[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-reference-en":3,"site-nav-zh":4,"site-nav-zh-all-chinese-metaphysics":289,"event-categories-zh":574,"site-settings":817,"node-zh-chinese-metaphysics\u002Ffeng-shui\u002Fkey-sources-further-reading":859,"live-course-events":886},null,{"data":5},{"header":6,"footer":264},[7,51,82,123,161,187,229,260],{"to":8,"label":9,"label_zh":10,"children":11},"\u002Fdao","TAO","道",[12,17,22,26,30,34,39,43,47],{"to":13,"label":14,"label_zh":15,"n":16},"\u002Fdao\u002Fintroduction","Begin with the Tao","道學入門",9,{"to":18,"label":19,"label_zh":20,"n":21},"\u002Fdao\u002Fyi-jing","I Ching","易經",7,{"to":23,"label":24,"label_zh":25,"n":16},"\u002Fdao\u002Fdao-de-jing","Tao Te Ching","道德經",{"to":27,"label":28,"label_zh":29,"n":21},"\u002Fdao\u002Ftaiji","Taiji","太極",{"to":31,"label":32,"label_zh":33,"n":21},"\u002Fdao\u002Fzhuang-zi","Zhuangzi","莊子",{"to":35,"label":36,"label_zh":37,"n":38},"\u002Fdao\u002Fclassics","Classical Library","道家經典文庫",1,{"to":40,"label":41,"label_zh":42},"\u002Fdao\u002Fdaoist-philosophy","Taoist Philosophy","道家哲學",{"to":44,"label":45,"label_zh":46},"\u002Fdao\u002Fwu-wei-natural-living","Wu Wei & Natural Living","無為與自然生活",{"to":48,"label":49,"label_zh":50},"\u002Fdao\u002Fdaoist-view-of-life","A Taoist View of Life","道家人生觀",{"to":52,"label":53,"label_zh":54,"children":55},"\u002Fmartial-arts","Martial Arts","武當武術",[56,61,65,70,74,78],{"to":57,"label":58,"label_zh":59,"n":60},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Foundations of Internal Martial Arts","內家拳基礎",6,{"to":62,"label":63,"label_zh":64,"n":21},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan (Tai Chi)","太極拳",{"to":66,"label":67,"label_zh":68,"n":69},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、換掌與身法變化",5,{"to":71,"label":72,"label_zh":73,"n":69},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan: Structure, Intention and Direct Training","形意拳：結構、意念與直接訓練",{"to":75,"label":76,"label_zh":77,"n":21},"\u002Fmartial-arts\u002Fweapons","Wudang Sword and Weapons: History, Practice and Context","武當劍與兵器：歷史、練習與文化語境",{"to":79,"label":80,"label_zh":81,"n":21},"\u002Fmartial-arts\u002Ftraining-practice","Training and Practice: Building a Sustainable Wudang Routine","訓練與習練：建立可持續的武當練習",{"to":83,"label":84,"label_zh":85,"children":86},"\u002Fwellness","Wellness","養生",[87,91,95,99,103,107,111,115,119],{"to":88,"label":89,"label_zh":90,"n":21},"\u002Fwellness\u002Fqigong","Qigong","氣功",{"to":92,"label":93,"label_zh":94,"n":60},"\u002Fwellness\u002Fherbal-healing","Chinese Herbal Medicine","中藥與本草",{"to":96,"label":97,"label_zh":98,"n":60},"\u002Fwellness\u002Ftaoist-medicine","Taoist Medicine","道家醫學",{"to":100,"label":101,"label_zh":102,"n":60},"\u002Fwellness\u002Fenergy-sound-healing","Sound & Energy Practices","聲音與能量練習",{"to":104,"label":105,"label_zh":106},"\u002Fwellness\u002Fstanding-practice","Standing Practice","站樁",{"to":108,"label":109,"label_zh":110},"\u002Fwellness\u002Fwudang-internal-cultivation","Wudang Internal Cultivation","武當內修",{"to":112,"label":113,"label_zh":114},"\u002Fwellness\u002Fmoxibustion","Moxibustion","艾灸",{"to":116,"label":117,"label_zh":118},"\u002Fwellness\u002Fbigu","Bigu","辟穀",{"to":120,"label":121,"label_zh":122,"n":38},"\u002Fwellness\u002Fbaduanjin","Baduanjin (Eight Brocades)","八段錦",{"to":124,"label":125,"label_zh":126,"children":127},"\u002Farts","Literati Arts","文人雅藝",[128,133,138,143,148,153,157],{"to":129,"label":130,"label_zh":131,"n":132},"\u002Farts\u002Fchinese-poetry-literature","Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中國詩詞與文學：體式、語境與閱讀路徑",49,{"to":134,"label":135,"label_zh":136,"n":137},"\u002Farts\u002Fcalligraphy","Chinese Calligraphy: Scripts, Materials and Ways of Looking","中國書法：書體、材料與觀賞入門",17,{"to":139,"label":140,"label_zh":141,"n":142},"\u002Farts\u002Ftea-ceremony","Chinese Tea Culture","中國茶文化",39,{"to":144,"label":145,"label_zh":146,"n":147},"\u002Farts\u002Fguqin","Guqin: Sound, History and Ways to Listen","古琴：認識聲音、歷史與聆聽方法",12,{"to":149,"label":150,"label_zh":151,"n":152},"\u002Farts\u002Fpainting","Chinese Painting: Materials, Formats and Ways of Looking","中國繪畫：材料、形制與觀看方法",15,{"to":154,"label":155,"label_zh":156,"n":16},"\u002Farts\u002Fincense","Chinese Incense Culture","中國香文化",{"to":158,"label":159,"label_zh":160,"n":21},"\u002Farts\u002Fflower-arrangement","Chinese Flower Arrangement: History, Materials and Ways of Looking","中國插花：歷史、花材與觀看方法",{"to":162,"label":163,"label_zh":164,"children":165},"\u002Fdaoism","Taoist Culture","道教文化",[166,170,174,178,183],{"to":167,"label":168,"label_zh":169,"n":16},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙與神明體系：結構與層級指南",{"to":171,"label":172,"label_zh":173,"n":21},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山與宮觀：聖地、建築與制度指南",{"to":175,"label":176,"label_zh":177,"n":21},"\u002Fdaoism\u002Ftaoist-schools-lineages","Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派與傳承：正一、全真及歷史道派",{"to":179,"label":180,"label_zh":181,"n":182},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教節日與科儀：神誕、齋醮與歲時儀式",19,{"to":184,"label":185,"label_zh":186,"n":60},"\u002Fdaoism\u002Feight-immortals","The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象徵與道教傳說",{"to":188,"label":189,"label_zh":190,"children":191},"\u002Fchinese-metaphysics","Chinese Metaphysics","易學與傳統術數",[192,196,200,204,208,213,217,221,225],{"to":193,"label":194,"label_zh":195,"n":21},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Yin-Yang and the Five Phases in Chinese Thought","陰陽五行：理解關係與變化",{"to":197,"label":198,"label_zh":199,"n":21},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中國曆法與術數的六十迴圈",{"to":201,"label":202,"label_zh":203,"n":21},"\u002Fchinese-metaphysics\u002Ffeng-shui","Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中國風水：形勢、羅盤方法與負責任實踐",{"to":205,"label":206,"label_zh":207,"n":21},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八個字如何構成命盤",{"to":209,"label":210,"label_zh":211,"n":212},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗數：十二宮命盤如何運作",8,{"to":214,"label":215,"label_zh":216,"n":212},"\u002Fchinese-metaphysics\u002Fdate-selection","Chinese Date Selection: How Auspicious Days Are Chosen","中國擇吉：傳統吉日如何選擇",{"to":218,"label":219,"label_zh":220,"n":21},"\u002Fchinese-metaphysics\u002Fphysiognomy","Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中國相術：面相、手相及其侷限",{"to":222,"label":223,"label_zh":224,"n":21},"\u002Fchinese-metaphysics\u002Fdivination-arts","Chinese Divination Arts: Methods, History and Responsible Use","中國占卜術：方法、歷史與負責任使用",{"to":226,"label":227,"label_zh":228,"n":21},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河圖、洛書與九宮：中國傳統圖式的歷史與用途",{"to":230,"label":231,"label_zh":232,"children":233},"\u002Fwudang-mountain","Experience Wudang","武當之旅",[234,238,243,248,252,256],{"to":235,"label":236,"label_zh":237,"n":21},"\u002Fwudang-mountain\u002Fintroduction","Introduction to Wudang Mountain","初識武當山",{"to":239,"label":240,"label_zh":241,"n":242},"\u002Fwudang-mountain\u002Ftemples-and-sites","Wudang Mountain Temples and Sacred Sites","武當山宮觀與勝蹟",3,{"to":244,"label":245,"label_zh":246,"n":247},"\u002Fwudang-mountain\u002Fplanning-a-visit","Planning a