[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-fr":3,"site-nav-reference-en":1928,"site-nav-fr-all":3780,"event-categories-fr":5263,"site-settings":5473,"node-fr-dao\u002Fclassics\u002Fliezi\u002Fchapter-08-shuo-fu":5515},{"data":4},{"header":5,"footer":1907},[6,624,763,877,1257,1425,1659,1904],{"to":7,"label":8,"children":9},"\u002Fdao","Dao",[10,41,259,533,558,583,615,618,621],{"to":11,"label":12,"children":13},"\u002Fdao\u002Fintroduction","Commencer avec le Dao",[14,17,20,23,26,29,32,35,38],{"to":15,"label":16},"\u002Fdao\u002Fintroduction\u002Fwhat-is-taoism","Qu'est-ce que le taoïsme ? Textes, traditions et pratiques",{"to":18,"label":19},"\u002Fdao\u002Fintroduction\u002Fthe-dao-explained","Le Tao : la source de tous les êtres",{"to":21,"label":22},"\u002Fdao\u002Fintroduction\u002Fcore-ideas","Idées essentielles : wu wei, yin-yang et ziran",{"to":24,"label":25},"\u002Fdao\u002Fintroduction\u002Fphilosophical-vs-religious","Taoïsme philosophique et religieux : des voies distinctes, un héritage partagé",{"to":27,"label":28},"\u002Fdao\u002Fintroduction\u002Fa-short-history","Une brève histoire du taoïsme",{"to":30,"label":31},"\u002Fdao\u002Fintroduction\u002Fkey-texts","Les principaux textes taoïstes en un regard",{"to":33,"label":34},"\u002Fdao\u002Fintroduction\u002Feveryday-life","Le taoïsme dans la vie quotidienne",{"to":36,"label":37},"\u002Fdao\u002Fintroduction\u002Funderstanding-taoism-in-context","Comprendre le taoïsme dans son contexte",{"to":39,"label":40},"\u002Fdao\u002Fintroduction\u002Fwhere-to-go-next","Où poursuivre votre découverte ?",{"to":42,"label":43,"children":44},"\u002Fdao\u002Fyi-jing","Yijing",[45,48,51,247,250,253,256],{"to":46,"label":47},"\u002Fdao\u002Fyi-jing\u002Forigins-history","Origines et histoire du Yijing",{"to":49,"label":50},"\u002Fdao\u002Fyi-jing\u002Feight-trigrams","Les huit trigrammes (bagua)",{"to":52,"label":53,"children":54},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams","Les 64 hexagrammes",[55,58,61,64,67,70,73,76,79,82,85,88,91,94,97,100,103,106,109,112,115,118,121,124,127,130,133,136,139,142,145,148,151,154,157,160,163,166,169,172,175,178,181,184,187,190,193,196,199,202,205,208,211,214,217,220,223,226,229,232,235,238,241,244],{"to":56,"label":57},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-01-qian","1 · Qian 乾 ䷀",{"to":59,"label":60},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-02-kun","2 · Kun 坤 ䷁",{"to":62,"label":63},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-03-zhun","3 · Zhun 屯 ䷂",{"to":65,"label":66},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-04-meng","4 · Meng 蒙 ䷃",{"to":68,"label":69},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-05-xu","5 · Xu 需 ䷄",{"to":71,"label":72},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-06-song","6 · Song 讼 ䷅",{"to":74,"label":75},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-07-shi","7 · Shi 师 ䷆",{"to":77,"label":78},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-08-bi","8 · Bi 比 ䷇",{"to":80,"label":81},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-09-xiao-xu","9 · Xiao Xu 小畜 ䷈",{"to":83,"label":84},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-10-lu","10 · Lü 履 ䷉",{"to":86,"label":87},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-11-tai","11 · Tai 泰 ䷊",{"to":89,"label":90},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-12-pi","12 · Pi 否 ䷋",{"to":92,"label":93},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-13-tong-ren","13 · Tong Ren 同人 ䷌",{"to":95,"label":96},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-14-da-you","14 · Da You 大有 ䷍",{"to":98,"label":99},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-15-qian-modesty","15 · Qian 谦 ䷎",{"to":101,"label":102},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-16-yu","16 · Yu 豫 ䷏",{"to":104,"label":105},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-17-sui","17 · Sui 随 ䷐",{"to":107,"label":108},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-18-gu","18 · Gu 蛊 ䷑",{"to":110,"label":111},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-19-lin","19 · Lin 临 ䷒",{"to":113,"label":114},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-20-guan","20 · Guan 观 ䷓",{"to":116,"label":117},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-21-shi-he","21 · Shi He 噬嗑 ䷔",{"to":119,"label":120},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-22-bi","22 · Bi 贲 ䷕",{"to":122,"label":123},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-23-bo","23 · Bo 剥 ䷖",{"to":125,"label":126},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-24-fu","24 · Fu 复 ䷗",{"to":128,"label":129},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-25-wu-wang","25 · Wu Wang 无妄 ䷘",{"to":131,"label":132},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-26-da-xu","26 · Da Xu 大畜 ䷙",{"to":134,"label":135},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-27-yi","27 · Yi 颐 ䷚",{"to":137,"label":138},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-28-da-guo","28 · Da Guo 大过 ䷛",{"to":140,"label":141},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-29-kan","29 · Kan 坎 ䷜",{"to":143,"label":144},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-30-li","30 · Li 离 ䷝",{"to":146,"label":147},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-31-xian","31 · Xian 咸 ䷞",{"to":149,"label":150},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-32-heng","32 · Heng 恒 ䷟",{"to":152,"label":153},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-33-dun","33 · Dun 遁 ䷠",{"to":155,"label":156},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-34-da-zhuang","34 · Da Zhuang 大壮 ䷡",{"to":158,"label":159},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-35-jin","35 · Jin 晋 ䷢",{"to":161,"label":162},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-36-ming-yi","36 · Ming Yi 明夷 ䷣",{"to":164,"label":165},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-37-jia-ren","37 · Jia Ren 家人 ䷤",{"to":167,"label":168},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-38-kui","38 · Kui 睽 ䷥",{"to":170,"label":171},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-39-jian","39 · Jian 蹇 ䷦",{"to":173,"label":174},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-40-jie","40 · Jie 解 ䷧",{"to":176,"label":177},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-41-sun","41 · Sun 损 ䷨",{"to":179,"label":180},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-42-yi","42 · Yi 益 ䷩",{"to":182,"label":183},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-43-guai","43 · Guai 夬 ䷪",{"to":185,"label":186},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-44-gou","44 · Gou 姤 ䷫",{"to":188,"label":189},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-45-cui","45 · Cui 萃 ䷬",{"to":191,"label":192},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-46-sheng","46 · Sheng 升 ䷭",{"to":194,"label":195},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-47-kun","47 · Kun 困 ䷮",{"to":197,"label":198},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-48-jing","48 · Jing 井 ䷯",{"to":200,"label":201},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-49-ge","49 · Ge 革 ䷰",{"to":203,"label":204},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-50-ding","50 · Ding 鼎 ䷱",{"to":206,"label":207},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-51-zhen","51 · Zhen 震 ䷲",{"to":209,"label":210},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-52-gen","52 · Gen 艮 ䷳",{"to":212,"label":213},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-53-jian","53 · Jian 渐 ䷴",{"to":215,"label":216},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-54-gui-mei","54 · Gui Mei 归妹 ䷵",{"to":218,"label":219},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-55-feng","55 · Feng 丰 ䷶",{"to":221,"label":222},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-56-lu","56 · Lü 旅 ䷷",{"to":224,"label":225},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-57-xun","57 · Xun 巽 ䷸",{"to":227,"label":228},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-58-dui","58 · Dui 兑 ䷹",{"to":230,"label":231},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-59-huan","59 · Huan 涣 ䷺",{"to":233,"label":234},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-60-jie","60 · Jie 节 ䷻",{"to":236,"label":237},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-61-zhong-fu","61 · Zhong Fu 中孚 ䷼",{"to":239,"label":240},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-62-xiao-guo","62 · Xiao Guo 小过 ䷽",{"to":242,"label":243},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-63-ji-ji","63 · Ji Ji 既济 ䷾",{"to":245,"label":246},"\u002Fdao\u002Fyi-jing\u002Fthe-64-hexagrams\u002Fhexagram-64-wei-ji","64 · Wei Ji 未济 ䷿",{"to":248,"label":249},"\u002Fdao\u002Fyi-jing\u002Fyin-yang-philosophy","Le yin, le yang et la philosophie du changement",{"to":251,"label":252},"\u002Fdao\u002Fyi-jing\u002Fdivination-method-practice","Méthode et pratique de la divination",{"to":254,"label":255},"\u002Fdao\u002Fyi-jing\u002Ftaoism-connection","Le Yijing dans la pratique taoïste",{"to":257,"label":258},"\u002Fdao\u002Fyi-jing\u002Fkey-translations-further-reading","Principales traductions et lectures complémentaires",{"to":260,"label":261,"children":262},"\u002Fdao\u002Fdao-de-jing","Dao De Jing",[263,266,269,272,275,278,281,283,530],{"to":264,"label":265},"\u002Fdao\u002Fdao-de-jing\u002Forigins-authorship","Origines et auteur du Dao De Jing",{"to":267,"label":268},"\u002Fdao\u002Fdao-de-jing\u002Fstructure-of-the-text","Structure du texte",{"to":270,"label":271},"\u002Fdao\u002Fdao-de-jing\u002Fcore-themes","Thèmes centraux : le Dao, le wuwei et le naturel",{"to":273,"label":274},"\u002Fdao\u002Fdao-de-jing\u002Fsimplicity-humility-the-uncarved-block","Simplicité, humilité et bloc brut",{"to":276,"label":277},"\u002Fdao\u002Fdao-de-jing\u002Fgovernance-the-sage-ruler","Le gouvernement et le souverain-sage",{"to":279,"label":280},"\u002Fdao\u002Fdao-de-jing\u002Ftaoism-connection","Le Dao De Jing dans la pratique taoïste",{"to":282,"label":258},"\u002Fdao\u002Fdao-de-jing\u002Fkey-translations-further-reading",{"to":284,"label":285,"children":286},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text","Tao Te Ching : les 81 chapitres",[287,290,293,296,299,302,305,308,311,314,317,320,323,326,329,332,335,338,341,344,347,350,353,356,359,362,365,368,371,374,377,380,383,386,389,392,395,398,401,404,407,410,413,416,419,422,425,428,431,434,437,440,443,446,449,452,455,458,461,464,467,470,473,476,479,482,485,488,491,494,497,500,503,506,509,512,515,518,521,524,527],{"to":288,"label":289},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-01","Chapitre 1 — Le Tao au-delà des noms",{"to":291,"label":292},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-02","Chapitre 2 — Les contraires naissent ensemble",{"to":294,"label":295},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-03","Chapitre 3 — Apaiser la rivalité",{"to":297,"label":298},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-04","Chapitre 4 — La source vide",{"to":300,"label":301},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-05","Chapitre 5 — Le soufflet du ciel et de la terre",{"to":303,"label":304},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-06","Chapitre 6 — L’esprit de la vallée",{"to":306,"label":307},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-07","Chapitre 7 — Durer au-delà de soi",{"to":309,"label":310},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-08","Chapitre 8 — La bonté de l’eau",{"to":312,"label":313},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-09","Chapitre 9 — Savoir s’arrêter",{"to":315,"label":316},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-10","Chapitre 10 — Embrasser l’Un",{"to":318,"label":319},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-11","Chapitre 11 — L’utilité de l’espace vide",{"to":321,"label":322},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-12","Chapitre 12 — Veiller sur les sens",{"to":324,"label":325},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-13","Chapitre 13 — Honneur, disgrâce et moi",{"to":327,"label":328},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-14","Chapitre 14 — La forme sans forme",{"to":330,"label":331},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-15","Chapitre 15 — Les maîtres anciens",{"to":333,"label":334},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-16","Chapitre 16 — Revenir à la racine",{"to":336,"label":337},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-17","Chapitre 17 — Diriger sans peser",{"to":339,"label":340},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-18","Chapitre 18 — Quand le grand Tao se perd",{"to":342,"label":343},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-19","Chapitre 19 — Revenir à la simplicité",{"to":345,"label":346},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-20","Chapitre 20 — Différer de la foule",{"to":348,"label":349},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-21","Chapitre 21 — Suivre le Tao",{"to":351,"label":352},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-22","Chapitre 22 — Plier sans rompre",{"to":354,"label":355},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-23","Chapitre 23 — Peu de paroles, une action naturelle",{"to":357,"label":358},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-24","Chapitre 24 — Se tenir debout sans forcer",{"to":360,"label":361},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-25","Chapitre 25 — La Voie de la nature",{"to":363,"label":364},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-26","Chapitre 26 — S’enraciner dans le calme",{"to":366,"label":367},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-27","Chapitre 27 — Ne laisser personne de côté",{"to":369,"label":370},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-28","Chapitre 28 — Revenir au bloc non taillé",{"to":372,"label":373},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-29","Chapitre 29 — Le monde n’est pas un objet",{"to":375,"label":376},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-30","Chapitre 30 — La puissance sans domination",{"to":378,"label":379},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-31","Chapitre 31 — La victoire sans célébration",{"to":381,"label":382},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-32","Chapitre 32 — La simplicité sans nom",{"to":384,"label":385},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-33","Chapitre 33 — Se connaître soi-même",{"to":387,"label":388},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-34","Chapitre 34 — Grand sans posséder",{"to":390,"label":391},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-35","Chapitre 35 — La grande image",{"to":393,"label":394},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-36","Chapitre 36 — La compréhension subtile",{"to":396,"label":397},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-37","Chapitre 37 — Agir sans forcer",{"to":399,"label":400},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-38","Chapitre 38 — Du Tao au rituel",{"to":402,"label":403},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-39","Chapitre 39 — S’enraciner dans l’Un",{"to":405,"label":406},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-40","Chapitre 40 — Retourner et céder",{"to":408,"label":409},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-41","Chapitre 41 — Le Tao qui paraît contraire",{"to":411,"label":412},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-42","Chapitre 42 — Yin, yang et harmonie",{"to":414,"label":415},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-43","Chapitre 43 — Le plus souple surmonte le plus dur",{"to":417,"label":418},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-44","Chapitre 44 — La vie avant la réputation",{"to":420,"label":421},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-45","Chapitre 45 — Le grand accomplissement semble incomplet",{"to":423,"label":424},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-46","Chapitre 46 — La suffisance du contentement",{"to":426,"label":427},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-47","Chapitre 47 — Connaître sans voyager au loin",{"to":429,"label":430},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-48","Chapitre 48 — Apprendre en lâchant prise",{"to":432,"label":433},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-49","Chapitre 49 — Un cœur ouvert au peuple",{"to":435,"label":436},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-50","Chapitre 50 — Vivre sans s’agripper à la vie",{"to":438,"label":439},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-51","Chapitre 51 — La vertu profonde nourrit",{"to":441,"label":442},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-52","Chapitre 52 — Revenir à la mère",{"to":444,"label":445},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-53","Chapitre 53 — La grande Voie et les chemins de traverse",{"to":447,"label":448},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-54","Chapitre 54 — Le travail sur soi, de soi au monde",{"to":450,"label":451},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-55","Chapitre 55 — La vitalité du nourrisson",{"to":453,"label":454},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-56","Chapitre 56 — L’unité mystérieuse",{"to":456,"label":457},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-57","Chapitre 57 — Gouverner avec moins d’interférences",{"to":459,"label":460},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-58","Chapitre 58 — Le bonheur repose sur le malheur",{"to":462,"label":463},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-59","Chapitre 59 — Racines profondes et préservation",{"to":465,"label":466},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-60","Chapitre 60 — Gouverner comme on cuit un petit poisson",{"to":468,"label":469},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-61","Chapitre 61 — Le grand État se tient en bas",{"to":471,"label":472},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-62","Chapitre 62 — Le refuge de tous les êtres",{"to":474,"label":475},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-63","Chapitre 63 — Commencer par ce qui est petit",{"to":477,"label":478},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-64","Chapitre 64 — Soigner la fin autant que le début",{"to":480,"label":481},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-65","Chapitre 65 — Au-delà de l’habileté manipulatrice",{"to":483,"label":484},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-66","Chapitre 66 — Diriger depuis le bas",{"to":486,"label":487},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-67","Chapitre 67 — Les trois trésors",{"to":489,"label":490},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-68","Chapitre 68 — La vertu de ne pas rivaliser",{"to":492,"label":493},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-69","Chapitre 69 — Ne jamais sous-estimer l’adversaire",{"to":495,"label":496},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-70","Chapitre 70 — Des habits simples, du jade au-dedans",{"to":498,"label":499},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-71","Chapitre 71 — Savoir que l’on ne sait pas",{"to":501,"label":502},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-72","Chapitre 72 — L’autorité sans oppression",{"to":504,"label":505},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-73","Chapitre 73 — Le courage de ne pas forcer",{"to":507,"label":508},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-74","Chapitre 74 — Ne pas prendre la place du bourreau",{"to":510,"label":511},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-75","Chapitre 75 — Quand les dirigeants consomment trop",{"to":513,"label":514},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-76","Chapitre 76 — Les vivants sont souples",{"to":516,"label":517},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-77","Chapitre 77 — La Voie du ciel ressemble à un arc",{"to":519,"label":520},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-78","Chapitre 78 — Rien n’est plus souple que l’eau",{"to":522,"label":523},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-79","Chapitre 79 — Après un grand ressentiment",{"to":525,"label":526},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-80","Chapitre 80 — Une communauté petite et satisfaite",{"to":528,"label":529},"\u002Fdao\u002Fdao-de-jing\u002Ffull-text\u002Fchapter-81","Chapitre 81 — La Voie qui bénéficie sans nuire",{"to":531,"label":532},"\u002Fdao\u002Fdao-de-jing\u002Fdao-de-jing-commentaries-heshang-gong-wang-bi-xianger","Comment les commentaires transforment le Dao De Jing : Heshang Gong, Wang Bi et le Xiang’er",{"to":534,"label":535,"children":536},"\u002Fdao\u002Ftaiji","Taiji",[537,540,543,546,549,552,555],{"to":538,"label":539},"\u002Fdao\u002Ftaiji\u002Forigins-meaning","Origines et sens du Taiji",{"to":541,"label":542},"\u002Fdao\u002Ftaiji\u002Ftaijitu-diagram","Le diagramme du Taiji (taijitu)",{"to":544,"label":545},"\u002Fdao\u002Ftaiji\u002Ftaiji-wuji-cosmology","Taiji, Wuji et cosmologie",{"to":547,"label":548},"\u002Fdao\u002Ftaiji\u002Fyin-and-yang-within-taiji","Le yin et le yang au sein du Taiji",{"to":550,"label":551},"\u002Fdao\u002Ftaiji\u002Ftaiji-in-neo-confucian-taoist-thought","Le Taiji dans la pensée néo-confucéenne et taoïste",{"to":553,"label":554},"\u002Fdao\u002Ftaiji\u002Finternal-martial-practice","Le Taiji et la pratique martiale interne",{"to":556,"label":557},"\u002Fdao\u002Ftaiji\u002Fkey-sources-further-reading","Sources principales et pour aller plus loin",{"to":559,"label":560,"children":561},"\u002Fdao\u002Fzhuang-zi","Zhuangzi",[562,565,568,571,574,577,580],{"to":563,"label":564},"\u002Fdao\u002Fzhuang-zi\u002Flife-historical-context","Zhuangzi : sa vie et son contexte historique",{"to":566,"label":567},"\u002Fdao\u002Fzhuang-zi\u002Fstructure-authorship","Structure et auteurs du texte",{"to":569,"label":570},"\u002Fdao\u002Fzhuang-zi\u002Fcore-themes","Thèmes centraux : l’errance, le wuwei et la spontanéité",{"to":572,"label":573},"\u002Fdao\u002Fzhuang-zi\u002Fequality-of-things","L’égalité des choses et la relativité des points de vue",{"to":575,"label":576},"\u002Fdao\u002Fzhuang-zi\u002Ffamous-parables","Les paraboles célèbres du Zhuangzi",{"to":578,"label":579},"\u002Fdao\u002Fzhuang-zi\u002Ftaoism-connection","Zhuangzi dans la pratique taoïste et son influence ultérieure",{"to":581,"label":582},"\u002Fdao\u002Fzhuang-zi\u002Fkey-translations-further-reading","Traductions essentielles et lectures pour aller plus loin",{"to":584,"label":585,"children":586},"\u002Fdao\u002Fclassics","Bibliothèque des classiques",[587],{"to":588,"label":589,"children":590},"\u002Fdao\u002Fclassics\u002Fliezi","Le Liezi",[591,594,597,600,603,606,609,612],{"to":592,"label":593},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-01-tian-rui","Chapitre 1 : Tian Rui 天瑞",{"to":595,"label":596},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-02-huang-di","Chapitre 2 : Huang Di 黄帝",{"to":598,"label":599},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-03-zhou-mu-wang","Chapitre 3 : Zhou Mu Wang 周穆王",{"to":601,"label":602},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-04-zhong-ni","Chapitre 4 : Zhong Ni 仲尼",{"to":604,"label":605},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-05-tang-wen","Chapitre 5 : Tang Wen 汤问",{"to":607,"label":608},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-06-li-ming","Chapitre six : Li Ming 力命",{"to":610,"label":611},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-07-yang-zhu","Chapitre sept : Yang Zhu 杨朱",{"to":613,"label":614},"\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-08-shuo-fu","Chapitre huit : Shuo Fu 说符",{"to":616,"label":617},"\u002Fdao\u002Fdaoist-philosophy","Philosophie taoïste",{"to":619,"label":620},"\u002Fdao\u002Fwu-wei-natural-living","Wu wei et vie naturelle",{"to":622,"label":623},"\u002Fdao\u002Fdaoist-view-of-life","Une vision taoïste de la vie",{"to":625,"label":626,"children":627},"\u002Fmartial-arts","Arts martiaux de Wudang",[628,650,675,694,713,738],{"to":629,"label":630,"children":631},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Fondements des arts martiaux internes",[632,635,638,641,644,647],{"to":633,"label":634},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Finternal-vs-external","Arts internes et externes : comprendre neijia et waijia",{"to":636,"label":637},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fzhang-sanfeng-legend","Zhang Sanfeng : histoire et traditions de Wudang",{"to":639,"label":640},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fthree-treasures","Jing, qi et shen dans l’apprentissage martial",{"to":642,"label":643},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fsong-rooting-jin","Song, enracinement et puissance du corps entier",{"to":645,"label":646},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fmartial-cultivation","Arts martiaux et cultivation de soi dans le