[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-fr":3,"site-nav-reference-en":1940,"site-nav-fr-all":3804,"event-categories-fr":5295,"site-settings":5505,"node-fr-dao\u002Fclassics\u002Fliezi\u002Fchapter-05-tang-wen":5547},{"data":4},{"header":5,"footer":1919},[6,624,763,877,1269,1437,1671,1916],{"to":7,"label":8,"children":9},"\u002Fdao","Dao",[10,41,259,533,558,583,615,618,621],{"to":11,"label":12,"children":13},"\u002Fdao\u002Fintroduction","Commencer avec le Dao",[14,17,20,23,26,29,32,35,38],{"to":15,"label":16},"\u002Fdao\u002Fintroduction\u002Fwhat-is-taoism","Qu'est-ce que le taoïsme ? Textes, traditions et pratiques",{"to":18,"label":19},"\u002Fdao\u002Fintroduction\u002Fthe-dao-explained","Le Tao : la source de tous les êtres",{"to":21,"label":22},"\u002Fdao\u002Fintroduction\u002Fcore-ideas","Idées essentielles : wu wei, yin-yang et ziran",{"to":24,"label":25},"\u002Fdao\u002Fintroduction\u002Fphilosophical-vs-religious","Taoïsme philosophique et religieux : des voies distinctes, un héritage partagé",{"to":27,"label":28},"\u002Fdao\u002Fintroduction\u002Fa-short-history","Une brève histoire du taoïsme",{"to":30,"label":31},"\u002Fdao\u002Fintroduction\u002Fkey-texts","Les principaux textes taoïstes en un regard",{"to":33,"label":34},"\u002Fdao\u002Fintroduction\u002Feveryday-life","Le taoïsme dans la vie quotidienne",{"to":36,"label":37},"\u002Fdao\u002Fintroduction\u002Funderstanding-taoism-in-context","Comprendre le taoïsme dans son contexte",{"to":39,"label":40},"\u002Fdao\u002Fintroduction\u002Fwhere-to-go-next","Où poursuivre votre découverte ?",{"to":42,"label":43,"children":44},"\u002Fdao\u002Fyi-jing","Yijing",[45,48,51,247,250,253,256],{"to":46,"label":47},"\u002Fdao\u002Fyi-jing\u002Forigins-history","Origines et histoire du Yijing",{"to":49,"label":50},"\u002Fdao\u002Fyi-jing\u002Feight-trigrams","Les huit trigrammes (bagua)",{"to":52,"label":53,"children":54},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams","Les 64 hexagrammes",[55,58,61,64,67,70,73,76,79,82,85,88,91,94,97,100,103,106,109,112,115,118,121,124,127,130,133,136,139,142,145,148,151,154,157,160,163,166,169,172,175,178,181,184,187,190,193,196,199,202,205,208,211,214,217,220,223,226,229,232,235,238,241,244],{"to":56,"label":57},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-01-qian","1 · Qian 乾 ䷀",{"to":59,"label":60},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-02-kun","2 · Kun 坤 ䷁",{"to":62,"label":63},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-03-zhun","3 · Zhun 屯 ䷂",{"to":65,"label":66},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-04-meng","4 · Meng 蒙 ䷃",{"to":68,"label":69},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-05-xu","5 · Xu 需 ䷄",{"to":71,"label":72},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-06-song","6 · Song 讼 ䷅",{"to":74,"label":75},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-07-shi","7 · Shi 师 ䷆",{"to":77,"label":78},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-08-bi","8 · Bi 比 ䷇",{"to":80,"label":81},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-09-xiao-xu","9 · Xiao Xu 小畜 ䷈",{"to":83,"label":84},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-10-lu","10 · Lü 履 ䷉",{"to":86,"label":87},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-11-tai","11 · Tai 泰 ䷊",{"to":89,"label":90},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-12-pi","12 · Pi 否 ䷋",{"to":92,"label":93},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-13-tong-ren","13 · Tong Ren 同人 ䷌",{"to":95,"label":96},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-14-da-you","14 · Da You 大有 ䷍",{"to":98,"label":99},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-15-qian-modesty","15 · Qian 谦 ䷎",{"to":101,"label":102},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-16-yu","16 · Yu 豫 ䷏",{"to":104,"label":105},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-17-sui","17 · Sui 随 ䷐",{"to":107,"label":108},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-18-gu","18 · Gu 蛊 ䷑",{"to":110,"label":111},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-19-lin","19 · Lin 临 ䷒",{"to":113,"label":114},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-20-guan","20 · Guan 观 ䷓",{"to":116,"label":117},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-21-shi-he","21 · Shi He 噬嗑 ䷔",{"to":119,"label":120},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-22-bi","22 · Bi 贲 ䷕",{"to":122,"label":123},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-23-bo","23 · Bo 剥 ䷖",{"to":125,"label":126},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-24-fu","24 · Fu 复 ䷗",{"to":128,"label":129},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-25-wu-wang","25 · Wu Wang 无妄 ䷘",{"to":131,"label":132},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-26-da-xu","26 · Da Xu 大畜 ䷙",{"to":134,"label":135},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-27-yi","27 · Yi 颐 ䷚",{"to":137,"label":138},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-28-da-guo","28 · Da Guo 大过 ䷛",{"to":140,"label":141},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-29-kan","29 · Kan 坎 ䷜",{"to":143,"label":144},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-30-li","30 · Li 离 ䷝",{"to":146,"label":147},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-31-xian","31 · Xian 咸 ䷞",{"to":149,"label":150},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-32-heng","32 · Heng 恒 ䷟",{"to":152,"label":153},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-33-dun","33 · Dun 遁 ䷠",{"to":155,"label":156},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-34-da-zhuang","34 · Da Zhuang 大壮 ䷡",{"to":158,"label":159},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-35-jin","35 · Jin 晋 ䷢",{"to":161,"label":162},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-36-ming-yi","36 · Ming Yi 明夷 ䷣",{"to":164,"label":165},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-37-jia-ren","37 · Jia Ren 家人 ䷤",{"to":167,"label":168},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-38-kui","38 · Kui 睽 ䷥",{"to":170,"label":171},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-39-jian","39 · Jian 蹇 ䷦",{"to":173,"label":174},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-40-jie","40 · Jie 解 ䷧",{"to":176,"label":177},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-41-sun","41 · Sun 损 ䷨",{"to":179,"label":180},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-42-yi","42 · Yi 益 ䷩",{"to":182,"label":183},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-43-guai","43 · Guai 夬 ䷪",{"to":185,"label":186},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-44-gou","44 · Gou 姤 ䷫",{"to":188,"label":189},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-45-cui","45 · Cui 萃 ䷬",{"to":191,"label":192},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-46-sheng","46 · Sheng 升 ䷭",{"to":194,"label":195},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-47-kun","47 · Kun 困 ䷮",{"to":197,"label":198},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-48-jing","48 · Jing 井 ䷯",{"to":200,"label":201},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-49-ge","49 · Ge 革 ䷰",{"to":203,"label":204},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-50-ding","50 · Ding 鼎 ䷱",{"to":206,"label":207},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-51-zhen","51 · Zhen 震 ䷲",{"to":209,"label":210},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-52-gen","52 · Gen 艮 ䷳",{"to":212,"label":213},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-53-jian","53 · Jian 渐 ䷴",{"to":215,"label":216},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-54-gui-mei","54 · Gui Mei 归妹 ䷵",{"to":218,"label":219},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-55-feng","55 · Feng 丰 ䷶",{"to":221,"label":222},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-56-lu","56 · Lü 旅 ䷷",{"to":224,"label":225},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-57-xun","57 · Xun 巽 ䷸",{"to":227,"label":228},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-58-dui","58 · Dui 兑 ䷹",{"to":230,"label":231},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-59-huan","59 · Huan 涣 ䷺",{"to":233,"label":234},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-60-jie","60 · Jie 节 ䷻",{"to":236,"label":237},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-61-zhong-fu","61 · Zhong Fu 中孚 ䷼",{"to":239,"label":240},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-62-xiao-guo","62 · Xiao Guo 小过 ䷽",{"to":242,"label":243},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-63-ji-ji","63 · Ji Ji 既济 ䷾",{"to":245,"label":246},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-64-wei-ji","64 · Wei Ji 未济 ䷿",{"to":248,"label":249},"\u002Fdao\u002Fyi-jing\u002Fyin-yang-philosophy","Le yin, le yang et la philosophie du changement",{"to":251,"label":252},"\u002Fdao\u002Fyi-jing\u002Fdivination-method-practice","Méthode et pratique de la divination",{"to":254,"label":255},"\u002Fdao\u002Fyi-jing\u002Ftaoism-connection","Le Yijing dans la pratique taoïste",{"to":257,"label":258},"\u002Fdao\u002Fyi-jing\u002Fkey-translations-further-reading","Principales traductions et lectures complémentaires",{"to":260,"label":261,"children":262},"\u002Fdao\u002Fdao-de-jing","Dao De Jing",[263,266,269,272,275,278,281,283,530],{"to":264,"label":265},"\u002Fdao\u002Fdao-de-jing\u002Forigins-authorship","Origines et auteur du Dao De Jing",{"to":267,"label":268},"\u002Fdao\u002Fdao-de-jing\u002Fstructure-of-the-text","Structure du texte",{"to":270,"label":271},"\u002Fdao\u002Fdao-de-jing\u002Fcore-themes","Thèmes centraux : le Dao, le wuwei et le naturel",{"to":273,"label":274},"\u002Fdao\u002Fdao-de-jing\u002Fsimplicity-humility-the-uncarved-block","Simplicité, humilité et bloc brut",{"to":276,"label":277},"\u002Fdao\u002Fdao-de-jing\u002Fgovernance-the-sage-ruler","Le gouvernement et le souverain-sage",{"to":279,"label":280},"\u002Fdao\u002Fdao-de-jing\u002Ftaoism-connection","Le Dao De Jing dans la pratique taoïste",{"to":282,"label":258},"\u002Fdao\u002Fdao-de-jing\u002Fkey-translations-further-reading",{"to":284,"label":285,"children":286},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text","Tao Te Ching : les 81 chapitres",[287,290,293,296,299,302,305,308,311,314,317,320,323,326,329,332,335,338,341,344,347,350,353,356,359,362,365,368,371,374,377,380,383,386,389,392,395,398,401,404,407,410,413,416,419,422,425,428,431,434,437,440,443,446,449,452,455,458,461,464,467,470,473,476,479,482,485,488,491,494,497,500,503,506,509,512,515,518,521,524,527],{"to":288,"label":289},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-01","Chapitre 1 — Le Tao au-delà des noms",{"to":291,"label":292},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-02","Chapitre 2 — Les contraires naissent ensemble",{"to":294,"label":295},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-03","Chapitre 3 — Apaiser la rivalité",{"to":297,"label":298},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-04","Chapitre 4 — La source vide",{"to":300,"label":301},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-05","Chapitre 5 — Le soufflet du ciel et de la terre",{"to":303,"label":304},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-06","Chapitre 6 — L’esprit de la vallée",{"to":306,"label":307},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-07","Chapitre 7 — Durer au-delà de soi",{"to":309,"label":310},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-08","Chapitre 8 — La bonté de l’eau",{"to":312,"label":313},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-09","Chapitre 9 — Savoir s’arrêter",{"to":315,"label":316},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-10","Chapitre 10 — Embrasser l’Un",{"to":318,"label":319},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-11","Chapitre 11 — L’utilité de l’espace vide",{"to":321,"label":322},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-12","Chapitre 12 — Veiller sur les sens",{"to":324,"label":325},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-13","Chapitre 13 — Honneur, disgrâce et moi",{"to":327,"label":328},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-14","Chapitre 14 — La forme sans forme",{"to":330,"label":331},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-15","Chapitre 15 — Les maîtres anciens",{"to":333,"label":334},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-16","Chapitre 16 — Revenir à la racine",{"to":336,"label":337},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-17","Chapitre 17 — Diriger sans peser",{"to":339,"label":340},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-18","Chapitre 18 — Quand le grand Tao se perd",{"to":342,"label":343},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-19","Chapitre 19 — Revenir à la simplicité",{"to":345,"label":346},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-20","Chapitre 20 — Différer de la foule",{"to":348,"label":349},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-21","Chapitre 21 — Suivre le Tao",{"to":351,"label":352},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-22","Chapitre 22 — Plier sans rompre",{"to":354,"label":355},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-23","Chapitre 23 — Peu de paroles, une action naturelle",{"to":357,"label":358},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-24","Chapitre 24 — Se tenir debout sans forcer",{"to":360,"label":361},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-25","Chapitre 25 — La Voie de la nature",{"to":363,"label":364},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-26","Chapitre 26 — S’enraciner dans le calme",{"to":366,"label":367},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-27","Chapitre 27 — Ne laisser personne de côté",{"to":369,"label":370},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-28","Chapitre 28 — Revenir au bloc non taillé",{"to":372,"label":373},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-29","Chapitre 29 — Le monde n’est pas un objet",{"to":375,"label":376},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-30","Chapitre 30 — La puissance sans domination",{"to":378,"label":379},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-31","Chapitre 31 — La victoire sans célébration",{"to":381,"label":382},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-32","Chapitre 32 — La simplicité sans nom",{"to":384,"label":385},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-33","Chapitre 33 — Se connaître soi-même",{"to":387,"label":388},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-34","Chapitre 34 — Grand sans posséder",{"to":390,"label":391},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-35","Chapitre 35 — La grande image",{"to":393,"label":394},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-36","Chapitre 36 — La compréhension subtile",{"to":396,"label":397},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-37","Chapitre 37 — Agir sans forcer",{"to":399,"label":400},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-38","Chapitre 38 — Du Tao au rituel",{"to":402,"label":403},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-39","Chapitre 39 — S’enraciner dans l’Un",{"to":405,"label":406},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-40","Chapitre 40 — Retourner et céder",{"to":408,"label":409},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-41","Chapitre 41 — Le Tao qui paraît contraire",{"to":411,"label":412},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-42","Chapitre 42 — Yin, yang et harmonie",{"to":414,"label":415},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-43","Chapitre 43 — Le plus souple surmonte le plus dur",{"to":417,"label":418},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-44","Chapitre 44 — La vie avant la réputation",{"to":420,"label":421},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-45","Chapitre 45 — Le grand accomplissement semble incomplet",{"to":423,"label":424},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-46","Chapitre 46 — La suffisance du contentement",{"to":426,"label":427},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-47","Chapitre 47 — Connaître sans voyager au loin",{"to":429,"label":430},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-48","Chapitre 48 — Apprendre en lâchant prise",{"to":432,"label":433},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-49","Chapitre 49 — Un cœur ouvert au peuple",{"to":435,"label":436},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-50","Chapitre 50 — Vivre sans s’agripper à la vie",{"to":438,"label":439},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-51","Chapitre 51 — La vertu profonde nourrit",{"to":441,"label":442},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-52","Chapitre 52 — Revenir à la mère",{"to":444,"label":445},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-53","Chapitre 53 — La grande Voie et les chemins de traverse",{"to":447,"label":448},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-54","Chapitre 54 — Le travail sur soi, de soi au monde",{"to":450,"label":451},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-55","Chapitre 55 — La vitalité du nourrisson",{"to":453,"label":454},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-56","Chapitre 56 — L’unité mystérieuse",{"to":456,"label":457},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-57","Chapitre 57 — Gouverner avec moins d’interférences",{"to":459,"label":460},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-58","Chapitre 58 — Le bonheur repose sur le malheur",{"to":462,"label":463},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-59","Chapitre 59 — Racines profondes et préservation",{"to":465,"label":466},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-60","Chapitre 60 — Gouverner comme on cuit un petit poisson",{"to":468,"label":469},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-61","Chapitre 61 — Le grand État se tient en bas",{"to":471,"label":472},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-62","Chapitre 62 — Le refuge de tous les êtres",{"to":474,"label":475},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-63","Chapitre 63 — Commencer par ce qui est petit",{"to":477,"label":478},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-64","Chapitre 64 — Soigner la fin autant que le début",{"to":480,"label":481},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-65","Chapitre 65 — Au-delà de l’habileté manipulatrice",{"to":483,"label":484},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-66","Chapitre 66 — Diriger depuis le bas",{"to":486,"label":487},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-67","Chapitre 67 — Les trois trésors",{"to":489,"label":490},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-68","Chapitre 68 — La vertu de ne pas rivaliser",{"to":492,"label":493},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-69","Chapitre 69 — Ne jamais sous-estimer l’adversaire",{"to":495,"label":496},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-70","Chapitre 70 — Des habits simples, du jade au-dedans",{"to":498,"label":499},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-71","Chapitre 71 — Savoir que l’on ne sait pas",{"to":501,"label":502},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-72","Chapitre 72 — L’autorité sans oppression",{"to":504,"label":505},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-73","Chapitre 73 — Le courage de ne pas forcer",{"to":507,"label":508},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-74","Chapitre 74 — Ne pas prendre la place du bourreau",{"to":510,"label":511},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-75","Chapitre 75 — Quand les dirigeants consomment trop",{"to":513,"label":514},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-76","Chapitre 76 — Les vivants sont souples",{"to":516,"label":517},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-77","Chapitre 77 — La Voie du ciel ressemble à un arc",{"to":519,"label":520},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-78","Chapitre 78 — Rien n’est plus souple que l’eau",{"to":522,"label":523},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-79","Chapitre 79 — Après un grand ressentiment",{"to":525,"label":526},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-80","Chapitre 80 — Une communauté petite et satisfaite",{"to":528,"label":529},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-81","Chapitre 81 — La Voie qui bénéficie sans nuire",{"to":531,"label":532},"\u002Fdao\u002Fdao-de-jing\u002Fdao-de-jing-commentaries-heshang-gong-wang-bi-xianger","Comment les commentaires transforment le Dao De Jing : Heshang Gong, Wang Bi et le Xiang’er",{"to":534,"label":535,"children":536},"\u002Fdao\u002Ftaiji","Taiji",[537,540,543,546,549,552,555],{"to":538,"label":539},"\u002Fdao\u002Ftaiji\u002Forigins-meaning","Origines et sens du Taiji",{"to":541,"label":542},"\u002Fdao\u002Ftaiji\u002Ftaijitu-diagram","Le diagramme du Taiji (taijitu)",{"to":544,"label":545},"\u002Fdao\u002Ftaiji\u002Ftaiji-wuji-cosmology","Taiji, Wuji et cosmologie",{"to":547,"label":548},"\u002Fdao\u002Ftaiji\u002Fyin-and-yang-within-taiji","Le yin et le yang au sein du Taiji",{"to":550,"label":551},"\u002Fdao\u002Ftaiji\u002Ftaiji-in-neo-confucian-taoist-thought","Le Taiji dans la pensée néo-confucéenne et taoïste",{"to":553,"label":554},"\u002Fdao\u002Ftaiji\u002Finternal-martial-practice","Le Taiji et la pratique martiale interne",{"to":556,"label":557},"\u002Fdao\u002Ftaiji\u002Fkey-sources-further-reading","Sources principales et pour aller plus loin",{"to":559,"label":560,"children":561},"\u002Fdao\u002Fzhuang-zi","Zhuangzi",[562,565,568,571,574,577,580],{"to":563,"label":564},"\u002Fdao\u002Fzhuang-zi\u002Flife-historical-context","Zhuangzi : sa vie et son contexte historique",{"to":566,"label":567},"\u002Fdao\u002Fzhuang-zi\u002Fstructure-authorship","Structure et auteurs du texte",{"to":569,"label":570},"\u002Fdao\u002Fzhuang-zi\u002Fcore-themes","Thèmes centraux : l’errance, le wuwei et la spontanéité",{"to":572,"label":573},"\u002Fdao\u002Fzhuang-zi\u002Fequality-of-things","L’égalité des choses et la relativité des points de vue",{"to":575,"label":576},"\u002Fdao\u002Fzhuang-zi\u002Ffamous-parables","Les paraboles célèbres du Zhuangzi",{"to":578,"label":579},"\u002Fdao\u002Fzhuang-zi\u002Ftaoism-connection","Zhuangzi dans la pratique taoïste et son influence ultérieure",{"to":581,"label":582},"\u002Fdao\u002Fzhuang-zi\u002Fkey-translations-further-reading","Traductions essentielles et lectures pour aller plus loin",{"to":584,"label":585,"children":586},"\u002Fdao\u002Fclassics","Bibliothèque des classiques",[587],{"to":588,"label":589,"children":590},"\u002Fdao\u002Fclassics\u002Fliezi","Le Liezi",[591,594,597,600,603,606,609,612],{"to":592,"label":593},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-01-tian-rui","Chapitre 1 : Tian Rui 天瑞",{"to":595,"label":596},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-02-huang-di","Chapitre 2 : Huang Di 黄帝",{"to":598,"label":599},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-03-zhou-mu-wang","Chapitre 3 : Zhou Mu Wang 周穆王",{"to":601,"label":602},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-04-zhong-ni","Chapitre 4 : Zhong Ni 仲尼",{"to":604,"label":605},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-05-tang-wen","Chapitre 5 : Tang Wen 汤问",{"to":607,"label":608},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-06-li-ming","Chapitre six : Li Ming 力命",{"to":610,"label":611},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-07-yang-zhu","Chapitre sept : Yang Zhu 杨朱",{"to":613,"label":614},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-08-shuo-fu","Chapitre huit : Shuo Fu 说符",{"to":616,"label":617},"\u002Fdao\u002Fdaoist-philosophy","Philosophie taoïste",{"to":619,"label":620},"\u002Fdao\u002Fwu-wei-natural-living","Wu wei et vie naturelle",{"to":622,"label":623},"\u002Fdao\u002Fdaoist-view-of-life","Une vision taoïste de la vie",{"to":625,"label":626,"children":627},"\u002Fmartial-arts","Arts martiaux de Wudang",[628,650,675,694,713,738],{"to":629,"label":630,"children":631},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Fondements des arts martiaux internes",[632,635,638,641,644,647],{"to":633,"label":634},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Finternal-vs-external","Arts internes et externes : comprendre neijia et waijia",{"to":636,"label":637},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fzhang-sanfeng-legend","Zhang Sanfeng : histoire et traditions de Wudang",{"to":639,"label":640},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fthree-treasures","Jing, qi