[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-reference-en":3,"site-nav-zh":4,"site-nav-zh-all-chinese-metaphysics":289,"event-categories-zh":574,"site-settings":817,"node-zh-chinese-metaphysics\u002Fdate-selection\u002Fstars-and-officers":859,"live-course-events":885},null,{"data":5},{"header":6,"footer":264},[7,51,82,123,161,187,229,260],{"to":8,"label":9,"label_zh":10,"children":11},"\u002Fdao","TAO","道",[12,17,22,26,30,34,39,43,47],{"to":13,"label":14,"label_zh":15,"n":16},"\u002Fdao\u002Fintroduction","Begin with the Tao","道學入門",9,{"to":18,"label":19,"label_zh":20,"n":21},"\u002Fdao\u002Fyi-jing","I Ching","易經",7,{"to":23,"label":24,"label_zh":25,"n":16},"\u002Fdao\u002Fdao-de-jing","Tao Te Ching","道德經",{"to":27,"label":28,"label_zh":29,"n":21},"\u002Fdao\u002Ftaiji","Taiji","太極",{"to":31,"label":32,"label_zh":33,"n":21},"\u002Fdao\u002Fzhuang-zi","Zhuangzi","莊子",{"to":35,"label":36,"label_zh":37,"n":38},"\u002Fdao\u002Fclassics","Classical Library","道家經典文庫",1,{"to":40,"label":41,"label_zh":42},"\u002Fdao\u002Fdaoist-philosophy","Taoist Philosophy","道家哲學",{"to":44,"label":45,"label_zh":46},"\u002Fdao\u002Fwu-wei-natural-living","Wu Wei & Natural Living","無為與自然生活",{"to":48,"label":49,"label_zh":50},"\u002Fdao\u002Fdaoist-view-of-life","A Taoist View of Life","道家人生觀",{"to":52,"label":53,"label_zh":54,"children":55},"\u002Fmartial-arts","Martial Arts","武當武術",[56,61,65,70,74,78],{"to":57,"label":58,"label_zh":59,"n":60},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Foundations of Internal Martial Arts","內家拳基礎",6,{"to":62,"label":63,"label_zh":64,"n":21},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan (Tai Chi)","太極拳",{"to":66,"label":67,"label_zh":68,"n":69},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、換掌與身法變化",5,{"to":71,"label":72,"label_zh":73,"n":69},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan: Structure, Intention and Direct Training","形意拳：結構、意念與直接訓練",{"to":75,"label":76,"label_zh":77,"n":21},"\u002Fmartial-arts\u002Fweapons","Wudang Sword and Weapons: History, Practice and Context","武當劍與兵器：歷史、練習與文化語境",{"to":79,"label":80,"label_zh":81,"n":21},"\u002Fmartial-arts\u002Ftraining-practice","Training and Practice: Building a Sustainable Wudang Routine","訓練與習練：建立可持續的武當練習",{"to":83,"label":84,"label_zh":85,"children":86},"\u002Fwellness","Wellness","養生",[87,91,95,99,103,107,111,115,119],{"to":88,"label":89,"label_zh":90,"n":21},"\u002Fwellness\u002Fqigong","Qigong","氣功",{"to":92,"label":93,"label_zh":94,"n":60},"\u002Fwellness\u002Fherbal-healing","Chinese Herbal Medicine","中藥與本草",{"to":96,"label":97,"label_zh":98,"n":60},"\u002Fwellness\u002Ftaoist-medicine","Taoist Medicine","道家醫學",{"to":100,"label":101,"label_zh":102,"n":60},"\u002Fwellness\u002Fenergy-sound-healing","Sound & Energy Practices","聲音與能量練習",{"to":104,"label":105,"label_zh":106},"\u002Fwellness\u002Fstanding-practice","Standing Practice","站樁",{"to":108,"label":109,"label_zh":110},"\u002Fwellness\u002Fwudang-internal-cultivation","Wudang Internal Cultivation","武當內修",{"to":112,"label":113,"label_zh":114},"\u002Fwellness\u002Fmoxibustion","Moxibustion","艾灸",{"to":116,"label":117,"label_zh":118},"\u002Fwellness\u002Fbigu","Bigu","辟穀",{"to":120,"label":121,"label_zh":122,"n":38},"\u002Fwellness\u002Fbaduanjin","Baduanjin (Eight Brocades)","八段錦",{"to":124,"label":125,"label_zh":126,"children":127},"\u002Farts","Literati Arts","文人雅藝",[128,133,138,143,148,153,157],{"to":129,"label":130,"label_zh":131,"n":132},"\u002Farts\u002Fchinese-poetry-literature","Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中國詩詞與文學：體式、語境與閱讀路徑",49,{"to":134,"label":135,"label_zh":136,"n":137},"\u002Farts\u002Fcalligraphy","Chinese Calligraphy: Scripts, Materials and Ways of Looking","中國書法：書體、材料與觀賞入門",17,{"to":139,"label":140,"label_zh":141,"n":142},"\u002Farts\u002Ftea-ceremony","Chinese Tea Culture","中國茶文化",39,{"to":144,"label":145,"label_zh":146,"n":147},"\u002Farts\u002Fguqin","Guqin: Sound, History and Ways to Listen","古琴：認識聲音、歷史與聆聽方法",12,{"to":149,"label":150,"label_zh":151,"n":152},"\u002Farts\u002Fpainting","Chinese Painting: Materials, Formats and Ways of Looking","中國繪畫：材料、形制與觀看方法",15,{"to":154,"label":155,"label_zh":156,"n":16},"\u002Farts\u002Fincense","Chinese Incense Culture","中國香文化",{"to":158,"label":159,"label_zh":160,"n":21},"\u002Farts\u002Fflower-arrangement","Chinese Flower Arrangement: History, Materials and Ways of Looking","中國插花：歷史、花材與觀看方法",{"to":162,"label":163,"label_zh":164,"children":165},"\u002Fdaoism","Taoist Culture","道教文化",[166,170,174,178,183],{"to":167,"label":168,"label_zh":169,"n":16},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙與神明體系：結構與層級指南",{"to":171,"label":172,"label_zh":173,"n":21},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山與宮觀：聖地、建築與制度指南",{"to":175,"label":176,"label_zh":177,"n":21},"\u002Fdaoism\u002Ftaoist-schools-lineages","Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派與傳承：正一、全真及歷史道派",{"to":179,"label":180,"label_zh":181,"n":182},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教節日與科儀：神誕、齋醮與歲時儀式",19,{"to":184,"label":185,"label_zh":186,"n":60},"\u002Fdaoism\u002Feight-immortals","The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象徵與道教傳說",{"to":188,"label":189,"label_zh":190,"children":191},"\u002Fchinese-metaphysics","Chinese Metaphysics","易學與傳統術數",[192,196,200,204,208,213,217,221,225],{"to":193,"label":194,"label_zh":195,"n":21},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Yin-Yang and the Five Phases in Chinese Thought","陰陽五行：理解關係與變化",{"to":197,"label":198,"label_zh":199,"n":21},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中國曆法與術數的六十迴圈",{"to":201,"label":202,"label_zh":203,"n":21},"\u002Fchinese-metaphysics\u002Ffeng-shui","Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中國風水：形勢、羅盤方法與負責任實踐",{"to":205,"label":206,"label_zh":207,"n":21},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八個字如何構成命盤",{"to":209,"label":210,"label_zh":211,"n":212},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗數：十二宮命盤如何運作",8,{"to":214,"label":215,"label_zh":216,"n":212},"\u002Fchinese-metaphysics\u002Fdate-selection","Chinese Date Selection: How Auspicious Days Are Chosen","中國擇吉：傳統吉日如何選擇",{"to":218,"label":219,"label_zh":220,"n":21},"\u002Fchinese-metaphysics\u002Fphysiognomy","Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中國相術：面相、手相及其侷限",{"to":222,"label":223,"label_zh":224,"n":21},"\u002Fchinese-metaphysics\u002Fdivination-arts","Chinese Divination Arts: Methods, History and Responsible Use","中國占卜術：方法、歷史與負責任使用",{"to":226,"label":227,"label_zh":228,"n":21},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河圖、洛書與九宮：中國傳統圖式的歷史與用途",{"to":230,"label":231,"label_zh":232,"children":233},"\u002Fwudang-mountain","Experience Wudang","武當之旅",[234,238,243,248,252,256],{"to":235,"label":236,"label_zh":237,"n":21},"\u002Fwudang-mountain\u002Fintroduction","Introduction to Wudang Mountain","初識武當山",{"to":239,"label":240,"label_zh":241,"n":242},"\u002Fwudang-mountain\u002Ftemples-and-sites","Wudang Mountain Temples and Sacred Sites","武當山宮觀與勝蹟",3,{"to":244,"label":245,"label_zh":246,"n":247},"\u002Fwudang-mountain\u002Fplanning-a-visit","Planning a Visit to Wudang Mountain","武當山行前規劃指南",4,{"to":249,"label":250,"label_zh":251,"n":242},"\u002Fwudang-mountain\u002Fstudying-at-wudang","Studying