[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-reference-en":3,"site-nav-zh":4,"site-nav-zh-all-chinese-metaphysics":289,"event-categories-zh":574,"site-settings":817,"node-zh-chinese-metaphysics\u002Fganzhi-stems-branches\u002Ftwelve-earthly-branches":859,"live-course-events":886},null,{"data":5},{"header":6,"footer":264},[7,51,82,123,161,187,229,260],{"to":8,"label":9,"label_zh":10,"children":11},"\u002Fdao","TAO","道",[12,17,22,26,30,34,39,43,47],{"to":13,"label":14,"label_zh":15,"n":16},"\u002Fdao\u002Fintroduction","Begin with the Tao","道學入門",9,{"to":18,"label":19,"label_zh":20,"n":21},"\u002Fdao\u002Fyi-jing","I Ching","易經",7,{"to":23,"label":24,"label_zh":25,"n":16},"\u002Fdao\u002Fdao-de-jing","Tao Te Ching","道德經",{"to":27,"label":28,"label_zh":29,"n":21},"\u002Fdao\u002Ftaiji","Taiji","太極",{"to":31,"label":32,"label_zh":33,"n":21},"\u002Fdao\u002Fzhuang-zi","Zhuangzi","莊子",{"to":35,"label":36,"label_zh":37,"n":38},"\u002Fdao\u002Fclassics","Classical Library","道家經典文庫",1,{"to":40,"label":41,"label_zh":42},"\u002Fdao\u002Fdaoist-philosophy","Taoist Philosophy","道家哲學",{"to":44,"label":45,"label_zh":46},"\u002Fdao\u002Fwu-wei-natural-living","Wu Wei & Natural Living","無為與自然生活",{"to":48,"label":49,"label_zh":50},"\u002Fdao\u002Fdaoist-view-of-life","A Taoist View of Life","道家人生觀",{"to":52,"label":53,"label_zh":54,"children":55},"\u002Fmartial-arts","Martial Arts","武當武術",[56,61,65,70,74,78],{"to":57,"label":58,"label_zh":59,"n":60},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Foundations of Internal Martial Arts","內家拳基礎",6,{"to":62,"label":63,"label_zh":64,"n":21},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan (Tai Chi)","太極拳",{"to":66,"label":67,"label_zh":68,"n":69},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、換掌與身法變化",5,{"to":71,"label":72,"label_zh":73,"n":69},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan: Structure, Intention and Direct Training","形意拳：結構、意念與直接訓練",{"to":75,"label":76,"label_zh":77,"n":21},"\u002Fmartial-arts\u002Fweapons","Wudang Sword and Weapons: History, Practice and Context","武當劍與兵器：歷史、練習與文化語境",{"to":79,"label":80,"label_zh":81,"n":21},"\u002Fmartial-arts\u002Ftraining-practice","Training and Practice: Building a Sustainable Wudang Routine","訓練與習練：建立可持續的武當練習",{"to":83,"label":84,"label_zh":85,"children":86},"\u002Fwellness","Wellness","養生",[87,91,95,99,103,107,111,115,119],{"to":88,"label":89,"label_zh":90,"n":21},"\u002Fwellness\u002Fqigong","Qigong","氣功",{"to":92,"label":93,"label_zh":94,"n":60},"\u002Fwellness\u002Fherbal-healing","Chinese Herbal Medicine","中藥與本草",{"to":96,"label":97,"label_zh":98,"n":60},"\u002Fwellness\u002Ftaoist-medicine","Taoist Medicine","道家醫學",{"to":100,"label":101,"label_zh":102,"n":60},"\u002Fwellness\u002Fenergy-sound-healing","Sound & Energy Practices","聲音與能量練習",{"to":104,"label":105,"label_zh":106},"\u002Fwellness\u002Fstanding-practice","Standing Practice","站樁",{"to":108,"label":109,"label_zh":110},"\u002Fwellness\u002Fwudang-internal-cultivation","Wudang Internal Cultivation","武當內修",{"to":112,"label":113,"label_zh":114},"\u002Fwellness\u002Fmoxibustion","Moxibustion","艾灸",{"to":116,"label":117,"label_zh":118},"\u002Fwellness\u002Fbigu","Bigu","辟穀",{"to":120,"label":121,"label_zh":122,"n":38},"\u002Fwellness\u002Fbaduanjin","Baduanjin (Eight Brocades)","八段錦",{"to":124,"label":125,"label_zh":126,"children":127},"\u002Farts","Literati Arts","文人雅藝",[128,133,138,143,148,153,157],{"to":129,"label":130,"label_zh":131,"n":132},"\u002Farts\u002Fchinese-poetry-literature","Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中國詩詞與文學：體式、語境與閱讀路徑",49,{"to":134,"label":135,"label_zh":136,"n":137},"\u002Farts\u002Fcalligraphy","Chinese Calligraphy: Scripts, Materials and Ways of Looking","中國書法：書體、材料與觀賞入門",17,{"to":139,"label":140,"label_zh":141,"n":142},"\u002Farts\u002Ftea-ceremony","Chinese Tea Culture","中國茶文化",39,{"to":144,"label":145,"label_zh":146,"n":147},"\u002Farts\u002Fguqin","Guqin: Sound, History and Ways to Listen","古琴：認識聲音、歷史與聆聽方法",12,{"to":149,"label":150,"label_zh":151,"n":152},"\u002Farts\u002Fpainting","Chinese Painting: Materials, Formats and Ways of Looking","中國繪畫：材料、形制與觀看方法",15,{"to":154,"label":155,"label_zh":156,"n":16},"\u002Farts\u002Fincense","Chinese Incense Culture","中國香文化",{"to":158,"label":159,"label_zh":160,"n":21},"\u002Farts\u002Fflower-arrangement","Chinese Flower Arrangement: History, Materials and Ways of Looking","中國插花：歷史、花材與觀看方法",{"to":162,"label":163,"label_zh":164,"children":165},"\u002Fdaoism","Taoist Culture","道教文化",[166,170,174,178,183],{"to":167,"label":168,"label_zh":169,"n":16},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙與神明體系：結構與層級指南",{"to":171,"label":172,"label_zh":173,"n":21},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山與宮觀：聖地、建築與制度指南",{"to":175,"label":176,"label_zh":177,"n":21},"\u002Fdaoism\u002Ftaoist-schools-lineages","Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派與傳承：正一、全真及歷史道派",{"to":179,"label":180,"label_zh":181,"n":182},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教節日與科儀：神誕、齋醮與歲時儀式",19,{"to":184,"label":185,"label_zh":186,"n":60},"\u002Fdaoism\u002Feight-immortals","The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象徵與道教傳說",{"to":188,"label":189,"label_zh":190,"children":191},"\u002Fchinese-metaphysics","Chinese Metaphysics","易學與傳統術數",[192,196,200,204,208,213,217,221,225],{"to":193,"label":194,"label_zh":195,"n":21},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Yin-Yang and the Five Phases in Chinese Thought","陰陽五行：理解關係與變化",{"to":197,"label":198,"label_zh":199,"n":21},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中國曆法與術數的六十迴圈",{"to":201,"label":202,"label_zh":203,"n":21},"\u002Fchinese-metaphysics\u002Ffeng-shui","Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中國風水：形勢、羅盤方法與負責任實踐",{"to":205,"label":206,"label_zh":207,"n":21},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八個字如何構成命盤",{"to":209,"label":210,"label_zh":211,"n":212},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗數：十二宮命盤如何運作",8,{"to":214,"label":215,"label_zh":216,"n":212},"\u002Fchinese-metaphysics\u002Fdate-selection","Chinese Date Selection: How Auspicious Days Are Chosen","中國擇吉：傳統吉日如何選擇",{"to":218,"label":219,"label_zh":220,"n":21},"\u002Fchinese-metaphysics\u002Fphysiognomy","Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中國相術：面相、手相及其侷限",{"to":222,"label":223,"label_zh":224,"n":21},"\u002Fchinese-metaphysics\u002Fdivination-arts","Chinese Divination Arts: Methods, History and Responsible Use","中國占卜術：方法、歷史與負責任使用",{"to":226,"label":227,"label_zh":228,"n":21},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河圖、洛書與九宮：中國傳統圖式的歷史與用途",{"to":230,"label":231,"label_zh":232,"children":233},"\u002Fwudang-mountain","Experience Wudang","武當之旅",[234,238,243,248,252,256],{"to":235,"label":236,"label_zh":237,"n":21},"\u002Fwudang-mountain\u002Fintroduction","Introduction to Wudang Mountain","初識武當山",{"to":239,"label":240,"label_zh":241,"n":242},"\u002Fwudang-mountain\u002Ftemples-and-sites","Wudang Mountain Temples and Sacred