et shen dans l’apprentissage martial",{"to":642,"label":643},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fsong-rooting-jin","Song, enracinement et puissance du corps entier",{"to":645,"label":646},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fmartial-cultivation","Arts martiaux et cultivation de soi dans le taoïsme",{"to":648,"label":649},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fkey-sources-further-reading","Sources et lectures pour comprendre les arts internes",{"to":651,"label":652,"children":653},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan : comprendre le tai-chi et choisir sa pratique",[654,657,660,663,666,669,672],{"to":655,"label":656},"\u002Fmartial-arts\u002Ftaijiquan\u002Forigins-history","Origines et histoire du taijiquan",{"to":658,"label":659},"\u002Fmartial-arts\u002Ftaijiquan\u002Ffamily-styles","Les styles familiaux du taijiquan : Chen, Yang, Wu, Wu (Hao) et Sun",{"to":661,"label":662},"\u002Fmartial-arts\u002Ftaijiquan\u002Fwudang-taijiquan","Taijiquan de Wudang : histoire, renouveau et pratique vivante",{"to":664,"label":665},"\u002Fmartial-arts\u002Ftaijiquan\u002Fprinciples-classics","Principes essentiels et classiques du taiji",{"to":667,"label":668},"\u002Fmartial-arts\u002Ftaijiquan\u002Fpush-hands","Poussée des mains du taijiquan (tuishou) : exercices à deux, compétences et sécurité",{"to":670,"label":671},"\u002Fmartial-arts\u002Ftaijiquan\u002Fhealth-and-combat","Santé et pratique martiale dans le taijiquan",{"to":673,"label":674},"\u002Fmartial-arts\u002Ftaijiquan\u002Fkey-sources-further-reading","Sources et parcours de lecture sur le taijiquan",{"to":676,"label":677,"children":678},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang : marche en cercle, changements de paume et mobilité",[679,682,685,688,691],{"to":680,"label":681},"\u002Fmartial-arts\u002Fbaguazhang\u002Forigins-history","Origines et histoire du baguazhang : Dong Haichuan et les sources",{"to":683,"label":684},"\u002Fmartial-arts\u002Fbaguazhang\u002Fcircle-walking-palm-changes","Marche en cercle et changements de paume en baguazhang",{"to":686,"label":687},"\u002Fmartial-arts\u002Fbaguazhang\u002Fbagua-yijing-connection","Baguazhang et Yijing : histoire, diagrammes et pratique",{"to":689,"label":690},"\u002Fmartial-arts\u002Fbaguazhang\u002Fprinciples","Principes du baguazhang : tourner, prendre l’angle et changer",{"to":692,"label":693},"\u002Fmartial-arts\u002Fbaguazhang\u002Fkey-sources-further-reading","Sources sur le baguazhang et parcours de lecture",{"to":695,"label":696,"children":697},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan : structure, intention et entraînement direct",[698,701,704,707,710],{"to":699,"label":700},"\u002Fmartial-arts\u002Fxingyiquan\u002Forigins-history","Origines et histoire du xingyiquan",{"to":702,"label":703},"\u002Fmartial-arts\u002Fxingyiquan\u002Ffive-element-fists","Les cinq poings du xingyiquan",{"to":705,"label":706},"\u002Fmartial-arts\u002Fxingyiquan\u002Ftwelve-animals","Les douze formes animales du xingyiquan",{"to":708,"label":709},"\u002Fmartial-arts\u002Fxingyiquan\u002Fprinciples","Principes du xingyiquan : six coordinations, intention et puissance",{"to":711,"label":712},"\u002Fmartial-arts\u002Fxingyiquan\u002Fkey-sources-further-reading","Sources du xingyiquan et parcours de lecture",{"to":714,"label":715,"children":716},"\u002Fmartial-arts\u002Fweapons","Épée et armes de Wudang : histoire, pratique et contextes",[717,720,723,726,729,732,735],{"to":718,"label":719},"\u002Fmartial-arts\u002Fweapons\u002Fwudang-jian","Épée droite de Wudang : le programme de 1931 et son contexte",{"to":721,"label":722},"\u002Fmartial-arts\u002Fweapons\u002Fbroadsword-staff-spear","Sabre, bâton et lance : découvrir les armes chinoises",{"to":724,"label":725},"\u002Fmartial-arts\u002Fweapons\u002Fwhisk-fan-rare-weapons","Chasse-mouches, éventail et autres instruments de Wudang",{"to":727,"label":728},"\u002Fmartial-arts\u002Fweapons\u002Fweapon-as-extension","L’arme et le corps : coordination, perception et pratique",{"to":730,"label":731},"\u002Fmartial-arts\u002Fweapons\u002Fkey-sources-further-reading","Sources et parcours de lecture sur les armes de Wudang",{"to":733,"label":734},"\u002Fmartial-arts\u002Fweapons\u002Fhow-to-read-chinese-jian","Comment lire une épée chinoise jian : lame, poignée, fourreau et contexte",{"to":736,"label":737},"\u002Fmartial-arts\u002Fweapons\u002Fhow-to-read-chinese-dao","Comment lire un dao chinois : tranchant, courbure, monture et contexte",{"to":739,"label":740,"children":741},"\u002Fmartial-arts\u002Ftraining-practice","Entraînement et pratique : construire une routine durable",[742,745,748,751,754,757,760],{"to":743,"label":744},"\u002Fmartial-arts\u002Ftraining-practice\u002Fjibengong-stances","Jibengong et travail des postures : construire des bases sûres",{"to":746,"label":747},"\u002Fmartial-arts\u002Ftraining-practice\u002Fforms-drills-applications","Formes, exercices et applications : relier pratique solo et travail à deux",{"to":749,"label":750},"\u002Fmartial-arts\u002Ftraining-practice\u002Fneigong","Neigong : entraînement interne, respiration et attention",{"to":752,"label":753},"\u002Fmartial-arts\u002Ftraining-practice\u002Fwude-lineage","Wude : éthique martiale, transmission et enseignement responsable",{"to":755,"label":756},"\u002Fmartial-arts\u002Ftraining-practice\u002Ftraining-at-wudang","S’entraîner à Wudang : choisir une école ou un stage",{"to":758,"label":759},"\u002Fmartial-arts\u002Ftraining-practice\u002Fkey-sources-further-reading","Sources d’entraînement et parcours de lecture : des manuels à la pratique",{"to":761,"label":762},"\u002Fmartial-arts\u002Ftraining-practice\u002Fbeginner-pathway","Comment commencer la pratique de Wudang : un parcours pour débuter",{"to":764,"label":765,"children":766},"\u002Fwellness","Bien-être à Wudang",[767,792,814,836,858,861,864,867,870],{"to":768,"label":769,"children":770},"\u002Fwellness\u002Fqigong","Qigong : comprendre les méthodes et choisir sa pratique",[771,774,777,780,783,786,789],{"to":772,"label":773},"\u002Fwellness\u002Fqigong\u002Forigins-history-of-qigong","Origines et histoire du qigong",{"to":775,"label":776},"\u002Fwellness\u002Fqigong\u002Fthe-three-regulations","Les trois régulations du qigong",{"to":778,"label":779},"\u002Fwellness\u002Fqigong\u002Ffamous-forms-and-families","Formes et familles de qigong",{"to":781,"label":782},"\u002Fwellness\u002Fqigong\u002Fa-qigong-session","Déroulement d’une séance de qigong",{"to":784,"label":785},"\u002Fwellness\u002Fqigong\u002Fhealth-benefits-and-evidence","Qigong : bienfaits et niveau de preuve",{"to":787,"label":788},"\u002Fwellness\u002Fqigong\u002Fgetting-started-further-reading","Débuter le qigong et poursuivre son apprentissage",{"to":790,"label":791},"\u002Fwellness\u002Fqigong\u002Fmawangdui-daoyin-tu-early-chinese-exercise-chart","Le Daoyin tu de Mawangdui : lire une ancienne planche d’exercices chinois",{"to":793,"label":794,"children":795},"\u002Fwellness\u002Fherbal-healing","Pharmacopée chinoise",[796,799,802,805,808,811],{"to":797,"label":798},"\u002Fwellness\u002Fherbal-healing\u002Forigins-and-traditions","Origines et traditions de la pharmacopée chinoise",{"to":800,"label":801},"\u002Fwellness\u002Fherbal-healing\u002Fhow-herbs-are-understood","Comment la pharmacopée chinoise décrit les plantes",{"to":803,"label":804},"\u002Fwellness\u002Fherbal-healing\u002Fherbs-of-the-wudang-tradition","Plantes et pharmacopée dans la tradition de Wudang",{"to":806,"label":807},"\u002Fwellness\u002Fherbal-healing\u002Fformulas-and-preparation","Formules et préparation",{"to":809,"label":810},"\u002Fwellness\u002Fherbal-healing\u002Fsafety-and-responsible-use","Sécurité et usage responsable",{"to":812,"label":813},"\u002Fwellness\u002Fherbal-healing\u002Ffurther-reading-and-practice","Pour aller plus loin et pratiquer au quotidien",{"to":815,"label":816,"children":817},"\u002Fwellness\u002Ftaoist-medicine","Médecine taoïste",[818,821,824,827,830,833],{"to":819,"label":820},"\u002Fwellness\u002Ftaoist-medicine\u002Fthe-taoist-view-of-the-body","Le corps dans les traditions taoïstes",{"to":822,"label":823},"\u002Fwellness\u002Ftaoist-medicine\u002Fthe-three-treasures","Jing, qi et shen : les trois trésors",{"to":825,"label":826},"\u002Fwellness\u002Ftaoist-medicine\u002Fpractices-for-nourishing-life","Yangsheng : les pratiques pour nourrir la vie",{"to":828,"label":829},"\u002Fwellness\u002Ftaoist-medicine\u002Fpreventing-illness-and-the-seasons","Vivre avec les saisons : tradition et prévention",{"to":831,"label":832},"\u002Fwellness\u002Ftaoist-medicine\u002Ftaoist-and-modern-medicine","Médecines taoïstes et soins modernes : comprendre leurs relations",{"to":834,"label":835},"\u002Fwellness\u002Ftaoist-medicine\u002Ffurther-reading-and-practice","Lire et pratiquer au quotidien : repères taoïstes",{"to":837,"label":838,"children":839},"\u002Fwellness\u002Fenergy-sound-healing","Pratiques du son et de l’énergie",[840,843,846,849,852,855],{"to":841,"label":842},"\u002Fwellness\u002Fenergy-sound-healing\u002Fthe-taoist-sound-tradition","La tradition sonore taoïste",{"to":844,"label":845},"\u002Fwellness\u002Fenergy-sound-healing\u002Fsound-baths-and-instruments","Bains sonores et instruments",{"to":847,"label":848},"\u002Fwellness\u002Fenergy-sound-healing\u002Fforms-of-energy-work","Pratiques dites « énergétiques »",{"to":850,"label":851},"\u002Fwellness\u002Fenergy-sound-healing\u002Fa-session-what-to-expect","Une séance de son ou d’énergie : à quoi s’attendre",{"to":853,"label":854},"\u002Fwellness\u002Fenergy-sound-healing\u002Fhow-it-works-and-the-evidence","Comment cela agit : mécanismes et niveau de preuve",{"to":856,"label":857},"\u002Fwellness\u002Fenergy-sound-healing\u002Fgetting-started-further-reading","Débuter les pratiques du son et de l’énergie",{"to":859,"label":860},"\u002Fwellness\u002Fstanding-practice","Zhan zhuang : la pratique debout",{"to":862,"label":863},"\u002Fwellness\u002Fwudang-internal-cultivation","Cultivation intérieure de Wudang",{"to":865,"label":866},"\u002Fwellness\u002Fmoxibustion","Moxibustion",{"to":868,"label":869},"\u002Fwellness\u002Fbigu","Bigu",{"to":871,"label":872,"children":873},"\u002Fwellness\u002Fbaduanjin","Baduanjin (les Huit Brocarts)",[874],{"to":875,"label":876},"\u002Fwellness\u002Fbaduanjin\u002Feight-sections","Les huit mouvements du Baduanjin",{"to":878,"label":879,"children":880},"\u002Farts","Arts lettrés chinois : poésie, calligraphie, thé, guqin, peinture, encens et fleurs",[881,948,1003,1124,1164,1213,1244],{"to":882,"label":883,"children":884},"\u002Farts\u002Fchinese-poetry-literature","Poésie et littérature chinoises : formes, contextes et parcours de lecture",[885,888,891,894,897,900,903,906,909,912,915,918,921,924,927,930,933,936,939,942,945],{"to":886,"label":887},"\u002Farts\u002Fchinese-poetry-literature\u002Forigins-spirit-of-chinese-poetry","Origines de la poésie chinoise : chant, texte et interprétation",{"to":889,"label":890},"\u002Farts\u002Fchinese-poetry-literature\u002Fbook-of-songs-classical-foundations","Le Livre des Odes : voix, performance et interprétation",{"to":892,"label":893},"\u002Farts\u002Fchinese-poetry-literature\u002Ftang-poetry-golden-age","Poésie des Tang : formes, voix et formation d’un canon",{"to":895,"label":896},"\u002Farts\u002Fchinese-poetry-literature\u002Ftaoist-landscape-poetry","Traditions daoïstes et poésie de paysage : lieux, retrait et interprétation",{"to":898,"label":899},"\u002Farts\u002Fchinese-poetry-literature\u002Fpoetry-as-cultivation","Poésie et formation de soi à Wudang : lire, observer, écrire",{"to":901,"label":902},"\u002Farts\u002Fchinese-poetry-literature\u002Fkey-poets-further-reading","Poésie chinoise : poètes, éditions et parcours de lecture",{"to":904,"label":905},"\u002Farts\u002Fchinese-poetry-literature\u002Fhow-to-read-chinese-regulated-verse","Comment lire la poésie chinoise régulière : vers, rime, tons et parallélisme",{"to":907,"label":908},"\u002Farts\u002Fchinese-poetry-literature\u002Fhow-to-read-chinese-ci-lyrics","Comment lire les ci chinois : airs, voix et transmission",{"to":910,"label":911},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-poetry-anthologies-canon-transmission","Comment les anthologies de poésie chinoise façonnent nos lectures",{"to":913,"label":914},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-thread-bound-books-folding-stitching-reading","Les livres chinois cousus : pliage, reliure et formes de lecture",{"to":916,"label":917},"\u002Farts\u002Fchinese-poetry-literature\u002Fhow-to-read-chinese-paired-couplets-parallelism-calligraphy-place","Lire les couplets chinois par le parallélisme, la calligraphie et le lieu",{"to":919,"label":920},"\u002Farts\u002Fchinese-poetry-literature\u002Fpoetry-on-chinese-paintings-inscriptions-colophons","La poésie sur la peinture chinoise : lire inscriptions et colophons",{"to":922,"label":923},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-fu-rhapsody-catalogues-courts-expansive-description","Le fu chinois : catalogues, cours et art de la description ample",{"to":925,"label":926},"\u002Farts\u002Fchinese-poetry-literature\u002Fwenxin-diaolong-liu-xie-writing-reading-literary-thought","Lire le Wenxin diaolong : comment Liu Xie pense l’écriture et la lecture",{"to":928,"label":929},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-shihua-poetry-talks-notes-anecdotes-criticism","Lire les shihua chinois : critique, notes et anecdotes sur la poésie",{"to":931,"label":932},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-prefaces-afterwords-xu-ba-books-texts-readers","Lire les préfaces et postfaces chinoises : comment les livres encadrent textes et lecteurs",{"to":934,"label":935},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-biji-brush-notes-notebooks-miscellanies","Lire les biji chinois : comment des fragments deviennent savoir et littérature",{"to":937,"label":938},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-leishu-classified-books-excerpts-knowledge","Lire les leishu chinois : comment le savoir fut extrait et classé",{"to":940,"label":941},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-dictionaries-rhyme-books-erya-shuowen-qieyun-guangyun","Dictionnaires et livres de rimes chinois : classer les caractères, les sens et les sons",{"to":943,"label":944},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-primers-sanzijing-baijiaxing-qianziwen-literacy","Manuels élémentaires chinois : lire les Trois caractères, les Cent Noms et les Mille caractères",{"to":946,"label":947},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-texts-punctuation-reading-marks-sentence-division-modern-editions","Comment ponctuer les textes chinois : marques de lecture, découpage et éditions modernes",{"to":949,"label":950,"children":951},"\u002Farts\u002Fcalligraphy","Calligraphie chinoise : écritures, matériaux et regard",[952,955,958,961,964,967,970,973,976,979,982,985,988,991,994,997,1000],{"to":953,"label":954},"\u002Farts\u002Fcalligraphy\u002Forigins-history-of-calligraphy","Origines et histoire de la calligraphie chinoise",{"to":956,"label":957},"\u002Farts\u002Fcalligraphy\u002Fthe-five-script-styles","Les cinq grandes écritures de la calligraphie chinoise",{"to":959,"label":960},"\u002Farts\u002Fcalligraphy\u002Fcalligraphy-as-taoist-cultivation","Calligraphie et culture de soi taoïste : texte, attention et pratique",{"to":962,"label":963},"\u002Farts\u002Fcalligraphy\u002Ffour-treasures-of-the-study","Les Quatre Trésors du lettré : choisir et utiliser le matériel de calligraphie",{"to":965,"label":966},"\u002Farts\u002Fcalligraphy\u002Fbrush-technique-living-line","Le pinceau en calligraphie chinoise : observer et pratiquer la ligne vivante",{"to":968,"label":969},"\u002Farts\u002Fcalligraphy\u002Fgreat-masters-further-reading","Maîtres de la calligraphie chinoise et parcours de lecture",{"to":971,"label":972},"\u002Farts\u002Fcalligraphy\u002Fchinese-seals-and-seal-carving","Sceaux chinois et gravure sigillaire : écriture, matrice et empreinte",{"to":974,"label":975},"\u002Farts\u002Fcalligraphy\u002Fchinese-ink-rubbings","Les estampages chinois : pierre, papier et transmission de la calligraphie",{"to":977,"label":978},"\u002Farts\u002Fcalligraphy\u002Fchinese-inkstones","Pierres à encre chinoises : matière, sculpture et cabinet du lettré",{"to":980,"label":981},"\u002Farts\u002Fcalligraphy\u002Fchinese-inksticks","Bâtons d’encre chinois : suie, moules et cabinet du lettré",{"to":983,"label":984},"\u002Farts\u002Fcalligraphy\u002Fchinese-calligraphy-paper","Papier chinois de calligraphie : xuan, encollage et vie d’une feuille",{"to":986,"label":987},"\u002Farts\u002Fcalligraphy\u002Fchinese-calligraphy-brushes","Pinceaux chinois de calligraphie : poils, manche et pointe de travail",{"to":989,"label":990},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-rests","Repose-pinceaux chinois : montagnes, matières et table du lettré",{"to":992,"label":993},"\u002Farts\u002Fcalligraphy\u002Fchinese-water-droppers-scholars-desk","Les compte-gouttes chinois : débit, formes et table du lettré",{"to":995,"label":996},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-pots-materials-scholars-desk","Les pots à pinceaux chinois : usage, matières et table du lettré",{"to":998,"label":999},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-washers-water-form-scholars-desk","Les lave-pinceaux chinois : eau, formes et table du lettré",{"to":1001,"label":1002},"\u002Farts\u002Fcalligraphy\u002Fchinese-paperweights-form-material-scholars-desk","Presse-papiers chinois : formes, matières et table du lettré",{"to":1004,"label":1005,"children":1006},"\u002Farts\u002Ftea-ceremony","Culture chinoise du thé",[1007,1010,1013,1016,1019,1022,1025,1028,1031,1034,1037,1040,1043,1046,1049,1052,1055,1058,1061,1064,1067,1070,1073,1076,1079,1082,1085,1088,1091,1094,1097,1100,1103,1106,1109,1112,1115,1118,1121],{"to":1008,"label":1009},"\u002Farts\u002Ftea-ceremony\u002Ftea-meditation-taoist-practice","Thé, méditation et pratique taoïste",{"to":1011,"label":1012},"\u002Farts\u002Ftea-ceremony\u002Forigins-history-of-tea-culture","Origines et histoire de la culture chinoise du thé",{"to":1014,"label":1015},"\u002Farts\u002Ftea-ceremony\u002Fthe-way-of-tea","La voie du thé : attention, soin et hospitalité",{"to":1017,"label":1018},"\u002Farts\u002Ftea-ceremony\u002Ftypes-of-tea-and-character","Les six familles de thé chinois : fabrication et dégustation",{"to":1020,"label":1021},"\u002Farts\u002Ftea-ceremony\u002Futensils-and-gongfu-method","Thé gongfu : ustensiles et méthode adaptable",{"to":1023,"label":1024},"\u002Farts\u002Ftea-ceremony\u002Ffurther-reading-and-practice","Apprendre le thé chinois : lectures et pratique",{"to":1026,"label":1027},"\u002Farts\u002Ftea-ceremony\u002Fwater-for-chinese-tea","L’eau pour le thé chinois : sources, minéraux et méthode de comparaison",{"to":1029,"label":1030},"\u002Farts\u002Ftea-ceremony\u002Fchinese-teaware-clay-glaze-form","Les ustensiles chinois du thé : terre, porcelaine, glaçure et usage",{"to":1032,"label":1033},"\u002Farts\u002Ftea-ceremony\u002Fchinese-tea-caddies","Boîtes à thé chinoises : conservation, matières et circulation des feuilles",{"to":1035,"label":1036},"\u002Farts\u002Ftea-ceremony\u002Fsong-whisked-tea-powder-bowls-foam","Le thé fouetté sous les Song : poudre, bols et écume",{"to":1038,"label":1039},"\u002Farts\u002Ftea-ceremony\u002Fyixing-teapots-clay-form-makers-marks","Théières de Yixing : argile, forme et lecture des marques",{"to":1041,"label":1042},"\u002Farts\u002Ftea-ceremony\u002Fcompressed-tea-cakes-bricks-trade-storage-object-reading","Thé compressé en Chine : galettes, briques et méthode de lecture",{"to":1044,"label":1045},"\u002Farts\u002Ftea-ceremony\u002Ftea-horse-trade-networks-routes-markets-cultural-exchange","Les réseaux du thé et des chevaux : routes, marchés et échanges culturels",{"to":1047,"label":1048},"\u002Farts\u002Ftea-ceremony\u002Ftea-landscapes-china-gardens-forests-terraces-living-knowledge","Paysages du thé en Chine : jardins, forêts anciennes, terrasses et savoirs vivants",{"to":1050,"label":1051},"\u002Farts\u002Ftea-ceremony\u002Fpicking-tea-china-seasons-bud-leaf-standards-skilled-labour","La cueillette du thé en Chine : saisons, jeunes pousses et savoir-faire",{"to":1053,"label":1054},"\u002Farts\u002Ftea-ceremony\u002Fwithering-tea-leaves-water-loss-time-first-transformation","Le flétrissage du thé : perte d’eau, temps et première transformation",{"to":1056,"label":1057},"\u002Farts\u002Ftea-ceremony\u002Ffixing-tea-leaves-shaqing-heat-enzymes-turning-point","La fixation des feuilles de thé (shāqīng) : chaleur, enzymes et tournant de la fabrication chinoise",{"to":1059,"label":1060},"\u002Farts\u002Ftea-ceremony\u002Frolling-tea-leaves-rounian-pressure-shape-cell-disruption","Le roulage des feuilles de thé (róuniǎn) : pression, forme et rupture cellulaire maîtrisée",{"to":1062,"label":1063},"\u002Farts\u002Ftea-ceremony\u002Fdrying-tea-leaves-moisture-heat-stability-finished-tea","Le séchage des feuilles de thé : humidité, chaleur et stabilité du thé fini",{"to":1065,"label":1066},"\u002Farts\u002Ftea-ceremony\u002Fsorting-grading-tea-leaf-size-shape-grade-meaning","Tri et classement du thé : taille, forme et sens réel d’un grade",{"to":1068,"label":1069},"\u002Farts\u002Ftea-ceremony\u002Ftea-blending-batch-construction-consistency-style-transparency","Assemblage du thé et construction des lots : constance, style et transparence",{"to":1071,"label":1072},"\u002Farts\u002Ftea-ceremony\u002Ftea-oxidation-post-fermentation-enzymes-microbes-terms","Oxydation et post-fermentation du thé : enzymes, microbes et termes trompeurs",{"to":1074,"label":1075},"\u002Farts\u002Ftea-ceremony\u002Fyellow-tea-menhuang-moist-heat-time-tea-family","Le thé jaune et le menhuang : chaleur humide, temps et formation d’une famille de thé",{"to":1077,"label":1078},"\u002Farts\u002Ftea-ceremony\u002Frefiring-roasting-tea-later-heat-aroma-finished-leaf","Réchauffage et torréfaction du thé : chaleur tardive, arômes et différence avec le séchage",{"to":1080,"label":1081},"\u002Farts\u002Ftea-ceremony\u002Fjasmine-tea-scenting-flowers-repeated-rounds-aroma-transfer","Thé au jasmin et parfumage : fleurs, cycles répétés et transfert des arômes",{"to":1083,"label":1084},"\u002Farts\u002Ftea-ceremony\u002Ftea-sensory-evaluation-appearance-aroma-taste-score-limits","Évaluation sensorielle du thé : aspect, arômes, goût et limites d’une note",{"to":1086,"label":1087},"\u002Farts\u002Ftea-ceremony\u002Fdoucha-song-tea-contests-whisked-tea-jian-bowls-modern-judging","Doucha : concours de thé sous les Song et limites des reconstitutions modernes",{"to":1089,"label":1090},"\u002Farts\u002Ftea-ceremony\u002Fbeiyuan-tribute-tea-song-court-labour-imperial-label","Le thé tribut de Beiyuan : goût de cour sous les Song, travail qualifié et limites de l’étiquette « impériale »",{"to":1092,"label":1093},"\u002Farts\u002Ftea-ceremony\u002Freading-chinese-tea-classics-authorship-editions-recipe-limits","Lire les classiques chinois du thé : auteurs, éditions et limites d’une lecture en « recette »",{"to":1095,"label":1096},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-poetry-social-worlds-metaphor-historical-evidence","Le thé dans la poésie chinoise : sociabilités, métaphores et limites du témoignage littéraire",{"to":1098,"label":1099},"\u002Farts\u002Ftea-ceremony\u002Fchinese-teahouses-commerce-conversation-performance-urban-publics","Les maisons de thé chinoises : commerce, conversation, spectacle et publics urbains en mutation",{"to":1101,"label":1102},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-painting-objects-social-worlds-visual-evidence","Le thé dans la peinture chinoise : objets, mondes sociaux et limites du témoignage visuel",{"to":1104,"label":1105},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-dream-of-the-red-chamber-hospitality-rank-labour-fiction","Le thé dans Le Rêve dans le pavillon rouge : hospitalité, rang, travail et fiction",{"to":1107,"label":1108},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-travel-writing-roads-hospitality-regional-evidence","Le thé dans les récits de voyage chinois : routes, hospitalité et limites de l’itinéraire",{"to":1110,"label":1111},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-letters-gifts-visits-friendship-private-writing","Le thé dans les lettres chinoises : dons, visites, amitié et limites d’une écriture « privée »",{"to":1113,"label":1114},"\u002Farts\u002Ftea-ceremony\u002Ftea-tax-monopoly-imperial-china-fiscal-records-daily-life","Thé, fiscalité et monopole dans la Chine impériale : lire les archives sans confondre recettes et vie