[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-reference-en":3,"site-nav-zh":4,"site-nav-zh-all-chinese-metaphysics":289,"event-categories-zh":574,"site-settings":817,"node-zh-chinese-metaphysics\u002Fzi-wei-dou-shu\u002Fcasting-and-reading":859,"live-course-events":885},null,{"data":5},{"header":6,"footer":264},[7,51,82,123,161,187,229,260],{"to":8,"label":9,"label_zh":10,"children":11},"\u002Fdao","TAO","道",[12,17,22,26,30,34,39,43,47],{"to":13,"label":14,"label_zh":15,"n":16},"\u002Fdao\u002Fintroduction","Begin with the Tao","道學入門",9,{"to":18,"label":19,"label_zh":20,"n":21},"\u002Fdao\u002Fyi-jing","I Ching","易經",7,{"to":23,"label":24,"label_zh":25,"n":16},"\u002Fdao\u002Fdao-de-jing","Tao Te Ching","道德經",{"to":27,"label":28,"label_zh":29,"n":21},"\u002Fdao\u002Ftaiji","Taiji","太極",{"to":31,"label":32,"label_zh":33,"n":21},"\u002Fdao\u002Fzhuang-zi","Zhuangzi","莊子",{"to":35,"label":36,"label_zh":37,"n":38},"\u002Fdao\u002Fclassics","Classical Library","道家經典文庫",1,{"to":40,"label":41,"label_zh":42},"\u002Fdao\u002Fdaoist-philosophy","Taoist Philosophy","道家哲學",{"to":44,"label":45,"label_zh":46},"\u002Fdao\u002Fwu-wei-natural-living","Wu Wei & Natural Living","無為與自然生活",{"to":48,"label":49,"label_zh":50},"\u002Fdao\u002Fdaoist-view-of-life","A Taoist View of Life","道家人生觀",{"to":52,"label":53,"label_zh":54,"children":55},"\u002Fmartial-arts","Martial Arts","武當武術",[56,61,65,70,74,78],{"to":57,"label":58,"label_zh":59,"n":60},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Foundations of Internal Martial Arts","內家拳基礎",6,{"to":62,"label":63,"label_zh":64,"n":21},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan (Tai Chi)","太極拳",{"to":66,"label":67,"label_zh":68,"n":69},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、換掌與身法變化",5,{"to":71,"label":72,"label_zh":73,"n":69},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan: Structure, Intention and Direct Training","形意拳：結構、意念與直接訓練",{"to":75,"label":76,"label_zh":77,"n":21},"\u002Fmartial-arts\u002Fweapons","Wudang Sword and Weapons: History, Practice and Context","武當劍與兵器：歷史、練習與文化語境",{"to":79,"label":80,"label_zh":81,"n":21},"\u002Fmartial-arts\u002Ftraining-practice","Training and Practice: Building a Sustainable Wudang Routine","訓練與習練：建立可持續的武當練習",{"to":83,"label":84,"label_zh":85,"children":86},"\u002Fwellness","Wellness","養生",[87,91,95,99,103,107,111,115,119],{"to":88,"label":89,"label_zh":90,"n":21},"\u002Fwellness\u002Fqigong","Qigong","氣功",{"to":92,"label":93,"label_zh":94,"n":60},"\u002Fwellness\u002Fherbal-healing","Chinese Herbal Medicine","中藥與本草",{"to":96,"label":97,"label_zh":98,"n":60},"\u002Fwellness\u002Ftaoist-medicine","Taoist Medicine","道家醫學",{"to":100,"label":101,"label_zh":102,"n":60},"\u002Fwellness\u002Fenergy-sound-healing","Sound & Energy Practices","聲音與能量練習",{"to":104,"label":105,"label_zh":106},"\u002Fwellness\u002Fstanding-practice","Standing Practice","站樁",{"to":108,"label":109,"label_zh":110},"\u002Fwellness\u002Fwudang-internal-cultivation","Wudang Internal Cultivation","武當內修",{"to":112,"label":113,"label_zh":114},"\u002Fwellness\u002Fmoxibustion","Moxibustion","艾灸",{"to":116,"label":117,"label_zh":118},"\u002Fwellness\u002Fbigu","Bigu","辟穀",{"to":120,"label":121,"label_zh":122,"n":38},"\u002Fwellness\u002Fbaduanjin","Baduanjin (Eight Brocades)","八段錦",{"to":124,"label":125,"label_zh":126,"children":127},"\u002Farts","Literati Arts","文人雅藝",[128,133,138,143,148,153,157],{"to":129,"label":130,"label_zh":131,"n":132},"\u002Farts\u002Fchinese-poetry-literature","Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中國詩詞與文學：體式、語境與閱讀路徑",49,{"to":134,"label":135,"label_zh":136,"n":137},"\u002Farts\u002Fcalligraphy","Chinese Calligraphy: Scripts, Materials and Ways of Looking","中國書法：書體、材料與觀賞入門",17,{"to":139,"label":140,"label_zh":141,"n":142},"\u002Farts\u002Ftea-ceremony","Chinese Tea Culture","中國茶文化",39,{"to":144,"label":145,"label_zh":146,"n":147},"\u002Farts\u002Fguqin","Guqin: Sound, History and Ways to Listen","古琴：認識聲音、歷史與聆聽方法",12,{"to":149,"label":150,"label_zh":151,"n":152},"\u002Farts\u002Fpainting","Chinese Painting: Materials, Formats and Ways of Looking","中國繪畫：材料、形制與觀看方法",15,{"to":154,"label":155,"label_zh":156,"n":16},"\u002Farts\u002Fincense","Chinese Incense Culture","中國香文化",{"to":158,"label":159,"label_zh":160,"n":21},"\u002Farts\u002Fflower-arrangement","Chinese Flower Arrangement: History, Materials and Ways of Looking","中國插花：歷史、花材與觀看方法",{"to":162,"label":163,"label_zh":164,"children":165},"\u002Fdaoism","Taoist Culture","道教文化",[166,170,174,178,183],{"to":167,"label":168,"label_zh":169,"n":16},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙與神明體系：結構與層級指南",{"to":171,"label":172,"label_zh":173,"n":21},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山與宮觀：聖地、建築與制度指南",{"to":175,"label":176,"label_zh":177,"n":21},"\u002Fdaoism\u002Ftaoist-schools-lineages","Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派與傳承：正一、全真及歷史道派",{"to":179,"label":180,"label_zh":181,"n":182},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教節日與科儀：神誕、齋醮與歲時儀式",19,{"to":184,"label":185,"label_zh":186,"n":60},"\u002Fdaoism\u002Feight-immortals","The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象徵與道教傳說",{"to":188,"label":189,"label_zh":190,"children":191},"\u002Fchinese-metaphysics","Chinese Metaphysics","易學與傳統術數",[192,196,200,204,208,213,217,221,225],{"to":193,"label":194,"label_zh":195,"n":21},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Yin-Yang and the Five Phases in Chinese Thought","陰陽五行：理解關係與變化",{"to":197,"label":198,"label_zh":199,"n":21},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中國曆法與術數的六十迴圈",{"to":201,"label":202,"label_zh":203,"n":21},"\u002Fchinese-metaphysics\u002Ffeng-shui","Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中國風水：形勢、羅盤方法與負責任實踐",{"to":205,"label":206,"label_zh":207,"n":21},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八個字如何構成命盤",{"to":209,"label":210,"label_zh":211,"n":212},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗數：十二宮命盤如何運作",8,{"to":214,"label":215,"label_zh":216,"n":212},"\u002Fchinese-metaphysics\u002Fdate-selection","Chinese Date Selection: How Auspicious Days Are Chosen","中國擇吉：傳統吉日如何選擇",{"to":218,"label":219,"label_zh":220,"n":21},"\u002Fchinese-metaphysics\u002Fphysiognomy","Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中國相術：面相、手相及其侷限",{"to":222,"label":223,"label_zh":224,"n":21},"\u002Fchinese-metaphysics\u002Fdivination-arts","Chinese Divination Arts: Methods, History and Responsible Use","中國占卜術：方法、歷史與負責任使用",{"to":226,"label":227,"label_zh":228,"n":21},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河圖、洛書與九宮：中國傳統圖式的歷史與用途",{"to":230,"label":231,"label_zh":232,"children":233},"\u002Fwudang-mountain","Experience Wudang","武當之旅",[234,238,243,248,252,256],{"to":235,"label":236,"label_zh":237,"n":21},"\u002Fwudang-mountain\u002Fintroduction","Introduction to Wudang Mountain","初識武當山",{"to":239,"label":240,"label_zh":241,"n":242},"\u002Fwudang-mountain\u002Ftemples-and-sites","Wudang Mountain Temples and Sacred Sites","武當山宮觀與勝蹟",3,{"to":244,"label":245,"label_zh":246,"n":247},"\u002Fwudang-mountain\u002Fplanning-a-visit","Planning a Visit to Wudang