Sites","武當山宮觀與勝蹟",3,{"to":244,"label":245,"label_zh":246,"n":247},"\u002Fwudang-mountain\u002Fplanning-a-visit","Planning a Visit to Wudang Mountain","武當山行前規劃指南",4,{"to":249,"label":250,"label_zh":251,"n":242},"\u002Fwudang-mountain\u002Fstudying-at-wudang","Studying Martial Arts at Wudang Mountain","在武當山學習武術",{"to":253,"label":254,"label_zh":255,"n":242},"\u002Fwudang-mountain\u002Ftemple-etiquette","Wudang Temple Etiquette: A Visitor’s Guide","武當宮觀參訪禮儀",{"to":257,"label":258,"label_zh":259,"n":69},"\u002Fwudang-mountain\u002Fpractical-reference","Wudang Mountain Practical Reference","武當山實用參考資料",{"to":261,"label":262,"label_zh":263},"\u002Fwudang-mountain\u002Feveryday-wudang","Everyday Wudang","武當日常",[265,266,267,268,269,270,271,272,273,277,281,285],{"to":8,"label":9,"label_zh":10},{"to":52,"label":53,"label_zh":54},{"to":83,"label":84,"label_zh":85},{"to":124,"label":125,"label_zh":126},{"to":162,"label":163,"label_zh":164},{"to":188,"label":189,"label_zh":190},{"to":230,"label":231,"label_zh":232},{"to":261,"label":262,"label_zh":263},{"to":274,"label":275,"label_zh":276},"\u002Fabout","About Wudang.Org","關於 Wudang.Org",{"to":278,"label":279,"label_zh":280},"\u002Fstart-here","Start Here","從這裡開始",{"to":282,"label":283,"label_zh":284},"\u002Ffind-a-practice","Find a Practice","找到適合你的修習",{"to":286,"label":287,"label_zh":288},"\u002Fteachers","Our Teachers","授課老師",{"data":290},{"all":291,"header":572,"footer":573},[292],{"to":188,"label":189,"label_zh":190,"children":293},[294,324,354,384,414,448,482,512,542],{"to":193,"label":194,"label_zh":195,"children":295},[296,300,304,308,312,316,320],{"to":297,"label":298,"label_zh":299},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Forigins-early-history","Origins & Early History of Yin-Yang Thought","陰陽觀念的來歷",{"to":301,"label":302,"label_zh":303},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fmeaning-of-yin-and-yang","The Meaning of Yin and Yang","陰陽的含義",{"to":305,"label":306,"label_zh":307},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Ffive-phases","The Five Phases: Wood, Fire, Earth, Metal & Water","五行：五種執行",{"to":309,"label":310,"label_zh":311},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fgenerating-controlling-cycles","The Generating & Controlling Cycles","相生與相剋",{"to":313,"label":314,"label_zh":315},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fcorrelative-cosmology","Correlative Cosmology: Body, Seasons & the Cosmos","天人相應：關聯宇宙論",{"to":317,"label":318,"label_zh":319},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fin-the-metaphysical-arts","Yin-Yang & the Five Elements in the Metaphysical Arts","陰陽五行在術數中的應用",{"to":321,"label":322,"label_zh":323},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fkey-sources-further-reading","Key Sources & Further Reading","參考文獻與延伸閱讀",{"to":197,"label":198,"label_zh":199,"children":325},[326,330,334,338,342,346,350],{"to":327,"label":328,"label_zh":329},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Forigins-history","Origins and History of the Chinese Sexagenary Cycle","中國干支與六十甲子的起源和歷史",{"to":331,"label":332,"label_zh":333},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ften-heavenly-stems","The Ten Heavenly Stems: Names, Five Phases and Meanings","十天干：名稱、五行屬性與含義",{"to":335,"label":336,"label_zh":337},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ftwelve-earthly-branches","The Twelve Earthly Branches: Animals, Hours, Months and Meanings","十二地支：生肖、時辰、月份與含義",{"to":339,"label":340,"label_zh":341},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fsixty-year-jiazi","The Sixty-Part Jiazi Cycle: How Stems and Branches Combine","六十甲子：天干地支如何組合成六十迴圈",{"to":343,"label":344,"label_zh":345},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fstems-branches-yin-yang-five-phases","How Heavenly Stems and Earthly Branches Encode Yin–Yang and the Five Phases","天干地支如何結合陰陽五行",{"to":347,"label":348,"label_zh":349},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fin-the-metaphysical-arts","How Ganzhi Is Used in BaZi, Feng Shui, Date Selection and Other Arts","干支如何應用於八字、風水、擇日與其他術數",{"to":351,"label":352,"label_zh":353},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fkey-sources-further-reading","Heavenly Stems, Earthly Branches and Ganzhi: Sources and Further Reading","天干地支與干支歷的重要資料和延伸閱讀",{"to":201,"label":202,"label_zh":203,"children":355},[356,360,364,368,372,376,380],{"to":357,"label":358,"label_zh":359},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Forigins-history","Origins and History of Chinese Feng Shui","中國風水的起源與歷史",{"to":361,"label":362,"label_zh":363},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fqi-compass-two-schools","Qi, the Feng Shui Compass and the Two Schools","風水中的氣、羅盤與形勢理氣之分",{"to":365,"label":366,"label_zh":367},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fform-school-landscape","Feng Shui Form School: How Landscapes Are Read","風水形勢派：如何觀察山水與地形",{"to":369,"label":370,"label_zh":371},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fcompass-school-luopan","Feng Shui Compass School: How the Luopan Is Used","風水理氣派：羅盤如何用於方位判斷",{"to":373,"label":374,"label_zh":375},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fdwellings-and-graves","Feng Shui for Homes and Graves: Yangzhai and Yinzhai","陽宅與陰宅風水：住宅和墓葬有何不同",{"to":377,"label":378,"label_zh":379},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fmodern-world","Feng Shui Today: Homes, Cities, Design and Cultural Practice","今日風水：住宅、城市、設計與文化實踐",{"to":381,"label":382,"label_zh":383},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fkey-sources-further-reading","Chinese Feng Shui Sources: Classical Texts and Further Reading","中國風水資料：經典文獻與延伸閱讀",{"to":205,"label":206,"label_zh":207,"children":385},[386,390,394,398,402,406,410],{"to":387,"label":388,"label_zh":389},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Forigins-history","History of BaZi and the Four Pillars of Destiny","八字與四柱命理的起源和歷史",{"to":391,"label":392,"label_zh":393},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fbuilding-the-chart","How a BaZi Chart Is Calculated: The Four Pillars and Eight Characters","八字命盤如何排定：四柱八字的計算方法",{"to":395,"label":396,"label_zh":397},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fday-master-ten-gods","The BaZi Day Master and Ten Gods: A Relationship Guide","八字日主與十神：命盤關係如何分類",{"to":399,"label":400,"label_zh":401},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Ffive-phase-balance","How BaZi Charts Are Read: Five-Phase Balance and the Useful God","八字命盤如何解讀：五行平衡與用神",{"to":403,"label":404,"label_zh":405},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fluck-pillars-annual-influences","BaZi Luck Pillars and Annual Influences: How Time Is Read","八字大運與流年：命盤如何推移時間",{"to":407,"label":408,"label_zh":409},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fin-practice","BaZi Readings Today: Interpretation, Responsibility and Limits","今日八字解讀：意義、責任與界限",{"to":411,"label":412,"label_zh":413},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fkey-sources-further-reading","BaZi Sources: Classical