Martial Arts at Wudang Mountain","在武當山學習武術",{"to":253,"label":254,"label_zh":255,"n":242},"\u002Fwudang-mountain\u002Ftemple-etiquette","Wudang Temple Etiquette: A Visitor’s Guide","武當宮觀參訪禮儀",{"to":257,"label":258,"label_zh":259,"n":69},"\u002Fwudang-mountain\u002Fpractical-reference","Wudang Mountain Practical Reference","武當山實用參考資料",{"to":261,"label":262,"label_zh":263},"\u002Fwudang-mountain\u002Feveryday-wudang","Everyday Wudang","武當日常",[265,266,267,268,269,270,271,272,273,277,281,285],{"to":8,"label":9,"label_zh":10},{"to":52,"label":53,"label_zh":54},{"to":83,"label":84,"label_zh":85},{"to":124,"label":125,"label_zh":126},{"to":162,"label":163,"label_zh":164},{"to":188,"label":189,"label_zh":190},{"to":230,"label":231,"label_zh":232},{"to":261,"label":262,"label_zh":263},{"to":274,"label":275,"label_zh":276},"\u002Fabout","About Wudang.Org","關於 Wudang.Org",{"to":278,"label":279,"label_zh":280},"\u002Fstart-here","Start Here","從這裡開始",{"to":282,"label":283,"label_zh":284},"\u002Ffind-a-practice","Find a Practice","找到適合你的修習",{"to":286,"label":287,"label_zh":288},"\u002Fteachers","Our Teachers","授課老師",{"data":290},{"all":291,"header":572,"footer":573},[292],{"to":188,"label":189,"label_zh":190,"children":293},[294,324,354,384,414,448,482,512,542],{"to":193,"label":194,"label_zh":195,"children":295},[296,300,304,308,312,316,320],{"to":297,"label":298,"label_zh":299},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Forigins-early-history","Origins & Early History of Yin-Yang Thought","陰陽觀念的來歷",{"to":301,"label":302,"label_zh":303},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fmeaning-of-yin-and-yang","The Meaning of Yin and Yang","陰陽的含義",{"to":305,"label":306,"label_zh":307},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Ffive-phases","The Five Phases: Wood, Fire, Earth, Metal & Water","五行：五種執行",{"to":309,"label":310,"label_zh":311},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fgenerating-controlling-cycles","The Generating & Controlling Cycles","相生與相剋",{"to":313,"label":314,"label_zh":315},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fcorrelative-cosmology","Correlative Cosmology: Body, Seasons & the Cosmos","天人相應：關聯宇宙論",{"to":317,"label":318,"label_zh":319},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fin-the-metaphysical-arts","Yin-Yang & the Five Elements in the Metaphysical Arts","陰陽五行在術數中的應用",{"to":321,"label":322,"label_zh":323},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fkey-sources-further-reading","Key Sources & Further Reading","參考文獻與延伸閱讀",{"to":197,"label":198,"label_zh":199,"children":325},[326,330,334,338,342,346,350],{"to":327,"label":328,"label_zh":329},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Forigins-history","Origins and History of the Chinese Sexagenary Cycle","中國干支與六十甲子的起源和歷史",{"to":331,"label":332,"label_zh":333},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ften-heavenly-stems","The Ten Heavenly Stems: Names, Five Phases and Meanings","十天干：名稱、五行屬性與含義",{"to":335,"label":336,"label_zh":337},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ftwelve-earthly-branches","The Twelve Earthly Branches: Animals, Hours, Months and Meanings","十二地支：生肖、時辰、月份與含義",{"to":339,"label":340,"label_zh":341},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fsixty-year-jiazi","The Sixty-Part Jiazi Cycle: How Stems and Branches Combine","六十甲子：天干地支如何組合成六十迴圈",{"to":343,"label":344,"label_zh":345},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fstems-branches-yin-yang-five-phases","How Heavenly Stems and Earthly Branches Encode Yin–Yang and the Five Phases","天干地支如何結合陰陽五行",{"to":347,"label":348,"label_zh":349},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fin-the-metaphysical-arts","How Ganzhi Is Used in BaZi, Feng Shui, Date Selection and Other Arts","干支如何應用於八字、風水、擇日與其他術數",{"to":351,"label":352,"label_zh":353},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fkey-sources-further-reading","Heavenly Stems, Earthly Branches and Ganzhi: Sources and Further Reading","天干地支與干支歷的重要資料和延伸閱讀",{"to":201,"label":202,"label_zh":203,"children":355},[356,360,364,368,372,376,380],{"to":357,"label":358,"label_zh":359},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Forigins-history","Origins and History of Chinese Feng Shui","中國風水的起源與歷史",{"to":361,"label":362,"label_zh":363},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fqi-compass-two-schools","Qi, the Feng Shui Compass and the Two Schools","風水中的氣、羅盤與形勢理氣之分",{"to":365,"label":366,"label_zh":367},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fform-school-landscape","Feng Shui Form School: How Landscapes Are Read","風水形勢派：如何觀察山水與地形",{"to":369,"label":370,"label_zh":371},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fcompass-school-luopan","Feng Shui Compass School: How the Luopan Is Used","風水理氣派：羅盤如何用於方位判斷",{"to":373,"label":374,"label_zh":375},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fdwellings-and-graves","Feng Shui for Homes and Graves: Yangzhai and Yinzhai","陽宅與陰宅風水：住宅和墓葬有何不同",{"to":377,"label":378,"label_zh":379},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fmodern-world","Feng Shui Today: Homes, Cities, Design and Cultural Practice","今日風水：住宅、城市、設計與文化實踐",{"to":381,"label":382,"label_zh":383},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fkey-sources-further-reading","Chinese Feng Shui Sources: Classical Texts and Further Reading","中國風水資料：經典文獻與延伸閱讀",{"to":205,"label":206,"label_zh":207,"children":385},[386,390,394,398,402,406,410],{"to":387,"label":388,"label_zh":389},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Forigins-history","History of BaZi and the Four Pillars of Destiny","八字與四柱命理的起源和歷史",{"to":391,"label":392,"label_zh":393},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fbuilding-the-chart","How a BaZi Chart Is Calculated: The Four Pillars and Eight Characters","八字命盤如何排定：四柱八字的計算方法",{"to":395,"label":396,"label_zh":397},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fday-master-ten-gods","The BaZi Day Master and Ten Gods: A Relationship Guide","八字日主與十神：命盤關係如何分類",{"to":399,"label":400,"label_zh":401},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Ffive-phase-balance","How BaZi Charts Are Read: Five-Phase Balance and the Useful God","八字命盤如何解讀：五行平衡與用神",{"to":403,"label":404,"label_zh":405},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fluck-pillars-annual-influences","BaZi Luck Pillars and Annual Influences: How Time Is Read","八字大運與流年：命盤如何推移時間",{"to":407,"label":408,"label_zh":409},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fin-practice","BaZi Readings Today: Interpretation, Responsibility and Limits","今日八字解讀：意義、責任與界限",{"to":411,"label":412,"label_zh":413},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fkey-sources-further-reading","BaZi Sources: Classical Texts, Commentaries and Further Reading","八字資料：經典、註疏與延伸閱讀",{"to":209,"label":210,"label_zh":211,"children":415},[416,420,424,428,432,436,440,444],{"to":417,"label":418,"label_zh":419},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Forigins-history","History of Zi Wei Dou Shu: Origins, Legends and Documented Evidence","紫微斗數的起源與歷史：傳說、文獻與可考證據",{"to":421,"label":422,"label_zh":423},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ftwelve-palaces","The Twelve Palaces of Zi