298},9,"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[5270,5271,5272],{"fr":5462},"Voyages et séjours à Wudang",{"fr":5464},"Des séjours guidés à Wudang associant pratique, visites de temples et découverte culturelle, avec un itinéraire et des attentes clairement présentés.",{"fr":5327},"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"fr":5470},"Voyages et séjours à Wudang : cours et ateliers",{"fr":5464},"2026-08-18T11:09:38.000000Z",{"data":5474},{"hero_type":5475,"hero_image":5476,"hero_image_alt":5477,"hero_youtube_id":5478,"hero_content_on":5295,"hero_heading":5479,"hero_subheading":5480,"hero_text":5481,"hero_subheading_zh":5482,"hero_text_zh":5483,"hero_buttons":5484,"home_seo":5490,"page_layout":5496,"shop_enabled":5497,"contact":5498,"journey":5514},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武当文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","这里既是学习之地，也是让文化融入日常的所在。","从道家思想、内家武术、文人雅艺与武当山出发，以清晰、踏实的方式，在新加坡及世界各地认识和体验武当文化。",[5485,5487],{"label":5486,"link":1920},"Start Your Wudang Journey",{"label":5488,"link":5489},"View Events & Courses","\u002Fevents",{"title":5491,"description":5493},{"en":5492,"zh":5290},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":5494,"zh":5495},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","从太极、气功、道家思想、武术、传统雅艺与养生文化认识武当山，探索武当文化及武当山的日常生活。","sidebar",false,{"methods":5499,"has_any":5295,"text":5507},{"email":5500,"whatsapp":5501,"wechat_id":5502,"wechat_qr_url":5503,"instagram":5504,"instagram_handle":5505,"facebook":5506,"facebook_handle":5505},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":5508,"china_heading_zh":5509,"china_company_en":5510,"china_company_zh":5511,"china_address_en":5512,"china_address_zh":5513},"China Operations","中国运营","Xunwei Wudang Co., Ltd.","寻味武当有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武当山王家园剑河二路72号",{"title_en":5290,"title_zh":5290,"intro_en":5290,"intro_zh":5290,"enabled":5295},{"data":5516},{"to":592,"type":5517,"available_locales":5518,"is_content_page":5295,"title":5519,"subtitle":5520,"body":5522,"hero_image_url":5524,"hero_width":5525,"hero_height":5526,"hero_image_alt":5527,"hero_image_decorative":5497,"hero_credit":5290,"hero_alt":5529,"hero_style":5530,"card_layout":5531,"link_type":5290,"link_ref":5290,"seo_title":5532,"seo_description":5534,"children":5536},"page",[5270,5271,5272],{"fr":593},{"fr":5521},"Une lecture complète et concrète de la naissance, de la mort, du changement, de l’angoisse, des limites et de la bonne garde des choses dans le chapitre d’ouverture du Liezi",{"fr":5523},"\u003Cdiv data-wd-html=\"\">\u003Cstyle>.\\65\\76\\65\\6e\\74-\\62\\6f\\64\\79--\\70\\61\\67\\65.\\72\\65\\76\\65\\61\\6c{\\6f\\70\\61\\63\\69\\74\\79:1!\\69\\6d\\70\\6f\\72\\74\\61\\6e\\74;\\74\\72\\61\\6e\\73\\66\\6f\\72\\6d:\\6e\\6f\\6e\\65!\\69\\6d\\70\\6f\\72\\74\\61\\6e\\74}\u003C\u002Fstyle>\u003C\u002Fdiv>\u003Cp>Tian Rui, « Les signes du Ciel », ouvre le \u003Cem>Liezi\u003C\u002Fem> sur une question exigeante : si tout ce que nous rencontrons naît, change et finit par disparaître, qu’est-ce qui, s’il y a quelque chose, se tient derrière ce mouvement ? Le chapitre répond par la cosmologie, les récits, les paradoxes et l’humour plutôt que par une doctrine unique. Sa leçon récurrente n’est pas que la vie serait irréelle ou sans importance, mais qu’aucune forme vivante ne possède le processus plus vaste qui la fait naître.