Texts, Commentaries and Further Reading","八字資料：經典、註疏與延伸閱讀",{"to":209,"label":210,"label_zh":211,"children":415},[416,420,424,428,432,436,440,444],{"to":417,"label":418,"label_zh":419},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Forigins-history","History of Zi Wei Dou Shu: Origins, Legends and Documented Evidence","紫微斗數的起源與歷史：傳說、文獻與可考證據",{"to":421,"label":422,"label_zh":423},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ftwelve-palaces","The Twelve Palaces of Zi Wei Dou Shu: A Guide to the Life Domains","紫微斗數十二宮：命盤生活領域完整指南",{"to":425,"label":426,"label_zh":427},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fthe-stars","Zi Wei Dou Shu Stars: The Fourteen Major Stars and Their Meanings","紫微斗數星曜：十四主星及其含義",{"to":429,"label":430,"label_zh":431},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fcasting-and-reading","How a Zi Wei Dou Shu Chart Is Cast and Read","紫微斗數如何排盤與解讀",{"to":433,"label":434,"label_zh":435},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ffour-transformations","Zi Wei Dou Shu Four Transformations: How the Chart Moves Through Time","紫微斗數四化：命盤如何隨時間變化",{"to":437,"label":438,"label_zh":439},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fin-practice","Zi Wei Dou Shu Readings Today: Interpretation, Responsibility and Limits","今日紫微斗數解讀：意義、責任與界限",{"to":441,"label":442,"label_zh":443},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fkey-sources-further-reading","Zi Wei Dou Shu Sources: Classical Texts, Schools and Further Reading","紫微斗數資料：經典、流派與延伸閱讀",{"to":445,"label":446,"label_zh":447},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fglossary","Zi Wei Dou Shu Glossary: Palaces, Stars, Transformations and Time Cycles","紫微斗數術語表：宮位、星曜、四化與時間週期",{"to":214,"label":215,"label_zh":216,"children":449},[450,454,458,462,466,470,474,478],{"to":451,"label":452,"label_zh":453},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Forigins-history","Origins and History of Chinese Date Selection","中國擇吉的起源與歷史",{"to":455,"label":456,"label_zh":457},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fthe-almanac","The Chinese Almanac: How the Tongshu Guides Everyday Dates","通書：中國人的日用擇日指南",{"to":459,"label":460,"label_zh":461},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcyclical-qualities","How Chinese Calendars Describe the Qualities of Days","中國曆法如何描述日子的週期屬性",{"to":463,"label":464,"label_zh":465},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fstars-and-officers","Auspicious Stars and Day Officers in Chinese Date Selection","擇吉中的吉星、值日神與神煞",{"to":467,"label":468,"label_zh":469},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fchoosing-a-date","How Chinese Date Selection Works in Practice","中國擇日的實際操作",{"to":471,"label":472,"label_zh":473},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcultural-meaning-and-responsible-practice","Chinese Date Selection: Cultural Meaning and Responsible Practice","中國擇日的文化意義與負責任實踐",{"to":475,"label":476,"label_zh":477},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fkey-sources-further-reading","Chinese Date Selection: Key Sources and Further Reading","中國擇日的重要資料與延伸閱讀",{"to":479,"label":480,"label_zh":481},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Ftwenty-four-solar-terms-seasonal-time-chinese-calendar","The Twenty-Four Solar Terms: Seasonal Time in the Chinese Calendar","二十四節氣：中國曆法中的季節時間",{"to":218,"label":219,"label_zh":220,"children":483},[484,488,492,496,500,504,508],{"to":485,"label":486,"label_zh":487},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Forigins-history","Origins and History of Chinese Physiognomy","中國相術的起源與歷史",{"to":489,"label":490,"label_zh":491},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fface-reading","Chinese Face Reading (Mianxiang): Methods, Meanings and Limits","中國面相術：方法、含義與侷限",{"to":493,"label":494,"label_zh":495},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fpalm-reading","Chinese Palm Reading (Shouxiang): Traditions, Methods and Limits","中國手相術：傳統、方法與侷限",{"to":497,"label":498,"label_zh":499},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-practice","Chinese Physiognomy in Practice Today: Readings, Apps and Risks","當代中國相術：看相、應用程式與風險",{"to":501,"label":502,"label_zh":503},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fhistory-interpretation-and-context","How to Interpret Chinese Physiognomy Responsibly","如何負責任地理解中國相術",{"to":505,"label":506,"label_zh":507},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-culture","Chinese Physiognomy in History, Literature and Everyday Culture","中國相術在歷史、文學與日常文化中",{"to":509,"label":510,"label_zh":511},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fkey-sources-further-reading","Chinese Physiognomy: Primary Sources and Further Reading","中國相術的重要資料與延伸閱讀",{"to":222,"label":223,"label_zh":224,"children":513},[514,518,522,526,530,534,538],{"to":515,"label":516,"label_zh":517},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Forigins-history","Origins and History of Chinese Divination","中國占卜的起源與歷史",{"to":519,"label":520,"label_zh":521},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Foracle-bones","Chinese Oracle Bones and Turtle-Shell Divination","中國甲骨與龜卜：商代占卜和早期文字",{"to":523,"label":524,"label_zh":525},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fyijing-milfoil","The Yijing and Milfoil Divination: How Hexagrams Are Cast and Read","《易經》與筮佔：卦象如何生成與解讀",{"to":527,"label":528,"label_zh":529},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fcoins-and-lots","Chinese Coin Divination and Temple Lots: Methods and Meaning","中國錢佔與求籤：方法、解讀與文化意義",{"to":531,"label":532,"label_zh":533},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fin-practice","Chinese Divination in Practice Today: Consultations, Apps and Risks","當代中國占卜：諮詢、應用程式與風險",{"to":535,"label":536,"label_zh":537},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fmeaning-reflection-and-responsible-practice","How to Use Chinese Divination Responsibly","如何負責任地使用中國占卜",{"to":539,"label":540,"label_zh":541},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fkey-sources-further-reading","Chinese Divination: Primary Sources and Further Reading","中國占卜的重要資料與延伸閱讀",{"to":226,"label":227,"label_zh":228,"children":543},[544,548,552,556,560,564,568],{"to":545,"label":546,"label_zh":547},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Forigins-history","Origins and History of the Hetu and Luoshu Diagrams","河圖與洛書圖式的起源與歷史",{"to":549,"label":550,"label_zh":551},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fhetu-river-chart","The Hetu River Chart: Numbers, Directions and the Five Phases","河圖：數字、方位與五行結構",{"to":553,"label":554,"label_zh":555},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fluoshu-magic-square","The Luoshu Magic Square: Numbers, Structure and Cultural Meaning","洛書幻方：數字結構與文化含義",{"to":557,"label":558,"label_zh":559},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fnine-palaces","The Nine Palaces (Jiugong): Directions, Time Cycles and Traditional