taoïsme",{"to":648,"label":649},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fkey-sources-further-reading","Sources et lectures pour comprendre les arts internes",{"to":651,"label":652,"children":653},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan : comprendre le tai-chi et choisir sa pratique",[654,657,660,663,666,669,672],{"to":655,"label":656},"\u002Fmartial-arts\u002Ftaijiquan\u002Forigins-history","Origines et histoire du taijiquan",{"to":658,"label":659},"\u002Fmartial-arts\u002Ftaijiquan\u002Ffamily-styles","Les styles familiaux du taijiquan : Chen, Yang, Wu, Wu (Hao) et Sun",{"to":661,"label":662},"\u002Fmartial-arts\u002Ftaijiquan\u002Fwudang-taijiquan","Taijiquan de Wudang : histoire, renouveau et pratique vivante",{"to":664,"label":665},"\u002Fmartial-arts\u002Ftaijiquan\u002Fprinciples-classics","Principes essentiels et classiques du taiji",{"to":667,"label":668},"\u002Fmartial-arts\u002Ftaijiquan\u002Fpush-hands","Poussée des mains du taijiquan (tuishou) : exercices à deux, compétences et sécurité",{"to":670,"label":671},"\u002Fmartial-arts\u002Ftaijiquan\u002Fhealth-and-combat","Santé et pratique martiale dans le taijiquan",{"to":673,"label":674},"\u002Fmartial-arts\u002Ftaijiquan\u002Fkey-sources-further-reading","Sources et parcours de lecture sur le taijiquan",{"to":676,"label":677,"children":678},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang : marche en cercle, changements de paume et mobilité",[679,682,685,688,691],{"to":680,"label":681},"\u002Fmartial-arts\u002Fbaguazhang\u002Forigins-history","Origines et histoire du baguazhang : Dong Haichuan et les sources",{"to":683,"label":684},"\u002Fmartial-arts\u002Fbaguazhang\u002Fcircle-walking-palm-changes","Marche en cercle et changements de paume en baguazhang",{"to":686,"label":687},"\u002Fmartial-arts\u002Fbaguazhang\u002Fbagua-yijing-connection","Baguazhang et Yijing : histoire, diagrammes et pratique",{"to":689,"label":690},"\u002Fmartial-arts\u002Fbaguazhang\u002Fprinciples","Principes du baguazhang : tourner, prendre l’angle et changer",{"to":692,"label":693},"\u002Fmartial-arts\u002Fbaguazhang\u002Fkey-sources-further-reading","Sources sur le baguazhang et parcours de lecture",{"to":695,"label":696,"children":697},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan : structure, intention et entraînement direct",[698,701,704,707,710],{"to":699,"label":700},"\u002Fmartial-arts\u002Fxingyiquan\u002Forigins-history","Origines et histoire du xingyiquan",{"to":702,"label":703},"\u002Fmartial-arts\u002Fxingyiquan\u002Ffive-element-fists","Les cinq poings du xingyiquan",{"to":705,"label":706},"\u002Fmartial-arts\u002Fxingyiquan\u002Ftwelve-animals","Les douze formes animales du xingyiquan",{"to":708,"label":709},"\u002Fmartial-arts\u002Fxingyiquan\u002Fprinciples","Principes du xingyiquan : six coordinations, intention et puissance",{"to":711,"label":712},"\u002Fmartial-arts\u002Fxingyiquan\u002Fkey-sources-further-reading","Sources du xingyiquan et parcours de lecture",{"to":714,"label":715,"children":716},"\u002Fmartial-arts\u002Fweapons","Épée et armes de Wudang : histoire, pratique et contextes",[717,720,723,726,729,732,735],{"to":718,"label":719},"\u002Fmartial-arts\u002Fweapons\u002Fwudang-jian","Épée droite de Wudang : le programme de 1931 et son contexte",{"to":721,"label":722},"\u002Fmartial-arts\u002Fweapons\u002Fbroadsword-staff-spear","Sabre, bâton et lance : découvrir les armes chinoises",{"to":724,"label":725},"\u002Fmartial-arts\u002Fweapons\u002Fwhisk-fan-rare-weapons","Chasse-mouches, éventail et autres instruments de Wudang",{"to":727,"label":728},"\u002Fmartial-arts\u002Fweapons\u002Fweapon-as-extension","L’arme et le corps : coordination, perception et pratique",{"to":730,"label":731},"\u002Fmartial-arts\u002Fweapons\u002Fkey-sources-further-reading","Sources et parcours de lecture sur les armes de Wudang",{"to":733,"label":734},"\u002Fmartial-arts\u002Fweapons\u002Fhow-to-read-chinese-jian","Comment lire une épée chinoise jian : lame, poignée, fourreau et contexte",{"to":736,"label":737},"\u002Fmartial-arts\u002Fweapons\u002Fhow-to-read-chinese-dao","Comment lire un dao chinois : tranchant, courbure, monture et contexte",{"to":739,"label":740,"children":741},"\u002Fmartial-arts\u002Ftraining-practice","Entraînement et pratique : construire une routine durable",[742,745,748,751,754,757,760],{"to":743,"label":744},"\u002Fmartial-arts\u002Ftraining-practice\u002Fjibengong-stances","Jibengong et travail des postures : construire des bases sûres",{"to":746,"label":747},"\u002Fmartial-arts\u002Ftraining-practice\u002Fforms-drills-applications","Formes, exercices et applications : relier pratique solo et travail à deux",{"to":749,"label":750},"\u002Fmartial-arts\u002Ftraining-practice\u002Fneigong","Neigong : entraînement interne, respiration et attention",{"to":752,"label":753},"\u002Fmartial-arts\u002Ftraining-practice\u002Fwude-lineage","Wude : éthique martiale, transmission et enseignement responsable",{"to":755,"label":756},"\u002Fmartial-arts\u002Ftraining-practice\u002Ftraining-at-wudang","S’entraîner à Wudang : choisir une école ou un stage",{"to":758,"label":759},"\u002Fmartial-arts\u002Ftraining-practice\u002Fkey-sources-further-reading","Sources d’entraînement et parcours de lecture : des manuels à la pratique",{"to":761,"label":762},"\u002Fmartial-arts\u002Ftraining-practice\u002Fbeginner-pathway","Comment commencer la pratique de Wudang : un parcours pour débuter",{"to":764,"label":765,"children":766},"\u002Fwellness","Bien-être à Wudang",[767,792,814,836,858,861,864,867,870],{"to":768,"label":769,"children":770},"\u002Fwellness\u002Fqigong","Qigong : comprendre les méthodes et choisir sa pratique",[771,774,777,780,783,786,789],{"to":772,"label":773},"\u002Fwellness\u002Fqigong\u002Forigins-history-of-qigong","Origines et histoire du qigong",{"to":775,"label":776},"\u002Fwellness\u002Fqigong\u002Fthe-three-regulations","Les trois régulations du qigong",{"to":778,"label":779},"\u002Fwellness\u002Fqigong\u002Ffamous-forms-and-families","Formes et familles de qigong",{"to":781,"label":782},"\u002Fwellness\u002Fqigong\u002Fa-qigong-session","Déroulement d’une séance de qigong",{"to":784,"label":785},"\u002Fwellness\u002Fqigong\u002Fhealth-benefits-and-evidence","Qigong : bienfaits et niveau de preuve",{"to":787,"label":788},"\u002Fwellness\u002Fqigong\u002Fgetting-started-further-reading","Débuter le qigong et poursuivre son apprentissage",{"to":790,"label":791},"\u002Fwellness\u002Fqigong\u002Fmawangdui-daoyin-tu-early-chinese-exercise-chart","Le Daoyin tu de Mawangdui : lire une ancienne planche d’exercices chinois",{"to":793,"label":794,"children":795},"\u002Fwellness\u002Fherbal-healing","Pharmacopée chinoise",[796,799,802,805,808,811],{"to":797,"label":798},"\u002Fwellness\u002Fherbal-healing\u002Forigins-and-traditions","Origines et traditions de la pharmacopée chinoise",{"to":800,"label":801},"\u002Fwellness\u002Fherbal-healing\u002Fhow-herbs-are-understood","Comment la pharmacopée chinoise décrit les plantes",{"to":803,"label":804},"\u002Fwellness\u002Fherbal-healing\u002Fherbs-of-the-wudang-tradition","Plantes et pharmacopée dans la tradition de Wudang",{"to":806,"label":807},"\u002Fwellness\u002Fherbal-healing\u002Fformulas-and-preparation","Formules et préparation",{"to":809,"label":810},"\u002Fwellness\u002Fherbal-healing\u002Fsafety-and-responsible-use","Sécurité et usage responsable",{"to":812,"label":813},"\u002Fwellness\u002Fherbal-healing\u002Ffurther-reading-and-practice","Pour aller plus loin et pratiquer au quotidien",{"to":815,"label":816,"children":817},"\u002Fwellness\u002Ftaoist-medicine","Médecine taoïste",[818,821,824,827,830,833],{"to":819,"label":820},"\u002Fwellness\u002Ftaoist-medicine\u002Fthe-taoist-view-of-the-body","Le corps dans les traditions taoïstes",{"to":822,"label":823},"\u002Fwellness\u002Ftaoist-medicine\u002Fthe-three-treasures","Jing, qi et shen : les trois trésors",{"to":825,"label":826},"\u002Fwellness\u002Ftaoist-medicine\u002Fpractices-for-nourishing-life","Yangsheng : les pratiques pour nourrir la vie",{"to":828,"label":829},"\u002Fwellness\u002Ftaoist-medicine\u002Fpreventing-illness-and-the-seasons","Vivre avec les saisons : tradition et prévention",{"to":831,"label":832},"\u002Fwellness\u002Ftaoist-medicine\u002Ftaoist-and-modern-medicine","Médecines taoïstes et soins modernes : comprendre leurs relations",{"to":834,"label":835},"\u002Fwellness\u002Ftaoist-medicine\u002Ffurther-reading-and-practice","Lire et pratiquer au quotidien : repères taoïstes",{"to":837,"label":838,"children":839},"\u002Fwellness\u002Fenergy-sound-healing","Pratiques du son et de l’énergie",[840,843,846,849,852,855],{"to":841,"label":842},"\u002Fwellness\u002Fenergy-sound-healing\u002Fthe-taoist-sound-tradition","La tradition sonore taoïste",{"to":844,"label":845},"\u002Fwellness\u002Fenergy-sound-healing\u002Fsound-baths-and-instruments","Bains sonores et instruments",{"to":847,"label":848},"\u002Fwellness\u002Fenergy-sound-healing\u002Fforms-of-energy-work","Pratiques dites « énergétiques »",{"to":850,"label":851},"\u002Fwellness\u002Fenergy-sound-healing\u002Fa-session-what-to-expect","Une séance de son ou d’énergie : à quoi s’attendre",{"to":853,"label":854},"\u002Fwellness\u002Fenergy-sound-healing\u002Fhow-it-works-and-the-evidence","Comment cela agit : mécanismes et niveau de preuve",{"to":856,"label":857},"\u002Fwellness\u002Fenergy-sound-healing\u002Fgetting-started-further-reading","Débuter les pratiques du son et de l’énergie",{"to":859,"label":860},"\u002Fwellness\u002Fstanding-practice","Zhan zhuang : la pratique debout",{"to":862,"label":863},"\u002Fwellness\u002Fwudang-internal-cultivation","Cultivation intérieure de Wudang",{"to":865,"label":866},"\u002Fwellness\u002Fmoxibustion","Moxibustion",{"to":868,"label":869},"\u002Fwellness\u002Fbigu","Bigu",{"to":871,"label":872,"children":873},"\u002Fwellness\u002Fbaduanjin","Baduanjin (les Huit Brocarts)",[874],{"to":875,"label":876},"\u002Fwellness\u002Fbaduanjin\u002Feight-sections","Les huit mouvements du Baduanjin",{"to":878,"label":879,"children":880},"\u002Farts","Arts lettrés chinois : poésie, calligraphie, thé, guqin, peinture, encens et fleurs",[881,936,991,1112,1152,1201,1232],{"to":882,"label":883,"children":884},"\u002Farts\u002Fchinese-poetry-literature","Poésie et littérature chinoises : formes, contextes et parcours de lecture",[885,888,891,894,897,900,903,906,909,912,915,918,921,924,927,930,933],{"to":886,"label":887},"\u002Farts\u002Fchinese-poetry-literature\u002Forigins-spirit-of-chinese-poetry","Origines de la poésie chinoise : chant, texte et interprétation",{"to":889,"label":890},"\u002Farts\u002Fchinese-poetry-literature\u002Fbook-of-songs-classical-foundations","Le Livre des Odes : voix, performance et interprétation",{"to":892,"label":893},"\u002Farts\u002Fchinese-poetry-literature\u002Ftang-poetry-golden-age","Poésie des Tang : formes, voix et formation d’un canon",{"to":895,"label":896},"\u002Farts\u002Fchinese-poetry-literature\u002Ftaoist-landscape-poetry","Traditions daoïstes et poésie de paysage : lieux, retrait et interprétation",{"to":898,"label":899},"\u002Farts\u002Fchinese-poetry-literature\u002Fpoetry-as-cultivation","Poésie et formation de soi à Wudang : lire, observer, écrire",{"to":901,"label":902},"\u002Farts\u002Fchinese-poetry-literature\u002Fkey-poets-further-reading","Poésie chinoise : poètes, éditions et parcours de lecture",{"to":904,"label":905},"\u002Farts\u002Fchinese-poetry-literature\u002Fhow-to-read-chinese-regulated-verse","Comment lire la poésie chinoise régulière : vers, rime, tons et parallélisme",{"to":907,"label":908},"\u002Farts\u002Fchinese-poetry-literature\u002Fhow-to-read-chinese-ci-lyrics","Comment lire les ci chinois : airs, voix et transmission",{"to":910,"label":911},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-poetry-anthologies-canon-transmission","Comment les anthologies de poésie chinoise façonnent nos lectures",{"to":913,"label":914},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-thread-bound-books-folding-stitching-reading","Les livres chinois cousus : pliage, reliure et formes de lecture",{"to":916,"label":917},"\u002Farts\u002Fchinese-poetry-literature\u002Fhow-to-read-chinese-paired-couplets-parallelism-calligraphy-place","Lire les couplets chinois par le parallélisme, la calligraphie et le lieu",{"to":919,"label":920},"\u002Farts\u002Fchinese-poetry-literature\u002Fpoetry-on-chinese-paintings-inscriptions-colophons","La poésie sur la peinture chinoise : lire inscriptions et colophons",{"to":922,"label":923},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-fu-rhapsody-catalogues-courts-expansive-description","Le fu chinois : catalogues, cours et art de la description ample",{"to":925,"label":926},"\u002Farts\u002Fchinese-poetry-literature\u002Fwenxin-diaolong-liu-xie-writing-reading-literary-thought","Lire le Wenxin diaolong : comment Liu Xie pense l’écriture et la lecture",{"to":928,"label":929},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-shihua-poetry-talks-notes-anecdotes-criticism","Lire les shihua chinois : critique, notes et anecdotes sur la poésie",{"to":931,"label":932},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-prefaces-afterwords-xu-ba-books-texts-readers","Lire les préfaces et postfaces chinoises : comment les livres encadrent textes et lecteurs",{"to":934,"label":935},"\u002Farts\u002Fchinese-poetry-literature\u002Fchinese-biji-brush-notes-notebooks-miscellanies","Lire les biji chinois : comment des fragments deviennent savoir et littérature",{"to":937,"label":938,"children":939},"\u002Farts\u002Fcalligraphy","Calligraphie chinoise : écritures, matériaux et regard",[940,943,946,949,952,955,958,961,964,967,970,973,976,979,982,985,988],{"to":941,"label":942},"\u002Farts\u002Fcalligraphy\u002Forigins-history-of-calligraphy","Origines et histoire de la calligraphie chinoise",{"to":944,"label":945},"\u002Farts\u002Fcalligraphy\u002Fthe-five-script-styles","Les cinq grandes écritures de la calligraphie chinoise",{"to":947,"label":948},"\u002Farts\u002Fcalligraphy\u002Fcalligraphy-as-taoist-cultivation","Calligraphie et culture de soi taoïste : texte, attention et pratique",{"to":950,"label":951},"\u002Farts\u002Fcalligraphy\u002Ffour-treasures-of-the-study","Les Quatre Trésors du lettré : choisir et utiliser le matériel de calligraphie",{"to":953,"label":954},"\u002Farts\u002Fcalligraphy\u002Fbrush-technique-living-line","Le pinceau en calligraphie chinoise : observer et pratiquer la ligne vivante",{"to":956,"label":957},"\u002Farts\u002Fcalligraphy\u002Fgreat-masters-further-reading","Maîtres de la calligraphie chinoise et parcours de lecture",{"to":959,"label":960},"\u002Farts\u002Fcalligraphy\u002Fchinese-seals-and-seal-carving","Sceaux chinois et gravure sigillaire : écriture, matrice et empreinte",{"to":962,"label":963},"\u002Farts\u002Fcalligraphy\u002Fchinese-ink-rubbings","Les estampages chinois : pierre, papier et transmission de la calligraphie",{"to":965,"label":966},"\u002Farts\u002Fcalligraphy\u002Fchinese-inkstones","Pierres à encre chinoises : matière, sculpture et cabinet du lettré",{"to":968,"label":969},"\u002Farts\u002Fcalligraphy\u002Fchinese-inksticks","Bâtons d’encre chinois : suie, moules et cabinet du lettré",{"to":971,"label":972},"\u002Farts\u002Fcalligraphy\u002Fchinese-calligraphy-paper","Papier chinois de calligraphie : xuan, encollage et vie d’une feuille",{"to":974,"label":975},"\u002Farts\u002Fcalligraphy\u002Fchinese-calligraphy-brushes","Pinceaux chinois de calligraphie : poils, manche et pointe de travail",{"to":977,"label":978},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-rests","Repose-pinceaux chinois : montagnes, matières et table du lettré",{"to":980,"label":981},"\u002Farts\u002Fcalligraphy\u002Fchinese-water-droppers-scholars-desk","Les compte-gouttes chinois : débit, formes et table du lettré",{"to":983,"label":984},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-pots-materials-scholars-desk","Les pots à pinceaux chinois : usage, matières et table du lettré",{"to":986,"label":987},"\u002Farts\u002Fcalligraphy\u002Fchinese-brush-washers-water-form-scholars-desk","Les lave-pinceaux chinois : eau, formes et table du lettré",{"to":989,"label":990},"\u002Farts\u002Fcalligraphy\u002Fchinese-paperweights-form-material-scholars-desk","Presse-papiers chinois : formes, matières et table du lettré",{"to":992,"label":993,"children":994},"\u002Farts\u002Ftea-ceremony","Culture chinoise du thé",[995,998,1001,1004,1007,1010,1013,1016,1019,1022,1025,1028,1031,1034,1037,1040,1043,1046,1049,1052,1055,1058,1061,1064,1067,1070,1073,1076,1079,1082,1085,1088,1091,1094,1097,1100,1103,1106,1109],{"to":996,"label":997},"\u002Farts\u002Ftea-ceremony\u002Ftea-meditation-taoist-practice","Thé, méditation et pratique taoïste",{"to":999,"label":1000},"\u002Farts\u002Ftea-ceremony\u002Forigins-history-of-tea-culture","Origines et histoire de la culture chinoise du thé",{"to":1002,"label":1003},"\u002Farts\u002Ftea-ceremony\u002Fthe-way-of-tea","La voie du thé : attention, soin et hospitalité",{"to":1005,"label":1006},"\u002Farts\u002Ftea-ceremony\u002Ftypes-of-tea-and-character","Les six familles de thé chinois : fabrication et dégustation",{"to":1008,"label":1009},"\u002Farts\u002Ftea-ceremony\u002Futensils-and-gongfu-method","Thé gongfu : ustensiles et méthode adaptable",{"to":1011,"label":1012},"\u002Farts\u002Ftea-ceremony\u002Ffurther-reading-and-practice","Apprendre le thé chinois : lectures et pratique",{"to":1014,"label":1015},"\u002Farts\u002Ftea-ceremony\u002Fwater-for-chinese-tea","L’eau pour le thé chinois : sources, minéraux et méthode de comparaison",{"to":1017,"label":1018},"\u002Farts\u002Ftea-ceremony\u002Fchinese-teaware-clay-glaze-form","Les ustensiles chinois du thé : terre, porcelaine, glaçure et usage",{"to":1020,"label":1021},"\u002Farts\u002Ftea-ceremony\u002Fchinese-tea-caddies","Boîtes à thé chinoises : conservation, matières et circulation des feuilles",{"to":1023,"label":1024},"\u002Farts\u002Ftea-ceremony\u002Fsong-whisked-tea-powder-bowls-foam","Le thé fouetté sous les Song : poudre, bols et écume",{"to":1026,"label":1027},"\u002Farts\u002Ftea-ceremony\u002Fyixing-teapots-clay-form-makers-marks","Théières de Yixing : argile, forme et lecture des marques",{"to":1029,"label":1030},"\u002Farts\u002Ftea-ceremony\u002Fcompressed-tea-cakes-bricks-trade-storage-object-reading","Thé compressé en Chine : galettes, briques et méthode de lecture",{"to":1032,"label":1033},"\u002Farts\u002Ftea-ceremony\u002Ftea-horse-trade-networks-routes-markets-cultural-exchange","Les réseaux du thé et des chevaux : routes, marchés et échanges culturels",{"to":1035,"label":1036},"\u002Farts\u002Ftea-ceremony\u002Ftea-landscapes-china-gardens-forests-terraces-living-knowledge","Paysages du thé en Chine : jardins, forêts anciennes, terrasses et savoirs vivants",{"to":1038,"label":1039},"\u002Farts\u002Ftea-ceremony\u002Fpicking-tea-china-seasons-bud-leaf-standards-skilled-labour","La cueillette du thé en Chine : saisons, jeunes pousses et savoir-faire",{"to":1041,"label":1042},"\u002Farts\u002Ftea-ceremony\u002Fwithering-tea-leaves-water-loss-time-first-transformation","Le flétrissage du thé : perte d’eau, temps et première transformation",{"to":1044,"label":1045},"\u002Farts\u002Ftea-ceremony\u002Ffixing-tea-leaves-shaqing-heat-enzymes-turning-point","La fixation des feuilles de thé (shāqīng) : chaleur, enzymes et tournant de la fabrication chinoise",{"to":1047,"label":1048},"\u002Farts\u002Ftea-ceremony\u002Frolling-tea-leaves-rounian-pressure-shape-cell-disruption","Le roulage des feuilles de thé (róuniǎn) : pression, forme et rupture cellulaire maîtrisée",{"to":1050,"label":1051},"\u002Farts\u002Ftea-ceremony\u002Fdrying-tea-leaves-moisture-heat-stability-finished-tea","Le séchage des feuilles de thé : humidité, chaleur et stabilité du thé fini",{"to":1053,"label":1054},"\u002Farts\u002Ftea-ceremony\u002Fsorting-grading-tea-leaf-size-shape-grade-meaning","Tri et classement du thé : taille, forme et sens réel d’un grade",{"to":1056,"label":1057},"\u002Farts\u002Ftea-ceremony\u002Ftea-blending-batch-construction-consistency-style-transparency","Assemblage du thé et construction des lots : constance, style et transparence",{"to":1059,"label":1060},"\u002Farts\u002Ftea-ceremony\u002Ftea-oxidation-post-fermentation-enzymes-microbes-terms","Oxydation et post-fermentation du thé : enzymes, microbes et termes trompeurs",{"to":1062,"label":1063},"\u002Farts\u002Ftea-ceremony\u002Fyellow-tea-menhuang-moist-heat-time-tea-family","Le thé jaune et le menhuang : chaleur humide, temps et formation d’une famille de thé",{"to":1065,"label":1066},"\u002Farts\u002Ftea-ceremony\u002Frefiring-roasting-tea-later-heat-aroma-finished-leaf","Réchauffage et torréfaction du thé : chaleur tardive, arômes et différence avec le séchage",{"to":1068,"label":1069},"\u002Farts\u002Ftea-ceremony\u002Fjasmine-tea-scenting-flowers-repeated-rounds-aroma-transfer","Thé au jasmin et parfumage : fleurs, cycles répétés et transfert des arômes",{"to":1071,"label":1072},"\u002Farts\u002Ftea-ceremony\u002Ftea-sensory-evaluation-appearance-aroma-taste-score-limits","Évaluation sensorielle du thé : aspect, arômes, goût et limites d’une note",{"to":1074,"label":1075},"\u002Farts\u002Ftea-ceremony\u002Fdoucha-song-tea-contests-whisked-tea-jian-bowls-modern-judging","Doucha : concours de thé sous les Song et limites des reconstitutions modernes",{"to":1077,"label":1078},"\u002Farts\u002Ftea-ceremony\u002Fbeiyuan-tribute-tea-song-court-labour-imperial-label","Le thé tribut de Beiyuan : goût de cour sous les Song, travail qualifié et limites de l’étiquette « impériale »",{"to":1080,"label":1081},"\u002Farts\u002Ftea-ceremony\u002Freading-chinese-tea-classics-authorship-editions-recipe-limits","Lire les classiques chinois du thé : auteurs, éditions et limites d’une lecture en « recette »",{"to":1083,"label":1084},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-poetry-social-worlds-metaphor-historical-evidence","Le thé dans la poésie chinoise : sociabilités, métaphores et limites du témoignage littéraire",{"to":1086,"label":1087},"\u002Farts\u002Ftea-ceremony\u002Fchinese-teahouses-commerce-conversation-performance-urban-publics","Les maisons de thé chinoises : commerce, conversation, spectacle et publics urbains en mutation",{"to":1089,"label":1090},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-painting-objects-social-worlds-visual-evidence","Le thé dans la peinture chinoise : objets, mondes sociaux et limites du témoignage visuel",{"to":1092,"label":1093},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-dream-of-the-red-chamber-hospitality-rank-labour-fiction","Le thé dans Le Rêve dans le pavillon rouge : hospitalité, rang, travail et fiction",{"to":1095,"label":1096},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-travel-writing-roads-hospitality-regional-evidence","Le thé dans les récits de voyage chinois : routes, hospitalité et limites de l’itinéraire",{"to":1098,"label":1099},"\u002Farts\u002Ftea-ceremony\u002Ftea-in-chinese-letters-gifts-visits-friendship-private-writing","Le thé dans les lettres chinoises : dons, visites, amitié et limites d’une écriture « privée »",{"to":1101,"label":1102},"\u002Farts\u002Ftea-ceremony\u002Ftea-tax-monopoly-imperial-china-fiscal-records-daily-life","Thé, fiscalité et monopole dans la Chine impériale : lire les archives sans confondre recettes et vie quotidienne",{"to":1104,"label":1105},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-local-gazetteers-place-production-local-knowledge","Le thé dans les monographies locales chinoises : lieux, production et limites du savoir local",{"to":1107,"label":1108},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-materia-medica-names-preparations-medical-claims","Le thé dans les matières médicales chinoises : noms, préparations et limites des assertions médicales",{"to":1110,"label":1111},"\u002Farts\u002Ftea-ceremony\u002Ftea-chinese-buddhist-monastic-rules-ceremony-office-origin-stories","Le thé dans les règles monastiques bouddhiques chinoises : cérémonies, charges et limites des récits d’origine",{"to":1113,"label":1114,"children":1115},"\u002Farts\u002Fguqin","Le guqin : sonorités, histoire et premières écoutes",[1116,1119,1122,1125,1128,1131,1134,1137,1140,1143,1146,1149],{"to":1117,"label":1118},"\u002Farts\u002Fguqin\u002Forigins-history-of-the-guqin","Histoire du guqin : objets, textes et transmission musicale",{"to":1120,"label":1121},"\u002Farts\u002Fguqin\u002Fanatomy-of-the-guqin","Comment fonctionne le guqin : cordes, caisse et sonorités",{"to":1123,"label":1124},"\u002Farts\u002Fguqin\u002Fplaying-technique-and-notation","Jouer du guqin : gestes, tablature et interprétation",{"to":1126,"label":1127},"\u002Farts\u002Fguqin\u002Ffamous-melodies-and-stories","Mélodies du guqin : récits, versions et pistes d’écoute",{"to":1129,"label":1130},"\u002Farts\u002Fguqin\u002Fguqin-as-taoist-cultivation","Guqin et cultivation taoïste : écoute, pratique et