Mountain","武當山行前規劃指南",4,{"to":249,"label":250,"label_zh":251,"n":242},"\u002Fwudang-mountain\u002Fstudying-at-wudang","Studying Martial Arts at Wudang Mountain","在武當山學習武術",{"to":253,"label":254,"label_zh":255,"n":242},"\u002Fwudang-mountain\u002Ftemple-etiquette","Wudang Temple Etiquette: A Visitor’s Guide","武當宮觀參訪禮儀",{"to":257,"label":258,"label_zh":259,"n":69},"\u002Fwudang-mountain\u002Fpractical-reference","Wudang Mountain Practical Reference","武當山實用參考資料",{"to":261,"label":262,"label_zh":263},"\u002Fwudang-mountain\u002Feveryday-wudang","Everyday Wudang","武當日常",[265,266,267,268,269,270,271,272,273,277,281,285],{"to":8,"label":9,"label_zh":10},{"to":52,"label":53,"label_zh":54},{"to":83,"label":84,"label_zh":85},{"to":124,"label":125,"label_zh":126},{"to":162,"label":163,"label_zh":164},{"to":188,"label":189,"label_zh":190},{"to":230,"label":231,"label_zh":232},{"to":261,"label":262,"label_zh":263},{"to":274,"label":275,"label_zh":276},"\u002Fabout","About Wudang.Org","關於 Wudang.Org",{"to":278,"label":279,"label_zh":280},"\u002Fstart-here","Start Here","從這裡開始",{"to":282,"label":283,"label_zh":284},"\u002Ffind-a-practice","Find a Practice","找到適合你的修習",{"to":286,"label":287,"label_zh":288},"\u002Fteachers","Our Teachers","授課老師",{"data":290},{"all":291,"header":572,"footer":573},[292],{"to":188,"label":189,"label_zh":190,"children":293},[294,324,354,384,414,448,482,512,542],{"to":193,"label":194,"label_zh":195,"children":295},[296,300,304,308,312,316,320],{"to":297,"label":298,"label_zh":299},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Forigins-early-history","Origins & Early History of Yin-Yang Thought","陰陽觀念的來歷",{"to":301,"label":302,"label_zh":303},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fmeaning-of-yin-and-yang","The Meaning of Yin and Yang","陰陽的含義",{"to":305,"label":306,"label_zh":307},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Ffive-phases","The Five Phases: Wood, Fire, Earth, Metal & Water","五行：五種執行",{"to":309,"label":310,"label_zh":311},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fgenerating-controlling-cycles","The Generating & Controlling Cycles","相生與相剋",{"to":313,"label":314,"label_zh":315},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fcorrelative-cosmology","Correlative Cosmology: Body, Seasons & the Cosmos","天人相應：關聯宇宙論",{"to":317,"label":318,"label_zh":319},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fin-the-metaphysical-arts","Yin-Yang & the Five Elements in the Metaphysical Arts","陰陽五行在術數中的應用",{"to":321,"label":322,"label_zh":323},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fkey-sources-further-reading","Key Sources & Further Reading","參考文獻與延伸閱讀",{"to":197,"label":198,"label_zh":199,"children":325},[326,330,334,338,342,346,350],{"to":327,"label":328,"label_zh":329},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Forigins-history","Origins and History of the Chinese Sexagenary Cycle","中國干支與六十甲子的起源和歷史",{"to":331,"label":332,"label_zh":333},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ften-heavenly-stems","The Ten Heavenly Stems: Names, Five Phases and Meanings","十天干：名稱、五行屬性與含義",{"to":335,"label":336,"label_zh":337},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ftwelve-earthly-branches","The Twelve Earthly Branches: Animals, Hours, Months and Meanings","十二地支：生肖、時辰、月份與含義",{"to":339,"label":340,"label_zh":341},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fsixty-year-jiazi","The Sixty-Part Jiazi Cycle: How Stems and Branches Combine","六十甲子：天干地支如何組合成六十迴圈",{"to":343,"label":344,"label_zh":345},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fstems-branches-yin-yang-five-phases","How Heavenly Stems and Earthly Branches Encode Yin–Yang and the Five Phases","天干地支如何結合陰陽五行",{"to":347,"label":348,"label_zh":349},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fin-the-metaphysical-arts","How Ganzhi Is Used in BaZi, Feng Shui, Date Selection and Other Arts","干支如何應用於八字、風水、擇日與其他術數",{"to":351,"label":352,"label_zh":353},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fkey-sources-further-reading","Heavenly Stems, Earthly Branches and Ganzhi: Sources and Further Reading","天干地支與干支歷的重要資料和延伸閱讀",{"to":201,"label":202,"label_zh":203,"children":355},[356,360,364,368,372,376,380],{"to":357,"label":358,"label_zh":359},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Forigins-history","Origins and History of Chinese Feng Shui","中國風水的起源與歷史",{"to":361,"label":362,"label_zh":363},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fqi-compass-two-schools","Qi, the Feng Shui Compass and the Two Schools","風水中的氣、羅盤與形勢理氣之分",{"to":365,"label":366,"label_zh":367},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fform-school-landscape","Feng Shui Form School: How Landscapes Are Read","風水形勢派：如何觀察山水與地形",{"to":369,"label":370,"label_zh":371},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fcompass-school-luopan","Feng Shui Compass School: How the Luopan Is Used","風水理氣派：羅盤如何用於方位判斷",{"to":373,"label":374,"label_zh":375},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fdwellings-and-graves","Feng Shui for Homes and Graves: Yangzhai and Yinzhai","陽宅與陰宅風水：住宅和墓葬有何不同",{"to":377,"label":378,"label_zh":379},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fmodern-world","Feng Shui Today: Homes, Cities, Design and Cultural Practice","今日風水：住宅、城市、設計與文化實踐",{"to":381,"label":382,"label_zh":383},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fkey-sources-further-reading","Chinese Feng Shui Sources: Classical Texts and Further Reading","中國風水資料：經典文獻與延伸閱讀",{"to":205,"label":206,"label_zh":207,"children":385},[386,390,394,398,402,406,410],{"to":387,"label":388,"label_zh":389},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Forigins-history","History of BaZi and the Four Pillars of Destiny","八字與四柱命理的起源和歷史",{"to":391,"label":392,"label_zh":393},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fbuilding-the-chart","How a BaZi Chart Is Calculated: The Four Pillars and Eight Characters","八字命盤如何排定：四柱八字的計算方法",{"to":395,"label":396,"label_zh":397},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fday-master-ten-gods","The BaZi Day Master and Ten Gods: A Relationship Guide","八字日主與十神：命盤關係如何分類",{"to":399,"label":400,"label_zh":401},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Ffive-phase-balance","How BaZi Charts Are Read: Five-Phase Balance and the Useful God","八字命盤如何解讀：五行平衡與用神",{"to":403,"label":404,"label_zh":405},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fluck-pillars-annual-influences","BaZi Luck Pillars and Annual Influences: How Time Is Read","八字大運與流年：命盤如何推移時間",{"to":407,"label":408,"label_zh":409},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fin-practice","BaZi Readings Today: Interpretation, Responsibility and Limits","今日八字解讀：意義、責任與界限",{"to":411,"label":412,"label_zh":413},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fkey-sources-further-reading","BaZi Sources: Classical Texts, Commentaries and Further Reading","八字資料：經典、註疏與延伸閱讀",{"to":209,"label":210,"label_zh":211,"children":415},[416,420,424,428,432,436,440,444],{"to":417,"label":418,"label_zh":419},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Forigins-history","History