quotidienne",{"to":1116,"label":1117},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-local-gazetteers-place-production-local-knowledge","Le thé dans les monographies locales chinoises : lieux, production et limites du savoir local",{"to":1119,"label":1120},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-materia-medica-names-preparations-medical-claims","Le thé dans les matières médicales chinoises : noms, préparations et limites des assertions médicales",{"to":1122,"label":1123},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-buddhist-monastic-rules-ceremony-office-origin-stories","Le thé dans les règles monastiques bouddhiques chinoises : cérémonies, charges et limites des récits d’origine",{"to":1125,"label":1126,"children":1127},"\u002Farts\u002Fguqin","Le guqin : sonorités, histoire et premières écoutes",[1128,1131,1134,1137,1140,1143,1146,1149,1152,1155,1158,1161],{"to":1129,"label":1130},"\u002Farts\u002Fguqin\u002Forigins-history-of-the-guqin","Histoire du guqin : objets, textes et transmission musicale",{"to":1132,"label":1133},"\u002Farts\u002Fguqin\u002Fanatomy-of-the-guqin","Comment fonctionne le guqin : cordes, caisse et sonorités",{"to":1135,"label":1136},"\u002Farts\u002Fguqin\u002Fplaying-technique-and-notation","Jouer du guqin : gestes, tablature et interprétation",{"to":1138,"label":1139},"\u002Farts\u002Fguqin\u002Ffamous-melodies-and-stories","Mélodies du guqin : récits, versions et pistes d’écoute",{"to":1141,"label":1142},"\u002Farts\u002Fguqin\u002Fguqin-as-taoist-cultivation","Guqin et cultivation taoïste : écoute, pratique et limites",{"to":1144,"label":1145},"\u002Farts\u002Fguqin\u002Ffurther-listening-and-study","Apprendre le guqin : écouter, s’informer et choisir un professeur",{"to":1147,"label":1148},"\u002Farts\u002Fguqin\u002Fguqin-tables-playing-spaces","Tables de guqin et espaces de jeu : support, posture et écoute",{"to":1150,"label":1151},"\u002Farts\u002Fguqin\u002Fhow-to-read-guqin-handbook-tablature-editions-dapu","Lire un manuel de guqin : tablature, éditions et dapu",{"to":1153,"label":1154},"\u002Farts\u002Fguqin\u002Freading-guqin-lacquer-layers-crack-patterns-repair","Lire la laque du guqin : couches, craquelures et réparations",{"to":1156,"label":1157},"\u002Farts\u002Fguqin\u002Freading-guqin-inscriptions-seals-names-dates-provenance","Lire les inscriptions et sceaux du guqin : noms, dates et provenance",{"to":1159,"label":1160},"\u002Farts\u002Fguqin\u002Fguqin-forms-zhongni-banana-leaf-shapes","Formes du guqin : comprendre les modèles Zhongni, feuille de bananier et autres silhouettes",{"to":1162,"label":1163},"\u002Farts\u002Fguqin\u002Fguqin-strings-silk-modern-composites-playing","Cordes du guqin : soie, composites modernes et effets du matériau sur le jeu",{"to":1165,"label":1166,"children":1167},"\u002Farts\u002Fpainting","Peinture chinoise : matériaux, formats et manières de regarder",[1168,1171,1174,1177,1180,1183,1186,1189,1192,1195,1198,1201,1204,1207,1210],{"to":1169,"label":1170},"\u002Farts\u002Fpainting\u002Forigins-history-of-chinese-painting","Origines et histoire de la peinture chinoise : œuvres, cours et communautés",{"to":1172,"label":1173},"\u002Farts\u002Fpainting\u002Fart-of-ink-and-brush","Encre et pinceau dans la peinture chinoise : matières, eau et traces",{"to":1175,"label":1176},"\u002Farts\u002Fpainting\u002Flandscape-painting-shanshui","Shanshui : comment regarder la peinture de paysage chinoise",{"to":1178,"label":1179},"\u002Farts\u002Fpainting\u002Fbirds-flowers-four-gentlemen","Oiseaux, fleurs et Quatre Gentilshommes dans la peinture chinoise",{"to":1181,"label":1182},"\u002Farts\u002Fpainting\u002Fpainting-as-taoist-cultivation","Peinture et cultivation taoïste : images, idées et pratique",{"to":1184,"label":1185},"\u002Farts\u002Fpainting\u002Fgreat-masters-further-study","Maîtres de la peinture chinoise : un parcours guidé",{"to":1187,"label":1188},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-handscroll","Comment lire un rouleau horizontal chinois : séquence, colophons et sceaux",{"to":1190,"label":1191},"\u002Farts\u002Fpainting\u002Fchinese-fan-painting","La peinture chinoise sur éventail : forme, pinceau et art du petit format",{"to":1193,"label":1194},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-painting-album","Comment lire un album de peinture chinoise : feuillets, séquence et regard intime",{"to":1196,"label":1197},"\u002Farts\u002Fpainting\u002Fchinese-scholars-rocks","Pierres de lettrés chinoises : matière, présentation et paysages imaginés",{"to":1199,"label":1200},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-hanging-scroll","Comment lire un rouleau vertical chinois : espace, montage et présentation",{"to":1202,"label":1203},"\u002Farts\u002Fpainting\u002Fchinese-screens-space-painting","Écrans chinois : espace, image et art du pli",{"to":1205,"label":1206},"\u002Farts\u002Fpainting\u002Fmounting-chinese-painting","Le montage des peintures chinoises : bordures de soie, papiers de doublage et vie du rouleau",{"to":1208,"label":1209},"\u002Farts\u002Fpainting\u002Fchinese-portrait-painting-likeness-role-ancestral-memory","Le portrait chinois : ressemblance, rôle social et mémoire ancestrale",{"to":1211,"label":1212},"\u002Farts\u002Fpainting\u002Fthree-distances-chinese-landscape-painting","Les trois distances dans la peinture de paysage chinoise : hauteur, profondeur et horizon",{"to":1214,"label":1215,"children":1216},"\u002Farts\u002Fincense","Culture chinoise de l’encens",[1217,1220,1223,1226,1229,1232,1235,1238,1241],{"to":1218,"label":1219},"\u002Farts\u002Fincense\u002Forigins-history-of-incense-culture","Origines et histoire de la culture chinoise de l’encens",{"to":1221,"label":1222},"\u002Farts\u002Fincense\u002Faromatic-materials-fragrant-woods","Matières aromatiques : bois, résines et approvisionnement responsable",{"to":1224,"label":1225},"\u002Farts\u002Fincense\u002Fforms-and-art-of-appreciation","Formes d’encens et art de l’appréciation",{"to":1227,"label":1228},"\u002Farts\u002Fincense\u002Fincense-in-ritual-and-temple-life","L’encens dans les rites taoïstes et la vie des temples",{"to":1230,"label":1231},"\u002Farts\u002Fincense\u002Fincense-meditation-taoist-practice","Encens, méditation et pratique taoïste",{"to":1233,"label":1234},"\u002Farts\u002Fincense\u002Ffurther-reading-and-practice","Apprendre la culture chinoise de l’encens : lectures et pratique",{"to":1236,"label":1237},"\u002Farts\u002Fincense\u002Fchinese-incense-burners","Brûle-parfums chinois : bronze, céramique, formes et contextes",{"to":1239,"label":1240},"\u002Farts\u002Fincense\u002Fchinese-incense-seals-fragrant-time","Les sceaux d’encens chinois : cendre, motifs et temps parfumé",{"to":1242,"label":1243},"\u002Farts\u002Fincense\u002Fchinese-incense-sets-burner-box-vase-tools","Ensembles chinois pour l’encens : brûle-parfum, boîte, vase et outils",{"to":1245,"label":1246,"children":1247},"\u002Farts\u002Fflower-arrangement","L’art floral chinois : histoire, matériaux et manières de regarder",[1248,1251,1254,1257,1260,1263,1266],{"to":1249,"label":1250},"\u002Farts\u002Fflower-arrangement\u002Forigins-history-of-floral-art","Histoire de l’art floral chinois : objets, images et voix",{"to":1252,"label":1253},"\u002Farts\u002Fflower-arrangement\u002Fprinciples-of-flower-arrangement","Composition florale chinoise : lignes, équilibre et regard",{"to":1255,"label":1256},"\u002Farts\u002Fflower-arrangement\u002Fvessels-tools-and-composition","Choisir récipients et outils : formes, soutien et entretien",{"to":1258,"label":1259},"\u002Farts\u002Fflower-arrangement\u002Fseasonal-flowers-and-symbolism","Fleurs de saison et symboles : lire le contexte",{"to":1261,"label":1262},"\u002Farts\u002Fflower-arrangement\u002Fflower-arrangement-as-cultivation","L’arrangement floral comme pratique : attention, changement et limites",{"to":1264,"label":1265},"\u002Farts\u002Fflower-arrangement\u002Ffurther-reading-and-practice","Pour aller plus loin : sources, musées et premier mois de pratique",{"to":1267,"label":1268},"\u002Farts\u002Fflower-arrangement\u002Fchinese-flower-baskets-weaving-painting-vessels","Les paniers de fleurs chinois : tressage, peinture et récipient",{"to":1270,"label":1271,"children":1272},"\u002Fdaoism","Culture taoïste",[1273,1304,1329,1354,1415],{"to":1274,"label":1275,"children":1276},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Les divinités taoïstes et le panthéon chinois : guide de structure",[1277,1280,1283,1286,1289,1292,1295,1298,1301],{"to":1278,"label":1279},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-pure-ones","Les Trois Purs : les plus hautes divinités taoïstes",{"to":1281,"label":1282},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fjade-emperor","L’Empereur de Jade : sa place dans le taoïsme",{"to":1284,"label":1285},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Forigins-of-pantheon","Comment s’est formé le panthéon taoïste",{"to":1287,"label":1288},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fcelestial-bureaucracy","Immortels taoïstes et bureaucratie céleste : shen et xian",{"to":1290,"label":1291},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fguan-yu-mazu-popular-deities","Guan Yu, Mazu et les divinités populaires : comment les humains deviennent des dieux",{"to":1293,"label":1294},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fdeities-of-wudang-mountain","Les divinités du mont Wudang : Zhenwu et sa cour sacrée",{"to":1296,"label":1297},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fworship-temples-offerings","Culte dans les temples taoïstes : encens, offrandes, vœux et dons",{"to":1299,"label":1300},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fnorthern-dipper-stars-images-ritual-maps","Le Boisseau du Nord dans la culture taoïste : étoiles, images et cartes rituelles",{"to":1302,"label":1303},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-officials-sanguan-heaven-earth-water-three-yuan","Les Trois Officiers taoïstes : Ciel, Terre, Eau et les Trois Yuan",{"to":1305,"label":1306,"children":1307},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Temples et montagnes sacrées taoïstes : guide des lieux et de l’architecture",[1308,1311,1314,1317,1320,1323,1326],{"to":1309,"label":1310},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwudang-mountain","Le mont Wudang dans le taoïsme : Zhenwu, la cour des Ming et un statut sacré",{"to":1312,"label":1313},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-longhu","Le mont Longhu et les Maîtres célestes : centre du taoïsme Zhengyi",{"to":1315,"label":1316},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-qingcheng","Le mont Qingcheng : comment le taoïsme organisé a pris forme institutionnelle",{"to":1318,"label":1319},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-tai","Le mont Tai : la première montagne sacrée de l’État chinois",{"to":1321,"label":1322},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwhite-cloud-temple-beijing","Le temple des Nuages blancs à Pékin : le monastère urbain du taoïsme Quanzhen",{"to":1324,"label":1325},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Ftemple-architecture-sacred-geometry","Comment lire l’architecture des temples taoïstes et l’espace sacré",{"to":1327,"label":1328},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fpilgrimage-temple-etiquette","Pèlerinage taoïste et étiquette des temples : un guide pratique",{"to":1330,"label":1331,"children":1332},"\u002Fdaoism\u002Ftaoist-schools-lineages","Écoles et lignées taoïstes : Zhengyi, Quanzhen et traditions historiques",[1333,1336,1339,1342,1345,1348,1351],{"to":1334,"label":1335},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcelestial-masters-zhengyi","Le taoïsme Zhengyi et les Maîtres célestes : prêtres laïcs et autorité rituelle",{"to":1337,"label":1338},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcomplete-perfection-quanzhen","Le taoïsme Quanzhen : vie monastique, cultivation intérieure et Wudang",{"to":1340,"label":1341},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fshangqing-school","Le taoïsme Shangqing : révélations de la Pureté suprême et visualisation intérieure",{"to":1343,"label":1344},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Flingbao-tradition","Le taoïsme Lingbao : écritures du Joyau numineux et rituel communautaire",{"to":1346,"label":1347},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fwu-liu-school","L’école Wu-Liu : un système plus clair d’alchimie intérieure taoïste",{"to":1349,"label":1350},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmonastic-vs-householder-priesthood","Moines Quanzhen et prêtres Zhengyi vivant en famille : quelle différence ?",{"to":1352,"label":1353},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmodern-transmission-ordination","Ordination et lignée taoïstes aujourd’hui : comment vérifier une transmission",{"to":1355,"label":1356,"children":1357},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Fêtes et rituels taoïstes : calendriers, offrandes et rites communautaires",[1358,1361,1364,1367,1370,1373,1376,1379,1382,1385,1388,1391,1394,1397,1400,1403,1406,1409,1412],{"to":1359,"label":1360},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjade-emperor-birthday","Anniversaire de l’Empereur de Jade et fêtes de la Cour céleste",{"to":1362,"label":1363},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhongyuan-ghost-festival","Fête de Zhongyuan : fantômes, Officier de la Terre et salut universel",{"to":1365,"label":1366},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Flaozi-birthday","Anniversaire de Laozi : du sage au divin Seigneur Lao",{"to":1368,"label":1369},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdouble-ninth-festival","Fête du Double Neuf : Chongyang, longévité et respect des aînés",{"to":1371,"label":1372},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjiao-offering-ritual","Les rituels jiao : la grande offrande communautaire du taoïsme",{"to":1374,"label":1375},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhai-purification-fasting","Les rituels zhai : purification, jeûne et préparation dans le taoïsme",{"to":1377,"label":1378},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Ftemple-fairs-pilgrimage","Fêtes de temple taoïstes et pèlerinages saisonniers",{"to":1380,"label":1381},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-robes-garment-image-ceremony","Les vêtements rituels taoïstes : coupe, images et rôle cérémoniel",{"to":1383,"label":1384},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdavid-vases-daoist-offering-blue-white-porcelain","Les vases David : offrande taoïste et jalon daté de la porcelaine bleu-et-blanc",{"to":1386,"label":1387},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-seals-impression-authority-documents","Les sceaux rituels taoïstes : empreinte, autorité et travail documentaire",{"to":1389,"label":1390},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-music-bells-drums-chant","Musique rituelle taoïste : cloches, tambours, chant et temps cérémoniel",{"to":1392,"label":1393},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-lamp-rituals-light-cosmic-patterns-ceremonial-space","Rituels taoïstes des lampes : lumière, configurations cosmiques et espace cérémoniel",{"to":1395,"label":1396},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-talismans-script-ritual-action","Talismans taoïstes : écriture, action rituelle et limites du regard",{"to":1398,"label":1399},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-mirrors-reflection-cosmology-ritual-evidence","Miroirs taoïstes : reflet, cosmologie et indices rituels",{"to":1401,"label":1402},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-petitions-memorials-celestial-administration","Pétitions et mémoriaux taoïstes : écrire à l’administration céleste",{"to":1404,"label":1405},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-registers-lu-rank-transmission-celestial-administration","Les registres taoïstes (lu) : rang, transmission et administration céleste",{"to":1407,"label":1408},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-audience-tablets-hu-courtly-form-ritual-address","Tablettes d’audience taoïstes (hu) : forme de cour et adresse rituelle",{"to":1410,"label":1411},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-crowns-headscarves-dress-rank-ritual-context","Couronnes et coiffes taoïstes : vêtement, rang et contexte rituel",{"to":1413,"label":1414},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-footwear-cloth-cloud-shoes-ritual-movement","Chaussures taoïstes : souliers de toile, chaussures de nuages et mouvement rituel",{"to":1416,"label":1417,"children":1418},"\u002Fdaoism\u002Feight-immortals","Les Huit Immortels : origines, symboles et légendes taoïstes",[1419,1422,1425,1428,1431,1434],{"to":1420,"label":1421},"\u002Fdaoism\u002Feight-immortals\u002Flu-dongbin","Lü Dongbin : lettré immortel, patriarche du Quanzhen et porteur d’épée",{"to":1423,"label":1424},"\u002Fdaoism\u002Feight-immortals\u002Fzhang-guolao","Zhang Guolao : ermite des Tang et immortel monté à l’envers",{"to":1426,"label":1427},"\u002Fdaoism\u002Feight-immortals\u002Fhe-xiangu","He Xiangu : la femme immortelle parmi les Huit",{"to":1429,"label":1430},"\u002Fdaoism\u002Feight-immortals\u002Fhan-xiangzi-lan-caihe","Han Xiangzi et Lan Caihe : musique, fleurs et identité indéfinie",{"to":1432,"label":1433},"\u002Fdaoism\u002Feight-immortals\u002Fcao-guojiu-li-tieguai","Cao Guojiu et Li Tieguai : privilège, pauvreté et corps immortel",{"to":1435,"label":1436},"\u002Fdaoism\u002Feight-immortals\u002Fzhongli-quan","Zhongli Quan : maître de Lü Dongbin et patriarche de l’alchimie intérieure",{"to":1438,"label":1439,"children":1440},"\u002Fchinese-metaphysics","Métaphysique chinoise",[1441,1465,1490,1515,1540,1568,1596,1621,1646],{"to":1442,"label":1443,"children":1444},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Le yin-yang et les Cinq Phases dans la pensée chinoise",[1445,1448,1451,1454,1457,1460,1463],{"to":1446,"label":1447},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Forigins-early-history","Origines et histoire ancienne de la pensée du yin-yang",{"to":1449,"label":1450},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fmeaning-of-yin-and-yang","Le sens du yin et du yang",{"to":1452,"label":1453},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Ffive-phases","Les Cinq Phases : Bois, Feu, Terre, Métal et Eau",{"to":1455,"label":1456},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fgenerating-controlling-cycles","Les cycles d’engendrement et de domination",{"to":1458,"label":1459},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fcorrelative-cosmology","La cosmologie corrélative : le corps, les saisons et le cosmos",{"to":1461,"label":1462},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fin-the-metaphysical-arts","Le yin-yang et les Cinq Phases dans les arts métaphysiques",{"to":1464,"label":557},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fkey-sources-further-reading",{"to":1466,"label":1467,"children":1468},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Les Troncs célestes et les Rameaux terrestres chinois (ganzhi)",[1469,1472,1475,1478,1481,1484,1487],{"to":1470,"label":1471},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Forigins-history","Origines et histoire du cycle sexagésimal chinois",{"to":1473,"label":1474},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ften-heavenly-stems","Les dix Troncs célestes : noms, Cinq Phases et significations",{"to":1476,"label":1477},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ftwelve-earthly-branches","Les douze Rameaux terrestres : animaux, heures, mois et significations",{"to":1479,"label":1480},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fsixty-year-jiazi","Le cycle jiazi en soixante termes : comment se combinent les Troncs et les Rameaux",{"to":1482,"label":1483},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fstems-branches-yin-yang-five-phases","Comment les Troncs célestes et les Rameaux terrestres codent le yin et le yang et les Cinq Phases",{"to":1485,"label":1486},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fin-the-metaphysical-arts","L’usage du ganzhi dans le BaZi, le Feng Shui, le choix des dates et les autres arts",{"to":1488,"label":1489},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fkey-sources-further-reading","Troncs célestes, Rameaux terrestres et ganzhi : sources et lectures complémentaires",{"to":1491,"label":1492,"children":1493},"\u002Fchinese-metaphysics\u002Ffeng-shui","Le Feng Shui chinois : paysage, boussole et pratique responsable",[1494,1497,1500,1503,1506,1509,1512],{"to":1495,"label":1496},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Forigins-history","Origines et histoire du Feng Shui chinois",{"to":1498,"label":1499},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fqi-compass-two-schools","Le qi, la boussole du Feng Shui et les deux écoles",{"to":1501,"label":1502},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fform-school-landscape","L’École des formes en Feng Shui : lire le paysage",{"to":1504,"label":1505},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fcompass-school-luopan","L’École de la boussole en Feng Shui : l’usage du luopan",{"to":1507,"label":1508},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fdwellings-and-graves","Le Feng Shui des maisons et des tombes : yangzhai et yinzhai",{"to":1510,"label":1511},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fmodern-world","Le Feng Shui aujourd’hui : maisons, villes, design et pratique culturelle",{"to":1513,"label":1514},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fkey-sources-further-reading","Sources du Feng Shui chinois : textes classiques et pour aller plus loin",{"to":1516,"label":1517,"children":1518},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","Le BaZi (Quatre Piliers du destin) : comment fonctionnent les huit caractères",[1519,1522,1525,1528,1531,1534,1537],{"to":1520,"label":1521},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Forigins-history","Histoire du BaZi et des Quatre Piliers du destin",{"to":1523,"label":1524},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fbuilding-the-chart","Comment se calcule un thème BaZi : les Quatre Piliers et les huit caractères",{"to":1526,"label":1527},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fday-master-ten-gods","Le Maître du jour et les Dix Dieux du BaZi : guide des relations",{"to":1529,"label":1530},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Ffive-phase-balance","Comment on lit un thème BaZi : l’équilibre des Cinq Phases et le Dieu utile",{"to":1532,"label":1533},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fluck-pillars-annual-influences","Piliers de chance et influences annuelles du BaZi : comment se lit le temps",{"to":1535,"label":1536},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fin-practice","Le BaZi aujourd’hui : interprétation, responsabilité et limites",{"to":1538,"label":1539},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fkey-sources-further-reading","Sources du BaZi : textes classiques, commentaires et pour aller plus loin",{"to":1541,"label":1542,"children":1543},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (astrologie de l’étoile pourpre) : comment fonctionne le thème aux douze palais",[1544,1547,1550,1553,1556,1559,1562,1565],{"to":1545,"label":1546},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Forigins-history","Histoire du Zi Wei Dou Shu : origines, légendes et témoignages documentés",{"to":1548,"label":1549},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ftwelve-palaces","Les douze palais du Zi Wei Dou Shu : guide des domaines de vie",{"to":1551,"label":1552},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fthe-stars","Les étoiles du Zi Wei Dou Shu : les quatorze étoiles majeures et leur sens",{"to":1554,"label":1555},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fcasting-and-reading","Comment établir et lire un thème de Zi Wei Dou Shu",{"to":1557,"label":1558},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ffour-transformations","Les Quatre Transformations du Zi Wei Dou Shu : comment le thème se meut dans le temps",{"to":1560,"label":1561},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fin-practice","Les lectures de Zi Wei Dou Shu aujourd’hui : interprétation, responsabilité et limites",{"to":1563,"label":1564},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fkey-sources-further-reading","Sources du Zi Wei Dou Shu : textes classiques, écoles et lectures complémentaires",{"to":1566,"label":1567},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fglossary","Glossaire