limites",{"to":1132,"label":1133},"\u002Farts\u002Fguqin\u002Ffurther-listening-and-study","Apprendre le guqin : écouter, s’informer et choisir un professeur",{"to":1135,"label":1136},"\u002Farts\u002Fguqin\u002Fguqin-tables-playing-spaces","Tables de guqin et espaces de jeu : support, posture et écoute",{"to":1138,"label":1139},"\u002Farts\u002Fguqin\u002Fhow-to-read-guqin-handbook-tablature-editions-dapu","Lire un manuel de guqin : tablature, éditions et dapu",{"to":1141,"label":1142},"\u002Farts\u002Fguqin\u002Freading-guqin-lacquer-layers-crack-patterns-repair","Lire la laque du guqin : couches, craquelures et réparations",{"to":1144,"label":1145},"\u002Farts\u002Fguqin\u002Freading-guqin-inscriptions-seals-names-dates-provenance","Lire les inscriptions et sceaux du guqin : noms, dates et provenance",{"to":1147,"label":1148},"\u002Farts\u002Fguqin\u002Fguqin-forms-zhongni-banana-leaf-shapes","Formes du guqin : comprendre les modèles Zhongni, feuille de bananier et autres silhouettes",{"to":1150,"label":1151},"\u002Farts\u002Fguqin\u002Fguqin-strings-silk-modern-composites-playing","Cordes du guqin : soie, composites modernes et effets du matériau sur le jeu",{"to":1153,"label":1154,"children":1155},"\u002Farts\u002Fpainting","Peinture chinoise : matériaux, formats et manières de regarder",[1156,1159,1162,1165,1168,1171,1174,1177,1180,1183,1186,1189,1192,1195,1198],{"to":1157,"label":1158},"\u002Farts\u002Fpainting\u002Forigins-history-of-chinese-painting","Origines et histoire de la peinture chinoise : œuvres, cours et communautés",{"to":1160,"label":1161},"\u002Farts\u002Fpainting\u002Fart-of-ink-and-brush","Encre et pinceau dans la peinture chinoise : matières, eau et traces",{"to":1163,"label":1164},"\u002Farts\u002Fpainting\u002Flandscape-painting-shanshui","Shanshui : comment regarder la peinture de paysage chinoise",{"to":1166,"label":1167},"\u002Farts\u002Fpainting\u002Fbirds-flowers-four-gentlemen","Oiseaux, fleurs et Quatre Gentilshommes dans la peinture chinoise",{"to":1169,"label":1170},"\u002Farts\u002Fpainting\u002Fpainting-as-taoist-cultivation","Peinture et cultivation taoïste : images, idées et pratique",{"to":1172,"label":1173},"\u002Farts\u002Fpainting\u002Fgreat-masters-further-study","Maîtres de la peinture chinoise : un parcours guidé",{"to":1175,"label":1176},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-handscroll","Comment lire un rouleau horizontal chinois : séquence, colophons et sceaux",{"to":1178,"label":1179},"\u002Farts\u002Fpainting\u002Fchinese-fan-painting","La peinture chinoise sur éventail : forme, pinceau et art du petit format",{"to":1181,"label":1182},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-painting-album","Comment lire un album de peinture chinoise : feuillets, séquence et regard intime",{"to":1184,"label":1185},"\u002Farts\u002Fpainting\u002Fchinese-scholars-rocks","Pierres de lettrés chinoises : matière, présentation et paysages imaginés",{"to":1187,"label":1188},"\u002Farts\u002Fpainting\u002Fhow-to-read-chinese-hanging-scroll","Comment lire un rouleau vertical chinois : espace, montage et présentation",{"to":1190,"label":1191},"\u002Farts\u002Fpainting\u002Fchinese-screens-space-painting","Écrans chinois : espace, image et art du pli",{"to":1193,"label":1194},"\u002Farts\u002Fpainting\u002Fmounting-chinese-painting","Le montage des peintures chinoises : bordures de soie, papiers de doublage et vie du rouleau",{"to":1196,"label":1197},"\u002Farts\u002Fpainting\u002Fchinese-portrait-painting-likeness-role-ancestral-memory","Le portrait chinois : ressemblance, rôle social et mémoire ancestrale",{"to":1199,"label":1200},"\u002Farts\u002Fpainting\u002Fthree-distances-chinese-landscape-painting","Les trois distances dans la peinture de paysage chinoise : hauteur, profondeur et horizon",{"to":1202,"label":1203,"children":1204},"\u002Farts\u002Fincense","Culture chinoise de l’encens",[1205,1208,1211,1214,1217,1220,1223,1226,1229],{"to":1206,"label":1207},"\u002Farts\u002Fincense\u002Forigins-history-of-incense-culture","Origines et histoire de la culture chinoise de l’encens",{"to":1209,"label":1210},"\u002Farts\u002Fincense\u002Faromatic-materials-fragrant-woods","Matières aromatiques : bois, résines et approvisionnement responsable",{"to":1212,"label":1213},"\u002Farts\u002Fincense\u002Fforms-and-art-of-appreciation","Formes d’encens et art de l’appréciation",{"to":1215,"label":1216},"\u002Farts\u002Fincense\u002Fincense-in-ritual-and-temple-life","L’encens dans les rites taoïstes et la vie des temples",{"to":1218,"label":1219},"\u002Farts\u002Fincense\u002Fincense-meditation-taoist-practice","Encens, méditation et pratique taoïste",{"to":1221,"label":1222},"\u002Farts\u002Fincense\u002Ffurther-reading-and-practice","Apprendre la culture chinoise de l’encens : lectures et pratique",{"to":1224,"label":1225},"\u002Farts\u002Fincense\u002Fchinese-incense-burners","Brûle-parfums chinois : bronze, céramique, formes et contextes",{"to":1227,"label":1228},"\u002Farts\u002Fincense\u002Fchinese-incense-seals-fragrant-time","Les sceaux d’encens chinois : cendre, motifs et temps parfumé",{"to":1230,"label":1231},"\u002Farts\u002Fincense\u002Fchinese-incense-sets-burner-box-vase-tools","Ensembles chinois pour l’encens : brûle-parfum, boîte, vase et outils",{"to":1233,"label":1234,"children":1235},"\u002Farts\u002Fflower-arrangement","L’art floral chinois : histoire, matériaux et manières de regarder",[1236,1239,1242,1245,1248,1251,1254],{"to":1237,"label":1238},"\u002Farts\u002Fflower-arrangement\u002Forigins-history-of-floral-art","Histoire de l’art floral chinois : objets, images et voix",{"to":1240,"label":1241},"\u002Farts\u002Fflower-arrangement\u002Fprinciples-of-flower-arrangement","Composition florale chinoise : lignes, équilibre et regard",{"to":1243,"label":1244},"\u002Farts\u002Fflower-arrangement\u002Fvessels-tools-and-composition","Choisir récipients et outils : formes, soutien et entretien",{"to":1246,"label":1247},"\u002Farts\u002Fflower-arrangement\u002Fseasonal-flowers-and-symbolism","Fleurs de saison et symboles : lire le contexte",{"to":1249,"label":1250},"\u002Farts\u002Fflower-arrangement\u002Fflower-arrangement-as-cultivation","L’arrangement floral comme pratique : attention, changement et limites",{"to":1252,"label":1253},"\u002Farts\u002Fflower-arrangement\u002Ffurther-reading-and-practice","Pour aller plus loin : sources, musées et premier mois de pratique",{"to":1255,"label":1256},"\u002Farts\u002Fflower-arrangement\u002Fchinese-flower-baskets-weaving-painting-vessels","Les paniers de fleurs chinois : tressage, peinture et récipient",{"to":1258,"label":1259,"children":1260},"\u002Fdaoism","Culture taoïste",[1261,1292,1317,1342,1403],{"to":1262,"label":1263,"children":1264},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Les divinités taoïstes et le panthéon chinois : guide de structure",[1265,1268,1271,1274,1277,1280,1283,1286,1289],{"to":1266,"label":1267},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-pure-ones","Les Trois Purs : les plus hautes divinités taoïstes",{"to":1269,"label":1270},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fjade-emperor","L’Empereur de Jade : sa place dans le taoïsme",{"to":1272,"label":1273},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Forigins-of-pantheon","Comment s’est formé le panthéon taoïste",{"to":1275,"label":1276},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fcelestial-bureaucracy","Immortels taoïstes et bureaucratie céleste : shen et xian",{"to":1278,"label":1279},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fguan-yu-mazu-popular-deities","Guan Yu, Mazu et les divinités populaires : comment les humains deviennent des dieux",{"to":1281,"label":1282},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fdeities-of-wudang-mountain","Les divinités du mont Wudang : Zhenwu et sa cour sacrée",{"to":1284,"label":1285},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fworship-temples-offerings","Culte dans les temples taoïstes : encens, offrandes, vœux et dons",{"to":1287,"label":1288},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fnorthern-dipper-stars-images-ritual-maps","Le Boisseau du Nord dans la culture taoïste : étoiles, images et cartes rituelles",{"to":1290,"label":1291},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-officials-sanguan-heaven-earth-water-three-yuan","Les Trois Officiers taoïstes : Ciel, Terre, Eau et les Trois Yuan",{"to":1293,"label":1294,"children":1295},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Temples et montagnes sacrées taoïstes : guide des lieux et de l’architecture",[1296,1299,1302,1305,1308,1311,1314],{"to":1297,"label":1298},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwudang-mountain","Le mont Wudang dans le taoïsme : Zhenwu, la cour des Ming et un statut sacré",{"to":1300,"label":1301},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-longhu","Le mont Longhu et les Maîtres célestes : centre du taoïsme Zhengyi",{"to":1303,"label":1304},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-qingcheng","Le mont Qingcheng : comment le taoïsme organisé a pris forme institutionnelle",{"to":1306,"label":1307},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-tai","Le mont Tai : la première montagne sacrée de l’État chinois",{"to":1309,"label":1310},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwhite-cloud-temple-beijing","Le temple des Nuages blancs à Pékin : le monastère urbain du taoïsme Quanzhen",{"to":1312,"label":1313},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Ftemple-architecture-sacred-geometry","Comment lire l’architecture des temples taoïstes et l’espace sacré",{"to":1315,"label":1316},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fpilgrimage-temple-etiquette","Pèlerinage taoïste et étiquette des temples : un guide pratique",{"to":1318,"label":1319,"children":1320},"\u002Fdaoism\u002Ftaoist-schools-lineages","Écoles et lignées taoïstes : Zhengyi, Quanzhen et traditions historiques",[1321,1324,1327,1330,1333,1336,1339],{"to":1322,"label":1323},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcelestial-masters-zhengyi","Le taoïsme Zhengyi et les Maîtres célestes : prêtres laïcs et autorité rituelle",{"to":1325,"label":1326},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcomplete-perfection-quanzhen","Le taoïsme Quanzhen : vie monastique, cultivation intérieure et Wudang",{"to":1328,"label":1329},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fshangqing-school","Le taoïsme Shangqing : révélations de la Pureté suprême et visualisation intérieure",{"to":1331,"label":1332},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Flingbao-tradition","Le taoïsme Lingbao : écritures du Joyau numineux et rituel communautaire",{"to":1334,"label":1335},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fwu-liu-school","L’école Wu-Liu : un système plus clair d’alchimie intérieure taoïste",{"to":1337,"label":1338},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmonastic-vs-householder-priesthood","Moines Quanzhen et prêtres Zhengyi vivant en famille : quelle différence ?",{"to":1340,"label":1341},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmodern-transmission-ordination","Ordination et lignée taoïstes aujourd’hui : comment vérifier une transmission",{"to":1343,"label":1344,"children":1345},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Fêtes et rituels taoïstes : calendriers, offrandes et rites communautaires",[1346,1349,1352,1355,1358,1361,1364,1367,1370,1373,1376,1379,1382,1385,1388,1391,1394,1397,1400],{"to":1347,"label":1348},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjade-emperor-birthday","Anniversaire de l’Empereur de Jade et fêtes de la Cour céleste",{"to":1350,"label":1351},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhongyuan-ghost-festival","Fête de Zhongyuan : fantômes, Officier de la Terre et salut universel",{"to":1353,"label":1354},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Flaozi-birthday","Anniversaire de Laozi : du sage au divin Seigneur Lao",{"to":1356,"label":1357},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdouble-ninth-festival","Fête du Double Neuf : Chongyang, longévité et respect des aînés",{"to":1359,"label":1360},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjiao-offering-ritual","Les rituels jiao : la grande offrande communautaire du taoïsme",{"to":1362,"label":1363},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhai-purification-fasting","Les rituels zhai : purification, jeûne et préparation dans le taoïsme",{"to":1365,"label":1366},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Ftemple-fairs-pilgrimage","Fêtes de temple taoïstes et pèlerinages saisonniers",{"to":1368,"label":1369},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-robes-garment-image-ceremony","Les vêtements rituels taoïstes : coupe, images et rôle cérémoniel",{"to":1371,"label":1372},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdavid-vases-daoist-offering-blue-white-porcelain","Les vases David : offrande taoïste et jalon daté de la porcelaine bleu-et-blanc",{"to":1374,"label":1375},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-seals-impression-authority-documents","Les sceaux rituels taoïstes : empreinte, autorité et travail documentaire",{"to":1377,"label":1378},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-music-bells-drums-chant","Musique rituelle taoïste : cloches, tambours, chant et temps cérémoniel",{"to":1380,"label":1381},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-lamp-rituals-light-cosmic-patterns-ceremonial-space","Rituels taoïstes des lampes : lumière, configurations cosmiques et espace cérémoniel",{"to":1383,"label":1384},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-talismans-script-ritual-action","Talismans taoïstes : écriture, action rituelle et limites du regard",{"to":1386,"label":1387},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-mirrors-reflection-cosmology-ritual-evidence","Miroirs taoïstes : reflet, cosmologie et indices rituels",{"to":1389,"label":1390},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-petitions-memorials-celestial-administration","Pétitions et mémoriaux taoïstes : écrire à l’administration céleste",{"to":1392,"label":1393},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-registers-lu-rank-transmission-celestial-administration","Les registres taoïstes (lu) : rang, transmission et administration céleste",{"to":1395,"label":1396},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-audience-tablets-hu-courtly-form-ritual-address","Tablettes d’audience taoïstes (hu) : forme de cour et adresse rituelle",{"to":1398,"label":1399},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-crowns-headscarves-dress-rank-ritual-context","Couronnes et coiffes taoïstes : vêtement, rang et contexte rituel",{"to":1401,"label":1402},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-footwear-cloth-cloud-shoes-ritual-movement","Chaussures taoïstes : souliers de toile, chaussures de nuages et mouvement rituel",{"to":1404,"label":1405,"children":1406},"\u002Fdaoism\u002Feight-immortals","Les Huit Immortels : origines, symboles et légendes taoïstes",[1407,1410,1413,1416,1419,1422],{"to":1408,"label":1409},"\u002Fdaoism\u002Feight-immortals\u002Flu-dongbin","Lü Dongbin : lettré immortel, patriarche du Quanzhen et porteur d’épée",{"to":1411,"label":1412},"\u002Fdaoism\u002Feight-immortals\u002Fzhang-guolao","Zhang Guolao : ermite des Tang et immortel monté à l’envers",{"to":1414,"label":1415},"\u002Fdaoism\u002Feight-immortals\u002Fhe-xiangu","He Xiangu : la femme immortelle parmi les Huit",{"to":1417,"label":1418},"\u002Fdaoism\u002Feight-immortals\u002Fhan-xiangzi-lan-caihe","Han Xiangzi et Lan Caihe : musique, fleurs et identité indéfinie",{"to":1420,"label":1421},"\u002Fdaoism\u002Feight-immortals\u002Fcao-guojiu-li-tieguai","Cao Guojiu et Li Tieguai : privilège, pauvreté et corps immortel",{"to":1423,"label":1424},"\u002Fdaoism\u002Feight-immortals\u002Fzhongli-quan","Zhongli Quan : maître de Lü Dongbin et patriarche de l’alchimie intérieure",{"to":1426,"label":1427,"children":1428},"\u002Fchinese-metaphysics","Métaphysique chinoise",[1429,1453,1478,1503,1528,1556,1584,1609,1634],{"to":1430,"label":1431,"children":1432},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Le yin-yang et les Cinq Phases dans la pensée chinoise",[1433,1436,1439,1442,1445,1448,1451],{"to":1434,"label":1435},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Forigins-early-history","Origines et histoire ancienne de la pensée du yin-yang",{"to":1437,"label":1438},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fmeaning-of-yin-and-yang","Le sens du yin et du yang",{"to":1440,"label":1441},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Ffive-phases","Les Cinq Phases : Bois, Feu, Terre, Métal et Eau",{"to":1443,"label":1444},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fgenerating-controlling-cycles","Les cycles d’engendrement et de domination",{"to":1446,"label":1447},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fcorrelative-cosmology","La cosmologie corrélative : le corps, les saisons et le cosmos",{"to":1449,"label":1450},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fin-the-metaphysical-arts","Le yin-yang et les Cinq Phases dans les arts métaphysiques",{"to":1452,"label":557},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fkey-sources-further-reading",{"to":1454,"label":1455,"children":1456},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Les Troncs célestes et les Rameaux terrestres chinois (ganzhi)",[1457,1460,1463,1466,1469,1472,1475],{"to":1458,"label":1459},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Forigins-history","Origines et histoire du cycle sexagésimal chinois",{"to":1461,"label":1462},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ften-heavenly-stems","Les dix Troncs célestes : noms, Cinq Phases et significations",{"to":1464,"label":1465},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ftwelve-earthly-branches","Les douze Rameaux terrestres : animaux, heures, mois et significations",{"to":1467,"label":1468},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fsixty-year-jiazi","Le cycle jiazi en soixante termes : comment se combinent les Troncs et les Rameaux",{"to":1470,"label":1471},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fstems-branches-yin-yang-five-phases","Comment les Troncs célestes et les Rameaux terrestres codent le yin et le yang et les Cinq Phases",{"to":1473,"label":1474},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fin-the-metaphysical-arts","L’usage du ganzhi dans le BaZi, le Feng Shui, le choix des dates et les autres arts",{"to":1476,"label":1477},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fkey-sources-further-reading","Troncs célestes, Rameaux terrestres et ganzhi : sources et lectures complémentaires",{"to":1479,"label":1480,"children":1481},"\u002Fchinese-metaphysics\u002Ffeng-shui","Le Feng Shui chinois : paysage, boussole et pratique responsable",[1482,1485,1488,1491,1494,1497,1500],{"to":1483,"label":1484},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Forigins-history","Origines et histoire du Feng Shui chinois",{"to":1486,"label":1487},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fqi-compass-two-schools","Le qi, la boussole du Feng Shui et les deux écoles",{"to":1489,"label":1490},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fform-school-landscape","L’École des formes en Feng Shui : lire le paysage",{"to":1492,"label":1493},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fcompass-school-luopan","L’École de la boussole en Feng Shui : l’usage du luopan",{"to":1495,"label":1496},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fdwellings-and-graves","Le Feng Shui des maisons et des tombes : yangzhai et yinzhai",{"to":1498,"label":1499},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fmodern-world","Le Feng Shui aujourd’hui : maisons, villes, design et pratique culturelle",{"to":1501,"label":1502},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fkey-sources-further-reading","Sources du Feng Shui chinois : textes classiques et pour aller plus loin",{"to":1504,"label":1505,"children":1506},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","Le BaZi (Quatre Piliers du destin) : comment fonctionnent les huit caractères",[1507,1510,1513,1516,1519,1522,1525],{"to":1508,"label":1509},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Forigins-history","Histoire du BaZi et des Quatre Piliers du destin",{"to":1511,"label":1512},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fbuilding-the-chart","Comment se calcule un thème BaZi : les Quatre Piliers et les huit caractères",{"to":1514,"label":1515},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fday-master-ten-gods","Le Maître du jour et les Dix Dieux du BaZi : guide des relations",{"to":1517,"label":1518},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Ffive-phase-balance","Comment on lit un thème BaZi : l’équilibre des Cinq Phases et le Dieu utile",{"to":1520,"label":1521},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fluck-pillars-annual-influences","Piliers de chance et influences annuelles du BaZi : comment se lit le temps",{"to":1523,"label":1524},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fin-practice","Le BaZi aujourd’hui : interprétation, responsabilité et limites",{"to":1526,"label":1527},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fkey-sources-further-reading","Sources du BaZi : textes classiques, commentaires et pour aller plus loin",{"to":1529,"label":1530,"children":1531},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (astrologie de l’étoile pourpre) : comment fonctionne le thème aux douze palais",[1532,1535,1538,1541,1544,1547,1550,1553],{"to":1533,"label":1534},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Forigins-history","Histoire du Zi Wei Dou Shu : origines, légendes et témoignages documentés",{"to":1536,"label":1537},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ftwelve-palaces","Les douze palais du Zi Wei Dou Shu : guide des domaines de vie",{"to":1539,"label":1540},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fthe-stars","Les étoiles du Zi Wei Dou Shu : les quatorze étoiles majeures et leur sens",{"to":1542,"label":1543},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fcasting-and-reading","Comment établir et lire un thème de Zi Wei Dou Shu",{"to":1545,"label":1546},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ffour-transformations","Les Quatre Transformations du Zi Wei Dou Shu : comment le thème se meut dans le temps",{"to":1548,"label":1549},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fin-practice","Les lectures de Zi Wei Dou Shu aujourd’hui : interprétation, responsabilité et limites",{"to":1551,"label":1552},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fkey-sources-further-reading","Sources du Zi Wei Dou Shu : textes classiques, écoles et lectures complémentaires",{"to":1554,"label":1555},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fglossary","Glossaire du Zi Wei Dou Shu : palais, étoiles, transformations et cycles du temps",{"to":1557,"label":1558,"children":1559},"\u002Fchinese-metaphysics\u002Fdate-selection","Le choix des dates en Chine : comment on choisit les jours fastes",[1560,1563,1566,1569,1572,1575,1578,1581],{"to":1561,"label":1562},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Forigins-history","Origines et histoire du choix des dates en Chine",{"to":1564,"label":1565},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fthe-almanac","L’almanach chinois : comment le tongshu guide le choix des jours au quotidien",{"to":1567,"label":1568},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcyclical-qualities","Comment les calendriers chinois décrivent la qualité des jours",{"to":1570,"label":1571},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fstars-and-officers","Étoiles fastes et officiers des jours dans le choix des dates en Chine",{"to":1573,"label":1574},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fchoosing-a-date","Le choix des dates en Chine, en pratique",{"to":1576,"label":1577},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcultural-meaning-and-responsible-practice","Le choix des dates en Chine : sens culturel et pratique responsable",{"to":1579,"label":1580},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fkey-sources-further-reading","Le choix des dates en Chine : sources principales et pour aller plus loin",{"to":1582,"label":1583},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Ftwenty-four-solar-terms-seasonal-time-chinese-calendar","Les Vingt-Quatre Termes solaires : le temps saisonnier du calendrier chinois",{"to":1585,"label":1586,"children":1587},"\u002Fchinese-metaphysics\u002Fphysiognomy","La physiognomonie chinoise : lecture du visage, chiromancie et leurs limites",[1588,1591,1594,1597,1600,1603,1606],{"to":1589,"label":1590},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Forigins-history","Origines