\u003C\u002Fp>\u003Cp>Lisez lentement. Chaque passage aborde la transformation sous un angle différent : le commencement du cosmos, les limites des capacités humaines, le vieillissement et la mort, l’imagination anxieuse, et le désir erroné de posséder ce qui ne fait que passer entre nos mains. La question pratique, tout du long, est simple : comment prendre soin, choisir et agir sans exiger que le changement s’arrête ?\u003C\u002Fp>\u003Ch2>1. Ce qui fait naître n’est pas lui-même une chose née\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>子列子居鄭圃，四十年人無識者。國君卿大夫眎之，猶衆庶也。國不足，將嫁於衛。弟子曰：「先生往無反期，弟子敢有所謁，先生將何以教？先生不聞壺丘子林之言乎？」子列子笑曰：「壺子何言哉？雖然，夫子嘗語伯昏瞀人。吾側聞之，試以告女。其言曰：有生不生，有化不化。不生者能生生，不化者能化化。生者不能不生，化者不能不化。故常生常化。常生常化者，無時不生，無時不化。陰陽爾，四時爾，不生者疑獨，不化者往復。往復，其際不可終；疑獨，其道不可窮。《黃帝書》曰：『谷神不死，是謂玄牝。玄牝之門，是謂天地之根。綿綿若存，用之不勤。』故生物者不生，化物者不化。自生自化，自形自色，自智自力，自消自息。謂之生化形色智力消息者，非也。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Liezi vivait discrètement près de Zheng depuis quarante ans, à peine distinct d’un homme ordinaire. Quand les difficultés le décidèrent à partir pour Wei, ses disciples lui demandèrent un dernier enseignement. Il rappela des paroles entendues de son maître : il y a les choses vivantes, et il y a ce par quoi la vie surgit ; il y a les choses changeantes, et il y a ce par quoi le changement advient. Ce qui est né ne peut éviter de vivre sa naissance jusqu’au bout, et ce qui est entré dans le changement ne peut refuser la transformation. Le yin et le yang, ainsi que les quatre saisons, sont le rythme visible de ce processus incessant.\u003C\u002Fp>\u003Cp>Le passage fait ensuite écho à l’image de l’esprit de la vallée, inépuisable : la source n’est pas un objet de plus, en concurrence avec les objets qu’elle produit. Les choses surgissent, prennent forme et couleur, acquièrent des capacités, déclinent et reposent en vertu de conditions plus vastes que n’importe quel ordonnateur séparé. Nommer un unique créateur isolé de chaque détail reviendrait à manquer le propos du chapitre.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>Vous n’avez pas arrangé vous-même toutes les conditions qui ont rendu votre vie possible, et vous ne pouvez commander toutes celles qui la façonneront. Cela ne rend pas l’action vaine pour autant. Cela la remet à sa juste mesure. Nous participons au changement ; nous n’en sommes pas les seuls auteurs.\u003C\u002Fp>\u003Ch2>2. De l’informe aux dix mille êtres\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>子列子曰：「昔者聖人因陰陽以統天地。夫有形者生於無形，則天地安從生？故曰：有太易，有太初，有太始，有太素。太易者，未見氣也；太初者，氣之始也；太始者，形之始也；太素者，質之始也。氣形質具而未相離，故曰渾淪。渾淪者，言萬物相渾淪而未相離也。視之不見，聽之不聞，循之不得，故曰易也。易無形埒，易變而爲一，一變而爲七，七變而爲九。九變者，究也，乃復變而爲一。一者，形變之始也。清輕者上爲天，濁重者下爲地，沖和氣者爲人；故天地含精，萬物化生。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Les sages comprenaient le ciel et la terre à travers le yin et le yang. Mais si les choses formées émergent de l’informe, où le ciel et la terre eux-mêmes ont-ils commencé ? Le texte décrit quatre seuils : la Grande Mutation, avant que l’énergie ne se manifeste ; le Grand Commencement, quand l’énergie apparaît ; le Grand Début, quand la forme apparaît ; et la Grande Simplicité, quand la substance matérielle apparaît. Avant d’être séparés, ils forment un tout indistinct, hors de portée de la vue, de l’ouïe et de la main.\u003C\u002Fp>\u003Cp>Le changement se meut vers l’unité, parvient à son accomplissement et revient à un nouveau commencement. Ce qui est clair et léger s’élève et devient le ciel ; ce qui est trouble et lourd se dépose et devient la terre ; leur énergie équilibrée et ouverte devient la vie humaine. Le ciel et la terre recèlent leur puissance vitale, et les dix mille êtres sont transformés jusqu’à l’existence.