of Zi Wei Dou Shu: Origins, Legends and Documented Evidence","紫微斗數的起源與歷史：傳說、文獻與可考證據",{"to":421,"label":422,"label_zh":423},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ftwelve-palaces","The Twelve Palaces of Zi Wei Dou Shu: A Guide to the Life Domains","紫微斗數十二宮：命盤生活領域完整指南",{"to":425,"label":426,"label_zh":427},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fthe-stars","Zi Wei Dou Shu Stars: The Fourteen Major Stars and Their Meanings","紫微斗數星曜：十四主星及其含義",{"to":429,"label":430,"label_zh":431},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fcasting-and-reading","How a Zi Wei Dou Shu Chart Is Cast and Read","紫微斗數如何排盤與解讀",{"to":433,"label":434,"label_zh":435},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ffour-transformations","Zi Wei Dou Shu Four Transformations: How the Chart Moves Through Time","紫微斗數四化：命盤如何隨時間變化",{"to":437,"label":438,"label_zh":439},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fin-practice","Zi Wei Dou Shu Readings Today: Interpretation, Responsibility and Limits","今日紫微斗數解讀：意義、責任與界限",{"to":441,"label":442,"label_zh":443},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fkey-sources-further-reading","Zi Wei Dou Shu Sources: Classical Texts, Schools and Further Reading","紫微斗數資料：經典、流派與延伸閱讀",{"to":445,"label":446,"label_zh":447},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fglossary","Zi Wei Dou Shu Glossary: Palaces, Stars, Transformations and Time Cycles","紫微斗數術語表：宮位、星曜、四化與時間週期",{"to":214,"label":215,"label_zh":216,"children":449},[450,454,458,462,466,470,474,478],{"to":451,"label":452,"label_zh":453},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Forigins-history","Origins and History of Chinese Date Selection","中國擇吉的起源與歷史",{"to":455,"label":456,"label_zh":457},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fthe-almanac","The Chinese Almanac: How the Tongshu Guides Everyday Dates","通書：中國人的日用擇日指南",{"to":459,"label":460,"label_zh":461},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcyclical-qualities","How Chinese Calendars Describe the Qualities of Days","中國曆法如何描述日子的週期屬性",{"to":463,"label":464,"label_zh":465},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fstars-and-officers","Auspicious Stars and Day Officers in Chinese Date Selection","擇吉中的吉星、值日神與神煞",{"to":467,"label":468,"label_zh":469},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fchoosing-a-date","How Chinese Date Selection Works in Practice","中國擇日的實際操作",{"to":471,"label":472,"label_zh":473},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcultural-meaning-and-responsible-practice","Chinese Date Selection: Cultural Meaning and Responsible Practice","中國擇日的文化意義與負責任實踐",{"to":475,"label":476,"label_zh":477},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fkey-sources-further-reading","Chinese Date Selection: Key Sources and Further Reading","中國擇日的重要資料與延伸閱讀",{"to":479,"label":480,"label_zh":481},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Ftwenty-four-solar-terms-seasonal-time-chinese-calendar","The Twenty-Four Solar Terms: Seasonal Time in the Chinese Calendar","二十四節氣：中國曆法中的季節時間",{"to":218,"label":219,"label_zh":220,"children":483},[484,488,492,496,500,504,508],{"to":485,"label":486,"label_zh":487},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Forigins-history","Origins and History of Chinese Physiognomy","中國相術的起源與歷史",{"to":489,"label":490,"label_zh":491},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fface-reading","Chinese Face Reading (Mianxiang): Methods, Meanings and Limits","中國面相術：方法、含義與侷限",{"to":493,"label":494,"label_zh":495},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fpalm-reading","Chinese Palm Reading (Shouxiang): Traditions, Methods and Limits","中國手相術：傳統、方法與侷限",{"to":497,"label":498,"label_zh":499},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-practice","Chinese Physiognomy in Practice Today: Readings, Apps and Risks","當代中國相術：看相、應用程式與風險",{"to":501,"label":502,"label_zh":503},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fhistory-interpretation-and-context","How to Interpret Chinese Physiognomy Responsibly","如何負責任地理解中國相術",{"to":505,"label":506,"label_zh":507},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-culture","Chinese Physiognomy in History, Literature and Everyday Culture","中國相術在歷史、文學與日常文化中",{"to":509,"label":510,"label_zh":511},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fkey-sources-further-reading","Chinese Physiognomy: Primary Sources and Further Reading","中國相術的重要資料與延伸閱讀",{"to":222,"label":223,"label_zh":224,"children":513},[514,518,522,526,530,534,538],{"to":515,"label":516,"label_zh":517},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Forigins-history","Origins and History of Chinese Divination","中國占卜的起源與歷史",{"to":519,"label":520,"label_zh":521},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Foracle-bones","Chinese Oracle Bones and Turtle-Shell Divination","中國甲骨與龜卜：商代占卜和早期文字",{"to":523,"label":524,"label_zh":525},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fyijing-milfoil","The Yijing and Milfoil Divination: How Hexagrams Are Cast and Read","《易經》與筮佔：卦象如何生成與解讀",{"to":527,"label":528,"label_zh":529},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fcoins-and-lots","Chinese Coin Divination and Temple Lots: Methods and Meaning","中國錢佔與求籤：方法、解讀與文化意義",{"to":531,"label":532,"label_zh":533},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fin-practice","Chinese Divination in Practice Today: Consultations, Apps and Risks","當代中國占卜：諮詢、應用程式與風險",{"to":535,"label":536,"label_zh":537},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fmeaning-reflection-and-responsible-practice","How to Use Chinese Divination Responsibly","如何負責任地使用中國占卜",{"to":539,"label":540,"label_zh":541},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fkey-sources-further-reading","Chinese Divination: Primary Sources and Further Reading","中國占卜的重要資料與延伸閱讀",{"to":226,"label":227,"label_zh":228,"children":543},[544,548,552,556,560,564,568],{"to":545,"label":546,"label_zh":547},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Forigins-history","Origins and History of the Hetu and Luoshu Diagrams","河圖與洛書圖式的起源與歷史",{"to":549,"label":550,"label_zh":551},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fhetu-river-chart","The Hetu River Chart: Numbers, Directions and the Five Phases","河圖：數字、方位與五行結構",{"to":553,"label":554,"label_zh":555},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fluoshu-magic-square","The Luoshu Magic Square: Numbers, Structure and Cultural Meaning","洛書幻方：數字結構與文化含義",{"to":557,"label":558,"label_zh":559},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fnine-palaces","The Nine Palaces (Jiugong): Directions, Time Cycles and Traditional Uses","九宮：方位、時間週期與傳統用途",{"to":561,"label":562,"label_zh":563},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fin-practice","Hetu, Luoshu and Nine Palaces in Practice Today","河圖、洛書與九宮在今天的實際應用",{"to":565,"label":566,"label_zh":567},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fmathematics-tradition-and-interpretation","How to Interpret the Hetu and Luoshu: Mathematics, History and