et histoire de la physiognomonie chinoise",{"to":1592,"label":1593},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fface-reading","La lecture du visage chinoise (mianxiang) : méthodes, significations et limites",{"to":1595,"label":1596},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fpalm-reading","La chiromancie chinoise (shouxiang) : traditions, méthodes et limites",{"to":1598,"label":1599},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-practice","La physiognomonie chinoise en pratique aujourd’hui : lectures, applications et risques",{"to":1601,"label":1602},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fhistory-interpretation-and-context","Comment interpréter la physiognomonie chinoise de manière responsable",{"to":1604,"label":1605},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-culture","La physiognomonie chinoise dans l’histoire, la littérature et la culture quotidienne",{"to":1607,"label":1608},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fkey-sources-further-reading","La physiognomonie chinoise : sources primaires et pour aller plus loin",{"to":1610,"label":1611,"children":1612},"\u002Fchinese-metaphysics\u002Fdivination-arts","Les arts divinatoires chinois : méthodes, histoire et usage responsable",[1613,1616,1619,1622,1625,1628,1631],{"to":1614,"label":1615},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Forigins-history","Origines et histoire de la divination chinoise",{"to":1617,"label":1618},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Foracle-bones","Os oraculaires et divination par la carapace de tortue en Chine",{"to":1620,"label":1621},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fyijing-milfoil","Le Yijing et la divination par l’achillée : tirer et lire les hexagrammes",{"to":1623,"label":1624},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fcoins-and-lots","Divination par les pièces et fiches de temple en Chine : méthodes et sens",{"to":1626,"label":1627},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fin-practice","La divination chinoise aujourd’hui : consultations, applications et risques",{"to":1629,"label":1630},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fmeaning-reflection-and-responsible-practice","Pratiquer la divination chinoise de manière responsable",{"to":1632,"label":1633},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fkey-sources-further-reading","La divination chinoise : sources principales et pour aller plus loin",{"to":1635,"label":1636,"children":1637},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","Le Hetu, le Luoshu et les Neuf Palais dans la cosmologie chinoise",[1638,1641,1644,1647,1650,1653,1656],{"to":1639,"label":1640},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Forigins-history","Origines et histoire des diagrammes du Hetu et du Luoshu",{"to":1642,"label":1643},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fhetu-river-chart","Le Hetu, Diagramme du Fleuve : nombres, directions et Cinq Phases",{"to":1645,"label":1646},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fluoshu-magic-square","Le carré magique du Luoshu : nombres, structure et signification culturelle",{"to":1648,"label":1649},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fnine-palaces","Les Neuf Palais (jiugong) : directions, cycles temporels et usages traditionnels",{"to":1651,"label":1652},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fin-practice","Le Hetu, le Luoshu et les Neuf Palais dans la pratique aujourd’hui",{"to":1654,"label":1655},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fmathematics-tradition-and-interpretation","Comment interpréter le Hetu et le Luoshu : mathématiques, histoire et symbolisme",{"to":1657,"label":1658},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fkey-sources-further-reading","Hetu, Luoshu et Neuf Palais : sources primaires et lectures complémentaires",{"to":1660,"label":1661,"children":1662},"\u002Fwudang-mountain","Vivre Wudang",[1663,1688,1755,1802,1845,1885],{"to":1664,"label":1665,"children":1666},"\u002Fwudang-mountain\u002Fintroduction","Découvrir les montagnes de Wudang",[1667,1670,1673,1676,1679,1682,1685],{"to":1668,"label":1669},"\u002Fwudang-mountain\u002Fintroduction\u002Fzhenwu","Zhenwu, la divinité au cœur de Wudang",{"to":1671,"label":1672},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-today","Wudang aujourd’hui : temples, patrimoine et vie quotidienne",{"to":1674,"label":1675},"\u002Fwudang-mountain\u002Fintroduction\u002Fis-a-visit-right-for-you","Un voyage à Wudang vous convient-il ?",{"to":1677,"label":1678},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-world-heritage","Patrimoine mondial du Wudang : que protège l’UNESCO ?",{"to":1680,"label":1681},"\u002Fwudang-mountain\u002Fintroduction\u002Fstone-inscriptions-and-steles","Lire les inscriptions de Wudang : stèles, dates et mémoire impériale",{"to":1683,"label":1684},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-gazetteers-sacred-geography","Comment le Wudang fut consigné : monographies et géographie sacrée",{"to":1686,"label":1687},"\u002Fwudang-mountain\u002Fintroduction\u002Fplaques-couplets-calligraphy","Lire les plaques et les couplets du Wudang : noms, calligraphie et strates du temps",{"to":1689,"label":1690,"children":1691},"\u002Fwudang-mountain\u002Ftemples-and-sites","Temples et sites sacrés du mont Wudang",[1692,1708,1721],{"to":1693,"label":1694,"children":1695},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route","L’itinéraire central des temples du mont Wudang",[1696,1699,1702,1705],{"to":1697,"label":1698},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fmozhen-well-and-taizipo","Le puits Mozhen et Taizipo au mont Wudang",{"to":1700,"label":1701},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fzixiao-palace","Le palais Zixiao au mont Wudang : guide du visiteur",{"to":1703,"label":1704},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fnanyan-palace","Le palais Nanyan au mont Wudang : temple de falaise et encens de la Tête de dragon",{"to":1706,"label":1707},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fthe-summit","Le sommet du mont Wudang : le palais Taihe et la Salle d’or",{"to":1709,"label":1710,"children":1711},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces","Palais périphériques et sites paisibles du mont Wudang",[1712,1715,1718],{"to":1713,"label":1714},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fyuxu-palace","Le palais Yuxu au mont Wudang : ruines impériales et centre administratif",{"to":1716,"label":1717},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fyuzhen-palace","Le palais Yuzhen au mont Wudang : Zhang Sanfeng, l’incendie et la surélévation",{"to":1719,"label":1720},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fwulong-palace","Le palais Wulong au mont Wudang : le plus ancien site de temple isolé",{"to":1722,"label":1723,"children":1724},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture","Plan et architecture des temples du mont Wudang",[1725,1728,1731,1734,1737,1740,1743,1746,1749,1752],{"to":1726,"label":1727},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fthe-overall-plan","Comment les temples du mont Wudang forment un seul itinéraire impérial",{"to":1729,"label":1730},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fbuilding-on-difficult-ground","Comment les temples du mont Wudang furent bâtis sur un terrain difficile",{"to":1732,"label":1733},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fwhat-survives","Ce qui est d’origine au mont Wudang — et ce qui a été reconstruit",{"to":1735,"label":1736},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-roofs","Lire un toit du Wudang : tuiles, rang et restauration",{"to":1738,"label":1739},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-painted-timber","Lire les décors peints du Wudang : couleurs, savoir-faire et renouvellement",{"to":1741,"label":1742},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-dougong","Lire les dougong du Wudang : assemblages, charges et rang architectural",{"to":1744,"label":1745},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-bronze","Lire le bronze au Wudang : fonte, dorure et réseaux impériaux",{"to":1747,"label":1748},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-doors-windows","Lire les portes et fenêtres du Wudang : cadres, treillis et restauration",{"to":1750,"label":1751},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-wudang-temples-manage-rainwater","Comment l’eau s’évacue d’un temple du Wudang : toits, cours et drainage de montagne",{"to":1753,"label":1754},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-stonework-platforms-steps-weathering","Lire la pierre au Wudang : plateformes, marches et altération",{"to":1756,"label":1757,"children":1758},"\u002Fwudang-mountain\u002Fplanning-a-visit","Préparer une visite au mont Wudang",[1759,1769,1782,1792],{"to":1760,"label":1761,"children":1762},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around","Se rendre au mont Wudang et s’y déplacer",[1763,1766],{"to":1764,"label":1765},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around\u002Freaching-wudang","Comment se rendre au mont Wudang",{"to":1767,"label":1768},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around\u002Fgetting-around-the-mountain","Se déplacer sur le mont Wudang",{"to":1770,"label":1771,"children":1772},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons","Mont Wudang : billets, budget et meilleures saisons",[1773,1776,1779],{"to":1774,"label":1775},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Ftickets-and-what-they-cover","Les billets du mont Wudang et ce qu’ils couvrent",{"to":1777,"label":1778},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Fwhat-a-trip-costs","Combien coûte un voyage au mont Wudang",{"to":1780,"label":1781},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Fwhen-to-go","Quand visiter le mont Wudang",{"to":1783,"label":1784,"children":1785},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fstaying-and-eating","Où dormir et manger au mont Wudang",[1786,1789],{"to":1787,"label":1788},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fstaying-and-eating\u002Fwhere-to-stay","Où loger au mont 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Wudang",{"to":1827,"label":1828},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school\u002Fhow-to-evaluate","Comment évaluer une école d’arts martiaux de Wudang avant de payer",{"to":1830,"label":1831},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school\u002Fwarning-signs","Les signaux d’alerte dans le choix d’une école d’arts martiaux de Wudang",{"to":1833,"label":1834,"children":1835},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like","À quoi ressemble vraiment l’entraînement aux arts martiaux au mont Wudang",[1836,1839,1842],{"to":1837,"label":1838},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like\u002Fa-typical-day","Une journée type d’entraînement dans une école d’arts martiaux du Wudang",{"to":1840,"label":1841},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like\u002Fcosts-and-practicalities","S’entraîner aux arts martiaux au Wudang : coûts, formalités et aspects 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Wudang",{"to":1860,"label":1861,"children":1862},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls","À l’intérieur d’une salle de temple du mont Wudang",[1863,1866,1869],{"to":1864,"label":1865},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fentering-a-hall","Entrer et circuler dans une salle de temple du mont Wudang",{"to":1867,"label":1868},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fincense-and-bowing","Encens, inclinations et offrandes dans les temples du mont Wudang",{"to":1870,"label":1871},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fphotography","Photographie et respect dans les temples du mont Wudang",{"to":1873,"label":1874,"children":1875},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes","Clergé taoïste, dons et erreurs courantes dans les temples du mont Wudang",[1876,1879,1882],{"to":1877,"label":1878},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Ftaoist-clergy","Le clergé taoïste : comment s’adresser aux religieux",{"to":1880,"label":1881},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Fdonations-and-fees","Dons, frais et ce qu’il faut refuser dans les temples du mont Wudang",{"to":1883,"label":1884},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Fcommon-mistakes","Les impairs courants dans les temples du mont Wudang",{"to":1886,"label":1887,"children":1888},"\u002Fwudang-mountain\u002Fpractical-reference","Mont Wudang : références pratiques",[1889,1892,1895,1898,1901],{"to":1890,"label":1891},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fnames-and-terms","Glossaire des noms et termes du mont Wudang",{"to":1893,"label":1894},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fidentifying-the-figures","Identifier les divinités dans les salles des temples de Wudang",{"to":1896,"label":1897},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fitineraries","Itinéraires au mont Wudang : d’une demi-journée à plusieurs jours",{"to":1899,"label":1900},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fsources-and-further-reading","Mont Wudang : sources et lectures complémentaires",{"to":1902,"label":1903},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fmap-and-route-guide","Carte et guide des itinéraires du mont Wudang",{"to":1905,"label":1906},"\u002Fwudang-mountain\u002Feveryday-wudang","Wudang au quotidien",[1908,1909,1910,1911,1912,1913,1914,1915,1916,1919,1922,1925],{"to":7,"label":8},{"to":625,"label":626},{"to":764,"label":765},{"to":878,"label":879},{"to":1258,"label":1259},{"to":1426,"label":1427},{"to":1660,"label":1661},{"to":1905,"label":1906},{"to":1917,"label":1918},"\u002Fabout","À propos de Wudang.Org",{"to":1920,"label":1921},"\u002Fstart-here","Découvrir Wudang : culture, pratiques et vie 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A Map of Texts, Traditions and Practice","什么是道家与道教？经典、传统与实践地图",{"to":18,"label":1943,"label_zh":1944},"Tao: The Source of All Things","道生万物",{"to":21,"label":1946,"label_zh":1947},"Core Ideas: Wu Wei, Yin-Yang & Ziran","核心概念：无为、阴阳与自然",{"to":24,"label":1949,"label_zh":1950},"Philosophical and Religious Taoism: Distinct Paths, Shared Traditions","道家与道教：不同路径，共同传统",{"to":27,"label":1952,"label_zh":1953},"A Short History of Taoism","道家与道教简史",{"to":30,"label":1955,"label_zh":1956},"Key Texts at a Glance","主要经典一览",{"to":33,"label":1958,"label_zh":1959},"Taoism in Everyday Life","道家思想与日常生活",{"to":36,"label":1961,"label_zh":1962},"Understanding Taoism in Context","认识道家与道教的文化脉络",{"to":39,"label":1964,"label_zh":1965},"Where to Go Next","接下来读什么",{"to":42,"label":1967,"label_zh":1968,"children":1969},"I Ching","易经",[1970,1973,1976,2108,2111,2114,2117],{"to":46,"label":1971,"label_zh":1972},"Origins & History of the I Ching","《易经》是怎么来的",{"to":49,"label":1974,"label_zh":1975},"The Eight Trigrams 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Ching","《道德经》全文",[2148,2151,2154,2157,2160,2163,2166,2169,2172,2175,2178,2181,2184,2187,2190,2193,2196,2199,2202,2205,2208,2211,2214,2217,2220,2223,2226,2229,2232,2235,2238,2241,2244,2247,2250,2253,2256,2259,2262,2265,2268,2271,2274,2277,2280,2283,2286,2289,2292,2295,2298,2301,2304,2307,2310,2313,2316,2319,2322,2325,2328,2331,2334,2337,2340,2343,2346,2349,2352,2355,2358,2361,2364,2367,2370,2373,2376,2379,2382,2385,2388],{"to":288,"label":2149,"label_zh":2150},"Chapter 1 — The Tao Beyond Names","第一章　道可道，非常道",{"to":291,"label":2152,"label_zh":2153},"Chapter 2 — Opposites Arise Together","第二章　有无相生",{"to":294,"label":2155,"label_zh":2156},"Chapter 3 — Quieting Rivalry","第三章　为无为，则无不治",{"to":297,"label":2158,"label_zh":2159},"Chapter 4 — The Empty Source","第四章　道冲而用之",{"to":300,"label":2161,"label_zh":2162},"Chapter 5 — The Bellows of Heaven and Earth","第五章　天地之间",{"to":303,"label":2164,"label_zh":2165},"Chapter 6 — The Valley Spirit","第六章　谷神不死",{"to":306,"label":2167,"label_zh":2168},"Chapter 7 — Lasting Beyond the Self","第七章　天长地久",{"to":309,"label":2170,"label_zh":2171},"Chapter 8 — The Goodness of Water","第八章　上善若水",{"to":312,"label":2173,"label_zh":2174},"Chapter 9 — Knowing When to Stop","第九章　功成身退",{"to":315,"label":2176,"label_zh":2177},"Chapter 10 — Holding the One","第十章　抱一与玄德",{"to":318,"label":2179,"label_zh":2180},"Chapter 11 — The Usefulness of Empty Space","第十一章　无之以为用",{"to":321,"label":2182,"label_zh":2183},"Chapter 12 — Guarding the Senses","第十二章　为腹不为目",{"to":324,"label":2185,"label_zh":2186},"Chapter 13 — Honour, Disgrace, and the Self","第十三章　宠辱若惊",{"to":327,"label":2188,"label_zh":2189},"Chapter 14 — The Formless Form","第十四章　无状之状",{"to":330,"label":2191,"label_zh":2192},"Chapter 15 — The Ancient Masters","第十五章　古之善为士者",{"to":333,"label":2194,"label_zh":2195},"Chapter 16 — Returning to the Root","第十六章　归根曰静",{"to":336,"label":2197,"label_zh":2198},"Chapter 17 — Leadership That Leaves No Burden","第十七章　百姓皆谓我自然",{"to":339,"label":2200,"label_zh":2201},"Chapter 18 — When the Great Tao Is Lost","第十八章　大道废，有仁义",{"to":342,"label":2203,"label_zh":2204},"Chapter 19 — Returning to Simplicity","第十九章　见素抱朴",{"to":345,"label":2206,"label_zh":2207},"Chapter 20 — Different from the Crowd","第二十章　我独异于人",{"to":348,"label":2209,"label_zh":2210},"Chapter 21 — Following the Tao","第二十一章　孔德之容",{"to":351,"label":2212,"label_zh":2213},"Chapter 22 — Bending Without Breaking","第二十二章　曲则全",{"to":354,"label":2215,"label_zh":2216},"Chapter 23 — Few Words, Natural Action","第二十三章　希言自然",{"to":357,"label":2218,"label_zh":2219},"Chapter 24 — Standing Without Straining","第二十四章　企者不立",{"to":360,"label":2221,"label_zh":2222},"Chapter 25 — The Way of Nature","第二十五章　道法自然",{"to":363,"label":2224,"label_zh":2225},"Chapter 26 — Rooted in Stillness","第二十六章　重为轻根",{"to":366,"label":2227,"label_zh":2228},"Chapter 27 — Leaving No One Behind","第二十七章　无弃人，无弃物",{"to":369,"label":2230,"label_zh":2231},"Chapter 28 — Returning to the Uncarved Block","第二十八章　复归于朴",{"to":372,"label":2233,"label_zh":2234},"Chapter 29 — The World Is Not an Object","第二十九章　天下神器不可为",{"to":375,"label":2236,"label_zh":2237},"Chapter 30 — Power Without Domination","第三十章　果而勿强",{"to":378,"label":2239,"label_zh":2240},"Chapter 31 — Victory Without Celebration","第三十一章　胜而不美",{"to":381,"label":2242,"label_zh":2243},"Chapter 32 — The Nameless Simplicity","第三十二章　知止不殆",{"to":384,"label":2245,"label_zh":2246},"Chapter 33 — Knowing Yourself","第三十三章　自知者明",{"to":387,"label":2248,"label_zh":2249},"Chapter 34 — Great Without Possessing","第三十四章　终不自为大",{"to":390,"label":2251,"label_zh":2252},"Chapter 35 — The Great Image","第三十五章　执大象",{"to":393,"label":2254,"label_zh":2255},"Chapter 36 — Subtle Understanding","第三十六章　柔弱胜刚强",{"to":396,"label":2257,"label_zh":2258},"Chapter 37 — Acting Without Forcing","第三十七章　无为而无不为",{"to":399,"label":2260,"label_zh":2261},"Chapter 38 — The Descent from Tao to Ritual","第三十八章　上德不德",{"to":402,"label":2263,"label_zh":2264},"Chapter 39 — Rooted in the One","第三十九章　得一",{"to":405,"label":2266,"label_zh":2267},"Chapter 40 — Returning and Yielding","第四十章　反者道之动",{"to":408,"label":2269,"label_zh":2270},"Chapter 41 — The Tao That Appears Contrary","第四十一章　道隐无名",{"to":411,"label":2272,"label_zh":2273},"Chapter 42 — Yin, Yang, and Harmony","第四十二章　负阴抱阳",{"to":414,"label":2275,"label_zh":2276},"Chapter 43 — The Softest Overcomes the Hardest","第四十三章　至柔驰骋至坚",{"to":417,"label":2278,"label_zh":2279},"Chapter 44 — Life Before Reputation","第四十四章　知足不辱",{"to":420,"label":2281,"label_zh":2282},"Chapter 45 — Great Completion Seems Incomplete","第四十五章　清静为天下正",{"to":423,"label":2284,"label_zh":2285},"Chapter 46 — The Sufficiency of Contentment","第四十六章　知足之足",{"to":426,"label":2287,"label_zh":2288},"Chapter 47 — Knowing Without Travelling Far","第四十七章　不出户知天下",{"to":429,"label":2290,"label_zh":2291},"Chapter 48 — Learning by Letting Go","第四十八章　为道日损",{"to":432,"label":2293,"label_zh":2294},"Chapter 49 — A Heart Open to the People","第四十九章　以百姓心为心",{"to":435,"label":2296,"label_zh":2297},"Chapter 50 — Living Without Clinging to Life","第五十章　善摄生者",{"to":438,"label":2299,"label_zh":2300},"Chapter 51 — Profound Virtue Nourishes","第五十一章　道生德畜",{"to":441,"label":2302,"label_zh":2303},"Chapter 52 — Returning to the Mother","第五十二章　见小曰明",{"to":444,"label":2305,"label_zh":2306},"Chapter 53 — The Great Way and the Side Paths","第五十三章　大道甚夷",{"to":447,"label":2308,"label_zh":2309},"Chapter 54 — Cultivation from Self to World","第五十四章　修之于身",{"to":450,"label":2311,"label_zh":2312},"Chapter 55 — The Vitality of the Infant","第五十五章　含德之厚",{"to":453,"label":2314,"label_zh":2315},"Chapter 56 — Mysterious Unity","第五十六章　玄同",{"to":456,"label":2317,"label_zh":2318},"Chapter 57 — Governing with Fewer Interferences","第五十七章　我无为而民自化",{"to":459,"label":2320,"label_zh":2321},"Chapter 58 — Fortune Rests on Misfortune","第五十八章　祸福相倚",{"to":462,"label":2323,"label_zh":2324},"Chapter 59 — Deep Roots and Conservation","第五十九章　深根固柢",{"to":465,"label":2326,"label_zh":2327},"Chapter 60 — Governing Like Cooking a Small Fish","第六十章　治大国若烹小鲜",{"to":468,"label":2329,"label_zh":2330},"Chapter 61 — The Great State Takes the Lower Place","第六十一章　大者宜为下",{"to":471,"label":2332,"label_zh":2333},"Chapter 62 — The Refuge of All Things","第六十二章　道者万物之奥",{"to":474,"label":2335,"label_zh":2336},"Chapter 63 — Begin with What Is Small","第六十三章　天下大事作于细",{"to":477,"label":2338,"label_zh":2339},"Chapter 64 — Careful at the End as at the Beginning","第六十四章　慎终如始",{"to":480,"label":2341,"label_zh":2342},"Chapter 65 — Beyond Manipulative Cleverness","第六十五章　玄德深远",{"to":483,"label":2344,"label_zh":2345},"Chapter 66 — Leading from Below","第六十六章　善下为王",{"to":486,"label":2347,"label_zh":2348},"Chapter 67 — The Three Treasures","第六十七章　三宝",{"to":489,"label":2350,"label_zh":2351},"Chapter 68 — The Virtue of Non-Contention","第六十八章　不争之德",{"to":492,"label":2353,"label_zh":2354},"Chapter 69 — Never Take the Enemy Lightly","第六十九章　哀者胜矣",{"to":495,"label":2356,"label_zh":2357},"Chapter 70 — Plain Clothes, Jade Within","第七十章　被褐怀玉",{"to":498,"label":2359,"label_zh":2360},"Chapter 71 — Knowing That You Do Not Know","第七十一章　知不知上",{"to":501,"label":2362,"label_zh":2363},"Chapter 72 — Authority Without Oppression","第七十二章　自知不自见",{"to":504,"label":2365,"label_zh":2366},"Chapter 73 — The Courage Not to Force","第七十三章　天网恢恢",{"to":507,"label":2368,"label_zh":2369},"Chapter 74 — Do Not Take the Executioner’s Place","第七十四章　代大匠斲",{"to":510,"label":2371,"label_zh":2372},"Chapter 75 — When Rulers Consume Too Much","第七十五章　民之饥",{"to":513,"label":2374,"label_zh":2375},"Chapter 76 — The Living Are Soft","第七十六章　柔弱处上",{"to":516,"label":2377,"label_zh":2378},"Chapter 77 — The Way of Heaven Is Like a Bow","第七十七章　损有余补不足",{"to":519,"label":2380,"label_zh":2381},"Chapter 78 — Nothing Is Softer Than Water","第七十八章　柔之胜刚",{"to":522,"label":2383,"label_zh":2384},"Chapter 79 — After a Great Resentment","第七十九章　和大怨",{"to":525,"label":2386,"label_zh":2387},"Chapter 80 — A Small and Contented Community","第八十章　小国寡民",{"to":528,"label":2389,"label_zh":2390},"Chapter 81 — The Way That Benefits Without Harm","第八十一章　为而不争",{"to":531,"label":2392,"label_zh":2393},"How Commentaries Change the Dao De Jing: Heshang Gong, Wang Bi and Xiang’er","注本如何改变《道德经》的读法：河上公、王弼与《想尔注》",{"to":534,"label":535,"label_zh":2395,"children":2396},"太极",[2397,2400,2403,2406,2409,2412,2415],{"to":538,"label":2398,"label_zh":2399},"Origins & Meaning of Taiji","“太极”这个词从哪来，本来什么意思",{"to":541,"label":2401,"label_zh":2402},"The Taiji Diagram (Taijitu)","太极图：阴阳互动与变化的象征",{"to":544,"label":2404,"label_zh":2405},"Taiji, Wuji & Cosmology","从无极到万物：这套生成图式是怎么拼起来的",{"to":547,"label":2407,"label_zh":2408},"Yin and Yang within Taiji","怎么判断一样东西是阴还是阳",{"to":550,"label":2410,"label_zh":2411},"Taiji in Neo-Confucian & Taoist Thought","同一个“太极”，理学与道教各取所需",{"to":553,"label":2413,"label_zh":2414},"Taiji and Internal Martial Practice","太极拳为什么叫太极：从哲理到动作",{"to":556,"label":2416,"label_zh":2417},"Key Sources & Further Reading","想深入的话，读什么",{"to":559,"label":560,"label_zh":2419,"children":2420},"庄子",[2421,2424,2427,2430,2433,2436,2439],{"to":563,"label":2422,"label_zh":2423},"Life & Historical Context of Zhuangzi","庄子这个人：一个漆园小吏和他的时代",{"to":566,"label":2425,"label_zh":2426},"Structure & Authorship of the Text","三十三篇，至少三批人写的",{"to":569,"label":2428,"label_zh":2429},"Core Themes: Wandering, Wu Wei & Spontaneity","逍遥、无待、技进乎道",{"to":572,"label":2431,"label_zh":2432},"The Equality of Things & the Relativity of Perspectives","齐物不是“都一样，无所谓”",{"to":575,"label":2434,"label_zh":2435},"Famous Parables of the Zhuangzi","那些人人知道的寓言，和总被略掉的下一句",{"to":578,"label":2437,"label_zh":2438},"Zhuangzi in Taoist Practice & Later Influence","从魏晋玄学到禅宗与诗画，庄子影响了什么",{"to":581,"label":2118,"label_zh":2440},"读《庄子》该用什么本子",{"to":584,"label":2442,"label_zh":2443,"children":2444},"Classical Library","道家经典文库",[2445],{"to":588,"label":2446,"label_zh":2447,"children":2448},"Liezi","列子：八篇总览与现代解读",[2449,2452,2455,2458,2461,2464,2467,2470],{"to":592,"label":2450,"label_zh":2451},"Chapter One: Tian Rui 天瑞","第一篇：天瑞",{"to":595,"label":2453,"label_zh":2454},"Chapter