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>Il s’agit d’une carte cosmologique ancienne, non d’une leçon de physique moderne. Son enseignement durable est que les résultats visibles ont des commencements invisibles. Une décision naît d’une tendance ; une habitude naît d’une impulsion répétée ; un conflit commence avant que quiconque n’élève la voix. La sagesse remarque le stade précoce et subtil, tant que le changement est encore facile à orienter.\u003C\u002Fp>\u003Ch2>3. Rien n’a toutes les capacités\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>子列子曰：「天地無全功，聖人無全能，萬物無全用。故天職生覆，地職形載，聖職教化，物職所宜。然則天有所短，地有所長，聖有所否，物有所通。何則？生覆者不能形載，形載者不能教化，教化者不能違所宜，宜定者不出所位。故天地之道，非陰則陽；聖人之教，非仁則義；萬物之宜，非柔則剛：此皆隨所宜而不能出所位者也。故有生者，有生生者；有形者，有形形者；有聲者，有聲聲者；有色者，有色色者；有味者，有味味者。生之所生者死矣，而生生者未嘗終；形之所形者實矣，而形形者未嘗有；聲之所聲者聞矣，而聲聲者未嘗發；色之所色者彰矣，而色色者未嘗顯；味之所味者嘗矣，而味味者未嘗呈：皆無爲之職也。能陰能陽，能柔能剛，能短能長，能員能方，能生能死，能暑能涼，能浮能沈，能宮能商，能出能沒，能玄能黃，能甘能苦，能羶能香。無知也，無能也，而無不知也，而無不能也。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Le ciel n’accomplit pas toutes les tâches, le sage ne possède pas tous les talents, et aucune chose n’est utile à tous les usages. Le ciel couvre et engendre ; la terre porte et donne forme ; le sage enseigne ; chaque chose suit ce qui convient à sa nature. Toute capacité comporte donc une limite. La puissance qui produit n’est pas identique à ce qu’elle produit, de même que la condition qui rend le son possible n’est pas elle-même un son.\u003C\u002Fp>\u003Cp>Le processus sous-jacent peut apparaître comme yin ou yang, souple ou dur, court ou long, rond ou carré, vie ou mort, chaud ou froid. Il n’a ni connaissance ni capacité personnelles, et pourtant rien n’échappe à ses transformations.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>Une personne, une institution ou une pratique se déforme lorsqu’elle veut servir à tout. La maturité consiste aussi à connaître à la fois sa fonction et sa limite. Dans une équipe, une famille ou une école, la force commune vient de l’ajustement de capacités différentes, non de l’illusion qu’une seule personne devrait tout faire.\u003C\u002Fp>\u003Ch2>4. Le crâne et la grande circulation\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>子列子適衛，食於道，從者見百歲髑髏，攓蓬而指，顧謂弟子百豐曰：「唯予與彼知而未嘗生未嘗死也。此過養乎？此過歡乎？種有幾：若䵷爲鶉，得水爲㡭，得水土之際，則爲䵷蠙之衣。生於陵屯，則爲陵舄。陵舄得鬱栖，則爲烏足。烏足之根爲蠐螬，其葉爲胡蝶。胡蝶胥也，化而爲蟲，生竈下，其狀若脫，其名曰𪀊掇。𪀊掇千日，化而爲鳥，其名曰乾餘骨。乾餘骨之沫爲斯彌。斯彌爲食醯頤輅。食醯頤輅生乎食醯黃軦，食醯黃軦生乎九猷。九猷生乎瞀芮，瞀芮生乎腐蠸。羊肝化爲地皋，馬血之爲轉鄰也，人血之爲野火也。鷂之爲鸇，鸇之爲布穀，布穀久復爲鷂也，鷰之爲蛤也，田鼠之爲鶉也，朽瓜之爲魚也，老韭之爲莧也，老羭之爲猨也，魚卵之爲蟲。亶爰之獸自孕而生曰類。河澤之鳥視而生曰鶂。純雌其名大𦝫，純雄其名稺蜂。思士不妻而感，思女不夫而孕。后稷生乎巨蹟，伊尹生乎空桑。厥昭生乎濕。醯雞生乎酒。羊奚比乎不筍。久竹生青寧，青寧生程，程生馬，馬生人。人久入於機。萬物皆出於機，皆入於機。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Sur la route de Wei, Liezi et ses compagnons trouvèrent un vieux crâne. Il le montra du doigt et parla de la vie et de la mort comme de moments d’une circulation qui ne commence pas avec un individu et ne s’achève pas avec un autre. Le passage enchaîne sur un catalogue extraordinaire de plantes, d’insectes, d’oiseaux, d’animaux et de naissances légendaires qui se changent les uns en les autres. Beaucoup de ces noms sont archaïques et leur identification incertaine ; la liste relève du savoir naturel ancien, non de la biologie moderne.\u003C\u002Fp>\u003Cp>Son propos philosophique est plus clair que sa zoologie : les formes entrent dans une charnière génératrice, en ressortent dans un autre état et finissent par revenir. Le crâne ne sert pas à nier le deuil. Il vient interrompre l’idée que notre forme présente serait la mesure du processus tout entier.