Symbolism","如何理解河圖與洛書：數學、歷史與象徵",{"to":569,"label":570,"label_zh":571},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fkey-sources-further-reading","Hetu, Luoshu and Nine Palaces: Primary Sources and Further Reading","河圖、洛書與九宮的重要資料與延伸閱讀",[],[],{"data":575},[576,612,635,654,675,694,714,732,753,776,798],{"id":38,"uuid":577,"slug":578,"available_locales":579,"name":583,"description":586,"body":588,"path":591,"images":592,"image_urls":597,"hero_image":3,"hero_image_url":3,"seo_title":602,"seo_description":605,"sort_order":607,"is_active":608,"status":609,"created_at":610,"updated_at":611},"f1a30881-20c6-407b-b546-669e839a178a","feng-shui-learning",[580,581,582],"en","zh","fr",{"en":584,"zh":585},"Feng Shui Learning","風水課程",{"en":587,"zh":3},"Study feng shui as a historical Chinese tradition of interpreting orientation, form and environment—with clear limits on predictive claims.",{"en":589,"zh":590},"\u003Ch2>\u003Cem>Feng shui 風水 developed through multiple schools, texts and professional traditions. It brings together observations of landform, orientation, water, buildings and correlative cosmology. It should not be reduced to decorative rules, nor presented as a scientifically proven way to guarantee health, wealth or relationships.\u003C\u002Fem>\u003C\u002Fh2>\u003Cp>\u003Cem>Classes introduce core vocabulary, the distinction between major approaches and the cultural contexts in which feng shui has been practised. Contemporary applications are discussed critically. Students remain responsible for property, financial and personal decisions and should seek qualified professional advice where those decisions carry material consequences.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>風水形成於不同的流派、典籍與專業傳統，綜合觀察地形、方位、水勢、建築以及陰陽五行等關聯性宇宙觀。它不應被簡化為裝飾規則，也不能被宣傳為保證健康、財富或關係結果的科學方法。\u003C\u002Fp>\u003Cp>課程介紹基本術語、主要方法的差別，以及風水在歷史社會中的實踐語境，並以批判態度討論當代應用。涉及房產、財務或其他重大決定時，學員仍應根據事實判斷，並諮詢具備資質的相關專業人士。\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[593,594,595,596],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[598,599,600,601],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",{"en":603,"zh":604},"Feng Shui Classes and Courses","風水課程：方位、形勢與空間觀念入門",{"en":587,"zh":606},"從歷史、環境與文化語境學習風水，理解方位、形勢與空間觀念，同時明確傳統解釋與科學證據的界限。",0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":60,"uuid":613,"slug":614,"available_locales":615,"name":616,"description":619,"body":622,"path":625,"images":626,"image_urls":627,"hero_image":3,"hero_image_url":3,"seo_title":628,"seo_description":631,"sort_order":607,"is_active":608,"status":609,"created_at":634,"updated_at":611},"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[580,581,582],{"en":617,"zh":618},"Internal Arts & Wellness","內家功法與養生",{"en":620,"zh":621},"Classes, workshops and retreats in Baduanjin, Taijiquan, qigong and traditional practices for movement, breathing and mindful cultivation.","彙集八段錦、太極拳、氣功及傳統身心修習的課程、工作坊與靜修活動。",{"en":623,"zh":624},"\u003Cp>Explore small-group classes, workshops and retreats introducing Wudang internal arts and traditional wellness practices. Programmes may include Baduanjin, Taijiquan, qigong, standing practice, breathing and their cultural foundations.\u003C\u002Fp>\u003Cp>Each listing provides its teacher, schedule, experience level and registration arrangements.\u003C\u002Fp>","\u003Cp>本類別彙集武當內家功法與傳統養生修習的小班課程、工作坊及靜修活動，內容可涵蓋八段錦、太極拳、氣功、站樁、呼吸練習及相關文化基礎。\u003C\u002Fp>\u003Cp>每項活動都會註明導師、日期、適合程度與報名方式，方便參加者選擇合適的學習體驗。\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"en":629,"zh":630},"Internal Arts & Wellness Events","內家功法與養生活動",{"en":632,"zh":633},"Explore Baduanjin, Taijiquan, qigong and traditional wellness classes, workshops and retreats listed by Wudang.Org.","探索八段錦、太極拳、氣功與傳統養生課程、工作坊及靜修活動。","2026-08-16T19:23:45.000000Z",{"id":636,"uuid":637,"slug":638,"available_locales":639,"name":640,"description":643,"body":644,"path":645,"images":646,"image_urls":647,"hero_image":3,"hero_image_url":3,"seo_title":648,"seo_description":650,"sort_order":607,"is_active":608,"status":609,"created_at":653,"updated_at":611},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[580,581,582],{"en":641,"zh":642},"Face Reading Learning","面相課程",[],[],"\u002Fevents\u002Fface-reading-learning",[],[],{"en":649},"Chinese Face Reading Classes and Workshops",{"en":651,"zh":652},"Learn Chinese face reading (面相) as a cultural tradition: its classical framework, history and uses, taught with clear limits on predictive claims.","把面相作為中國傳統文化來學習：認識其經典框架、歷史與用法，並清楚說明傳統詮釋的邊界。","2026-08-30T17:01:43.000000Z",{"id":655,"uuid":656,"slug":657,"available_locales":658,"name":659,"description":662,"body":664,"path":667,"images":668,"image_urls":669,"hero_image":3,"hero_image_url":3,"seo_title":670,"seo_description":673,"sort_order":38,"is_active":608,"status":609,"created_at":610,"updated_at":611},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[580,581,582],{"en":660,"zh":661},"Zi Wei Dou Shu Learning","紫微斗數課程",{"en":663,"zh":3},"Explore Purple Star Astrology as a traditional Chinese interpretive system, approached as cultural knowledge rather than scientific prediction.",{"en":665,"zh":666},"\u003Cp>Zi Wei Dou Shu 紫微鬥數 organises birth information through palaces, stars and patterned relationships. The system has a substantial technical vocabulary and several interpretive traditions, but its predictive claims are not established by modern scientific evidence.\u003C\u002Fp>\u003Cp>Courses explain how charts are structured, how symbols are read and how historical and contemporary practitioners differ. The aim is cultural literacy and disciplined reflection—not certainty about the future. Readings do not replace medical, legal, financial, employment or psychological expertise.\u003C\u002Fp>","\u003Cp>紫微斗數依據出生資訊，以宮位、星曜和彼此關係組織命盤。它具有複雜的術語與多種解釋傳統，但其預測主張並未得到現代科學證據的確立。\u003C\u002Fp>\u003Cp>課程說明命盤結構、符號閱讀方法，以及歷史與當代實踐者之間的差異。學習目的在於文化理解與有紀律的自我反思，而不是獲得關於未來的確定答案。相關解讀不能代替醫療、法律、財務、就業或心理專業意見。\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"en":671,"zh":672},"Zi Wei Dou Shu (Purple Star Astrology) Classes","紫微斗數課程：命盤、宮位與星曜入門",{"en":663,"zh":674},"把紫微斗數作為中國傳統詮釋體系來學習，認識命盤、宮位與星曜，不把它包裝成科學預測。",{"id":247,"uuid":676,"slug":677,"available_locales":678,"name":679,"description":682,"body":683,"path":684,"images":685,"image_urls":686,"hero_image":3,"hero_image_url":3,"seo_title":687,"seo_description":690,"sort_order":38,"is_active":608,"status":609,"created_at":693,"updated_at":611},"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[580,581,582],{"en":680,"zh":681},"Tea Arts","茶藝",[],[],"\u002Fevents\u002Ftea-arts",[],[],{"en":688,"zh":689},"Chinese Tea Art Classes and Workshops","茶藝課程與工作坊",{"en":691,"zh":692},"Chinese tea art (茶藝) classes and workshops: tea types, brewing methods, tea-table etiquette and the quiet attention of sharing tea.","茶藝課程與工作坊：認識茶類、泡茶方法與茶席禮儀，在一席茶中體會從容與專注。","2026-08-16T17:13:57.000000Z",{"id":242,"uuid":695,"slug":696,"available_locales":697,"name":698,"description":701,"body":703,"path":706,"images":707,"image_urls":708,"hero_image":3,"hero_image_url":3,"seo_title":709,"seo_description":712,"sort_order":655,"is_active":608,"status":609,"created_at":610,"updated_at":611},"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[580,581,582],{"en":699,"zh":700},"Ba Zi Learning","八字課程",{"en":702,"zh":3},"Study the Four Pillars as a traditional system of stems, branches and five-phase correspondence, with history and limitations made explicit.",{"en":704,"zh":705},"\u003Cp>Ba Zi 八字 interprets year, month, day and hour through the heavenly stems, earthly branches, yin-yang and five-phase relationships. It is an influential part of Chinese metaphysical culture, not an observational science in the modern empirical sense.