du Zi Wei Dou Shu : palais, étoiles, transformations et cycles du temps",{"to":1569,"label":1570,"children":1571},"\u002Fchinese-metaphysics\u002Fdate-selection","Le choix des dates en Chine : comment on choisit les jours fastes",[1572,1575,1578,1581,1584,1587,1590,1593],{"to":1573,"label":1574},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Forigins-history","Origines et histoire du choix des dates en Chine",{"to":1576,"label":1577},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fthe-almanac","L’almanach chinois : comment le tongshu guide le choix des jours au quotidien",{"to":1579,"label":1580},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcyclical-qualities","Comment les calendriers chinois décrivent la qualité des jours",{"to":1582,"label":1583},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fstars-and-officers","Étoiles fastes et officiers des jours dans le choix des dates en Chine",{"to":1585,"label":1586},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fchoosing-a-date","Le choix des dates en Chine, en pratique",{"to":1588,"label":1589},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcultural-meaning-and-responsible-practice","Le choix des dates en Chine : sens culturel et pratique responsable",{"to":1591,"label":1592},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fkey-sources-further-reading","Le choix des dates en Chine : sources principales et pour aller plus loin",{"to":1594,"label":1595},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Ftwenty-four-solar-terms-seasonal-time-chinese-calendar","Les Vingt-Quatre Termes solaires : le temps saisonnier du calendrier chinois",{"to":1597,"label":1598,"children":1599},"\u002Fchinese-metaphysics\u002Fphysiognomy","La physiognomonie chinoise : lecture du visage, chiromancie et leurs limites",[1600,1603,1606,1609,1612,1615,1618],{"to":1601,"label":1602},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Forigins-history","Origines et histoire de la physiognomonie chinoise",{"to":1604,"label":1605},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fface-reading","La lecture du visage chinoise (mianxiang) : méthodes, significations et limites",{"to":1607,"label":1608},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fpalm-reading","La chiromancie chinoise (shouxiang) : traditions, méthodes et limites",{"to":1610,"label":1611},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-practice","La physiognomonie chinoise en pratique aujourd’hui : lectures, applications et risques",{"to":1613,"label":1614},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fhistory-interpretation-and-context","Comment interpréter la physiognomonie chinoise de manière responsable",{"to":1616,"label":1617},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-culture","La physiognomonie chinoise dans l’histoire, la littérature et la culture quotidienne",{"to":1619,"label":1620},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fkey-sources-further-reading","La physiognomonie chinoise : sources primaires et pour aller plus loin",{"to":1622,"label":1623,"children":1624},"\u002Fchinese-metaphysics\u002Fdivination-arts","Les arts divinatoires chinois : méthodes, histoire et usage responsable",[1625,1628,1631,1634,1637,1640,1643],{"to":1626,"label":1627},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Forigins-history","Origines et histoire de la divination chinoise",{"to":1629,"label":1630},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Foracle-bones","Os oraculaires et divination par la carapace de tortue en Chine",{"to":1632,"label":1633},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fyijing-milfoil","Le Yijing et la divination par l’achillée : tirer et lire les hexagrammes",{"to":1635,"label":1636},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fcoins-and-lots","Divination par les pièces et fiches de temple en Chine : méthodes et sens",{"to":1638,"label":1639},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fin-practice","La divination chinoise aujourd’hui : consultations, applications et risques",{"to":1641,"label":1642},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fmeaning-reflection-and-responsible-practice","Pratiquer la divination chinoise de manière responsable",{"to":1644,"label":1645},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fkey-sources-further-reading","La divination chinoise : sources principales et pour aller plus loin",{"to":1647,"label":1648,"children":1649},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","Le Hetu, le Luoshu et les Neuf Palais dans la cosmologie chinoise",[1650,1653,1656,1659,1662,1665,1668],{"to":1651,"label":1652},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Forigins-history","Origines et histoire des diagrammes du Hetu et du Luoshu",{"to":1654,"label":1655},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fhetu-river-chart","Le Hetu, Diagramme du Fleuve : nombres, directions et Cinq Phases",{"to":1657,"label":1658},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fluoshu-magic-square","Le carré magique du Luoshu : nombres, structure et signification culturelle",{"to":1660,"label":1661},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fnine-palaces","Les Neuf Palais (jiugong) : directions, cycles temporels et usages traditionnels",{"to":1663,"label":1664},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fin-practice","Le Hetu, le Luoshu et les Neuf Palais dans la pratique aujourd’hui",{"to":1666,"label":1667},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fmathematics-tradition-and-interpretation","Comment interpréter le Hetu et le Luoshu : mathématiques, histoire et symbolisme",{"to":1669,"label":1670},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fkey-sources-further-reading","Hetu, Luoshu et Neuf Palais : sources primaires et lectures complémentaires",{"to":1672,"label":1673,"children":1674},"\u002Fwudang-mountain","Vivre Wudang",[1675,1700,1767,1814,1857,1897],{"to":1676,"label":1677,"children":1678},"\u002Fwudang-mountain\u002Fintroduction","Découvrir les montagnes de Wudang",[1679,1682,1685,1688,1691,1694,1697],{"to":1680,"label":1681},"\u002Fwudang-mountain\u002Fintroduction\u002Fzhenwu","Zhenwu, la divinité au cœur de Wudang",{"to":1683,"label":1684},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-today","Wudang aujourd’hui : temples, patrimoine et vie quotidienne",{"to":1686,"label":1687},"\u002Fwudang-mountain\u002Fintroduction\u002Fis-a-visit-right-for-you","Un voyage à Wudang vous convient-il ?",{"to":1689,"label":1690},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-world-heritage","Patrimoine mondial du Wudang : que protège l’UNESCO ?",{"to":1692,"label":1693},"\u002Fwudang-mountain\u002Fintroduction\u002Fstone-inscriptions-and-steles","Lire les inscriptions de Wudang : stèles, dates et mémoire impériale",{"to":1695,"label":1696},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-gazetteers-sacred-geography","Comment le Wudang fut consigné : monographies et géographie sacrée",{"to":1698,"label":1699},"\u002Fwudang-mountain\u002Fintroduction\u002Fplaques-couplets-calligraphy","Lire les plaques et les couplets du Wudang : noms, calligraphie et strates du temps",{"to":1701,"label":1702,"children":1703},"\u002Fwudang-mountain\u002Ftemples-and-sites","Temples et sites sacrés du mont Wudang",[1704,1720,1733],{"to":1705,"label":1706,"children":1707},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route","L’itinéraire central des temples du mont Wudang",[1708,1711,1714,1717],{"to":1709,"label":1710},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fmozhen-well-and-taizipo","Le puits Mozhen et Taizipo au mont Wudang",{"to":1712,"label":1713},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fzixiao-palace","Le palais Zixiao au mont Wudang : guide du visiteur",{"to":1715,"label":1716},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fnanyan-palace","Le palais Nanyan au mont Wudang : temple de falaise et encens de la Tête de dragon",{"to":1718,"label":1719},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fthe-summit","Le sommet du mont Wudang : le palais Taihe et la Salle d’or",{"to":1721,"label":1722,"children":1723},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces","Palais périphériques et sites paisibles du mont Wudang",[1724,1727,1730],{"to":1725,"label":1726},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fyuxu-palace","Le palais Yuxu au mont Wudang : ruines impériales et centre administratif",{"to":1728,"label":1729},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fyuzhen-palace","Le palais Yuzhen au mont Wudang : Zhang Sanfeng, l’incendie et la surélévation",{"to":1731,"label":1732},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fwulong-palace","Le palais Wulong au mont Wudang : le plus ancien site de temple isolé",{"to":1734,"label":1735,"children":1736},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture","Plan et architecture des temples du mont Wudang",[1737,1740,1743,1746,1749,1752,1755,1758,1761,1764],{"to":1738,"label":1739},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fthe-overall-plan","Comment les temples du mont Wudang forment un seul itinéraire impérial",{"to":1741,"label":1742},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fbuilding-on-difficult-ground","Comment les temples du mont Wudang furent bâtis sur un terrain difficile",{"to":1744,"label":1745},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fwhat-survives","Ce qui est d’origine au mont Wudang — et ce qui a été reconstruit",{"to":1747,"label":1748},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-roofs","Lire un toit du Wudang : tuiles, rang et restauration",{"to":1750,"label":1751},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-painted-timber","Lire les décors peints du Wudang : couleurs, savoir-faire et renouvellement",{"to":1753,"label":1754},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-dougong","Lire les dougong du Wudang : assemblages, charges et rang architectural",{"to":1756,"label":1757},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-bronze","Lire le bronze au Wudang : fonte, dorure et réseaux impériaux",{"to":1759,"label":1760},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-doors-windows","Lire les portes et fenêtres du Wudang : cadres, treillis et restauration",{"to":1762,"label":1763},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-wudang-temples-manage-rainwater","Comment l’eau s’évacue d’un temple du Wudang : toits, cours et drainage de montagne",{"to":1765,"label":1766},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-stonework-platforms-steps-weathering","Lire la pierre au Wudang : plateformes, marches et altération",{"to":1768,"label":1769,"children":1770},"\u002Fwudang-mountain\u002Fplanning-a-visit","Préparer une visite au mont Wudang",[1771,1781,1794,1804],{"to":1772,"label":1773,"children":1774},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around","Se rendre au mont Wudang et s’y déplacer",[1775,1778],{"to":1776,"label":1777},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around\u002Freaching-wudang","Comment se rendre au mont Wudang",{"to":1779,"label":1780},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around\u002Fgetting-around-the-mountain","Se déplacer sur le mont Wudang",{"to":1782,"label":1783,"children":1784},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons","Mont Wudang : billets, budget et meilleures saisons",[1785,1788,1791],{"to":1786,"label":1787},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Ftickets-and-what-they-cover","Les billets du mont Wudang et ce qu’ils couvrent",{"to":1789,"label":1790},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Fwhat-a-trip-costs","Combien coûte un voyage au mont Wudang",{"to":1792,"label":1793},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Fwhen-to-go","Quand visiter le mont Wudang",{"to":1795,"label":1796,"children":1797},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fstaying-and-eating","Où dormir et manger au mont Wudang",[1798,1801],{"to":1799,"label":1800},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fstaying-and-eating\u002Fwhere-to-stay","Où loger au mont 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Wudang",[1822,1825,1828],{"to":1823,"label":1824},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-is-actually-taught\u002Fwhat-the-label-means","Les arts martiaux du Wudang : ce que recouvre l’étiquette",{"to":1826,"label":1827},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-is-actually-taught\u002Fqigong-and-internal-practice","Qigong, méditation et pratique interne dans les écoles du Wudang",{"to":1829,"label":1830},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-is-actually-taught\u002Fother-subjects","Armes et autres disciplines dans les écoles d’arts martiaux du Wudang",{"to":1832,"label":1833,"children":1834},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school","Comment choisir une école d’arts martiaux au mont Wudang",[1835,1838,1841],{"to":1836,"label":1837},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school\u002Fhow-schools-are-organised","Comment sont organisées les écoles d’arts martiaux de Wudang",{"to":1839,"label":1840},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school\u002Fhow-to-evaluate","Comment évaluer une école d’arts martiaux de Wudang avant de payer",{"to":1842,"label":1843},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school\u002Fwarning-signs","Les signaux d’alerte dans le choix d’une école d’arts martiaux de Wudang",{"to":1845,"label":1846,"children":1847},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like","À quoi ressemble vraiment l’entraînement aux arts martiaux au mont Wudang",[1848,1851,1854],{"to":1849,"label":1850},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like\u002Fa-typical-day","Une journée type d’entraînement dans une école d’arts martiaux du Wudang",{"to":1852,"label":1853},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like\u002Fcosts-and-practicalities","S’entraîner aux arts martiaux au Wudang : coûts, formalités et aspects pratiques",{"to":1855,"label":1856},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like\u002Frealistic-expectations","Des résultats réalistes pour un entraînement au mont Wudang",{"to":1858,"label":1859,"children":1860},"\u002Fwudang-mountain\u002Ftemple-etiquette","L’étiquette dans les temples du Wudang : guide du visiteur",[1861,1871,1884],{"to":1862,"label":1863,"children":1864},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fbefore-you-go-in","Avant d’entrer dans un temple du Wudang",[1865,1868],{"to":1866,"label":1867},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fbefore-you-go-in\u002Fwhat-a-working-temple-is","Comment fonctionne un temple en activité du mont Wudang",{"to":1869,"label":1870},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fbefore-you-go-in\u002Fdress-timing-and-what-to-bring","Que porter et qu’emporter pour visiter un temple du Wudang",{"to":1872,"label":1873,"children":1874},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls","À l’intérieur d’une salle de temple du mont Wudang",[1875,1878,1881],{"to":1876,"label":1877},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fentering-a-hall","Entrer et circuler dans une salle de temple du mont Wudang",{"to":1879,"label":1880},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fincense-and-bowing","Encens, inclinations et offrandes dans les temples du mont Wudang",{"to":1882,"label":1883},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fphotography","Photographie et respect dans les temples du mont Wudang",{"to":1885,"label":1886,"children":1887},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes","Clergé taoïste, dons et erreurs courantes dans les temples du mont Wudang",[1888,1891,1894],{"to":1889,"label":1890},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Ftaoist-clergy","Le clergé taoïste : comment s’adresser aux religieux",{"to":1892,"label":1893},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Fdonations-and-fees","Dons, frais et ce qu’il faut refuser dans les temples du mont Wudang",{"to":1895,"label":1896},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Fcommon-mistakes","Les impairs courants dans les temples du mont Wudang",{"to":1898,"label":1899,"children":1900},"\u002Fwudang-mountain\u002Fpractical-reference","Mont Wudang : références pratiques",[1901,1904,1907,1910,1913],{"to":1902,"label":1903},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fnames-and-terms","Glossaire des noms et termes du mont Wudang",{"to":1905,"label":1906},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fidentifying-the-figures","Identifier les divinités dans les salles des temples de Wudang",{"to":1908,"label":1909},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fitineraries","Itinéraires au mont Wudang : d’une demi-journée à plusieurs jours",{"to":1911,"label":1912},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fsources-and-further-reading","Mont Wudang : sources et lectures complémentaires",{"to":1914,"label":1915},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fmap-and-route-guide","Carte et guide des itinéraires du mont Wudang",{"to":1917,"label":1918},"\u002Fwudang-mountain\u002Feveryday-wudang","Wudang au quotidien",[1920,1921,1922,1923,1924,1925,1926,1927,1928,1931,1934,1937],{"to":7,"label":8},{"to":625,"label":626},{"to":764,"label":765},{"to":878,"label":879},{"to":1270,"label":1271},{"to":1438,"label":1439},{"to":1672,"label":1673},{"to":1917,"label":1918},{"to":1929,"label":1930},"\u002Fabout","À propos de Wudang.Org",{"to":1932,"label":1933},"\u002Fstart-here","Découvrir Wudang : culture, pratiques et vie de la montagne",{"to":1935,"label":1936},"\u002Ffind-a-practice","Trouver une pratique",{"to":1938,"label":1939},"\u002Fteachers","Nos enseignants",{"data":1941},{"header":1942,"footer":3783},[1943,2494,2633,2741,3133,3301,3535,3780],{"to":7,"label":1944,"label_zh":1945,"children":1946},"TAO","道",[1947,1978,2132,2406,2430,2453,2485,2488,2491],{"to":11,"label":1948,"label_zh":1949,"children":1950},"Begin with the Tao","道学入门",[1951,1954,1957,1960,1963,1966,1969,1972,1975],{"to":15,"label":1952,"label_zh":1953},"What Is Taoism? A Map of Texts, Traditions and Practice","什么是道家与道教？经典、传统与实践地图",{"to":18,"label":1955,"label_zh":1956},"Tao: The Source of All Things","道生万物",{"to":21,"label":1958,"label_zh":1959},"Core Ideas: Wu Wei, Yin-Yang & Ziran","核心概念：无为、阴阳与自然",{"to":24,"label":1961,"label_zh":1962},"Philosophical and Religious Taoism: Distinct Paths, Shared Traditions","道家与道教：不同路径，共同传统",{"to":27,"label":1964,"label_zh":1965},"A Short History of Taoism","道家与道教简史",{"to":30,"label":1967,"label_zh":1968},"Key Texts at a Glance","主要经典一览",{"to":33,"label":1970,"label_zh":1971},"Taoism in Everyday Life","道家思想与日常生活",{"to":36,"label":1973,"label_zh":1974},"Understanding Taoism in Context","认识道家与道教的文化脉络",{"to":39,"label":1976,"label_zh":1977},"Where to Go Next","接下来读什么",{"to":42,"label":1979,"label_zh":1980,"children":1981},"I Ching","易经",[1982,1985,1988,2120,2123,2126,2129],{"to":46,"label":1983,"label_zh":1984},"Origins & History of the I Ching","《易经》是怎么来的",{"to":49,"label":1986,"label_zh":1987},"The Eight Trigrams 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Ching in Taoist Practice","《易经》与道家修行",{"to":257,"label":2130,"label_zh":2131},"Key Translations & Further Reading","读《易》该用什么本子，按什么顺序读",{"to":260,"label":2133,"label_zh":2134,"children":2135},"Tao Te Ching","道德经",[2136,2139,2142,2145,2148,2151,2154,2156,2403],{"to":264,"label":2137,"label_zh":2138},"Origins & Authorship of the Tao Te Ching","《老子》是谁写的，什么时候成书",{"to":267,"label":2140,"label_zh":2141},"Structure of the Text","八十一章是怎么分的，这本书为什么难读",{"to":270,"label":2143,"label_zh":2144},"Core Themes: Tao, Wu Wei & Naturalness","道、无为、自然：三个被用滥的词",{"to":273,"label":2146,"label_zh":2147},"Simplicity, Humility & the Uncarved Block","朴、素、水：为什么推崇未加工的状态",{"to":276,"label":2149,"label_zh":2150},"Governance & the Sage Ruler","治国：无为落到政治上是什么样，又怎么被用歪",{"to":279,"label":2152,"label_zh":2153},"The Tao Te Ching in Taoist Practice","一本哲学书怎么变成了道教经典",{"to":282,"label":2130,"label_zh":2155},"读《老子》该用什么本子，按什么顺序读",{"to":284,"label":2157,"label_zh":2158,"children":2159},"Complete Tao Te Ching","《道德经》全文",[2160,2163,2166,2169,2172,2175,2178,2181,2184,2187,2190,2193,2196,2199,2202,2205,2208,2211,2214,2217,2220,2223,2226,2229,2232,2235,2238,2241,2244,2247,2250,2253,2256,2259,2262,2265,2268,2271,2274,2277,2280,2283,2286,2289,2292,2295,2298,2301,2304,2307,2310,2313,2316,2319,2322,2325,2328,2331,2334,2337,2340,2343,2346,2349,2352,2355,2358,2361,2364,2367,2370,2373,2376,2379,2382,2385,2388,2391,2394,2397,2400],{"to":288,"label":2161,"label_zh":2162},"Chapter 1 — The Tao Beyond Names","第一章　道可道，非常道",{"to":291,"label":2164,"label_zh":2165},"Chapter 2 — Opposites Arise Together","第二章　有无相生",{"to":294,"label":2167,"label_zh":2168},"Chapter 3 — Quieting Rivalry","第三章　为无为，则无不治",{"to":297,"label":2170,"label_zh":2171},"Chapter 4 — The Empty Source","第四章　道冲而用之",{"to":300,"label":2173,"label_zh":2174},"Chapter 5 — The Bellows of Heaven and Earth","第五章　天地之间",{"to":303,"label":2176,"label_zh":2177},"Chapter 6 — The Valley Spirit","第六章　谷神不死",{"to":306,"label":2179,"label_zh":2180},"Chapter 7 — Lasting Beyond the Self","第七章　天长地久",{"to":309,"label":2182,"label_zh":2183},"Chapter 8 — The Goodness of Water","第八章　上善若水",{"to":312,"label":2185,"label_zh":2186},"Chapter 9 — Knowing When to Stop","第九章　功成身退",{"to":315,"label":2188,"label_zh":2189},"Chapter 10 — Holding the One","第十章　抱一与玄德",{"to":318,"label":2191,"label_zh":2192},"Chapter 11 — The Usefulness of Empty Space","第十一章　无之以为用",{"to":321,"label":2194,"label_zh":2195},"Chapter 12 — Guarding the Senses","第十二章　为腹不为目",{"to":324,"label":2197,"label_zh":2198},"Chapter 13 — Honour, Disgrace, and the Self","第十三章　宠辱若惊",{"to":327,"label":2200,"label_zh":2201},"Chapter 14 — The Formless Form","第十四章　无状之状",{"to":330,"label":2203,"label_zh":2204},"Chapter 15 — The Ancient Masters","第十五章　古之善为士者",{"to":333,"label":2206,"label_zh":2207},"Chapter 16 — Returning to the Root","第十六章　归根曰静",{"to":336,"label":2209,"label_zh":2210},"Chapter 17 — Leadership That Leaves No Burden","第十七章　百姓皆谓我自然",{"to":339,"label":2212,"label_zh":2213},"Chapter 18 — When the Great Tao Is Lost","第十八章　大道废，有仁义",{"to":342,"label":2215,"label_zh":2216},"Chapter 19 — Returning to Simplicity","第十九章　见素抱朴",{"to":345,"label":2218,"label_zh":2219},"Chapter 20 — Different from the Crowd","第二十章　我独异于人",{"to":348,"label":2221,"label_zh":2222},"Chapter 21 — Following the Tao","第二十一章　孔德之容",{"to":351,"label":2224,"label_zh":2225},"Chapter 22 — Bending Without Breaking","第二十二章　曲则全",{"to":354,"label":2227,"label_zh":2228},"Chapter 23 — Few Words, Natural Action","第二十三章　希言自然",{"to":357,"label":2230,"label_zh":2231},"Chapter 24 — Standing Without Straining","第二十四章　企者不立",{"to":360,"label":2233,"label_zh":2234},"Chapter 25 — The Way of Nature","第二十五章　道法自然",{"to":363,"label":2236,"label_zh":2237},"Chapter 26 — Rooted in Stillness","第二十六章　重为轻根",{"to":366,"label":2239,"label_zh":2240},"Chapter 27 — Leaving No One Behind","第二十七章　无弃人，无弃物",{"to":369,"label":2242,"label_zh":2243},"Chapter 28 — Returning to the Uncarved Block","第二十八章　复归于朴",{"to":372,"label":2245,"label_zh":2246},"Chapter 29 — The World Is Not an Object","第二十九章　天下神器不可为",{"to":375,"label":2248,"label_zh":2249},"Chapter 30 — Power Without Domination","第三十章　果而勿强",{"to":378,"label":2251,"label_zh":2252},"Chapter 31 — Victory Without Celebration","第三十一章　胜而不美",{"to":381,"label":2254,"label_zh":2255},"Chapter 32 — The Nameless Simplicity","第三十二章　知止不殆",{"to":384,"label":2257,"label_zh":2258},"Chapter 33 — Knowing Yourself","第三十三章　自知者明",{"to":387,"label":2260,"label_zh":2261},"Chapter 34 — Great Without Possessing","第三十四章　终不自为大",{"to":390,"label":2263,"label_zh":2264},"Chapter 35 — The Great Image","第三十五章　执大象",{"to":393,"label":2266,"label_zh":2267},"Chapter 36 — Subtle Understanding","第三十六章　柔弱胜刚强",{"to":396,"label":2269,"label_zh":2270},"Chapter 37 — Acting Without Forcing","第三十七章　无为而无不为",{"to":399,"label":2272,"label_zh":2273},"Chapter 38 — The Descent from Tao to Ritual","第三十八章　上德不德",{"to":402,"label":2275,"label_zh":2276},"Chapter 39 — Rooted in the One","第三十九章　得一",{"to":405,"label":2278,"label_zh":2279},"Chapter 40 — Returning and Yielding","第四十章　反者道之动",{"to":408,"label":2281,"label_zh":2282},"Chapter 41 — The Tao That Appears Contrary","第四十一章　道隐无名",{"to":411,"label":2284,"label_zh":2285},"Chapter 42 — Yin, Yang, and Harmony","第四十二章　负阴抱阳",{"to":414,"label":2287,"label_zh":2288},"Chapter 43 — The Softest Overcomes the Hardest","第四十三章　至柔驰骋至坚",{"to":417,"label":2290,"label_zh":2291},"Chapter 44 — Life Before Reputation","第四十四章　知足不辱",{"to":420,"label":2293,"label_zh":2294},"Chapter 