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>L’écologie moderne offre un parallèle sobre : les corps deviennent sol, le sol nourrit les plantes, et la vie dépend de la circulation. Il ne faut pas prendre le vieux catalogue pour de la science, mais nous pouvons en recevoir ce rappel : rien de vivant ne se suffit à soi-même. Consommation, déchets, sépulture, agriculture et soin de la terre appartiennent tous à un seul et même monde matériel.\u003C\u002Fp>\u003Ch2>5. Retourner à sa racine\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>《黃帝書》曰：「形動不生形而生影，聲動不生聲而生響，無動不生無而生有。」形，必終者也；天地終乎？與我偕終。終進乎？不知也。道終乎本無始，進乎本不久。有生則復於不生，有形則復於無形。不生者，非本不生者也；無形者，非本無形者也。生者，理之必終者也。終者不得不終，亦如生者之不得不生。而欲恆其生，畫其終，惑於數也。精神者，天之分；骨骸者，地之分。屬天清而散，屬地濁而聚。精神離形，各歸其真，故謂之鬼。鬼，歸也，歸其真宅。黃帝曰：「精神入其門，骨骸反其根，我尚何存？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Le mouvement produit une ombre ; le son produit un écho ; de l’ébranlement de ce qui n’est pas encore présent, quelque chose apparaît. Toute forme doit finir un jour. Que le ciel et la terre finissent avec nous, ou qu’ils durent au-delà de tout horizon que nous puissions connaître, le texte se refuse à toute certitude.\u003C\u002Fp>\u003Cp>Ce qui est né retourne au-delà de la naissance ; ce qui a une forme retourne au-delà de la forme. L’esprit appartient à l’aspect clair et dispersant du ciel, les os à l’aspect dense et rassemblant de la terre. À la mort, chacun retourne à sa propre racine. L’Empereur Jaune demande : une fois qu’ils sont retournés, quel « moi » séparé reste-t-il à posséder ?\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>Ce passage ne tranche pas la question de l’au-delà. Il desserre le fantasme d’un moi fixe que l’on pourrait retenir pour toujours. Une réponse pratique consiste à moins s’investir dans la défense d’une image de soi et davantage dans les qualités, le soin et les conséquences qui se prolongent à travers d’autres vies.\u003C\u002Fp>\u003Ch2>6. Les quatre grands changements d’une vie humaine\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>人自生至終，大化有四：嬰孩也，少壯也，老耄也，死亡也。其在嬰孩，氣專志一，和之至也；物不傷焉，德莫加焉。其在少壯，則血氣飄溢，欲慮充起；物所攻焉，德故衰焉。其在老耄，則欲慮柔焉；體將休焉，物莫先焉。雖未及嬰孩之全，方於少壯，間矣。其在死亡也，則之於息焉，反其極矣。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>La vie humaine traverse quatre grandes transformations : la petite enfance, la jeunesse, la vieillesse et la mort. L’énergie du nourrisson est rassemblée et indivise. Dans la jeunesse, le sang et l’énergie débordent, les désirs et les projets se multiplient, et le monde pèse fortement sur nous. Dans la vieillesse, le désir s’adoucit et le corps se tourne vers le repos. La mort est l’ultime repos, un retour à l’autre extrémité du cycle.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>Aucun âge ne devrait être jugé à l’aune d’un autre. La jeunesse n’est pas une enfance manquée, ni la vieillesse une jeunesse manquée. Chaque saison a son propre travail : dépendance et confiance, expansion et responsabilité, lâcher-prise et intégration. Les difficultés surgissent quand nous exigeons qu’une saison se prolonge alors que ses conditions ont changé.\u003C\u002Fp>\u003Ch2>7. Les trois joies de Rong Qiqi\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>孔子遊於太山，見榮啓期行乎郕之野，鹿裘帶索，鼓琴而歌。孔子問曰：「先生所以樂，何也？」對曰：「吾樂甚多：天生萬物，唯人爲貴。而吾得爲人，是一樂也。男女之別，男尊女卑，故以男爲貴；吾既得爲男矣，是二樂也。人生有不見日月、不免襁褓者，吾既己行年九十矣，是三樂也。貧者士之常也，死者人之終也，處常得終，當何憂哉？」孔子曰：「善乎！能自寬者也。