Wei Dou Shu: A Guide to the Life Domains","紫微斗數十二宮：命盤生活領域完整指南",{"to":425,"label":426,"label_zh":427},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fthe-stars","Zi Wei Dou Shu Stars: The Fourteen Major Stars and Their Meanings","紫微斗數星曜：十四主星及其含義",{"to":429,"label":430,"label_zh":431},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fcasting-and-reading","How a Zi Wei Dou Shu Chart Is Cast and Read","紫微斗數如何排盤與解讀",{"to":433,"label":434,"label_zh":435},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ffour-transformations","Zi Wei Dou Shu Four Transformations: How the Chart Moves Through Time","紫微斗數四化：命盤如何隨時間變化",{"to":437,"label":438,"label_zh":439},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fin-practice","Zi Wei Dou Shu Readings Today: Interpretation, Responsibility and Limits","今日紫微斗數解讀：意義、責任與界限",{"to":441,"label":442,"label_zh":443},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fkey-sources-further-reading","Zi Wei Dou Shu Sources: Classical Texts, Schools and Further Reading","紫微斗數資料：經典、流派與延伸閱讀",{"to":445,"label":446,"label_zh":447},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fglossary","Zi Wei Dou Shu Glossary: Palaces, Stars, Transformations and Time Cycles","紫微斗數術語表：宮位、星曜、四化與時間週期",{"to":214,"label":215,"label_zh":216,"children":449},[450,454,458,462,466,470,474,478],{"to":451,"label":452,"label_zh":453},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Forigins-history","Origins and History of Chinese Date Selection","中國擇吉的起源與歷史",{"to":455,"label":456,"label_zh":457},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fthe-almanac","The Chinese Almanac: How the Tongshu Guides Everyday Dates","通書：中國人的日用擇日指南",{"to":459,"label":460,"label_zh":461},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcyclical-qualities","How Chinese Calendars Describe the Qualities of Days","中國曆法如何描述日子的週期屬性",{"to":463,"label":464,"label_zh":465},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fstars-and-officers","Auspicious Stars and Day Officers in Chinese Date Selection","擇吉中的吉星、值日神與神煞",{"to":467,"label":468,"label_zh":469},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fchoosing-a-date","How Chinese Date Selection Works in Practice","中國擇日的實際操作",{"to":471,"label":472,"label_zh":473},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcultural-meaning-and-responsible-practice","Chinese Date Selection: Cultural Meaning and Responsible Practice","中國擇日的文化意義與負責任實踐",{"to":475,"label":476,"label_zh":477},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fkey-sources-further-reading","Chinese Date Selection: Key Sources and Further Reading","中國擇日的重要資料與延伸閱讀",{"to":479,"label":480,"label_zh":481},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Ftwenty-four-solar-terms-seasonal-time-chinese-calendar","The Twenty-Four Solar Terms: Seasonal Time in the Chinese Calendar","二十四節氣：中國曆法中的季節時間",{"to":218,"label":219,"label_zh":220,"children":483},[484,488,492,496,500,504,508],{"to":485,"label":486,"label_zh":487},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Forigins-history","Origins and History of Chinese Physiognomy","中國相術的起源與歷史",{"to":489,"label":490,"label_zh":491},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fface-reading","Chinese Face Reading (Mianxiang): Methods, Meanings and Limits","中國面相術：方法、含義與侷限",{"to":493,"label":494,"label_zh":495},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fpalm-reading","Chinese Palm Reading (Shouxiang): Traditions, Methods and Limits","中國手相術：傳統、方法與侷限",{"to":497,"label":498,"label_zh":499},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-practice","Chinese Physiognomy in Practice Today: Readings, Apps and Risks","當代中國相術：看相、應用程式與風險",{"to":501,"label":502,"label_zh":503},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fhistory-interpretation-and-context","How to Interpret Chinese Physiognomy Responsibly","如何負責任地理解中國相術",{"to":505,"label":506,"label_zh":507},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-culture","Chinese Physiognomy in History, Literature and Everyday Culture","中國相術在歷史、文學與日常文化中",{"to":509,"label":510,"label_zh":511},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fkey-sources-further-reading","Chinese Physiognomy: Primary Sources and Further Reading","中國相術的重要資料與延伸閱讀",{"to":222,"label":223,"label_zh":224,"children":513},[514,518,522,526,530,534,538],{"to":515,"label":516,"label_zh":517},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Forigins-history","Origins and History of Chinese Divination","中國占卜的起源與歷史",{"to":519,"label":520,"label_zh":521},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Foracle-bones","Chinese Oracle Bones and Turtle-Shell Divination","中國甲骨與龜卜：商代占卜和早期文字",{"to":523,"label":524,"label_zh":525},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fyijing-milfoil","The Yijing and Milfoil Divination: How Hexagrams Are Cast and Read","《易經》與筮佔：卦象如何生成與解讀",{"to":527,"label":528,"label_zh":529},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fcoins-and-lots","Chinese Coin Divination and Temple Lots: Methods and Meaning","中國錢佔與求籤：方法、解讀與文化意義",{"to":531,"label":532,"label_zh":533},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fin-practice","Chinese Divination in Practice Today: Consultations, Apps and Risks","當代中國占卜：諮詢、應用程式與風險",{"to":535,"label":536,"label_zh":537},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fmeaning-reflection-and-responsible-practice","How to Use Chinese Divination Responsibly","如何負責任地使用中國占卜",{"to":539,"label":540,"label_zh":541},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fkey-sources-further-reading","Chinese Divination: Primary Sources and Further Reading","中國占卜的重要資料與延伸閱讀",{"to":226,"label":227,"label_zh":228,"children":543},[544,548,552,556,560,564,568],{"to":545,"label":546,"label_zh":547},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Forigins-history","Origins and History of the Hetu and Luoshu Diagrams","河圖與洛書圖式的起源與歷史",{"to":549,"label":550,"label_zh":551},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fhetu-river-chart","The Hetu River Chart: Numbers, Directions and the Five Phases","河圖：數字、方位與五行結構",{"to":553,"label":554,"label_zh":555},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fluoshu-magic-square","The Luoshu Magic Square: Numbers, Structure and Cultural Meaning","洛書幻方：數字結構與文化含義",{"to":557,"label":558,"label_zh":559},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fnine-palaces","The Nine Palaces (Jiugong): Directions, Time Cycles and Traditional Uses","九宮：方位、時間週期與傳統用途",{"to":561,"label":562,"label_zh":563},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fin-practice","Hetu, Luoshu and Nine Palaces in Practice Today","河圖、洛書與九宮在今天的實際應用",{"to":565,"label":566,"label_zh":567},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fmathematics-tradition-and-interpretation","How to Interpret the Hetu and Luoshu: Mathematics, History and Symbolism","如何理解河圖與洛書：數學、歷史與象徵",{"to":569,"label":570,"label_zh":571},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fkey-sources-further-reading","Hetu, Luoshu and Nine Palaces: Primary Sources and Further Reading","河圖、洛書與九宮的重要資料與延伸閱讀",[],[],{"data":575},[576,612,635,654,675,694,714,732,753,776,798],{"id":38,"uuid":577,"slug":578,"available_locales":579,"name":583,"description":586,"body":588,"path":591,"images":592,"image_urls":597,"hero_image":3,"hero_image_url":3,"seo_title":602,"seo_description":605,"sort_order":607,"is_active":608,"status":609,"created_at":610,"updated_at":611},"f1a30881-20c6-407b-b546-669e839a178a","feng-shui-learning",[580,581,582],"en","zh","fr",{"en":584,"zh":585},"Feng Shui Learning","風水課程",{"en":587,"zh":3},"Study feng shui as a historical Chinese tradition of interpreting orientation, form and environment—with clear limits on predictive claims.",{"en":589,"zh":590},"\u003Ch2>\u003Cem>Feng shui 風水 developed through multiple schools, texts and professional traditions. It brings together observations of landform, orientation, water, buildings and correlative cosmology. It should not be reduced to decorative rules, nor presented as a scientifically proven way to guarantee health, wealth or relationships.