\u003C\u002Fp>\u003Cp>Classes introduce chart structure, terminology and common interpretive methods while distinguishing tradition from evidence. Students are encouraged to treat readings as prompts for reflection and never as guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>八字以年、月、日、時四柱為框架，通過天干、地支、陰陽與五行關係進行解釋。它是中國術數文化中影響深遠的傳統體系，並非現代經驗科學。\u003C\u002Fp>\u003Cp>課程介紹命盤結構、基本術語和常見詮釋方法，同時說明傳統觀點與科學證據的差別。學員可把解讀作為反思的線索，但不應把它當作保證、診斷，或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"en":710,"zh":711},"BaZi (Four Pillars) Classes and Courses","八字課程：四柱、天干地支與五行入門",{"en":702,"zh":713},"學習四柱中的天干、地支與五行關係，理解其歷史與方法，也清楚區分傳統詮釋和現代實證知識。",{"id":69,"uuid":715,"slug":716,"available_locales":717,"name":718,"description":721,"body":722,"path":723,"images":724,"image_urls":725,"hero_image":3,"hero_image_url":3,"seo_title":726,"seo_description":729,"sort_order":655,"is_active":608,"status":609,"created_at":693,"updated_at":611},"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[580,581,582],{"en":719,"zh":720},"Incense Culture","香文化",[],[],"\u002Fevents\u002Fincense-culture",[],[],{"en":727,"zh":728},"Chinese Incense Culture Workshops","香文化活動與工作坊",{"en":730,"zh":731},"Workshops on Chinese incense culture (香文化): aromatic materials, traditional ways of preparing and appreciating incense, and incense as calm attention.","香文化活動與工作坊：認識香材、傳統制香與品香方式，在一爐香中練習安靜與專注。",{"id":733,"uuid":734,"slug":735,"available_locales":736,"name":737,"description":740,"body":743,"path":746,"images":747,"image_urls":748,"hero_image":3,"hero_image_url":3,"seo_title":749,"seo_description":751,"sort_order":655,"is_active":608,"status":609,"created_at":752,"updated_at":611},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[580,581,582],{"en":738,"zh":739},"I Ching Learning","易經課程",{"en":741,"zh":742},"Explore the I Ching through its hexagrams, traditional interpretive methods and historical context, with scope and limitations made explicit.","通過卦象、傳統解讀方法與歷史語境認識《易經》，並清楚說明其適用範圍與侷限。",{"en":744,"zh":745},"\u003Cp>The I Ching 易經 is a classical Chinese text centred on sixty-four hexagrams and a long history of commentary and divination. It has shaped Chinese philosophy, cosmology and metaphysical practice, but its divinatory claims are not established as modern empirical science.\u003C\u002Fp>\u003Cp>Classes introduce structures, terminology and traditional methods such as Liu Yao while distinguishing cultural study from evidence. Readings should be treated as prompts for reflection, not guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>《易經》是一部以六十四卦為核心的中國經典，形成了悠久的註疏與占筮傳統，並深刻影響中國哲學、宇宙觀與術數文化；其占筮主張並非現代經驗科學所證實。\u003C\u002Fp>\u003Cp>課程介紹基本結構、術語和六爻等傳統方法，同時區分文化學習與科學證據。解讀宜作為反思線索，不應視為保證、診斷或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"en":750,"zh":739},"I Ching Classes and Courses",{"en":741,"zh":742},"2026-09-08T00:15:35.000000Z",{"id":21,"uuid":754,"slug":755,"available_locales":756,"name":757,"description":760,"body":763,"path":766,"images":767,"image_urls":768,"hero_image":3,"hero_image_url":3,"seo_title":769,"seo_description":772,"sort_order":242,"is_active":608,"status":609,"created_at":775,"updated_at":611},"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[580,581,582],{"en":758,"zh":759},"Traditional Arts & Crafts","傳統藝術與手作",{"en":761,"zh":762},"Hands-on workshops exploring Chinese handicrafts and decorative arts through guided making and cultural appreciation.","通過親手製作與文化欣賞，體驗中國傳統手作及裝飾藝術。",{"en":764,"zh":765},"\u003Cp>Discover practical workshops in Chinese decorative arts and handcraft traditions. Activities may include gold-leaf painting, cloisonné enamel, mother-of-pearl work, Song brocade and other guided projects.\u003C\u002Fp>\u003Cp>These welcoming sessions introduce materials, techniques and cultural context while allowing participants to complete a piece of their own.\u003C\u002Fp>","\u003Cp>本類別彙集中國傳統裝飾藝術與手作體驗，內容可涵蓋金箔畫、掐絲琺琅、螺鈿工藝、宋錦及其他創作專案。\u003C\u002Fp>\u003Cp>課程以輕鬆易懂的方式介紹材料、技法與文化背景，讓參加者在導師帶領下完成屬於自己的作品。\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"en":770,"zh":771},"Traditional Arts & Crafts Events","傳統藝術與手作活動",{"en":773,"zh":774},"Explore Chinese handicraft and decorative arts workshops, including gold-leaf, cloisonné, mother-of-pearl and brocade.","探索金箔畫、掐絲琺琅、螺鈿、宋錦等中國傳統手作及裝飾藝術體驗。","2026-08-16T19:24:04.000000Z",{"id":212,"uuid":777,"slug":778,"available_locales":779,"name":780,"description":783,"body":786,"path":789,"images":790,"image_urls":791,"hero_image":3,"hero_image_url":3,"seo_title":792,"seo_description":794,"sort_order":247,"is_active":608,"status":609,"created_at":797,"updated_at":611},"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[580,581,582],{"en":781,"zh":782},"Wudang Community","武當社群活動",{"en":784,"zh":785},"Talks, broadcasts and community gatherings connecting people with Wudang culture, learning and living practice.","通過講座、直播與社群聚會，連線武當文化、學習與日常實踐。",{"en":787,"zh":788},"\u003Cp>Wudang Community brings together public talks, livestreams, gatherings and shared cultural activities connected with Wudang.\u003C\u002Fp>\u003Cp>These programmes create welcoming ways to meet practitioners, explore ideas and participate in a growing community of learning and practice.\u003C\u002Fp>","\u003Cp>武當社群活動彙集與武當文化相關的公開講座、直播、聚會及共享文化體驗。\u003C\u002Fp>\u003Cp>這些活動以友善開放的方式連線練習者與學習者，讓大家交流心得、認識傳統，並共同參與持續發展的文化社群。\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"en":793,"zh":782},"Wudang Community Events",{"en":795,"zh":796},"Discover Wudang community talks, broadcasts and gatherings connecting people with culture, learning and living practice.","探索連線武當文化、學習與日常實踐的講座、直播及社群聚會。","2026-08-16T19:24:18.000000Z",{"id":16,"uuid":799,"slug":800,"available_locales":801,"name":802,"description":805,"body":806,"path":807,"images":808,"image_urls":809,"hero_image":3,"hero_image_url":3,"seo_title":810,"seo_description":813,"sort_order":69,"is_active":608,"status":609,"created_at":816,"updated_at":611},"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[580,581,582],{"en":803,"zh":804},"Wudang Journeys & Retreats","武當旅修與行程",[],[],"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"en":811,"zh":812},"Wudang Mountain Retreats and Guided Journeys","武當山旅修與靜修行程",{"en":814,"zh":815},"Guided journeys and retreats to Wudang Mountain that combine practice, temple visits and cultural learning, with itineraries and expectations set out clearly.","前往武當山的旅修與靜修：結合修習、宮觀參訪與文化學習，提前說明行程安排與參加須知。","2026-08-18T11:09:38.000000Z",{"data":818},{"hero_type":819,"hero_image":820,"hero_image_alt":821,"hero_youtube_id":822,"hero_content_on":608,"hero_heading":823,"hero_subheading":824,"hero_text":825,"hero_subheading_zh":826,"hero_text_zh":827,"hero_buttons":828,"home_seo":834,"page_layout":840,"shop_enabled":841,"contact":842,"journey":858},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武當文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","這裡既是學習之地，也是讓文化融入日常的所在。","從道家思想、內家武術、文人雅藝與武當山出發，以清晰、踏實的方式，在新加坡及世界各地認識和體驗武當文化。",[829,831],{"label":830,"link":278},"Start