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Confucius rencontra Rong Qiqi qui marchait vêtu d’une grossière peau de cerf, jouant du luth et chantant. Comme il lui demandait pourquoi il était joyeux malgré sa pauvreté, Rong nomma trois dons : être né humain, être né de sexe masculin dans la hiérarchie sociale que suppose le récit, et avoir vécu jusqu’à quatre-vingt-dix ans alors que beaucoup meurent en bas âge. La pauvreté, dit-il, est chose commune, et la mort est la fin de chacun ; pourquoi faire des conditions ordinaires de la vie un grief personnel ?\u003C\u002Fp>\u003Cp>L’affirmation selon laquelle les hommes seraient supérieurs aux femmes consigne un présupposé patriarcal ancien. La conserver comme partie du texte n’en fait pas un enseignement à suivre aujourd’hui. Ce qui demeure, c’est la capacité de Rong à remarquer des dons qu’il n’a pas mérités, sans attendre des circonstances parfaites.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>La gratitude est la plus forte quand elle ne nie pas l’épreuve. Elle ne dit pas que la pauvreté, l’exclusion ou la souffrance ne devraient jamais changer. Elle empêche ce qui fait mal d’effacer tout ce qui soutient encore la vie.\u003C\u002Fp>\u003Ch2>8. Lin Lei chante en glanant\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>林類年且百歲，底春被裘，拾遺穗於故畦，並歌並進。孔子適衛，望之於野。顧謂弟子曰：「彼叟可與言者，試往訊之！」子貢請行。逆之壠端，面之而歎曰：「先生曾不悔乎，而行歌拾穗？」林類行不留，歌不輟。子貢叩之不已，乃仰而應曰：「吾何悔邪？」子貢曰：「先生少不勤行，長不競時，老無妻子，死期將至，亦有何樂而拾穗行歌乎？」林類笑曰：「吾之所以爲樂，人皆有之，而反以爲憂。少不勤行，長不競時，故能壽若此。老無妻子，死期將至，故能樂若此。」子貢曰：「壽者人之情，死者人之惡。子以死爲樂，何也？」林類曰：「死之與生，一往一反。故死於是者，安知不生於彼？故吾知其不相若矣。吾又安知營營而求生非惑乎？亦又安知吾今之死不愈昔之生乎？」子貢聞之，不喻其意，還以告夫子。夫子曰：「吾知其可與言，果然，然彼得之而不盡者也。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Presque centenaire, Lin Lei traversait un vieux champ en ramassant les grains tombés et en chantant. Zigong ne vit là qu’un échec : Lin Lei n’avait pas cherché la réussite, n’avait ni épouse ni enfants, et approchait de la mort. Lin Lei répondit que ce dont les autres font un sujet d’angoisse lui avait permis de vivre librement. La vie et la mort sont un aller et un retour ; comment savoir si les efforts frénétiques pour préserver la vie ne sont pas eux-mêmes un égarement ?\u003C\u002Fp>\u003Cp>Confucius jugea que Lin Lei avait saisi quelque chose de réel, mais pas le tout. Se libérer de l’ambition conventionnelle peut être sage ; cela ne répond pas d’office à toutes les responsabilités que nous avons envers autrui.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>Une vie ne se mesure pas seulement à la carrière, aux biens, au mariage ou à la reconnaissance publique. Mais rejeter ces mesures ne devrait pas devenir une autre identité rigide. Demandez-vous quelles attentes servent vraiment la vie et lesquelles ne font que vous faire courir.\u003C\u002Fp>\u003Ch2>9. Zigong voudrait se reposer\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>子貢倦於學，告仲尼曰：「願有所息。」仲尼曰：「生無所息。」子貢曰：「然則賜息無所乎？」仲尼曰：「有焉耳。望其壙，睪如也，宰如也，墳如也，鬲如也，則知所息矣。」子貢曰：「大哉死乎！君子息焉，小人伏焉。」仲尼曰：「賜！汝知之矣。人胥知生之樂，未知生之苦；知老之憊，未知老之佚；知死之惡，未知死之息也。晏子曰：『善哉，古之有死也！仁者息焉，不仁者伏焉。』死也者，德之徼也。古者謂死人爲歸人。夫言死人爲歸人，則生人爲行人矣。行而不知歸，失家者也。一人失家，一世非之；天下失家，莫知非焉。有人去鄉土、離六親、廢家業、遊於四方而不歸者，何人哉？世必謂之爲狂蕩之人矣。又有人鍾賢世，矜巧能、修名譽、誇張於世而不知已者，亦何人哉？世必以爲智謀之士。此二者，胥失者也。而世與一不與一，唯聖人知所與，知所去。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Las d’étudier, Zigong demanda à Confucius où il pourrait se reposer. « Dans la vie, il n’y a pas de repos définitif », lui fut-il répondu ; la tombe marque ce retour. Les gens connaissent les plaisirs de la vie mais en ignorent le fardeau, connaissent la faiblesse de l’âge mais en ignorent la délivrance, et craignent la mort sans reconnaître son repos.