Two: Huang Di 黄帝","第二篇：黄帝",{"to":598,"label":2456,"label_zh":2457},"Chapter Three: Zhou Mu Wang 周穆王","第三篇：周穆王",{"to":601,"label":2459,"label_zh":2460},"Chapter Four: Zhong Ni 仲尼","第四篇：仲尼",{"to":604,"label":2462,"label_zh":2463},"Chapter Five: Tang Wen 汤问","第五篇：汤问",{"to":607,"label":2465,"label_zh":2466},"Chapter Six: Li Ming 力命","第六篇：力命",{"to":610,"label":2468,"label_zh":2469},"Chapter Seven: Yang Zhu 杨朱","第七篇：杨朱",{"to":613,"label":2471,"label_zh":2472},"Chapter Eight: Shuo Fu 说符","第八篇：说符",{"to":616,"label":2474,"label_zh":2475},"Taoist Philosophy","道家哲学",{"to":619,"label":2477,"label_zh":2478},"Wu Wei & Natural Living","无为与自然生活",{"to":622,"label":2480,"label_zh":2481},"A Taoist View of Life","道家人生观",{"to":625,"label":2483,"label_zh":2484,"children":2485},"Martial Arts","武当武术",[2486,2508,2533,2552,2571,2596],{"to":629,"label":2487,"label_zh":2488,"children":2489},"Foundations of Internal Martial Arts","内家拳基础",[2490,2493,2496,2499,2502,2505],{"to":633,"label":2491,"label_zh":2492},"Internal vs. External: Neijia and Waijia","内家与外家",{"to":636,"label":2494,"label_zh":2495},"Zhang Sanfeng: Ming-Dynasty Daoist, Wudang Tradition and Martial Legacy","张三丰：明代道士、武当传统与武术传承",{"to":639,"label":2497,"label_zh":2498},"The Three Treasures: Jing, Qi and Shen","精、气、神：内丹词汇与武术训练",{"to":642,"label":2500,"label_zh":2501},"Song, Rooting and Whole-Body Power","松、沉、整劲：核心功夫与检验方法",{"to":645,"label":2503,"label_zh":2504},"Martial Arts as Taoist Cultivation","以武入道：武术与道家修养的关系",{"to":648,"label":2506,"label_zh":2507},"Key Sources and Further Reading","读什么，用什么本子，按什么顺序",{"to":651,"label":2509,"label_zh":2510,"children":2511},"Taijiquan (Tai Chi)","太极拳",[2512,2515,2518,2521,2524,2527,2530],{"to":655,"label":2513,"label_zh":2514},"Origins and History of Taijiquan","太极拳从哪来：传说、拳谱与考据",{"to":658,"label":2516,"label_zh":2517},"Taijiquan Family Styles: Chen, Yang, Wu, Wu (Hao) and Sun","太极拳五大家：陈式、杨式、吴式、武（郝）式与孙式",{"to":661,"label":2519,"label_zh":2520},"Wudang Taijiquan: History, Revival and Living Practice","武当太极拳：历史、复兴与当代实践",{"to":664,"label":2522,"label_zh":2523},"Core Principles and the Taiji Classics","太极拳经典与核心原则",{"to":667,"label":2525,"label_zh":2526},"Taijiquan Push Hands (Tui Shou): Partner Drills, Skills and Safety","太极拳推手：双人练习、训练目标与安全规则",{"to":670,"label":2528,"label_zh":2529},"Health and Martial Practice in Taijiquan","太极拳养生与技击：证据、目标与训练方法",{"to":673,"label":2531,"label_zh":2532},"Taijiquan Sources and Reading Paths","太极拳资料与阅读路径",{"to":676,"label":2534,"label_zh":2535,"children":2536},"Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、换掌与身法变化",[2537,2540,2543,2546,2549],{"to":680,"label":2538,"label_zh":2539},"Origins and History of Baguazhang: Dong Haichuan and the Record","八卦掌源流：董海川、碑铭与早期资料",{"to":683,"label":2541,"label_zh":2542},"Circle Walking and Palm Changes in Baguazhang","八卦掌走圈与换掌：变量、转向与练习进阶",{"to":686,"label":2544,"label_zh":2545},"Baguazhang and the Yijing: History, Diagrams and Practice","八卦掌与《易》：历史、卦图与练法解释",{"to":689,"label":2547,"label_zh":2548},"Baguazhang Principles: Turning, Angling and Continuous Change","八卦掌法则：转身、走斜与连续变化",{"to":692,"label":2550,"label_zh":2551},"Baguazhang Sources and Reading Paths","八卦掌资料与阅读路径",{"to":695,"label":2553,"label_zh":2554,"children":2555},"Xingyiquan: Structure, Intention and Direct Training","形意拳：结构、意念与直接训练",[2556,2559,2562,2565,2568],{"to":699,"label":2557,"label_zh":2558},"Origins and History of Xingyiquan","形意拳的起源与历史",{"to":702,"label":2560,"label_zh":2561},"The Five Fists of Xingyiquan","形意拳五行拳：劈、崩、钻、炮、横",{"to":705,"label":2563,"label_zh":2564},"Xingyiquan’s Twelve Animal Forms","形意拳十二形：动物意象与训练方法",{"to":708,"label":2566,"label_zh":2567},"Xingyiquan Principles: Six Harmonies, Intention and Power","形意拳原理：六合、意与劲力训练",{"to":711,"label":2569,"label_zh":2570},"Xingyiquan Sources and Reading Paths","形意拳资料与阅读路径：拳谱、版本与证据",{"to":714,"label":2572,"label_zh":2573,"children":2574},"Wudang Sword and Weapons: History, Practice and Context","武当剑与兵器：历史、练习与文化语境",[2575,2578,2581,2584,2587,2590,2593],{"to":718,"label":2576,"label_zh":2577},"Wudang Straight Sword: The 1931 Curriculum and Its Context","武当剑：1931年课程、十三势与史料边界",{"to":721,"label":2579,"label_zh":2580},"The Sabre, Staff and Spear: A Guide to Chinese Weapons","刀、棍、枪：认识传统兵器与练习方式",{"to":724,"label":2582,"label_zh":2583},"Whisk, Fan and Other Wudang Implements: Objects and Practice","拂尘、扇与其他武当器械：器物、文化与练习",{"to":727,"label":2585,"label_zh":2586},"The Weapon and the Body: Coordination, Perception and Practice","器械与身体：协调、知觉与练习",{"to":730,"label":2588,"label_zh":2589},"Weapons Sources and Reading Paths: How to Compare the Evidence","武当兵器资料与阅读路径：怎样比较不同证据",{"to":733,"label":2591,"label_zh":2592},"How to Read a Chinese Jian: Blade, Hilt, Scabbard and Context","怎样读懂中国剑：剑身、剑柄、剑鞘与时代语境",{"to":736,"label":2594,"label_zh":2595},"How to Read a Chinese Dao: Edge, Curve, Mountings and Context","怎样读懂中国刀：刃口、弧度、装具与时代语境",{"to":739,"label":2597,"label_zh":2598,"children":2599},"Training and Practice: Building a Sustainable Wudang Routine","训练与习练：建立可持续的武当练习",[2600,2603,2606,2609,2612,2615,2618],{"to":743,"label":2601,"label_zh":2602},"Jibengong and Stance Training: Building Foundations Safely","基本功与桩功：安全建立训练基础",{"to":746,"label":2604,"label_zh":2605},"Forms, Drills and Applications: Connecting Solo and Partner Practice","套路、操手与应用：连接单练与对练",{"to":749,"label":2607,"label_zh":2608},"Neigong: Internal Training, Breath and Attention","内功：内在训练、呼吸与专注",{"to":752,"label":2610,"label_zh":2611},"Wude: Martial Ethics, Lineage and Responsible Teaching","武德：武术伦理、传承与负责任的教学",{"to":755,"label":2613,"label_zh":2614},"Training at Wudang: How to Choose a School or Retreat","在武当习武：如何选择武馆或研修项目",{"to":758,"label":2616,"label_zh":2617},"Training Sources and Reading Paths: From Manuals to Practice","训练资料与阅读路径：从拳谱到实练",{"to":761,"label":2619,"label_zh":2620},"How to Begin Wudang Practice: A Beginner Pathway","如何开始武当修习：初学者路径",{"to":764,"label":2622,"label_zh":2623,"children":2624},"Wellness","养生",[2625,2650,2672,2692,2712,2715,2718,2720,2722],{"to":768,"label":2626,"label_zh":2627,"children":2628},"Qigong","气功",[2629,2632,2635,2638,2641,2644,2647],{"to":772,"label":2630,"label_zh":2631},"Origins & History of Qigong","气功的源流与历史",{"to":775,"label":2633,"label_zh":2634},"The Three Regulations","三调",{"to":778,"label":2636,"label_zh":2637},"Famous Forms & Families of Qigong","气功的著名功法与家族",{"to":781,"label":2639,"label_zh":2640},"What a Qigong Session Involves","一堂气功练习包含些什么",{"to":784,"label":2642,"label_zh":2643},"Health Benefits & the Evidence","养生功效与证据",{"to":787,"label":2645,"label_zh":2646},"Getting Started & Further Reading","如何入门与延伸阅读",{"to":790,"label":2648,"label_zh":2649},"The Mawangdui Daoyin Tu: Reading an Early Chinese Exercise Chart","马王堆《导引图》：怎样读懂一幅早期中国导引图像",{"to":793,"label":2651,"label_zh":2652,"children":2653},"Chinese Herbal Medicine","中药与本草",[2654,2657,2660,2663,2666,2669],{"to":797,"label":2655,"label_zh":2656},"Origins & Traditions of Chinese Herbal Medicine","中药的源流与传统",{"to":800,"label":2658,"label_zh":2659},"How Herbs Are Understood","药草是如何被理解的",{"to":803,"label":2661,"label_zh":2662},"Herbs of the Wudang Tradition","武当传统中的药草",{"to":806,"label":2664,"label_zh":2665},"Formulas & Preparation","方剂与配制",{"to":809,"label":2667,"label_zh":2668},"Safety & Responsible Use","安全与负责任的使用",{"to":812,"label":2670,"label_zh":2671},"Further Reading & Everyday Practice","延伸阅读与日常实践",{"to":815,"label":2673,"label_zh":2674,"children":2675},"Taoist Medicine","道家医学",[2676,2679,2682,2685,2688,2691],{"to":819,"label":2677,"label_zh":2678},"The Taoist View of the Body","道家对身体的看法",{"to":822,"label":2680,"label_zh":2681},"The Three Treasures","三宝",{"to":825,"label":2683,"label_zh":2684},"Practices for Nourishing Life","养生的功夫",{"to":828,"label":2686,"label_zh":2687},"Preventing Illness & the Seasons","防病与顺应四时",{"to":831,"label":2689,"label_zh":2690},"How Taoist and Modern Medicine Relate","道家医学与现代医学如何相互参照",{"to":834,"label":2670,"label_zh":2671},{"to":837,"label":2693,"label_zh":2694,"children":2695},"Sound & Energy Practices","声音与能量练习",[2696,2699,2702,2705,2708,2711],{"to":841,"label":2697,"label_zh":2698},"The Taoist Sound Tradition","道家的音声传统",{"to":844,"label":2700,"label_zh":2701},"Sound Baths & Instruments","颂钵音疗与乐器",{"to":847,"label":2703,"label_zh":2704},"Forms of Energy Work","能量之功的种种形式",{"to":850,"label":2706,"label_zh":2707},"A Session: What to Expect","一次课程：会经历什么",{"to":853,"label":2709,"label_zh":2710},"How It Works & the Evidence","它如何起作用与证据",{"to":856,"label":2645,"label_zh":2646},{"to":859,"label":2713,"label_zh":2714},"Standing Practice","站桩",{"to":862,"label":2716,"label_zh":2717},"Wudang Internal Cultivation","武当内修",{"to":865,"label":866,"label_zh":2719},"艾灸",{"to":868,"label":869,"label_zh":2721},"辟谷",{"to":871,"label":2723,"label_zh":2724,"children":2725},"Baduanjin (Eight Brocades)","八段锦",[2726],{"to":875,"label":2727,"label_zh":2728},"The Eight Sections of Baduanjin","八段锦八式详解",{"to":878,"label":2730,"label_zh":2731,"children":2732},"Literati Arts","文人雅艺",[2733,2788,2843,2964,3004,3053,3084],{"to":882,"label":2734,"label_zh":2735,"children":2736},"Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中国诗词与文学：体式、语境与阅读路径",[2737,2740,2743,2746,2749,2752,2755,2758,2761,2764,2767,2770,2773,2776,2779,2782,2785],{"to":886,"label":2738,"label_zh":2739},"Origins of Chinese Poetry: Song, Text and Interpretation","中国诗歌的源流：歌唱、文本与阐释",{"to":889,"label":2741,"label_zh":2742},"The Book of Songs: Voices, Performance and Interpretation","《诗经》：声音、礼乐与阐释",{"to":892,"label":2744,"label_zh":2745},"Tang Poetry: Forms, Voices and a Lasting Canon","唐诗：体式、声音与经典的形成",{"to":895,"label":2747,"label_zh":2748},"Daoist Traditions and Landscape Poetry: Place, Reclusion and Interpretation","道家、道教与山水诗：地方、隐逸与解读",{"to":898,"label":2750,"label_zh":2751},"Poetry as Cultivation at Wudang: Reading, Attention and Writing","武当诗文与自我涵养：阅读、观察与写作",{"to":901,"label":2753,"label_zh":2754},"Chinese Poetry: Poets, Editions and Reading Paths","中国诗词阅读：诗人、版本与入门路径",{"to":904,"label":2756,"label_zh":2757},"How to Read Chinese Regulated Verse: Lines, Rhyme, Tone and Parallelism","怎样读中国近体诗：句式、押韵、平仄与对仗",{"to":907,"label":2759,"label_zh":2760},"How to Read Chinese Ci Lyrics: Tune Patterns, Voice and Transmission","怎样读中国词：词牌、声音与文本流传",{"to":910,"label":2762,"label_zh":2763},"How Chinese Poetry Anthologies Shape What We Read","中国诗歌选本怎样塑造我们的阅读",{"to":913,"label":2765,"label_zh":2766},"Chinese Thread-Bound Books: Folding, Stitching and the Shape of Reading","中国线装书：折页、装订与阅读形态",{"to":916,"label":2768,"label_zh":2769},"How to Read Chinese Paired Couplets: Parallel Lines, Calligraphy and Place","怎样读中国对联：对仗、书法与空间",{"to":919,"label":2771,"label_zh":2772},"Poetry on Chinese Paintings: How to Read Inscriptions and Colophons","中国画上的诗：怎样读题款与题跋",{"to":922,"label":2774,"label_zh":2775},"Chinese Fu (Rhapsody): Catalogues, Courts and Expansive Description","中国赋：铺陈、宫廷与展开描写的艺术",{"to":925,"label":2777,"label_zh":2778},"Wenxin Diaolong: How Liu Xie Thought About Writing and Reading","《文心雕龙》导读：刘勰怎样思考写作与阅读",{"to":928,"label":2780,"label_zh":2781},"Shihua (Poetry Talks): How Chinese Criticism Speaks in Notes and Anecdotes","中国诗话导读：批评怎样写进笔记、轶事与评语",{"to":931,"label":2783,"label_zh":2784},"Chinese Prefaces and Afterwords (Xu and Ba): How Books Frame Texts and Readers","中国序跋导读：书籍怎样安排文本、作者与读者",{"to":934,"label":2786,"label_zh":2787},"Chinese Biji (Brush Notes): How Fragments Become Knowledge and Literature","中国笔记导读：零散见闻怎样成为知识与文学",{"to":937,"label":2789,"label_zh":2790,"children":2791},"Chinese Calligraphy: Scripts, Materials and Ways of Looking","中国书法：书体、材料与观赏入门",[2792,2795,2798,2801,2804,2807,2810,2813,2816,2819,2822,2825,2828,2831,2834,2837,2840],{"to":941,"label":2793,"label_zh":2794},"Origins and History of Chinese Calligraphy","中国书法的源流与历史",{"to":944,"label":2796,"label_zh":2797},"The Five Script Styles in Chinese Calligraphy","中国书法的五种主要书体",{"to":947,"label":2799,"label_zh":2800},"Calligraphy and Taoist Cultivation: Text, Attention and Practice","书法与道家修养：读懂文字，专注落笔",{"to":950,"label":2802,"label_zh":2803},"The Four Treasures of the Study: Choosing and Using Calligraphy Materials","文房四宝：认识、选择与使用笔墨纸砚",{"to":953,"label":2805,"label_zh":2806},"Chinese Calligraphy Brushwork: Reading and Practising the Living Line","书法笔法：观察与练习有生气的线条",{"to":956,"label":2808,"label_zh":2809},"Chinese Calligraphy Masters and Reading Paths","中国书法名家与阅读路径",{"to":959,"label":2811,"label_zh":2812},"Chinese Seals and Seal Carving: Script, Surface and Impression","中国印章与篆刻：文字、印面与钤印",{"to":962,"label":2814,"label_zh":2815},"Chinese Ink Rubbings: Stone, Paper and the Life of Calligraphy","中国传拓：石刻、纸墨与书法的流传",{"to":965,"label":2817,"label_zh":2818},"Chinese Inkstones: Stone, Carving and the Scholar’s Desk","中国砚台：石材、雕刻与文房生活",{"to":968,"label":2820,"label_zh":2821},"Chinese Inksticks: Soot, Moulds and the Scholar’s Desk","中国墨锭：烟料、墨模与文房生活",{"to":971,"label":2823,"label_zh":2824},"Chinese Calligraphy Paper: Xuan, Sizing and the Life of a Sheet","中国书画纸：宣纸、施胶与纸张的一生",{"to":974,"label":2826,"label_zh":2827},"Chinese Calligraphy Brushes: Hair, Handle and the Working Point","中国毛笔：毫料、笔管与笔锋",{"to":977,"label":2829,"label_zh":2830},"Chinese Brush Rests: Mountains, Materials and the Scholar’s Desk","中国笔架：山形、材质与文人书案",{"to":980,"label":2832,"label_zh":2833},"Chinese Water Droppers: Flow, Form and the Scholar’s Desk","中国水滴：控水、造型与文人书案",{"to":983,"label":2835,"label_zh":2836},"Chinese Brush Pots: Function, Material and the Scholar’s Desk","中国笔筒：收纳、材质与文人书案",{"to":986,"label":2838,"label_zh":2839},"Chinese Brush Washers: Water, Form and the Scholar’s Desk","中国笔洗：洗笔、造型与文人书案",{"to":989,"label":2841,"label_zh":2842},"Chinese Paperweights: Form, Material and the Scholar’s Desk","中国镇纸：形制、材质与文人书案",{"to":992,"label":2844,"label_zh":2845,"children":2846},"Chinese Tea Culture","中国茶文化",[2847,2850,2853,2856,2859,2862,2865,2868,2871,2874,2877,2880,2883,2886,2889,2892,2895,2898,2901,2904,2907,2910,2913,2916,2919,2922,2925,2928,2931,2934,2937,2940,2943,2946,2949,2952,2955,2958,2961],{"to":996,"label":2848,"label_zh":2849},"Tea, Meditation and Taoist Practice","茶、静坐与道家修习",{"to":999,"label":2851,"label_zh":2852},"Origins and History of Chinese Tea Culture","中国茶文化的源流与历史",{"to":1002,"label":2854,"label_zh":2855},"The Way of Tea: Attention, Care and Hospitality","茶道：在一杯茶中练习用心与待客",{"to":1005,"label":2857,"label_zh":2858},"Six Chinese Tea Families: Processing and Taste","六大茶类：从制法到品饮",{"to":1008,"label":2860,"label_zh":2861},"Gongfu Tea: Utensils and a Flexible Method","工夫茶：茶具与灵活冲泡法",{"to":1011,"label":2863,"label_zh":2864},"Learning Chinese Tea: Reading and Practice","学茶入门：阅读与品饮练习",{"to":1014,"label":2866,"label_zh":2867},"Water for Chinese Tea: Springs, Minerals and a Practical Tasting Method","中国茶用水：山泉、矿物与实用对比方法",{"to":1017,"label":2869,"label_zh":2870},"Chinese Tea Ware: Clay, Porcelain, Glaze and the Uses of Form","中国茶器：胎土、瓷釉、造型与使用",{"to":1020,"label":2872,"label_zh":2873},"Chinese Tea Caddies: Storage, Materials and the Traveling Leaf","中国茶叶罐：贮藏、材质与流动的茶叶",{"to":1023,"label":2875,"label_zh":2876},"Whisked Tea in Song China: Powder, Bowls and Foam","宋代点茶：茶末、茶盏与汤花",{"to":1026,"label":2878,"label_zh":2879},"Yixing Teapots: Clay, Form and Reading the Maker’s Mark","宜兴紫砂壶：泥料、器形与款识",{"to":1029,"label":2881,"label_zh":2882},"Compressed Tea in China: Cakes, Bricks and How to Read Them","中国紧压茶：茶饼、茶砖与辨读方法",{"to":1032,"label":2884,"label_zh":2885},"Tea–Horse Trade Networks: Routes, Markets and Cultural Exchange","茶马贸易网络：路线、市场与文化交流",{"to":1035,"label":2887,"label_zh":2888},"Tea Landscapes in China: Gardens, Forests, Terraces and Living Knowledge","中国茶景观：茶园、古茶林、梯田与活态知识",{"to":1038,"label":2890,"label_zh":2891},"Picking Tea in China: Seasons, Bud-and-Leaf Standards and Skilled Labour","中国采茶：季节、芽叶标准与劳作技艺",{"to":1041,"label":2893,"label_zh":2894},"Withering Tea Leaves: Water Loss, Time and the First Transformation","茶叶萎凋：失水、时间与采后初变",{"to":1044,"label":2896,"label_zh":2897},"Fixing Tea Leaves (Shaqing): Heat, Enzymes and a Turning Point in Chinese Tea","茶叶杀青：热、酶活性与中国制茶的转折点",{"to":1047,"label":2899,"label_zh":2900},"Rolling Tea Leaves (Rounian): Pressure, Shape and Controlled Cell Disruption","茶叶揉捻：压力、形态与受控细胞破损",{"to":1050,"label":2902,"label_zh":2903},"Drying Tea Leaves: Moisture, Heat and the Stability of Finished Tea","茶叶干燥：水分、热量与成茶稳定",{"to":1053,"label":2905,"label_zh":2906},"Sorting and Grading Tea: Leaf Size, Shape and What a Grade Really Means","茶叶筛分与分级：叶片大小、形态与等级的真正含义",{"to":1056,"label":2908,"label_zh":2909},"Tea Blending and Batch Construction: Consistency, Style and Transparent Labels","茶叶拼配与批次构建：稳定、风格与透明标示",{"to":1059,"label":2911,"label_zh":2912},"Oxidation and Post-Fermentation in Tea: Enzymes, Microbes and Misleading Labels","茶叶氧化与后发酵：酶、微生物与容易混淆的标签",{"to":1062,"label":2914,"label_zh":2915},"Yellow Tea and Menhuang: Moist Heat, Time and the Making of a Tea Family","黄茶与闷黄：湿热、时间与一类茶的形成",{"to":1065,"label":2917,"label_zh":2918},"Re-Firing and Roasting Tea: Later Heat, Aroma and the Difference from Drying","茶叶复火与焙火：后段加热、香气及其与干燥的区别",{"to":1068,"label":2920,"label_zh":2921},"Jasmine Tea and Scenting: Flowers, Repeated Rounds and How Aroma Enters Tea","茉莉花茶与窨制：鲜花、多次窨香与茶叶如何吸收香气",{"to":1071,"label":2923,"label_zh":2924},"Tea Sensory Evaluation: Appearance, Aroma, Taste and the Limits of a Score","茶叶感官审评：外形、香气、滋味与分数的边界",{"to":1074,"label":2926,"label_zh":2927},"Doucha: Tea Contests in Song China and the Limits of Modern Re-Creation","斗茶：宋代茶事竞赛与现代重现的边界",{"to":1077,"label":2929,"label_zh":2930},"Beiyuan Tribute Tea: Song Court Taste, Skilled Labour and the Limits of ‘Imperial Tea’","北苑贡茶：宋代宫廷品味、制茶劳作与“御茶”标签的边界",{"to":1080,"label":2932,"label_zh":2933},"Reading Chinese Tea Classics: Authorship, Editions and the Limits of a ‘Recipe’","如何阅读中国茶书：作者、版本与“配方”式解读的边界",{"to":1083,"label":2935,"label_zh":2936},"Tea in Chinese Poetry: Social Worlds, Metaphor and the Limits of Literary Evidence","中国诗歌中的茶：社会交往、诗意表达与文学证据的边界",{"to":1086,"label":2938,"label_zh":2939},"Chinese Teahouses: Commerce, Conversation, Performance and Changing Urban Publics","中国茶馆：商业、交往、表演与变动中的城市公共生活",{"to":1089,"label":2941,"label_zh":2942},"Tea in Chinese Painting: Objects, Social Worlds and the Limits of Visual Evidence","中国绘画中的茶：器物、社会空间与视觉证据的边界",{"to":1092,"label":2944,"label_zh":2945},"Tea in Dream of the Red Chamber: Hospitality, Rank, Labour and Fiction","《红楼梦》中的茶：待客、等级、劳动与小说叙事",{"to":1095,"label":2947,"label_zh":2948},"Tea in Chinese Travel Writing: Roads, Hospitality and the Limits of an Itinerary","中国游记中的茶：道路、待客与行程证据的边界",{"to":1098,"label":2950,"label_zh":2951},"Tea in Chinese Letters: Gifts, Visits, Friendship and the Limits of ‘Private’ Writing","中国书信中的茶：馈赠、访友、人情与“私语”证据的边界",{"to":1101,"label":2953,"label_zh":2954},"Tea, Tax and Monopoly in Imperial China: Reading Fiscal Records Without Mistaking Revenue for Daily Life","中国历代茶税与专卖：财政记录能告诉我们什么，又不能告诉我们什么",{"to":1104,"label":2956,"label_zh":2957},"Tea in Chinese Local Gazetteers: Place, Production and the Limits of Local Knowledge","中国地方志中的茶：产地、生产与地方知识的边界",{"to":1107,"label":2959,"label_zh":2960},"Tea in Chinese Materia Medica: Names, Preparations and the Limits of Medical Claims","中国本草中的茶：名称、制法与医药记载的边界",{"to":1110,"label":2962,"label_zh":2963},"Tea in Chinese Buddhist Monastic Rules: Ceremony, Office and the Limits of Origin Stories","中国佛教清规中的茶：礼仪、职事与起源故事的边界",{"to":1113,"label":2965,"label_zh":2966,"children":2967},"Guqin: Sound, History and Ways to Listen","古琴：认识声音、历史与聆听方法",[2968,2971,2974,2977,2980,2983,2986,2989,2992,2995,2998,3001],{"to":1117,"label":2969,"label_zh":2970},"A History of the Guqin: Objects, Texts and Living Music","古琴的历史：实物、文献与传习",{"to":1120,"label":2972,"label_zh":2973},"How the Guqin Works: Strings, Body and Sound","古琴如何发声：琴弦、琴身与结构",{"to":1123,"label":2975,"label_zh":2976},"Playing the Guqin: Gesture, Notation and Interpretation","古琴怎样弹、怎样读谱：指法、减字谱与诠释",{"to":1126,"label":2978,"label_zh":2979},"Guqin Melodies: Stories, Versions and Ways to Listen","听懂古琴名曲：故事、版本与聆听线索",{"to":1129,"label":2981,"label_zh":2982},"Guqin and Daoist Cultivation: Listening, Practice and Limits","古琴与道家修养：聆听、练习与边界",{"to":1132,"label":2984,"label_zh":2985},"Learning the Guqin: Listening, Sources and Finding a Teacher","怎样学古琴：聆听、资料与择师",{"to":1135,"label":2987,"label_zh":2988},"Guqin Tables and Playing Spaces: Support, Posture and Listening","古琴桌与弹琴空间：承托、坐姿与聆听",{"to":1138,"label":2990,"label_zh":2991},"How to Read a Guqin Handbook: Tablature, Editions and Dapu","如何读古琴谱：减字谱、版本与打谱",{"to":1141,"label":2993,"label_zh":2994},"Reading Guqin Lacquer: Layers, Crack Patterns and Repair","读懂古琴漆面：漆层、断纹与修缮",{"to":1144,"label":2996,"label_zh":2997},"Reading Guqin Inscriptions and Seals: Names, Dates and Provenance","读懂古琴铭款与印章：琴名、年代与流传",{"to":1147,"label":2999,"label_zh":3000},"Guqin Forms: Reading Zhongni, Banana-Leaf and Other Shapes","古琴式样：读懂仲尼式、蕉叶式与其他琴式",{"to":1150,"label":3002,"label_zh":3003},"Guqin Strings: Silk, Modern Composites and How Material Changes Playing","古琴琴弦：丝弦、现代复合弦与材质如何改变演奏",{"to":1153,"label":3005,"label_zh":3006,"children":3007},"Chinese Painting: Materials, Formats and Ways of Looking","中国绘画：材料、形制与观看方法",[3008,3011,3014,3017,3020,3023,3026,3029,3032,3035,3038,3041,3044,3047,3050],{"to":1157,"label":3009,"label_zh":3010},"Origins and History of Chinese Painting: Objects, Courts and Communities","中国绘画的源流与历史：作品、宫廷与社会",{"to":1160,"label":3012,"label_zh":3013},"Ink and Brush in Chinese Painting: Materials, Water and Marks","中国画的笔墨：材料、水分与笔痕",{"to":1163,"label":3015,"label_zh":3016},"Shanshui: How to Read Chinese Landscape Painting","山水画：怎样读懂中国山水",{"to":1166,"label":3018,"label_zh":3019},"Birds, Flowers and the Four Gentlemen in Chinese Painting","中国画中的花鸟与四君子",{"to":1169,"label":3021,"label_zh":3022},"Painting and Taoist Cultivation: Images, Ideas and Practice","绘画与道家修养：图像、观念与实践",{"to":1172,"label":3024,"label_zh":3025},"Chinese Painting Masters: A Guided Path","中国画名家与进阶研习",{"to":1175,"label":3027,"label_zh":3028},"How to Read a Chinese Handscroll: Sequence, Colophons and Seals","怎样观看中国手卷：展开顺序、题跋与印章",{"to":1178,"label":3030,"label_zh":3031},"Chinese Fan Painting: Shape, Brushwork and the Art of the Small Format","中国扇面书画：形制、笔墨与方寸之美",{"to":1181,"label":3033,"label_zh":3034},"How to Read a Chinese Painting Album: Leaves, Sequence and Intimate Viewing","如何阅读中国画册页：开页、次序与案头观看",{"to":1184,"label":3036,"label_zh":3037},"Chinese Scholars’ Rocks: Stone, Display and Imagined Landscapes","中国文人赏石：石质、陈设与想象山水",{"to":1187,"label":3039,"label_zh":3040},"How to Read a Chinese Hanging Scroll: Vertical Space, Mounting and Display","如何阅读中国立轴：纵向空间、装裱与陈设",{"to":1190,"label":3042,"label_zh":3043},"Chinese Screens: Space, Painting and the Art of the Fold","中国屏风：空间、图像与开合之艺",{"to":1193,"label":3045,"label_zh":3046},"Mounting Chinese Painting: Silk Borders, Backing Papers and the Life of a Scroll","中国画装裱：绫边、托纸与卷轴的生命",{"to":1196,"label":3048,"label_zh":3049},"Chinese Portrait Painting: Likeness, Role and Ancestral Memory","中国肖像画：形神、身份与祖先记忆",{"to":1199,"label":3051,"label_zh":3052},"The Three Distances in Chinese Landscape Painting: High, Deep and Level Space","中国山水画的“三远”：高远、深远与平远",{"to":1202,"label":3054,"label_zh":3055,"children":3056},"Chinese Incense Culture","中国香文化",[3057,3060,3063,3066,3069,3072,3075,3078,3081],{"to":1206,"label":3058,"label_zh":3059},"Origins and History of Chinese Incense Culture","中国香文化的源流与历史",{"to":1209,"label":3061,"label_zh":3062},"Aromatic Materials: Woods, Resins and Responsible Sourcing","香材指南：香木、树脂与负责任的来源",{"to":1212,"label":3064,"label_zh":3065},"Incense Forms and the Art of Appreciation","香的形态与品香方法",{"to":1215,"label":3067,"label_zh":3068},"Incense in Daoist Ritual and Temple Life","香在道教科仪与宫观生活中",{"to":1218,"label":3070,"label_zh":3071},"Incense, Meditation and Taoist Practice","香、静坐与道家修习",{"to":1221,"label":3073,"label_zh":3074},"Learning Chinese Incense: Reading and Practice","学习中国香文化：阅读与实践",{"to":1224,"label":3076,"label_zh":3077},"Chinese Incense Burners: Bronze, Ceramic, Form and Context","中国香炉：青铜、陶瓷、形制与使用语境",{"to":1227,"label":3079,"label_zh":3080},"Chinese Incense Seals: Ash, Patterns and Fragrant Time","中国香篆：香灰、篆纹与芬芳计时",{"to":1230,"label":3082,"label_zh":3083},"Chinese Incense Sets: Burner, Box, Vase and Tools","中国香具三式：炉、盒、瓶与匙箸",{"to":1233,"label":3085,"label_zh":3086,"children":3087},"Chinese Flower Arrangement: History, Materials and Ways of Looking","中国插花：历史、花材与观看方法",[3088,3091,3094,3097,3100,3103,3106],{"to":1237,"label":3089,"label_zh":3090},"A History of Chinese Flower Arrangement: Vessels, Pictures and Voices","中国插花史：器物、图像与文字中的花事",{"to":1240,"label":3092,"label_zh":3093},"Chinese Flower Arrangement: Line, Balance and Ways of Looking","中国插花构图：线条、平衡与观看方法",{"to":1243,"label":3095,"label_zh":3096},"Choosing Flower Vessels and Tools: Form, Support and Care","选择花器与工具：形制、支撑和养护",{"to":1246,"label":3098,"label_zh":3099},"Seasonal Flowers and Symbolism: How to Read Context","时令花材与象征：怎样结合语境来读",{"to":1249,"label":3101,"label_zh":3102},"Flower Arrangement as Cultivation: Attention, Change and Limits","插花与修养：专注、变化与界限",{"to":1252,"label":3104,"label_zh":3105},"Further Reading and Practice: Sources, Museums and a First Month","延伸阅读与练习：史料、博物馆与第一个月",{"to":1255,"label":3107,"label_zh":3108},"Chinese Flower Baskets: Weaving, Painting and the Vessel","中国花篮：编织、绘画与器物",{"to":1258,"label":3110,"label_zh":3111,"children":3112},"Taoist