45 — Great Completion Seems Incomplete","第四十五章　清静为天下正",{"to":423,"label":2296,"label_zh":2297},"Chapter 46 — The Sufficiency of Contentment","第四十六章　知足之足",{"to":426,"label":2299,"label_zh":2300},"Chapter 47 — Knowing Without Travelling Far","第四十七章　不出户知天下",{"to":429,"label":2302,"label_zh":2303},"Chapter 48 — Learning by Letting Go","第四十八章　为道日损",{"to":432,"label":2305,"label_zh":2306},"Chapter 49 — A Heart Open to the People","第四十九章　以百姓心为心",{"to":435,"label":2308,"label_zh":2309},"Chapter 50 — Living Without Clinging to Life","第五十章　善摄生者",{"to":438,"label":2311,"label_zh":2312},"Chapter 51 — Profound Virtue Nourishes","第五十一章　道生德畜",{"to":441,"label":2314,"label_zh":2315},"Chapter 52 — Returning to the Mother","第五十二章　见小曰明",{"to":444,"label":2317,"label_zh":2318},"Chapter 53 — The Great Way and the Side Paths","第五十三章　大道甚夷",{"to":447,"label":2320,"label_zh":2321},"Chapter 54 — Cultivation from Self to World","第五十四章　修之于身",{"to":450,"label":2323,"label_zh":2324},"Chapter 55 — The Vitality of the Infant","第五十五章　含德之厚",{"to":453,"label":2326,"label_zh":2327},"Chapter 56 — Mysterious Unity","第五十六章　玄同",{"to":456,"label":2329,"label_zh":2330},"Chapter 57 — Governing with Fewer Interferences","第五十七章　我无为而民自化",{"to":459,"label":2332,"label_zh":2333},"Chapter 58 — Fortune Rests on Misfortune","第五十八章　祸福相倚",{"to":462,"label":2335,"label_zh":2336},"Chapter 59 — Deep Roots and Conservation","第五十九章　深根固柢",{"to":465,"label":2338,"label_zh":2339},"Chapter 60 — Governing Like Cooking a Small Fish","第六十章　治大国若烹小鲜",{"to":468,"label":2341,"label_zh":2342},"Chapter 61 — The Great State Takes the Lower Place","第六十一章　大者宜为下",{"to":471,"label":2344,"label_zh":2345},"Chapter 62 — The Refuge of All Things","第六十二章　道者万物之奥",{"to":474,"label":2347,"label_zh":2348},"Chapter 63 — Begin with What Is Small","第六十三章　天下大事作于细",{"to":477,"label":2350,"label_zh":2351},"Chapter 64 — Careful at the End as at the Beginning","第六十四章　慎终如始",{"to":480,"label":2353,"label_zh":2354},"Chapter 65 — Beyond Manipulative Cleverness","第六十五章　玄德深远",{"to":483,"label":2356,"label_zh":2357},"Chapter 66 — Leading from Below","第六十六章　善下为王",{"to":486,"label":2359,"label_zh":2360},"Chapter 67 — The Three Treasures","第六十七章　三宝",{"to":489,"label":2362,"label_zh":2363},"Chapter 68 — The Virtue of Non-Contention","第六十八章　不争之德",{"to":492,"label":2365,"label_zh":2366},"Chapter 69 — Never Take the Enemy Lightly","第六十九章　哀者胜矣",{"to":495,"label":2368,"label_zh":2369},"Chapter 70 — Plain Clothes, Jade Within","第七十章　被褐怀玉",{"to":498,"label":2371,"label_zh":2372},"Chapter 71 — Knowing That You Do Not Know","第七十一章　知不知上",{"to":501,"label":2374,"label_zh":2375},"Chapter 72 — Authority Without Oppression","第七十二章　自知不自见",{"to":504,"label":2377,"label_zh":2378},"Chapter 73 — The Courage Not to Force","第七十三章　天网恢恢",{"to":507,"label":2380,"label_zh":2381},"Chapter 74 — Do Not Take the Executioner’s Place","第七十四章　代大匠斲",{"to":510,"label":2383,"label_zh":2384},"Chapter 75 — When Rulers Consume Too Much","第七十五章　民之饥",{"to":513,"label":2386,"label_zh":2387},"Chapter 76 — The Living Are Soft","第七十六章　柔弱处上",{"to":516,"label":2389,"label_zh":2390},"Chapter 77 — The Way of Heaven Is Like a Bow","第七十七章　损有余补不足",{"to":519,"label":2392,"label_zh":2393},"Chapter 78 — Nothing Is Softer Than Water","第七十八章　柔之胜刚",{"to":522,"label":2395,"label_zh":2396},"Chapter 79 — After a Great Resentment","第七十九章　和大怨",{"to":525,"label":2398,"label_zh":2399},"Chapter 80 — A Small and Contented Community","第八十章　小国寡民",{"to":528,"label":2401,"label_zh":2402},"Chapter 81 — The Way That Benefits Without Harm","第八十一章　为而不争",{"to":531,"label":2404,"label_zh":2405},"How Commentaries Change the Dao De Jing: Heshang Gong, Wang Bi and Xiang’er","注本如何改变《道德经》的读法：河上公、王弼与《想尔注》",{"to":534,"label":535,"label_zh":2407,"children":2408},"太极",[2409,2412,2415,2418,2421,2424,2427],{"to":538,"label":2410,"label_zh":2411},"Origins & Meaning of Taiji","“太极”这个词从哪来，本来什么意思",{"to":541,"label":2413,"label_zh":2414},"The Taiji Diagram (Taijitu)","太极图：阴阳互动与变化的象征",{"to":544,"label":2416,"label_zh":2417},"Taiji, Wuji & Cosmology","从无极到万物：这套生成图式是怎么拼起来的",{"to":547,"label":2419,"label_zh":2420},"Yin and Yang within Taiji","怎么判断一样东西是阴还是阳",{"to":550,"label":2422,"label_zh":2423},"Taiji in Neo-Confucian & Taoist Thought","同一个“太极”，理学与道教各取所需",{"to":553,"label":2425,"label_zh":2426},"Taiji and Internal Martial Practice","太极拳为什么叫太极：从哲理到动作",{"to":556,"label":2428,"label_zh":2429},"Key Sources & Further Reading","想深入的话，读什么",{"to":559,"label":560,"label_zh":2431,"children":2432},"庄子",[2433,2436,2439,2442,2445,2448,2451],{"to":563,"label":2434,"label_zh":2435},"Life & Historical Context of Zhuangzi","庄子这个人：一个漆园小吏和他的时代",{"to":566,"label":2437,"label_zh":2438},"Structure & Authorship of the Text","三十三篇，至少三批人写的",{"to":569,"label":2440,"label_zh":2441},"Core Themes: Wandering, Wu Wei & Spontaneity","逍遥、无待、技进乎道",{"to":572,"label":2443,"label_zh":2444},"The Equality of Things & the Relativity of Perspectives","齐物不是“都一样，无所谓”",{"to":575,"label":2446,"label_zh":2447},"Famous Parables of the Zhuangzi","那些人人知道的寓言，和总被略掉的下一句",{"to":578,"label":2449,"label_zh":2450},"Zhuangzi in Taoist Practice & Later Influence","从魏晋玄学到禅宗与诗画，庄子影响了什么",{"to":581,"label":2130,"label_zh":2452},"读《庄子》该用什么本子",{"to":584,"label":2454,"label_zh":2455,"children":2456},"Classical Library","道家经典文库",[2457],{"to":588,"label":2458,"label_zh":2459,"children":2460},"Liezi","列子：八篇总览与现代解读",[2461,2464,2467,2470,2473,2476,2479,2482],{"to":592,"label":2462,"label_zh":2463},"Chapter One: Tian Rui 天瑞","第一篇：天瑞",{"to":595,"label":2465,"label_zh":2466},"Chapter Two: Huang Di 黄帝","第二篇：黄帝",{"to":598,"label":2468,"label_zh":2469},"Chapter Three: Zhou Mu Wang 周穆王","第三篇：周穆王",{"to":601,"label":2471,"label_zh":2472},"Chapter Four: Zhong Ni 仲尼","第四篇：仲尼",{"to":604,"label":2474,"label_zh":2475},"Chapter Five: Tang Wen 汤问","第五篇：汤问",{"to":607,"label":2477,"label_zh":2478},"Chapter Six: Li Ming 力命","第六篇：力命",{"to":610,"label":2480,"label_zh":2481},"Chapter Seven: Yang Zhu 杨朱","第七篇：杨朱",{"to":613,"label":2483,"label_zh":2484},"Chapter Eight: Shuo Fu 说符","第八篇：说符",{"to":616,"label":2486,"label_zh":2487},"Taoist Philosophy","道家哲学",{"to":619,"label":2489,"label_zh":2490},"Wu Wei & Natural Living","无为与自然生活",{"to":622,"label":2492,"label_zh":2493},"A Taoist View of Life","道家人生观",{"to":625,"label":2495,"label_zh":2496,"children":2497},"Martial Arts","武当武术",[2498,2520,2545,2564,2583,2608],{"to":629,"label":2499,"label_zh":2500,"children":2501},"Foundations of Internal Martial Arts","内家拳基础",[2502,2505,2508,2511,2514,2517],{"to":633,"label":2503,"label_zh":2504},"Internal vs. External: Neijia and Waijia","内家与外家",{"to":636,"label":2506,"label_zh":2507},"Zhang Sanfeng: Ming-Dynasty Daoist, Wudang Tradition and Martial Legacy","张三丰：明代道士、武当传统与武术传承",{"to":639,"label":2509,"label_zh":2510},"The Three Treasures: Jing, Qi and Shen","精、气、神：内丹词汇与武术训练",{"to":642,"label":2512,"label_zh":2513},"Song, Rooting and Whole-Body Power","松、沉、整劲：核心功夫与检验方法",{"to":645,"label":2515,"label_zh":2516},"Martial Arts as Taoist Cultivation","以武入道：武术与道家修养的关系",{"to":648,"label":2518,"label_zh":2519},"Key Sources and Further Reading","读什么，用什么本子，按什么顺序",{"to":651,"label":2521,"label_zh":2522,"children":2523},"Taijiquan (Tai Chi)","太极拳",[2524,2527,2530,2533,2536,2539,2542],{"to":655,"label":2525,"label_zh":2526},"Origins and History of Taijiquan","太极拳从哪来：传说、拳谱与考据",{"to":658,"label":2528,"label_zh":2529},"Taijiquan Family Styles: Chen, Yang, Wu, Wu (Hao) and Sun","太极拳五大家：陈式、杨式、吴式、武（郝）式与孙式",{"to":661,"label":2531,"label_zh":2532},"Wudang Taijiquan: History, Revival and Living Practice","武当太极拳：历史、复兴与当代实践",{"to":664,"label":2534,"label_zh":2535},"Core Principles and the Taiji Classics","太极拳经典与核心原则",{"to":667,"label":2537,"label_zh":2538},"Taijiquan Push Hands (Tui Shou): Partner Drills, Skills and Safety","太极拳推手：双人练习、训练目标与安全规则",{"to":670,"label":2540,"label_zh":2541},"Health and Martial Practice in Taijiquan","太极拳养生与技击：证据、目标与训练方法",{"to":673,"label":2543,"label_zh":2544},"Taijiquan Sources and Reading Paths","太极拳资料与阅读路径",{"to":676,"label":2546,"label_zh":2547,"children":2548},"Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、换掌与身法变化",[2549,2552,2555,2558,2561],{"to":680,"label":2550,"label_zh":2551},"Origins and History of Baguazhang: Dong Haichuan and the Record","八卦掌源流：董海川、碑铭与早期资料",{"to":683,"label":2553,"label_zh":2554},"Circle Walking and Palm Changes in Baguazhang","八卦掌走圈与换掌：变量、转向与练习进阶",{"to":686,"label":2556,"label_zh":2557},"Baguazhang and the Yijing: History, Diagrams and Practice","八卦掌与《易》：历史、卦图与练法解释",{"to":689,"label":2559,"label_zh":2560},"Baguazhang Principles: Turning, Angling and Continuous Change","八卦掌法则：转身、走斜与连续变化",{"to":692,"label":2562,"label_zh":2563},"Baguazhang Sources and Reading Paths","八卦掌资料与阅读路径",{"to":695,"label":2565,"label_zh":2566,"children":2567},"Xingyiquan: Structure, Intention and Direct Training","形意拳：结构、意念与直接训练",[2568,2571,2574,2577,2580],{"to":699,"label":2569,"label_zh":2570},"Origins and History of Xingyiquan","形意拳的起源与历史",{"to":702,"label":2572,"label_zh":2573},"The Five Fists of Xingyiquan","形意拳五行拳：劈、崩、钻、炮、横",{"to":705,"label":2575,"label_zh":2576},"Xingyiquan’s Twelve Animal Forms","形意拳十二形：动物意象与训练方法",{"to":708,"label":2578,"label_zh":2579},"Xingyiquan Principles: Six Harmonies, Intention and Power","形意拳原理：六合、意与劲力训练",{"to":711,"label":2581,"label_zh":2582},"Xingyiquan Sources and Reading Paths","形意拳资料与阅读路径：拳谱、版本与证据",{"to":714,"label":2584,"label_zh":2585,"children":2586},"Wudang Sword and Weapons: History, Practice and Context","武当剑与兵器：历史、练习与文化语境",[2587,2590,2593,2596,2599,2602,2605],{"to":718,"label":2588,"label_zh":2589},"Wudang Straight Sword: The 1931 Curriculum and Its Context","武当剑：1931年课程、十三势与史料边界",{"to":721,"label":2591,"label_zh":2592},"The Sabre, Staff and Spear: A Guide to Chinese Weapons","刀、棍、枪：认识传统兵器与练习方式",{"to":724,"label":2594,"label_zh":2595},"Whisk, Fan and Other Wudang Implements: Objects and Practice","拂尘、扇与其他武当器械：器物、文化与练习",{"to":727,"label":2597,"label_zh":2598},"The Weapon and the Body: Coordination, Perception and Practice","器械与身体：协调、知觉与练习",{"to":730,"label":2600,"label_zh":2601},"Weapons Sources and Reading Paths: How to Compare the Evidence","武当兵器资料与阅读路径：怎样比较不同证据",{"to":733,"label":2603,"label_zh":2604},"How to Read a Chinese Jian: Blade, Hilt, Scabbard and Context","怎样读懂中国剑：剑身、剑柄、剑鞘与时代语境",{"to":736,"label":2606,"label_zh":2607},"How to Read a Chinese Dao: Edge, Curve, Mountings and Context","怎样读懂中国刀：刃口、弧度、装具与时代语境",{"to":739,"label":2609,"label_zh":2610,"children":2611},"Training and Practice: Building a Sustainable Wudang Routine","训练与习练：建立可持续的武当练习",[2612,2615,2618,2621,2624,2627,2630],{"to":743,"label":2613,"label_zh":2614},"Jibengong and Stance Training: Building Foundations Safely","基本功与桩功：安全建立训练基础",{"to":746,"label":2616,"label_zh":2617},"Forms, Drills and Applications: Connecting Solo and Partner Practice","套路、操手与应用：连接单练与对练",{"to":749,"label":2619,"label_zh":2620},"Neigong: Internal Training, Breath and Attention","内功：内在训练、呼吸与专注",{"to":752,"label":2622,"label_zh":2623},"Wude: Martial Ethics, Lineage and Responsible Teaching","武德：武术伦理、传承与负责任的教学",{"to":755,"label":2625,"label_zh":2626},"Training at Wudang: How to Choose a School or Retreat","在武当习武：如何选择武馆或研修项目",{"to":758,"label":2628,"label_zh":2629},"Training Sources and Reading Paths: From Manuals to Practice","训练资料与阅读路径：从拳谱到实练",{"to":761,"label":2631,"label_zh":2632},"How to Begin Wudang Practice: A Beginner Pathway","如何开始武当修习：初学者路径",{"to":764,"label":2634,"label_zh":2635,"children":2636},"Wellness","养生",[2637,2662,2684,2704,2724,2727,2730,2732,2734],{"to":768,"label":2638,"label_zh":2639,"children":2640},"Qigong","气功",[2641,2644,2647,2650,2653,2656,2659],{"to":772,"label":2642,"label_zh":2643},"Origins & History of Qigong","气功的源流与历史",{"to":775,"label":2645,"label_zh":2646},"The Three Regulations","三调",{"to":778,"label":2648,"label_zh":2649},"Famous Forms & Families of Qigong","气功的著名功法与家族",{"to":781,"label":2651,"label_zh":2652},"What a Qigong Session Involves","一堂气功练习包含些什么",{"to":784,"label":2654,"label_zh":2655},"Health Benefits & the Evidence","养生功效与证据",{"to":787,"label":2657,"label_zh":2658},"Getting Started & Further Reading","如何入门与延伸阅读",{"to":790,"label":2660,"label_zh":2661},"The Mawangdui Daoyin Tu: Reading an Early Chinese Exercise Chart","马王堆《导引图》：怎样读懂一幅早期中国导引图像",{"to":793,"label":2663,"label_zh":2664,"children":2665},"Chinese Herbal Medicine","中药与本草",[2666,2669,2672,2675,2678,2681],{"to":797,"label":2667,"label_zh":2668},"Origins & Traditions of Chinese Herbal Medicine","中药的源流与传统",{"to":800,"label":2670,"label_zh":2671},"How Herbs Are Understood","药草是如何被理解的",{"to":803,"label":2673,"label_zh":2674},"Herbs of the Wudang Tradition","武当传统中的药草",{"to":806,"label":2676,"label_zh":2677},"Formulas & Preparation","方剂与配制",{"to":809,"label":2679,"label_zh":2680},"Safety & Responsible Use","安全与负责任的使用",{"to":812,"label":2682,"label_zh":2683},"Further Reading & Everyday Practice","延伸阅读与日常实践",{"to":815,"label":2685,"label_zh":2686,"children":2687},"Taoist Medicine","道家医学",[2688,2691,2694,2697,2700,2703],{"to":819,"label":2689,"label_zh":2690},"The Taoist View of the Body","道家对身体的看法",{"to":822,"label":2692,"label_zh":2693},"The Three Treasures","三宝",{"to":825,"label":2695,"label_zh":2696},"Practices for Nourishing Life","养生的功夫",{"to":828,"label":2698,"label_zh":2699},"Preventing Illness & the Seasons","防病与顺应四时",{"to":831,"label":2701,"label_zh":2702},"How Taoist and Modern Medicine Relate","道家医学与现代医学如何相互参照",{"to":834,"label":2682,"label_zh":2683},{"to":837,"label":2705,"label_zh":2706,"children":2707},"Sound & Energy Practices","声音与能量练习",[2708,2711,2714,2717,2720,2723],{"to":841,"label":2709,"label_zh":2710},"The Taoist Sound Tradition","道家的音声传统",{"to":844,"label":2712,"label_zh":2713},"Sound Baths & Instruments","颂钵音疗与乐器",{"to":847,"label":2715,"label_zh":2716},"Forms of Energy Work","能量之功的种种形式",{"to":850,"label":2718,"label_zh":2719},"A Session: What to Expect","一次课程：会经历什么",{"to":853,"label":2721,"label_zh":2722},"How It Works & the Evidence","它如何起作用与证据",{"to":856,"label":2657,"label_zh":2658},{"to":859,"label":2725,"label_zh":2726},"Standing Practice","站桩",{"to":862,"label":2728,"label_zh":2729},"Wudang Internal Cultivation","武当内修",{"to":865,"label":866,"label_zh":2731},"艾灸",{"to":868,"label":869,"label_zh":2733},"辟谷",{"to":871,"label":2735,"label_zh":2736,"children":2737},"Baduanjin (Eight Brocades)","八段锦",[2738],{"to":875,"label":2739,"label_zh":2740},"The Eight Sections of Baduanjin","八段锦八式详解",{"to":878,"label":2742,"label_zh":2743,"children":2744},"Literati Arts","文人雅艺",[2745,2812,2867,2988,3028,3077,3108],{"to":882,"label":2746,"label_zh":2747,"children":2748},"Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中国诗词与文学：体式、语境与阅读路径",[2749,2752,2755,2758,2761,2764,2767,2770,2773,2776,2779,2782,2785,2788,2791,2794,2797,2800,2803,2806,2809],{"to":886,"label":2750,"label_zh":2751},"Origins of Chinese Poetry: Song, Text and Interpretation","中国诗歌的源流：歌唱、文本与阐释",{"to":889,"label":2753,"label_zh":2754},"The Book of Songs: Voices, Performance and Interpretation","《诗经》：声音、礼乐与阐释",{"to":892,"label":2756,"label_zh":2757},"Tang Poetry: Forms, Voices and a Lasting Canon","唐诗：体式、声音与经典的形成",{"to":895,"label":2759,"label_zh":2760},"Daoist Traditions and Landscape Poetry: Place, Reclusion and Interpretation","道家、道教与山水诗：地方、隐逸与解读",{"to":898,"label":2762,"label_zh":2763},"Poetry as Cultivation at Wudang: Reading, Attention and Writing","武当诗文与自我涵养：阅读、观察与写作",{"to":901,"label":2765,"label_zh":2766},"Chinese Poetry: Poets, Editions and Reading Paths","中国诗词阅读：诗人、版本与入门路径",{"to":904,"label":2768,"label_zh":2769},"How to Read Chinese Regulated Verse: Lines, Rhyme, Tone and Parallelism","怎样读中国近体诗：句式、押韵、平仄与对仗",{"to":907,"label":2771,"label_zh":2772},"How to Read Chinese Ci Lyrics: Tune Patterns, Voice and Transmission","怎样读中国词：词牌、声音与文本流传",{"to":910,"label":2774,"label_zh":2775},"How Chinese Poetry Anthologies Shape What We Read","中国诗歌选本怎样塑造我们的阅读",{"to":913,"label":2777,"label_zh":2778},"Chinese Thread-Bound Books: Folding, Stitching and the Shape of Reading","中国线装书：折页、装订与阅读形态",{"to":916,"label":2780,"label_zh":2781},"How to Read Chinese Paired Couplets: Parallel Lines, Calligraphy and Place","怎样读中国对联：对仗、书法与空间",{"to":919,"label":2783,"label_zh":2784},"Poetry on Chinese Paintings: How to Read Inscriptions and Colophons","中国画上的诗：怎样读题款与题跋",{"to":922,"label":2786,"label_zh":2787},"Chinese Fu (Rhapsody): Catalogues, Courts and Expansive Description","中国赋：铺陈、宫廷与展开描写的艺术",{"to":925,"label":2789,"label_zh":2790},"Wenxin Diaolong: How Liu Xie Thought About Writing and Reading","《文心雕龙》导读：刘勰怎样思考写作与阅读",{"to":928,"label":2792,"label_zh":2793},"Shihua (Poetry Talks): How Chinese Criticism Speaks in Notes and Anecdotes","中国诗话导读：批评怎样写进笔记、轶事与评语",{"to":931,"label":2795,"label_zh":2796},"Chinese Prefaces and Afterwords (Xu and Ba): How Books Frame Texts and Readers","中国序跋导读：书籍怎样安排文本、作者与读者",{"to":934,"label":2798,"label_zh":2799},"Chinese Biji (Brush Notes): How Fragments Become Knowledge and Literature","中国笔记导读：零散见闻怎样成为知识与文学",{"to":937,"label":2801,"label_zh":2802},"Chinese Leishu (Classified Books): How Knowledge Was Excerpted and Ordered","中国类书导读：知识怎样被摘录与分类",{"to":940,"label":2804,"label_zh":2805},"Chinese Dictionaries and Rhyme Books: How Characters, Meanings and Sounds Were Ordered","中国字书与韵书导读：字形、词义与语音怎样被编排",{"to":943,"label":2807,"label_zh":2808},"Chinese Primers and Elementary Literacy: Reading the Three, Hundred and Thousand","中国传统蒙学读物导读：《三字经》《百家姓》《千字文》怎样教人识字",{"to":946,"label":2810,"label_zh":2811},"How Chinese Texts Were Punctuated: Reading Marks, Sentence Division and Modern Editions","中国古籍怎样断句：句读、圈点与现代标点",{"to":949,"label":2813,"label_zh":2814,"children":2815},"Chinese Calligraphy: Scripts, Materials and Ways of Looking","中国书法：书体、材料与观赏入门",[2816,2819,2822,2825,2828,2831,2834,2837,2840,2843,2846,2849,2852,2855,2858,2861,2864],{"to":953,"label":2817,"label_zh":2818},"Origins and History of Chinese Calligraphy","中国书法的源流与历史",{"to":956,"label":2820,"label_zh":2821},"The Five Script Styles in Chinese Calligraphy","中国书法的五种主要书体",{"to":959,"label":2823,"label_zh":2824},"Calligraphy and Taoist Cultivation: Text, Attention and Practice","书法与道家修养：读懂文字，专注落笔",{"to":962,"label":2826,"label_zh":2827},"The Four Treasures of the Study: Choosing and Using Calligraphy Materials","文房四宝：认识、选择与使用笔墨纸砚",{"to":965,"label":2829,"label_zh":2830},"Chinese Calligraphy Brushwork: Reading and Practising the Living Line","书法笔法：观察与练习有生气的线条",{"to":968,"label":2832,"label_zh":2833},"Chinese Calligraphy Masters and Reading Paths","中国书法名家与阅读路径",{"to":971,"label":2835,"label_zh":2836},"Chinese Seals and Seal Carving: Script, Surface and Impression","中国印章与篆刻：文字、印面与钤印",{"to":974,"label":2838,"label_zh":2839},"Chinese Ink Rubbings: Stone, Paper and the Life of Calligraphy","中国传拓：石刻、纸墨与书法的流传",{"to":977,"label":2841,"label_zh":2842},"Chinese Inkstones: Stone, Carving and the Scholar’s Desk","中国砚台：石材、雕刻与文房生活",{"to":980,"label":2844,"label_zh":2845},"Chinese Inksticks: Soot, Moulds and the Scholar’s Desk","中国墨锭：烟料、墨模与文房生活",{"to":983,"label":2847,"label_zh":2848},"Chinese Calligraphy Paper: Xuan, Sizing and the Life of a Sheet","中国书画纸：宣纸、施胶与纸张的一生",{"to":986,"label":2850,"label_zh":2851},"Chinese Calligraphy Brushes: Hair, Handle and the Working Point","中国毛笔：毫料、笔管与笔锋",{"to":989,"label":2853,"label_zh":2854},"Chinese Brush Rests: Mountains, Materials and the Scholar’s Desk","中国笔架：山形、材质与文人书案",{"to":992,"label":2856,"label_zh":2857},"Chinese Water Droppers: Flow, Form and the Scholar’s Desk","中国水滴：控水、造型与文人书案",{"to":995,"label":2859,"label_zh":2860},"Chinese Brush Pots: Function, Material and the Scholar’s Desk","中国笔筒：收纳、材质与文人书案",{"to":998,"label":2862,"label_zh":2863},"Chinese Brush Washers: Water, Form and the Scholar’s Desk","中国笔洗：洗笔、造型与文人书案",{"to":1001,"label":2865,"label_zh":2866},"Chinese Paperweights: Form, Material and the Scholar’s Desk","中国镇纸：形制、材质与文人书案",{"to":1004,"label":2868,"label_zh":2869,"children":2870},"Chinese Tea Culture","中国茶文化",[2871,2874,2877,2880,2883,2886,2889,2892,2895,2898,2901,2904,2907,2910,2913,2916,2919,2922,2925,2928,2931,2934,2937,2940,2943,2946,2949,2952,2955,2958,2961,2964,2967,2970,2973,2976,2979,2982,2985],{"to":1008,"label":2872,"label_zh":2873},"Tea, Meditation and Taoist Practice","茶、静坐与道家修习",{"to":1011,"label":2875,"label_zh":2876},"Origins and History of Chinese Tea Culture","中国茶文化的源流与历史",{"to":1014,"label":2878,"label_zh":2879},"The Way of Tea: Attention, Care and Hospitality","茶道：在一杯茶中练习用心与待客",{"to":1017,"label":2881,"label_zh":2882},"Six Chinese Tea Families: Processing and Taste","六大茶类：从制法到品饮",{"to":1020,"label":2884,"label_zh":2885},"Gongfu Tea: Utensils and a Flexible Method","工夫茶：茶具与灵活冲泡法",{"to":1023,"label":2887,"label_zh":2888},"Learning Chinese Tea: Reading and Practice","学茶入门：阅读与品饮练习",{"to":1026,"label":2890,"label_zh":2891},"Water for Chinese Tea: Springs, Minerals and a Practical Tasting Method","中国茶用水：山泉、矿物与实用对比方法",{"to":1029,"label":2893,"label_zh":2894},"Chinese Tea Ware: Clay, Porcelain, Glaze and the Uses of Form","中国茶器：胎土、瓷釉、造型与使用",{"to":1032,"label":2896,"label_zh":2897},"Chinese Tea Caddies: Storage, Materials and the Traveling Leaf","中国茶叶罐：贮藏、材质与流动的茶叶",{"to":1035,"label":2899,"label_zh":2900},"Whisked Tea in Song China: Powder, Bowls and Foam","宋代点茶：茶末、茶盏与汤花",{"to":1038,"label":2902,"label_zh":2903},"Yixing Teapots: Clay, Form and Reading the Maker’s Mark","宜兴紫砂壶：泥料、器形与款识",{"to":1041,"label":2905,"label_zh":2906},"Compressed Tea in China: Cakes, Bricks and How to Read Them","中国紧压茶：茶饼、茶砖与辨读方法",{"to":1044,"label":2908,"label_zh":2909},"Tea–Horse Trade Networks: Routes, Markets and Cultural Exchange","茶马贸易网络：路线、市场与文化交流",{"to":1047,"label":2911,"label_zh":2912},"Tea Landscapes in China: Gardens, Forests, Terraces and Living Knowledge","中国茶景观：茶园、古茶林、梯田与活态知识",{"to":1050,"label":2914,"label_zh":2915},"Picking Tea in China: Seasons, Bud-and-Leaf Standards and Skilled Labour","中国采茶：季节、芽叶标准与劳作技艺",{"to":1053,"label":2917,"label_zh":2918},"Withering Tea Leaves: Water Loss, Time and the First Transformation","茶叶萎凋：失水、时间与采后初变",{"to":1056,"label":2920,"label_zh":2921},"Fixing Tea Leaves (Shaqing): Heat, Enzymes and a Turning Point in Chinese Tea","茶叶杀青：热、酶活性与中国制茶的转折点",{"to":1059,"label":2923,"label_zh":2924},"Rolling Tea Leaves (Rounian): Pressure, Shape and Controlled Cell Disruption","茶叶揉捻：压力、形态与受控细胞破损",{"to":1062,"label":2926,"label_zh":2927},"Drying Tea Leaves: Moisture, Heat and the Stability of Finished Tea","茶叶干燥：水分、热量与成茶稳定",{"to":1065,"label":2929,"label_zh":2930},"Sorting and Grading Tea: Leaf Size, Shape and What a Grade Really Means","茶叶筛分与分级：叶片大小、形态与等级的真正含义",{"to":1068,"label":2932,"label_zh":2933},"Tea Blending and Batch Construction: Consistency, Style and Transparent Labels","茶叶拼配与批次构建：稳定、风格与透明标示",{"to":1071,"label":2935,"label_zh":2936},"Oxidation and Post-Fermentation in Tea: Enzymes, Microbes and Misleading Labels","茶叶氧化与后发酵：酶、微生物与容易混淆的标签",{"to":1074,"label":2938,"label_zh":2939},"Yellow Tea and Menhuang: Moist Heat, Time and the Making of a Tea Family","黄茶与闷黄：湿热、时间与一类茶的形成",{"to":1077,"label":2941,"label_zh":2942},"Re-Firing and Roasting Tea: Later Heat, Aroma and the Difference from Drying","茶叶复火与焙火：后段加热、香气及其与干燥的区别",{"to":1080,"label":2944,"label_zh":2945},"Jasmine Tea and Scenting: Flowers, Repeated Rounds and How Aroma Enters Tea","茉莉花茶与窨制：鲜花、多次窨香与茶叶如何吸收香气",{"to":1083,"label":2947,"label_zh":2948},"Tea Sensory Evaluation: Appearance, Aroma, Taste and the Limits of a Score","茶叶感官审评：外形、香气、滋味与分数的边界",{"to":1086,"label":2950,"label_zh":2951},"Doucha: Tea Contests in Song China and the Limits of Modern Re-Creation","斗茶：宋代茶事竞赛与现代重现的边界",{"to":1089,"label":2953,"label_zh":2954},"Beiyuan Tribute Tea: Song Court Taste, Skilled Labour and the Limits of ‘Imperial Tea’","北苑贡茶：宋代宫廷品味、制茶劳作与“御茶”标签的边界",{"to":1092,"label":2956,"label_zh":2957},"Reading Chinese Tea Classics: Authorship, Editions and the Limits of a ‘Recipe’","如何阅读中国茶书：作者、版本与“配方”式解读的边界",{"to":1095,"label":2959,"label_zh":2960},"Tea in Chinese Poetry: Social Worlds, Metaphor and the Limits of Literary Evidence","中国诗歌中的茶：社会交往、诗意表达与文学证据的边界",{"to":1098,"label":2962,"label_zh":2963},"Chinese Teahouses: Commerce, Conversation, Performance and Changing Urban Publics","中国茶馆：商业、交往、表演与变动中的城市公共生活",{"to":1101,"label":2965,"label_zh":2966},"Tea in Chinese Painting: Objects, Social Worlds and the Limits of Visual Evidence","中国绘画中的茶：器物、社会空间与视觉证据的边界",{"to":1104,"label":2968,"label_zh":2969},"Tea in Dream of the Red Chamber: Hospitality, Rank, Labour and Fiction","《红楼梦》中的茶：待客、等级、劳动与小说叙事",{"to":1107,"label":2971,"label_zh":2972},"Tea in Chinese Travel Writing: Roads, Hospitality and the Limits of an Itinerary","中国游记中的茶：道路、待客与行程证据的边界",{"to":1110,"label":2974,"label_zh":2975},"Tea in Chinese Letters: Gifts, Visits, Friendship and the Limits of ‘Private’ Writing","中国书信中的茶：馈赠、访友、人情与“私语”证据的边界",{"to":1113,"label":2977,"label_zh":2978},"Tea, Tax and Monopoly in Imperial China: Reading Fiscal Records Without Mistaking