\u003C\u002Fp>\u003Cp>Les anciens appelaient les morts « ceux qui sont rentrés », faisant ainsi des vivants des « voyageurs ». Le récit critique deux manières d’être sans foyer : abandonner visiblement sa maison et ses responsabilités, et poursuivre sans fin le talent, le rang et la réputation sans jamais savoir s’arrêter. La société condamne la première et loue la seconde, mais toutes deux peuvent faire perdre le chemin du retour.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>Le repos n’est pas seulement l’absence de travail. On peut partir en vacances tout en restant intérieurement mené par la comparaison et la réputation. Pratiquez de petits retours avant que l’épuisement ne vous les impose : terminez la journée, déposez le rôle, laissez « assez » être assez, et souvenez-vous des liens au service desquels ce travail devait être.\u003C\u002Fp>\u003Ch2>10. L’usage du vide\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>或謂子列子曰：「子奚貴虛？」列子曰：「虛者無貴也。」子列子曰：「非其名也，莫如靜，莫如虛。靜也虛也，得其居矣；取也與也，失其所矣。事之破䃣而後有舞仁義者，弗能復也。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Quelqu’un demanda pourquoi Liezi accordait tant de prix au vide. Il répondit que le vide ne se pose pas lui-même comme précieux. Le calme et l’ouverture permettent aux choses de trouver leur place ; saisir et donner de force peuvent les déloger. Une fois une situation brisée, faire étalage de bienveillance et de justice sur les dégâts ne restaure pas forcément ce qui a été perdu.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>Le vide désigne ici une attention disponible, non le néant ou l’apathie. Avant de donner un conseil, d’édicter une règle ou de prouver que vous êtes utile, laissez assez d’espace pour voir ce dont la situation a réellement besoin. Prévenir demande souvent moins d’ostentation que réparer.\u003C\u002Fp>\u003Ch2>11. Un changement trop graduel pour être vu\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>粥熊曰：「運轉亡已，天地密移，疇覺之哉？故物損於彼者盈於此，成於此者虧於彼。損盈成虧，隨世隨死。往來相接，間不可省，疇覺之哉？凡一氣不頓進，一形不頓虧；亦不覺其成，亦不覺其虧。亦如人自世至老，貌色智態，亡日不異；皮膚爪髮，隨世隨落，非嬰孩時有停而不易也。間不可覺，俟至後知。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Le monde tourne sans relâche, et le ciel et la terre se déplacent en secret. Ce qui diminue ici se remplit ailleurs ; ce qui se forme ici s’use ailleurs. Un souffle n’avance pas d’un seul coup, et un corps ne décline pas d’un seul coup. De la naissance à la vieillesse, l’apparence, le teint, l’intelligence, la peau, les ongles et les cheveux changent chaque jour, mais les écarts sont trop petits pour être remarqués. Nous ne reconnaissons la transformation qu’après coup.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>Beaucoup de changements importants sont des accumulations, non des événements : la santé, la confiance, le savoir-faire, le ressentiment, la dette et le climat se construisent par petits mouvements. N’attendez pas une preuve spectaculaire. Une attention régulière à la direction prise est plus utile que la surprise devant le résultat final.\u003C\u002Fp>\u003Ch2>12. L’homme qui craignait que le ciel ne tombe\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>杞國有人憂天地崩墜，身亡所寄，廢寢食者；又有憂彼之所憂者，因往曉之，曰：「天，積氣耳，亡處亡氣。若屈伸呼吸，終日在天中行止，奈何憂崩墜乎？」其人曰：「天果積氣，日月星宿，不當墜耶？」曉之者曰：「日月星宿，亦積氣中之有光耀者；只使墜，亦不能有所中傷。」其人曰：「奈地壞何？」曉者曰：「地積塊耳，充塞四虛，亡處亡塊。若躇步跐蹈，終日在地上行止，奈何憂其壞？」其人舍然大喜，曉之者亦舍然大喜。長廬子聞而笑之曰：「虹蜺也，雲霧也，風雨也，四時也，此積氣之成乎天者也。山岳也，河海也，金石也，火木也，此積形之成乎地者也。知積氣也，知積塊也，奚謂不壞？夫天地，空中之一細物，有中之最巨者。難終難窮，此固然矣；難測難識，此固然矣。憂其壞者，誠爲大遠；言其不壞者，亦爲未是。天地不得不壞，則會歸於壞。遇其壞時，奚爲不憂哉？」子列子聞而笑曰：「言天地壞者亦謬，言天地不壞者亦謬。壞與不壞，吾所不能知也。雖然，彼一也，此一也。故生不知死，死不知生；來不知去，去不知來。壞與不壞，吾何容心哉？