Culture","道教文化",[3113,3144,3169,3194,3255],{"to":1262,"label":3114,"label_zh":3115,"children":3116},"Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙与神明体系：结构与层级指南",[3117,3120,3123,3126,3129,3132,3135,3138,3141],{"to":1266,"label":3118,"label_zh":3119},"The Three Pure Ones: Highest Deities of the Taoist Pantheon","道教三清：神明体系中的最高尊神",{"to":1269,"label":3121,"label_zh":3122},"The Jade Emperor in Taoism: Ruler of the Celestial Bureaucracy","道教玉皇大帝：天庭官府的治理者",{"to":1272,"label":3124,"label_zh":3125},"How the Taoist Pantheon Developed: Origins of Its Gods","道教神明体系如何形成：诸神的不同来源",{"to":1275,"label":3127,"label_zh":3128},"Taoist Immortals and the Celestial Bureaucracy: Shen and Xian","道教神明、仙真与天庭官府：神和仙有什么不同",{"to":1278,"label":3130,"label_zh":3131},"Guan Yu, Mazu and Popular Chinese Deities: How Humans Become Gods","关羽、妈祖与民间神祇：人如何成为神",{"to":1281,"label":3133,"label_zh":3134},"Deities of Wudang Mountain: Zhenwu and His Sacred Court","武当山神明：真武大帝与他的神圣侍从",{"to":1284,"label":3136,"label_zh":3137},"Taoist Temple Worship: Incense, Offerings, Vows and Donations","道教宫观祭祀：上香、供养、许愿与捐献",{"to":1287,"label":3139,"label_zh":3140},"The Northern Dipper in Daoist Culture: Stars, Images and Ritual Maps","道教文化中的北斗：星象、图像与仪式图式",{"to":1290,"label":3142,"label_zh":3143},"The Three Officials in Daoism: Heaven, Earth, Water and the Three Yuan","道教三官大帝：天、地、水与三元节期",{"to":1293,"label":3145,"label_zh":3146,"children":3147},"Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山与宫观：圣地、建筑与制度指南",[3148,3151,3154,3157,3160,3163,3166],{"to":1297,"label":3149,"label_zh":3150},"Wudang Mountain in Taoism: Zhenwu, the Ming Court and Sacred Status","道教中的武当山：真武信仰、明廷与圣地地位",{"to":1300,"label":3152,"label_zh":3153},"Mount Longhu and the Celestial Masters: Centre of Zhengyi Taoism","龙虎山与天师道：正一道的制度中心",{"to":1303,"label":3155,"label_zh":3156},"Mount Qingcheng: How Organised Taoism Took Institutional Form","青城山：有组织道教如何形成制度",{"to":1306,"label":3158,"label_zh":3159},"Mount Tai: China’s Foremost State Sacred Mountain","泰山：中国最重要的国家祭祀名山",{"to":1309,"label":3161,"label_zh":3162},"White Cloud Temple in Beijing: Quanzhen Taoism’s Urban Monastery","北京白云观：全真道的城市宫观",{"to":1312,"label":3164,"label_zh":3165},"How to Read Taoist Temple Architecture and Sacred Space","如何读懂道教宫观建筑与神圣空间",{"to":1315,"label":3167,"label_zh":3168},"Taoist Pilgrimage and Temple Etiquette: A Practical Guide","道教朝山进香与宫观礼仪：实用指南",{"to":1318,"label":3170,"label_zh":3171,"children":3172},"Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派与传承：正一、全真及历史道派",[3173,3176,3179,3182,3185,3188,3191],{"to":1322,"label":3174,"label_zh":3175},"Zhengyi Taoism and the Celestial Masters: Householder Priests and Ritual Authority","正一道与天师道：在家道士和科仪权威",{"to":1325,"label":3177,"label_zh":3178},"Quanzhen Taoism: Monastic Life, Inner Cultivation and Wudang","全真道：出家生活、内在修炼与武当",{"to":1328,"label":3180,"label_zh":3181},"Shangqing Taoism: Highest Clarity Revelations and Inner Visualisation","上清道：最高明启、存思与身体内的神明",{"to":1331,"label":3183,"label_zh":3184},"Lingbao Taoism: Numinous Treasure Scriptures and Communal Ritual","灵宝道：经典、普度与共同体科仪",{"to":1334,"label":3186,"label_zh":3187},"The Wu-Liu School: A Clearer System of Taoist Internal Alchemy","伍柳派：较为清晰的道教内丹体系",{"to":1337,"label":3189,"label_zh":3190},"Quanzhen Monastics and Zhengyi Householder Priests: What Is the Difference?","全真出家道士与正一在家道士有什么不同",{"to":1340,"label":3192,"label_zh":3193},"Taoist Ordination and Lineage Today: How Transmission Is Verified","今日道教传承与授箓传戒：如何核实师承",{"to":1343,"label":3195,"label_zh":3196,"children":3197},"Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教节日与科仪：神诞、斋醮与岁时仪式",[3198,3201,3204,3207,3210,3213,3216,3219,3222,3225,3228,3231,3234,3237,3240,3243,3246,3249,3252],{"to":1347,"label":3199,"label_zh":3200},"The Jade Emperor’s Birthday and Festivals of the Heavenly Court","玉皇诞：正月初九的意义与宫观仪式",{"to":1350,"label":3202,"label_zh":3203},"Zhongyuan Festival: Ghost Festival, the Earth Official and Universal Salvation","中元节：七月十五、地官赦罪与普度",{"to":1353,"label":3205,"label_zh":3206},"Laozi’s Birthday: From the Sage Laozi to the Divine Lord Lao","老君诞：从老子到太上老君",{"to":1356,"label":3208,"label_zh":3209},"Double Ninth Festival: Chongyang, Longevity and Respect for Elders","重阳节：九月初九、长生观念与敬老传统",{"to":1359,"label":3211,"label_zh":3212},"Jiao Rituals: Taoism’s Grand Community Offering","醮仪：道教大型共同体祭献科仪",{"to":1362,"label":3214,"label_zh":3215},"Zhai Rituals: Taoist Purification, Fasting and Preparation","斋仪：道教洁净、持戒与祭前准备",{"to":1365,"label":3217,"label_zh":3218},"Taoist Temple Fairs and Seasonal Pilgrimage","道教庙会与朝山：宗教、集市与季节性朝圣",{"to":1368,"label":3220,"label_zh":3221},"Daoist Ritual Robes: Garment, Image and Ceremonial Role","道教法衣：衣式、图像与科仪身份",{"to":1371,"label":3223,"label_zh":3224},"The David Vases: A Daoist Offering and a Dated Porcelain Landmark","大维德对瓶：道观供器与青花纪年坐标",{"to":1374,"label":3226,"label_zh":3227},"Daoist Ritual Seals: Impression, Authority and the Work of Documents","道教法印：印痕、权威与仪式文书",{"to":1377,"label":3229,"label_zh":3230},"Daoist Ritual Music: Bells, Drums, Chant and Ceremonial Time","道教科仪音乐：钟铃、鼓乐、经韵与仪式时间",{"to":1380,"label":3232,"label_zh":3233},"Daoist Lamp Rituals: Light, Cosmic Patterns and Ceremonial Space","道教灯仪：光明、星象秩序与科仪空间",{"to":1383,"label":3235,"label_zh":3236},"Daoist Talismans: Script, Ritual Action and the Limits of Looking","道教符箓：书写、科仪行动与观看边界",{"to":1386,"label":3238,"label_zh":3239},"Daoist Mirrors: Reflection, Cosmology and Ritual Evidence","道教铜镜：映照、宇宙图式与科仪证据",{"to":1389,"label":3241,"label_zh":3242},"Daoist Petitions and Memorials: Writing to the Celestial Administration","道教章表：写给天庭的仪式文书",{"to":1392,"label":3244,"label_zh":3245},"Daoist Registers (Lu): Rank, Transmission and Celestial Administration","道教法箓：品秩、传授与天曹体系",{"to":1395,"label":3247,"label_zh":3248},"Daoist Audience Tablets (Hu): Courtly Form and Ritual Address","道教朝笏：朝仪形制与科仪奏达",{"to":1398,"label":3250,"label_zh":3251},"Daoist Crowns and Headscarves: Dress, Rank and Ritual Context","道教冠巾：衣制、职司与科仪语境",{"to":1401,"label":3253,"label_zh":3254},"Daoist Footwear: Cloth Shoes, Cloud Shoes and Ritual Movement","道教鞋履：布鞋、云履与科仪步伐",{"to":1404,"label":3256,"label_zh":3257,"children":3258},"The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象征与道教传说",[3259,3262,3265,3268,3271,3274],{"to":1408,"label":3260,"label_zh":3261},"Lü Dongbin: Scholar Immortal, Quanzhen Patriarch and Sword Bearer","吕洞宾：士人仙真、全真祖师与佩剑象征",{"to":1411,"label":3263,"label_zh":3264},"Zhang Guolao: Tang Recluse and Backward-Riding Immortal","张果老：唐代隐士与倒骑驴的仙人",{"to":1414,"label":3266,"label_zh":3267},"He Xiangu: The Woman Immortal of the Eight","何仙姑：八仙中唯一的女性仙真",{"to":1417,"label":3269,"label_zh":3270},"Han Xiangzi and Lan Caihe: Music, Flowers and Ambiguous Identity","韩湘子与蓝采和：音乐、花与身份边界",{"to":1420,"label":3272,"label_zh":3273},"Cao Guojiu and Li Tieguai: Privilege, Poverty and the Immortal Body","曹国舅与铁拐李：特权、贫困与身体身份",{"to":1423,"label":3275,"label_zh":3276},"Zhongli Quan: Teacher of Lü Dongbin and Patriarch of Internal Alchemy","钟离权：吕洞宾之师与内丹祖师",{"to":1426,"label":3278,"label_zh":3279,"children":3280},"Chinese Metaphysics","易学与传统术数",[3281,3305,3330,3355,3380,3408,3436,3461,3486],{"to":1430,"label":3282,"label_zh":3283,"children":3284},"Yin-Yang and the Five Phases in Chinese Thought","阴阳五行：理解关系与变化",[3285,3288,3291,3294,3297,3300,3303],{"to":1434,"label":3286,"label_zh":3287},"Origins & Early History of Yin-Yang Thought","阴阳观念的来历",{"to":1437,"label":3289,"label_zh":3290},"The Meaning of Yin and Yang","阴阳的含义",{"to":1440,"label":3292,"label_zh":3293},"The Five Phases: Wood, Fire, Earth, Metal & Water","五行：五种运行",{"to":1443,"label":3295,"label_zh":3296},"The Generating & Controlling Cycles","相生与相克",{"to":1446,"label":3298,"label_zh":3299},"Correlative Cosmology: Body, Seasons & the Cosmos","天人相应：关联宇宙论",{"to":1449,"label":3301,"label_zh":3302},"Yin-Yang & the Five Elements in the Metaphysical Arts","阴阳五行在术数中的应用",{"to":1452,"label":2416,"label_zh":3304},"参考文献与延伸阅读",{"to":1454,"label":3306,"label_zh":3307,"children":3308},"Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中国历法与术数的六十循环",[3309,3312,3315,3318,3321,3324,3327],{"to":1458,"label":3310,"label_zh":3311},"Origins and History of the Chinese Sexagenary Cycle","中国干支与六十甲子的起源和历史",{"to":1461,"label":3313,"label_zh":3314},"The Ten Heavenly Stems: Names, Five Phases and Meanings","十天干：名称、五行属性与含义",{"to":1464,"label":3316,"label_zh":3317},"The Twelve Earthly Branches: Animals, Hours, Months and Meanings","十二地支：生肖、时辰、月份与含义",{"to":1467,"label":3319,"label_zh":3320},"The Sixty-Part Jiazi Cycle: How Stems and Branches Combine","六十甲子：天干地支如何组合成六十循环",{"to":1470,"label":3322,"label_zh":3323},"How Heavenly Stems and Earthly Branches Encode Yin–Yang and the Five Phases","天干地支如何结合阴阳五行",{"to":1473,"label":3325,"label_zh":3326},"How Ganzhi Is Used in BaZi, Feng Shui, Date Selection and Other Arts","干支如何应用于八字、风水、择日与其他术数",{"to":1476,"label":3328,"label_zh":3329},"Heavenly Stems, Earthly Branches and Ganzhi: Sources and Further Reading","天干地支与干支历的重要资料和延伸阅读",{"to":1479,"label":3331,"label_zh":3332,"children":3333},"Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中国风水：形势、罗盘方法与负责任实践",[3334,3337,3340,3343,3346,3349,3352],{"to":1483,"label":3335,"label_zh":3336},"Origins and History of Chinese Feng Shui","中国风水的起源与历史",{"to":1486,"label":3338,"label_zh":3339},"Qi, the Feng Shui Compass and the Two Schools","风水中的气、罗盘与形势理气之分",{"to":1489,"label":3341,"label_zh":3342},"Feng Shui Form School: How Landscapes Are Read","风水形势派：如何观察山水与地形",{"to":1492,"label":3344,"label_zh":3345},"Feng Shui Compass School: How the Luopan Is Used","风水理气派：罗盘如何用于方位判断",{"to":1495,"label":3347,"label_zh":3348},"Feng Shui for Homes and Graves: Yangzhai and Yinzhai","阳宅与阴宅风水：住宅和墓葬有何不同",{"to":1498,"label":3350,"label_zh":3351},"Feng Shui Today: Homes, Cities, Design and Cultural Practice","今日风水：住宅、城市、设计与文化实践",{"to":1501,"label":3353,"label_zh":3354},"Chinese Feng Shui Sources: Classical Texts and Further Reading","中国风水资料：经典文献与延伸阅读",{"to":1504,"label":3356,"label_zh":3357,"children":3358},"BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八个字如何构成命盘",[3359,3362,3365,3368,3371,3374,3377],{"to":1508,"label":3360,"label_zh":3361},"History of BaZi and the Four Pillars of Destiny","八字与四柱命理的起源和历史",{"to":1511,"label":3363,"label_zh":3364},"How a BaZi Chart Is Calculated: The Four Pillars and Eight Characters","八字命盘如何排定：四柱八字的计算方法",{"to":1514,"label":3366,"label_zh":3367},"The BaZi Day Master and Ten Gods: A Relationship Guide","八字日主与十神：命盘关系如何分类",{"to":1517,"label":3369,"label_zh":3370},"How BaZi Charts Are Read: Five-Phase Balance and the Useful God","八字命盘如何解读：五行平衡与用神",{"to":1520,"label":3372,"label_zh":3373},"BaZi Luck Pillars and Annual Influences: How Time Is Read","八字大运与流年：命盘如何推移时间",{"to":1523,"label":3375,"label_zh":3376},"BaZi Readings Today: Interpretation, Responsibility and Limits","今日八字解读：意义、责任与界限",{"to":1526,"label":3378,"label_zh":3379},"BaZi Sources: Classical Texts, Commentaries and Further Reading","八字资料：经典、注疏与延伸阅读",{"to":1529,"label":3381,"label_zh":3382,"children":3383},"Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗数：十二宫命盘如何运作",[3384,3387,3390,3393,3396,3399,3402,3405],{"to":1533,"label":3385,"label_zh":3386},"History of Zi Wei Dou Shu: Origins, Legends and Documented Evidence","紫微斗数的起源与历史：传说、文献与可考证据",{"to":1536,"label":3388,"label_zh":3389},"The Twelve Palaces of Zi Wei Dou Shu: A Guide to the Life Domains","紫微斗数十二宫：命盘生活领域完整指南",{"to":1539,"label":3391,"label_zh":3392},"Zi Wei Dou Shu Stars: The Fourteen Major Stars and Their Meanings","紫微斗数星曜：十四主星及其含义",{"to":1542,"label":3394,"label_zh":3395},"How a Zi Wei Dou Shu Chart Is Cast and Read","紫微斗数如何排盘与解读",{"to":1545,"label":3397,"label_zh":3398},"Zi Wei Dou Shu Four Transformations: How the Chart Moves Through Time","紫微斗数四化：命盘如何随时间变化",{"to":1548,"label":3400,"label_zh":3401},"Zi Wei Dou Shu Readings Today: Interpretation, Responsibility and Limits","今日紫微斗数解读：意义、责任与界限",{"to":1551,"label":3403,"label_zh":3404},"Zi Wei Dou Shu Sources: Classical Texts, Schools and Further Reading","紫微斗数资料：经典、流派与延伸阅读",{"to":1554,"label":3406,"label_zh":3407},"Zi Wei Dou Shu Glossary: Palaces, Stars, Transformations and Time Cycles","紫微斗数术语表：宫位、星曜、四化与时间周期",{"to":1557,"label":3409,"label_zh":3410,"children":3411},"Chinese Date Selection: How Auspicious Days Are Chosen","中国择吉：传统吉日如何选择",[3412,3415,3418,3421,3424,3427,3430,3433],{"to":1561,"label":3413,"label_zh":3414},"Origins and History of Chinese Date Selection","中国择吉的起源与历史",{"to":1564,"label":3416,"label_zh":3417},"The Chinese Almanac: How the Tongshu Guides Everyday Dates","通书：中国人的日用择日指南",{"to":1567,"label":3419,"label_zh":3420},"How Chinese Calendars Describe the Qualities of Days","中国历法如何描述日子的周期属性",{"to":1570,"label":3422,"label_zh":3423},"Auspicious Stars and Day Officers in Chinese Date Selection","择吉中的吉星、值日神与神煞",{"to":1573,"label":3425,"label_zh":3426},"How Chinese Date Selection Works in Practice","中国择日的实际操作",{"to":1576,"label":3428,"label_zh":3429},"Chinese Date Selection: Cultural Meaning and Responsible Practice","中国择日的文化意义与负责任实践",{"to":1579,"label":3431,"label_zh":3432},"Chinese Date Selection: Key Sources and Further Reading","中国择日的重要资料与延伸阅读",{"to":1582,"label":3434,"label_zh":3435},"The Twenty-Four Solar Terms: Seasonal Time in the Chinese Calendar","二十四节气：中国历法中的季节时间",{"to":1585,"label":3437,"label_zh":3438,"children":3439},"Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中国相术：面相、手相及其局限",[3440,3443,3446,3449,3452,3455,3458],{"to":1589,"label":3441,"label_zh":3442},"Origins and History of Chinese Physiognomy","中国相术的起源与历史",{"to":1592,"label":3444,"label_zh":3445},"Chinese Face Reading (Mianxiang): Methods, Meanings and Limits","中国面相术：方法、含义与局限",{"to":1595,"label":3447,"label_zh":3448},"Chinese Palm Reading (Shouxiang): Traditions, Methods and Limits","中国手相术：传统、方法与局限",{"to":1598,"label":3450,"label_zh":3451},"Chinese Physiognomy in Practice Today: Readings, Apps and Risks","当代中国相术：看相、应用程序与风险",{"to":1601,"label":3453,"label_zh":3454},"How to Interpret Chinese Physiognomy Responsibly","如何负责任地理解中国相术",{"to":1604,"label":3456,"label_zh":3457},"Chinese Physiognomy in History, Literature and Everyday Culture","中国相术在历史、文学与日常文化中",{"to":1607,"label":3459,"label_zh":3460},"Chinese Physiognomy: Primary Sources and Further Reading","中国相术的重要资料与延伸阅读",{"to":1610,"label":3462,"label_zh":3463,"children":3464},"Chinese Divination Arts: Methods, History and Responsible Use","中国占卜术：方法、历史与负责任使用",[3465,3468,3471,3474,3477,3480,3483],{"to":1614,"label":3466,"label_zh":3467},"Origins and History of Chinese Divination","中国占卜的起源与历史",{"to":1617,"label":3469,"label_zh":3470},"Chinese Oracle Bones and Turtle-Shell Divination","中国甲骨与龟卜：商代占卜和早期文字",{"to":1620,"label":3472,"label_zh":3473},"The Yijing and Milfoil Divination: How Hexagrams Are Cast and Read","《易经》与筮占：卦象如何生成与解读",{"to":1623,"label":3475,"label_zh":3476},"Chinese Coin Divination and Temple Lots: Methods and Meaning","中国钱占与求签：方法、解读与文化意义",{"to":1626,"label":3478,"label_zh":3479},"Chinese Divination in Practice Today: Consultations, Apps and Risks","当代中国占卜：咨询、应用程序与风险",{"to":1629,"label":3481,"label_zh":3482},"How to Use Chinese Divination Responsibly","如何负责任地使用中国占卜",{"to":1632,"label":3484,"label_zh":3485},"Chinese Divination: Primary Sources and Further Reading","中国占卜的重要资料与延伸阅读",{"to":1635,"label":3487,"label_zh":3488,"children":3489},"The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河图、洛书与九宫：中国传统图式的历史与用途",[3490,3493,3496,3499,3502,3505,3508],{"to":1639,"label":3491,"label_zh":3492},"Origins and History of the Hetu and Luoshu Diagrams","河图与洛书图式的起源与历史",{"to":1642,"label":3494,"label_zh":3495},"The Hetu River Chart: Numbers, Directions and the Five Phases","河图：数字、方位与五行结构",{"to":1645,"label":3497,"label_zh":3498},"The Luoshu Magic Square: Numbers, Structure and Cultural Meaning","洛书幻方：数字结构与文化含义",{"to":1648,"label":3500,"label_zh":3501},"The Nine Palaces (Jiugong): Directions, Time Cycles and Traditional Uses","九宫：方位、时间周期与传统用途",{"to":1651,"label":3503,"label_zh":3504},"Hetu, Luoshu and Nine Palaces in Practice Today","河图、洛书与九宫在今天的实际应用",{"to":1654,"label":3506,"label_zh":3507},"How to Interpret the Hetu and Luoshu: Mathematics, History and Symbolism","如何理解河图与洛书：数学、历史与象征",{"to":1657,"label":3509,"label_zh":3510},"Hetu, Luoshu and Nine Palaces: Primary Sources and Further Reading","河图、洛书与九宫的重要资料与延伸阅读",{"to":1660,"label":3512,"label_zh":3513,"children":3514},"Experience Wudang","武当之旅",[3515,3540,3607,3654,3697,3737],{"to":1664,"label":3516,"label_zh":3517,"children":3518},"Introduction to Wudang Mountain","初识武当山",[3519,3522,3525,3528,3531,3534,3537],{"to":1668,"label":3520,"label_zh":3521},"Zhenwu: The Taoist Deity at the Heart of Wudang Mountain","真武大帝：武当山的主神",{"to":1671,"label":3523,"label_zh":3524},"Wudang Mountain Today: Temples, Tourism and Daily Life","今天的武当山：宫观、旅游与日常生活",{"to":1674,"label":3526,"label_zh":3527},"Should You Visit Wudang Mountain?","武当山适合你去吗？",{"to":1677,"label":3529,"label_zh":3530},"Wudang World Heritage: What UNESCO Inscribed and Why","武当山世界遗产：古建筑群为何列入名录",{"to":1680,"label":3532,"label_zh":3533},"Reading Wudang’s Stone Inscriptions: Steles, Dates and Imperial Memory","读懂武当碑刻：碑石、年代与皇家记忆",{"to":1683,"label":3535,"label_zh":3536},"How Wudang Was Recorded: Gazetteers and Sacred Geography","武当如何被写进山志：文献与神圣地理",{"to":1686,"label":3538,"label_zh":3539},"Reading Wudang’s Plaques and Couplets: Names, Calligraphy and Layers of Time","读懂武当匾额与楹联：名号、书法与历史层次",{"to":1689,"label":3541,"label_zh":3542,"children":3543},"Wudang Mountain Temples and Sacred Sites","武当山宫观与胜迹",[3544,3560,3573],{"to":1693,"label":3545,"label_zh":3546,"children":3547},"The Central Temple Route at Wudang Mountain","武当山主线宫观路线",[3548,3551,3554,3557],{"to":1697,"label":3549,"label_zh":3550},"Mozhen Well and Taizipo at Wudang Mountain","武当山磨针井与太子坡",{"to":1700,"label":3552,"label_zh":3553},"Zixiao Palace at Wudang Mountain: A Visitor’s Guide","武当山紫霄宫：参观指南",{"to":1703,"label":3555,"label_zh":3556},"Nanyan Palace at Wudang Mountain: Cliff Temple and Dragon-Head Incense","武当山南岩宫：悬崖宫观与龙头香",{"to":1706,"label":3558,"label_zh":3559},"Wudang Mountain Summit: Taihe Palace and the Golden Hall","武当山金顶：太和宫与金殿",{"to":1709,"label":3561,"label_zh":3562,"children":3563},"Outlying Palaces and Quiet Sites at Wudang Mountain","武当山外围宫观",[3564,3567,3570],{"to":1713,"label":3565,"label_zh":3566},"Yuxu Palace at Wudang Mountain: Imperial Ruins and Administrative Centre","武当山玉虚宫：明代皇家遗址与全山管理中心",{"to":1716,"label":3568,"label_zh":3569},"Yuzhen Palace at Wudang Mountain: Zhang Sanfeng, Fire and Relocation","武当山遇真宫：张三丰、火灾与整体抬升",{"to":1719,"label":3571,"label_zh":3572},"Wulong Palace at Wudang Mountain: The Oldest Remote Temple Site","武当山五龙宫：最古老的偏远宫观遗址",{"to":1722,"label":3574,"label_zh":3575,"children":3576},"Wudang Mountain Temple Layout and Architecture","武当山宫观布局与建筑",[3577,3580,3583,3586,3589,3592,3595,3598,3601,3604],{"to":1726,"label":3578,"label_zh":3579},"How Wudang Mountain’s Temples Form One Imperial Route","武当山宫观总体布局：一条皇家朝山路线",{"to":1729,"label":3581,"label_zh":3582},"How Wudang Mountain Temples Were Built on Difficult Ground","武当山宫观如何建在险峻山地",{"to":1732,"label":3584,"label_zh":3585},"What Is Original at Wudang Mountain—and What Was Rebuilt","武当山哪些是原物，哪些经过修复或复建",{"to":1735,"label":3587,"label_zh":3588},"How to Read a Wudang Roof: Tiles, Rank and Repair","如何读懂武当屋顶：瓦作、等级与修缮",{"to":1738,"label":3590,"label_zh":3591},"How to Read Painted Timber at Wudang: Colour, Craft and Renewal","如何读懂武当建筑彩画：色彩、工艺与更新",{"to":1741,"label":3593,"label_zh":3594},"How to Read Dougong at Wudang: Brackets, Loads and Building Rank","如何读懂武当斗拱：构件、荷载与建筑等级",{"to":1744,"label":3596,"label_zh":3597},"How to Read Bronze at Wudang: Casting, Gilding and Imperial Networks","如何读懂武当铜建筑：铸造、鎏金与帝国网络",{"to":1747,"label":3599,"label_zh":3600},"How to Read Doors and Windows at Wudang: Frames, Lattice and Repair","如何读懂武当门窗：框架、棂格与修缮",{"to":1750,"label":3602,"label_zh":3603},"How Water Leaves a Wudang Temple: Roofs, Courtyards and Mountain Drainage","武当宫观如何排水：屋面、院落与山地水路",{"to":1753,"label":3605,"label_zh":3606},"How to Read Stonework at Wudang: Platforms, Steps and Weathering","怎样读懂武当山石作：台基、阶道与风化痕迹",{"to":1756,"label":3608,"label_zh":3609,"children":3610},"Planning a Visit to Wudang Mountain","武当山行前规划指南",[3611,3621,3634,3644],{"to":1760,"label":3612,"label_zh":3613,"children":3614},"Getting to and Around Wudang Mountain","如何前往武当山并在景区内出行",[3615,3618],{"to":1764,"label":3616,"label_zh":3617},"How to Reach Wudang Mountain","如何前往武当山",{"to":1767,"label":3619,"label_zh":3620},"Getting Around Wudang Mountain","如何在武当山景区内出行",{"to":1770,"label":3622,"label_zh":3623,"children":3624},"Wudang Mountain Tickets, Costs and Best Seasons","武当山门票、花费与最佳季节",[3625,3628,3631],{"to":1774,"label":3626,"label_zh":3627},"Wudang Mountain Tickets and What They Cover","武当山门票包含什么",{"to":1777,"label":3629,"label_zh":3630},"What a Trip to Wudang Mountain Costs","去武当山旅行需要多少费用",{"to":1780,"label":3632,"label_zh":3633},"When to Visit Wudang Mountain","什么时候去武当山最合适",{"to":1783,"label":3635,"label_zh":3636,"children":3637},"Where to Stay and Eat at Wudang Mountain","武当山住宿与饮食指南",[3638,3641],{"to":1787,"label":3639,"label_zh":3640},"Where to Stay at Wudang Mountain","去武当山住在哪里",{"to":1790,"label":3642,"label_zh":3643},"What to Eat at Wudang Mountain","武当山吃什么",{"to":1793,"label":3645,"label_zh":3646,"children":3647},"Wudang Mountain Fitness, Access and Safety","武当山体力要求、通行条件与安全",[3648,3651],{"to":1797,"label":3649,"label_zh":3650},"How Physically Demanding Is Wudang Mountain?","游览武当山需要多少体力",{"to":1800,"label":3652,"label_zh":3653},"Wudang Mountain Weather and Safety","武当山天气与出行安全",{"to":1803,"label":3655,"label_zh":3656,"children":3657},"Studying Martial Arts at Wudang Mountain","在武当山学习武术",[3658,3671,3684],{"to":1807,"label":3659,"label_zh":3660,"children":3661},"What Wudang Mountain Martial Arts Schools Actually Teach","武当山武馆实际教什么",[3662,3665,3668],{"to":1811,"label":3663,"label_zh":3664},"Wudang Martial Arts: What the Label Means","“武当武术”这个名目",{"to":1814,"label":3666,"label_zh":3667},"Qigong, Meditation and Internal Practice at Wudang Schools","武当武馆的气功、打坐与内功训练",{"to":1817,"label":3669,"label_zh":3670},"Weapons and Other Subjects at Wudang Martial Arts Schools","武当武馆的兵器与其他课程",{"to":1820,"label":3672,"label_zh":3673,"children":3674},"How to Choose a Martial Arts School at Wudang Mountain","如何选择武当山武馆",[3675,3678,3681],{"to":1824,"label":3676,"label_zh":3677},"How Wudang Martial Arts Schools Are Organised","武当武馆如何组织和运作",{"to":1827,"label":3679,"label_zh":3680},"How to Evaluate a Wudang Martial Arts School Before Paying","交费前如何考察武当武馆",{"to":1830,"label":3682,"label_zh":3683},"Warning Signs When Choosing a Wudang Martial Arts School","选择武当武馆时需要警惕的迹象",{"to":1833,"label":3685,"label_zh":3686,"children":3687},"What Martial Arts Training at Wudang Mountain Is Really Like","武当山武术训练的真实样子",[3688,3691,3694],{"to":1837,"label":3689,"label_zh":3690},"A Typical Day Training at a Wudang Martial Arts 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Ses écoles et ses textes sont variés. Il ne se réduit pas à des règles de décoration et ne constitue pas une méthode prouvée pour garantir richesse, santé ou relations harmonieuses.\u003C\u002Fp>\n\u003Cp>Les cours expliquent le vocabulaire, les différences entre écoles et leurs contextes historiques. Ils invitent à examiner avec discernement les usages contemporains. Les décisions immobilières et financières demandent des informations concrètes et, selon leur nature, un conseil professionnel.\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[5281,5282,5283,5284],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[5286,5287,5288,5289],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",null,{"fr":5292},"Étudier le feng shui : cours et ateliers",{"fr":5276},0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":5300,"uuid":5301,"slug":5302,"available_locales":5303,"name":5304,"description":5306,"body":5308,"path":5310,"images":5311,"image_urls":5312,"hero_image":5290,"hero_image_url":5290,"seo_title":5313,"seo_description":5315,"sort_order":5294,"is_active":5295,"status":5296,"created_at":5316,"updated_at":5298},6,"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[5270,5271,5272],{"fr":5305},"Arts internes et bien-être",{"fr":5307},"Cours, ateliers et séjours de tai-chi, qigong et baduanjin, avec un travail progressif du mouvement et de la respiration.",{"fr":5309},"\u003Cp>Découvrez des cours et des ateliers en petit groupe consacrés aux arts internes, aux postures, à la respiration et à leurs fondements culturels.\u003C\u002Fp>\n\u003Cp>Chaque programme précise l’enseignant, les dates, le niveau attendu et les modalités d’inscription. Consultez la fiche de l’activité pour choisir un cadre adapté à votre expérience.