Visit to Wudang Mountain","武當山行前規劃指南",4,{"to":249,"label":250,"label_zh":251,"n":242},"\u002Fwudang-mountain\u002Fstudying-at-wudang","Studying Martial Arts at Wudang Mountain","在武當山學習武術",{"to":253,"label":254,"label_zh":255,"n":242},"\u002Fwudang-mountain\u002Ftemple-etiquette","Wudang Temple Etiquette: A Visitor’s Guide","武當宮觀參訪禮儀",{"to":257,"label":258,"label_zh":259,"n":69},"\u002Fwudang-mountain\u002Fpractical-reference","Wudang Mountain Practical Reference","武當山實用參考資料",{"to":261,"label":262,"label_zh":263},"\u002Fwudang-mountain\u002Feveryday-wudang","Everyday Wudang","武當日常",[265,266,267,268,269,270,271,272,273,277,281,285],{"to":8,"label":9,"label_zh":10},{"to":52,"label":53,"label_zh":54},{"to":83,"label":84,"label_zh":85},{"to":124,"label":125,"label_zh":126},{"to":162,"label":163,"label_zh":164},{"to":188,"label":189,"label_zh":190},{"to":230,"label":231,"label_zh":232},{"to":261,"label":262,"label_zh":263},{"to":274,"label":275,"label_zh":276},"\u002Fabout","About Wudang.Org","關於 Wudang.Org",{"to":278,"label":279,"label_zh":280},"\u002Fstart-here","Start Here","從這裡開始",{"to":282,"label":283,"label_zh":284},"\u002Ffind-a-practice","Find a Practice","找到適合你的修習",{"to":286,"label":287,"label_zh":288},"\u002Fteachers","Our Teachers","授課老師",{"data":290},{"all":291,"header":572,"footer":573},[292],{"to":188,"label":189,"label_zh":190,"children":293},[294,324,354,384,414,448,482,512,542],{"to":193,"label":194,"label_zh":195,"children":295},[296,300,304,308,312,316,320],{"to":297,"label":298,"label_zh":299},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Forigins-early-history","Origins & Early History of Yin-Yang Thought","陰陽觀念的來歷",{"to":301,"label":302,"label_zh":303},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fmeaning-of-yin-and-yang","The Meaning of Yin and Yang","陰陽的含義",{"to":305,"label":306,"label_zh":307},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Ffive-phases","The Five Phases: Wood, Fire, Earth, Metal & Water","五行：五種執行",{"to":309,"label":310,"label_zh":311},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fgenerating-controlling-cycles","The Generating & Controlling Cycles","相生與相剋",{"to":313,"label":314,"label_zh":315},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fcorrelative-cosmology","Correlative Cosmology: Body, Seasons & the Cosmos","天人相應：關聯宇宙論",{"to":317,"label":318,"label_zh":319},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fin-the-metaphysical-arts","Yin-Yang & the Five Elements in the Metaphysical Arts","陰陽五行在術數中的應用",{"to":321,"label":322,"label_zh":323},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fkey-sources-further-reading","Key Sources & Further Reading","參考文獻與延伸閱讀",{"to":197,"label":198,"label_zh":199,"children":325},[326,330,334,338,342,346,350],{"to":327,"label":328,"label_zh":329},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Forigins-history","Origins and History of the Chinese Sexagenary Cycle","中國干支與六十甲子的起源和歷史",{"to":331,"label":332,"label_zh":333},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ften-heavenly-stems","The Ten Heavenly Stems: Names, Five Phases and Meanings","十天干：名稱、五行屬性與含義",{"to":335,"label":336,"label_zh":337},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ftwelve-earthly-branches","The Twelve Earthly Branches: Animals, Hours, Months and Meanings","十二地支：生肖、時辰、月份與含義",{"to":339,"label":340,"label_zh":341},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fsixty-year-jiazi","The Sixty-Part Jiazi Cycle: How Stems and Branches Combine","六十甲子：天干地支如何組合成六十迴圈",{"to":343,"label":344,"label_zh":345},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fstems-branches-yin-yang-five-phases","How Heavenly Stems and Earthly Branches Encode Yin–Yang and the Five Phases","天干地支如何結合陰陽五行",{"to":347,"label":348,"label_zh":349},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fin-the-metaphysical-arts","How Ganzhi Is Used in BaZi, Feng Shui, Date Selection and Other Arts","干支如何應用於八字、風水、擇日與其他術數",{"to":351,"label":352,"label_zh":353},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fkey-sources-further-reading","Heavenly Stems, Earthly Branches and Ganzhi: Sources and Further Reading","天干地支與干支歷的重要資料和延伸閱讀",{"to":201,"label":202,"label_zh":203,"children":355},[356,360,364,368,372,376,380],{"to":357,"label":358,"label_zh":359},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Forigins-history","Origins and History of Chinese Feng Shui","中國風水的起源與歷史",{"to":361,"label":362,"label_zh":363},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fqi-compass-two-schools","Qi, the Feng Shui Compass and the Two Schools","風水中的氣、羅盤與形勢理氣之分",{"to":365,"label":366,"label_zh":367},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fform-school-landscape","Feng Shui Form School: How Landscapes Are Read","風水形勢派：如何觀察山水與地形",{"to":369,"label":370,"label_zh":371},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fcompass-school-luopan","Feng Shui Compass School: How the Luopan Is Used","風水理氣派：羅盤如何用於方位判斷",{"to":373,"label":374,"label_zh":375},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fdwellings-and-graves","Feng Shui for Homes and Graves: Yangzhai and Yinzhai","陽宅與陰宅風水：住宅和墓葬有何不同",{"to":377,"label":378,"label_zh":379},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fmodern-world","Feng Shui Today: Homes, Cities, Design and Cultural Practice","今日風水：住宅、城市、設計與文化實踐",{"to":381,"label":382,"label_zh":383},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fkey-sources-further-reading","Chinese Feng Shui Sources: Classical Texts and Further Reading","中國風水資料：經典文獻與延伸閱讀",{"to":205,"label":206,"label_zh":207,"children":385},[386,390,394,398,402,406,410],{"to":387,"label":388,"label_zh":389},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Forigins-history","History of BaZi and the Four Pillars of Destiny","八字與四柱命理的起源和歷史",{"to":391,"label":392,"label_zh":393},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fbuilding-the-chart","How a BaZi Chart Is Calculated: The Four Pillars and Eight Characters","八字命盤如何排定：四柱八字的計算方法",{"to":395,"label":396,"label_zh":397},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fday-master-ten-gods","The BaZi Day Master and Ten Gods: A Relationship Guide","八字日主與十神：命盤關係如何分類",{"to":399,"label":400,"label_zh":401},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Ffive-phase-balance","How BaZi Charts Are Read: Five-Phase Balance and the Useful God","八字命盤如何解讀：五行平衡與用神",{"to":403,"label":404,"label_zh":405},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fluck-pillars-annual-influences","BaZi Luck Pillars and Annual Influences: How Time Is Read","八字大運與流年：命盤如何推移時間",{"to":407,"label":408,"label_zh":409},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fin-practice","BaZi Readings Today: Interpretation, Responsibility and Limits","今日八字解讀：意義、責任與界限",{"to":411,"label":412,"label_zh":413},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fkey-sources-further-reading","BaZi Sources: Classical Texts, Commentaries and Further Reading","八字資料：經典、註疏與延伸閱讀",{"to":209,"label":210,"label_zh":211,"children":415},[416,420,424,428,432,436,440,444],{"to":417,"label":418,"label_zh":419},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Forigins-history","History