Your Wudang Journey",{"label":832,"link":833},"View Events & Courses","\u002Fevents",{"title":835,"description":837},{"en":836,"zh":3},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":838,"zh":839},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","從太極、氣功、道家思想、武術、傳統雅藝與養生文化認識武當山，探索武當文化及武當山的日常生活。","sidebar",false,{"methods":843,"has_any":608,"text":851},{"email":844,"whatsapp":845,"wechat_id":846,"wechat_qr_url":847,"instagram":848,"instagram_handle":849,"facebook":850,"facebook_handle":849},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":852,"china_heading_zh":853,"china_company_en":854,"china_company_zh":855,"china_address_en":856,"china_address_zh":857},"China Operations","中國運營","Xunwei Wudang Co., Ltd.","尋味武當有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武當山王家園劍河二路72號",{"title_en":3,"title_zh":3,"intro_en":3,"intro_zh":3,"enabled":608},{"data":860},{"to":429,"type":861,"available_locales":862,"is_content_page":608,"title":863,"subtitle":864,"body":867,"hero_image_url":870,"hero_width":871,"hero_height":872,"hero_image_alt":873,"hero_image_decorative":841,"hero_credit":3,"hero_alt":876,"hero_style":877,"card_layout":878,"link_type":3,"link_ref":3,"seo_title":879,"seo_description":881,"children":884},"page",[580,581,582],{"en":430,"zh":431},{"en":865,"zh":866},"From birth data and the Life Palace to star placement, palace relationships and interpretation","從出生資料和命宮定位，到星曜安置、宮位關係與整體判斷",{"en":868,"zh":869},"\u003Cp>Once a student of Zi Wei Dou Shu understands the twelve palaces and the meanings of the stars, the next task is to see how the two are joined. A finished chart is not a list of separate facts but a single map, in which every star sits in a particular palace, every palace answers to certain other palaces, and the whole arrangement is read together. This page describes how such a chart is cast from a person’s birth data and how a reader begins to draw meaning from it.\u003C\u002Fp>\u003Ch2>Start with the birth moment\u003C\u002Fh2>\u003Cp>The starting point is the moment of birth. Traditional practice requires the year, month, day, and hour of birth according to the Chinese \u003Cstrong>lunar calendar\u003C\u002Fstrong>, and the hour is given in one of the twelve two-hour periods rather than by the clock. Converting a modern birth time into these terms is the first step, and it is also the first place where errors creep in: an uncertain birth hour, or a careless conversion from the solar to the lunar calendar, will shift the entire chart. For this reason careful practitioners treat the birth time as something to be checked rather than assumed.\u003C\u002Fp>\u003Ch2>Fixing the Life Palace\u003C\u002Fh2>\u003Cp>The first substantive step is locating the Life Palace, because every other palace is positioned relative to it. Two pieces of data determine it: the lunar month of birth and the birth hour.\u003C\u002Fp>\u003Cp>The procedure is a counting operation around the ring of twelve compartments. Beginning from a fixed starting compartment, you count forward by the number of the lunar month, then count backward from the position reached by the number of the birth hour, and the compartment you land on is the Life Palace. The Body Palace is found by the same counting in the same direction for the month and then forward rather than backward for the hour, which is why the two palaces are always related in a fixed way.\u003C\u002Fp>\u003Cp>Two things about this deserve notice. The first is that the Life Palace depends on nothing but month and hour — not the year, not the day. A great many people therefore share a Life Palace position, and the individuality of a chart comes almost entirely from the later steps. The second is that this is straightforward counting with no astronomical content whatever; the operation would work identically if the twelve compartments were labelled with letters.\u003C\u002Fp>\u003Ch2>Laying out the twelve palaces\u003C\u002Fh2>\u003Cp>With the Life Palace fixed, the reader lays out the twelve palaces around the chart. The chart is drawn as a grid of twelve cells, each standing for one of the earthly branches, and the sequence of palaces is laid onto these cells in a fixed order beginning from the \u003Cstrong>Life Palace\u003C\u002Fstrong>, with the remaining eleven palaces following around the ring in order. The Body Palace, located by the companion count described above, marks a second emphasis in the life, one that tends to come forward in the later years.\u003C\u002Fp>\u003Ch2>The Five-Element bureau\u003C\u002Fh2>\u003Cp>With the frame in place, the reader determines what is called the Five-Element bureau. This is a category assigned to the chart as a whole, named for one of the five elements, and it is derived from the relationship between the stems and branches at the Life Palace. The bureau matters for two reasons. It sets the number used to place the leading star of the whole system, and it fixes the ages at which the decade-long periods of life begin. Two charts with the same palace layout but different bureaus will therefore run on slightly different schedules, a detail that shows how tightly the parts of the system are meshed together.\u003C\u002Fp>\u003Ch2>Placing the stars\u003C\u002Fh2>\u003Cp>Placing the stars comes next, and here the system’s reputation for intricacy is earned. The emperor star is set first, in a position determined by the bureau and the birth day; from its position the other stars of its group follow by fixed relationships. A second major star anchors a second group, and its placement likewise generates the stars that travel with it. The auxiliary and minor stars are then added, each by its own rule keyed to the birth year, month, day, or hour. When the work is done every one of the twelve palaces holds some combination of stars, and no two charts of different births will hold quite the same pattern.\u003C\u002Fp>\u003Ch2>Noting brightness\u003C\u002Fh2>\u003Cp>The reader must also note the brightness of each major star, since the same star carries a different tone depending on the palace it occupies. A star described as at its height in one place and as weakened in another is understood to express its qualities strongly in the first case and only faintly, or with difficulty, in the second. These brightness ratings are written into the chart alongside the stars themselves, and an experienced reader takes them in at a glance.\u003C\u002Fp>\u003Ch2>Where casting conventions vary\u003C\u002Fh2>\u003Cp>Casting is usually described as mechanical, and for most birth data it is. A few edge cases are handled through more than one established convention, however, and these deserve to be stated because they can change the chart rather than merely its interpretation.