\u003C\u002Fem>\u003C\u002Fh2>\u003Cp>\u003Cem>Classes introduce core vocabulary, the distinction between major approaches and the cultural contexts in which feng shui has been practised. Contemporary applications are discussed critically. Students remain responsible for property, financial and personal decisions and should seek qualified professional advice where those decisions carry material consequences.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>風水形成於不同的流派、典籍與專業傳統，綜合觀察地形、方位、水勢、建築以及陰陽五行等關聯性宇宙觀。它不應被簡化為裝飾規則，也不能被宣傳為保證健康、財富或關係結果的科學方法。\u003C\u002Fp>\u003Cp>課程介紹基本術語、主要方法的差別，以及風水在歷史社會中的實踐語境，並以批判態度討論當代應用。涉及房產、財務或其他重大決定時，學員仍應根據事實判斷，並諮詢具備資質的相關專業人士。\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[593,594,595,596],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[598,599,600,601],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",{"en":603,"zh":604},"Feng Shui Classes and Courses","風水課程：方位、形勢與空間觀念入門",{"en":587,"zh":606},"從歷史、環境與文化語境學習風水，理解方位、形勢與空間觀念，同時明確傳統解釋與科學證據的界限。",0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":60,"uuid":613,"slug":614,"available_locales":615,"name":616,"description":619,"body":622,"path":625,"images":626,"image_urls":627,"hero_image":3,"hero_image_url":3,"seo_title":628,"seo_description":631,"sort_order":607,"is_active":608,"status":609,"created_at":634,"updated_at":611},"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[580,581,582],{"en":617,"zh":618},"Internal Arts & Wellness","內家功法與養生",{"en":620,"zh":621},"Classes, workshops and retreats in Baduanjin, Taijiquan, qigong and traditional practices for movement, breathing and mindful cultivation.","彙集八段錦、太極拳、氣功及傳統身心修習的課程、工作坊與靜修活動。",{"en":623,"zh":624},"\u003Cp>Explore small-group classes, workshops and retreats introducing Wudang internal arts and traditional wellness practices. Programmes may include Baduanjin, Taijiquan, qigong, standing practice, breathing and their cultural foundations.\u003C\u002Fp>\u003Cp>Each listing provides its teacher, schedule, experience level and registration arrangements.\u003C\u002Fp>","\u003Cp>本類別彙集武當內家功法與傳統養生修習的小班課程、工作坊及靜修活動，內容可涵蓋八段錦、太極拳、氣功、站樁、呼吸練習及相關文化基礎。\u003C\u002Fp>\u003Cp>每項活動都會註明導師、日期、適合程度與報名方式，方便參加者選擇合適的學習體驗。\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"en":629,"zh":630},"Internal Arts & Wellness Events","內家功法與養生活動",{"en":632,"zh":633},"Explore Baduanjin, Taijiquan, qigong and traditional wellness classes, workshops and retreats listed by Wudang.Org.","探索八段錦、太極拳、氣功與傳統養生課程、工作坊及靜修活動。","2026-08-16T19:23:45.000000Z",{"id":636,"uuid":637,"slug":638,"available_locales":639,"name":640,"description":643,"body":644,"path":645,"images":646,"image_urls":647,"hero_image":3,"hero_image_url":3,"seo_title":648,"seo_description":650,"sort_order":607,"is_active":608,"status":609,"created_at":653,"updated_at":611},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[580,581,582],{"en":641,"zh":642},"Face Reading Learning","面相課程",[],[],"\u002Fevents\u002Fface-reading-learning",[],[],{"en":649},"Chinese Face Reading Classes and Workshops",{"en":651,"zh":652},"Learn Chinese face reading (面相) as a cultural tradition: its classical framework, history and uses, taught with clear limits on predictive claims.","把面相作為中國傳統文化來學習：認識其經典框架、歷史與用法，並清楚說明傳統詮釋的邊界。","2026-08-30T17:01:43.000000Z",{"id":655,"uuid":656,"slug":657,"available_locales":658,"name":659,"description":662,"body":664,"path":667,"images":668,"image_urls":669,"hero_image":3,"hero_image_url":3,"seo_title":670,"seo_description":673,"sort_order":38,"is_active":608,"status":609,"created_at":610,"updated_at":611},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[580,581,582],{"en":660,"zh":661},"Zi Wei Dou Shu Learning","紫微斗數課程",{"en":663,"zh":3},"Explore Purple Star Astrology as a traditional Chinese interpretive system, approached as cultural knowledge rather than scientific prediction.",{"en":665,"zh":666},"\u003Cp>Zi Wei Dou Shu 紫微鬥數 organises birth information through palaces, stars and patterned relationships. The system has a substantial technical vocabulary and several interpretive traditions, but its predictive claims are not established by modern scientific evidence.\u003C\u002Fp>\u003Cp>Courses explain how charts are structured, how symbols are read and how historical and contemporary practitioners differ. The aim is cultural literacy and disciplined reflection—not certainty about the future. Readings do not replace medical, legal, financial, employment or psychological expertise.\u003C\u002Fp>","\u003Cp>紫微斗數依據出生資訊，以宮位、星曜和彼此關係組織命盤。它具有複雜的術語與多種解釋傳統，但其預測主張並未得到現代科學證據的確立。\u003C\u002Fp>\u003Cp>課程說明命盤結構、符號閱讀方法，以及歷史與當代實踐者之間的差異。學習目的在於文化理解與有紀律的自我反思，而不是獲得關於未來的確定答案。相關解讀不能代替醫療、法律、財務、就業或心理專業意見。\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"en":671,"zh":672},"Zi Wei Dou Shu (Purple Star Astrology) Classes","紫微斗數課程：命盤、宮位與星曜入門",{"en":663,"zh":674},"把紫微斗數作為中國傳統詮釋體系來學習，認識命盤、宮位與星曜，不把它包裝成科學預測。",{"id":247,"uuid":676,"slug":677,"available_locales":678,"name":679,"description":682,"body":683,"path":684,"images":685,"image_urls":686,"hero_image":3,"hero_image_url":3,"seo_title":687,"seo_description":690,"sort_order":38,"is_active":608,"status":609,"created_at":693,"updated_at":611},"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[580,581,582],{"en":680,"zh":681},"Tea Arts","茶藝",[],[],"\u002Fevents\u002Ftea-arts",[],[],{"en":688,"zh":689},"Chinese Tea Art Classes and Workshops","茶藝課程與工作坊",{"en":691,"zh":692},"Chinese tea art (茶藝) classes and workshops: tea types, brewing methods, tea-table etiquette and the quiet attention of sharing tea.","茶藝課程與工作坊：認識茶類、泡茶方法與茶席禮儀，在一席茶中體會從容與專注。","2026-08-16T17:13:57.000000Z",{"id":242,"uuid":695,"slug":696,"available_locales":697,"name":698,"description":701,"body":703,"path":706,"images":707,"image_urls":708,"hero_image":3,"hero_image_url":3,"seo_title":709,"seo_description":712,"sort_order":655,"is_active":608,"status":609,"created_at":610,"updated_at":611},"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[580,581,582],{"en":699,"zh":700},"Ba Zi Learning","八字課程",{"en":702,"zh":3},"Study the Four Pillars as a traditional system of stems, branches and five-phase correspondence, with history and limitations made explicit.",{"en":704,"zh":705},"\u003Cp>Ba Zi 八字 interprets year, month, day and hour through the heavenly stems, earthly branches, yin-yang and five-phase relationships. It is an influential part of Chinese metaphysical culture, not an observational science in the modern empirical sense.