Uses","九宮：方位、時間週期與傳統用途",{"to":561,"label":562,"label_zh":563},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fin-practice","Hetu, Luoshu and Nine Palaces in Practice Today","河圖、洛書與九宮在今天的實際應用",{"to":565,"label":566,"label_zh":567},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fmathematics-tradition-and-interpretation","How to Interpret the Hetu and Luoshu: Mathematics, History and Symbolism","如何理解河圖與洛書：數學、歷史與象徵",{"to":569,"label":570,"label_zh":571},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fkey-sources-further-reading","Hetu, Luoshu and Nine Palaces: Primary Sources and Further Reading","河圖、洛書與九宮的重要資料與延伸閱讀",[],[],{"data":575},[576,612,635,654,675,694,714,732,753,776,798],{"id":38,"uuid":577,"slug":578,"available_locales":579,"name":583,"description":586,"body":588,"path":591,"images":592,"image_urls":597,"hero_image":3,"hero_image_url":3,"seo_title":602,"seo_description":605,"sort_order":607,"is_active":608,"status":609,"created_at":610,"updated_at":611},"f1a30881-20c6-407b-b546-669e839a178a","feng-shui-learning",[580,581,582],"en","zh","fr",{"en":584,"zh":585},"Feng Shui Learning","風水課程",{"en":587,"zh":3},"Study feng shui as a historical Chinese tradition of interpreting orientation, form and environment—with clear limits on predictive claims.",{"en":589,"zh":590},"\u003Ch2>\u003Cem>Feng shui 風水 developed through multiple schools, texts and professional traditions. It brings together observations of landform, orientation, water, buildings and correlative cosmology. It should not be reduced to decorative rules, nor presented as a scientifically proven way to guarantee health, wealth or relationships.\u003C\u002Fem>\u003C\u002Fh2>\u003Cp>\u003Cem>Classes introduce core vocabulary, the distinction between major approaches and the cultural contexts in which feng shui has been practised. Contemporary applications are discussed critically. Students remain responsible for property, financial and personal decisions and should seek qualified professional advice where those decisions carry material consequences.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>風水形成於不同的流派、典籍與專業傳統，綜合觀察地形、方位、水勢、建築以及陰陽五行等關聯性宇宙觀。它不應被簡化為裝飾規則，也不能被宣傳為保證健康、財富或關係結果的科學方法。\u003C\u002Fp>\u003Cp>課程介紹基本術語、主要方法的差別，以及風水在歷史社會中的實踐語境，並以批判態度討論當代應用。涉及房產、財務或其他重大決定時，學員仍應根據事實判斷，並諮詢具備資質的相關專業人士。\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[593,594,595,596],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[598,599,600,601],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",{"en":603,"zh":604},"Feng Shui Classes and Courses","風水課程：方位、形勢與空間觀念入門",{"en":587,"zh":606},"從歷史、環境與文化語境學習風水，理解方位、形勢與空間觀念，同時明確傳統解釋與科學證據的界限。",0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":60,"uuid":613,"slug":614,"available_locales":615,"name":616,"description":619,"body":622,"path":625,"images":626,"image_urls":627,"hero_image":3,"hero_image_url":3,"seo_title":628,"seo_description":631,"sort_order":607,"is_active":608,"status":609,"created_at":634,"updated_at":611},"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[580,581,582],{"en":617,"zh":618},"Internal Arts & Wellness","內家功法與養生",{"en":620,"zh":621},"Classes, workshops and retreats in Baduanjin, Taijiquan, qigong and traditional practices for movement, breathing and mindful cultivation.","彙集八段錦、太極拳、氣功及傳統身心修習的課程、工作坊與靜修活動。",{"en":623,"zh":624},"\u003Cp>Explore small-group classes, workshops and retreats introducing Wudang internal arts and traditional wellness practices. Programmes may include Baduanjin, Taijiquan, qigong, standing practice, breathing and their cultural foundations.\u003C\u002Fp>\u003Cp>Each listing provides its teacher, schedule, experience level and registration arrangements.\u003C\u002Fp>","\u003Cp>本類別彙集武當內家功法與傳統養生修習的小班課程、工作坊及靜修活動，內容可涵蓋八段錦、太極拳、氣功、站樁、呼吸練習及相關文化基礎。\u003C\u002Fp>\u003Cp>每項活動都會註明導師、日期、適合程度與報名方式，方便參加者選擇合適的學習體驗。\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"en":629,"zh":630},"Internal Arts & Wellness Events","內家功法與養生活動",{"en":632,"zh":633},"Explore Baduanjin, Taijiquan, qigong and traditional wellness classes, workshops and retreats listed by Wudang.Org.","探索八段錦、太極拳、氣功與傳統養生課程、工作坊及靜修活動。","2026-08-16T19:23:45.000000Z",{"id":636,"uuid":637,"slug":638,"available_locales":639,"name":640,"description":643,"body":644,"path":645,"images":646,"image_urls":647,"hero_image":3,"hero_image_url":3,"seo_title":648,"seo_description":650,"sort_order":607,"is_active":608,"status":609,"created_at":653,"updated_at":611},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[580,581,582],{"en":641,"zh":642},"Face Reading Learning","面相課程",[],[],"\u002Fevents\u002Fface-reading-learning",[],[],{"en":649},"Chinese Face Reading Classes and Workshops",{"en":651,"zh":652},"Learn Chinese face reading (面相) as a cultural tradition: its classical framework, history and uses, taught with clear limits on predictive claims.","把面相作為中國傳統文化來學習：認識其經典框架、歷史與用法，並清楚說明傳統詮釋的邊界。","2026-08-30T17:01:43.000000Z",{"id":655,"uuid":656,"slug":657,"available_locales":658,"name":659,"description":662,"body":664,"path":667,"images":668,"image_urls":669,"hero_image":3,"hero_image_url":3,"seo_title":670,"seo_description":673,"sort_order":38,"is_active":608,"status":609,"created_at":610,"updated_at":611},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[580,581,582],{"en":660,"zh":661},"Zi Wei Dou Shu Learning","紫微斗數課程",{"en":663,"zh":3},"Explore Purple Star Astrology as a traditional Chinese interpretive system, approached as cultural knowledge rather than scientific prediction.",{"en":665,"zh":666},"\u003Cp>Zi Wei Dou Shu 紫微鬥數 organises birth information through palaces, stars and patterned relationships. The system has a substantial technical vocabulary and several interpretive traditions, but its predictive claims are not established by modern scientific evidence.\u003C\u002Fp>\u003Cp>Courses explain how charts are structured, how symbols are read and how historical and contemporary practitioners differ. The aim is cultural literacy and disciplined reflection—not certainty about the future. Readings do not replace medical, legal, financial, employment or psychological expertise.\u003C\u002Fp>","\u003Cp>紫微斗數依據出生資訊，以宮位、星曜和彼此關係組織命盤。它具有複雜的術語與多種解釋傳統，但其預測主張並未得到現代科學證據的確立。\u003C\u002Fp>\u003Cp>課程說明命盤結構、符號閱讀方法，以及歷史與當代實踐者之間的差異。學習目的在於文化理解與有紀律的自我反思，而不是獲得關於未來的確定答案。相關解讀不能代替醫療、法律、財務、就業或心理專業意見。