\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"fr":5314},"Arts internes et bien-être : cours et ateliers",{"fr":5307},"2026-08-16T19:23:45.000000Z",{"id":5318,"uuid":5319,"slug":5320,"available_locales":5321,"name":5322,"description":5324,"body":5326,"path":5328,"images":5329,"image_urls":5330,"hero_image":5290,"hero_image_url":5290,"seo_title":5331,"seo_description":5333,"sort_order":5294,"is_active":5295,"status":5296,"created_at":5334,"updated_at":5298},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[5270,5271,5272],{"fr":5323},"Étudier la lecture du visage",{"fr":5325},"Découvrir la lecture chinoise du visage, son cadre classique, son histoire et ses usages, en distinguant tradition et prédiction démontrée.",{"fr":5327},"","\u002Fevents\u002Fface-reading-learning",[],[],{"fr":5332},"Étudier la lecture du visage : cours et ateliers",{"fr":5325},"2026-08-30T17:01:43.000000Z",{"id":5336,"uuid":5337,"slug":5338,"available_locales":5339,"name":5340,"description":5342,"body":5344,"path":5346,"images":5347,"image_urls":5348,"hero_image":5290,"hero_image_url":5290,"seo_title":5349,"seo_description":5351,"sort_order":5266,"is_active":5295,"status":5296,"created_at":5297,"updated_at":5298},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[5270,5271,5272],{"fr":5341},"Étudier le Zi Wei Dou Shu",{"fr":5343},"Aborder le Zi Wei Dou Shu comme un système traditionnel chinois d’interprétation, avec son vocabulaire, son histoire et ses limites.",{"fr":5345},"\u003Cp>Le Zi Wei Dou Shu (紫微斗數) organise les informations de naissance à travers des palais, des étoiles et leurs relations. Il possède un vocabulaire technique étendu et plusieurs traditions d’interprétation. Ses affirmations prédictives ne sont pas établies par les connaissances scientifiques modernes.\u003C\u002Fp>\n\u003Cp>Les cours expliquent la structure des thèmes, la lecture des symboles et les différences entre praticiens anciens et contemporains. L’objectif est la compréhension culturelle et une réflexion méthodique, sans certitude sur l’avenir. Une lecture ne remplace aucun avis médical, juridique, financier, professionnel ou psychologique.\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"fr":5350},"Étudier le Zi Wei Dou Shu : cours et ateliers",{"fr":5343},{"id":5353,"uuid":5354,"slug":5355,"available_locales":5356,"name":5357,"description":5359,"body":5361,"path":5362,"images":5363,"image_urls":5364,"hero_image":5290,"hero_image_url":5290,"seo_title":5365,"seo_description":5367,"sort_order":5266,"is_active":5295,"status":5296,"created_at":5368,"updated_at":5298},4,"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[5270,5271,5272],{"fr":5358},"Arts du thé",{"fr":5360},"Cours et ateliers de thé chinois : familles de thé, infusion, gestes d’accueil et attention partagée autour d’une table.",{"fr":5327},"\u002Fevents\u002Ftea-arts",[],[],{"fr":5366},"Arts du thé : cours et ateliers",{"fr":5360},"2026-08-16T17:13:57.000000Z",{"id":5370,"uuid":5371,"slug":5372,"available_locales":5373,"name":5374,"description":5376,"body":5378,"path":5380,"images":5381,"image_urls":5382,"hero_image":5290,"hero_image_url":5290,"seo_title":5383,"seo_description":5385,"sort_order":5336,"is_active":5295,"status":5296,"created_at":5297,"updated_at":5298},3,"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[5270,5271,5272],{"fr":5375},"Étudier le Ba Zi",{"fr":5377},"Découvrir les quatre piliers, les troncs célestes, les branches terrestres et les cinq phases, avec leur histoire et leurs limites.",{"fr":5379},"\u003Cp>Le Ba Zi (八字) interprète l’année, le mois, le jour et l’heure à travers les troncs célestes, les branches terrestres, le yin-yang et les cinq phases. Il occupe une place importante dans la métaphysique chinoise ; il ne constitue pas une science empirique.\u003C\u002Fp>\n\u003Cp>Les cours présentent la structure des thèmes, le vocabulaire et différentes traditions de lecture. Ils distinguent les interprétations héritées de la tradition des connaissances étayées par des preuves. Une lecture peut nourrir la réflexion, mais ne garantit pas un résultat, ne pose aucun diagnostic et ne remplace pas un avis professionnel.\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"fr":5384},"Étudier le Ba Zi : cours et ateliers",{"fr":5377},{"id":5387,"uuid":5388,"slug":5389,"available_locales":5390,"name":5391,"description":5393,"body":5395,"path":5396,"images":5397,"image_urls":5398,"hero_image":5290,"hero_image_url":5290,"seo_title":5399,"seo_description":5401,"sort_order":5336,"is_active":5295,"status":5296,"created_at":5368,"updated_at":5298},5,"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[5270,5271,5272],{"fr":5392},"Culture de l’encens",{"fr":5394},"Découvrir les matières parfumées, la fabrication traditionnelle et l’art d’apprécier l’encens dans une attention calme.",{"fr":5327},"\u002Fevents\u002Fincense-culture",[],[],{"fr":5400},"Culture de l’encens : cours et ateliers",{"fr":5394},{"id":5403,"uuid":5404,"slug":5405,"available_locales":5406,"name":5407,"description":5409,"body":5411,"path":5413,"images":5414,"image_urls":5415,"hero_image":5290,"hero_image_url":5290,"seo_title":5416,"seo_description":5418,"sort_order":5336,"is_active":5295,"status":5296,"created_at":5419,"updated_at":5298},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[5270,5271,5272],{"fr":5408},"Étudier le Yi Jing",{"fr":5410},"Explorer les hexagrammes, les méthodes traditionnelles d’interprétation et l’histoire du Yi Jing, avec un cadre et des limites explicites.",{"fr":5412},"\u003Cp>Le Yi Jing (易经), ou Livre des mutations, est un classique chinois organisé autour de soixante-quatre hexagrammes et d’une longue tradition de commentaires et de divination. Il a marqué la philosophie et la cosmologie chinoises. Ses affirmations divinatoires ne sont pas établies par les sciences empiriques modernes.\u003C\u002Fp>\n\u003Cp>Les cours présentent les structures, les termes et des méthodes traditionnelles comme le Liu Yao. Ils distinguent l’étude culturelle des connaissances fondées sur des preuves. Les interprétations peuvent servir à réfléchir ; elles ne sont ni des garanties, ni des diagnostics, ni des substituts à un avis professionnel.\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"fr":5417},"Étudier le Yi Jing : cours et ateliers",{"fr":5410},"2026-09-08T00:15:35.000000Z",{"id":5421,"uuid":5422,"slug":5423,"available_locales":5424,"name":5425,"description":5427,"body":5429,"path":5431,"images":5432,"image_urls":5433,"hero_image":5290,"hero_image_url":5290,"seo_title":5434,"seo_description":5436,"sort_order":5370,"is_active":5295,"status":5296,"created_at":5437,"updated_at":5298},7,"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[5270,5271,5272],{"fr":5426},"Arts et artisanat traditionnels",{"fr":5428},"Des ateliers pratiques pour découvrir les techniques décoratives chinoises et leur contexte culturel en réalisant un objet.",{"fr":5430},"\u003Cp>Découvrez les arts décoratifs et les traditions artisanales chinoises par la pratique. Selon les ateliers, les projets peuvent faire appel à la feuille d’or, à l’émail cloisonné, à la nacre ou au brocart Song.\u003C\u002Fp>\n\u003Cp>Ces séances accessibles présentent les matériaux, les gestes et leur contexte culturel. Chaque participant est accompagné dans la réalisation de sa propre pièce.\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"fr":5435},"Arts et artisanat traditionnels : cours et ateliers",{"fr":5428},"2026-08-16T19:24:04.000000Z",{"id":5439,"uuid":5440,"slug":5441,"available_locales":5442,"name":5443,"description":5445,"body":5447,"path":5449,"images":5450,"image_urls":5451,"hero_image":5290,"hero_image_url":5290,"seo_title":5452,"seo_description":5454,"sort_order":5353,"is_active":5295,"status":5296,"created_at":5455,"updated_at":5298},8,"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[5270,5271,5272],{"fr":5444},"Rencontres autour de Wudang",{"fr":5446},"Conférences, diffusions et rencontres pour partager la culture de Wudang, ses savoirs et ses pratiques vivantes.",{"fr":5448},"\u003Cp>Cette rubrique réunit des conférences publiques, des diffusions en direct, des rencontres et des activités culturelles liées à Wudang.\u003C\u002Fp>\n\u003Cp>Ces programmes permettent de rencontrer des pratiquants, d’échanger des idées et de prendre part à une communauté d’apprentissage et de pratique.\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"fr":5453},"Rencontres autour de Wudang : cours et ateliers",{"fr":5446},"2026-08-16T19:24:18.000000Z",{"id":5457,"uuid":5458,"slug":5459,"available_locales":5460,"name":5461,"description":5463,"body":5465,"path":5466,"images":5467,"image_urls":5468,"hero_image":5290,"hero_image_url":5290,"seo_title":5469,"seo_description":5471,"sort_order":5387,"is_active":5295,"status":5296,"created_at":5472,"updated_at":5298},9,"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[5270,5271,5272],{"fr":5462},"Voyages et séjours à Wudang",{"fr":5464},"Des séjours guidés à Wudang associant pratique, visites de temples et découverte culturelle, avec un itinéraire et des attentes clairement présentés.",{"fr":5327},"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"fr":5470},"Voyages et séjours à Wudang : cours et ateliers",{"fr":5464},"2026-08-18T11:09:38.000000Z",{"data":5474},{"hero_type":5475,"hero_image":5476,"hero_image_alt":5477,"hero_youtube_id":5478,"hero_content_on":5295,"hero_heading":5479,"hero_subheading":5480,"hero_text":5481,"hero_subheading_zh":5482,"hero_text_zh":5483,"hero_buttons":5484,"home_seo":5490,"page_layout":5496,"shop_enabled":5497,"contact":5498,"journey":5514},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武当文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","这里既是学习之地，也是让文化融入日常的所在。","从道家思想、内家武术、文人雅艺与武当山出发，以清晰、踏实的方式，在新加坡及世界各地认识和体验武当文化。",[5485,5487],{"label":5486,"link":1920},"Start Your Wudang Journey",{"label":5488,"link":5489},"View Events & Courses","\u002Fevents",{"title":5491,"description":5493},{"en":5492,"zh":5290},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":5494,"zh":5495},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","从太极、气功、道家思想、武术、传统雅艺与养生文化认识武当山，探索武当文化及武当山的日常生活。","sidebar",false,{"methods":5499,"has_any":5295,"text":5507},{"email":5500,"whatsapp":5501,"wechat_id":5502,"wechat_qr_url":5503,"instagram":5504,"instagram_handle":5505,"facebook":5506,"facebook_handle":5505},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":5508,"china_heading_zh":5509,"china_company_en":5510,"china_company_zh":5511,"china_address_en":5512,"china_address_zh":5513},"China Operations","中国运营","Xunwei Wudang Co., Ltd.","寻味武当有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武当山王家园剑河二路72号",{"title_en":5290,"title_zh":5290,"intro_en":5290,"intro_zh":5290,"enabled":5295},{"data":5516},{"to":613,"type":5517,"available_locales":5518,"is_content_page":5295,"title":5519,"subtitle":5520,"body":5522,"hero_image_url":5524,"hero_width":5525,"hero_height":5526,"hero_image_alt":5527,"hero_image_decorative":5497,"hero_credit":5290,"hero_alt":5529,"hero_style":5530,"card_layout":5531,"link_type":5290,"link_ref":5290,"seo_title":5532,"seo_description":5534,"children":5536},"page",[5270,5271,5272],{"fr":614},{"fr":5521},"Vingt-six lectures pratiques sur la cause, le moment opportun, la direction, les incitations, la perception, les effets imprévus et le jugement en situation",{"fr":5523},"\u003Cp>Shuo Fu, « Expliquer les concordances », clôt le Liezi par une série rapide de récits pratiques. Au lieu d’un argument continu, il étudie le point où une action rencontre ses conditions et produit un résultat : une réputation suit la conduite comme un écho, le même conseil réussit dans un État et perd un homme dans un autre, la surveillance vient à bout d’un voleur mais renforce les causes du vol, et une bonne intention cause du tort lorsqu’on ignore le système qui l’entoure.\u003C\u002Fp>\u003Cp>La méthode du chapitre est situationnelle. Les règles, les talents, les récompenses, les apparences et les noms n’agissent jamais par eux-mêmes ; leur sens se dégage du moment, du motif, de l’attention, du pouvoir et des conséquences. Sa leçon moderne n’est pas que tout peut signifier n’importe quoi. C’est qu’un jugement sûr doit suivre les relations : comprendre pourquoi un résultat s’est produit, vérifier si les conditions correspondent toujours, chercher les effets indirects, et garder la perception ouverte lorsque le désir ou le soupçon commencent à trier les indices.\u003C\u002Fp>\u003Ch2>1. L’ombre, l’écho et ce que la conduite émet\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>子列子學於壺丘子林。壺丘子林曰：「子知持後，則可言持身矣。」列子曰：「願聞持後。」曰：「顧若影，則知之。」列子顧而觀影，形枉則影曲，形直則影正。然則枉直隨形而不在影，屈申任物而不在我。此之謂持後而處先。關尹謂子列子曰：「言美則響美，言惡則響惡；身長則影長，身短則影短。名也者，響也；身也者，影也。故曰：慎爾言，將有和之；慎爾行，將有隨之。是故聖人見出以知入，觀往以知來，此其所以先知之理也。度在身，稽在人。人愛我，我必愛之；人惡我，我必惡之。湯武愛天下，故王；桀紂惡天下，故亡，此所稽也。稽度皆明而不道也，譬之出不由門，行不從徑也。以是求利，不亦難乎？嘗觀之神農有炎之德，稽之虞、夏、商、周之書，度諸法士賢人之言，所以存亡廢興而非由此道者，未之有也。」嚴恢曰：「所爲問道者爲富。今得珠亦富矣，安用道？」子列子曰：「桀紂唯重利而輕道，是以亡。幸哉余未汝語也。人而無義，唯食而已，是雞狗也。彊食靡角，勝者爲制，是禽獸也。爲雞狗禽獸矣，而欲人之尊己，不可得也。人不尊己，則危辱及之矣。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>L’ombre se courbe avec le corps ; l’écho répond à la qualité du son. La réputation et la réaction des autres se trouvent donc « derrière » la conduite, même si l’attention se précipite d’ordinaire vers elles. Pour tenir ce qui suit, commencez par ce qui émet. Guan Yin traite la réaction sociale comme un indice que l’on peut étudier, non comme un prix que l’on contrôlerait directement.\u003C\u002Fp>\u003Cp>Le dernier échange distingue le Dao de la possession. Une perle peut enrichir quelqu’un, mais le profit sans justice ne laisse que la compétition par la force. On ne peut exiger le respect après qu’une conduite a rendu la confiance impossible.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Occupez-vous de la source avant de vous occuper de l’image. Améliorez le comportement, le produit, la relation ou la politique qui suscite les réactions ; servez-vous ensuite de la réputation comme d’une information, non comme d’un substitut à la réalité.\u003C\u002Fp>\u003Ch2>2. Atteindre la cible n’est pas encore savoir pourquoi\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>列子學射，中矣，請於關尹子。尹子曰：「子知子之所以中者乎？」對曰：「弗知也。」關尹子曰：「未可。」退而習之。三年，又以報關尹子。尹子曰：「子知子之所以中乎？」列子曰：「知之矣。」關尹子曰：「可矣，守而勿失也。非獨射也，爲國與身亦皆如之。故聖人不察存亡而察其所以然。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Liezi sait atteindre la cible, mais Guan Yin refuse de tenir son art pour accompli tant qu’il ne comprend pas les conditions qui ont produit le coup réussi. Trois ans plus tard, le résultat est devenu explicable, et donc plus reproductible. Le principe vaut pour le gouvernement et la culture de soi autant que pour le tir à l’arc.\u003C\u002Fp>\u003Cp>Une réussite visible peut tenir à la technique, à des conditions favorables, à une erreur compensée ou au hasard. Sans compréhension des causes, copier la surface ne permet de reproduire ni le résultat ni la sécurité.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Après un succès, demandez-vous ce qui l’a réellement causé, ce qui était simplement présent, et ce qui pourrait céder la prochaine fois. Tenez des notes et mettez l’explication à l’épreuve dans des conditions différentes avant de déclarer une méthode fiable.\u003C\u002Fp>\u003Ch2>3. Les dirigeants forts ont encore besoin de gens qui leur disent les choses\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>列子曰：「色盛者驕，力盛者奮，未可以語道也。故不班白語道，失，而況行之乎？故自奮則人莫之告。人莫之告，則孤而無輔矣。賢者任人，故年老而不衰，智盡而不亂。故治國之難在於知賢而不在自賢。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>La jeunesse, la beauté, la force et l’assurance peuvent rendre une personne difficile à conseiller. Quand quelqu’un affiche sans cesse sa supériorité, les autres cessent de lui apporter des informations ; l’isolement s’installe, alors même qu’il se sent puissant. Un dirigeant avisé s’appuie sur des gens capables, de sorte que le vieillissement ou les limites de son savoir personnel ne font pas s’effondrer tout le système.\u003C\u002Fp>\u003Cp>La difficulté du gouvernement n’est pas d’être la personne la plus sage en toute chose. C’est de reconnaître le jugement chez les autres et de faire en sorte que ce jugement puisse parvenir sans risque jusqu’au centre.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Récompensez les alertes précoces et le désaccord. Demandez à vos conseillers ce qu’ils pensent que vous ne voulez pas entendre, et montrez par vos décisions qu’une correction honnête ne met fin ni à une carrière ni à une relation.\u003C\u002Fp>\u003Ch2>4. La feuille de jade et le coût de l’ingéniosité\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>宋人有爲其君以玉爲楮葉者，三年而成。鋒殺莖柯，毫芒繁澤，亂之楮葉中而不可別也。此人遂以巧食宋國。子列子聞之，曰：「使天地之生物，三年而成一葉，則物之有葉者寡矣。故聖人恃道化而不恃智巧。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un artisan passe trois ans à façonner une feuille de jade impossible à distinguer d’une vraie, et il est récompensé pour son habileté extraordinaire. Liezi répond que si la nature avait besoin de trois ans pour chaque feuille, le feuillage serait rare. La merveille est précise, mais radicalement inefficace comparée à la génération vivante.\u003C\u002Fp>\u003Cp>Le récit ne méprise pas l’artisanat. Il demande si l’ingéniosité sert un but proportionné à son coût, et si une institution ne récompense pas le spectacle tout en ignorant les processus qui produisent discrètement l’abondance.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Avant de célébrer une solution complexe, comparez-la à des solutions plus simples, régénératrices et faciles à entretenir. La précision a de la valeur lorsque le besoin l’exige ; sinon, la complexité peut devenir un théâtre coûteux.\u003C\u002Fp>\u003Ch2>5. Pourquoi Liezi refuse le don de grain\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>子列子窮，容貌有饑色。客有言之鄭子陽者曰：「列禦寇蓋有道之士也，居君之國而窮，君無乃爲不好士乎？」鄭子陽即令官遺之粟。子列子出見使者，再拜而辭。使者去。子列子入，其妻望之而拊心曰：「妾聞爲有道者之妻子皆得佚樂。今有饑色，君過而遺先生食。先生不受，豈不命也哉？」子列子笑謂之曰：「君非自知我也。以人之言而遺我粟，至其罪我也，又且以人之言，此吾所以不受也。」其卒，民果作難而殺子陽。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Liezi a faim, et pourtant il refuse le grain du souverain. Le don n’est pas né d’une connaissance directe, mais de la remarque d’un tiers sur les apparences. Un souverain qui récompense sur la foi d’un on-dit peut plus tard condamner sur la foi d’un on-dit. Accepter ce secours pourrait créer une dépendance envers ce même jugement instable.\u003C\u002Fp>\u003Cp>La frustration de son épouse est raisonnable ; l’indépendance philosophique impose des coûts matériels à un foyer. Le récit présente donc un arbitrage difficile, non un commandement général de refuser l’aide.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Lorsque vous recevez un patronage, demandez-vous quelle obligation, quelle exposition ou quel risque politique l’accompagne, et si le processus est stable et transparent. L’indépendance compte, mais les décisions doivent associer ceux qui en partageront le coût.\u003C\u002Fp>\u003Ch2>6. Le même savoir-faire rencontre une autre époque\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>魯施氏有二子，其一好學，其一好兵。好學者以術干齊侯，齊侯納之，以爲諸公子之傅。好兵者之楚，以法干楚王，王悅之，以爲軍正。祿富其家，爵榮其親。施氏之鄰人孟氏同有二子，所業亦同，而窘於貧。羨施氏之有，因從請進趨之方。二子以實告孟氏。孟氏之一子之秦，以術干秦王。秦王曰：「當今諸侯力爭，所務兵食而已。若用仁義治吾國，是滅亡之道。」遂宮而放之。其一子之衛，以法干衛侯，衛侯曰：「吾弱國也，而攝乎大國之間。大國吾事之，小國吾撫之，是求安之道。若賴兵權，滅亡可待矣。若全而歸之，適於他國，爲吾之患不輕矣。」遂刖之，而還諸魯。既反，孟氏之父子叩胸而讓施氏。施氏曰：「凡得時者昌，失時者亡。子道與吾同，而功與吾異，失時者也，非行之謬也。且天下理無常是，事無常非。先日所用，今或棄之；今之所棄，後或用之。此用與不用，無定是非也。投隙抵時，應事無方，屬乎智。智苟不足，使若博如孔丘，術如呂尚，焉往而不窮哉？」孟氏父子舍然無慍容，曰：「吾知之矣。子勿重言！」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Deux frères prospèrent en offrant leur érudition et leur savoir militaire à des États qui en ont besoin. Des voisins copient la méthode dans d’autres États et sont mutilés, parce que les mêmes propositions paraissent dangereuses dans des conditions stratégiques différentes. Ce n’est pas le contenu seul qui a déterminé l’accueil, mais le moment et les besoins des institutions.\u003C\u002Fp>\u003Cp>La conclusion ne rend pas le bien et le mal arbitraires. Elle distingue les valeurs durables de l’utilité liée aux situations. L’intelligence consiste aussi à vérifier où, quand et à qui une méthode peut être proposée sans danger.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Ne transposez pas une recette gagnante sans cartographier le nouvel environnement : objectifs, incitations, menaces, autorité, culture et degré de préparation. Adaptez la forme en gardant le but en vue.\u003C\u002Fp>\u003Ch2>7. Avant d’attaquer, regardez votre propre vulnérabilité\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>晉文公出會，欲伐衛，公子鋤仰天而笑。公問：「何笑？」曰：「臣笑鄰之人有送其妻適私家者，道見桑婦，悅而與言。然顧視其妻，亦有招之者矣。臣竊笑此也。」公寤其言，乃止，引師而還。未至，而有伐其北鄙者矣。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un homme courtise une autre femme tandis que quelqu’un d’autre s’approche de sa propre épouse. L’image met en garde le duc Wen, qui s’apprête à attaquer Wei alors que sa propre frontière est exposée. Il ramène l’armée chez lui et découvre bientôt que la menace était réelle.\u003C\u002Fp>\u003Cp>L’agression rétrécit l’attention vers le gain convoité et la détourne de ce qu’il faut encore protéger. Le conseiller réussit par l’analogie plutôt que par l’accusation directe, ce qui permet au souverain de voir le schéma par lui-même.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Avant une expansion, un conflit ou un nouveau projet d’envergure, faites un examen de vos arrières : capacités, sécurité, entretien, personnes à charge et coût d’opportunité. La croissance peut créer la vulnérabilité qui la fera échouer.\u003C\u002Fp>\u003Ch2>8. La surveillance attrape les voleurs ; un ordre digne de confiance réduit le vol\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>晉國苦盜。有郄雍者，能視盜之貌，察其眉睫之間，而得其情。晉侯使視盜，千百無遺一焉。晉侯大喜，告趙文子曰：「吾得一人，而一國之盜爲盡矣，奚用多爲？」文子曰：「吾君恃伺察而得盜，盜不盡矣，且郄雍必不得其死焉。」俄而羣盜謀曰：「吾所窮者郄雍也。」遂共盜而殘之。晉侯聞而大駭，立召文子而告之曰：「果如子言，郄雍死矣！然取盜何方？」文子曰：「周諺有言：察見淵魚者不祥，智料隱匿者有殃。且君欲無盜，莫若舉賢而任之，使教明於上，化行於下，民有恥心，則何盜之爲？」於是用隨會知政，而羣盜奔秦焉。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Xiyong identifie les voleurs à de subtils signes sur leur visage et semble capable de résoudre le problème du vol par une détection parfaite. Les voleurs répliquent en tuant le détecteur. Un système centré sur un seul observateur attrape des individus mais laisse intacts les motifs, l’organisation et les conditions sociales.\u003C\u002Fp>\u003Cp>Zhao Wenzi recommande un gouvernement compétent et des normes publiques qui réduisent la production et le soutien du vol. La prévention et la légitimité atteignent ce que la surveillance ne peut atteindre. Le récit met aussi en garde contre une concentration dangereuse du savoir répressif entre les mains d’une seule personne.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Faites de la détection une couche parmi d’autres, non la stratégie entière. Réduisez les incitations et les occasions de nuire, rendez le signalement sûr, répartissez le savoir, et examinez si la répression elle-même ne crée pas d’escalade ou de risque caché.\u003C\u002Fp>\u003Ch2>9. Le nageur entre dans l’eau sans résistance personnelle\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>孔子自衛反魯，息駕乎河梁而觀焉。有懸水三十仞，圜流九十里，魚鼈弗能游，黿鼉弗能居，有一丈夫方將厲之。孔子使人並涯止之，曰：「此懸水三十仞，圜流九十里，魚鼈弗能游，黿鼉弗能居也。意者難可以濟乎？」丈夫不以錯意，遂度而出。孔子問之曰：「巧乎？有道術乎？所以能入而出者，何也？」丈夫對曰：「始吾之入也，先以忠信；及吾之出也，又從以忠信。忠信錯吾軀於波流，而吾不敢用私，所以能入而復出者，以此也。」孔子謂弟子曰：「二三子識之！水且猶可以忠信誠身親之，而況人乎？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un nageur traverse un torrent où même les animaux aquatiques ne peuvent vivre. Il explique qu’il y entre et en sort avec une confiance totale, plaçant son corps dans le courant sans lui opposer de lutte personnelle. Son habileté est devenue accord avec le mouvement de l’eau.\u003C\u002Fp>\u003Cp>Cela ne doit pas encourager une prise de risque sans entraînement. Le récit condense un savoir incarné : une longue familiarité permet un abandon qui serait fatal s’il était copié par un débutant. La confiance repose sur la compétence et sur un contact juste avec les conditions.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Dans un travail mouvant, apprenez à connaître les forces avant de tenter de les maîtriser. Entraînez-vous par étapes sûres jusqu’à ce que la réponse devienne incarnée ; réduisez ensuite les résistances inutiles tout en conservant des garde-fous adaptés à votre niveau réel.\u003C\u002Fp>\u003Ch2>10. La compréhension subtile ne passe pas par les seuls mots\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>白公問孔子曰：「人可與微言乎？」孔子不應。白公問曰：「若以石投水，何如？」孔子曰：「吳之善沒者能取之。」曰：「若以水投水，何如？」孔子曰：「淄澠之合，易牙嘗而知之。」白公曰：「人固不可與微言乎？」孔子曰：「何爲不可？唯知言之謂者乎！夫知言之謂者，不以言言也。爭魚者濡，逐獸者趨，非樂之也。故至言去言，至爲無爲。夫淺知之所爭者末矣。」白公不得已，遂死於浴室。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Baigong demande si l’on peut parler des choses subtiles. Un plongeur habile peut récupérer une pierre dans l’eau ; un goûteur raffiné peut distinguer deux rivières mêlées. Le sens n’est pas impossible à recevoir, mais il dépend d’une capacité cultivée. Ceux qui comprennent l’action n’ont pas toujours besoin d’instructions explicites : les pêcheurs se mouillent et les chasseurs courent parce que la tâche elle-même enseigne le mouvement.\u003C\u002Fp>\u003Cp>Baigong cherche une formule verbale et ne peut l’obtenir. Sa mort ultérieure donne à l’échange une tonalité sombre : un enseignement indirect peut échouer lorsqu’une personne a un besoin urgent d’une aide claire. Les limites des mots n’excusent pas de retenir des indications directement utiles.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Adaptez la communication au degré de préparation et à l’enjeu. Recourez à la démonstration et à l’expérience pour le savoir tacite, mais énoncez clairement la sécurité, le consentement, les responsabilités et les prochaines étapes urgentes.\u003C\u002Fp>\u003Ch2>11. Il est plus facile de gagner que de tenir une victoire\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>趙襄子使新穉穆子攻翟，勝之，取左人中人，使遽人來謁之。