\u003C\u002Fp>\u003Cp>Classes introduce chart structure, terminology and common interpretive methods while distinguishing tradition from evidence. Students are encouraged to treat readings as prompts for reflection and never as guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>八字以年、月、日、時四柱為框架，通過天干、地支、陰陽與五行關係進行解釋。它是中國術數文化中影響深遠的傳統體系，並非現代經驗科學。\u003C\u002Fp>\u003Cp>課程介紹命盤結構、基本術語和常見詮釋方法，同時說明傳統觀點與科學證據的差別。學員可把解讀作為反思的線索，但不應把它當作保證、診斷，或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"en":710,"zh":711},"BaZi (Four Pillars) Classes and Courses","八字課程：四柱、天干地支與五行入門",{"en":702,"zh":713},"學習四柱中的天干、地支與五行關係，理解其歷史與方法，也清楚區分傳統詮釋和現代實證知識。",{"id":69,"uuid":715,"slug":716,"available_locales":717,"name":718,"description":721,"body":722,"path":723,"images":724,"image_urls":725,"hero_image":3,"hero_image_url":3,"seo_title":726,"seo_description":729,"sort_order":655,"is_active":608,"status":609,"created_at":693,"updated_at":611},"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[580,581,582],{"en":719,"zh":720},"Incense Culture","香文化",[],[],"\u002Fevents\u002Fincense-culture",[],[],{"en":727,"zh":728},"Chinese Incense Culture Workshops","香文化活動與工作坊",{"en":730,"zh":731},"Workshops on Chinese incense culture (香文化): aromatic materials, traditional ways of preparing and appreciating incense, and incense as calm attention.","香文化活動與工作坊：認識香材、傳統制香與品香方式，在一爐香中練習安靜與專注。",{"id":733,"uuid":734,"slug":735,"available_locales":736,"name":737,"description":740,"body":743,"path":746,"images":747,"image_urls":748,"hero_image":3,"hero_image_url":3,"seo_title":749,"seo_description":751,"sort_order":655,"is_active":608,"status":609,"created_at":752,"updated_at":611},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[580,581,582],{"en":738,"zh":739},"I Ching Learning","易經課程",{"en":741,"zh":742},"Explore the I Ching through its hexagrams, traditional interpretive methods and historical context, with scope and limitations made explicit.","通過卦象、傳統解讀方法與歷史語境認識《易經》，並清楚說明其適用範圍與侷限。",{"en":744,"zh":745},"\u003Cp>The I Ching 易經 is a classical Chinese text centred on sixty-four hexagrams and a long history of commentary and divination. It has shaped Chinese philosophy, cosmology and metaphysical practice, but its divinatory claims are not established as modern empirical science.\u003C\u002Fp>\u003Cp>Classes introduce structures, terminology and traditional methods such as Liu Yao while distinguishing cultural study from evidence. Readings should be treated as prompts for reflection, not guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>《易經》是一部以六十四卦為核心的中國經典，形成了悠久的註疏與占筮傳統，並深刻影響中國哲學、宇宙觀與術數文化；其占筮主張並非現代經驗科學所證實。\u003C\u002Fp>\u003Cp>課程介紹基本結構、術語和六爻等傳統方法，同時區分文化學習與科學證據。解讀宜作為反思線索，不應視為保證、診斷或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"en":750,"zh":739},"I Ching Classes and Courses",{"en":741,"zh":742},"2026-09-08T00:15:35.000000Z",{"id":21,"uuid":754,"slug":755,"available_locales":756,"name":757,"description":760,"body":763,"path":766,"images":767,"image_urls":768,"hero_image":3,"hero_image_url":3,"seo_title":769,"seo_description":772,"sort_order":242,"is_active":608,"status":609,"created_at":775,"updated_at":611},"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[580,581,582],{"en":758,"zh":759},"Traditional Arts & Crafts","傳統藝術與手作",{"en":761,"zh":762},"Hands-on workshops exploring Chinese handicrafts and decorative arts through guided making and cultural appreciation.","通過親手製作與文化欣賞，體驗中國傳統手作及裝飾藝術。",{"en":764,"zh":765},"\u003Cp>Discover practical workshops in Chinese decorative arts and handcraft traditions. Activities may include gold-leaf painting, cloisonné enamel, mother-of-pearl work, Song brocade and other guided projects.\u003C\u002Fp>\u003Cp>These welcoming sessions introduce materials, techniques and cultural context while allowing participants to complete a piece of their own.\u003C\u002Fp>","\u003Cp>本類別彙集中國傳統裝飾藝術與手作體驗，內容可涵蓋金箔畫、掐絲琺琅、螺鈿工藝、宋錦及其他創作專案。\u003C\u002Fp>\u003Cp>課程以輕鬆易懂的方式介紹材料、技法與文化背景，讓參加者在導師帶領下完成屬於自己的作品。\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"en":770,"zh":771},"Traditional Arts & Crafts Events","傳統藝術與手作活動",{"en":773,"zh":774},"Explore Chinese handicraft and decorative arts workshops, including gold-leaf, cloisonné, mother-of-pearl and brocade.","探索金箔畫、掐絲琺琅、螺鈿、宋錦等中國傳統手作及裝飾藝術體驗。","2026-08-16T19:24:04.000000Z",{"id":212,"uuid":777,"slug":778,"available_locales":779,"name":780,"description":783,"body":786,"path":789,"images":790,"image_urls":791,"hero_image":3,"hero_image_url":3,"seo_title":792,"seo_description":794,"sort_order":247,"is_active":608,"status":609,"created_at":797,"updated_at":611},"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[580,581,582],{"en":781,"zh":782},"Wudang Community","武當社群活動",{"en":784,"zh":785},"Talks, broadcasts and community gatherings connecting people with Wudang culture, learning and living practice.","通過講座、直播與社群聚會，連線武當文化、學習與日常實踐。",{"en":787,"zh":788},"\u003Cp>Wudang Community brings together public talks, livestreams, gatherings and shared cultural activities connected with Wudang.\u003C\u002Fp>\u003Cp>These programmes create welcoming ways to meet practitioners, explore ideas and participate in a growing community of learning and practice.\u003C\u002Fp>","\u003Cp>武當社群活動彙集與武當文化相關的公開講座、直播、聚會及共享文化體驗。\u003C\u002Fp>\u003Cp>這些活動以友善開放的方式連線練習者與學習者，讓大家交流心得、認識傳統，並共同參與持續發展的文化社群。\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"en":793,"zh":782},"Wudang Community Events",{"en":795,"zh":796},"Discover Wudang community talks, broadcasts and gatherings connecting people with culture, learning and living practice.","探索連線武當文化、學習與日常實踐的講座、直播及社群聚會。","2026-08-16T19:24:18.000000Z",{"id":16,"uuid":799,"slug":800,"available_locales":801,"name":802,"description":805,"body":806,"path":807,"images":808,"image_urls":809,"hero_image":3,"hero_image_url":3,"seo_title":810,"seo_description":813,"sort_order":69,"is_active":608,"status":609,"created_at":816,"updated_at":611},"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[580,581,582],{"en":803,"zh":804},"Wudang Journeys & Retreats","武當旅修與行程",[],[],"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"en":811,"zh":812},"Wudang Mountain Retreats and Guided Journeys","武當山旅修與靜修行程",{"en":814,"zh":815},"Guided journeys and retreats to Wudang Mountain that combine practice, temple visits and cultural learning, with itineraries and expectations set out clearly.","前往武當山的旅修與靜修：結合修習、宮觀參訪與文化學習，提前說明行程安排與參加須知。","2026-08-18T11:09:38.000000Z",{"data":818},{"hero_type":819,"hero_image":820,"hero_image_alt":821,"hero_youtube_id":822,"hero_content_on":608,"hero_heading":823,"hero_subheading":824,"hero_text":825,"hero_subheading_zh":826,"hero_text_zh":827,"hero_buttons":828,"home_seo":834,"page_layout":840,"shop_enabled":841,"contact":842,"journey":858},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武當文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","這裡既是學習之地，也是讓文化融入日常的所在。","從道家思想、內家武術、文人雅藝與武當山出發，以清晰、踏實的方式，在新加坡及世界各地認識和體驗武當文化。",[829,831],{"label":830,"link":278},"Start Your Wudang Journey",{"label":832,"link":833},"View Events & Courses","\u002Fevents",{"title":835,"description":837},{"en":836,"zh":3},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":838,"zh":839},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","從太極、氣功、道家思想、武術、傳統雅藝與養生文化認識武當山，探索武當文化及武當山的日常生活。","sidebar",false,{"methods":843,"has_any":608,"text":851},{"email":844,"whatsapp":845,"wechat_id":846,"wechat_qr_url":847,"instagram":848,"instagram_handle":849,"facebook":850,"facebook_handle":849},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":852,"china_heading_zh":853,"china_company_en":854,"china_company_zh":855,"china_address_en":856,"china_address_zh":857},"China Operations","中國運營","Xunwei Wudang Co., Ltd.","尋味武當有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武當山王家園劍河二路72號",{"title_en":3,"title_zh":3,"intro_en":3,"intro_zh":3,"enabled":608},{"data":860},{"to":463,"type":861,"available_locales":862,"is_content_page":608,"title":863,"subtitle":864,"body":867,"hero_image_url":870,"hero_width":871,"hero_height":872,"hero_image_alt":873,"hero_image_decorative":841,"hero_credit":3,"hero_alt":876,"hero_style":877,"card_layout":878,"link_type":3,"link_ref":3,"seo_title":879,"seo_description":881,"children":884},"page",[580,581,582],{"en":464,"zh":465},{"en":865,"zh":866},"How the Twelve Day Officers, Yellow and Black Path cycles, and calendar spirits are calculated and interpreted","建除十二神、黃黑道與各種神煞：按規則計算的位置，不是天體",{"en":868,"zh":869},"\u003Cp>If the stems and branches supply the underlying grammar of date selection, the \u003Cstrong>notional\u003C\u002Fstrong> stars and spirits supply much of its vocabulary. Alongside the cyclical qualities of the day, the tradition populates the calendar with a large cast of unseen influences, auspicious and inauspicious, each moving through the days according to its own rule, and each lending its character to the days it touches. To read an almanac's judgements at all deeply, one has to understand this second layer, which is often what a specialist is really tracking.\u003C\u002Fp>\u003Ch2>Not the stars of the sky\u003C\u002Fh2>\u003Cp>These influences are usually spoken of as stars or spirits, though they are not the stars of the visible sky. They are notional entities, positions in a cycle rather than points of light, each defined by a rule that fixes where it falls on any given day, month, or year. Some are regarded as benevolent, their presence marking a day as favourable for particular activities; others are regarded as harmful, their presence warning against certain undertakings. The tradition names a great many of them, and the specialist's skill lies partly in knowing which are strong enough to matter for a given purpose and which may be set aside.\u003C\u002Fp>\u003Ch2>Benevolent influences\u003C\u002Fh2>\u003Cp>Among the benevolent influences are those thought to bring good fortune, protection, or the blessing of heaven, and a day on which several of these gather is prized for important beginnings. Among the harmful influences are those associated with loss, obstruction, calamity, or death, and a day heavy with these is avoided, especially for weddings, burials, and other weighty affairs. Between these extremes lies a graded field of lesser influences, and the art of the specialist is to weigh them against one another rather than to react to any single one, since almost every day carries some mixture of good and ill.\u003C\u002Fp>\u003Ch2>The twelve day officers\u003C\u002Fh2>\u003Cp>A particularly important scheme is the cycle sometimes called the twelve day officers, a set of twelve governors that rotate through the days in a fixed order, each taking charge of one day in turn. Each officer is associated with a characteristic activity or mood, one favouring establishment and stability, another removal and clearing away, another fullness, another openness, another closure, and so on around the cycle. Because the officers turn in a regular sequence, the scheme gives every day a ready label that suggests what it is fit for. The almanac's lists of suitable and unsuitable activities draw heavily on this cycle, and it is one of the more accessible parts of the system for a lay reader to follow.\u003C\u002Fp>\u003Cp>The twelve officers are worth learning because they are the most systematic part of the whole apparatus and the easiest to check. Their names — Establish, Remove, Full, Level, Stable, Grasp, Break, Danger, Complete, Receive, Open, Shut — form a sequence with an evident internal logic, moving from initiation through fullness to closure. The rule that fixes them is simple: within each solar month, the day whose earthly branch matches the month's own branch is Establish (建), and the other officers then follow in order, one per day. \u003Cstrong>Anyone with a calendar can verify an almanac's assignment of officers\u003C\u002Fstrong>, which is not true of most of the material on the page.\u003C\u002Fp>\n\u003Ch2>The twelve yellow and black road spirits\u003C\u002Fh2>\n\u003Cp>Running in parallel with the day officers is a second set of twelve, divided into two groups of six. The \u003Cstrong>yellow road\u003C\u002Fstrong> (黃道) six — Green Dragon, Bright Hall, Golden Casket, Heavenly Virtue, Jade Hall and Director of Destinies — are counted auspicious. The \u003Cstrong>black road\u003C\u002Fstrong> (黑道) six — Heavenly Punishment, Vermilion Bird, White Tiger, Heavenly Prison, Dark Warrior and Hooked Chen — are counted inauspicious.\u003C\u002Fp>\n\u003Cp>This set is the source of an expression that has passed into ordinary Chinese far beyond any divinatory context: \u003Cem>huangdao jiri\u003C\u002Fem> (黃道吉日), \"a yellow-road auspicious day,\" used casually to mean a good day for something. \u003Cstrong>A great many people use the phrase daily without knowing that it names six particular spirits in a rotation of twelve.\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>One clarification is needed because the wording invites confusion. The \"yellow road\" here has nothing to do with the ecliptic, which is called by the same name in Chinese astronomy. The two uses share a word and nothing else; no position of the sun is involved in deciding whether a day belongs to the yellow road or the black.\u003C\u002Fp>\n\u003Cp>Several of these names will be familiar from elsewhere. Green Dragon, Vermilion Bird, White Tiger and Dark Warrior are the four directional emblems of Chinese cosmology, met in temple decoration and in feng shui. Their appearance here as day spirits is a good example of how this material was assembled: existing figures of wide cultural currency were recruited into a rotation and given a new job.\u003C\u002Fp>\n\u003Ch2>The malefic spirits\u003C\u002Fh2>\n\u003Cp>The unfavourable names are considerably more numerous than the favourable ones, and a full list is beyond any single almanac. Among the commonest are Year Breaker (歲破) and Month Breaker (月破), the Four Extinctions (四廢), the Three Killings (三煞), Robbery Killing (劫煞), Disaster Killing (災煞), Wangwang (往亡, \"going and perishing,\" forbidding journeys and appointments), Double Mourning (重喪), Heavenly Dog (天狗), Mourning Gate (喪門) and Five Ghosts (五鬼).\u003C\u002Fp>\n\u003Cp>Well over a hundred such names can be collected from the literature, and no two schools adopt exactly the same set. Their rules of appearance are equally varied: some are keyed to the year, some to the month, some to the day's branch, some to a combination.\u003C\u002Fp>\n\u003Cp>\u003Cstrong>This proliferation is precisely the problem the Qianlong compilers set out to solve.