of Zi Wei Dou Shu: Origins, Legends and Documented Evidence","紫微斗數的起源與歷史：傳說、文獻與可考證據",{"to":421,"label":422,"label_zh":423},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ftwelve-palaces","The Twelve Palaces of Zi Wei Dou Shu: A Guide to the Life Domains","紫微斗數十二宮：命盤生活領域完整指南",{"to":425,"label":426,"label_zh":427},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fthe-stars","Zi Wei Dou Shu Stars: The Fourteen Major Stars and Their Meanings","紫微斗數星曜：十四主星及其含義",{"to":429,"label":430,"label_zh":431},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fcasting-and-reading","How a Zi Wei Dou Shu Chart Is Cast and Read","紫微斗數如何排盤與解讀",{"to":433,"label":434,"label_zh":435},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ffour-transformations","Zi Wei Dou Shu Four Transformations: How the Chart Moves Through Time","紫微斗數四化：命盤如何隨時間變化",{"to":437,"label":438,"label_zh":439},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fin-practice","Zi Wei Dou Shu Readings Today: Interpretation, Responsibility and Limits","今日紫微斗數解讀：意義、責任與界限",{"to":441,"label":442,"label_zh":443},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fkey-sources-further-reading","Zi Wei Dou Shu Sources: Classical Texts, Schools and Further Reading","紫微斗數資料：經典、流派與延伸閱讀",{"to":445,"label":446,"label_zh":447},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fglossary","Zi Wei Dou Shu Glossary: Palaces, Stars, Transformations and Time Cycles","紫微斗數術語表：宮位、星曜、四化與時間週期",{"to":214,"label":215,"label_zh":216,"children":449},[450,454,458,462,466,470,474,478],{"to":451,"label":452,"label_zh":453},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Forigins-history","Origins and History of Chinese Date Selection","中國擇吉的起源與歷史",{"to":455,"label":456,"label_zh":457},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fthe-almanac","The Chinese Almanac: How the Tongshu Guides Everyday Dates","通書：中國人的日用擇日指南",{"to":459,"label":460,"label_zh":461},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcyclical-qualities","How Chinese Calendars Describe the Qualities of Days","中國曆法如何描述日子的週期屬性",{"to":463,"label":464,"label_zh":465},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fstars-and-officers","Auspicious Stars and Day Officers in Chinese Date Selection","擇吉中的吉星、值日神與神煞",{"to":467,"label":468,"label_zh":469},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fchoosing-a-date","How Chinese Date Selection Works in Practice","中國擇日的實際操作",{"to":471,"label":472,"label_zh":473},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcultural-meaning-and-responsible-practice","Chinese Date Selection: Cultural Meaning and Responsible Practice","中國擇日的文化意義與負責任實踐",{"to":475,"label":476,"label_zh":477},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fkey-sources-further-reading","Chinese Date Selection: Key Sources and Further Reading","中國擇日的重要資料與延伸閱讀",{"to":479,"label":480,"label_zh":481},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Ftwenty-four-solar-terms-seasonal-time-chinese-calendar","The Twenty-Four Solar Terms: Seasonal Time in the Chinese Calendar","二十四節氣：中國曆法中的季節時間",{"to":218,"label":219,"label_zh":220,"children":483},[484,488,492,496,500,504,508],{"to":485,"label":486,"label_zh":487},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Forigins-history","Origins and History of Chinese Physiognomy","中國相術的起源與歷史",{"to":489,"label":490,"label_zh":491},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fface-reading","Chinese Face Reading (Mianxiang): Methods, Meanings and Limits","中國面相術：方法、含義與侷限",{"to":493,"label":494,"label_zh":495},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fpalm-reading","Chinese Palm Reading (Shouxiang): Traditions, Methods and Limits","中國手相術：傳統、方法與侷限",{"to":497,"label":498,"label_zh":499},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-practice","Chinese Physiognomy in Practice Today: Readings, Apps and Risks","當代中國相術：看相、應用程式與風險",{"to":501,"label":502,"label_zh":503},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fhistory-interpretation-and-context","How to Interpret Chinese Physiognomy Responsibly","如何負責任地理解中國相術",{"to":505,"label":506,"label_zh":507},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-culture","Chinese Physiognomy in History, Literature and Everyday Culture","中國相術在歷史、文學與日常文化中",{"to":509,"label":510,"label_zh":511},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fkey-sources-further-reading","Chinese Physiognomy: Primary Sources and Further Reading","中國相術的重要資料與延伸閱讀",{"to":222,"label":223,"label_zh":224,"children":513},[514,518,522,526,530,534,538],{"to":515,"label":516,"label_zh":517},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Forigins-history","Origins and History of Chinese Divination","中國占卜的起源與歷史",{"to":519,"label":520,"label_zh":521},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Foracle-bones","Chinese Oracle Bones and Turtle-Shell Divination","中國甲骨與龜卜：商代占卜和早期文字",{"to":523,"label":524,"label_zh":525},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fyijing-milfoil","The Yijing and Milfoil Divination: How Hexagrams Are Cast and Read","《易經》與筮佔：卦象如何生成與解讀",{"to":527,"label":528,"label_zh":529},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fcoins-and-lots","Chinese Coin Divination and Temple Lots: Methods and Meaning","中國錢佔與求籤：方法、解讀與文化意義",{"to":531,"label":532,"label_zh":533},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fin-practice","Chinese Divination in Practice Today: Consultations, Apps and Risks","當代中國占卜：諮詢、應用程式與風險",{"to":535,"label":536,"label_zh":537},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fmeaning-reflection-and-responsible-practice","How to Use Chinese Divination Responsibly","如何負責任地使用中國占卜",{"to":539,"label":540,"label_zh":541},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fkey-sources-further-reading","Chinese Divination: Primary Sources and Further Reading","中國占卜的重要資料與延伸閱讀",{"to":226,"label":227,"label_zh":228,"children":543},[544,548,552,556,560,564,568],{"to":545,"label":546,"label_zh":547},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Forigins-history","Origins and History of the Hetu and Luoshu Diagrams","河圖與洛書圖式的起源與歷史",{"to":549,"label":550,"label_zh":551},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fhetu-river-chart","The Hetu River Chart: Numbers, Directions and the Five Phases","河圖：數字、方位與五行結構",{"to":553,"label":554,"label_zh":555},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fluoshu-magic-square","The Luoshu Magic Square: Numbers, Structure and Cultural Meaning","洛書幻方：數字結構與文化含義",{"to":557,"label":558,"label_zh":559},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fnine-palaces","The Nine Palaces (Jiugong): Directions, Time Cycles and Traditional Uses","九宮：方位、時間週期與傳統用途",{"to":561,"label":562,"label_zh":563},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fin-practice","Hetu, Luoshu and Nine Palaces in Practice Today","河圖、洛書與九宮在今天的實際應用",{"to":565,"label":566,"label_zh":567},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fmathematics-tradition-and-interpretation","How to Interpret the Hetu and Luoshu: Mathematics, History and Symbolism","如何理解河圖與洛書：數學、歷史與象徵",{"to":569,"label":570,"label_zh":571},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fkey-sources-further-reading","Hetu, Luoshu and Nine Palaces: Primary Sources and Further Reading","河圖、洛書與九宮的重要資料與延伸閱讀",[],[],{"data":575},[576,612,635,654,675,694,714,732,753,776,798],{"id":38,"uuid":577,"slug":578,"available_locales":579,"name":583,"description":586,"body":588,"path":591,"images":592,"image_urls":597,"hero_image":3,"hero_image_url":3,"seo_title":602,"seo_description":605,"sort_order":607,"is_active":608,"status":609,"created_at":610,"updated_at":611},"f1a30881-20c6-407b-b546-669e839a178a","feng-shui-learning",[580,581,582],"en","zh","fr",{"en":584,"zh":585},"Feng Shui Learning","風水課程",{"en":587,"zh":3},"Study feng shui as a historical Chinese tradition of interpreting orientation, form and environment—with clear limits on predictive claims.",{"en":589,"zh":590},"\u003Ch2>\u003Cem>Feng shui 風水 developed through multiple schools, texts and professional traditions. It brings together observations of landform, orientation, water, buildings and correlative cosmology. It should not be reduced to decorative rules, nor presented as a scientifically proven way to guarantee health, wealth or relationships.\u003C\u002Fem>\u003C\u002Fh2>\u003Cp>\u003Cem>Classes introduce core vocabulary, the distinction between major approaches and the cultural contexts in which feng shui has been practised. Contemporary applications are discussed critically. Students remain responsible for property, financial and personal decisions and should seek qualified professional advice where those decisions carry material consequences.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>風水形成於不同的流派、典籍與專業傳統，綜合觀察地形、方位、水勢、建築以及陰陽五行等關聯性宇宙觀。它不應被簡化為裝飾規則，也不能被宣傳為保證健康、財富或關係結果的科學方法。\u003C\u002Fp>\u003Cp>課程介紹基本術語、主要方法的差別，以及風水在歷史社會中的實踐語境，並以批判態度討論當代應用。涉及房產、財務或其他重大決定時，學員仍應根據事實判斷，並諮詢具備資質的相關專業人士。\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[593,594,595,596],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[598,599,600,601],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",{"en":603,"zh":604},"Feng Shui Classes and Courses","風水課程：方位、形勢與空間觀念入門",{"en":587,"zh":606},"從歷史、環境與文化語境學習風水，理解方位、形勢與空間觀念，同時明確傳統解釋與科學證據的界限。",0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":60,"uuid":613,"slug":614,"available_locales":615,"name":616,"description":619,"body":622,"path":625,"images":626,"image_urls":627,"hero_image":3,"hero_image_url":3,"seo_title":628,"seo_description":631,"sort_order":607,"is_active":608,"status":609,"created_at":634,"updated_at":611},"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[580,581,582],{"en":617,"zh":618},"Internal Arts & Wellness","內家功法與養生",{"en":620,"zh":621},"Classes, workshops and retreats in Baduanjin, Taijiquan, qigong and traditional practices for movement, breathing and mindful cultivation.","彙集八段錦、太極拳、氣功及傳統身心修習的課程、工作坊與靜修活動。",{"en":623,"zh":624},"\u003Cp>Explore small-group classes, workshops and retreats introducing Wudang internal arts and traditional wellness practices. Programmes may include Baduanjin, Taijiquan, qigong, standing practice, breathing and their cultural foundations.\u003C\u002Fp>\u003Cp>Each listing provides its teacher, schedule, experience level and registration arrangements.\u003C\u002Fp>","\u003Cp>本類別彙集武當內家功法與傳統養生修習的小班課程、工作坊及靜修活動，內容可涵蓋八段錦、太極拳、氣功、站樁、呼吸練習及相關文化基礎。\u003C\u002Fp>\u003Cp>每項活動都會註明導師、日期、適合程度與報名方式，方便參加者選擇合適的學習體驗。\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"en":629,"zh":630},"Internal Arts & Wellness Events","內家功法與養生活動",{"en":632,"zh":633},"Explore Baduanjin, Taijiquan, qigong and traditional wellness classes, workshops and retreats listed by Wudang.Org.","探索八段錦、太極拳、氣功與傳統養生課程、工作坊及靜修活動。","2026-08-16T19:23:45.000000Z",{"id":636,"uuid":637,"slug":638,"available_locales":639,"name":640,"description":643,"body":644,"path":645,"images":646,"image_urls":647,"hero_image":3,"hero_image_url":3,"seo_title":648,"seo_description":650,"sort_order":607,"is_active":608,"status":609,"created_at":653,"updated_at":611},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[580,581,582],{"en":641,"zh":642},"Face Reading Learning","面相課程",[],[],"\u002Fevents\u002Fface-reading-learning",[],[],{"en":649},"Chinese Face Reading Classes and Workshops",{"en":651,"zh":652},"Learn Chinese face reading (面相) as a cultural tradition: its classical framework, history and uses, taught with clear limits on predictive claims.","把面相作為中國傳統文化來學習：認識其經典框架、歷史與用法，並清楚說明傳統詮釋的邊界。","2026-08-30T17:01:43.000000Z",{"id":655,"uuid":656,"slug":657,"available_locales":658,"name":659,"description":662,"body":664,"path":667,"images":668,"image_urls":669,"hero_image":3,"hero_image_url":3,"seo_title":670,"seo_description":673,"sort_order":38,"is_active":608,"status":609,"created_at":610,"updated_at":611},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[580,581,582],{"en":660,"zh":661},"Zi Wei Dou Shu Learning","紫微斗數課程",{"en":663,"zh":3},"Explore Purple Star Astrology as a traditional Chinese interpretive system, approached as cultural knowledge rather than scientific prediction.",{"en":665,"zh":666},"\u003Cp>Zi Wei Dou Shu 紫微鬥數 organises birth information through palaces, stars and patterned relationships. The system has a substantial technical vocabulary and several interpretive traditions, but its predictive claims are not established by modern scientific evidence.\u003C\u002Fp>\u003Cp>Courses explain how charts are structured, how symbols are read and how historical and contemporary practitioners differ. The aim is cultural literacy and disciplined reflection—not certainty about the future. Readings do not replace medical, legal, financial, employment or psychological expertise.\u003C\u002Fp>","\u003Cp>紫微斗數依據出生資訊，以宮位、星曜和彼此關係組織命盤。它具有複雜的術語與多種解釋傳統，但其預測主張並未得到現代科學證據的確立。\u003C\u002Fp>\u003Cp>課程說明命盤結構、符號閱讀方法，以及歷史與當代實踐者之間的差異。學習目的在於文化理解與有紀律的自我反思，而不是獲得關於未來的確定答案。相關解讀不能代替醫療、法律、財務、就業或心理專業意見。\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"en":671,"zh":672},"Zi Wei Dou Shu (Purple Star Astrology) Classes","紫微斗數課程：命盤、宮位與星曜入門",{"en":663,"zh":674},"把紫微斗數作為中國傳統詮釋體系來學習，認識命盤、宮位與星曜，不把它包裝成科學預測。",{"id":247,"uuid":676,"slug":677,"available_locales":678,"name":679,"description":682,"body":683,"path":684,"images":685,"image_urls":686,"hero_image":3,"hero_image_url":3,"seo_title":687,"seo_description":690,"sort_order":38,"is_active":608,"status":609,"created_at":693,"updated_at":611},"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[580,581,582],{"en":680,"zh":681},"Tea Arts","茶藝",[],[],"\u002Fevents\u002Ftea-arts",[],[],{"en":688,"zh":689},"Chinese Tea Art Classes and Workshops","茶藝課程與工作坊",{"en":691,"zh":692},"Chinese tea art (茶藝) classes and workshops: tea types, brewing methods, tea-table etiquette and the quiet attention of sharing tea.","茶藝課程與工作坊：認識茶類、泡茶方法與茶席禮儀，在一席茶中體會從容與專注。","2026-08-16T17:13:57.000000Z",{"id":242,"uuid":695,"slug":696,"available_locales":697,"name":698,"description":701,"body":703,"path":706,"images":707,"image_urls":708,"hero_image":3,"hero_image_url":3,"seo_title":709,"seo_description":712,"sort_order":655,"is_active":608,"status":609,"created_at":610,"updated_at":611},"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[580,581,582],{"en":699,"zh":700},"Ba Zi Learning","八字課程",{"en":702,"zh":3},"Study the Four Pillars as a traditional system of stems, branches and five-phase correspondence, with history and limitations made explicit.",{"en":704,"zh":705},"\u003Cp>Ba Zi 八字 interprets year, month, day and hour through the heavenly stems, earthly branches, yin-yang and five-phase relationships. It is an influential part of Chinese metaphysical culture, not an observational science in the modern empirical sense.