\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"en":671,"zh":672},"Zi Wei Dou Shu (Purple Star Astrology) Classes","紫微斗數課程：命盤、宮位與星曜入門",{"en":663,"zh":674},"把紫微斗數作為中國傳統詮釋體系來學習，認識命盤、宮位與星曜，不把它包裝成科學預測。",{"id":247,"uuid":676,"slug":677,"available_locales":678,"name":679,"description":682,"body":683,"path":684,"images":685,"image_urls":686,"hero_image":3,"hero_image_url":3,"seo_title":687,"seo_description":690,"sort_order":38,"is_active":608,"status":609,"created_at":693,"updated_at":611},"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[580,581,582],{"en":680,"zh":681},"Tea Arts","茶藝",[],[],"\u002Fevents\u002Ftea-arts",[],[],{"en":688,"zh":689},"Chinese Tea Art Classes and Workshops","茶藝課程與工作坊",{"en":691,"zh":692},"Chinese tea art (茶藝) classes and workshops: tea types, brewing methods, tea-table etiquette and the quiet attention of sharing tea.","茶藝課程與工作坊：認識茶類、泡茶方法與茶席禮儀，在一席茶中體會從容與專注。","2026-08-16T17:13:57.000000Z",{"id":242,"uuid":695,"slug":696,"available_locales":697,"name":698,"description":701,"body":703,"path":706,"images":707,"image_urls":708,"hero_image":3,"hero_image_url":3,"seo_title":709,"seo_description":712,"sort_order":655,"is_active":608,"status":609,"created_at":610,"updated_at":611},"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[580,581,582],{"en":699,"zh":700},"Ba Zi Learning","八字課程",{"en":702,"zh":3},"Study the Four Pillars as a traditional system of stems, branches and five-phase correspondence, with history and limitations made explicit.",{"en":704,"zh":705},"\u003Cp>Ba Zi 八字 interprets year, month, day and hour through the heavenly stems, earthly branches, yin-yang and five-phase relationships. It is an influential part of Chinese metaphysical culture, not an observational science in the modern empirical sense.\u003C\u002Fp>\u003Cp>Classes introduce chart structure, terminology and common interpretive methods while distinguishing tradition from evidence. Students are encouraged to treat readings as prompts for reflection and never as guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>八字以年、月、日、時四柱為框架，通過天干、地支、陰陽與五行關係進行解釋。它是中國術數文化中影響深遠的傳統體系，並非現代經驗科學。\u003C\u002Fp>\u003Cp>課程介紹命盤結構、基本術語和常見詮釋方法，同時說明傳統觀點與科學證據的差別。學員可把解讀作為反思的線索，但不應把它當作保證、診斷，或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"en":710,"zh":711},"BaZi (Four Pillars) Classes and Courses","八字課程：四柱、天干地支與五行入門",{"en":702,"zh":713},"學習四柱中的天干、地支與五行關係，理解其歷史與方法，也清楚區分傳統詮釋和現代實證知識。",{"id":69,"uuid":715,"slug":716,"available_locales":717,"name":718,"description":721,"body":722,"path":723,"images":724,"image_urls":725,"hero_image":3,"hero_image_url":3,"seo_title":726,"seo_description":729,"sort_order":655,"is_active":608,"status":609,"created_at":693,"updated_at":611},"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[580,581,582],{"en":719,"zh":720},"Incense Culture","香文化",[],[],"\u002Fevents\u002Fincense-culture",[],[],{"en":727,"zh":728},"Chinese Incense Culture Workshops","香文化活動與工作坊",{"en":730,"zh":731},"Workshops on Chinese incense culture (香文化): aromatic materials, traditional ways of preparing and appreciating incense, and incense as calm attention.","香文化活動與工作坊：認識香材、傳統制香與品香方式，在一爐香中練習安靜與專注。",{"id":733,"uuid":734,"slug":735,"available_locales":736,"name":737,"description":740,"body":743,"path":746,"images":747,"image_urls":748,"hero_image":3,"hero_image_url":3,"seo_title":749,"seo_description":751,"sort_order":655,"is_active":608,"status":609,"created_at":752,"updated_at":611},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[580,581,582],{"en":738,"zh":739},"I Ching Learning","易經課程",{"en":741,"zh":742},"Explore the I Ching through its hexagrams, traditional interpretive methods and historical context, with scope and limitations made explicit.","通過卦象、傳統解讀方法與歷史語境認識《易經》，並清楚說明其適用範圍與侷限。",{"en":744,"zh":745},"\u003Cp>The I Ching 易經 is a classical Chinese text centred on sixty-four hexagrams and a long history of commentary and divination. It has shaped Chinese philosophy, cosmology and metaphysical practice, but its divinatory claims are not established as modern empirical science.\u003C\u002Fp>\u003Cp>Classes introduce structures, terminology and traditional methods such as Liu Yao while distinguishing cultural study from evidence. Readings should be treated as prompts for reflection, not guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>《易經》是一部以六十四卦為核心的中國經典，形成了悠久的註疏與占筮傳統，並深刻影響中國哲學、宇宙觀與術數文化；其占筮主張並非現代經驗科學所證實。\u003C\u002Fp>\u003Cp>課程介紹基本結構、術語和六爻等傳統方法，同時區分文化學習與科學證據。解讀宜作為反思線索，不應視為保證、診斷或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"en":750,"zh":739},"I Ching Classes and Courses",{"en":741,"zh":742},"2026-09-08T00:15:35.000000Z",{"id":21,"uuid":754,"slug":755,"available_locales":756,"name":757,"description":760,"body":763,"path":766,"images":767,"image_urls":768,"hero_image":3,"hero_image_url":3,"seo_title":769,"seo_description":772,"sort_order":242,"is_active":608,"status":609,"created_at":775,"updated_at":611},"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[580,581,582],{"en":758,"zh":759},"Traditional Arts & Crafts","傳統藝術與手作",{"en":761,"zh":762},"Hands-on workshops exploring Chinese handicrafts and decorative arts through guided making and cultural appreciation.","通過親手製作與文化欣賞，體驗中國傳統手作及裝飾藝術。",{"en":764,"zh":765},"\u003Cp>Discover practical workshops in Chinese decorative arts and handcraft traditions. Activities may include gold-leaf painting, cloisonné enamel, mother-of-pearl work, Song brocade and other guided projects.\u003C\u002Fp>\u003Cp>These welcoming sessions introduce materials, techniques and cultural context while allowing participants to complete a piece of their own.\u003C\u002Fp>","\u003Cp>本類別彙集中國傳統裝飾藝術與手作體驗，內容可涵蓋金箔畫、掐絲琺琅、螺鈿工藝、宋錦及其他創作專案。\u003C\u002Fp>\u003Cp>課程以輕鬆易懂的方式介紹材料、技法與文化背景，讓參加者在導師帶領下完成屬於自己的作品。\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"en":770,"zh":771},"Traditional Arts & Crafts Events","傳統藝術與手作活動",{"en":773,"zh":774},"Explore Chinese handicraft and decorative arts workshops, including gold-leaf, cloisonné, mother-of-pearl and brocade.","探索金箔畫、掐絲琺琅、螺鈿、宋錦等中國傳統手作及裝飾藝術體驗。","2026-08-16T19:24:04.000000Z",{"id":212,"uuid":777,"slug":778,"available_locales":779,"name":780,"description":783,"body":786,"path":789,"images":790,"image_urls":791,"hero_image":3,"hero_image_url":3,"seo_title":792,"seo_description":794,"sort_order":247,"is_active":608,"status":609,"created_at":797,"updated_at":611},"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[580,581,582],{"en":781,"zh":782},"Wudang Community","武當社群活動",{"en":784,"zh":785},"Talks, broadcasts and community gatherings connecting people with Wudang culture, learning and living practice.","通過講座、直播與社群聚會，連線武當文化、學習與日常實踐。",{"en":787,"zh":788},"\u003Cp>Wudang Community brings together public talks, livestreams, gatherings and shared cultural activities connected with Wudang.\u003C\u002Fp>\u003Cp>These programmes create welcoming ways to meet practitioners, explore ideas and participate in a growing community of learning and practice.\u003C\u002Fp>","\u003Cp>武當社群活動彙集與武當文化相關的公開講座、直播、聚會及共享文化體驗。\u003C\u002Fp>\u003Cp>這些活動以友善開放的方式連線練習者與學習者，讓大家交流心得、認識傳統，並共同參與持續發展的文化社群。