\u003C\u002Fstrong> With so many spirits, defined by so many incompatible rules, the same day could be marked both suitable and forbidden for the same activity depending on which authority one followed. The imperial compendium worked by adjudication — discarding names judged spurious, ranking those retained, and issuing a standard.\u003C\u002Fp>\n\u003Cp>This fact is worth stating more than once, because of where it comes from. It is not a modern sceptic's objection. \u003Cstrong>It is the considered judgement of the tradition's own official custodians that the system of spirits was internally contradictory and required human editing to be made coherent.\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Ch2>Where these spirits came from\u003C\u002Fh2>\u003Cp>The origins of this crowded sky of influences are various. Some of the spirits descend from very old beliefs about the powers that govern time and direction; others were systematised by astrologers who wanted rules precise enough to compute; still others accumulated over centuries as different schools added their own refinements. The result, by late imperial times, was a system of considerable intricacy, in which dozens of influences might in principle bear on any given day. It was partly to tame this profusion that the imperial compilations of date-selection method were produced, sorting the influences, ranking their importance, and laying down rules for when a benevolent influence could be said to overcome a harmful one.\u003C\u002Fp>\u003Ch2>What the almanac user actually sees\u003C\u002Fh2>\u003Cp>For the person consulting an almanac, most of this machinery stays out of sight. What reaches them is the \u003Cstrong>distilled\u003C\u002Fstrong> verdict: this day is suitable for a wedding, that day should be avoided for a funeral. But knowing that these verdicts rest on a moving pattern of notional stars and rotating officers helps make sense of the tradition. It explains why two days that look identical in the plain calendar can be judged quite differently, and why a specialist consulted for an important choice will look past the almanac's summary to the particular influences in play for a particular person.\u003C\u002Fp>\u003Ch2>Coherence and reality\u003C\u002Fh2>\u003Cp>As with the rest of date selection, an honest account must separate the coherence of the scheme from the reality of its claims. The cycles of stars and officers are defined by exact rules and can be computed without ambiguity; in that sense they are perfectly real, as patterns. Whether the influences they track exert any actual power over human affairs is another matter entirely, and here the tradition rests on belief rather than evidence. There are no such spirits known to move through the days, and no demonstrated effect of the day officers on the success of the activities assigned to them. The scheme is best understood as an elaborate symbolic system, a way of giving each day a distinct meaning and mood, rather than as a map of forces that actually shape events.\u003C\u002Fp>\u003Ch2>A word of warning\u003C\u002Fh2>\n\u003Cp>A range of paid services attaches itself to these spirits, most commonly under the headings of \"settling Taisui\" (安太歲), \"dissolving the killing\" (化煞) and \"repairing fortune\" (補運). Two quite different things need separating here.\u003C\u002Fp>\n\u003Cp>Temples that maintain a Taisui hall and hold blessing ceremonies at published times, for published fees, are conducting ordinary religious activity. Whether to take part is a personal decision, and there is nothing untoward about it; making an offering at the start of a year is a normal act of devotion with a long history.\u003C\u002Fp>\n\u003Cp>It is a different matter when someone approaches you, unasked, to say that you offend Taisui this year, that a serious malefic sits in your chart, and that payment is required to dissolve it. \u003Cstrong>The principle stated elsewhere on this site applies exactly: legitimate religious and divinatory practice does not open by manufacturing fear, and it does not escalate its prices.\u003C\u002Fstrong> A diagnosis and its cure arriving from the same person, with the cure priced, describes a sales technique rather than a rite.\u003C\u002Fp>\n\u003Cp>The same caution applies to anything sold as a remedy for a spirit's presence — charms, bracelets, relocations, ceremonies at increasing cost. There is no way to verify that the problem exists and no way to verify that it has been fixed, which is a combination that has always attracted people willing to exploit it.\u003C\u002Fp>\n\u003Cp>Two practical consequences follow from all this. The first is that a person who understands where the spirits came from is unlikely to be frightened by one. Knowing that Five Ghosts is a name in a rotation, assigned by a rule someone wrote down, changes what it feels like to see it printed against a Tuesday.\u003C\u002Fp>\n\u003Cp>The second is that the vocabulary remains worth knowing even so. These names are everywhere in Chinese culture — in opera, in fiction, in temple iconography, in ordinary speech. \u003Cstrong>Understanding the system is what allows a person to enjoy that inheritance without being governed by it\u003C\u002Fstrong>, which is the position these pages have tried throughout to make available.\u003C\u002Fp>\n\u003Ch2>Key points\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>Stems and branches give date selection its grammar; the stars and spirits give it its vocabulary.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>These “stars” are notional positions in a cycle, not visible astronomical bodies.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Each is defined by a rule that places it on particular days.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Some are benevolent, associated with fortune, protection or heavenly blessing; others are inauspicious.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>The twelve day officers form a particularly important governing cycle.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>The spirits come from varied sources, some descending from very old beliefs about days.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Almanac users see only the distilled verdict, not the machinery behind it.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>The scheme is coherent, but coherence is separate from the reality of the influences it names.\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\u003Cblockquote>\u003Cp>Sources drawn on for this article include: Richard J. Smith, Fortune-tellers and Philosophers: Divination in Traditional Chinese Society, on the spirits and stars of the almanac; Joseph Needham, Science and Civilisation in China, on Chinese astrology and the reckoning of time; and the scholarship on the imperial compilations that systematised date-selection method.\u003C\u002Fp>\u003C\u002Fblockquote>","\u003Cp>通書上除了干支與節氣，還印著一大批名號：青龍、天德、月破、五鬼、往亡。它們看上去像是某種神靈的名冊，而這一頁要說明的正是這些名號究竟是什麼、從哪裡來，以及為什麼它們的數量會多到連官方都不得不出面刪並。\u003C\u002Fp>\n\u003Cp>可以這樣分工來看：干支提供擇日的語法，這些名號則提供它的詞彙。干支決定一天的基本結構與相互關係，名號則給這一天貼上具體的判語——宜嫁娶、忌動土、諸事不宜。通書上你實際讀到的那些短句，幾乎全部出自這一層。\u003C\u002Fp>\n\u003Cp>它們各自按各自的規則在日曆上移動：有的隨月份輪轉，有的從年支起算，有的與節氣掛鉤。因此同一天往往同時落在好幾個名號的轄區內，吉凶並存是常態而不是例外。真正的行家盯的通常就是這一層——判斷哪個名號在這一天分量更重，而不是簡單地數吉凶的個數。