Revenue for Daily Life","中国历代茶税与专卖：财政记录能告诉我们什么，又不能告诉我们什么",{"to":1116,"label":2980,"label_zh":2981},"Tea in Chinese Local Gazetteers: Place, Production and the Limits of Local Knowledge","中国地方志中的茶：产地、生产与地方知识的边界",{"to":1119,"label":2983,"label_zh":2984},"Tea in Chinese Materia Medica: Names, Preparations and the Limits of Medical Claims","中国本草中的茶：名称、制法与医药记载的边界",{"to":1122,"label":2986,"label_zh":2987},"Tea in Chinese Buddhist Monastic Rules: Ceremony, Office and the Limits of Origin Stories","中国佛教清规中的茶：礼仪、职事与起源故事的边界",{"to":1125,"label":2989,"label_zh":2990,"children":2991},"Guqin: Sound, History and Ways to Listen","古琴：认识声音、历史与聆听方法",[2992,2995,2998,3001,3004,3007,3010,3013,3016,3019,3022,3025],{"to":1129,"label":2993,"label_zh":2994},"A History of the Guqin: Objects, Texts and Living Music","古琴的历史：实物、文献与传习",{"to":1132,"label":2996,"label_zh":2997},"How the Guqin Works: Strings, Body and Sound","古琴如何发声：琴弦、琴身与结构",{"to":1135,"label":2999,"label_zh":3000},"Playing the Guqin: Gesture, Notation and Interpretation","古琴怎样弹、怎样读谱：指法、减字谱与诠释",{"to":1138,"label":3002,"label_zh":3003},"Guqin Melodies: Stories, Versions and Ways to Listen","听懂古琴名曲：故事、版本与聆听线索",{"to":1141,"label":3005,"label_zh":3006},"Guqin and Daoist Cultivation: Listening, Practice and Limits","古琴与道家修养：聆听、练习与边界",{"to":1144,"label":3008,"label_zh":3009},"Learning the Guqin: Listening, Sources and Finding a Teacher","怎样学古琴：聆听、资料与择师",{"to":1147,"label":3011,"label_zh":3012},"Guqin Tables and Playing Spaces: Support, Posture and Listening","古琴桌与弹琴空间：承托、坐姿与聆听",{"to":1150,"label":3014,"label_zh":3015},"How to Read a Guqin Handbook: Tablature, Editions and Dapu","如何读古琴谱：减字谱、版本与打谱",{"to":1153,"label":3017,"label_zh":3018},"Reading Guqin Lacquer: Layers, Crack Patterns and Repair","读懂古琴漆面：漆层、断纹与修缮",{"to":1156,"label":3020,"label_zh":3021},"Reading Guqin Inscriptions and Seals: Names, Dates and Provenance","读懂古琴铭款与印章：琴名、年代与流传",{"to":1159,"label":3023,"label_zh":3024},"Guqin Forms: Reading Zhongni, Banana-Leaf and Other Shapes","古琴式样：读懂仲尼式、蕉叶式与其他琴式",{"to":1162,"label":3026,"label_zh":3027},"Guqin Strings: Silk, Modern Composites and How Material Changes Playing","古琴琴弦：丝弦、现代复合弦与材质如何改变演奏",{"to":1165,"label":3029,"label_zh":3030,"children":3031},"Chinese Painting: Materials, Formats and Ways of Looking","中国绘画：材料、形制与观看方法",[3032,3035,3038,3041,3044,3047,3050,3053,3056,3059,3062,3065,3068,3071,3074],{"to":1169,"label":3033,"label_zh":3034},"Origins and History of Chinese Painting: Objects, Courts and Communities","中国绘画的源流与历史：作品、宫廷与社会",{"to":1172,"label":3036,"label_zh":3037},"Ink and Brush in Chinese Painting: Materials, Water and Marks","中国画的笔墨：材料、水分与笔痕",{"to":1175,"label":3039,"label_zh":3040},"Shanshui: How to Read Chinese Landscape Painting","山水画：怎样读懂中国山水",{"to":1178,"label":3042,"label_zh":3043},"Birds, Flowers and the Four Gentlemen in Chinese Painting","中国画中的花鸟与四君子",{"to":1181,"label":3045,"label_zh":3046},"Painting and Taoist Cultivation: Images, Ideas and Practice","绘画与道家修养：图像、观念与实践",{"to":1184,"label":3048,"label_zh":3049},"Chinese Painting Masters: A Guided Path","中国画名家与进阶研习",{"to":1187,"label":3051,"label_zh":3052},"How to Read a Chinese Handscroll: Sequence, Colophons and Seals","怎样观看中国手卷：展开顺序、题跋与印章",{"to":1190,"label":3054,"label_zh":3055},"Chinese Fan Painting: Shape, Brushwork and the Art of the Small Format","中国扇面书画：形制、笔墨与方寸之美",{"to":1193,"label":3057,"label_zh":3058},"How to Read a Chinese Painting Album: Leaves, Sequence and Intimate Viewing","如何阅读中国画册页：开页、次序与案头观看",{"to":1196,"label":3060,"label_zh":3061},"Chinese Scholars’ Rocks: Stone, Display and Imagined Landscapes","中国文人赏石：石质、陈设与想象山水",{"to":1199,"label":3063,"label_zh":3064},"How to Read a Chinese Hanging Scroll: Vertical Space, Mounting and Display","如何阅读中国立轴：纵向空间、装裱与陈设",{"to":1202,"label":3066,"label_zh":3067},"Chinese Screens: Space, Painting and the Art of the Fold","中国屏风：空间、图像与开合之艺",{"to":1205,"label":3069,"label_zh":3070},"Mounting Chinese Painting: Silk Borders, Backing Papers and the Life of a Scroll","中国画装裱：绫边、托纸与卷轴的生命",{"to":1208,"label":3072,"label_zh":3073},"Chinese Portrait Painting: Likeness, Role and Ancestral Memory","中国肖像画：形神、身份与祖先记忆",{"to":1211,"label":3075,"label_zh":3076},"The Three Distances in Chinese Landscape Painting: High, Deep and Level Space","中国山水画的“三远”：高远、深远与平远",{"to":1214,"label":3078,"label_zh":3079,"children":3080},"Chinese Incense Culture","中国香文化",[3081,3084,3087,3090,3093,3096,3099,3102,3105],{"to":1218,"label":3082,"label_zh":3083},"Origins and History of Chinese Incense Culture","中国香文化的源流与历史",{"to":1221,"label":3085,"label_zh":3086},"Aromatic Materials: Woods, Resins and Responsible Sourcing","香材指南：香木、树脂与负责任的来源",{"to":1224,"label":3088,"label_zh":3089},"Incense Forms and the Art of Appreciation","香的形态与品香方法",{"to":1227,"label":3091,"label_zh":3092},"Incense in Daoist Ritual and Temple Life","香在道教科仪与宫观生活中",{"to":1230,"label":3094,"label_zh":3095},"Incense, Meditation and Taoist Practice","香、静坐与道家修习",{"to":1233,"label":3097,"label_zh":3098},"Learning Chinese Incense: Reading and Practice","学习中国香文化：阅读与实践",{"to":1236,"label":3100,"label_zh":3101},"Chinese Incense Burners: Bronze, Ceramic, Form and Context","中国香炉：青铜、陶瓷、形制与使用语境",{"to":1239,"label":3103,"label_zh":3104},"Chinese Incense Seals: Ash, Patterns and Fragrant Time","中国香篆：香灰、篆纹与芬芳计时",{"to":1242,"label":3106,"label_zh":3107},"Chinese Incense Sets: Burner, Box, Vase and Tools","中国香具三式：炉、盒、瓶与匙箸",{"to":1245,"label":3109,"label_zh":3110,"children":3111},"Chinese Flower Arrangement: History, Materials and Ways of Looking","中国插花：历史、花材与观看方法",[3112,3115,3118,3121,3124,3127,3130],{"to":1249,"label":3113,"label_zh":3114},"A History of Chinese Flower Arrangement: Vessels, Pictures and Voices","中国插花史：器物、图像与文字中的花事",{"to":1252,"label":3116,"label_zh":3117},"Chinese Flower Arrangement: Line, Balance and Ways of Looking","中国插花构图：线条、平衡与观看方法",{"to":1255,"label":3119,"label_zh":3120},"Choosing Flower Vessels and Tools: Form, Support and Care","选择花器与工具：形制、支撑和养护",{"to":1258,"label":3122,"label_zh":3123},"Seasonal Flowers and Symbolism: How to Read Context","时令花材与象征：怎样结合语境来读",{"to":1261,"label":3125,"label_zh":3126},"Flower Arrangement as Cultivation: Attention, Change and Limits","插花与修养：专注、变化与界限",{"to":1264,"label":3128,"label_zh":3129},"Further Reading and Practice: Sources, Museums and a First Month","延伸阅读与练习：史料、博物馆与第一个月",{"to":1267,"label":3131,"label_zh":3132},"Chinese Flower Baskets: Weaving, Painting and the Vessel","中国花篮：编织、绘画与器物",{"to":1270,"label":3134,"label_zh":3135,"children":3136},"Taoist Culture","道教文化",[3137,3168,3193,3218,3279],{"to":1274,"label":3138,"label_zh":3139,"children":3140},"Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙与神明体系：结构与层级指南",[3141,3144,3147,3150,3153,3156,3159,3162,3165],{"to":1278,"label":3142,"label_zh":3143},"The Three Pure Ones: Highest Deities of the Taoist Pantheon","道教三清：神明体系中的最高尊神",{"to":1281,"label":3145,"label_zh":3146},"The Jade Emperor in Taoism: Ruler of the Celestial Bureaucracy","道教玉皇大帝：天庭官府的治理者",{"to":1284,"label":3148,"label_zh":3149},"How the Taoist Pantheon Developed: Origins of Its Gods","道教神明体系如何形成：诸神的不同来源",{"to":1287,"label":3151,"label_zh":3152},"Taoist Immortals and the Celestial Bureaucracy: Shen and Xian","道教神明、仙真与天庭官府：神和仙有什么不同",{"to":1290,"label":3154,"label_zh":3155},"Guan Yu, Mazu and Popular Chinese Deities: How Humans Become Gods","关羽、妈祖与民间神祇：人如何成为神",{"to":1293,"label":3157,"label_zh":3158},"Deities of Wudang Mountain: Zhenwu and His Sacred Court","武当山神明：真武大帝与他的神圣侍从",{"to":1296,"label":3160,"label_zh":3161},"Taoist Temple Worship: Incense, Offerings, Vows and Donations","道教宫观祭祀：上香、供养、许愿与捐献",{"to":1299,"label":3163,"label_zh":3164},"The Northern Dipper in Daoist Culture: Stars, Images and Ritual Maps","道教文化中的北斗：星象、图像与仪式图式",{"to":1302,"label":3166,"label_zh":3167},"The Three Officials in Daoism: Heaven, Earth, Water and the Three Yuan","道教三官大帝：天、地、水与三元节期",{"to":1305,"label":3169,"label_zh":3170,"children":3171},"Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山与宫观：圣地、建筑与制度指南",[3172,3175,3178,3181,3184,3187,3190],{"to":1309,"label":3173,"label_zh":3174},"Wudang Mountain in Taoism: Zhenwu, the Ming Court and Sacred Status","道教中的武当山：真武信仰、明廷与圣地地位",{"to":1312,"label":3176,"label_zh":3177},"Mount Longhu and the Celestial Masters: Centre of Zhengyi Taoism","龙虎山与天师道：正一道的制度中心",{"to":1315,"label":3179,"label_zh":3180},"Mount Qingcheng: How Organised Taoism Took Institutional Form","青城山：有组织道教如何形成制度",{"to":1318,"label":3182,"label_zh":3183},"Mount Tai: China’s Foremost State Sacred Mountain","泰山：中国最重要的国家祭祀名山",{"to":1321,"label":3185,"label_zh":3186},"White Cloud Temple in Beijing: Quanzhen Taoism’s Urban Monastery","北京白云观：全真道的城市宫观",{"to":1324,"label":3188,"label_zh":3189},"How to Read Taoist Temple Architecture and Sacred Space","如何读懂道教宫观建筑与神圣空间",{"to":1327,"label":3191,"label_zh":3192},"Taoist Pilgrimage and Temple Etiquette: A Practical Guide","道教朝山进香与宫观礼仪：实用指南",{"to":1330,"label":3194,"label_zh":3195,"children":3196},"Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派与传承：正一、全真及历史道派",[3197,3200,3203,3206,3209,3212,3215],{"to":1334,"label":3198,"label_zh":3199},"Zhengyi Taoism and the Celestial Masters: Householder Priests and Ritual Authority","正一道与天师道：在家道士和科仪权威",{"to":1337,"label":3201,"label_zh":3202},"Quanzhen Taoism: Monastic Life, Inner Cultivation and Wudang","全真道：出家生活、内在修炼与武当",{"to":1340,"label":3204,"label_zh":3205},"Shangqing Taoism: Highest Clarity Revelations and Inner Visualisation","上清道：最高明启、存思与身体内的神明",{"to":1343,"label":3207,"label_zh":3208},"Lingbao Taoism: Numinous Treasure Scriptures and Communal Ritual","灵宝道：经典、普度与共同体科仪",{"to":1346,"label":3210,"label_zh":3211},"The Wu-Liu School: A Clearer System of Taoist Internal Alchemy","伍柳派：较为清晰的道教内丹体系",{"to":1349,"label":3213,"label_zh":3214},"Quanzhen Monastics and Zhengyi Householder Priests: What Is the Difference?","全真出家道士与正一在家道士有什么不同",{"to":1352,"label":3216,"label_zh":3217},"Taoist Ordination and Lineage Today: How Transmission Is Verified","今日道教传承与授箓传戒：如何核实师承",{"to":1355,"label":3219,"label_zh":3220,"children":3221},"Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教节日与科仪：神诞、斋醮与岁时仪式",[3222,3225,3228,3231,3234,3237,3240,3243,3246,3249,3252,3255,3258,3261,3264,3267,3270,3273,3276],{"to":1359,"label":3223,"label_zh":3224},"The Jade Emperor’s Birthday and Festivals of the Heavenly Court","玉皇诞：正月初九的意义与宫观仪式",{"to":1362,"label":3226,"label_zh":3227},"Zhongyuan Festival: Ghost Festival, the Earth Official and Universal Salvation","中元节：七月十五、地官赦罪与普度",{"to":1365,"label":3229,"label_zh":3230},"Laozi’s Birthday: From the Sage Laozi to the Divine Lord Lao","老君诞：从老子到太上老君",{"to":1368,"label":3232,"label_zh":3233},"Double Ninth Festival: Chongyang, Longevity and Respect for Elders","重阳节：九月初九、长生观念与敬老传统",{"to":1371,"label":3235,"label_zh":3236},"Jiao Rituals: Taoism’s Grand Community Offering","醮仪：道教大型共同体祭献科仪",{"to":1374,"label":3238,"label_zh":3239},"Zhai Rituals: Taoist Purification, Fasting and Preparation","斋仪：道教洁净、持戒与祭前准备",{"to":1377,"label":3241,"label_zh":3242},"Taoist Temple Fairs and Seasonal Pilgrimage","道教庙会与朝山：宗教、集市与季节性朝圣",{"to":1380,"label":3244,"label_zh":3245},"Daoist Ritual Robes: Garment, Image and Ceremonial Role","道教法衣：衣式、图像与科仪身份",{"to":1383,"label":3247,"label_zh":3248},"The David Vases: A Daoist Offering and a Dated Porcelain Landmark","大维德对瓶：道观供器与青花纪年坐标",{"to":1386,"label":3250,"label_zh":3251},"Daoist Ritual Seals: Impression, Authority and the Work of Documents","道教法印：印痕、权威与仪式文书",{"to":1389,"label":3253,"label_zh":3254},"Daoist Ritual Music: Bells, Drums, Chant and Ceremonial Time","道教科仪音乐：钟铃、鼓乐、经韵与仪式时间",{"to":1392,"label":3256,"label_zh":3257},"Daoist Lamp Rituals: Light, Cosmic Patterns and Ceremonial Space","道教灯仪：光明、星象秩序与科仪空间",{"to":1395,"label":3259,"label_zh":3260},"Daoist Talismans: Script, Ritual Action and the Limits of Looking","道教符箓：书写、科仪行动与观看边界",{"to":1398,"label":3262,"label_zh":3263},"Daoist Mirrors: Reflection, Cosmology and Ritual Evidence","道教铜镜：映照、宇宙图式与科仪证据",{"to":1401,"label":3265,"label_zh":3266},"Daoist Petitions and Memorials: Writing to the Celestial Administration","道教章表：写给天庭的仪式文书",{"to":1404,"label":3268,"label_zh":3269},"Daoist Registers (Lu): Rank, Transmission and Celestial Administration","道教法箓：品秩、传授与天曹体系",{"to":1407,"label":3271,"label_zh":3272},"Daoist Audience Tablets (Hu): Courtly Form and Ritual Address","道教朝笏：朝仪形制与科仪奏达",{"to":1410,"label":3274,"label_zh":3275},"Daoist Crowns and Headscarves: Dress, Rank and Ritual Context","道教冠巾：衣制、职司与科仪语境",{"to":1413,"label":3277,"label_zh":3278},"Daoist Footwear: Cloth Shoes, Cloud Shoes and Ritual Movement","道教鞋履：布鞋、云履与科仪步伐",{"to":1416,"label":3280,"label_zh":3281,"children":3282},"The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象征与道教传说",[3283,3286,3289,3292,3295,3298],{"to":1420,"label":3284,"label_zh":3285},"Lü Dongbin: Scholar Immortal, Quanzhen Patriarch and Sword Bearer","吕洞宾：士人仙真、全真祖师与佩剑象征",{"to":1423,"label":3287,"label_zh":3288},"Zhang Guolao: Tang Recluse and Backward-Riding Immortal","张果老：唐代隐士与倒骑驴的仙人",{"to":1426,"label":3290,"label_zh":3291},"He Xiangu: The Woman Immortal of the Eight","何仙姑：八仙中唯一的女性仙真",{"to":1429,"label":3293,"label_zh":3294},"Han Xiangzi and Lan Caihe: Music, Flowers and Ambiguous Identity","韩湘子与蓝采和：音乐、花与身份边界",{"to":1432,"label":3296,"label_zh":3297},"Cao Guojiu and Li Tieguai: Privilege, Poverty and the Immortal Body","曹国舅与铁拐李：特权、贫困与身体身份",{"to":1435,"label":3299,"label_zh":3300},"Zhongli Quan: Teacher of Lü Dongbin and Patriarch of Internal Alchemy","钟离权：吕洞宾之师与内丹祖师",{"to":1438,"label":3302,"label_zh":3303,"children":3304},"Chinese Metaphysics","易学与传统术数",[3305,3329,3354,3379,3404,3432,3460,3485,3510],{"to":1442,"label":3306,"label_zh":3307,"children":3308},"Yin-Yang and the Five Phases in Chinese Thought","阴阳五行：理解关系与变化",[3309,3312,3315,3318,3321,3324,3327],{"to":1446,"label":3310,"label_zh":3311},"Origins & Early History of Yin-Yang Thought","阴阳观念的来历",{"to":1449,"label":3313,"label_zh":3314},"The Meaning of Yin and Yang","阴阳的含义",{"to":1452,"label":3316,"label_zh":3317},"The Five Phases: Wood, Fire, Earth, Metal & Water","五行：五种运行",{"to":1455,"label":3319,"label_zh":3320},"The Generating & Controlling Cycles","相生与相克",{"to":1458,"label":3322,"label_zh":3323},"Correlative Cosmology: Body, Seasons & the Cosmos","天人相应：关联宇宙论",{"to":1461,"label":3325,"label_zh":3326},"Yin-Yang & the Five Elements in the Metaphysical Arts","阴阳五行在术数中的应用",{"to":1464,"label":2428,"label_zh":3328},"参考文献与延伸阅读",{"to":1466,"label":3330,"label_zh":3331,"children":3332},"Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中国历法与术数的六十循环",[3333,3336,3339,3342,3345,3348,3351],{"to":1470,"label":3334,"label_zh":3335},"Origins and History of the Chinese Sexagenary Cycle","中国干支与六十甲子的起源和历史",{"to":1473,"label":3337,"label_zh":3338},"The Ten Heavenly Stems: Names, Five Phases and Meanings","十天干：名称、五行属性与含义",{"to":1476,"label":3340,"label_zh":3341},"The Twelve Earthly Branches: Animals, Hours, Months and Meanings","十二地支：生肖、时辰、月份与含义",{"to":1479,"label":3343,"label_zh":3344},"The Sixty-Part Jiazi Cycle: How Stems and Branches Combine","六十甲子：天干地支如何组合成六十循环",{"to":1482,"label":3346,"label_zh":3347},"How Heavenly Stems and Earthly Branches Encode Yin–Yang and the Five Phases","天干地支如何结合阴阳五行",{"to":1485,"label":3349,"label_zh":3350},"How Ganzhi Is Used in BaZi, Feng Shui, Date Selection and Other Arts","干支如何应用于八字、风水、择日与其他术数",{"to":1488,"label":3352,"label_zh":3353},"Heavenly Stems, Earthly Branches and Ganzhi: Sources and Further Reading","天干地支与干支历的重要资料和延伸阅读",{"to":1491,"label":3355,"label_zh":3356,"children":3357},"Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中国风水：形势、罗盘方法与负责任实践",[3358,3361,3364,3367,3370,3373,3376],{"to":1495,"label":3359,"label_zh":3360},"Origins and History of Chinese Feng Shui","中国风水的起源与历史",{"to":1498,"label":3362,"label_zh":3363},"Qi, the Feng Shui Compass and the Two Schools","风水中的气、罗盘与形势理气之分",{"to":1501,"label":3365,"label_zh":3366},"Feng Shui Form School: How Landscapes Are Read","风水形势派：如何观察山水与地形",{"to":1504,"label":3368,"label_zh":3369},"Feng Shui Compass School: How the Luopan Is Used","风水理气派：罗盘如何用于方位判断",{"to":1507,"label":3371,"label_zh":3372},"Feng Shui for Homes and Graves: Yangzhai and Yinzhai","阳宅与阴宅风水：住宅和墓葬有何不同",{"to":1510,"label":3374,"label_zh":3375},"Feng Shui Today: Homes, Cities, Design and Cultural Practice","今日风水：住宅、城市、设计与文化实践",{"to":1513,"label":3377,"label_zh":3378},"Chinese Feng Shui Sources: Classical Texts and Further Reading","中国风水资料：经典文献与延伸阅读",{"to":1516,"label":3380,"label_zh":3381,"children":3382},"BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八个字如何构成命盘",[3383,3386,3389,3392,3395,3398,3401],{"to":1520,"label":3384,"label_zh":3385},"History of BaZi and the Four Pillars of Destiny","八字与四柱命理的起源和历史",{"to":1523,"label":3387,"label_zh":3388},"How a BaZi Chart Is Calculated: The Four Pillars and Eight Characters","八字命盘如何排定：四柱八字的计算方法",{"to":1526,"label":3390,"label_zh":3391},"The BaZi Day Master and Ten Gods: A Relationship Guide","八字日主与十神：命盘关系如何分类",{"to":1529,"label":3393,"label_zh":3394},"How BaZi Charts Are Read: Five-Phase Balance and the Useful God","八字命盘如何解读：五行平衡与用神",{"to":1532,"label":3396,"label_zh":3397},"BaZi Luck Pillars and Annual Influences: How Time Is Read","八字大运与流年：命盘如何推移时间",{"to":1535,"label":3399,"label_zh":3400},"BaZi Readings Today: Interpretation, Responsibility and Limits","今日八字解读：意义、责任与界限",{"to":1538,"label":3402,"label_zh":3403},"BaZi Sources: Classical Texts, Commentaries and Further Reading","八字资料：经典、注疏与延伸阅读",{"to":1541,"label":3405,"label_zh":3406,"children":3407},"Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗数：十二宫命盘如何运作",[3408,3411,3414,3417,3420,3423,3426,3429],{"to":1545,"label":3409,"label_zh":3410},"History of Zi Wei Dou Shu: Origins, Legends and Documented Evidence","紫微斗数的起源与历史：传说、文献与可考证据",{"to":1548,"label":3412,"label_zh":3413},"The Twelve Palaces of Zi Wei Dou Shu: A Guide to the Life Domains","紫微斗数十二宫：命盘生活领域完整指南",{"to":1551,"label":3415,"label_zh":3416},"Zi Wei Dou Shu Stars: The Fourteen Major Stars and Their Meanings","紫微斗数星曜：十四主星及其含义",{"to":1554,"label":3418,"label_zh":3419},"How a Zi Wei Dou Shu Chart Is Cast and Read","紫微斗数如何排盘与解读",{"to":1557,"label":3421,"label_zh":3422},"Zi Wei Dou Shu Four Transformations: How the Chart Moves Through Time","紫微斗数四化：命盘如何随时间变化",{"to":1560,"label":3424,"label_zh":3425},"Zi Wei Dou Shu Readings Today: Interpretation, Responsibility and Limits","今日紫微斗数解读：意义、责任与界限",{"to":1563,"label":3427,"label_zh":3428},"Zi Wei Dou Shu Sources: Classical Texts, Schools and Further Reading","紫微斗数资料：经典、流派与延伸阅读",{"to":1566,"label":3430,"label_zh":3431},"Zi Wei Dou Shu Glossary: Palaces, Stars, Transformations and Time Cycles","紫微斗数术语表：宫位、星曜、四化与时间周期",{"to":1569,"label":3433,"label_zh":3434,"children":3435},"Chinese Date Selection: How Auspicious Days Are Chosen","中国择吉：传统吉日如何选择",[3436,3439,3442,3445,3448,3451,3454,3457],{"to":1573,"label":3437,"label_zh":3438},"Origins and History of Chinese Date Selection","中国择吉的起源与历史",{"to":1576,"label":3440,"label_zh":3441},"The Chinese Almanac: How the Tongshu Guides Everyday Dates","通书：中国人的日用择日指南",{"to":1579,"label":3443,"label_zh":3444},"How Chinese Calendars Describe the Qualities of Days","中国历法如何描述日子的周期属性",{"to":1582,"label":3446,"label_zh":3447},"Auspicious Stars and Day Officers in Chinese Date Selection","择吉中的吉星、值日神与神煞",{"to":1585,"label":3449,"label_zh":3450},"How Chinese Date Selection Works in Practice","中国择日的实际操作",{"to":1588,"label":3452,"label_zh":3453},"Chinese Date Selection: Cultural Meaning and Responsible Practice","中国择日的文化意义与负责任实践",{"to":1591,"label":3455,"label_zh":3456},"Chinese Date Selection: Key Sources and Further Reading","中国择日的重要资料与延伸阅读",{"to":1594,"label":3458,"label_zh":3459},"The Twenty-Four Solar Terms: Seasonal Time in the Chinese Calendar","二十四节气：中国历法中的季节时间",{"to":1597,"label":3461,"label_zh":3462,"children":3463},"Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中国相术：面相、手相及其局限",[3464,3467,3470,3473,3476,3479,3482],{"to":1601,"label":3465,"label_zh":3466},"Origins and History of Chinese Physiognomy","中国相术的起源与历史",{"to":1604,"label":3468,"label_zh":3469},"Chinese Face Reading (Mianxiang): Methods, Meanings and Limits","中国面相术：方法、含义与局限",{"to":1607,"label":3471,"label_zh":3472},"Chinese Palm Reading (Shouxiang): Traditions, Methods and Limits","中国手相术：传统、方法与局限",{"to":1610,"label":3474,"label_zh":3475},"Chinese Physiognomy in Practice Today: Readings, Apps and Risks","当代中国相术：看相、应用程序与风险",{"to":1613,"label":3477,"label_zh":3478},"How to Interpret Chinese Physiognomy Responsibly","如何负责任地理解中国相术",{"to":1616,"label":3480,"label_zh":3481},"Chinese Physiognomy in History, Literature and Everyday Culture","中国相术在历史、文学与日常文化中",{"to":1619,"label":3483,"label_zh":3484},"Chinese Physiognomy: Primary Sources and Further Reading","中国相术的重要资料与延伸阅读",{"to":1622,"label":3486,"label_zh":3487,"children":3488},"Chinese Divination Arts: Methods, History and Responsible Use","中国占卜术：方法、历史与负责任使用",[3489,3492,3495,3498,3501,3504,3507],{"to":1626,"label":3490,"label_zh":3491},"Origins and History of Chinese Divination","中国占卜的起源与历史",{"to":1629,"label":3493,"label_zh":3494},"Chinese Oracle Bones and Turtle-Shell Divination","中国甲骨与龟卜：商代占卜和早期文字",{"to":1632,"label":3496,"label_zh":3497},"The Yijing and Milfoil Divination: How Hexagrams Are Cast and Read","《易经》与筮占：卦象如何生成与解读",{"to":1635,"label":3499,"label_zh":3500},"Chinese Coin Divination and Temple Lots: Methods and Meaning","中国钱占与求签：方法、解读与文化意义",{"to":1638,"label":3502,"label_zh":3503},"Chinese Divination in Practice Today: Consultations, Apps and Risks","当代中国占卜：咨询、应用程序与风险",{"to":1641,"label":3505,"label_zh":3506},"How to Use Chinese Divination Responsibly","如何负责任地使用中国占卜",{"to":1644,"label":3508,"label_zh":3509},"Chinese Divination: Primary Sources and Further Reading","中国占卜的重要资料与延伸阅读",{"to":1647,"label":3511,"label_zh":3512,"children":3513},"The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河图、洛书与九宫：中国传统图式的历史与用途",[3514,3517,3520,3523,3526,3529,3532],{"to":1651,"label":3515,"label_zh":3516},"Origins and History of the Hetu and Luoshu Diagrams","河图与洛书图式的起源与历史",{"to":1654,"label":3518,"label_zh":3519},"The Hetu River Chart: Numbers, Directions and the Five Phases","河图：数字、方位与五行结构",{"to":1657,"label":3521,"label_zh":3522},"The Luoshu Magic Square: Numbers, Structure and Cultural Meaning","洛书幻方：数字结构与文化含义",{"to":1660,"label":3524,"label_zh":3525},"The Nine Palaces (Jiugong): Directions, Time Cycles and Traditional Uses","九宫：方位、时间周期与传统用途",{"to":1663,"label":3527,"label_zh":3528},"Hetu, Luoshu and Nine Palaces in Practice Today","河图、洛书与九宫在今天的实际应用",{"to":1666,"label":3530,"label_zh":3531},"How to Interpret the Hetu and Luoshu: Mathematics, History and Symbolism","如何理解河图与洛书：数学、历史与象征",{"to":1669,"label":3533,"label_zh":3534},"Hetu, Luoshu and Nine Palaces: Primary Sources and Further Reading","河图、洛书与九宫的重要资料与延伸阅读",{"to":1672,"label":3536,"label_zh":3537,"children":3538},"Experience Wudang","武当之旅",[3539,3564,3631,3678,3721,3761],{"to":1676,"label":3540,"label_zh":3541,"children":3542},"Introduction to Wudang Mountain","初识武当山",[3543,3546,3549,3552,3555,3558,3561],{"to":1680,"label":3544,"label_zh":3545},"Zhenwu: The Taoist Deity at the Heart of Wudang Mountain","真武大帝：武当山的主神",{"to":1683,"label":3547,"label_zh":3548},"Wudang Mountain Today: Temples, Tourism and Daily Life","今天的武当山：宫观、旅游与日常生活",{"to":1686,"label":3550,"label_zh":3551},"Should You Visit Wudang Mountain?","武当山适合你去吗？",{"to":1689,"label":3553,"label_zh":3554},"Wudang World Heritage: What UNESCO Inscribed and Why","武当山世界遗产：古建筑群为何列入名录",{"to":1692,"label":3556,"label_zh":3557},"Reading Wudang’s Stone Inscriptions: Steles, Dates and Imperial Memory","读懂武当碑刻：碑石、年代与皇家记忆",{"to":1695,"label":3559,"label_zh":3560},"How Wudang Was Recorded: Gazetteers and Sacred Geography","武当如何被写进山志：文献与神圣地理",{"to":1698,"label":3562,"label_zh":3563},"Reading Wudang’s Plaques and Couplets: Names, Calligraphy and Layers of Time","读懂武当匾额与楹联：名号、书法与历史层次",{"to":1701,"label":3565,"label_zh":3566,"children":3567},"Wudang Mountain Temples and Sacred Sites","武当山宫观与胜迹",[3568,3584,3597],{"to":1705,"label":3569,"label_zh":3570,"children":3571},"The Central Temple Route at Wudang Mountain","武当山主线宫观路线",[3572,3575,3578,3581],{"to":1709,"label":3573,"label_zh":3574},"Mozhen Well and Taizipo at Wudang Mountain","武当山磨针井与太子坡",{"to":1712,"label":3576,"label_zh":3577},"Zixiao Palace at Wudang Mountain: A Visitor’s Guide","武当山紫霄宫：参观指南",{"to":1715,"label":3579,"label_zh":3580},"Nanyan Palace at Wudang Mountain: Cliff Temple and Dragon-Head Incense","武当山南岩宫：悬崖宫观与龙头香",{"to":1718,"label":3582,"label_zh":3583},"Wudang Mountain Summit: Taihe Palace and the Golden Hall","武当山金顶：太和宫与金殿",{"to":1721,"label":3585,"label_zh":3586,"children":3587},"Outlying Palaces and Quiet Sites at Wudang Mountain","武当山外围宫观",[3588,3591,3594],{"to":1725,"label":3589,"label_zh":3590},"Yuxu Palace at Wudang Mountain: Imperial Ruins and Administrative Centre","武当山玉虚宫：明代皇家遗址与全山管理中心",{"to":1728,"label":3592,"label_zh":3593},"Yuzhen Palace at Wudang Mountain: Zhang Sanfeng, Fire and Relocation","武当山遇真宫：张三丰、火灾与整体抬升",{"to":1731,"label":3595,"label_zh":3596},"Wulong Palace at Wudang Mountain: The Oldest Remote Temple Site","武当山五龙宫：最古老的偏远宫观遗址",{"to":1734,"label":3598,"label_zh":3599,"children":3600},"Wudang Mountain Temple Layout and Architecture","武当山宫观布局与建筑",[3601,3604,3607,3610,3613,3616,3619,3622,3625,3628],{"to":1738,"label":3602,"label_zh":3603},"How Wudang Mountain’s Temples Form One Imperial Route","武当山宫观总体布局：一条皇家朝山路线",{"to":1741,"label":3605,"label_zh":3606},"How Wudang Mountain Temples Were Built on Difficult Ground","武当山宫观如何建在险峻山地",{"to":1744,"label":3608,"label_zh":3609},"What Is Original at Wudang Mountain—and What Was Rebuilt","武当山哪些是原物，哪些经过修复或复建",{"to":1747,"label":3611,"label_zh":3612},"How to Read a Wudang Roof: Tiles, Rank and Repair","如何读懂武当屋顶：瓦作、等级与修缮",{"to":1750,"label":3614,"label_zh":3615},"How to Read Painted Timber at Wudang: Colour, Craft and Renewal","如何读懂武当建筑彩画：色彩、工艺与更新",{"to":1753,"label":3617,"label_zh":3618},"How to Read Dougong at Wudang: Brackets, Loads and Building Rank","如何读懂武当斗拱：构件、荷载与建筑等级",{"to":1756,"label":3620,"label_zh":3621},"How to Read Bronze at Wudang: Casting, Gilding and Imperial Networks","如何读懂武当铜建筑：铸造、鎏金与帝国网络",{"to":1759,"label":3623,"label_zh":3624},"How to Read Doors and Windows at Wudang: Frames, Lattice and Repair","如何读懂武当门窗：框架、棂格与修缮",{"to":1762,"label":3626,"label_zh":3627},"How Water Leaves a Wudang Temple: Roofs, Courtyards and Mountain Drainage","武当宫观如何排水：屋面、院落与山地水路",{"to":1765,"label":3629,"label_zh":3630},"How to Read Stonework at Wudang: Platforms, Steps and Weathering","怎样读懂武当山石作：台基、阶道与风化痕迹",{"to":1768,"label":3632,"label_zh":3633,"children":3634},"Planning a Visit to Wudang Mountain","武当山行前规划指南",[3635,3645,3658,3668],{"to":1772,"label":3636,"label_zh":3637,"children":3638},"Getting to and Around Wudang Mountain","如何前往武当山并在景区内出行",[3639,3642],{"to":1776,"label":3640,"label_zh":3641},"How to Reach Wudang Mountain","如何前往武当山",{"to":1779,"label":3643,"label_zh":3644},"Getting Around Wudang Mountain","如何在武当山景区内出行",{"to":1782,"label":3646,"label_zh":3647,"children":3648},"Wudang Mountain Tickets, Costs and Best Seasons","武当山门票、花费与最佳季节",[3649,3652,3655],{"to":1786,"label":3650,"label_zh":3651},"Wudang Mountain Tickets and What They Cover","武当山门票包含什么",{"to":1789,"label":3653,"label_zh":3654},"What a Trip to Wudang Mountain Costs","去武当山旅行需要多少费用",{"to":1792,"label":3656,"label_zh":3657},"When to Visit Wudang Mountain","什么时候去武当山最合适",{"to":1795,"label":3659,"label_zh":3660,"children":3661},"Where to Stay and Eat at Wudang Mountain","武当山住宿与饮食指南",[3662,3665],{"to":1799,"label":3663,"label_zh":3664},"Where to Stay at Wudang Mountain","去武当山住在哪里",{"to":1802,"label":3666,"label_zh":3667},"What to Eat at Wudang Mountain","武当山吃什么",{"to":1805,"label":3669,"label_zh":3670,"children":3671},"Wudang Mountain Fitness, Access and Safety","武当山体力要求、通行条件与安全",[3672,3675],{"to":1809,"label":3673,"label_zh":3674},"How Physically Demanding Is Wudang Mountain?","游览武当山需要多少体力",{"to":1812,"label":3676,"label_zh":3677},"Wudang Mountain Weather and 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Ses écoles et ses textes sont variés. Il ne se réduit pas à des règles de décoration et ne constitue pas une méthode prouvée pour garantir richesse, santé ou relations harmonieuses.