\u003C\u002Fp>\u003Cp>Classes introduce chart structure, terminology and common interpretive methods while distinguishing tradition from evidence. Students are encouraged to treat readings as prompts for reflection and never as guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>八字以年、月、日、時四柱為框架，通過天干、地支、陰陽與五行關係進行解釋。它是中國術數文化中影響深遠的傳統體系，並非現代經驗科學。\u003C\u002Fp>\u003Cp>課程介紹命盤結構、基本術語和常見詮釋方法，同時說明傳統觀點與科學證據的差別。學員可把解讀作為反思的線索，但不應把它當作保證、診斷，或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"en":710,"zh":711},"BaZi (Four Pillars) Classes and Courses","八字課程：四柱、天干地支與五行入門",{"en":702,"zh":713},"學習四柱中的天干、地支與五行關係，理解其歷史與方法，也清楚區分傳統詮釋和現代實證知識。",{"id":69,"uuid":715,"slug":716,"available_locales":717,"name":718,"description":721,"body":722,"path":723,"images":724,"image_urls":725,"hero_image":3,"hero_image_url":3,"seo_title":726,"seo_description":729,"sort_order":655,"is_active":608,"status":609,"created_at":693,"updated_at":611},"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[580,581,582],{"en":719,"zh":720},"Incense Culture","香文化",[],[],"\u002Fevents\u002Fincense-culture",[],[],{"en":727,"zh":728},"Chinese Incense Culture Workshops","香文化活動與工作坊",{"en":730,"zh":731},"Workshops on Chinese incense culture (香文化): aromatic materials, traditional ways of preparing and appreciating incense, and incense as calm attention.","香文化活動與工作坊：認識香材、傳統制香與品香方式，在一爐香中練習安靜與專注。",{"id":733,"uuid":734,"slug":735,"available_locales":736,"name":737,"description":740,"body":743,"path":746,"images":747,"image_urls":748,"hero_image":3,"hero_image_url":3,"seo_title":749,"seo_description":751,"sort_order":655,"is_active":608,"status":609,"created_at":752,"updated_at":611},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[580,581,582],{"en":738,"zh":739},"I Ching Learning","易經課程",{"en":741,"zh":742},"Explore the I Ching through its hexagrams, traditional interpretive methods and historical context, with scope and limitations made explicit.","通過卦象、傳統解讀方法與歷史語境認識《易經》，並清楚說明其適用範圍與侷限。",{"en":744,"zh":745},"\u003Cp>The I Ching 易經 is a classical Chinese text centred on sixty-four hexagrams and a long history of commentary and divination. It has shaped Chinese philosophy, cosmology and metaphysical practice, but its divinatory claims are not established as modern empirical science.\u003C\u002Fp>\u003Cp>Classes introduce structures, terminology and traditional methods such as Liu Yao while distinguishing cultural study from evidence. Readings should be treated as prompts for reflection, not guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>《易經》是一部以六十四卦為核心的中國經典，形成了悠久的註疏與占筮傳統，並深刻影響中國哲學、宇宙觀與術數文化；其占筮主張並非現代經驗科學所證實。\u003C\u002Fp>\u003Cp>課程介紹基本結構、術語和六爻等傳統方法，同時區分文化學習與科學證據。解讀宜作為反思線索，不應視為保證、診斷或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"en":750,"zh":739},"I Ching Classes and Courses",{"en":741,"zh":742},"2026-09-08T00:15:35.000000Z",{"id":21,"uuid":754,"slug":755,"available_locales":756,"name":757,"description":760,"body":763,"path":766,"images":767,"image_urls":768,"hero_image":3,"hero_image_url":3,"seo_title":769,"seo_description":772,"sort_order":242,"is_active":608,"status":609,"created_at":775,"updated_at":611},"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[580,581,582],{"en":758,"zh":759},"Traditional Arts & Crafts","傳統藝術與手作",{"en":761,"zh":762},"Hands-on workshops exploring Chinese handicrafts and decorative arts through guided making and cultural appreciation.","通過親手製作與文化欣賞，體驗中國傳統手作及裝飾藝術。",{"en":764,"zh":765},"\u003Cp>Discover practical workshops in Chinese decorative arts and handcraft traditions. Activities may include gold-leaf painting, cloisonné enamel, mother-of-pearl work, Song brocade and other guided projects.\u003C\u002Fp>\u003Cp>These welcoming sessions introduce materials, techniques and cultural context while allowing participants to complete a piece of their own.\u003C\u002Fp>","\u003Cp>本類別彙集中國傳統裝飾藝術與手作體驗，內容可涵蓋金箔畫、掐絲琺琅、螺鈿工藝、宋錦及其他創作專案。\u003C\u002Fp>\u003Cp>課程以輕鬆易懂的方式介紹材料、技法與文化背景，讓參加者在導師帶領下完成屬於自己的作品。\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"en":770,"zh":771},"Traditional Arts & Crafts Events","傳統藝術與手作活動",{"en":773,"zh":774},"Explore Chinese handicraft and decorative arts workshops, including gold-leaf, cloisonné, mother-of-pearl and brocade.","探索金箔畫、掐絲琺琅、螺鈿、宋錦等中國傳統手作及裝飾藝術體驗。","2026-08-16T19:24:04.000000Z",{"id":212,"uuid":777,"slug":778,"available_locales":779,"name":780,"description":783,"body":786,"path":789,"images":790,"image_urls":791,"hero_image":3,"hero_image_url":3,"seo_title":792,"seo_description":794,"sort_order":247,"is_active":608,"status":609,"created_at":797,"updated_at":611},"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[580,581,582],{"en":781,"zh":782},"Wudang Community","武當社群活動",{"en":784,"zh":785},"Talks, broadcasts and community gatherings connecting people with Wudang culture, learning and living practice.","通過講座、直播與社群聚會，連線武當文化、學習與日常實踐。",{"en":787,"zh":788},"\u003Cp>Wudang Community brings together public talks, livestreams, gatherings and shared cultural activities connected with Wudang.\u003C\u002Fp>\u003Cp>These programmes create welcoming ways to meet practitioners, explore ideas and participate in a growing community of learning and practice.\u003C\u002Fp>","\u003Cp>武當社群活動彙集與武當文化相關的公開講座、直播、聚會及共享文化體驗。\u003C\u002Fp>\u003Cp>這些活動以友善開放的方式連線練習者與學習者，讓大家交流心得、認識傳統，並共同參與持續發展的文化社群。\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"en":793,"zh":782},"Wudang Community Events",{"en":795,"zh":796},"Discover Wudang community talks, broadcasts and gatherings connecting people with culture, learning and living practice.","探索連線武當文化、學習與日常實踐的講座、直播及社群聚會。","2026-08-16T19:24:18.000000Z",{"id":16,"uuid":799,"slug":800,"available_locales":801,"name":802,"description":805,"body":806,"path":807,"images":808,"image_urls":809,"hero_image":3,"hero_image_url":3,"seo_title":810,"seo_description":813,"sort_order":69,"is_active":608,"status":609,"created_at":816,"updated_at":611},"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[580,581,582],{"en":803,"zh":804},"Wudang Journeys & Retreats","武當旅修與行程",[],[],"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"en":811,"zh":812},"Wudang Mountain Retreats and Guided Journeys","武當山旅修與靜修行程",{"en":814,"zh":815},"Guided journeys and retreats to Wudang Mountain that combine practice, temple visits and cultural learning, with itineraries and expectations set out