\u003C\u002Fp>\u003Cp>The largest concerns the intercalary month. The lunar calendar inserts an extra month roughly every three years to keep pace with the solar year, and a person can be born in one. Since the Life Palace is counted from the lunar month number, a convention is needed. One method treats the intercalary month as a repetition of the month it follows. Another divides it, placing first-half births with the preceding month and second-half births with the following one. A third uses the solar terms for these cases. Each method is internally consistent but can produce a different Life Palace. A responsible practitioner states the convention used and, where useful, compares the resulting charts rather than presenting one convention as universal.\u003C\u002Fp>\u003Cp>The second concerns the midnight boundary, which also appears in BaZi. A birth between eleven at night and midnight belongs to the Rat hour, but lineages use two conventions for whether it belongs to the current lunar day or the next. Since the day determines the placement of Zi Wei, the chosen convention should be recorded clearly.\u003C\u002Fp>\u003Cp>Third, and less often discussed, is whether clock time is adjusted to true solar time before deriving the hour. Some traditions make the correction; others retain standard civil time. Both approaches can be followed consistently when the choice is stated.\u003C\u002Fp>\u003Cp>For most births, the established conventions produce the same chart. In leap-month, midnight-boundary and certain location-sensitive cases, the result depends on the convention selected. The careful approach is to name that convention, explain its effect and, when it materially changes the chart, show the alternatives.\u003C\u002Fp>\u003Ch2>The new situation software has created\u003C\u002Fh2>\u003Cp>Until recently, casting a chart by hand was a real skill that took time and care, and it acted as a filter: a person who could produce a correct chart had necessarily learned the structure of the system while doing it. Free applications have removed that step entirely, and the consequences are worth thinking about.\u003C\u002Fp>\u003Cp>The first is that different programs produce different charts. Because the leap-month question and the midnight question are unresolved, and because schools include different sets of minor stars, two applications given identical birth data can return charts that differ in the Life Palace, in the star placements, or in which stars appear at all. Users generally do not know which conventions their software has adopted, and the settings are often not exposed. A chart from an app is not a neutral fact; it embodies choices, and you should find out which ones.\u003C\u002Fp>\u003Cp>The second is the rise of automatically generated interpretation. Many programs print a reading alongside the chart by looking up each star-and-palace pairing and joining the results. The output may read fluently, but it is assembled from independent templates and cannot weigh one factor against another. It can therefore place characterisations side by side without explaining how they relate. Such text is best treated as a set of starting notes rather than a complete interpretation of the tradition.\u003C\u002Fp>\u003Cp>The third consequence is subtler. Because charts are now free and instant, people cast them for themselves, for partners, for job candidates, and consult them frequently rather than at the few decisive moments in a life for which the art was historically used. Whatever one thinks of the system, that is a change in how it functions, and it makes the cautions elsewhere in this section more rather than less relevant.\u003C\u002Fp>\u003Ch2>Reading begins only when casting ends\u003C\u002Fh2>\u003Cp>Only when the chart is fully cast does interpretation begin, and the first principle of reading is that no palace is judged alone. Each palace stands in fixed relationships with three others, forming a group of four that must be weighed together: the palace opposite it across the chart, and the two that sit at the corners of the same triangle. A reader who wants to understand a person’s career, for instance, does not look only at the Career Palace but also at the palace facing it and at the two that support it, since the stars in those places pour their influence into the palace under study. This habit of reading in groups is what keeps the system from collapsing into a simple catalogue of isolated meanings.\u003C\u002Fp>\u003Ch2>The Life Palace and its opposite\u003C\u002Fh2>\u003Cp>The Life Palace and the palace facing it are given the first and closest attention, because together they are taken to describe the person’s fundamental character and the shape of the life as a whole. From there the reader moves outward, examining each of the other palaces in turn for the particular area it governs, always noting which stars occupy it, how bright those stars are, and what reaches it from the palaces linked to it. A strong, well-placed star in a palace is read one way; the same palace left empty of major stars, so that it must borrow meaning from the palace facing it, is read another. Gradually a picture is built up, part by part, until the reader can speak about the person’s temperament, relationships, work, and circumstances as a connected whole rather than a set of separate verdicts.\u003C\u002Fp>\u003Ch2>What is mechanical and what is not\u003C\u002Fh2>\u003Cp>It is worth being candid about what this reading is and is not. The casting of the chart is a mechanical procedure: given the same birth data and the same rules, two competent readers will produce the same chart. The interpretation, by contrast, is a craft, and it varies from reader to reader. The meanings attached to stars and palaces come from tradition and from each teacher’s accumulated experience, not from any tested body of evidence, and different schools weigh the same features differently. A chart should therefore be understood as a structured framework for reflection, drawn up according to fixed rules, rather than as a measuring instrument that reveals fixed facts about a life. Read in that spirit, the process of casting and interpreting a chart is a disciplined and coherent tradition; read as prediction, it claims more than it can support.\u003C\u002Fp>\u003Ch2>Key points\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>A finished chart is one map, not a list of separate facts.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Casting begins from the birth year, month, day and two-hour period in the lunar calendar.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>The twelve palaces are fixed first, drawn as a grid of twelve cells.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>A Five-Element bureau is then assigned, which governs how the stars are placed.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>The emperor star is set first and the others follow from it by fixed rules.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Each major star’s brightness is noted, since position changes its tone.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Interpretation starts only once the chart is complete, and no palace is read alone.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>The Life Palace and the palace facing it receive the closest attention.