襄子方食而有憂色。左右曰：「一朝而兩城下，此人之所喜也；今君有憂色，何也？」襄子曰：「夫江河之大也，不過三日；飄風暴雨不終朝，日中不須臾。今趙氏之德行無所施於積，一朝而兩城下，亡其及我哉！」孔子聞之曰：「趙氏其昌乎！夫憂者所以爲昌也，喜者所以爲亡也。勝非其難者也，持之，其難者也。賢主以此持勝，故其福及後世。齊、楚、吳、越皆嘗勝矣，然卒取亡焉，不達乎持勝也。唯有道之主爲能持勝。」孔子之勁，能拓國門之關，而不肯以力聞。墨子爲守攻，公輸般服，而不肯以兵知。故善持勝者以彊爲弱。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Zhao Xiangzi s’empare de deux villes en un jour, mais s’inquiète de ce que la victoire dépasse la vertu accumulée de sa maison. Les rivières en crue, les tempêtes et le soleil de midi n’atteignent leur sommet que brièvement. Confucius loue cette inquiétude, car le triomphe se dissipe souvent dans l’ivresse.\u003C\u002Fp>\u003Cp>La force qui veut durer se présente comme faiblesse : elle reste disposée à apprendre, prudente, et se refuse à faire d’un succès une identité. Le travail le plus difficile commence après la victoire visible — gouverner, intégrer, entretenir et se retenir.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Après un lancement, une promotion, une victoire ou une croissance rapide, marquez une pause dans l’expansion. Vérifiez les capacités, la légitimité, l’endettement, l’intégration et les personnes qui portent la nouvelle charge. Célébrez sans relâcher la vigilance.\u003C\u002Fp>\u003Ch2>12. Le malheur qui précède la chance n’est pas encore toute l’histoire\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>宋人有好行仁義者，三世不懈。家無故黑牛生白犢，以問孔子。孔子曰：「此吉祥也，以薦上帝。」居一年，其父無故而盲。其牛又復生白犢，其父又復令其子問孔子。其子曰：「前問之而失明，又何問乎？」父曰：「聖人之言先迕後合。其事未究，姑復問之。」其子又復問孔子。孔子曰：「吉祥也。」復教以祭。其子歸致命。其父曰：「行孔子之言也。」居一年，其子又無故而盲。其後楚攻宋，圍其城，民易子而食之，析骸而炊之；丁壯者皆乘城而戰，死者太半。此人以父子有疾皆免，及圍解而疾俱復。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Deux naissances inhabituelles sont déclarées de bon augure, et pourtant chacune est suivie de cécité. Ce n’est que plus tard que la cécité dispense le père et le fils d’un siège qui tue beaucoup de gens ; une fois le danger passé, la vue revient. Un jugement porté au premier ou au deuxième événement aurait mal compris la séquence plus longue.\u003C\u002Fp>\u003Cp>Ce conte n’est pas une preuve médicale que le handicap existerait pour un bienfait caché, ni que la souffrance serait secrètement méritée. Il illustre l’inachèvement du récit : les conséquences se déploient, et la valeur peut changer avec le contexte.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Évitez de déclarer un revers soit ruine dépourvue de sens, soit bénédiction assurée. Répondez aux besoins présents, laissez l’histoire ouverte, et ne vous servez jamais d’un bienfait futur possible pour refuser les soins actuels.\u003C\u002Fp>\u003Ch2>13. Une récompense arbitraire enseigne la mauvaise leçon\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>宋有蘭子者，以技干宋元，宋元召而使見。其技以雙枝，長倍其身，屬其踁，並趨並馳，弄七劍迭而躍之，五劍常在空中。元君大驚，立賜金帛。又有蘭子又能燕戲者，聞之，復以干元君。元君大怒曰：「昔有異技干寡人者，技無庸，適值寡人有歡心，故賜金帛。彼必聞此而進，復望吾賞。」拘而擬戮之，經月乃放。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un artiste reçoit la richesse parce que le souverain se trouve être ravi. Un autre entend parler de la récompense, apporte une autre merveille et manque d’être tué parce que le souverain est à présent en colère. La première récompense semblait établir une règle, mais elle n’exprimait qu’une humeur.\u003C\u002Fp>\u003Cp>Des incitations incohérentes suscitent une imitation rationnelle, puis la punissent. Le souverain blâme le second artiste d’avoir appris exactement ce que la première décision enseignait.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Rendez les critères explicites avant de récompenser un travail exceptionnel. Si une décision était discrétionnaire ou accidentelle, dites-le et corrigez le signal au lieu de punir ceux qui y ont réagi.\u003C\u002Fp>\u003Ch2>14. Jiufang Gao voit le cheval, non ses étiquettes\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>秦穆公謂伯樂曰：「子之年長矣，子姓有可使求馬者乎？」伯樂對曰：「良馬可形容筋骨相也。天下之馬者，若滅若沒，若亡若失，若此者絕塵弭𨅊。臣之子皆下才也，可告以良馬，不可告以天下之馬也。臣有所與共擔纆薪菜者，有九方皋，此其於馬非臣之下也。請見之。」穆公見之，使行求馬。三月而反報曰：「已得之矣，在沙丘。」穆公曰：「何馬也？」對曰：「牝而黃。」使人往取之，牡而驪。穆公不說，召伯樂而謂之曰：「敗矣，子所使求馬者！色物、牝牡尚弗能知，又何馬之能知也？」伯樂喟然太息曰：「一至於此乎！是乃其所以千萬臣而無數者也。若皋之所觀天機也，得其精而忘其麤，在其內而忘其外；見其所見，不見其所不見；視其所視，而遺其所不視。若皋之相者，乃有貴乎馬者也。」馬至，果天下之馬也。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Jiufang Gao trouve un cheval exceptionnel, mais se trompe en indiquant sa robe et son sexe. Le duc Mu en conclut que quelqu’un qui manque des catégories aussi évidentes ne peut pas reconnaître la qualité. Bole comprend le contraire : l’attention de Gao est si entièrement tournée vers le mouvement essentiel et les capacités du cheval que les étiquettes sans importance ne s’y fixent pas.\u003C\u002Fp>\u003Cp>L’abstraction experte sélectionne les traits en fonction du but. Pourtant, ignorer des faits élémentaires n’est pas toujours la preuve d’une profondeur ; ce sont les performances ultérieures du cheval qui donnent raison à Gao. Sans cette validation, « voir l’essentiel » peut devenir une excuse à l’erreur.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Définissez les caractéristiques qui prédisent le résultat dont vous avez besoin et confrontez-les aux performances. Ne confondez pas des attributs familiers et faciles à mesurer avec les qualités qui comptent vraiment.\u003C\u002Fp>\u003Ch2>15. Gouverner commence par soi-même et s’abaisse à mesure que le rang s’élève\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>楚莊王問詹何曰：「治國柰何？」詹何對曰：「臣明於治身而不明於治國也。」楚莊王曰：「寡人得奉宗廟社稷，願學所以守之。」詹何對曰：「臣未嘗聞身治而國亂者也，又未嘗聞身亂而國治者也。故本在身，不敢對以末。」楚王曰：「善。」\u003C\u002Fp>\u003Cp>狐丘丈人謂孫叔敖曰：「人有三怨，子之知乎？」孫叔敖曰：「何謂也？」對曰：「爵高者，人妬之；官大者，主惡之；祿厚者，怨逮之。」孫叔敖曰：「吾爵益高，吾志益下；吾官益大，吾心益小；吾祿益厚，吾施益博。以是免於三怨，可乎？」\u003C\u002Fp>\u003Cp>孫叔敖疾，將死，戒其子曰：「王亟封我矣，吾不受也。爲我死，王則封汝，汝必無受利地。楚越之間有寢丘者，此地不利而名甚惡。楚人鬼而越人禨，可長有者唯此也。」孫叔敖死，王果以美地封其子，子辭而不受；請寢丘，與之，至今不失。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Zhan He refuse de donner au roi Zhuang une technique de gouvernement de l’État séparée du gouvernement de soi. Sunshu Ao fournit ensuite l’attitude politique : à mesure que le rang s’élève, abaisser son ambition ; à mesure que la charge grandit, faire son moi plus petit ; à mesure que les revenus augmentent, distribuer plus largement. Le pouvoir devient plus sûr lorsque le privilège élargit la responsabilité plutôt que l’ego.\u003C\u002Fp>\u003Cp>Le dernier dessein de Sunshu Ao consiste à choisir une terre jugée peu désirable, car une propriété prestigieuse attire la convoitise tandis que le lieu délaissé peut rester dans la famille. Un avantage durable peut venir de ce que l’on réduit les raisons qu’ont les autres de le disputer.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>À mesure que votre autorité grandit, augmentez la transparence, la redistribution, la préparation de la succession et les limites que vous vous imposez. Préférez des arrangements qui puissent durer sans susciter l’envie, sans dépendre de la faveur personnelle et sans exiger une défense permanente.\u003C\u002Fp>\u003Ch2>16. Deux réactions face à des brigands, toutes deux mortelles\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>牛缺者，上地之大儒也，下之邯鄲，遇盜於耦沙之中，盡取其衣裝車。牛步而去，視之歡然無憂𠫤之色。盜追而問其故。曰：「君子不以所養害其所養。」盜曰：「嘻，賢矣夫！」既而相謂曰：「以彼之賢，往見趙君，使以我爲，必困我。不如殺之。」乃相與追而殺之。燕人聞之，聚族相戒，曰：「遇盜，莫如上地之牛缺也！」皆受教。俄而其弟適秦，至關下，果遇盜，憶其兄之戒，因與盜力爭。既而不如，又追而以卑辭請物。盜怒曰：「吾活汝弘矣，而追吾不已，迹將箸焉。既爲盜矣，仁將焉在？」遂殺之，又傍害其黨四五人焉。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Niu Que abandonne calmement ses biens, parce que des possessions qui soutiennent la vie ne doivent pas avoir le pouvoir de la détruire. Les brigands le tuent malgré tout, craignant qu’il ne les dénonce. Son frère ne retient que la règle extérieure, résiste, poursuit une autre bande de brigands et se fait tuer lui aussi, avec ses compagnons.\u003C\u002Fp>\u003Cp>Ni le sang-froid ni la résistance ne garantissent la sécurité face à la violence. Une maxime ne peut trancher chaque rencontre, car les agresseurs, les issues, les témoins, les armes et les motifs diffèrent. Ce récit tragique met en garde contre la tentation de faire d’une issue unique une formule universelle de sécurité personnelle.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>En cas de danger immédiat, donnez la priorité à la fuite et à la vie ; les biens se remplacent. Suivez les consignes de sécurité locales et ne vous lancez pas à la poursuite des agresseurs. Ensuite, cherchez de l’aide et signalez les faits par la voie la plus sûre possible, plutôt que de vous fier à un scénario héroïque.\u003C\u002Fp>\u003Ch2>17. Une insulte accidentelle rencontre un récit armé\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>虞氏者，梁之富人也，家充殷盛，錢帛無量，財貨無訾。登高樓，臨大路，設樂陳酒，擊博樓上。俠客相隨而行，樓上博者射，明瓊張中，反兩㯓魚而笑，飛鳶適墜其腐鼠而中之。俠客相與言曰：「虞氏富樂之日久矣，而常有輕易人之志。吾不侵犯之，而乃辱我以腐鼠。此而不報，無以立慬於天下。請與若等戮力一志，率徒屬必滅其家爲等倫。」皆許諾。至期日之夜，聚衆積兵以攻虞氏，大滅其家。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un milan laisse tomber par hasard un rat mort près de guerriers qui passent, tandis qu’une riche maisonnée rit d’une partie de jeu à l’étage. Les guerriers combinent des événements sans rapport en une humiliation intentionnelle. Leur conviction préalable que la riche famille méprise les autres fournit le motif, et une culture de l’honneur transforme le malentendu en violence organisée.\u003C\u002Fp>\u003Cp>Les accidents ne commandent pas les récits que les gens y attachent. Là où existent déjà le ressentiment, l’inégalité et une identité en armes, un incident ambigu peut devenir un détonateur.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Avant de riposter à une insulte, vérifiez par une voie sûre qui en est l’auteur et quelle était l’intention. Les organisations dont le pouvoir est visible devraient aussi connaître le ressentiment accumulé et communiquer vite lorsqu’une ambiguïté risque de dégénérer.\u003C\u002Fp>\u003Ch2>18. Les noms, la réalité et les symboles sans substance\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>東方有人焉，曰爰旌目，將有適也，而餓於道。狐父之盜曰丘，見而下壺餐以餔之。爰旌目三餔而後能視，曰：「子何爲者也？」曰：「我狐父之人丘也。」爰旌目曰：「譆！汝非盜邪？胡爲而食我？吾義不食子之食也。」兩手據地而歐之，不出，喀喀然，遂伏而死。狐父之人則盜矣，而食非盜也。以人之盜因謂食爲盜而不敢食，是失名實者也。\u003C\u002Fp>\u003Cp>齊有貧者，常乞於城市。城市患其亟也，衆莫之與。遂適田氏之廄，從馬醫作役而假食。郭中人戲之曰：「從馬醫而食，不以辱乎？」乞兒曰：「天下之辱莫過於乞。乞猶不辱，豈辱馬醫哉？」\u003C\u002Fp>\u003Cp>宋人有游於道、得人遺契者，歸而藏之，密數其齒，告鄰人曰：「吾富可待矣。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un homme affamé rejette une nourriture qui lui aurait sauvé la vie en apprenant que celui qui la lui donne est un voleur, confondant le nom de la personne avec la nature de cette nourriture précise. Un mendiant accepte un emploi stable auprès d’un vétérinaire soignant les chevaux et refuse l’insulte liée au statut : un travail honnête n’est pas plus bas que la dépendance envers l’aumône. Un autre homme trouve un contrat perdu et prend le document pour la richesse qu’il ne fait que représenter.\u003C\u002Fp>\u003Cp>Ensemble, ces récits séparent la source, l’acte, l’étiquette et la substance. Les symboles moraux et économiques comptent, mais ils ne transmettent pas automatiquement toutes les qualités de la personne ou de la chose qu’ils désignent.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Jugez une transaction d’après sa provenance, les droits en jeu, ses effets et la réalité présente. Ne confondez pas les titres avec la compétence, le prix avec la valeur, les papiers avec la propriété, ni le rang social avec la dignité.\u003C\u002Fp>\u003Ch2>19. Mourir pour prouver qu’un souverain n’a jamais compris\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>柱厲叔事莒敖公，自爲不知己，去，居海上，夏日則食菱芰，冬日則食橡栗。莒敖公有難，柱厲叔辭其友而往死之。其友曰：「子自以爲不知己，故去。今往死之，是知與不知無辨也。」柱厲叔曰：「不然。自以爲不知，故去。今死，是果不知我也。吾將死之，以醜後世之人主不知其臣者也。」凡知則死之，不知則弗死，此直道而行者也。柱厲叔可謂懟以忘其身者也。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Zhuli Shu quitte un souverain qui ne le comprend pas, puis revient mourir pour ce souverain, précisément afin d’exposer cet échec aux générations futures. Le texte conclut en qualifiant cela de ressentiment qui oublie le corps. Sa protestation repose sur le sacrifice de la seule personne qui aurait pu continuer à parler et à agir.\u003C\u002Fp>\u003Cp>Une mort spectaculaire peut fixer l’attention sur une injustice, mais elle laisse aussi le grief décider de toute la valeur d’une vie. Le récit interroge le martyre entrepris surtout pour maîtriser la réputation future d’autrui.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Lorsque vous êtes ignoré ou mal employé, documentez le problème, partez si c’est possible, organisez-vous avec d’autres et préservez votre capacité d’agir. Ne donnez pas à une institution sourde la propriété finale de votre corps par un geste de vengeance.\u003C\u002Fp>\u003Ch2>20. Bienfaits, ressentiments et effets secondaires des bonnes actions\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>楊朱曰：「利出者實及，怨往者害來。發於此而應於外者唯請，是故賢者慎所出。」\u003C\u002Fp>\u003Cp>楊朱曰：「行善不以爲名，而名從之；名不與利期，而利歸之；利不與爭期，而爭及之，故君子必慎爲善。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Le bienfait envoyé au-dehors tend à revenir sous forme de soutien réel ; le ressentiment envoyé au-dehors tend à revenir sous forme de tort. Même le bien accompli sans rechercher la réputation peut attirer un nom ; la réputation attire l’avantage ; l’avantage attire la rivalité. Une action se prolonge en effets que son auteur n’a pas demandés.\u003C\u002Fp>\u003Cp>« Soyez prudent en faisant le bien » ne signifie pas qu’il faille éviter le bien. Cela signifie qu’il faut se préparer à la visibilité, à la dépendance, à la rivalité, à la captation et aux attentes qui peuvent se former autour d’une aide efficace.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Concevez les actions bienfaisantes avec une gouvernance : critères clairs, règles en matière de conflits, transparence, succession et limites. La bonne intention est le début de la responsabilité, non sa fin.\u003C\u002Fp>\u003Ch2>21. Le mouton perdu et la multiplication des chemins\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>楊子之鄰人亡羊，既率其黨，又請楊子之豎追之。楊子曰：「嘻！亡一羊，何追者之衆？」鄰人曰：「多歧路。」既反，問：「獲羊乎？」曰：「亡之矣。」曰：「奚亡之？」曰：「歧路之中又有歧焉，吾不知所之，所以反也。」楊子戚然變容，不言者移時，不笑者竟日。門人怪之，請曰：「羊，賤畜，又非夫子之有，而損言笑者，何哉？」楊子不答。門人不獲所命。弟子孟孫陽出，以告心都子。心都子他日與孟孫陽偕入，而問曰：「昔有昆弟三人，游齊魯之間，同師而學，進仁義之道而歸。其父曰：『仁義之道若何？』伯曰：『仁義使我愛身而後名。』仲曰：『仁義使我殺身以成名。』叔曰：『仁義使我身名並全。』彼三術相反，而同出於儒。孰是孰非邪？」楊子曰：「人有濱河而居者，習於水，勇於泅，操舟鬻渡，利供百口。裹糧就學者成徒，而溺死者幾半。本學泅，不學溺，而利害如此。若以爲孰是孰非？」心都子嘿然而出。孟孫陽讓之曰：「何吾子問之迂，夫子答之僻？吾惑愈甚。」心都子曰：「大道以多歧亡羊，學者以多方喪生。學非本不同，非本不一，而末異若是。唯歸同反一，爲亡得喪。子長先生之門，習先生之道，而不達先生之況也，哀哉！」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>On ne peut retrouver un mouton parce que chaque chemin se divise à nouveau. Yang Zhu s’afflige du schéma, non de la valeur marchande de l’animal. Les enseignements, eux aussi, se ramifient : trois disciples tirent de la même doctrine la préservation de soi, le sacrifice de soi et un équilibre entre le corps et le nom ; des nageurs apprennent un métier utile, et pourtant beaucoup d’élèves se noient.\u003C\u002Fp>\u003Cp>La multiplicité des méthodes ne prouve pas que l’étude soit vaine. Le danger est de perdre le but originel en défendant une branche. Revenir à « l’un », c’est retrouver la question vivante et vérifier où une méthode mène à présent.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Lorsque les conseils prolifèrent, écrivez le but essentiel, les contraintes et les signes de progrès. Comparez les méthodes selon qu’elles servent ce but sans danger, plutôt que par fidélité à une école ou à un vocabulaire.\u003C\u002Fp>\u003Ch2>22. Le chien de Yang Bu réagit à un changement d’apparence\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>楊朱之弟曰布，衣素衣而出。天雨，解素衣，衣緇衣而反。其狗不知，迎而吠之。楊布怒，將扑之。楊朱曰：「子無扑矣！子亦猶是也。嚮者使汝狗白而往，黑而來，豈能無怪哉？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Yang Bu part vêtu de blanc et revient vêtu de noir après la pluie. Son chien aboie, et il s’apprête à le battre pour ne pas l’avoir reconnu. Yang Zhu lui demande d’imaginer le chien partant blanc et revenant noir. La surprise serait tout aussi naturelle de l’autre côté.\u003C\u002Fp>\u003Cp>La colère suppose souvent qu’un autre être avait accès à la même continuité que celle que nous avons vécue intérieurement. L’apparence a changé ; le chien a réagi à l’information dont il disposait.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Avant de punir une réaction erronée, demandez-vous ce que l’autre personne ou le système pouvait réellement observer. Communiquez les changements, l’identité et le contexte au lieu d’attendre qu’une continuité invisible soit comprise.\u003C\u002Fp>\u003Ch2>23. Un maître qui meurt peut-il encore connaître une méthode de vie ?\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>昔人言有知不死之道者，燕君使人受之，不捷，而言者死。燕君甚怒，其使者將加誅焉。幸臣諫曰：「人所憂者莫急乎死，己所重者莫過乎生。彼自喪其生，安能令君不死也？」乃不誅。有齊子亦欲學其道，聞言者之死，乃撫膺而恨。富子聞而笑之曰：「夫所欲學不死，其人已死而猶恨之，是不知所以爲學。」胡子曰：「富子之言非也。凡人有術不能行者有矣，能行而無其術者亦有矣。衛人有善數者，臨死，以決喻其子。其子志其言而不能行也，他人問之，以其父所言告之。問者用其言而行其術，與其父無差焉。若然，死者奚爲不能言生術哉？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un maître en immortalité meurt avant que l’enseignement ne parvienne. Un argument affirme que cette mort réfute son art ; un autre fait remarquer qu’une personne peut connaître une méthode sans parvenir à la pratiquer, tandis qu’une autre peut pratiquer des paroles qu’elle ne comprend pas. Le savoir, l’exécution et le sort personnel sont liés, mais pas identiques.\u003C\u002Fp>\u003Cp>La distinction est valable, mais des affirmations extraordinaires exigent toujours d’autres preuves qu’un récit. Une méthode qui promet expressément l’immortalité se heurte à la contradiction la plus forte qui soit lorsque tous ses maîtres meurent.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Évaluez un enseignement d’après son mécanisme, des résultats reproductibles, des vérifications indépendantes et ses risques — non d’après la seule autorité. Distinguez « sait l’expliquer », « sait l’exécuter » et « a démontré le résultat annoncé ».\u003C\u002Fp>\u003Ch2>24. Libérer des oiseaux captifs peut multiplier les captures\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>邯鄲之民以正月之旦獻鳩於簡子，簡子大悅，厚賞之。客問其故。簡子曰：「正旦放生，示有恩也。」客曰：「民知君之欲放之，故競而捕之，死者衆矣。君如欲生之，不若禁民勿捕。捕而放之，恩過不相補矣。」簡子曰：「然。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Jianzi récompense ceux qui lui apportent des tourterelles captives, afin de pouvoir les relâcher et faire montre de sa compassion. La récompense entraîne des captures massives, et de nombreux oiseaux meurent. Relâcher les survivants ne compense pas le tort causé par l’incitation.\u003C\u002Fp>\u003Cp>Un sauvetage visible peut être émotionnellement gratifiant tout en aggravant le problème en amont. La compassion doit être pensée sur toute la chaîne, y compris la manière dont l’offre réagit à la récompense.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Avant de financer un sauvetage ou de payer une libération, retracez l’approvisionnement, les incitations, la mortalité, les déplacements et les comportements répétés. Empêcher la capture peut aider davantage que créer un marché de la libération.\u003C\u002Fp>\u003Ch2>25. Les autres vies n’ont pas été faites pour l’usage humain\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>齊田氏祖於庭，食客千人，中坐有獻魚雁者。田氏視之，乃歎曰：「天之於民厚矣！殖五穀、生魚鳥以爲之用。」衆客和之如響。鮑氏之子年十二，預於次，進曰：「不如君言。天地萬物與我並生，類也。類無貴賤，徒以小大智力而相制，迭相食，非相爲而生之。人取可食者而食之，豈天本爲人生之？且蚊蚋噆膚，虎狼食肉，非天本爲蚊蚋生人、虎狼生肉者哉？」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un hôte remercie le Ciel d’avoir créé les céréales, les poissons et les oiseaux pour les hommes. Un enfant de douze ans objecte : les êtres vivants naissent les uns à côté des autres, non dans une hiérarchie de services prévus. La taille et l’intelligence permettent aux créatures de se dominer et de se manger les unes les autres, mais le pouvoir ne prouve pas un dessein cosmique. Sinon, les humains auraient été créés pour les moustiques et les tigres.\u003C\u002Fp>\u003Cp>L’enfant sépare l’usage du droit. Les humains dépendent bel et bien d’autres formes de vie, mais cette dépendance devrait produire l’humilité, la retenue et la réciprocité, plutôt que la croyance que tout existe pour nous.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Lorsque vous utilisez des animaux, des plantes, la terre ou l’eau, réduisez les souffrances et le gaspillage évitables, protégez le renouvellement et tenez compte des effets sur les écosystèmes. La capacité de prendre n’est pas la preuve d’un droit de prendre sans limite.\u003C\u002Fp>\u003Ch2>26. Le désir et le soupçon trient le monde que nous voyons\u003C\u002Fh2>\u003Ch3>Texte classique\u003C\u002Fh3>\u003Cblockquote>\u003Cp>人有枯梧樹者，其鄰父言枯梧之樹不祥，其鄰人遽而伐之。鄰人父因請以爲薪。其人乃不悅，曰：「鄰人之父徒欲爲薪而教吾伐之也。與我鄰，若此其險，豈可哉？」\u003C\u002Fp>\u003Cp>人有亡鈇者，意其鄰之子，視其行步，竊鈇也；顏色，竊鈇也；言語，竊鈇也：動作態度，無爲而不竊鈇也。俄而抇其谷而得其鈇，他日復見其鄰人之子，動作態度無似竊鈇者。\u003C\u002Fp>\u003Cp>白公勝慮亂，罷朝而立，倒杖策，錣上貫頤，血流至地而弗知也。鄭人聞之曰：「頤之忘，將何不忘哉？」意之所屬箸，其行足躓株埳，頭抵植木，而不自知也。\u003C\u002Fp>\u003Cp>昔齊人有欲金者，清旦衣冠而之市，適鬻金者之所，因攫其金而去。吏捕得之，問曰：「人皆在焉，子攫人之金何？」對曰：「取金之時，不見人，徒見金。」\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch3>Lecture en français\u003C\u002Fh3>\u003Cp>Un voisin conseille d’abattre un arbre mort, puis demande le bois de chauffage ; un conseil utile est réinterprété comme un complot. Un homme qui a perdu sa hache voit de la culpabilité dans chaque geste du fils de son voisin, jusqu’à ce que la hache soit retrouvée ailleurs. Baigong est si absorbé par sa rébellion qu’un bâton lui transperce le visage sans qu’il s’en aperçoive. Un voleur ne voit que l’or, et non les gens qui le regardent.\u003C\u002Fp>\u003Cp>L’attente ne se contente pas de colorer un jugement final ; elle sélectionne la perception. Le soupçon rassemble des preuves de culpabilité, le désir efface les témoins, et l’absorption mentale supprime les signaux du corps. Lorsque l’hypothèse centrale change, le même visage paraît tout autre.\u003C\u002Fp>\u003Ch3>Sens pratique\u003C\u002Fh3>\u003Cp>Lorsque la certitude grandit avec la peur ou le désir, marquez une pause et cherchez des indices qui la contredisent. Écrivez d’autres explications possibles, demandez-vous ce que vous remarqueriez si le récit principal était faux, et ramenez votre attention au corps et à l’environnement avant d’agir.\u003C\u002Fp>\u003Ch2>Le chapitre en pratique\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>\u003Cstrong>Remontez à la cause, pas seulement au résultat.\u003C\u002Fstrong> Un coup réussi, une récompense ou une réputation ne sont utiles que si leurs conditions sont comprises.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Adaptez les méthodes au moment et au lieu.\u003C\u002Fstrong> Transposez le but avec soin ; ne copiez pas une surface qui a réussi dans un système différent.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Tenez compte des effets indirects.\u003C\u002Fstrong> Les récompenses, les sauvetages, la répression et les bonnes actions peuvent susciter de nouveaux comportements en amont.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Gardez ouverts les canaux du conseil.\u003C\u002Fstrong> La force sans correction devient isolée et fragile.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Distinguez l’essentiel des étiquettes faciles.\u003C\u002Fstrong> Mesurez les qualités qui prédisent le résultat réel.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>Mettez la perception à l’épreuve du désir et du soupçon.\u003C\u002Fstrong> Cherchez délibérément les indices que votre récit préféré ne peut expliquer.\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Questions pour la réflexion\u003C\u002Fh2>\u003Col>\u003Cli>\u003Cp>Quelle réussite récente ne comprenez-vous que par son résultat, et non par sa cause ?\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Où appliquez-vous une méthode dont les conditions d’origine n’existent plus ?\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Quel comportement l’une de vos récompenses ou de vos règles encourage-t-elle involontairement ?\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Qui peut, sans risque, vous donner des informations qui remettent en cause votre orientation actuelle ?\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Que remarqueriez-vous autrement si votre soupçon ou votre désir le plus fort était erroné ?\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Fol>\u003Ch2>Poursuivre la lecture\u003C\u002Fh2>\u003Cp>\u003Ca href=\"\u002Ffr\u002Fdao\u002Fclassics\u002Fliezi\u002Fchapter-07-yang-zhu\">Précédent : chapitre sept, Yang Zhu 杨朱\u003C\u002Fa> · \u003Ca href=\"\u002Ffr\u002Fdao\u002Fclassics\u002Fliezi\">Retour à la présentation du Liezi\u003C\u002Fa> · \u003Ca href=\"\u002Ffr\u002Fdao\u002Fclassics\">Poursuivre dans la Bibliothèque des classiques\u003C\u002Fa>\u003C\u002Fp>\u003Cdiv data-wd-html=\"\">\u003Cstyle>.\\65\\76\\65\\6e\\74-\\62\\6f\\64\\79--\\70\\61\\67\\65.\\72\\65\\76\\65\\61\\6c{\\6f\\70\\61\\63\\69\\74\\79:1!\\69\\6d\\70\\6f\\72\\74\\61\\6e\\74;\\74\\72\\61\\6e\\73\\66\\6f\\72\\6d:\\6e\\6f\\6e\\65!\\69\\6d\\70\\6f\\72\\74\\61\\6e\\74}\u003C\u002Fstyle>\u003C\u002Fdiv>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FWWime0pB9umy28eVu6P4.webp",1920,600,{"fr":5528},"Peinture à l’encre aux tons dorés : un personnage en robe claire se tient sur un sentier de crête, près d’un vieux pin, face à une mer de nuages d’où émergent des pics rocheux.",{"fr":5528},"banner","list",{"fr":5533},"Liezi, chapitre huit : Shuo Fu 说符",{"fr":5535},"Shuo Fu, dernier chapitre du Liezi : vingt-six courtes histoires sur la cause, le moment opportun, les incitations et les effets imprévus d’une action.",[]]