clearly.","前往武當山的旅修與靜修：結合修習、宮觀參訪與文化學習，提前說明行程安排與參加須知。","2026-08-18T11:09:38.000000Z",{"data":818},{"hero_type":819,"hero_image":820,"hero_image_alt":821,"hero_youtube_id":822,"hero_content_on":608,"hero_heading":823,"hero_subheading":824,"hero_text":825,"hero_subheading_zh":826,"hero_text_zh":827,"hero_buttons":828,"home_seo":834,"page_layout":840,"shop_enabled":841,"contact":842,"journey":858},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武當文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","這裡既是學習之地，也是讓文化融入日常的所在。","從道家思想、內家武術、文人雅藝與武當山出發，以清晰、踏實的方式，在新加坡及世界各地認識和體驗武當文化。",[829,831],{"label":830,"link":278},"Start Your Wudang Journey",{"label":832,"link":833},"View Events & Courses","\u002Fevents",{"title":835,"description":837},{"en":836,"zh":3},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":838,"zh":839},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","從太極、氣功、道家思想、武術、傳統雅藝與養生文化認識武當山，探索武當文化及武當山的日常生活。","sidebar",false,{"methods":843,"has_any":608,"text":851},{"email":844,"whatsapp":845,"wechat_id":846,"wechat_qr_url":847,"instagram":848,"instagram_handle":849,"facebook":850,"facebook_handle":849},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":852,"china_heading_zh":853,"china_company_en":854,"china_company_zh":855,"china_address_en":856,"china_address_zh":857},"China Operations","中國運營","Xunwei Wudang Co., Ltd.","尋味武當有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武當山王家園劍河二路72號",{"title_en":3,"title_zh":3,"intro_en":3,"intro_zh":3,"enabled":608},{"data":860},{"to":381,"type":861,"available_locales":862,"is_content_page":608,"title":863,"subtitle":864,"body":867,"hero_image_url":870,"hero_width":871,"hero_height":872,"hero_image_alt":873,"hero_image_decorative":841,"hero_credit":3,"hero_alt":876,"hero_style":877,"card_layout":878,"link_type":3,"link_ref":3,"seo_title":879,"seo_description":882,"children":885},"page",[580,581,582],{"en":382,"zh":383},{"en":865,"zh":866},"A guided reading list for history, cosmology, landscape, architecture and modern transmission","涵蓋歷史、宇宙論、山水、建築與現代傳播的導讀書目",{"en":868,"zh":869},"\u003Cp>Feng Shui is served by a body of serious scholarship that is well worth seeking out, and also by a vast popular literature of very uneven quality. This page gathers reliable works and indicates what each offers, so that a reader can approach the subject through careful study rather than through the commercial guides that dominate the shelves. The aim is to point toward books that explain Feng Shui as a historical, cultural, and cosmological system.\u003C\u002Fp>\u003Ch2>A word about the primary texts\u003C\u002Fh2>\n\u003Cp>Before any list of titles, one warning saves a great deal of wasted effort. The feng shui classics are not expository books. They are short, written largely in rhymed or four-character lines to be memorised, and they assume a teacher standing beside you. They also assume you already know the vocabulary they are using. Reading one cold, in translation or in the original, will give you very little.\u003C\u002Fp>\n\u003Cp>They are obscure for reasons that are partly deliberate. A manual was trade property, and a text that could be understood by anyone who bought it was worth less than one that required an initiated explanation. Some passages appear to have been written to be unintelligible without a key held by the lineage. On top of this the transmission is messy: most works circulated with layers of commentary added over centuries, the commentaries frequently contradict one another, and few titles have anything resembling a modern critical edition. Datings on title pages are unreliable, as the attribution problem discussed elsewhere in this section shows.\u003C\u002Fp>\n\u003Cp>The practical consequence is that primary texts are best approached third or fourth, not first, and best approached in an annotated modern edition or a scholarly translation with apparatus. Read on their own they mainly teach you that you cannot read them yet.\u003C\u002Fp>\n\u003Ch2>The classical tradition in its own words\u003C\u002Fh2>\u003Cp>For the classical tradition in its own words, the foundational text is the Book of Burial (Zangshu) attributed to \u003Cstrong>Guo Pu\u003C\u002Fstrong>, which sets out the theory of qi, wind, and water at the origin of the art; it is available in scholarly translation and study. The texts associated with the Form School master Yang Yunsong and his lineage are the core classics of landform Feng Shui. Richard J. Smith’s Fortune-tellers and Philosophers places Feng Shui among the other Chinese arts of prognostication and is valuable for seeing how it relates to the calendar, divination, and the shared cosmology treated elsewhere in this section.\u003C\u002Fp>\n\u003Ch2>Anthropology and social meaning\u003C\u002Fh2>\u003Cp>For the anthropology and social meaning of Feng Shui, \u003Cstrong>Stephan Feuchtwang\u003C\u002Fstrong>‘s An Anthropological Analysis of Chinese Geomancy is a foundational study. It examines the luopan and its rings in detail, explains the logic of the Form and Compass schools, and sets the art within Chinese social life. Ole Bruun’s work is the best modern entry point: his Fengshui in China studies the living practice and its social role, while his An Introduction to Feng Shui offers a clear, historically grounded overview of the tradition and its modern transformations. Bruun writes as a scholar who takes the tradition seriously without endorsing its claims, which is exactly the balance a careful reader wants.\u003C\u002Fp>\n\u003Ch2>Feng Shui in the history of Chinese science\u003C\u002Fh2>\u003Cp>For the place of Feng Shui within the wider history of Chinese science and cosmology, \u003Cstrong>Joseph Needham\u003C\u002Fstrong>‘s Science and Civilisation in China is indispensable. The second volume treats the concept of qi, the trigrams, and the correlative cosmology that underlies the art, while the fourth volume covers the magnetic compass and its origins in geomantic practice, a subject on which Needham is especially illuminating. Reading Feng Shui alongside Needham situates it properly in relation to Chinese natural philosophy and the history of the compass.\u003C\u002Fp>\n\u003Ch2>Architecture, settlement and landscape\u003C\u002Fh2>\n\u003Cp>This is the literature where feng shui pays off most reliably, because buildings and villages are physical evidence that can be measured and compared, and it is where a sceptical reader will find the most solid ground.\u003C\u002Fp>\n\u003Cp>On cities, Paul Wheatley’s study of the ancient Chinese ceremonial centre remains the standard treatment of how cosmological schemes shaped the planning of capitals, and there is a substantial literature on the layout of Chang’an and of Beijing which shows orientation and axial planning being applied at state scale. On ordinary buildings, Ronald Knapp’s books on Chinese houses and villages are the most accessible entry point in English; they are well illustrated, they take siting seriously without advocating it, and they show how much regional variation the tradition actually contains — courtyard houses in the north, Hakka fortified dwellings in the south, water villages in the Yangzi delta, each with different relationships to slope and water.