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un homme de Qi en vint à ne plus pouvoir ni manger ni dormir, tant il craignait que le ciel et la terre ne s’effondrent. Un ami le rassura par une théorie : le ciel est de l’énergie accumulée et la terre de la matière accumulée, si bien que ni l’un ni l’autre n’a d’endroit où tomber. Les deux hommes se détendirent. Un troisième penseur se moqua de leur certitude, soutenant que toutes les choses composées peuvent finir par se défaire. Liezi rit à son tour : affirmer avec assurance que le cosmos périra et affirmer avec assurance qu’il ne périra pas dépassent tout autant notre savoir.\u003C\u002Fp>\u003Cp>La vie ne connaît pas la mort de l’intérieur de la vie, pas plus que la venue ne connaît le départ. Là où la connaissance ne peut atteindre et où aucune action utile ne s’ensuit, pourquoi laisser à l’esprit un espace illimité pour se tourmenter ?\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>Le récit ne nous apprend pas à ignorer un risque réel. Il nous apprend la mesure. Demandez-vous : ce danger est-il étayé par des faits ? Est-il assez proche pour exiger une décision ? Existe-t-il une action utile que je puisse entreprendre ? Si la réponse est trois fois non, l’inquiétude répétée n’est pas une préparation. Si les faits et l’action possible sont là, une attention calme vaut mieux que le déni.\u003C\u002Fp>\u003Ch2>13. Que possédons-nous vraiment ?\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>舜問乎烝曰：「道可得而有乎？」曰：「汝身非汝有也，汝何得有夫道？」舜曰：「吾身非吾有，孰有之哉？」曰：「是天地之委形也。生非汝有，是天地之委和也。性命非汝有，是天地之委順也。孫子非汝有，是天地之委蛻也。故行不知所往，處不知所持，食不知所以。天地強陽，氣也；又胡可得而有邪？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Shun demanda si l’on pouvait acquérir et posséder la Voie. La réponse fut tranchante : si même votre corps n’est pas finalement à vous, comment pourriez-vous posséder la Voie ? Le corps, la vie, le tempérament et la descendance sont des formations temporaires confiées par le ciel et la terre. Ils adviennent par le mouvement et l’harmonie de l’énergie, non par un commandement personnel.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>La bonne garde est un meilleur modèle que la propriété. Vous pouvez prendre soin d’un corps sans en maîtriser la durée, guider un enfant sans posséder son avenir, et pratiquer une tradition sans en faire une propriété privée. Ce qui nous est confié mérite notre soin précisément parce que nous ne pouvons le garder pour toujours.\u003C\u002Fp>\u003Ch2>14. « Voler » en public et en privé\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>齊之國氏大富，宋之向氏大貧；自宋之齊，請其術。國氏告之曰：「吾善爲盜。始吾爲盜也，一年而給，二年而足，三年大穰。自此以往，施及州閭。」向氏大喜。喻其爲盜之言，而不喻其爲盜之道，遂踰垣鑿室，手目所及，亡不探也。未及時，以贓獲罪，沒其先居之財。向氏以國氏之謬己也，往而怨之。國氏曰：「若爲盜若何？」向氏言其狀。國氏曰：「嘻！若失爲盜之道至此乎？今將告若矣。吾聞天有時，地有利。吾盜天地之時利，雲雨之滂潤，山澤之產育，以生吾禾，殖吾稼，築吾垣，建吾舍。陸盜禽獸，水盜魚鼈，亡非盜也。夫禾稼、土木、禽獸、魚鼈，皆天之所生，豈吾之所有？然吾盜天而亡殃。夫金玉珍寶，穀帛財貨，人之所聚，豈天之所與？若盜之而獲罪，孰怨哉？」向氏大惑，以爲國氏之重罔己也，過東郭先生問焉。東郭先生曰：「若一身庸非盜乎？盜陰陽之和以成若生，載若形，況外物而非盜哉？誠然，天地萬物不相離也；仞而有之，皆惑也。國氏之盜，公道也，故亡殃；若之盜，私心也，故得罪。有公私者，亦盜也；亡公私者，亦盜也。公公私私，天地之德。知天地之德者，孰爲盜耶？孰爲不盜耶？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un homme pauvre demanda à un riche fermier quelle était sa méthode. Le fermier répondit qu’il était habile à « voler », entendant par là qu’il tirait parti des saisons, de la pluie, des terres fertiles, des plantes, des animaux et des poissons pour produire nourriture et abri. Le pauvre ne comprit que le mot, cambriola des maisons et fut puni. Il avait pris des biens accumulés par des particuliers, tandis que le fermier travaillait avec les occasions qu’offre la nature à tous.\u003C\u002Fp>\u003Cp>Maître Dongguo approfondit alors l’énigme : même nos corps « empruntent » l’harmonie du yin et du yang. Rien n’est séparé du ciel et de la terre, et pourtant tout traiter comme « à moi » crée la confusion. Il ne s’agit pas de dire que la propriété ou la loi seraient irréelles, mais que la possession privée repose au sein d’un ordre commun plus vaste qu’aucun individu n’a créé.