[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-reference-en":3,"site-nav-zh":4,"site-nav-zh-all-chinese-metaphysics":289,"event-categories-zh":574,"site-settings":817,"node-zh-chinese-metaphysics\u002Fzi-wei-dou-shu\u002Ftwelve-palaces":859,"live-course-events":886},null,{"data":5},{"header":6,"footer":264},[7,51,82,123,161,187,229,260],{"to":8,"label":9,"label_zh":10,"children":11},"\u002Fdao","TAO","道",[12,17,22,26,30,34,39,43,47],{"to":13,"label":14,"label_zh":15,"n":16},"\u002Fdao\u002Fintroduction","Begin with the Tao","道學入門",9,{"to":18,"label":19,"label_zh":20,"n":21},"\u002Fdao\u002Fyi-jing","I Ching","易經",7,{"to":23,"label":24,"label_zh":25,"n":16},"\u002Fdao\u002Fdao-de-jing","Tao Te Ching","道德經",{"to":27,"label":28,"label_zh":29,"n":21},"\u002Fdao\u002Ftaiji","Taiji","太極",{"to":31,"label":32,"label_zh":33,"n":21},"\u002Fdao\u002Fzhuang-zi","Zhuangzi","莊子",{"to":35,"label":36,"label_zh":37,"n":38},"\u002Fdao\u002Fclassics","Classical Library","道家經典文庫",1,{"to":40,"label":41,"label_zh":42},"\u002Fdao\u002Fdaoist-philosophy","Taoist Philosophy","道家哲學",{"to":44,"label":45,"label_zh":46},"\u002Fdao\u002Fwu-wei-natural-living","Wu Wei & Natural Living","無為與自然生活",{"to":48,"label":49,"label_zh":50},"\u002Fdao\u002Fdaoist-view-of-life","A Taoist View of Life","道家人生觀",{"to":52,"label":53,"label_zh":54,"children":55},"\u002Fmartial-arts","Martial Arts","武當武術",[56,61,65,70,74,78],{"to":57,"label":58,"label_zh":59,"n":60},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Foundations of Internal Martial Arts","內家拳基礎",6,{"to":62,"label":63,"label_zh":64,"n":21},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan (Tai Chi)","太極拳",{"to":66,"label":67,"label_zh":68,"n":69},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、換掌與身法變化",5,{"to":71,"label":72,"label_zh":73,"n":69},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan: Structure, Intention and Direct Training","形意拳：結構、意念與直接訓練",{"to":75,"label":76,"label_zh":77,"n":21},"\u002Fmartial-arts\u002Fweapons","Wudang Sword and Weapons: History, Practice and Context","武當劍與兵器：歷史、練習與文化語境",{"to":79,"label":80,"label_zh":81,"n":21},"\u002Fmartial-arts\u002Ftraining-practice","Training and Practice: Building a Sustainable Wudang Routine","訓練與習練：建立可持續的武當練習",{"to":83,"label":84,"label_zh":85,"children":86},"\u002Fwellness","Wellness","養生",[87,91,95,99,103,107,111,115,119],{"to":88,"label":89,"label_zh":90,"n":21},"\u002Fwellness\u002Fqigong","Qigong","氣功",{"to":92,"label":93,"label_zh":94,"n":60},"\u002Fwellness\u002Fherbal-healing","Chinese Herbal Medicine","中藥與本草",{"to":96,"label":97,"label_zh":98,"n":60},"\u002Fwellness\u002Ftaoist-medicine","Taoist Medicine","道家醫學",{"to":100,"label":101,"label_zh":102,"n":60},"\u002Fwellness\u002Fenergy-sound-healing","Sound & Energy Practices","聲音與能量練習",{"to":104,"label":105,"label_zh":106},"\u002Fwellness\u002Fstanding-practice","Standing Practice","站樁",{"to":108,"label":109,"label_zh":110},"\u002Fwellness\u002Fwudang-internal-cultivation","Wudang Internal Cultivation","武當內修",{"to":112,"label":113,"label_zh":114},"\u002Fwellness\u002Fmoxibustion","Moxibustion","艾灸",{"to":116,"label":117,"label_zh":118},"\u002Fwellness\u002Fbigu","Bigu","辟穀",{"to":120,"label":121,"label_zh":122,"n":38},"\u002Fwellness\u002Fbaduanjin","Baduanjin (Eight Brocades)","八段錦",{"to":124,"label":125,"label_zh":126,"children":127},"\u002Farts","Literati