\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"en":793,"zh":782},"Wudang Community Events",{"en":795,"zh":796},"Discover Wudang community talks, broadcasts and gatherings connecting people with culture, learning and living practice.","探索連線武當文化、學習與日常實踐的講座、直播及社群聚會。","2026-08-16T19:24:18.000000Z",{"id":16,"uuid":799,"slug":800,"available_locales":801,"name":802,"description":805,"body":806,"path":807,"images":808,"image_urls":809,"hero_image":3,"hero_image_url":3,"seo_title":810,"seo_description":813,"sort_order":69,"is_active":608,"status":609,"created_at":816,"updated_at":611},"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[580,581,582],{"en":803,"zh":804},"Wudang Journeys & Retreats","武當旅修與行程",[],[],"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"en":811,"zh":812},"Wudang Mountain Retreats and Guided Journeys","武當山旅修與靜修行程",{"en":814,"zh":815},"Guided journeys and retreats to Wudang Mountain that combine practice, temple visits and cultural learning, with itineraries and expectations set out clearly.","前往武當山的旅修與靜修：結合修習、宮觀參訪與文化學習，提前說明行程安排與參加須知。","2026-08-18T11:09:38.000000Z",{"data":818},{"hero_type":819,"hero_image":820,"hero_image_alt":821,"hero_youtube_id":822,"hero_content_on":608,"hero_heading":823,"hero_subheading":824,"hero_text":825,"hero_subheading_zh":826,"hero_text_zh":827,"hero_buttons":828,"home_seo":834,"page_layout":840,"shop_enabled":841,"contact":842,"journey":858},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武當文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","這裡既是學習之地，也是讓文化融入日常的所在。","從道家思想、內家武術、文人雅藝與武當山出發，以清晰、踏實的方式，在新加坡及世界各地認識和體驗武當文化。",[829,831],{"label":830,"link":278},"Start Your Wudang Journey",{"label":832,"link":833},"View Events & Courses","\u002Fevents",{"title":835,"description":837},{"en":836,"zh":3},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":838,"zh":839},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","從太極、氣功、道家思想、武術、傳統雅藝與養生文化認識武當山，探索武當文化及武當山的日常生活。","sidebar",false,{"methods":843,"has_any":608,"text":851},{"email":844,"whatsapp":845,"wechat_id":846,"wechat_qr_url":847,"instagram":848,"instagram_handle":849,"facebook":850,"facebook_handle":849},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":852,"china_heading_zh":853,"china_company_en":854,"china_company_zh":855,"china_address_en":856,"china_address_zh":857},"China Operations","中國運營","Xunwei Wudang Co., Ltd.","尋味武當有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武當山王家園劍河二路72號",{"title_en":3,"title_zh":3,"intro_en":3,"intro_zh":3,"enabled":608},{"data":860},{"to":335,"type":861,"available_locales":862,"is_content_page":608,"title":863,"subtitle":864,"body":867,"hero_image_url":870,"hero_width":871,"hero_height":872,"hero_image_alt":873,"hero_image_decorative":841,"hero_credit":3,"hero_alt":876,"hero_style":877,"card_layout":878,"link_type":3,"link_ref":3,"seo_title":879,"seo_description":882,"children":885},"page",[580,581,582],{"en":336,"zh":337},{"en":865,"zh":866},"How the twelve-part time cycle connects zodiac animals, directions, seasons and hidden stems","十二時序如何連線生肖、方位、季節、五行與藏幹",{"en":868,"zh":869},"\u003Cp>The \u003Cstrong>twelve Earthly Branches\u003C\u002Fstrong>—dizhi (地支)—form the second counting series of the Ganzhi system. In fixed order they are zǐ (子), chǒu (醜), yín (寅), mǎo (卯), chén (辰), sì (巳), wǔ (午), wèi (未), shēn (申), yǒu (酉), xū (戌), and hài (亥). Where the ten Stems align with the ten-day week, the twelve Branches align with the twelvefold divisions of time: the twelve months of the year, the twelve double-hours of the day, and, by extension, the twelve stations of the sky. This page sets out the Branches as a count, the animals and hours attached to them, and the important idea of the Stems concealed within each Branch.\u003C\u002Fp>\u003Ch2>The Branches as a count\u003C\u002Fh2>\u003Cp>As a count the Branches are simple: they cycle in order and combine with the Stems to build the sixty-term \u003Cem>jiazi\u003C\u002Fem>. But the Branches carry an unusually dense set of associations, richer in some ways than the Stems, because they are tied to the calendar and to the passage of the seasons. Each Branch corresponds to a month, beginning traditionally with yín as the first month of spring in the agricultural calendar, and each corresponds to one of the twelve double-hours into which the day is divided. Zǐ, for instance, marks the hour around midnight, and wǔ marks the hour around noon—which is why noon in Chinese is still called wǔ.\u003C\u002Fp>\u003Ch2>The zodiac animals\u003C\u002Fh2>\u003Cp>The most familiar face of the Branches is the zodiac. Each Branch is paired with one of the twelve animals: zǐ with the rat, chǒu with the ox, yín with the tiger, mǎo with the rabbit, chén with the dragon, sì with the snake, wǔ with the horse, wèi with the goat, shēn with the monkey, yǒu with the rooster, xū with the dog, and hài with the pig. A person's birth-year Branch, wearing its animal name, is their zodiac sign. This animal layer is a later addition to the older Branch system, but it has become so widespread that for most people the animals are the Branches in everyday life.\u003C\u002Fp>\u003Ch2>The Branches and the Five Phases\u003C\u002Fh2>\u003Cp>Like the Stems, the Branches are distributed across the Five Phases, though not as evenly. Yín and mǎo are wood; sì and wǔ are fire; shēn and yǒu are metal; hài and zǐ are water. The remaining four—chén, xū, chǒu, wèi—are all earth, and they hold a special place as the earth Branches that sit at the corners between the seasons. These four are sometimes called the four storehouses or graves, because in the tradition they are said to gather and store the qi of the season just ending. The Branches also carry yin-yang polarity, alternating as the Stems do: zǐ is yang, chǒu is yin, yín is yang, and so on around the twelve.\u003C\u002Fp>\u003Ch2>Hidden Stems — the key technical feature\u003C\u002Fh2>\u003Cp>The most technically important feature of the Branches, and the one that distinguishes them most sharply from the Stems, is the doctrine of \u003Cstrong>hidden Stems\u003C\u002Fstrong>. Each Earthly Branch is held to conceal within it one or more Heavenly Stems, which represent the qi active within that Branch. A simple Branch may hide a single Stem; a more complex one may hide two or three. For example, the Branch yín is said to contain hidden within it the Stems corresponding to yang wood, yang fire, and yang earth, reflecting the mixture of forces present in the first month of spring. This idea of concealed Stems is central to the Four Pillars, where the hidden Stems of the Branches supply much of the detailed information a reader draws from a chart. It is a purely interpretive construct of the metaphysical tradition, but within that tradition it is indispensable.\u003C\u002Fp>\u003Ch2>Relationships between Branches\u003C\u002Fh2>\u003Cp>The Branches also enter into a web of relationships with one another that practitioners study closely. Among the most important are the six harmonies, in which pairs of Branches are said to combine harmoniously; the three harmonies, in which three Branches spaced evenly around the circle form a phase-bureau or trine, said to reinforce a single phase; the six clashes, in which Branches opposite one another on the circle are said to oppose or destabilize each other; and further relations of harm, punishment, and destruction. For instance, zǐ and wǔ, sitting opposite each other, form one of the six clashes, while shēn, zǐ, and chén together form a water trine. These relationships are the grammar by which the Branches interact in a chart, and much of the art of reading the Four Pillars lies in weighing them. They are, again, interpretive rules internal to the tradition rather than descriptions of nature.