\u003C\u002Fp>\n\n\u003Ch2>這些“神”不是天上的星\u003C\u002Fh2>\n\u003Cp>通書上的天德、月德、白虎、金匱、太歲，名字聽起來像星辰或神靈，實際上\u003Cstrong>它們是按規則算出來的位置\u003C\u002Fstrong>：給定年月日，某個名目落在哪一天、哪一個方位，由固定公式決定，與天上任何天體的實際位置無關。\u003C\u002Fp>\n\u003Cp>這與斗數的虛星是同一種東西。\u003Cstrong>先有位置，後有名字，最後名字被人格化成神。\u003C\u002Fstrong>看清這個順序，整套神煞體系就不再神秘。\u003C\u002Fp>\n\u003Cp>把這一點講清楚是理解整套體系的關鍵。\u003Cstrong>這些名號不指向任何可以觀測的天體\u003C\u002Fstrong>，它們是按規則生成的符號：給定年月日的干支，某位“神”是否當值就由公式決定。因此不存在“今晚能不能看見天德”這樣的問題——它不在天上，它在算式裡。明代以後有些著作確實把它們與實際星象附會起來，但那是後加的說法，與規則本身無關。\u003C\u002Fp>\n\u003Ch2>吉神\u003C\u002Fh2>\n\u003Cp>被視為有利的名目很多，常見的有：\u003Cstrong>天德、月德\u003C\u002Fstrong>（最受重視的兩個吉神，多數事情逢之則宜）、\u003Cstrong>天赦\u003C\u002Fstrong>（宜寬解、消舊過）、\u003Cstrong>天願\u003C\u002Fstrong>、\u003Cstrong>母倉\u003C\u002Fstrong>（宜農事與積蓄）、\u003Cstrong>三合、六合\u003C\u002Fstrong>（地支關係帶來的和合）、\u003Cstrong>天喜\u003C\u002Fstrong>（宜婚慶）、\u003Cstrong>驛馬\u003C\u002Fstrong>（宜出行遷動）。\u003C\u002Fp>\n\u003Cp>吉神的名目同樣不少：天德、月德、天赦、天願、母倉、三合、六合、時德、益後、續世等等。它們的共同點是\u003Cstrong>被認為可以抵消或減輕凶煞的作用\u003C\u002Fstrong>——某日雖有凶煞當值，若同時有力量足夠的吉神，便可用。這條規則聽起來合理，實際上卻帶來一個麻煩：吉凶相抵到什麼程度算可用，並沒有量化的標準，全憑擇日者判斷。這一層鬆動，是各家結論不同的又一個來源。\u003C\u002Fp>\n\u003Ch2>建除十二神\u003C\u002Fh2>\n\u003Cp>這是最古老的一層，秦漢簡牘裡就有。十二個名目按日輪值，迴圈不斷：\u003C\u002Fp>\n\u003Cp>\u003Cstrong>建\u003C\u002Fstrong>（主事、起頭）、\u003Cstrong>除\u003C\u002Fstrong>（除舊、去病）、\u003Cstrong>滿\u003C\u002Fstrong>（豐滿、宜祭祀）、\u003Cstrong>平\u003C\u002Fstrong>（平常、宜修治）、\u003Cstrong>定\u003C\u002Fstrong>（安定、宜入宅）、\u003Cstrong>執\u003C\u002Fstrong>（執守、宜捕獲）、\u003Cstrong>破\u003C\u002Fstrong>（破敗，視為大凶）、\u003Cstrong>危\u003C\u002Fstrong>（危險，宜謹慎）、\u003Cstrong>成\u003C\u002Fstrong>（成就，視為吉）、\u003Cstrong>收\u003C\u002Fstrong>（收斂、宜納財）、\u003Cstrong>開\u003C\u002Fstrong>（開通，視為吉）、\u003Cstrong>閉\u003C\u002Fstrong>（閉塞，宜填補堵塞之事）。\u003C\u002Fp>\n\u003Cp>這一層的邏輯很直觀：\u003Cstrong>它把一件事從開始到結束的十二個階段，對映到十二天上。\u003C\u002Fstrong>建立、清除、充滿、平穩、安定、持守、破壞、危險、成就、收納、開啟、閉合——這確實是事情演進的常見次序，作為一套記憶與安排的框架，它相當有條理。\u003C\u002Fp>\n\u003Cp>它也是整套體系裡最容易核對的一部分。定位規則很簡單：在每個節氣月裡，日支與該月月建地支相同的那一日定為建，此後十二神依次輪轉，一日一位，周而復始。\u003Cstrong>任何人拿著一本日曆就能自己核驗通書對十二神的排定是否正確\u003C\u002Fstrong>，而這一頁上其餘大多數名目都做不到這一點——它們的推算規則要麼各家不一，要麼根本沒有公開。\u003C\u002Fp>\n\u003Cp>還有一點值得留意：建除這一層與後面要講的黃黑道十二神，是兩套獨立執行的十二日迴圈，各按各的規則輪值，互不相干。同一天可以既是成日又落在黑道，這時通書上給出的判語就要看編者偏向哪一套。\u003Cstrong>不同版本在這裡分歧最大\u003C\u002Fstrong>，也最能看出所謂宜忌並非一個統一的系統。\u003C\u002Fp>\n\u003Ch2>黃黑道十二神\u003C\u002Fh2>\n\u003Cp>另一套並行的十二神分成吉凶兩組：\u003Cstrong>青龍、明堂、金匱、天德、玉堂、司命\u003C\u002Fstrong>為黃道六神，視為吉；\u003Cstrong>天刑、朱雀、白虎、天牢、玄武、勾陳\u003C\u002Fstrong>為黑道六神，視為凶。\u003C\u002Fp>\n\u003Cp>“黃道吉日”這個成語就出自這裡。\u003Cstrong>很多人天天在用這個詞，卻不知道它指的是這一套十二神里的六個名目。\u003C\u002Fstrong>順帶說明：這裡的黃道與天文學上太陽週年視運動的黃道沒有關係，只是借用了同一個詞。\u003C\u002Fp>\n\u003Cp>這幾個名字有些會讓人覺得眼熟。青龍、朱雀、白虎、玄武正是中國宇宙論裡的四方之神，廟宇彩繪與風水書上到處都是。它們在這裡充當值日之神，很能說明這批材料是怎麼攢起來的：\u003Cstrong>把本來就家喻戶曉的形象徵調進一個輪值序列，另派一份差事。\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Ch2>凶煞\u003C\u002Fh2>\n\u003Cp>被視為不利的名目更多：歲破、月破、四廢、三煞、劫煞、災煞、往亡、重喪、天狗、喪門、白虎、五鬼等等。名目可以列出上百個，各家採用的不完全相同。\u003C\u002Fp>\n\u003Cp>\u003Cstrong>這正是清代官修《協紀辨方書》要處理的問題。\u003C\u002Fstrong>神煞太多且互相沖突，同一天在不同名目下可以既宜又忌，所以官方要考訂刪並。這條史實值得反覆提起，因為它來自體系內部。\u003C\u002Fp>\n\u003Cp>這些凶煞出現的規則也各不相同：有的按年起，有的按月起，有的按日支起，有的要幾項相合才算。\u003Cstrong>規則的依據彼此不通\u003C\u002Fstrong>，因此無法互相推演，也無法在衝突時判定誰更根本——這正是名目可以無限增加而沒有人能攔住的原因。\u003C\u002Fp>\n\u003Cp>順帶指出一處常見的誤解：這裡的“黃道”與天文學上太陽週年視運動的黃道毫無關係，只是碰巧用了同一個詞。\u003Cstrong>判定一天屬黃道還是黑道，不牽涉任何太陽的位置。\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Ch2>這些神從哪來\u003C\u002Fh2>\n\u003Cp>來源大致三類，都可以追溯。\u003C\u002Fp>\n\u003Cp>\u003Cstrong>一、天文曆法的位置概念被人格化。\u003C\u002Fstrong>最清楚的例子是太歲。歲星（木星）約十二年繞行一週，古人由此建立十二年的計年方式；與歲星相對設想的那個執行方向被稱為太歲，起初只是一個推算用的假想位置。後來它逐漸變成一位神，有了太歲殿、安太歲的做法，以及“太歲頭上動土”這句俗語。\u003Cstrong>從一個計算工具變成一位神，全過程是有記錄的。\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>二、抽象的方位與數術組合被命名。\u003C\u002Fstrong>許多神煞就是某個干支組合的名字，取名時借用了吉凶字眼。\u003C\u002Fp>\n\u003Cp>\u003Cstrong>三、吸收既有的神名與信仰。\u003C\u002Fstrong>青龍、白虎、朱雀、玄武來自四方星宿；天德、月德來自“德”的觀念；另有一些名目與道教、佛教的神名交錯。\u003C\u002Fp>\n\u003Cp>還應當補充一句關於名目增長的機制。神煞不斷增加，並不是因為有人發現了新的東西，而是因為\u003Cstrong>每一位術者都可以在自己的體系裡添入一項，只要它能自圓其說\u003C\u002Fstrong>；而刪掉別人的名目卻需要理由和權威。增加容易、刪減難，長期下來的結果就是名目只漲不落，直到官方出面裁定為止。\u003C\u002Fp>\n\u003Ch2>使用者實際看到什麼\u003C\u002Fh2>\n\u003Cp>普通人翻通書，看到的是“宜嫁娶、納采、出行”“忌動土、安葬”這樣的結論。神煞名目多印在小字或專章裡，一般不看。\u003C\u002Fp>\n\u003Cp>這造成一個後果值得指出：\u003Cstrong>使用者面對的是結論，而結論的推導過程不透明。\u003C\u002Fstrong>因此爭論宜忌準不準往往是空的——多數人並不知道那兩行字是怎麼來的，也無從判斷編者用了哪些名目、刪了哪些。\u003C\u002Fp>\n\u003Cp>使用者看到的其實是一份\u003Cstrong>已經壓縮過的結論\u003C\u002Fstrong>：幾十個名目的當值情況被折算成宜忌兩欄，中間的取捨全部隱去。這意味著兩件事——其一，普通讀者無從知道某一條“忌”是由哪位神煞決定的；其二，也就無從判斷編者在衝突時站了哪一邊。便利與不可核查，在這裡是同一件事的兩面。\u003C\u002Fp>\n\u003Ch2>自洽與現實\u003C\u002Fh2>\n\u003Cp>神煞體系有一個結構特點：\u003Cstrong>它可以無限擴充套件。\u003C\u002Fstrong>每增加一個名目，就多一層解釋；遇到規則失效的情形，再加一個名目即可解釋。這使它永遠不缺說法，也永遠無法被檢驗。\u003C\u002Fp>\n\u003Cp>清代官修刪並神煞，處理的是內部矛盾，不是有效性問題。刪並之後體系更整齊，但整齊與正確是兩件事。\u003C\u002Fp>\n\u003Cp>從這裡可以得出兩條實際的結論。其一，明白了神煞的來歷，就不太容易被某個名目嚇到。知道“五鬼”只是一個輪值序列裡的名字，由某人寫下的規則派定，再看到它印在某個星期二底下，感受是不一樣的。\u003C\u002Fp>\n\u003Cp>其二，即便如此，這套詞彙仍然值得知道。這些名字遍佈中國文化——戲曲裡有，小說裡有，廟宇塑像上有，日常口語裡也有。\u003Cstrong>弄懂這套體系，正是為了讓人能夠享用這份遺產而不被它支配\u003C\u002Fstrong>，這也是本站各頁一貫希望提供的位置。\u003C\u002Fp>\n\u003Ch2>一句提醒\u003C\u002Fh2>\n\u003Cp>與神煞相關的收費服務不少，最常見的是“安太歲”“化煞”“補運”。這裡區分兩種情況。\u003C\u002Fp>\n\u003Cp>宮觀寺廟的太歲殿、按公開時間舉行的祈福儀式屬於正常的宗教活動，參與與否是個人選擇，費用通常公開。\u003Cstrong>但如果有人主動找上你，說你今年犯太歲、有大煞，需要付費化解，那是另一回事。\u003C\u002Fstrong>本站在其他部分反覆說明的原則同樣適用：正當的宗教與命理服務不會以製造恐懼開場，也不會不斷加價。\u003C\u002Fp>\n\u003Cp>同樣的告誡適用於一切以“化解神煞”名義出售的東西——符咒、手串、改換方位、層層加價的儀式。\u003Cstrong>問題存在與否無法驗證，問題解決與否同樣無法驗證\u003C\u002Fstrong>，這兩件事湊在一起，歷來最能吸引願意利用它的人。真正的宗教場所不會追著人推銷，正當的從業者也不會把結論說成非付錢不可的急症。\u003C\u002Fp>\n\u003Ch2>要點\u003C\u002Fh2>\n\u003Cul>\n\u003Cli>神煞是按公式算出的位置，與天體實際位置無關；先有位置，後有名字，再被人格化。\u003C\u002Fli>\n\u003Cli>常見吉神有天德、月德、天赦、天願、母倉、三合、六合、天喜、驛馬。\u003C\u002Fli>\n\u003Cli>建除十二神見於秦漢簡牘，是最古老的一層，把事情從起頭到閉合的十二個階段對映到十二天。\u003C\u002Fli>\n\u003Cli>黃黑道十二神分吉凶兩組，成語“黃道吉日”即出自此，與天文學的黃道無關。\u003C\u002Fli>\n\u003Cli>凶煞名目可列上百個，各家採用不同，清代官修刪並正是為處理其互相沖突。\u003C\u002Fli>\n\u003Cli>神煞來源有三：天文曆法位置被人格化、干支組合被命名、吸收既有神名。\u003C\u002Fli>\n\u003Cli>太歲本為與歲星相對的假想推算位置，後成為神，衍生安太歲與“太歲頭上動土”。\u003C\u002Fli>\n\u003Cli>使用者只看到宜忌結論，推導過程不透明，故爭論準不準往往落空。\u003C\u002Fli>\n\u003Cli>神煞體系可無限擴充套件，永遠不缺說法，因而無法被檢驗。\u003C\u002Fli>\n\u003Cli>宮觀按公開時間舉行的太歲祈福屬正常宗教活動；主動上門稱你犯煞並要求付費化解則另當別論。\u003C\u002Fli>\n\u003C\u002Ful>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FFaHrlfSGDRgMMXlUeg1h.webp",1920,600,{"en":874,"zh":875},"Ink illustration of a circle of gold, blue, green and red medallions decorated with animals, arranged around a radiant central star, above mountains and pavilions in the mist.","水墨插畫：金、藍、綠、紅四色飾有動物的圓章圍成一圈，環繞中央一顆光芒四射的星，下方是雲霧中的群山與亭閣。",{"en":874,"zh":875},"banner","list",{"en":464,"zh":880},"擇吉中的吉星與值日神煞：建除、黃黑道與神煞體系",{"en":882,"zh":883},"Learn how auspicious stars, the Twelve Day Officers, Yellow and Black Path cycles and sha are calculated in Chinese date selection—and why their rules conflict.","通書上的青龍、天德、月破、五鬼究竟是什麼？本篇說明建除十二神、黃黑道與各種神煞如何按月份、年支和節氣排定，為何同一天常吉凶互見，以及它們為何不是天上的星體。",[],{"data":886},[887,963,1064,1155],{"id":888,"slug":889,"available_locales":890,"path":891,"title":892,"venue":895,"hero_image_url":3,"card_image_url":898,"card_landscape_url":899,"lifecycle":900,"session_mode":901,"sessions":902,"next_session":962},15601,"liu-yao-beginner-course",[580,581,582],"\u002Fevents\u002Fi-ching-learning\u002Fliu-yao-beginner-course",{"en":893,"zh":894},"Liu Yao Beginner 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