Arts","文人雅藝",[128,133,138,143,148,153,157],{"to":129,"label":130,"label_zh":131,"n":132},"\u002Farts\u002Fchinese-poetry-literature","Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中國詩詞與文學：體式、語境與閱讀路徑",49,{"to":134,"label":135,"label_zh":136,"n":137},"\u002Farts\u002Fcalligraphy","Chinese Calligraphy: Scripts, Materials and Ways of Looking","中國書法：書體、材料與觀賞入門",17,{"to":139,"label":140,"label_zh":141,"n":142},"\u002Farts\u002Ftea-ceremony","Chinese Tea Culture","中國茶文化",39,{"to":144,"label":145,"label_zh":146,"n":147},"\u002Farts\u002Fguqin","Guqin: Sound, History and Ways to Listen","古琴：認識聲音、歷史與聆聽方法",12,{"to":149,"label":150,"label_zh":151,"n":152},"\u002Farts\u002Fpainting","Chinese Painting: Materials, Formats and Ways of Looking","中國繪畫：材料、形制與觀看方法",15,{"to":154,"label":155,"label_zh":156,"n":16},"\u002Farts\u002Fincense","Chinese Incense Culture","中國香文化",{"to":158,"label":159,"label_zh":160,"n":21},"\u002Farts\u002Fflower-arrangement","Chinese Flower Arrangement: History, Materials and Ways of Looking","中國插花：歷史、花材與觀看方法",{"to":162,"label":163,"label_zh":164,"children":165},"\u002Fdaoism","Taoist Culture","道教文化",[166,170,174,178,183],{"to":167,"label":168,"label_zh":169,"n":16},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙與神明體系：結構與層級指南",{"to":171,"label":172,"label_zh":173,"n":21},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山與宮觀：聖地、建築與制度指南",{"to":175,"label":176,"label_zh":177,"n":21},"\u002Fdaoism\u002Ftaoist-schools-lineages","Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派與傳承：正一、全真及歷史道派",{"to":179,"label":180,"label_zh":181,"n":182},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教節日與科儀：神誕、齋醮與歲時儀式",19,{"to":184,"label":185,"label_zh":186,"n":60},"\u002Fdaoism\u002Feight-immortals","The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象徵與道教傳說",{"to":188,"label":189,"label_zh":190,"children":191},"\u002Fchinese-metaphysics","Chinese Metaphysics","易學與傳統術數",[192,196,200,204,208,213,217,221,225],{"to":193,"label":194,"label_zh":195,"n":21},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Yin-Yang and the Five Phases in Chinese Thought","陰陽五行：理解關係與變化",{"to":197,"label":198,"label_zh":199,"n":21},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中國曆法與術數的六十迴圈",{"to":201,"label":202,"label_zh":203,"n":21},"\u002Fchinese-metaphysics\u002Ffeng-shui","Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中國風水：形勢、羅盤方法與負責任實踐",{"to":205,"label":206,"label_zh":207,"n":21},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八個字如何構成命盤",{"to":209,"label":210,"label_zh":211,"n":212},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗數：十二宮命盤如何運作",8,{"to":214,"label":215,"label_zh":216,"n":212},"\u002Fchinese-metaphysics\u002Fdate-selection","Chinese Date Selection: How Auspicious Days Are Chosen","中國擇吉：傳統吉日如何選擇",{"to":218,"label":219,"label_zh":220,"n":21},"\u002Fchinese-metaphysics\u002Fphysiognomy","Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中國相術：面相、手相及其侷限",{"to":222,"label":223,"label_zh":224,"n":21},"\u002Fchinese-metaphysics\u002Fdivination-arts","Chinese Divination Arts: Methods, History and Responsible Use","中國占卜術：方法、歷史與負責任使用",{"to":226,"label":227,"label_zh":228,"n":21},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河圖、洛書與九宮：中國傳統圖式的歷史與用途",{"to":230,"label":231,"label_zh":232,"children":233},"\u002Fwudang-mountain","Experience Wudang","武當之旅",[234,238,243,248,252,256],{"to":235,"label":236,"label_zh":237,"n":21},"\u002Fwudang-mountain\u002Fintroduction","Introduction to Wudang