\u003C\u002Fp>\u003Ch3>Le sens en termes simples\u003C\u002Fh3>\u003Cp>Servez-vous des conditions communes sans prétendre les avoir créées : le sol, l’eau, le savoir, la langue, la confiance publique et le travail des autres. Un gagne-pain équitable reçoit de ce monde partagé et lui rend de la valeur. L’exploitation en prend le bénéfice tout en dissimulant la dette.\u003C\u002Fp>\u003Ch2>Le chapitre en pratique\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>\u003Cstrong>Remarquez le stade précoce.\u003C\u002Fstrong> Les résultats visibles commencent dans des conditions subtiles. Soyez attentif à la direction prise avant qu’une crise ne devienne évidente.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Respectez les limites.\u003C\u002Fstrong> Aucune personne ni aucune méthode ne convient à toutes les tâches. Demandez-vous ce qui vous revient et ce qui exige une autre capacité.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Distinguez le risque de la certitude imaginaire.\u003C\u002Fstrong> Examinez les faits, choisissez une réponse utile, et cessez d’alimenter des questions que ni la connaissance ni l’action ne peuvent trancher pour l’instant.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Pratiquez la bonne garde.\u003C\u002Fstrong> Le corps, le savoir-faire, la terre, la tradition et les relations sont des conditions confiées, non des possessions permanentes.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Revenez régulièrement.\u003C\u002Fstrong> Le repos, le sens du « suffisant » et le lâcher-prise ne sont pas des défaillances de l’ambition ; ils l’empêchent de devenir une errance sans foyer.\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Questions pour la réflexion\u003C\u002Fh2>\u003Col>\u003Cli>\u003Cp>Quel changement est déjà en cours dans votre vie, même si son résultat n’est pas encore visible ?\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Où demandez-vous à une seule personne, pratique ou institution de remplir toutes les fonctions ?\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Quelle inquiétude mérite d’être examinée, et laquelle n’a pour l’instant ni fondement ni action utile ?\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Qu’est-ce qui, parmi ce dont vous avez la charge, gagnerait à être traité comme un dépôt plutôt que comme une possession ?\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Fol>\u003Ch2>Poursuivre la lecture\u003C\u002Fh2>\u003Cp>\u003Ca href=\"\u002Ffr\u002Fdao\u002Fclassics\u002Fliezi\">Retour à la présentation du Liezi\u003C\u002Fa> · \u003Ca href=\"\u002Ffr\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-02-huang-di\">Suivant : chapitre 2, Huang Di 黄帝\u003C\u002Fa> · \u003Ca href=\"\u002Ffr\u002Fdao\u002Fclassics\">Explorer la Bibliothèque des classiques\u003C\u002Fa>\u003C\u002Fp>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FGSGEwO80KCun54jNNsse.webp",1920,600,{"fr":5528},"Peinture à l’encre aux tons dorés : un personnage en robe claire se tient sur un sentier de crête, près d’un vieux pin, face à une mer de nuages d’où émergent des pics rocheux.",{"fr":5528},"banner","list",{"fr":5533},"Liezi, chapitre 1 : Tian Rui 天瑞",{"fr":5535},"Liezi, chapitre 1, Tian Rui 天瑞 : une lecture complète et concrète de la naissance, de la mort, du changement, de l’angoisse, des limites et de la bonne garde.",[]]