\u003C\u002Fp>\n\u003Cp>In Chinese the indispensable item is the collection of research papers on feng shui theory edited by Wang Qiheng at Tianjin University, which brought the subject into mainstream architectural scholarship on the mainland and is still the volume other Chinese work cites. He Xiaoxin’s study tracing the origins of siting practice is a useful shorter companion. Both treat the material as historical evidence about how Chinese builders thought, which is the most productive way to use it.\u003C\u002Fp>\n\u003Cp>The related strand on landscape and ecology examines the groves preserved around villages and graves. This work is worth reading with some care: the findings about forest preservation are real and measurable, while the wider claim that feng shui constituted an ancient environmental science is an interpretation laid over them, and not all authors keep the two apart.\u003C\u002Fp>\n\u003Ch2>Transmission abroad and Western feng shui\u003C\u002Fh2>\n\u003Cp>The story of how feng shui left China is a separate subject with its own literature, and knowing it explains most of the confusion in English-language material.\u003C\u002Fp>\n\u003Cp>The earliest sustained Western account is Ernest Eitel’s essay of 1873, written by a missionary in Hong Kong who was frustrated by the practice obstructing colonial building works. It is a period piece, condescending in tone, and yet a genuinely useful record because it describes what practitioners were actually doing at the time. Later scholarship on East Asia beyond China includes Yoon Hong-key’s work on Korean siting, which is valuable for showing how the same textual tradition developed differently in another country.\u003C\u002Fp>\n\u003Cp>For the modern Western form, the pivotal fact is that much of what spread through Europe and North America from the 1980s came through one channel: a teaching lineage established in the United States which simplified the compass school into a fixed eight-sector grid laid over a floor plan and added elements from other sources. Sarah Rossbach’s books were the main vehicle. The result is coherent and teachable, and it is not classical Chinese practice, a point the literature itself is often quite open about even where its readers do not notice.\u003C\u002Fp>\n\u003Cp>Ole Bruun’s two books are the best guide to the whole question. One is a field study of practice in rural China set against state attitudes to it; the other is a short introduction which does the unusual and valuable thing of describing the Chinese tradition and the Western adaptation side by side, and explaining how the second grew out of the first. If you read only one modern scholarly book on feng shui, that introduction is the one to choose.\u003C\u002Fp>\n\u003Ch2>A caution about popular books\u003C\u002Fh2>\u003Cp>A caution about the popular literature is essential. The great majority of Feng Shui books in circulation, especially in the modern Western market, are practical guides that present the art as a proven system for attracting wealth, love, or health, and that offer simplified rules detached from the classical tradition. Such books may be harmless as decorating advice, but they are not reliable guides to what Feng Shui is or to its actual history and methods. A careful reader distinguishes three kinds of writing: scholarly studies of the history, anthropology, and cosmology, such as those named above; authentic classical texts and lineage manuals, which show the tradition on its own terms; and popular commercial guides, which should be read with a clear sense of their limits.\u003C\u002Fp>\n\u003Ch2>A suggested order of reading\u003C\u002Fh2>\n\u003Cp>Sources on this subject reward being taken in a particular sequence, because each stage supplies vocabulary the next one assumes.\u003C\u002Fp>\n\u003Cp>Begin with a modern scholarly introduction, which will give you the terms, the two schools, and the historical outline without asking you to believe anything. Second, read a social history or anthropological study, so that you see the practice embedded in land disputes, lineage politics and household decisions rather than as an abstract system; this stage does more than any other to make the whole thing intelligible. Third, take the architectural and settlement literature, which lets you check the tradition against physical evidence and gives you something concrete to think with.\u003C\u002Fp>\n\u003Cp>Only then attempt a primary text, in an annotated edition, and expect it to be hard. Alongside it, the history-of-science material on the compass and on correlative cosmology will explain where the apparatus came from. Leave popular manuals until last, and when you reach them, read them as evidence about contemporary practice rather than as instruction — which of the classical systems is this drawing on, what has been added, what has been quietly dropped. Approached in that order the subject opens up steadily. Approached in the reverse order, starting with a manual promising to fix your house, it stays a jumble of rules with no visible reasons.\u003C\u002Fp>\n\u003Ch2>How these sources map onto this subcategory\u003C\u002Fh2>\u003Cp>For the reader who has followed this subcategory, the sources here support the whole account: Feuchtwang and Bruun for the anthropology and the schools; Needham for the cosmology and the compass; the Book of Burial and the Form School classics for the tradition’s own voice; and Smith for the connection to the wider metaphysical arts. Together they allow Feng Shui to be understood as what it is—a sophisticated traditional art of situating human life within the landscape, rich in practical sense and cultural meaning, whose metaphysical claims belong to the domain of belief.\u003C\u002Fp>\n\u003Ch2>Key points\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>Feng Shui has a body of serious scholarship alongside a very large and uneven popular literature.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Stephan Feuchtwang’s anthropological study explains the luopan and the social logic of the practice.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Joseph Needham places Feng Shui within the history of Chinese science and cosmology.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>The Book of Burial attributed to Guo Pu is the foundational classical text.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Ole Bruun’s work covers the modern period and the practice’s survival and revival.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Most popular Feng Shui books, especially Western ones, are unreliable as accounts of the tradition.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Use scholarly works for history and meaning, and treat commercial guides with caution.\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\u003Cblockquote>\u003Cp>Sources drawn on for this article include: Stephan Feuchtwang, An Anthropological Analysis of Chinese Geomancy; Ole Bruun, Fengshui in China and An Introduction to Feng Shui; Joseph Needham, Science and Civilisation in China (volumes 2 and 4); Richard J. Smith, Fortune-tellers and Philosophers; and the Book of Burial (Zangshu) attributed to Guo Pu, together with the Form School classics, in scholarly translation and study.