Mountain","初識武當山",{"to":239,"label":240,"label_zh":241,"n":242},"\u002Fwudang-mountain\u002Ftemples-and-sites","Wudang Mountain Temples and Sacred Sites","武當山宮觀與勝蹟",3,{"to":244,"label":245,"label_zh":246,"n":247},"\u002Fwudang-mountain\u002Fplanning-a-visit","Planning a Visit to Wudang Mountain","武當山行前規劃指南",4,{"to":249,"label":250,"label_zh":251,"n":242},"\u002Fwudang-mountain\u002Fstudying-at-wudang","Studying Martial Arts at Wudang Mountain","在武當山學習武術",{"to":253,"label":254,"label_zh":255,"n":242},"\u002Fwudang-mountain\u002Ftemple-etiquette","Wudang Temple Etiquette: A Visitor’s Guide","武當宮觀參訪禮儀",{"to":257,"label":258,"label_zh":259,"n":69},"\u002Fwudang-mountain\u002Fpractical-reference","Wudang Mountain Practical Reference","武當山實用參考資料",{"to":261,"label":262,"label_zh":263},"\u002Fwudang-mountain\u002Feveryday-wudang","Everyday Wudang","武當日常",[265,266,267,268,269,270,271,272,273,277,281,285],{"to":8,"label":9,"label_zh":10},{"to":52,"label":53,"label_zh":54},{"to":83,"label":84,"label_zh":85},{"to":124,"label":125,"label_zh":126},{"to":162,"label":163,"label_zh":164},{"to":188,"label":189,"label_zh":190},{"to":230,"label":231,"label_zh":232},{"to":261,"label":262,"label_zh":263},{"to":274,"label":275,"label_zh":276},"\u002Fabout","About Wudang.Org","關於 Wudang.Org",{"to":278,"label":279,"label_zh":280},"\u002Fstart-here","Start Here","從這裡開始",{"to":282,"label":283,"label_zh":284},"\u002Ffind-a-practice","Find a Practice","找到適合你的修習",{"to":286,"label":287,"label_zh":288},"\u002Fteachers","Our Teachers","授課老師",{"data":290},{"all":291,"header":572,"footer":573},[292],{"to":188,"label":189,"label_zh":190,"children":293},[294,324,354,384,414,448,482,512,542],{"to":193,"label":194,"label_zh":195,"children":295},[296,300,304,308,312,316,320],{"to":297,"label":298,"label_zh":299},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Forigins-early-history","Origins & Early History of Yin-Yang Thought","陰陽觀念的來歷",{"to":301,"label":302,"label_zh":303},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fmeaning-of-yin-and-yang","The Meaning of Yin and Yang","陰陽的含義",{"to":305,"label":306,"label_zh":307},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Ffive-phases","The Five Phases: Wood, Fire, Earth, Metal & Water","五行：五種執行",{"to":309,"label":310,"label_zh":311},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fgenerating-controlling-cycles","The Generating & Controlling Cycles","相生與相剋",{"to":313,"label":314,"label_zh":315},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fcorrelative-cosmology","Correlative Cosmology: Body, Seasons & the Cosmos","天人相應：關聯宇宙論",{"to":317,"label":318,"label_zh":319},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fin-the-metaphysical-arts","Yin-Yang & the Five Elements in the Metaphysical Arts","陰陽五行在術數中的應用",{"to":321,"label":322,"label_zh":323},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements\u002Fkey-sources-further-reading","Key Sources & Further Reading","參考文獻與延伸閱讀",{"to":197,"label":198,"label_zh":199,"children":325},[326,330,334,338,342,346,350],{"to":327,"label":328,"label_zh":329},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Forigins-history","Origins and History of the Chinese Sexagenary Cycle","中國干支與六十甲子的起源和歷史",{"to":331,"label":332,"label_zh":333},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ften-heavenly-stems","The Ten Heavenly Stems: Names, Five Phases and Meanings","十天干：名稱、五行屬性與含義",{"to":335,"label":336,"label_zh":337},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Ftwelve-earthly-branches","The