\u003C\u002Fp>\u003Ch2>The seasonal logic behind them\u003C\u002Fh2>\u003Cp>The seasonal logic behind the Branches helps make sense of these relationships. Because each Branch marks a month, Branches close together in the year share a season and tend to cooperate, while Branches half a year apart—opposite on the circle—mark opposite seasons and are read as clashing. The three-harmony trines gather the Branches that lead into, peak at, and conclude a given phase's season: the water trine of shēn, zǐ, and chén, for example, gathers the approach to winter, its depth, and its close. Seen this way, the abstract-seeming rules of combination and clash are grounded in the plain movement of the seasons through the year.\u003C\u002Fp>\u003Ch2>How the Branches are used in practice\u003C\u002Fh2>\u003Cp>In practice the Branches do a great deal of the work in the metaphysical arts. In the Four Pillars, the Branches of the four pillars, together with their hidden Stems, describe the deep structure of a chart, while the interactions of harmony and clash among them are read as the tensions and supports in a life. In date selection, the Branch of a day and its relationship to the Branch of the person's birth year is a primary consideration. In classical astrology and in Feng Shui, the twelve Branches map onto the twelve directions of the compass and the twelve stations of the sky. The Branches are, in short, the richer and more heavily worked of the two Ganzhi series.\u003C\u002Fp>\u003Ch2>The branches as double-hours\u003C\u002Fh2>\n\u003Cp>Each branch names a period of two hours, so the twelve of them divide the day. This is where a great deal of practical error enters, because the hour pillar of a chart depends on getting the period right and several things can go wrong. The first branch straddles midnight rather than beginning at it, running from late in one day into the early part of the next, which means a birth in those hours can belong to a different day than the civil date suggests. Modern clock time is also standardised across a whole time zone, while the traditional divisions follow local solar time, so a birth well east or west of the meridian on which the zone is based needs correcting. Daylight saving, where it was in force, is a further trap. None of this is difficult, but a chart built on an uncorrected hour is simply the wrong chart.\u003C\u002Fp>\n\n\u003Ch2>The branches as directions\u003C\u002Fh2>\n\u003Cp>The twelve branches also mark directions, distributed evenly around the compass, with the first at north and the seventh at south. This gives a twelve-fold division of space alongside the eight-fold division supplied by the trigrams, and compass feng shui uses both, subdividing further into twenty-four sectors by combining branches with stems. Because the branches carry seasons as well as directions, a direction inherits a seasonal and phase character, which is how a compass bearing acquires a five-phase value that can then be reasoned about. The same twelve-fold scheme underlies the arrangement of the palaces in purple star astrology, where each palace is assigned a branch.\u003C\u002Fp>\n\n\u003Ch2>Combinations and clashes\u003C\u002Fh2>\n\u003Cp>The branches stand in a set of named relationships determined purely by their positions in the sequence, and these are among the most heavily used devices in the fate arts. Branches six positions apart are said to clash, being opposite on the twelve-fold circle. Branches four positions apart form groups of three which combine into a single reinforced phase, a device used to explain why an apparently weak phase in a chart may in fact be strong. Three consecutive branches belonging to the same season form another kind of group, stronger still. There are further named relations for harm, destruction and punishment, whose rationale is less clear and which the sources explain inconsistently. What matters is that every one of these relations is derived from arithmetic position, not from the animals.\u003C\u002Fp>\n\n\u003Ch2>Common errors with the branches\u003C\u002Fh2>\n\u003Cp>Four mistakes are worth naming. The first is working from the animal rather than the branch, which discards the phase and polarity that the calculation actually uses. The second is ignoring the hidden stems, which are not an advanced refinement but a standard part of every reading. The third is taking the lunar new year as the boundary of the branch year, when the fate arts change the year at the solar term beginning spring, so anyone born in the intervening weeks is routinely assigned the wrong animal by popular sources. The fourth is treating a clash as straightforwardly unfortunate; the traditional literature treats clashes as indicating movement, disruption and change, which may be needed or unwelcome depending on the rest of the chart.\u003C\u002Fp>\n\n\u003Ch2>Three layers to keep in mind\u003C\u002Fh2>\u003Cp>To hold the Branches clearly in mind, it helps to remember the three layers they carry. First, a plain count of twelve, tied to months and hours, as old as the calendar itself. Second, the popular overlay of the twelve zodiac animals, memorable and universally known. Third, the dense metaphysical layer—phases, polarities, hidden Stems, and the relationships of harmony and clash—assembled over the Han and later periods for use in the arts. The first is documented history; the second is folklore of great cultural depth; the third is a coherent interpretive system, powerful within its own logic but not a claim validated by modern science.\u003C\u002Fp>\u003Ch2>Key points\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>The twelve Earthly Branches are the second series of the Ganzhi system.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>As a count they simply cycle and combine with the Stems to form the sixty-term \u003Cem>jiazi\u003C\u002Fem>.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Each Branch is paired with a zodiac animal, which is their most familiar face.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>The Branches are distributed across the Five Phases unevenly, with four assigned to earth.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Their most important technical feature is the hidden Stems each Branch contains.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Branches form a web of relationships — combinations, clashes and related patterns — that practitioners watch closely.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Those relationships follow from the seasonal logic, since each Branch marks a month.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>In the Four Pillars the Branches carry much of the analytical weight.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Hold three layers apart: a plain count of twelve, the popular overlay of the zodiac animals, and the metaphysical layer of phases, hidden Stems and relationships.