\u003C\u002Fp>\n\u003Cp>Les cours expliquent le vocabulaire, les différences entre écoles et leurs contextes historiques. Ils invitent à examiner avec discernement les usages contemporains. Les décisions immobilières et financières demandent des informations concrètes et, selon leur nature, un conseil professionnel.\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[5313,5314,5315,5316],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[5318,5319,5320,5321],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",null,{"fr":5324},"Étudier le feng shui : cours et ateliers",{"fr":5308},0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":5332,"uuid":5333,"slug":5334,"available_locales":5335,"name":5336,"description":5338,"body":5340,"path":5342,"images":5343,"image_urls":5344,"hero_image":5322,"hero_image_url":5322,"seo_title":5345,"seo_description":5347,"sort_order":5326,"is_active":5327,"status":5328,"created_at":5348,"updated_at":5330},6,"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[5302,5303,5304],{"fr":5337},"Arts internes et bien-être",{"fr":5339},"Cours, ateliers et séjours de tai-chi, qigong et baduanjin, avec un travail progressif du mouvement et de la respiration.",{"fr":5341},"\u003Cp>Découvrez des cours et des ateliers en petit groupe consacrés aux arts internes, aux postures, à la respiration et à leurs fondements culturels.\u003C\u002Fp>\n\u003Cp>Chaque programme précise l’enseignant, les dates, le niveau attendu et les modalités d’inscription. Consultez la fiche de l’activité pour choisir un cadre adapté à votre expérience.\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"fr":5346},"Arts internes et bien-être : cours et ateliers",{"fr":5339},"2026-08-16T19:23:45.000000Z",{"id":5350,"uuid":5351,"slug":5352,"available_locales":5353,"name":5354,"description":5356,"body":5358,"path":5360,"images":5361,"image_urls":5362,"hero_image":5322,"hero_image_url":5322,"seo_title":5363,"seo_description":5365,"sort_order":5326,"is_active":5327,"status":5328,"created_at":5366,"updated_at":5330},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[5302,5303,5304],{"fr":5355},"Étudier la lecture du visage",{"fr":5357},"Découvrir la lecture chinoise du visage, son cadre classique, son histoire et ses usages, en distinguant tradition et prédiction démontrée.",{"fr":5359},"","\u002Fevents\u002Fface-reading-learning",[],[],{"fr":5364},"Étudier la lecture du visage : cours et ateliers",{"fr":5357},"2026-08-30T17:01:43.000000Z",{"id":5368,"uuid":5369,"slug":5370,"available_locales":5371,"name":5372,"description":5374,"body":5376,"path":5378,"images":5379,"image_urls":5380,"hero_image":5322,"hero_image_url":5322,"seo_title":5381,"seo_description":5383,"sort_order":5298,"is_active":5327,"status":5328,"created_at":5329,"updated_at":5330},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[5302,5303,5304],{"fr":5373},"Étudier le Zi Wei Dou Shu",{"fr":5375},"Aborder le Zi Wei Dou Shu comme un système traditionnel chinois d’interprétation, avec son vocabulaire, son histoire et ses limites.",{"fr":5377},"\u003Cp>Le Zi Wei Dou Shu (紫微斗數) organise les informations de naissance à travers des palais, des étoiles et leurs relations. Il possède un vocabulaire technique étendu et plusieurs traditions d’interprétation. Ses affirmations prédictives ne sont pas établies par les connaissances scientifiques modernes.\u003C\u002Fp>\n\u003Cp>Les cours expliquent la structure des thèmes, la lecture des symboles et les différences entre praticiens anciens et contemporains. L’objectif est la compréhension culturelle et une réflexion méthodique, sans certitude sur l’avenir. Une lecture ne remplace aucun avis médical, juridique, financier, professionnel ou psychologique.\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"fr":5382},"Étudier le Zi Wei Dou Shu : cours et ateliers",{"fr":5375},{"id":5385,"uuid":5386,"slug":5387,"available_locales":5388,"name":5389,"description":5391,"body":5393,"path":5394,"images":5395,"image_urls":5396,"hero_image":5322,"hero_image_url":5322,"seo_title":5397,"seo_description":5399,"sort_order":5298,"is_active":5327,"status":5328,"created_at":5400,"updated_at":5330},4,"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[5302,5303,5304],{"fr":5390},"Arts du thé",{"fr":5392},"Cours et ateliers de thé chinois : familles de thé, infusion, gestes d’accueil et attention partagée autour d’une table.",{"fr":5359},"\u002Fevents\u002Ftea-arts",[],[],{"fr":5398},"Arts du thé : cours et ateliers",{"fr":5392},"2026-08-16T17:13:57.000000Z",{"id":5402,"uuid":5403,"slug":5404,"available_locales":5405,"name":5406,"description":5408,"body":5410,"path":5412,"images":5413,"image_urls":5414,"hero_image":5322,"hero_image_url":5322,"seo_title":5415,"seo_description":5417,"sort_order":5368,"is_active":5327,"status":5328,"created_at":5329,"updated_at":5330},3,"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[5302,5303,5304],{"fr":5407},"Étudier le Ba Zi",{"fr":5409},"Découvrir les quatre piliers, les troncs célestes, les branches terrestres et les cinq phases, avec leur histoire et leurs limites.",{"fr":5411},"\u003Cp>Le Ba Zi (八字) interprète l’année, le mois, le jour et l’heure à travers les troncs célestes, les branches terrestres, le yin-yang et les cinq phases. Il occupe une place importante dans la métaphysique chinoise ; il ne constitue pas une science empirique.\u003C\u002Fp>\n\u003Cp>Les cours présentent la structure des thèmes, le vocabulaire et différentes traditions de lecture. Ils distinguent les interprétations héritées de la tradition des connaissances étayées par des preuves. Une lecture peut nourrir la réflexion, mais ne garantit pas un résultat, ne pose aucun diagnostic et ne remplace pas un avis professionnel.\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"fr":5416},"Étudier le Ba Zi : cours et ateliers",{"fr":5409},{"id":5419,"uuid":5420,"slug":5421,"available_locales":5422,"name":5423,"description":5425,"body":5427,"path":5428,"images":5429,"image_urls":5430,"hero_image":5322,"hero_image_url":5322,"seo_title":5431,"seo_description":5433,"sort_order":5368,"is_active":5327,"status":5328,"created_at":5400,"updated_at":5330},5,"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[5302,5303,5304],{"fr":5424},"Culture de l’encens",{"fr":5426},"Découvrir les matières parfumées, la fabrication traditionnelle et l’art d’apprécier l’encens dans une attention calme.",{"fr":5359},"\u002Fevents\u002Fincense-culture",[],[],{"fr":5432},"Culture de l’encens : cours et ateliers",{"fr":5426},{"id":5435,"uuid":5436,"slug":5437,"available_locales":5438,"name":5439,"description":5441,"body":5443,"path":5445,"images":5446,"image_urls":5447,"hero_image":5322,"hero_image_url":5322,"seo_title":5448,"seo_description":5450,"sort_order":5368,"is_active":5327,"status":5328,"created_at":5451,"updated_at":5330},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[5302,5303,5304],{"fr":5440},"Étudier le Yi Jing",{"fr":5442},"Explorer les hexagrammes, les méthodes traditionnelles d’interprétation et l’histoire du Yi Jing, avec un cadre et des limites explicites.",{"fr":5444},"\u003Cp>Le Yi Jing (易经), ou Livre des mutations, est un classique chinois organisé autour de soixante-quatre hexagrammes et d’une longue tradition de commentaires et de divination. Il a marqué la philosophie et la cosmologie chinoises. Ses affirmations divinatoires ne sont pas établies par les sciences empiriques modernes.\u003C\u002Fp>\n\u003Cp>Les cours présentent les structures, les termes et des méthodes traditionnelles comme le Liu Yao. Ils distinguent l’étude culturelle des connaissances fondées sur des preuves. Les interprétations peuvent servir à réfléchir ; elles ne sont ni des garanties, ni des diagnostics, ni des substituts à un avis professionnel.\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"fr":5449},"Étudier le Yi Jing : cours et ateliers",{"fr":5442},"2026-09-08T00:15:35.000000Z",{"id":5453,"uuid":5454,"slug":5455,"available_locales":5456,"name":5457,"description":5459,"body":5461,"path":5463,"images":5464,"image_urls":5465,"hero_image":5322,"hero_image_url":5322,"seo_title":5466,"seo_description":5468,"sort_order":5402,"is_active":5327,"status":5328,"created_at":5469,"updated_at":5330},7,"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[5302,5303,5304],{"fr":5458},"Arts et artisanat traditionnels",{"fr":5460},"Des ateliers pratiques pour découvrir les techniques décoratives chinoises et leur contexte culturel en réalisant un objet.",{"fr":5462},"\u003Cp>Découvrez les arts décoratifs et les traditions artisanales chinoises par la pratique. Selon les ateliers, les projets peuvent faire appel à la feuille d’or, à l’émail cloisonné, à la nacre ou au brocart Song.\u003C\u002Fp>\n\u003Cp>Ces séances accessibles présentent les matériaux, les gestes et leur contexte culturel. Chaque participant est accompagné dans la réalisation de sa propre pièce.\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"fr":5467},"Arts et artisanat traditionnels : cours et ateliers",{"fr":5460},"2026-08-16T19:24:04.000000Z",{"id":5471,"uuid":5472,"slug":5473,"available_locales":5474,"name":5475,"description":5477,"body":5479,"path":5481,"images":5482,"image_urls":5483,"hero_image":5322,"hero_image_url":5322,"seo_title":5484,"seo_description":5486,"sort_order":5385,"is_active":5327,"status":5328,"created_at":5487,"updated_at":5330},8,"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[5302,5303,5304],{"fr":5476},"Rencontres autour de Wudang",{"fr":5478},"Conférences, diffusions et rencontres pour partager la culture de Wudang, ses savoirs et ses pratiques vivantes.",{"fr":5480},"\u003Cp>Cette rubrique réunit des conférences publiques, des diffusions en direct, des rencontres et des activités culturelles liées à Wudang.\u003C\u002Fp>\n\u003Cp>Ces programmes permettent de rencontrer des pratiquants, d’échanger des idées et de prendre part à une communauté d’apprentissage et de pratique.\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"fr":5485},"Rencontres autour de Wudang : cours et ateliers",{"fr":5478},"2026-08-16T19:24:18.000000Z",{"id":5489,"uuid":5490,"slug":5491,"available_locales":5492,"name":5493,"description":5495,"body":5497,"path":5498,"images":5499,"image_urls":5500,"hero_image":5322,"hero_image_url":5322,"seo_title":5501,"seo_description":5503,"sort_order":5419,"is_active":5327,"status":5328,"created_at":5504,"updated_at":5330},9,"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[5302,5303,5304],{"fr":5494},"Voyages et séjours à Wudang",{"fr":5496},"Des séjours guidés à Wudang associant pratique, visites de temples et découverte culturelle, avec un itinéraire et des attentes clairement présentés.",{"fr":5359},"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"fr":5502},"Voyages et séjours à Wudang : cours et ateliers",{"fr":5496},"2026-08-18T11:09:38.000000Z",{"data":5506},{"hero_type":5507,"hero_image":5508,"hero_image_alt":5509,"hero_youtube_id":5510,"hero_content_on":5327,"hero_heading":5511,"hero_subheading":5512,"hero_text":5513,"hero_subheading_zh":5514,"hero_text_zh":5515,"hero_buttons":5516,"home_seo":5522,"page_layout":5528,"shop_enabled":5529,"contact":5530,"journey":5546},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武当文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","这里既是学习之地，也是让文化融入日常的所在。","从道家思想、内家武术、文人雅艺与武当山出发，以清晰、踏实的方式，在新加坡及世界各地认识和体验武当文化。",[5517,5519],{"label":5518,"link":1932},"Start Your Wudang Journey",{"label":5520,"link":5521},"View Events & Courses","\u002Fevents",{"title":5523,"description":5525},{"en":5524,"zh":5322},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":5526,"zh":5527},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","从太极、气功、道家思想、武术、传统雅艺与养生文化认识武当山，探索武当文化及武当山的日常生活。","sidebar",false,{"methods":5531,"has_any":5327,"text":5539},{"email":5532,"whatsapp":5533,"wechat_id":5534,"wechat_qr_url":5535,"instagram":5536,"instagram_handle":5537,"facebook":5538,"facebook_handle":5537},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":5540,"china_heading_zh":5541,"china_company_en":5542,"china_company_zh":5543,"china_address_en":5544,"china_address_zh":5545},"China Operations","中国运营","Xunwei Wudang Co., Ltd.","寻味武当有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武当山王家园剑河二路72号",{"title_en":5322,"title_zh":5322,"intro_en":5322,"intro_zh":5322,"enabled":5327},{"data":5548},{"to":604,"type":5549,"available_locales":5550,"is_content_page":5327,"title":5551,"subtitle":5552,"body":5554,"hero_image_url":5556,"hero_width":5557,"hero_height":5558,"hero_image_alt":5559,"hero_image_decorative":5529,"hero_credit":5322,"hero_alt":5561,"hero_style":5562,"card_layout":5563,"link_type":5322,"link_ref":5322,"seo_title":5564,"seo_description":5566,"children":5568},"page",[5302,5303,5304],{"fr":605},{"fr":5553},"Vingt lectures concrètes sur l’émerveillement, l’échelle, la persévérance, la culture, la musique, l’artisanat, la technique et le savoir-faire discipliné",{"fr":5555},"\u003Cp>Tang Wen, « Les questions du roi Tang », parcourt la spéculation cosmique, la géographie mythique, la différence des cultures, la musique, l’artisanat, l’entraînement et la frontière incertaine entre la nature et l’invention humaine. Ses prodiges ne forment pas un catalogue que le lecteur moderne devrait accepter au pied de la lettre. Ils ébranlent sans cesse l’habitude de tenir la taille, la durée de vie, les coutumes, le savoir ou la technique qui nous sont familiers pour la limite de ce qui peut exister.\u003C\u002Fp>\u003Cp>Le chapitre contient aussi plusieurs des récits les plus connus associés au Liezi : le Vieux Fou qui déplace les montagnes, les enfants qui l’emportent sur Confucius dans un débat, Boya et son auditeur Zhong Ziqi, et le rude entraînement de Jichang au tir à l’arc. Lus ensemble, ils posent une question pratique : comment l’émerveillement peut-il élargir l’esprit sans remplacer le jugement ? La réponse est une ouverture disciplinée : reconnaissez ce que vous ignorez, éprouvez le savoir-faire par des fondations patientes, et gardez-vous de déclarer une chose impossible simplement parce qu’elle échappe à votre expérience.\u003C\u002Fp>\u003Ch2>1. Des commencements sans limite ultime\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>殷湯問於夏革曰：「古初有物乎？」夏革曰：「古初無物，今惡得物？後之人將謂今之無物，可乎？」殷湯曰：「然則物無先後乎？」夏革曰：「物之終始，初無極已。始或爲終，終或爲始，惡知其紀？然自物之外，自事之先，朕所不知也。」殷湯曰：「然則上下八方有極盡乎？」革曰：「不知也。」湯固問。革曰：「無則無極，有則有盡，朕何以知之？然無極之外復無無極，無盡之中復無無盡。無極復無無極，無盡復無無盡。朕以是知其無極無盡也，而不知其有極有盡也。」湯又問曰：「四海之外奚有？」革曰：「猶齊州也。」湯曰：「汝奚以實之？」革曰：「朕東行至營，人民猶是也。問營之東，復猶營也。西行至豳，人民猶是也。問豳之西，復猶豳也。朕以是知四海、四荒、四極之不異是也。故大小相含，無窮極也。含萬物者，亦如含天地。含萬物也故不窮，含天地也故無極。朕亦焉知天地之表不有大天地者乎？亦吾所不知也。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Le roi Tang demande si les choses existaient au tout premier commencement et si l’univers a un bord. Xia Ge ne fabrique pas de certitude. S’il n’y avait eu absolument rien, demande-t-il, comment les choses pourraient-elles exister maintenant ? Pourtant chaque commencement est peut-être une autre fin, et il ne prétend pas savoir ce qui se trouve au-delà des choses ou avant les événements.\u003C\u002Fp>\u003Cp>Il raisonne à partir de l’extension répétée du monde connu : au-delà d’une région habitée, on en signale une autre. Des ensembles plus vastes contiennent des mondes plus petits, et peuvent eux-mêmes être contenus. Cela ne prouve aucune cosmologie particulière. Cela enseigne une juste mesure intellectuelle : raisonnez aussi loin que les preuves le permettent, puis dites clairement où s’arrête le savoir.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Une réponse solide peut inclure « je ne sais pas ». Distinguez l’observation, l’inférence et l’imagination. L’incertitude devient utile quand elle nomme la question suivante au lieu de combler le vide par une fausse assurance.\u003C\u002Fp>\u003Ch2>2. Un monde réparé mais toujours inégal\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>然則天地亦物也。物有不足，故昔者女媧氏練五色石以補其闕，斷鼇之足以立四極。其後共工氏與顓頊爭爲帝，怒而觸不周之山，折天柱，絕地維，故天傾西北，日月辰星就焉；地不滿東南，故百川水潦歸焉。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Même le ciel et la terre sont décrits comme des choses qui ont leurs insuffisances. Nüwa répare le ciel et soutient les points cardinaux, mais un conflit ultérieur endommage de nouveau la structure cosmique. Le ciel incliné explique la course apparente des astres ; le sud-est plus bas explique l’écoulement des fleuves.\u003C\u002Fp>\u003Cp>Le mythe associe réparation et incomplétude. Un monde restauré ne retrouve pas une symétrie parfaite. La vie continue à travers un paysage qui porte les traces des dommages.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Réparer ne veut pas toujours dire restaurer exactement l’état antérieur. Dans un corps, une famille, une institution ou un environnement, un bon rétablissement peut créer un nouvel équilibre viable tout en reconnaissant un changement durable.\u003C\u002Fp>\u003Ch2>3. Les cinq îles et les limites de l’échelle\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>湯又問：「物有巨細乎？有修短乎？有同異乎？」革曰：「渤海之東不知幾億萬里，有大壑焉，實惟無底之谷，其下無底，名曰歸墟。八紘九野之水，天漢之流，莫不注之，而無增無減焉。其中有五山焉：一曰岱輿，二曰員嶠，三曰方壺，四曰瀛洲，五曰蓬萊。其山高下周旋三萬里，其頂平處九千里。山之中閒相去七萬里，以爲鄰居焉。其上臺觀皆金玉，其上禽獸皆純縞。珠玕之樹皆叢生，華實皆有滋味，食之皆不老不死。所居之人皆仙聖之種，一日一夕飛相往來者，不可數焉。而五山之根無所連箸，常隨潮波上下往還，不得蹔峙焉。仙聖毒之，訴之於帝。帝恐流於西極，失羣仙聖之居，乃命禺彊使巨鼇十五舉首而戴之。迭爲三番，六萬歲一交焉。五山始峙而不動。而龍伯之國有大人，舉足不盈數步而暨五山之所，一釣而連六鼇，合負而趣歸其國，灼其骨以數焉。於是岱輿員嶠二山流於北極，沈於大海，仙聖之播遷者巨億計。帝憑怒，侵減龍伯之國使阨，侵小龍伯之民使短。至伏羲神農時，其國人猶數十丈。從中州以東四十萬里得僬僥國，人長一尺五寸。東北極有人名曰諍人，長九寸。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Les îles immenses des immortels sont arrimées sur le dos de tortues géantes. Un homme venu d’un pays plus grand encore traite ces tortues comme une prise de pêche, faisant sans le vouloir dériver deux îles et déplaçant d’innombrables habitants. Ailleurs vivent des peuples minuscules selon les critères ordinaires.\u003C\u002Fp>\u003Cp>L’échelle change la perspective morale. Ce qui soutient un monde entier peut ressembler à un objet utilisable aux yeux de quelqu’un de plus grand. Le géant n’est pas présenté comme foncièrement mauvais ; son geste ordinaire a des conséquences catastrophiques parce qu’il ne perçoit pas les vies qui dépendent de ce qu’il prend.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Avant de traiter la terre, les données, le travail ou un autre système vivant comme une ressource, demandez-vous quels mondes plus petits en dépendent. Le pouvoir cause souvent du tort non par haine, mais faute de remarquer une autre échelle de conséquences.\u003C\u002Fp>\u003Ch2>4. Vies immenses, vies brèves et mondes cachés\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>荆之南有冥靈者，以五百歲爲春，五百歲爲秋。上古有大椿者，以八千歲爲春，八千歲爲秋。朽壤之上有菌芝者，生於朝，死於晦。春夏之月有蠓蚋者，因雨而生，見陽而死。終北之北有溟海者，天池也，有魚焉，其廣數千里，其長稱焉，其名爲鯤。有鳥焉，其名爲鵬，翼若垂天之雲，其體稱焉。世豈知有此物哉？大禹行而見之，伯益知而名之，夷堅聞而志之。江浦之間生麼蟲，其名曰焦螟，羣飛而集於蚊睫，弗相觸也。栖宿去來，蚊弗覺也。離朱子羽方晝拭眥揚眉而望之，弗見其形；䚦俞師曠方夜擿耳俛首而聽之，弗聞其聲。唯黃帝與容成子居空峒之上，同齋三月，心死形廢，徐以神視，塊然見之，若嵩山之阿；徐以氣聽，砰然聞之，若雷霆之聲。吳楚之國有大木焉，其名爲櫾，碧樹而冬生，實丹而味酸。食其皮汁，已憤厥之疾。齊州珍之，渡淮而北而化爲枳焉。鸜鵒不踰濟，貉踰汶則死矣，地氣然也。雖然，形氣異也，性鈞已，無相易已。生皆全已，分皆足已，吾何以識其巨細？何以識其修短？何以識其同異哉？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Une vie éprouve des siècles comme une saison ; une autre naît à l’aube et meurt au soir. L’énorme Kun et le Peng dépassent la vue ordinaire, tandis que de minuscules insectes vivent inaperçus sur les cils d’un moustique. Ce qui paraît immense ou insignifiant dépend du corps de l’observateur, de ses instruments, de sa durée et de son attention.\u003C\u002Fp>\u003Cp>Le passage remarque aussi que les plantes et les animaux changent ou dépérissent quand on les déplace d’une région à l’autre. Les formes et les conditions vitales diffèrent, mais chaque vie est complète selon sa propre part. Les questions finales mettent donc en cause les critères par lesquels une créature déclare une autre grande, éphémère, étrange ou déficiente.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Maniez la comparaison avec prudence. L’échelle de temps, la culture, le corps ou la mesure humaine ne sont pas le seul cadre valable. Une bonne enquête change d’échelle et de contexte avant de décider ce qu’est une chose.\u003C\u002Fp>\u003Ch2>5. Le Vieux Fou déplace les montagnes\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>太行、王屋二山，方七百里，高萬仞，本在冀州之南，河陽之北。北山愚公者，年且九十，面山而居，懲山北之塞，出入之迂也，聚室而謀曰：「吾與汝畢力平險，指通豫南，達于漢陰，可乎？」雜然相許。其妻獻疑曰：「以君之力，曾不能損魁父之丘，如太行、王屋何？且焉置土石？」雜曰：「投諸渤海之尾，隱土之北。」遂率子孫荷擔者三夫，叩石墾壤，箕畚運於渤海之尾。鄰人京城氏之孀妻有遺男，始齔，跳往助之。寒暑易節，始一反焉。河曲智叟笑而止之，曰：「甚矣，汝之不惠！以殘年餘力，曾不能毀山之一毛，其如土石何？」北山愚公長息曰：「汝心之固，固不可徹，曾不若孀妻弱子。雖我之死，有子存焉；子又生孫，孫又生子；子又有子，子又有孫，子子孫孫無窮匱也，而山不加增，何苦而不平？」河曲智叟亡以應。操蛇之神聞之，懼其不已也，告之於帝。帝感其誠，命夸蛾氏二子負二山，一厝朔東，一厝雍南。自此，冀之南，漢之陰，無隴斷焉。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>À près de quatre-vingt-dix ans, le Vieux Fou entreprend de déblayer deux montagnes qui barrent le chemin de sa communauté. Sa femme soulève des questions pratiques, tandis que le « Vieux Sage » se moque de toute l’entreprise. La réponse change d’échelle de temps : les années qui restent à un homme sont courtes, mais des générations peuvent poursuivre une tâche finie.\u003C\u002Fp>\u003Cp>Les dieux finissent par déplacer les montagnes parce qu’ils redoutent sa persévérance. Le conte honore l’effort collectif soutenu, mais il distingue aussi le doute constructif du mépris. Sa femme demande où ira la terre ; cette question aide le projet. Le moqueur ne se sert de la difficulté que pour justifier de ne rien faire.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Pour un problème plus vaste qu’une vie, définissez une direction que d’autres puissent poursuivre, une méthode qui survive aux changements de direction, et un moyen de mesurer les petits progrès. La persévérance a besoin de logistique ; sans quoi elle devient gaspillage.