\u003C\u002Fp>\u003C\u002Fblockquote>","\u003Ch2>先說一句關於原典的話\u003C\u002Fh2>\n\u003Cp>風水文獻的託名比例極高，讀之前先問作者是誰，會省很多力氣。舊題古人的書往往成於唐宋以後，署名是為了建立權威。這不影響它們作為史料的價值，但影響該怎麼引用——\u003Cstrong>把《葬書》說成晉代作品是不準確的，說它是唐宋間成書的託名之作才對。\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Ch2>原典\u003C\u002Fh2>\n\u003Cul>\n\u003Cli>\u003Cstrong>《葬書》（舊題晉·郭璞，又稱《葬經》）\u003C\u002Fstrong>——“風水”一詞的出處，講的是葬地。篇幅很短，是這個領域的基礎文本。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>《宅經》（又稱《黃帝宅經》）\u003C\u002Fstrong>——收入《四庫全書》的早期陽宅類文獻，可以看到住宅一路的早期形態。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>託名楊筠松的《撼龍經》《疑龍經》《葬法倒杖》\u003C\u002Fstrong>——形勢派一路的代表文本，講山脈、龍脈與點穴，作者難以確證。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>《陽宅十書》（明，題王君榮輯）\u003C\u002Fstrong>——陽宅內容的整合，條目繁多，可以看到明代住宅講法的全貌。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>蔣大鴻《地理辨正》（清初）\u003C\u002Fstrong>——理氣一路影響最大的著作之一，也是後來玄空各家共同追溯的源頭。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>趙九峰《地理五訣》（清）\u003C\u002Fstrong>——把形勢派的判斷整理成龍、穴、砂、水、向五個環節，條理清楚，適合作為入門原典。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>《八宅明鏡》（清，題箬冠道人）\u003C\u002Fstrong>——八宅法流行的主要推手，可以看到方位吉凶體系是怎麼組織的。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>沈竹礽《沈氏玄空學》（清末民初）\u003C\u002Fstrong>——玄空飛星體系的系統化著作，今天流行的玄空講法多由此而來。\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>讀原典的好處與八字那一部分相同：\u003Cstrong>它會把規則和理由都寫出來\u003C\u002Fstrong>，而今人的速成書往往只給結論。要看清一個體系的構造，原典更有效。\u003C\u002Fp>\n\u003Cp>原典之中，若一定要指出幾種最常被引用的，大致是這樣：論葬的以《葬書》為宗，形勢一路有託名楊筠松的《撼龍經》《疑龍經》，宅法一路有《黃帝宅經》和明代的《陽宅十書》，清代普及性的入門書則以《地理五訣》流傳最廣。這幾種在坊間的注本、白話本都不難找到，但版本參差極大，選本時宜取有校勘、有出處交代的。\u003C\u002Fp>\n\u003Ch2>人類學與社會史\u003C\u002Fh2>\n\u003Cp>如果只讀一類研究，建議讀這一類。它回答的問題不是“風水準不準”，而是“風水在社會裡起什麼作用”，這個問題的答案更紮實，也更有解釋力。\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>弗裡德曼（Maurice Freedman）關於堪輿的論述\u003C\u002Fstrong>——他指出祖先崇拜強調家族共同，而風水把祖墳與某一房的興衰相連，因此成為表達家族內部競爭的語言。這是理解陰宅的關鍵觀察，他關於中國東南宗族組織的研究也值得一併讀。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>王斯福（Stephan Feuchtwang）《中國堪輿的人類學分析》\u003C\u002Fstrong>——把風水的分類體系作為一套象徵系統來分析，是這個題目上較早的專門研究。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>布魯恩（Ole Bruun）關於中國風水的田野研究\u003C\u002Fstrong>——處理二十世紀的實際情形：國家態度、鄉村實踐與商業化，對當代部分特別有用。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>渡邊欣雄的風水研究\u003C\u002Fstrong>——從東亞比較的角度討論風水的景觀與社會含義，可以看到日本、琉球與中國的差異。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>尹弘基（Hong-key Yoon）關於韓國風水的研究\u003C\u002Fstrong>——朝鮮半島本地化的過程，是比較視野裡的好材料。\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>社會史一路里，還有一類材料常被忽略：地方誌、族譜與訟案文書。族譜往往在開篇處交代祖墳所在與點穴的經過，訟案則儲存了雙方為墳山與地界互相指控的原話。這些東西不講道理，只記事，因此比手冊更能說明風水在實際生活裡怎樣被使用、被援引、被當作武器。要研究這門術數的社會功能，這類材料的價值高於任何一部經典。\u003C\u002Fp>\n\u003Ch2>科學史與技術史\u003C\u002Fh2>\n\u003Cul>\n\u003Cli>\u003Cstrong>李約瑟《中國科學技術史》第四卷\u003C\u002Fstrong>——討論磁與指南針的部分涉及羅盤的技術發展，以及相地實踐與磁針使用之間的關係。看待“羅盤到底測什麼”這個問題，這一段很有幫助。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>沈括《夢溪筆談》\u003C\u002Fstrong>——原始文獻，記有磁針不正指南北的現象，即磁偏角。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Michael Paton《風水五經》\u003C\u002Fstrong>——對幾部核心文本的翻譯與技術分析，處理術語時比較嚴謹。\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>科學史一路最紮實的成果，是把羅盤的來歷與磁偏角的發現講清楚了。這件事的意義超出風水本身：世界上最早關於磁偏角的記載出自宋人筆記，而促成這個觀察的正是相地對準確方位的要求。換句話說，一門在今天被歸為迷信的技藝，曾經推動過一項真實的物理發現。這既不能用來證明風水的斷語，也不該被忽略。\u003C\u002Fp>\n\u003Ch2>建築、聚落與景觀\u003C\u002Fh2>\n\u003Cp>這一類研究處理的是可以看得見的東西，也是風水價值最容易確認的部分。\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>王其亨主編《風水理論研究》\u003C\u002Fstrong>——中國建築學界從建築與規劃角度研究風水的代表性論文集，討論選址、朝向與院落佈局。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>何曉昕《風水探源》\u003C\u002Fstrong>——較早的通論性著作，把歷史脈絡與建築實踐放在一起講。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>漢寶德關於風水與環境的論述\u003C\u002Fstrong>——建築學者的檢討，態度是把可用的經驗與不可驗證的部分分開，與本站的處理方式接近。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>清華一系的鄉土建築調查（陳志華、樓慶西、李秋香等）\u003C\u002Fstrong>——具體村落的實測記錄，可以看到選址與水系的真實做法，比抽象論述有用得多。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>那仲良（Ronald Knapp）關於中國民居的著作\u003C\u002Fstrong>——圖文並重，適合作為對照材料。\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>建築與聚落這一路還有一個好處：它給你可以核對的實物。一座村子、一條街、一處陵園都擺在那裡，坐向可以量，地勢可以走，前後左右可以看。讀完這類研究再去實地走一趟，比讀十本手冊都有用。要提醒的是，這一路著作中也有把風水說成古代生態科學的寫法，其中關於風水林確實保住了林木的部分是實證，而關於古人已有環境科學的推論則是加上去的解釋，兩者不宜混為一談。\u003C\u002Fp>\n\u003Ch2>海外傳播與西方風水\u003C\u002Fh2>\n\u003Cul>\n\u003Cli>\u003Cstrong>艾德（Ernest Eitel）1873年在香港出版的風水小書\u003C\u002Fstrong>——西方最早的系統介紹之一，也是研究殖民地時期文化接觸的材料。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>羅絲巴赫（Sarah Rossbach）關於居所佈置的著作\u003C\u002Fstrong>——1980年代把林雲一系的講法引入美國的關鍵書籍，要了解“西方風水”從何而來，讀它比讀現在的暢銷書清楚。\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Ch2>需要小心的書\u003C\u002Fh2>\n\u003Cp>市面上風水書極多，可以用幾條快速篩選。\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>宣稱掌握“真訣”、指前人皆誤的\u003C\u002Fstrong>——這是這一行的傳統修辭，不是內容質量的證明。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>用能量、量子、磁場、地球輻射來解釋氣的\u003C\u002Fstrong>——這是把現代物理詞彙當裝飾，兩者沒有關係，讀到這類說法可以直接降低預期。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>不區分年代層次的\u003C\u002Fstrong>——把商周、漢、唐宋、明清的說法混在一頁裡當作“古人智慧”。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>把西方版本當中國傳統的\u003C\u002Fstrong>——只講清雜物、顏色、鏡子和“財位”，不提地形與墳地。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>與付費服務繫結的\u003C\u002Fstrong>——書的功能是招攬看風水、賣法器或開班，內容自然會往需要花錢的方向寫。\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>還要說明一句：需要小心的書，並不等於壞書。有些流行讀物裡的居家建議本身無害，甚至合乎常理，問題在於它把這些建議與未經證實的斷語並列，講得同樣確定，又常常把晚近的做法說成上古秘傳。你若已經知道哪一層是哪一層，這類書仍可當作當代實踐的樣本來讀；你若把它當作入門第一本，就會把改造過的東西當成原來的樣子。\u003C\u002Fp>\n\u003Ch2>一個建議的順序\u003C\u002Fh2>\n\u003Cp>先讀一本建築或聚落方向的研究，建立對選址經驗的直觀理解；再讀一本人類學著作，弄清它的社會功能；然後翻《地理五訣》或《葬書》這類原典，看體系本身怎麼說話；最後如果還想深入，再進玄空、八宅一路的技術文獻。\u003C\u002Fp>\n\u003Cp>反過來的順序——從技術推算入手——很容易陷進流派之爭，而且會把最有價值的兩塊（地理經驗與社會史）全部錯過。\u003C\u002Fp>\n\u003Ch2>本站的處理原則\u003C\u002Fh2>\n\u003Cul>\n\u003Cli>\u003Cstrong>分層陳述。\u003C\u002Fstrong>可用地理與居住條件解釋的部分，與體系約定的部分，分開說明。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>標明年代與託名。\u003C\u002Fstrong>凡舊題古人的文本都指出實際成書情況。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>寫出分歧。\u003C\u002Fstrong>八宅與玄空前提相反這類內部矛盾，如實呈現，不替讀者調和。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>不作吉凶斷言。\u003C\u002Fstrong>本站不提供也不代為轉介任何看風水、化解、擇日的服務。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>承認文化價值。\u003C\u002Fstrong>否定預測能力不等於否定它作為遺產、經驗與社會史材料的意義。\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>最後補一點關於語言的實際考慮。這個題目上，中文材料與西文材料各有所長，不能互相替代。原典、註疏、方誌、族譜只有中文；而把風水放進社會史、科學史與比較研究里加以審視的著作，西文一路起步更早、問題意識也更明確。近三十年大陸與臺港的學術研究已經補上很多，建築史一路尤其可觀。若你兩種語言都能用，最省力的辦法是用西文著作搭起框架，再用中文材料填實細節。\u003C\u002Fp>\n\u003Ch2>要點\u003C\u002Fh2>\n\u003Cul>\n\u003Cli>風水文獻託名極多，引用前先確認實際成書年代，《葬書》應作唐宋間託名之作。\u003C\u002Fli>\n\u003Cli>原典可讀《葬書》《宅經》《陽宅十書》《地理辨正》《地理五訣》《八宅明鏡》《沈氏玄空學》。\u003C\u002Fli>\n\u003Cli>人類學一路最值得讀，弗裡德曼指出風水是表達宗族內部競爭的語言。\u003C\u002Fli>\n\u003Cli>李約瑟第四卷可解答羅盤與磁針的技術史問題，《夢溪筆談》記有磁偏角。\u003C\u002Fli>\n\u003Cli>建築與聚落研究（王其亨主編的論文集、鄉土建築實測）能直接確認選址經驗的價值。\u003C\u002Fli>\n\u003Cli>艾德1873年的小書與羅絲巴赫1980年代的著作分別是西方認識與西方風水的源頭。\u003C\u002Fli>\n\u003Cli>需小心的書：自稱真訣、用量子能量解釋氣、不分年代、以西方版本代傳統、繫結付費服務。\u003C\u002Fli>\n\u003Cli>建議順序為建築研究、人類學、原典、技術文獻；反向入手易陷入流派之爭。\u003C\u002Fli>\n\u003Cli>本站分層陳述、標明託名、寫出分歧、不作吉凶斷言，同時承認其文化價值。\u003C\u002Fli>\n\u003C\u002Ful>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FFF1y06JsEOjvF5J6lGaJ.webp",1920,600,{"en":874,"zh":875},"Illustration 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