\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\u003Cblockquote>\u003Cp>Sources drawn on for this article include: Joseph Needham's Science and Civilisation in China (volume 2, on Five-Phase correlations, and volume 3, on the calendar); Richard J. Smith's Fortune-tellers and Philosophers; standard scholarship on the origin and spread of the twelve-animal zodiac; and reference treatments of the dizhi, the hidden Stems, and the Branch relationships in the traditional Four Pillars literature.\u003C\u002Fp>\u003C\u002Fblockquote>","\u003Ch2>先當計數看\u003C\u002Fh2>\n\u003Cp>十二地支是：\u003Cstrong>子、醜、寅、卯、辰、巳、午、未、申、酉、戌、亥\u003C\u002Fstrong>。和天干一樣，它首先是一列順序符號，用來標記位置——十二個月、十二個時辰、十二個方位。\u003C\u002Fp>\n\u003Ch2>生肖：附加層，不是運算層\u003C\u002Fh2>\n\u003Cp>十二支各配一種動物：鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬。這是中國人最熟的一套對應，但有兩件事需要說清。\u003C\u002Fp>\n\u003Cp>第一，\u003Cstrong>生肖是後配的\u003C\u002Fstrong>。完整的十二獸對應最早明確見於東漢王充《論衡》，比地支晚了一千多年。\u003C\u002Fp>\n\u003Cp>第二，也是更實用的一點：\u003Cstrong>術數運算用的是地支的五行和藏幹，動物不參與計算。\u003C\u002Fstrong>八字排盤、六爻裝卦、擇日推算裡沒有一個步驟用到“這是老虎”。所謂“屬虎的人性格剛強”，是從動物形象聯想出來的說法，不是從術數規則推出來的。生肖屬於民俗與記憶層，很有文化價值，但它不是技術內容。\u003C\u002Fp>\n\u003Cp>把這一點說透些：十二地支起初與十天干一樣，只是編號。甲骨裡的地支不吉不凶，附在它們身上的五行、生肖與吉凶之說，都是後世逐層堆上去的。所以問“子究竟是什麼意思”，最老實的答覆仍是：起初它只是第一。\u003C\u002Fp>\u003Ch2>五行配屬\u003C\u002Fh2>\n\u003Cp>十二支的五行分配不像天干那樣均勻：\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>寅、卯\u003C\u002Fstrong>——木（春）\u003C\u002Fli>\n\u003Cli>\u003Cstrong>巳、午\u003C\u002Fstrong>——火（夏）\u003C\u002Fli>\n\u003Cli>\u003Cstrong>申、酉\u003C\u002Fstrong>——金（秋）\u003C\u002Fli>\n\u003Cli>\u003Cstrong>亥、子\u003C\u002Fstrong>——水（冬）\u003C\u002Fli>\n\u003Cli>\u003Cstrong>辰、戌、醜、未\u003C\u002Fstrong>——土（分居四季之末）\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>土佔了四個，分佈在每一季的最後一個月。這與五行那一部分提到的“土居中央”或“土配長夏”的分歧同源——土的處理在各家系統裡一直是特殊的。\u003C\u002Fp>\n\u003Cp>生肖這一層還有一個旁證：早期講地支的文獻並不提動物，動物之名要到較晚的材料裡才與地支並列。它是附加的一層，而不是地支本來的內容——這也解釋了為什麼認真的術者幾乎不談生肖。\u003C\u002Fp>\u003Ch2>藏幹：地支最關鍵的技術特徵\u003C\u002Fh2>\n\u003Cp>這是地支與天干最大的不同，也是八字推算的核心機制。\u003Cstrong>每個地支內部含有一到三個天干\u003C\u002Fstrong>，稱為藏幹或人元。\u003C\u002Fp>\n\u003Cp>例如寅內藏甲、丙、戊；申內藏庚、壬、戊；子內藏癸。也就是說，寅不只是“木”，它同時含著火和土的成分。\u003C\u002Fp>\n\u003Cp>這個設計的作用很大：它讓地支從一個單一屬性變成一個\u003Cstrong>組合\u003C\u002Fstrong>。判斷八字旺衰時，看的不只是表面上的五行，還要看地支裡藏著什麼、藏幹是否與天干呼應（術語叫“透”）、日主在地支裡有沒有“根”。八字之所以能推出那麼多層次，主要靠這一點。\u003C\u002Fp>\n\u003Cp>地支在五行上的分配不像天干那樣兩兩齊整：土多佔了位置，用來安置四季之交；而四個屬土之支各自的性質，古書講得也不完全一致。這是地支比天干難學的一個具體緣故。\u003C\u002Fp>\u003Ch2>地支之間的關係\u003C\u002Fh2>\n\u003Cp>規定的關係比天干多，常用的有幾組。\u003C\u002Fp>\n\u003Cp>\u003Cstrong>六沖\u003C\u002Fstrong>——子午、醜未、寅申、卯酉、辰戌、巳亥。規律是相隔六位，即在十二支的圓圈上正對面的兩個。\u003C\u002Fp>\n\u003Cp>\u003Cstrong>三合局\u003C\u002Fstrong>——申子辰合水、亥卯未合木、寅午戌合火、巳酉醜合金。四組，每組三支相隔四位。\u003C\u002Fp>\n\u003Cp>\u003Cstrong>三會\u003C\u002Fstrong>——寅卯辰會木、巳午未會火、申酉戌會金、亥子醜會水。這一組的道理最直白，就是把同一季的三個月放在一起。\u003C\u002Fp>\n\u003Cp>三合局的構成也有內在道理：每組由該五行的長生、帝旺、墓庫三個位置組成。以水為例，申是水的長生、子是帝旺、辰是墓庫，合起來構成完整的一輪。知道這個結構，三合就不必死記。\u003C\u002Fp>\n\u003Ch2>時辰：兩個必須知道的實際問題\u003C\u002Fh2>\n\u003Cp>十二支對應十二個時辰，每個時辰兩小時，子時是23點到次日1點。這裡有兩個直接影響排盤結果的問題，很多人不知道。\u003C\u002Fp>\n\u003Cp>\u003Cstrong>一、早子時與夜子時之爭。\u003C\u002Fstrong>一天究竟從23點算起，還是從0點算起？各家做法不同：有的把23點之後就算作次日，有的把23點到24點算作當日的“夜子時”，日柱不變。這兩種演算法會導致日柱不同，進而影響整個八字。這是技術上真實存在的分歧，沒有公認答案。\u003C\u002Fp>\n\u003Cp>\u003Cstrong>二、真太陽時的換算。\u003C\u002Fstrong>中國全境統一使用北京時間，但國土東西跨度很大，實際的地方時與北京時間可以相差一兩個小時甚至更多。嚴格的排盤應當按出生地經度換算為地方時，還要加上均時差的修正。\u003C\u002Fp>\n\u003Cp>這一點很有現實意義：\u003Cstrong>很多手機排盤軟體不做這個校正\u003C\u002Fstrong>，直接用鐘錶時間定時辰。對於出生在時辰交界附近、或出生在西部地區的人，校正與不校正會得到不同的時柱。如果有人要按八字給你建議，這是一個值得當面問清的問題。\u003C\u002Fp>\n\u003Cp>時辰上還有一層容易忽略的事：舊時並無統一的鐘點，各地以日影定時，所以古人所說的時辰本就是當地的真太陽時。今日用鐘錶反推古法，校正是必須的一步，而不是可有可無的講究。\u003C\u002Fp>\u003Ch2>年份在立春換，不在正月初一\u003C\u002Fh2>\n\u003Cp>這一條單獨強調。術數裡的年柱以\u003Cstrong>立春\u003C\u002Fstrong>為分界，不是農曆正月初一。出生在立春之前但已過正月初一的人，民俗上算新生肖，命理上仍算前一年的地支。\u003C\u002Fp>\n\u003Cp>所以“我到底屬什麼”可能有兩個答案。這不是誰算錯，而是兩套劃法：生肖跟著過年，年柱跟著節氣。月柱同樣以節氣為界，不是以農曆月初為界。\u003C\u002Fp>\n\u003Cp>藏幹為什麼要緊，可以這樣看：一張八字盤表面只有八個字，可四個地支各自藏著一到三個天干，於是實際參與推算的五行之值遠多於八個。不計藏幹而論五行的多寡強弱，等於只看了半張盤。\u003C\u002Fp>\u003Ch2>地支作為時辰\u003C\u002Fh2>\n\u003Cp>每一個地支標記兩個小時，十二支正好分盡一日。實際的差錯大半從這裡進來，因為命盤的時柱要靠把時段定準，而出錯的路子不止一條。子時跨著子夜，不是從子夜起算，它由前一日的晚間延入次日的頭上——這意味著在那幾個鐘點裡出生的人，所屬的日子可能與公曆的日期不一致。現代的鐘點又是整個時區統一的，而傳統的分劃依的是當地的真太陽時，所以出生地明顯偏在時區基準子午線之東或之西的，就需要校正。曾經施行過夏令時的年份，是又一個陷阱。這些都不難，可是時辰沒校準而排出來的盤，乾脆就是錯的盤。\u003C\u002Fp>\n\n\u003Ch2>地支作為方位\u003C\u002Fh2>\n\u003Cp>十二地支同時標記方位，均勻分佈在羅盤周圍，第一支在北，第七支在南。這就在八卦所給的八分之外，又給了空間一套十二分的劃分；理氣派風水兩套都用，還把地支與天干相配，進一步細分為二十四山。又因為地支既帶方位也帶季節，一個方位便承接了季節與五行的性質——羅盤上的一個坐向正是這樣得到一個五行之值，從而可以拿去推算。紫微斗數裡十二宮的安排，底下也是同一套十二分的圖式，每一宮各配一個地支。\u003C\u002Fp>\n\n\u003Ch2>合與衝\u003C\u002Fh2>\n\u003Cp>地支之間有一組有名號的關係，純由它們在那一列中的位置而定，這些是命理之術裡用得最多的機件。相隔六位的兩支相沖，在十二分的圓上正好相對。相隔四位的三支成一組，合而化為一個被加強了的五行，這個機件常用來解釋：為什麼盤中一個看似衰弱的五行其實很強。同一季節的三個連續之支又成另一種組合，力量更大。此外還有害、破、刑等名目，其道理不那麼清楚，各家的解釋也不一致。要緊的是：這些關係無一不是由位置的算術推出來的，與生肖無關。\u003C\u002Fp>\n\n\u003Cp>還該說明，這些名目雖多，實際推斷時並非條條都用得上。各家取用的輕重不同：有的重三合與衝，有的兼論刑害。遇到不同的書講法有出入，那是流派之別，不是誰記錯了。\u003C\u002Fp>\u003Ch2>關於地支的幾個常見錯處\u003C\u002Fh2>\n\u003Cp>有四個錯值得點出名來。第一是拿生肖而不拿地支來推，這就把推算真正要用的五行與陰陽都丟掉了。第二是不管藏幹，而藏幹不是進階的精細化，是每一次推斷裡的常規一環。第三是把農曆正月初一當作支年的界，而命理之術是在立春換年的——所以在這中間那幾週裡出生的人，通俗材料照例會把屬相判錯。第四是把“衝”一概當作凶；傳統文獻把衝看作動、擾與變的徵象，究竟是所需要的還是不受歡迎的，要看盤中其餘部分。\u003C\u002Fp>\n\n\u003Ch2>三層要分開\u003C\u002Fh2>\n\u003Cul>\n\u003Cli>\u003Cstrong>計數層\u003C\u002Fstrong>——十二個順序位置，用於月、時、方位。確定無爭議。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>生肖層\u003C\u002Fstrong>——後配的動物，屬民俗與記憶，不參與運算。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>五行藏幹層\u003C\u002Fstrong>——屬性與內含天干，是術數實際使用的部分，由傳統約定。\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>末了提一句學法上的建議：十二地支這一層比天干難，值得慢些來。先把次序、生肖、時辰與月份記牢，再記五行，最後才碰藏干與各種合衝。基礎沒坐穩就去弄那些名目，是最常見的把自己弄糊塗的路。\u003C\u002Fp>\u003Ch2>要點\u003C\u002Fh2>\n\u003Cul>\n\u003Cli>十二支首先是順序符號，用於月、時辰、方位。\u003C\u002Fli>\n\u003Cli>生肖最早完整見於東漢《論衡》，是附加層，不參與術數運算。\u003C\u002Fli>\n\u003Cli>五行分配為寅卯木、巳午火、申酉金、亥子水，辰戌醜未四土居季末。\u003C\u002Fli>\n\u003Cli>藏幹讓地支成為組合而非單一屬性，是八字推算的核心機制。\u003C\u002Fli>\n\u003Cli>六沖為圓圈上正對的兩支；三合由長生、帝旺、墓庫三位構成。\u003C\u002Fli>\n\u003Cli>早子時與夜子時的分歧會改變日柱，各家做法不同，沒有公認答案。\u003C\u002Fli>\n\u003Cli>嚴格排盤須按出生地經度換算真太陽時，多數手機軟體不做校正。\u003C\u002Fli>\n\u003Cli>年柱以立春為界、月柱以節氣為界，與農曆過年不同。\u003C\u002Fli>\n\u003C\u002Ful>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FRySgB7MS8c2znJg8otQq.webp",1920,600,{"en":874,"zh":875},"Ink illustration of the twelve animals of the Chinese zodiac (rat, ox, tiger, rabbit, dragon, horse and more) in coloured medallions arranged around a bronze disc, near mountains.","水墨插畫：鼠、牛、虎、兔、龍、馬等十二生肖動物繪於彩色圓章中，環繞一個青銅圓盤排列，旁邊是群山。",{"en":874,"zh":875},"banner","list",{"en":880,"zh":881},"Twelve Earthly Branches: Animals, Hours, Months and Elements","十二地支詳解：生肖、時辰、月份、五行與藏幹",{"en":883,"zh":884},"Learn the twelve Earthly Branches in order, including their zodiac animals, months, double-hours, directions, Five-Phase associations and hidden stems.","依次認識十二地支及其生肖、月份、時辰、方位、五行屬性和藏幹，並瞭解地支之間的合、衝等傳統關係。",[],{"data":887},[888,964,1065,1156],{"id":889,"slug":890,"available_locales":891,"path":892,"title":893,"venue":896,"hero_image_url":3,"card_image_url":899,"card_landscape_url":900,"lifecycle":901,"session_mode":902,"sessions":903,"next_session":963},15601,"liu-yao-beginner-course",[580,581,582],"\u002Fevents\u002Fi-ching-learning\u002Fliu-yao-beginner-course",{"en":894,"zh":895},"Liu Yao Beginner 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