\u003C\u002Fp>\u003Ch2>6. Kua Fu poursuit le soleil\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>夸父不量力，欲追日影，逐之於隅谷之際，渴欲得飲，赴飲河渭。河渭不足，將走北飲大澤。未至，道渴而死。棄其杖，尸膏肉所浸，生鄧林，鄧林彌廣數千里焉。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Kua Fu tente de rattraper le soleil sans mesurer ses forces. Aucun des deux grands fleuves n’étanche sa soif, et il meurt avant d’atteindre le marais du Nord. Pourtant le bâton qu’il laisse tomber et la substance de son corps donnent naissance à une vaste forêt.\u003C\u002Fp>\u003Cp>Le récit ne réduit pas l’ambition à un simple échec. Le but dépasse un seul corps, mais l’effort laisse des conditions à partir desquelles une vie future peut croître.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Les objectifs audacieux exigent des estimations honnêtes de l’énergie, de la distance, de l’eau, du temps et du soutien. Si le but risque de vous survivre, organisez le travail de sorte que ce qui en reste devienne un abri ou un savoir pour ceux qui suivront.\u003C\u002Fp>\u003Ch2>7. Ce que même un sage ne peut embrasser\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>大禹曰：「六合之間，四海之內，照之以日月，經之以星辰，紀之以四時，要之以太歲。神靈所生，其物異形，或夭或壽，唯聖人能通其道。」夏革曰：「然則亦有不待神靈而生，不待陰陽而形，不待日月而明，不待殺戮而夭，不待將迎而壽，不待五穀而食，不待繒纊而衣，不待舟車而行，其道自然，非聖人之所通也。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Yu propose l’image d’un vaste cosmos ordonné dont le sage peut comprendre les vies diverses. Xia Ge répond qu’il peut aussi exister des formes de vie et d’ordre qui ne dépendent pas des causes connues (l’esprit, le yin et le yang, la lumière du soleil, les céréales, les étoffes ou les véhicules) et que même un sage n’embrasse pas.\u003C\u002Fp>\u003Cp>Cette correction empêche le plus haut titre humain de devenir une prétention au savoir total. La réalité n’est pas tenue d’entrer dans le meilleur cadre disponible.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Traitez chaque modèle comme un outil doté d’un domaine de validité, non comme la totalité du réel. L’expertise est la plus forte lorsqu’elle sait repérer les conditions qu’elle n’explique pas encore.\u003C\u002Fp>\u003Ch2>8. Le pays de l’Extrême-Nord\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>禹之治水土也，迷而失塗，謬之一國。濱北海之北，不知距齊州幾千萬里。其國名曰終北，不知際畔之所齊限，無風雨霜露，不生鳥獸、蟲魚、草木之類。四方悉平，周以喬陟。當國之中有山，山名壺領，狀若甔甀。頂有口，狀若員環，名曰滋穴。有水湧出，名曰神瀵，臭過蘭椒，味過醪醴。一源分爲四埒，注於山下。經營一國，亡不悉徧。土氣和，亡札厲。人性婉而從物，不競不爭；柔心而弱骨，不驕不忌；長幼儕居，不君不臣；男女雜游，不媒不聘；緣水而居，不耕不稼；土氣溫適，不織不衣；百年而死，不夭不病。其民孳阜亡數，有喜樂，亡衰老哀苦。其俗好聲，相攜而迭謠，終日不輟音。飢惓則飲神瀵，力志和平。過則醉，經旬乃醒。沐浴神瀵，膚色脂澤，香氣經旬乃歇。周穆王北遊過其國，三年忘歸。既反周室，慕其國，𢠵然自失，不進酒肉，不召嬪御者，數月乃復。管仲勉齊桓公因遊遼口，俱之其國，幾尅舉。隰朋諫曰：「君舍齊國之廣，人民之衆，山川之觀，殖物之阜，禮義之盛，章服之美，妖靡盈庭，忠良滿朝。肆咤則徒卒百萬，視撝則諸侯從命，亦奚羨於彼而棄齊國之社稷，從戎夷之國乎？此仲父之耄，柰何從之？」桓公乃止，以隰朋之言告管仲。仲曰：「此固非朋之所及也。臣恐彼國之不可知之也。齊國之富奚戀？隰朋之言奚顧？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>L’Extrême-Nord est imaginé sans intempéries, sans concurrence au travail, sans hiérarchie de gouvernement, sans contrats de mariage, sans maladie ni mort prématurée. Une source parfumée procure nourriture, bien-être et chant. Le roi Mu y séjourne trois ans et s’afflige à son retour.\u003C\u002Fp>\u003Cp>Plus tard, Guan Zhong veut s’y rendre, mais un conseiller vante la richesse, les rites, la beauté, l’armée et l’autorité que Qi possède déjà. Ce désaccord révèle deux mesures de la prospérité : d’un côté l’accumulation et le contrôle, de l’autre l’aisance et l’absence de rivalité. Le récit ne donne pas le plan d’une utopie littérale ; il rend visible, par contraste, l’ambition ordinaire.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Pour évaluer une réussite, prenez en compte le temps, la santé, la confiance, l’absence de concurrence inutile et la capacité à profiter de la vie, et pas seulement les possessions et le rayonnement. Une alternative imaginée peut révéler des coûts qu’un système familier dissimule.\u003C\u002Fp>\u003Ch2>9. Les coutumes diffèrent, et chacune paraît naturelle\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>南國之人祝髮而裸，北國之人鞨巾而裘，中國之人冠冕而裳。九土所資，或農或商，或田或漁，如冬裘夏葛，水舟陸車。默而得之，性而成之。越之東有輒沐之國，其長子生，則鮮而食之，謂之宜弟。其大父死，負其大母而棄之，曰：「鬼妻不可以同居處。」楚之南有炎人之國，其親戚死，㱙其肉而棄之，然後埋其骨，迺成爲孝子。秦之西有儀渠之國者，其親戚死，聚祡積而焚之。燻則煙上，謂之登遐，然後成爲孝子。此上以爲政，下以爲俗，而未足爲異也。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Le vêtement, le travail, les transports, les rites familiaux, les funérailles et les idées de piété filiale varient selon les régions. On acquiert généralement ces usages en silence, jusqu’à ce que la coutume paraisse nature. Les exemples sont volontairement dérangeants : ce qu’un groupe tient pour convenable, un autre peut le trouver impensable.\u003C\u002Fp>\u003Cp>Le passage n’exige pas d’approuver moralement chaque pratique. Il avertit que le dégoût seul ne peut expliquer pourquoi une coutume existe ni fonder un jugement solide. Comprendre le contexte et évaluer le tort causé sont deux tâches distinctes, toutes deux nécessaires.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Face à une pratique peu familière, commencez par la décrire avec exactitude et par apprendre ce qu’elle signifie pour ceux qui y participent. Évaluez ensuite le consentement, la souffrance, les rapports de pouvoir et les conséquences. L’humilité culturelle n’est pas une capitulation morale ; elle améliore la qualité du raisonnement moral.\u003C\u002Fp>\u003Ch2>10. Deux enfants interrogent Confucius\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>孔子東游，見兩小兒辯鬬，問其故。一兒曰：「我以日始出時去人近，而日中時遠也。」一兒以日初出遠，而日中時近也。一兒曰：「日初出大如車蓋，及日中則如盤盂，此不爲遠者小而近者大乎？」一兒曰：「日初出滄滄涼涼，及其日中如探湯，此不爲近者熱而遠者涼乎？」孔子不能決也。兩小兒笑曰：「孰爲汝多知乎？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un enfant soutient que le soleil levant paraît plus grand et qu’il doit donc être plus proche. L’autre dit qu’à midi il fait plus chaud et que c’est donc à midi que le soleil est plus proche. Chacun s’appuie sur une observation réelle assortie d’une explication incomplète. Confucius ne peut trancher et ne prétend pas le contraire.\u003C\u002Fp>\u003Cp>Le rire des enfants renverse la réputation : un maître célèbre peut encore rencontrer une question à laquelle il ne sait pas répondre. La dignité de la scène tient à l’aveu de cette limite.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Des indices contradictoires signifient souvent que le modèle est incomplet, non que l’observation est inutile. Consignez les faits, identifiez les variables cachées et appelez à de meilleures mesures. « Je ne peux pas encore trancher » est une conclusion responsable.\u003C\u002Fp>\u003Ch2>11. Zhan He pêche par l’équilibre\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>均，天下之至理也，連於形物亦然。均髮均縣，輕重而髮絕，髮不均也。均也，其絕也莫絕。人以爲不然，自有知其然者也。詹何以獨繭絲爲綸，芒鍼爲鉤，荆篠爲竿，剖粒爲餌，引盈車之魚於百仞之淵、汩流之中，綸不絕，鉤不伸，竿不橈。楚王聞而異之，召問其故。詹何曰：「臣聞先大夫之言，蒲且子之弋也，弱弓纖繳，乘風振之，連雙鶬於青雲之際。用心專，動手均也。臣因其事，放而學釣，五年始盡其道。當臣之臨河持竿，心無雜慮，唯魚之念；投綸沈鉤，手無輕重，物莫能亂。魚見臣之鉤餌，猶沈埃聚沫，吞之不疑。所以能以弱制彊，以輕致重也。大王治國誠能若此，則天下可運於一握，將亦奚事哉？」楚王曰：「善。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Zhan He tire de l’eau un poisson énorme avec un fil de soie, une aiguille fine, une canne effilée et un appât minuscule. Le matériel résiste parce que l’attention et le mouvement restent équilibrés. Il s’était entraîné cinq ans, jusqu’à ce que sa main n’ajoute ni force excessive ni hésitation, et que l’appât paraisse inoffensif au poisson.\u003C\u002Fp>\u003Cp>Le roi y voit une leçon de gouvernement : un instrument léger peut guider un grand poids quand le retour d’information reste continu et que la force est proportionnée. Mais l’image de la pêche rappelle aussi qu’une influence habile peut dissimuler l’hameçon.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Construisez des systèmes assez sensibles pour détecter la tension avant la rupture. Dans l’art de diriger, préférez une attention constante et de petites corrections à l’alternance de la négligence et de la force. Demandez-vous aussi à qui profite une influence « en douceur » et qui risque de s’y laisser prendre.\u003C\u002Fp>\u003Ch2>12. Bian Que échange deux cœurs\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>魯公扈、趙齊嬰二人有疾，同請扁鵲求治。扁鵲治之。既同愈，謂公扈、齊嬰曰：「汝曩之所疾，自外而干府藏者，固藥石之所已。今有偕生之疾，與體偕長，今爲汝攻之，何如？」二人曰：「願先聞其驗。」扁鵲謂公扈曰：「汝志彊而氣弱，故足於謀而寡於斷。齊嬰志弱而氣彊，故少於慮而傷於專。若換汝之心，則均於善矣。」扁鵲遂飲二人毒酒，迷死三日，剖胷探心，易而置之；投以神藥，既悟如初。二人辭歸。於是公扈反齊嬰之室，而有其妻子，妻子弗識。齊嬰亦反公扈之室，有其妻子，妻子亦弗識。二室因相與訟，求辨於扁鵲。扁鵲辨其所由，訟乃已。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>L’un des patients planifie bien mais ne parvient pas à décider ; l’autre agit avec vigueur sans réfléchir suffisamment. Bian Que échange leurs cœurs pour équilibrer leurs tempéraments. À leur réveil, chacun retourne dans la maisonnée qui appartient au corps de l’autre, ce qui révèle que la mémoire, l’attachement et l’identité ont suivi le cœur plutôt que l’apparence.\u003C\u002Fp>\u003Cp>Il s’agit d’une fiction philosophique, non d’histoire de la médecine. Elle demande où se situe une personne : dans le corps, la mémoire, le tempérament, les relations ou la reconnaissance, et montre comment le changement d’un seul élément bouleverse toute l’identité sociale.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Ne réduisez pas les personnes à leur apparence ou à un seul trait. Les décisions touchant l’identité et le soin devraient prendre en compte la continuité de la mémoire, la capacité d’agir, les relations et le récit que la personne fait d’elle-même. Équilibrez réflexion et action par la pratique, non par le fantasme de remplacer purement et simplement une personnalité.\u003C\u002Fp>\u003Ch2>13. La musique de Shi Wen atteint les saisons\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>匏巴鼓琴而鳥舞魚躍，鄭師文聞之，棄家從師襄游。柱指鈞弦，三年不成章。師襄曰：「子可以歸矣。」師文舍其琴，歎曰：「文非弦之不能鈞，非章之不能成。文所存者不在弦，所志者不在聲。內不得於心，外不應於器，故不敢發手而動弦。且小假之，以觀其後。」無幾何，復見師襄。師襄曰：「子之琴何如？」師文曰：「得之矣。請嘗試之。」於是當春而叩商弦以召南呂，涼風忽至，草木成實。及秋而叩角弦以激夾鍾，溫風徐迴，草木發榮。當夏而叩羽弦以召黃鐘，霜雪交下，川池暴沍。及冬而叩徵弦以激蕤賓，陽光熾烈，堅冰立散。將終，命宮而總四弦，則景風翔，慶雲浮，甘露降，澧泉涌。師襄乃撫心高蹈曰：「微矣，子之彈也！雖師曠之清角，鄒衍之吹律，亡以加之。彼將挾琴執管而從子之後耳。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Pendant trois ans, Shi Wen ne produit aucune pièce achevée. Il sait accorder les cordes et former des mélodies, mais refuse de jouer parce que l’intention intérieure et l’instrument ne se répondent pas encore. Quand le lien arrive à maturité, une musique mythique appelle les saisons opposées et finit par accorder tous les sons en harmonie.\u003C\u002Fp>\u003Cp>Ces prodiges expriment plus qu’une exactitude technique. Le savoir-faire devient transformateur lorsque l’intention, le moment, le matériau et la configuration plus vaste se rencontrent. Son long silence n’était pas une absence de travail ; c’était le refus de substituer une surface correcte à un centre encore informe.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Apprenez la technique, mais demandez-vous aussi à quoi sert l’œuvre et si le médium porte cette intention. Ne confondez pas pour autant le retard et la profondeur : fixez-vous des occasions de mettre l’œuvre à l’épreuve, recevez des retours, et décidez si attendre davantage est encore utile.\u003C\u002Fp>\u003Ch2>14. Xue Tan apprend jusqu’où une voix peut porter\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>薛譚學謳於秦青，未窮青之技，自謂盡之，遂辭歸。秦青弗止，餞於郊衢，撫節悲歌，聲振林木，響遏行雲。薛譚乃謝求反，終身不敢言歸。秦青顧謂其友曰：「昔韓娥東之齊，匱糧，過雍門，鬻歌假食。既去而餘音繞梁欐，三日不絕，左右以其人弗去。過逆旅，逆旅人辱之。韓娥因曼聲哀哭，一里老幼悲愁，垂涕相對，三日不食，遽而追之。娥還，復爲曼聲長歌。一里老幼喜躍抃舞，弗能自禁，忘向之悲也，乃厚賂發之。故雍門之人至今善歌哭，放娥之遺聲。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Xue Tan croit avoir achevé sa formation, jusqu’à ce que le chant d’adieu de son maître fasse trembler les arbres et semble arrêter les nuages. Il revient sans y être contraint. Le récit de Han E décrit ensuite une voix dont la tristesse et la joie se prolongent dans toute une communauté après le départ de la chanteuse.\u003C\u002Fp>\u003Cp>L’art ne se mesure pas seulement à la maîtrise du son, mais à la qualité de l’attention et du sentiment qu’il éveille. L’erreur de Xue Tan n’était pas la confiance en soi elle-même ; c’était de déclarer sa formation achevée avant d’avoir rencontré la véritable étendue de son art.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Avant de vous dire accompli, recherchez des exemples qui élèvent votre exigence. Un bon maître peut révéler la distance qui reste à parcourir sans humilier l’élève. Une communication puissante comporte aussi une responsabilité, car l’émotion se propage au-delà de l’intention de celui qui parle.\u003C\u002Fp>\u003Ch2>15. Boya et son auditeur Zhong Ziqi\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>伯牙善鼓琴，鍾子期善聽。伯牙鼓琴，志在登高山，鍾子期曰：「善哉！峩峩兮若泰山！」志在流水，鍾子期曰：「善哉！洋洋兮若江河！」伯牙所念，鍾子期必得之。伯牙游於泰山之陰，卒逢暴雨，止於巖下，心悲，乃援琴而鼓之，初爲霖雨之操，更造崩山之音。曲每奏，鍾子期輒窮其趣。伯牙乃舍琴而嘆曰：「善哉，善哉，子之聽夫！志想象猶吾心也。吾於何逃聲哉？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Le jeu de Boya porte en lui des montagnes, de l’eau qui coule, la pluie et des rochers qui s’effondrent. Zhong Ziqi n’entend pas seulement les notes, mais la direction de l’esprit du musicien. L’émerveillement final de Boya tient à ce qu’aucune intention ne peut se cacher dans le son devant un tel auditeur.\u003C\u002Fp>\u003Cp>Le récit célèbre l’écoute comme un art à part entière. Comprendre n’est pas recevoir passivement ; cela exige assez d’attention, d’imagination et de savoir pour rejoindre ce qu’une autre personne exprime sans le remplacer par sa propre histoire.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Écoutez la structure, le sentiment et l’intention, puis vérifiez votre compréhension par des mots que l’autre puisse corriger. Être profondément entendu est rare ; faites que cela le soit moins pour les autres.\u003C\u002Fp>\u003Ch2>16. L’automate de Yan Shi\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>周穆王西巡狩，越崑崙，不至弇山。反還，未及中國，道有獻工人名偃師，穆王薦之，問曰：「若有何能？」偃師曰：「臣唯命所試。然臣已有所造，願王先觀之。」穆王曰：「日以俱來，吾與若俱觀之。」越日偃師謁見王。王薦之，曰：「若與偕來者何人邪？」對曰：「臣之所造能倡者。」穆王驚視之，趣步俯仰，信人也。巧夫顉其頤，則歌合律；捧其手，則舞應節。千變萬化，惟意所適。王以爲實人也，與盛姬內御並觀之。技將終，倡者瞬其目而招王之左右侍妾。王大怒，立欲誅偃師。偃師大懾，立剖散倡者以示王，皆傅會革、木、膠、漆、白、黑、丹、青之所爲。王諦料之，內則肝、膽、心、肺、脾、腎、腸、胃，外則筋骨、支節、皮毛、齒髮，皆假物也，而無不畢具者，合會復如初見。王試廢其心，則口不能言；廢其肝，則目不能視；廢其腎，則足不能步。穆王始悅而歎曰：「人之巧乃可與造化者同功乎？」詔貳車載之以歸。夫班輸之雲梯，墨翟之飛鳶，自謂能之極也。弟子東門賈禽滑釐聞偃師之巧以告二子，二子終身不敢語藝，而時執規矩。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Yan Shi présente un automate si convaincant que le roi Mu le traite comme une personne et devient jaloux lorsqu’il fait la cour à ses dames. Démonté, il contient des équivalents fabriqués des organes, des os, de la peau et des cheveux ; retirer tel ou tel composant intérieur le prive de la parole, de la vue ou de la marche. Remonté, il se produit de nouveau.\u003C\u002Fp>\u003Cp>Ce prodige rend l’imitation difficile à distinguer de la vie par la seule apparence. Il rend aussi humbles des inventeurs célèbres, qui retournent à leurs instruments de mesure plutôt que de continuer à se vanter. Le conte anticipe des questions modernes sur les machines sans les trancher : la ressemblance, la fonction, l’organisation interne, l’intention et le statut moral ne sont pas identiques.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Jugez un système sur autre chose que des résultats impressionnants. Demandez-vous comment il est fabriqué, quelles capacités sont simulées, où se situe la capacité d’agir, qui en répond, et comment un comportement semblable au vivant peut tromper les gens. L’émerveillement devrait conduire à un examen plus attentif.\u003C\u002Fp>\u003Ch2>17. Le tir à l’arc de Jichang et la corruption de la maîtrise\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>甘蠅，古之善射者，彀弓而獸伏鳥下，弟子名飛衛，學射於甘蠅，而巧過其師。紀昌者，又學射於飛衛。飛衛曰：「爾先學不瞬，而後可言射矣。」紀昌歸，偃臥其妻之機下，以目承牽挺。二年之後，雖錐末倒眥，而不瞬也。以告飛衛，飛衛曰：「未也，必學視而後可。視小如大，視微如著，而後告我。」昌以氂懸虱於牖，南面而望之。旬日之間，浸大也；三年之後，如車輪焉。以覩餘物，皆丘山也。乃以燕角之弧、朔蓬之簳射之，貫虱之心，而懸不絕。以告飛衛，飛衛高蹈拊膺曰：「汝得之矣！」紀昌既盡衛之術，計天下之敵己者，一人而已，乃謀殺飛衛。相遇於野，二人交射，中路矢鋒相觸，而墜於地，而塵不揚。飛衛之矢先窮，紀昌遺一矢。既發，飛衛以棘刺之端扞之，而無差焉。於是二子泣而投弓，相拜於塗，請爲父子；尅臂以誓，不得告術於人。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Jichang passe des années sur les fondements avant de tirer : apprendre à ne pas cligner des yeux, puis à percevoir le minuscule comme grand et le subtil comme distinct. Son dernier tir transperce un pou sans rompre le cheveu qui le tient suspendu. L’entraînement montre comment une performance extraordinaire naît de l’attention plutôt que de la répétition hâtive du geste final.\u003C\u002Fp>\u003Cp>La maîtrise devient alors rivalité. Jichang tente de tuer le seul égal qu’il puisse imaginer ; maître et élève font se rencontrer leurs flèches en plein vol avant de se réconcilier. Leur serment de tenir l’art secret n’est pas une solution morale nette. La technique sans formation éthique a rendu l’excellence dangereuse.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Décomposez un savoir-faire complexe en perceptions que l’on peut entraîner et en fondamentaux stables. En même temps, définissez la responsabilité avant que le pouvoir ne grandisse. Un maître qui transmet une capacité dangereuse doit aussi cultiver la retenue, le sens des responsabilités et des buts qui dépassent la victoire sur des rivaux.\u003C\u002Fp>\u003Ch2>18. Zaofu apprend à conduire depuis le centre\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>造父之師曰泰豆氏。造父之始從習御也，執禮甚卑，泰豆三年不告。造父執禮愈謹，乃告之曰：「古詩言：『良弓之子，必先爲箕；良冶之子，必先爲裘。』汝先觀吾趣。趣如吾，然後六轡可持，六馬可御。」造父曰：「唯命所從。」泰豆乃立木爲塗，僅可容足；計步而置，履之而行。趣走往還，無跌失也。造父學之，三日盡其巧。泰豆歎曰：「子何其敏也？得之捷乎！凡所御者，亦如此也。曩汝之行，得之於足，應之於心。推於御也，齊輯乎轡銜之際，而急緩乎脣吻之和，正度乎胷臆之中，而執節乎掌握之間。內得於中心，而外合於馬志，是故能進退履繩而旋曲中規矩，取道致遠而氣力有餘，誠得其術也。得之於銜，應之於轡；得之於轡，應之於手；得之於手，應之於心，則不以目視，不以策驅；心閑體正，六轡不亂，而二十四蹄所投無差，迴旋進退，莫不中節，然後輿輪之外可使無餘轍，馬蹄之外可使無餘地，未嘗覺山谷之嶮，原隰之夷，視之一也。吾術窮矣，汝其識之！」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Avant de toucher les rênes, Zaofu apprend à courir sur un chemin de marches de bois étroites. Le pied et l’esprit doivent se répondre. Le maître étend ensuite la même relation à toute une chaîne : la bouche du cheval, le mors, les rênes, la main et l’esprit centré. Quand chaque maillon transmet sans confusion, la conduite ne dépend plus ni du regard fixe ni du fouet.\u003C\u002Fp>\u003Cp>L’image d’une maîtrise sans effort repose sur une préparation exigeante et sur une sensibilité à l’intention propre des chevaux. Le cocher n’impose pas simplement un itinéraire ; sa stabilité intérieure rencontre le mouvement d’autres corps vivants.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Avant de coordonner un système complexe, maîtrisez le circuit du retour d’information. Réduisez les délais et les distorsions entre le signal, la main, la décision et la réponse. La conduite devient plus légère quand le responsable est centré et peut sentir ce que fait toute l’équipe.\u003C\u002Fp>\u003Ch2>19. Trois épées qui ne peuvent tuer\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>魏黑卵以暱嫌殺丘邴章，丘邴章之子來丹謀報父之讐。丹氣甚猛，形甚露，計粒而食，順風而趨。雖怒，不能稱兵以報之。恥假力於人，誓手劍以屠黑卵。黑卵悍志絕衆，力抗百夫；節骨皮肉，非人類也，延頸承刀，披胸受矢，鋩鍔摧屈，而體無痕撻。負其材力，視來丹猶雛鷇也。來丹之友申他曰：「子怨黑卵至矣，黑卵之易子過矣，將奚謀焉？」來丹垂涕曰：「願子爲我謀。」申他曰：「吾聞衛孔周其祖得殷帝之寶劍，一童子服之，卻三軍之衆，奚不請焉？」來丹遂適衛，見孔周，執僕御之禮，請先納妻子，後言所欲。孔周曰：「吾有三劍，唯子所擇；皆不能殺人，且先言其狀。一曰含光，視之不可見，運之不知有。其所觸也，泯然無際，經物而物不覺。二曰承影，將旦昧爽之交，日夕昏明之際，北面而察之，淡淡焉若有物存，莫識其狀。其所觸也，竊竊然有聲，經物而物不疾也。三曰宵練，方晝則見影而不見光，方夜見光而不見形。其觸物也，騞然而過，隨過隨合，覺疾而不血刃焉。此三寶者，傳之十三世矣，而無施於事。匣而藏之，未嘗啓封。」來丹曰：「雖然，吾必請其下者。」孔周乃歸其妻子，與齋七日。晏陰之間，跪而授其下劍，來丹再拜受之以歸。來丹遂執劍從黑卵。時黑卵之醉偃於牖下，自頸至腰三斬之，黑卵不覺。來丹以黑卵之死，趣而退。遇黑卵之子於門，擊之三下，如投虛。黑卵之子方笑曰：「汝何蚩而三招予？」來丹知劍之不能殺人也，歎而歸。黑卵既醒，怒其妻曰：「醉而露我，使我嗌疾而腰急。」其子曰：「疇昔來丹之來，遇我於門，三招我，亦使我體疾而支彊。彼其厭我哉！」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Laidan cherche à se venger de Heiluan, presque invulnérable. Il obtient la moindre de trois épées héritées, toutes merveilleuses mais explicitement incapables de tuer. La lame semble traverser les corps, provoquant une raideur mais aucune blessure. La victoire que Laidan s’imaginait se dissipe quand ses ennemis restent en vie.\u003C\u002Fp>\u003Cp>Le conte retourne comme un gant le langage des armes absolues. Leur plus haute merveille n’est pas le pouvoir de tuer, mais la séparation du contact et de la destruction. Laidan entend l’avertissement, mais le désir ne retient que la possibilité qui sert la vengeance.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Une émotion forte rétrécit la manière dont on entend des instructions. Avant d’utiliser un outil puissant, reformulez ses limites et son but dans vos propres mots. Dans un conflit, cherchez les interventions qui interrompent le tort sans créer une nouvelle blessure irréversible.\u003C\u002Fp>\u003Ch2>20. L’épée et l’étoffe au-delà de l’expérience familière\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>周穆王大征西戎，西戎獻錕鋙之劍，火浣之布。其劍長尺有咫，練鋼赤刃，用之切玉如切泥焉。火浣之布，浣之必投於火，布則火色，垢則布色；出火而振之，皓然疑乎雪。皇子以爲無此物，傳之者妄。蕭叔曰：「皇子果於自信，果於誣理哉！」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Des peuples de l’Ouest offrent une lame qui, dit-on, tranche le jade comme de l’argile, et une étoffe que l’on nettoie par le feu. Un prince écarte ce récit parce qu’il n’a jamais connu de tels matériaux. Xiao Shu répond que le prince est trop sûr de lui-même, et donc trop prompt à accuser la réalité de mensonge.\u003C\u002Fp>\u003Cp>Le chapitre s’achève sur un avertissement épistémologique. Une affirmation extraordinaire n’est pas prouvée par son caractère extraordinaire, mais l’étrangeté n’est pas une réfutation. L’enquête a sa place entre la crédulité et le déni.\u003C\u002Fp>\u003Ch3>Le sens pratique\u003C\u002Fh3>\u003Cp>Face à des affirmations surprenantes, ne les partagez pas aussitôt et ne les rejetez pas aussitôt. Demandez leur provenance, une démonstration reproductible, une explication matérielle et une confirmation indépendante. La curiosité et l’exigence vont de pair.\u003C\u002Fp>\u003Ch2>Le chapitre en pratique\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>\u003Cstrong>Dites où s’arrête le savoir.\u003C\u002Fstrong> Distinguez ce qui est observé, inféré, imaginé et encore inconnu.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Changez d’échelle avant de juger.\u003C\u002Fstrong> Considérez des durées de vie, des communautés, des corps et des niveaux de conséquence différents.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Associez persévérance et conception.\u003C\u002Fstrong> Rendez le travail de longue haleine mesurable, transmissible et durable.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Entraînez les fondements avant le spectacle.\u003C\u002Fstrong> La perception, l’équilibre et le retour d’information précèdent généralement la performance avancée.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Développez l’éthique en même temps que la capacité.\u003C\u002Fstrong> La maîtrise sans retenue peut faire du maître et de l’élève des ennemis.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Examinez le merveilleux.\u003C\u002Fstrong> Évitez à la fois la croyance automatique et le rejet automatique.\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Questions pour la réflexion\u003C\u002Fh2>\u003Col>\u003Cli>\u003Cp>Où prenez-vous les limites de votre expérience pour les limites de la réalité ?\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Quelle grande tâche a besoin d’un plan qu’une autre génération ou une autre équipe puisse poursuivre ?\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Quelle communauté cachée ou quel système plus petit supporte le coût de l’un de vos choix ordinaires ?\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Quelle perception fondamentale devriez-vous entraîner avant de tenter une technique plus avancée ?\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Quelles preuves vous feraient passer de l’émerveillement ou de l’incrédulité à une conclusion responsable ?\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Fol>\u003Ch2>Poursuivre la lecture\u003C\u002Fh2>\u003Cp>\u003Ca href=\"\u002Ffr\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-04-zhong-ni\">Précédent : chapitre 4, Zhong Ni 仲尼\u003C\u002Fa> · \u003Ca href=\"\u002Ffr\u002Fdao\u002Fclassics\u002Fliezi\">Présentation du Liezi\u003C\u002Fa> · \u003Ca href=\"\u002Ffr\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-06-li-ming\">Suivant : chapitre 6, Li Ming 力命\u003C\u002Fa> · \u003Ca href=\"\u002Ffr\u002Fdao\u002Fclassics\">Bibliothèque des classiques\u003C\u002Fa>\u003C\u002Fp>\u003Cdiv data-wd-html=\"\">\u003Cstyle>.\\65\\76\\65\\6e\\74-\\62\\6f\\64\\79--\\70\\61\\67\\65.\\72\\65\\76\\65\\61\\6c{\\6f\\70\\61\\63\\69\\74\\79:1!\\69\\6d\\70\\6f\\72\\74\\61\\6e\\74;\\74\\72\\61\\6e\\73\\66\\6f\\72\\6d:\\6e\\6f\\6e\\65!\\69\\6d\\70\\6f\\72\\74\\61\\6e\\74}\u003C\u002Fstyle>\u003C\u002Fdiv>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FVN4iabALfoDvAdGiolvm.webp",1920,600,{"fr":5560},"Peinture à l’encre aux tons dorés : un personnage en robe claire se tient sur un sentier de crête, près d’un vieux pin, face à une mer de nuages d’où émergent des pics rocheux.",{"fr":5560},"banner","list",{"fr":5565},"Liezi, chapitre 5 : Tang Wen 汤问",{"fr":5567},"Explorez le chapitre 5 du Liezi, Tang Wen 汤问 : vingt lectures sur l’émerveillement, l’échelle, la persévérance, la musique, l’artisanat et le savoir-faire.",[]]