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Casting is mechanical and reproducible; interpretation is a matter of judgement.\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\u003Cblockquote>\u003Cp>Sources drawn on for this article include: the Zi Wei Dou Shu Quanshu and later commentarial and instructional literature on chart casting; Richard J. Smith, Fortune-tellers and Philosophers: Divination in Traditional Chinese Society, on the place of astrology in Chinese culture; and Ho Peng Yoke, Chinese Mathematical Astrology: Reaching Out to the Stars, on the technical machinery by which such charts are constructed.\u003C\u002Fp>\u003C\u002Fblockquote>","\u003Ch2>要用的出生資料\u003C\u002Fh2>\u003Cp>排一張斗數盤需要：\u003Cstrong>農曆的年、月、日、時辰\u003C\u002Fstrong>，以及性別。公曆生日必須先換算成農曆，這一步與八字不同——八字看節氣，斗數直接用農曆日期。\u003C\u002Fp>\u003Cp>性別在斗數裡有實際作用，主要影響大限的排列方向，這一點後面講時間時會說到。\u003C\u002Fp>\u003Cp>要留意的是，紫微斗數所要的是農曆的月與日，不是公曆，也不是八字所用的節氣月。這是兩門術之間最容易出錯的一處：拿八字的月份來排紫微，或者拿公曆日期直接當農曆日期，排出來的盤全然不對。今天多數人只知道自己的公曆生日，所以第一步往往是換算，而換算要靠萬年曆或軟體。\u003C\u002Fp>\u003Ch2>定命宮\u003C\u002Fh2>\u003Cp>第一件事是找出命宮落在十二格的哪一格。傳統方法用生月與生時：從寅宮起正月順數到出生的月份，再從那一格起子時逆數到出生的時辰，落到哪一格，那裡就是命宮。\u003C\u002Fp>\u003Cp>同一步驟稍作變化還會得出\u003Cstrong>身宮\u003C\u002Fstrong>，傳統上以命宮為先天、身宮為後天，或以身宮看實際作為。\u003Cstrong>身宮怎麼用，各派說法不一\u003C\u002Fstrong>，有的重視，有的基本不談。\u003C\u002Fp>\u003Cp>定命宮只用月與時兩項，這一點有個值得想一想的後果：年與日都不參與。於是同月同時辰出生的人，不論哪一年、哪一日，命宮都落在同一格。一個盤的個別之處，幾乎全靠後面幾步——尤其靠日——才生出來。初學者常以為命宮最要緊、定得最難，其實它是整個排盤裡最簡單的一步。\u003C\u002Fp>\u003Ch2>排出十二宮\u003C\u002Fh2>\u003Cp>十二宮排定的方向是固定的：由命宮起，逆著地支的次序依次安兄弟、夫妻、子女、財帛、疾厄、遷移、交友、事業、田宅、福德、父母。這一步沒有任何可斟酌之處，照著數下去就是。也正因如此，十二宮的相對位置在任何盤裡都一樣，變的只是它們落在哪些地支上。\u003C\u002Fp>\u003Ch2>定五行局\u003C\u002Fh2>\u003Cp>接下來要定五行局。它由命宮所在干支的納音定出，這一步使用通行表格查得。\u003C\u002Fp>\u003Cp>五行局分水二局、木三局、金四局、土五局、火六局五種，由命宮所在的地支與生年的天干合起來定。它的用處主要有兩個：一是決定紫微星落在哪一宮，二是決定大限從幾歲起。定紫微的方法是拿出生的農曆日數去與局數相配，按一套口訣推出紫微的位置。這一步在整個排盤裡最關鍵，因為紫微一定，十四主星全定；也因此，生日錯一天，整張盤就換了。\u003C\u002Fp>\u003Ch2>安星\u003C\u002Fh2>\u003Cp>安星的順序有講究，因為後面的星要靠前面的星定位。\u003C\u002Fp>\u003Cp>先按\u003Cstrong>五行局與出生日\u003C\u002Fstrong>查出紫微星所在的格子。紫微一落定，天府隨之確定，其餘主星都按與這兩顆的固定相對關係排入各格——也就是說，\u003Cstrong>十四主星的整體排布只有有限的若干種\u003C\u002Fstrong>，取決於紫微的位置。\u003C\u002Fp>\u003Cp>然後安輔星與雜星，各有各的依據：有的按生年的天干（如祿存、四化），有的按生年的地支（如紅鸞、天喜），有的按出生月份（如左輔、右弼），有的按時辰（如文昌、文曲）。最後按各星在各格的廟旺陷標上亮度。\u003C\u002Fp>\u003Cp>整個過程是查表加口訣，一步一步來，結果唯一。\u003Cstrong>這就是為什麼斗數排盤可以完全交給軟體。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>安星分兩步：先安十四主星，再安輔星與雜星。主星如前所說，紫微一定則全定，兩系反向而行。輔星雜星則各有各的起法，有的依生年天干，有的依生年地支，有的依農曆月，有的依時辰，還有的依生日。這些起法彼此無關，是歷代陸續添上去的，所以沒有一條統攝全體的道理可講，只能一條一條記。這也是排盤中最瑣碎、最容易漏掉的一段，從前靠查表，如今靠軟體。\u003C\u002Fp>\u003Ch2>記廟旺\u003C\u002Fh2>\u003Cp>安完星，通常還要在每顆星旁記下它的廟旺利陷。這套等第表示一顆星落在某一宮位時是得勢還是失勢，廟最強，陷最弱，中間還有旺、得、利、平、不得地等名目，各家所用的層級並不完全相同。\u003C\u002Fp>\u003Cp>記這一項的用意在於：同一顆星落在不同的宮，力量並不一樣。太陽在午宮為廟，在子宮則陷，前者主光明外露，後者主有志難伸。所以斷語不能只說某宮有太陽，還要說這顆太陽處在什麼狀態。\u003C\u002Fp>\u003Cp>這一步仍屬排盤，因為它由表格查得，不需要臨場判斷。但應記住前一頁說過的話：這些星不是實有天體，所謂明暗是一套約定的強弱等級。不同傳承採用的等級表略有差別，因此查表時應註明資料來源。\u003C\u002Fp>\u003Ch2>排盤中的幾種處理慣例\u003C\u002Fh2>\u003Cp>雖然步驟固定，幾個邊界情形仍有不止一種沿用已久的處理慣例。瞭解並註明所用慣例，命盤才有清楚的來歷。\u003C\u002Fp>\u003Cp>閏月的處理。農曆設有閏月，出生在閏月時，可以沿用前月、按上下半月分別處理，或在這類情形參考節氣定月。月份會影響命宮位置，因此應說明採用哪一種方法。\u003C\u002Fp>\u003Cp>子時的歸屬。與八字一樣，二十三點到零點這一小時，可以按當日處理，也可以按次日處理。兩種約定都會影響紫微星的安置，所用方法應明確記錄。\u003C\u002Fp>\u003Cp>真太陽時的使用。有些傳統按經度校正時刻，有些傳統沿用當地標準時間。兩種做法都可以前後一致地使用，重點是說明選擇。\u003C\u002Fp>\u003Cp>身宮與部分雜星也有不同的教學取法，讀者宜在所學框架內一致使用。\u003C\u002Fp>\u003Cp>這些慣例會實質影響命盤：處理方式不同，命宮可能落在不同位置，整張盤隨之改變。因此所謂“唯一結果”，是在選定並說明一套約定之後才成立。\u003C\u002Fp>\u003Cp>軟體生成的解語還有一個需要留意的特點：它把每條星宮配對的現成條目連線起來，整篇雖然通順，各段之間卻未必經過整體協調。一段強調穩重，下一段強調變化，兩條都來自各自的表格條目，機器不會主動說明它們如何相處。真人解盤的工作，正是在整體結構中衡量這些層次。閱讀自動文本時，宜把它當作素材清單，而不是已經完成的綜合解讀。\u003C\u002Fp>\u003Ch2>命宮與對宮\u003C\u002Fh2>\u003Cp>盤排好之後，最先看的總是命宮，而看命宮的同時必看它的對宮，也就是遷移宮。這兩宮在這套系統裡被當作一對，從來不分開讀。\u003C\u002Fp>\u003Cp>道理並不難懂。命宮被解作一個人自身的樣子——秉性、氣質、遇事時最自然的反應；遷移宮則被解作他走出去之後的樣子——在外的境遇、與生人相處的方式、離開熟悉環境時的表現。兩者合起來，才是一個完整的人。一個命宮平淡而遷移宮熱鬧的盤，常被讀作在家沉靜、出外活絡；反過來則讀作守成有餘而外拓不足。\u003C\u002Fp>\u003Cp>命宮若是空宮，這一對的關係就更要緊，因為要借的正是對宮的星。此時遷移宮的星實際上承擔了描述這個人的任務，而這也是空宮並不表示此人無所可說的緣故。\u003C\u002Fp>\u003Cp>再往外一層，就是上一頁說過的三方四正：命宮、遷移宮，加上事業宮與財帛宮。多數解盤都由這四宮起手，把大輪廓定下來，然後才逐宮細看。若有人一上來就翻到某一宮下斷語，而沒有先擺出這四宮，那不是這個傳統裡的做法。\u003C\u002Fp>\u003Ch2>解讀從哪裡開始\u003C\u002Fh2>\u003Cp>盤排好之後，常見的讀法順序是：先看命宮坐了什麼星、亮度如何，再看對面的遷移宮，然後看三方四正（命、財、官加遷移）合起來的格局，接著看身宮，之後才逐宮去談婚姻、事業、財帛、健康。最後配上大限與流年，談時間。\u003C\u002Fp>\u003Cp>這個順序的邏輯是從整體到區域性：先定這個人的基本格局，再看各領域，最後放進時間。\u003C\u002Fp>\u003Cp>解讀起手的次序，各家講法雖有出入，大體不出這個路子：先看命宮三方四正定格局與基調，再看身宮與命主身主補一層底子，然後按來問的事去看相應的宮，最後才把大限流年疊上去看時機。次序顛倒過來——先看流年吉凶，再回頭湊格局——是江湖上常見的做法，也是最容易生出聳動之辭的做法。\u003C\u002Fp>\u003Ch2>哪一步機械，哪一步不是\u003C\u002Fh2>\u003Cp>這是本頁最需要記住的區分。\u003C\u002Fp>\u003Cp>\u003Cstrong>機械的部分：\u003C\u002Fstrong>換算農曆、定命宮、排十二宮、定五行局、安星、標亮度、排大限流年。這些是查表與推算，可以校驗，也已經被軟體完成。\u003C\u002Fp>\u003Cp>\u003Cstrong>不機械的部分：\u003C\u002Fstrong>在眾多可能的說法裡選哪些；主星與煞星並存時如何權衡；亮度不足能不能被吉星補上；某宮無主星時向哪一宮借；十二宮的舊分類如何對應當代生活；最後如何把這些組織成一段話講給面前的人。\u003Cstrong>這些全都是判斷，沒有演算法。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>把這些慣例放在一起看，可以說明一件事：排盤之所以被稱作機械，是就絕大多數出生而言；遇到閏月、子夜邊界或經度與時區中央相距較遠的情形，命盤會依所選慣例而變化。負責的術者應說明選擇，並在結果明顯不同時把兩種盤並列呈現，而不是把一套做法說成唯一標準。\u003C\u002Fp>\u003Ch2>軟體帶來的一個新情況\u003C\u002Fh2>\u003Cp>因為排盤完全可以自動化，今天很多人的接觸方式是：輸入生日，幾秒得到一張盤，附帶一段自動生成的解釋。\u003C\u002Fp>\u003Cp>這裡有一點值得說明。\u003Cstrong>軟體的一致性容易被誤當成準確性。\u003C\u002Fstrong>同一個程式對同一份資料永遠給出同樣的結果，看起來客觀；但程式輸出的內容來自某一派的規則庫，規則本身是人定的。換一個程式、換一派的規則，說法就變了。\u003C\u002Fp>\u003Cp>所以對自動生成的解讀，合適的態度是：把它看作某一派規則的機械展開，而不是關於自己的結論。\u003Cstrong>軟體解決的是排盤的勞動，沒有解決解讀的有效性問題。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>把這一頁收成一句：排盤可以交給機器，解盤不能。你自己該做的功課，是弄清手上這張盤用的是哪幾種約定——閏月怎麼算、子時怎麼分、真太陽時改不改、收了哪些雜星。這幾項弄清楚了，你至少知道自己在看的是什麼；弄不清楚，那張印得整整齊齊的盤，其實來歷不明。\u003C\u002Fp>\u003Ch2>要點\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>斗數用農曆年月日時與性別；公曆生日須先換算，與八字用節氣不同。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>命宮由生月與生時算出，同一步驟可得身宮；不同傳承會給身宮不同分量。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>十二宮在命宮定後按固定順序排列，無選擇餘地。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>五行局由命宮干支納音定出，分水二、木三、金四、土五、火六，供安紫微用。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>紫微按五行局與生日定位，天府及其餘主星按固定相對關係排入，故主星排布只有有限若干種。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>輔星雜星分別按生年幹、生年支、生月、生時安放，最後標亮度。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>常見的邊界慣例包括閏月取法、子時歸屬、是否換算真太陽時，以及身宮與部分雜星的取法。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>排盤結果應建立在一套已選定並清楚說明的約定之上。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>解讀順序通常為命宮、對宮、三方四正、身宮、逐宮、再配大限流年。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>機械的是換算與安星，不機械的是取捨、權衡、借宮與敘述，這些沒有演算法。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>軟體的一致性不等於準確性；自動解讀是某一派規則的機械展開。\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002F3GurBSnKVepSuAmK6wbB.webp",1920,600,{"en":874,"zh":875},"Ink 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2027","2027年1月29日–31日",29,{"status":904,"date_slug":1170,"time_label":1171,"timezone_abbr":907,"date_label":1172,"date_label_fr":1173,"date_short_fr":1174,"date_only_fr":1175,"date_range_label_fr":1176,"time_label_fr":1177,"date_label_zh":1178,"date_short":1179,"date_short_zh":1180,"date_only":1181,"date_only_zh":1182,"is_multi_day":608,"date_range_label":1183,"date_range_label_zh":1184,"day_of_month":1003,"month_short":918,"month_long":919,"month_num":733,"year":920,"weekday_short":1185,"weekday_index":69}]