Twelve Earthly Branches: Animals, Hours, Months and Meanings","十二地支：生肖、時辰、月份與含義",{"to":339,"label":340,"label_zh":341},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fsixty-year-jiazi","The Sixty-Part Jiazi Cycle: How Stems and Branches Combine","六十甲子：天干地支如何組合成六十迴圈",{"to":343,"label":344,"label_zh":345},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fstems-branches-yin-yang-five-phases","How Heavenly Stems and Earthly Branches Encode Yin–Yang and the Five Phases","天干地支如何結合陰陽五行",{"to":347,"label":348,"label_zh":349},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fin-the-metaphysical-arts","How Ganzhi Is Used in BaZi, Feng Shui, Date Selection and Other Arts","干支如何應用於八字、風水、擇日與其他術數",{"to":351,"label":352,"label_zh":353},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches\u002Fkey-sources-further-reading","Heavenly Stems, Earthly Branches and Ganzhi: Sources and Further Reading","天干地支與干支歷的重要資料和延伸閱讀",{"to":201,"label":202,"label_zh":203,"children":355},[356,360,364,368,372,376,380],{"to":357,"label":358,"label_zh":359},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Forigins-history","Origins and History of Chinese Feng Shui","中國風水的起源與歷史",{"to":361,"label":362,"label_zh":363},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fqi-compass-two-schools","Qi, the Feng Shui Compass and the Two Schools","風水中的氣、羅盤與形勢理氣之分",{"to":365,"label":366,"label_zh":367},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fform-school-landscape","Feng Shui Form School: How Landscapes Are Read","風水形勢派：如何觀察山水與地形",{"to":369,"label":370,"label_zh":371},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fcompass-school-luopan","Feng Shui Compass School: How the Luopan Is Used","風水理氣派：羅盤如何用於方位判斷",{"to":373,"label":374,"label_zh":375},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fdwellings-and-graves","Feng Shui for Homes and Graves: Yangzhai and Yinzhai","陽宅與陰宅風水：住宅和墓葬有何不同",{"to":377,"label":378,"label_zh":379},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fmodern-world","Feng Shui Today: Homes, Cities, Design and Cultural Practice","今日風水：住宅、城市、設計與文化實踐",{"to":381,"label":382,"label_zh":383},"\u002Fchinese-metaphysics\u002Ffeng-shui\u002Fkey-sources-further-reading","Chinese Feng Shui Sources: Classical Texts and Further Reading","中國風水資料：經典文獻與延伸閱讀",{"to":205,"label":206,"label_zh":207,"children":385},[386,390,394,398,402,406,410],{"to":387,"label":388,"label_zh":389},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Forigins-history","History of BaZi and the Four Pillars of Destiny","八字與四柱命理的起源和歷史",{"to":391,"label":392,"label_zh":393},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fbuilding-the-chart","How a BaZi Chart Is Calculated: The Four Pillars and Eight Characters","八字命盤如何排定：四柱八字的計算方法",{"to":395,"label":396,"label_zh":397},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fday-master-ten-gods","The BaZi Day Master and Ten Gods: A Relationship Guide","八字日主與十神：命盤關係如何分類",{"to":399,"label":400,"label_zh":401},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Ffive-phase-balance","How BaZi Charts Are Read: Five-Phase Balance and the Useful God","八字命盤如何解讀：五行平衡與用神",{"to":403,"label":404,"label_zh":405},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fluck-pillars-annual-influences","BaZi Luck Pillars and Annual Influences: How Time Is Read","八字大運與流年：命盤如何推移時間",{"to":407,"label":408,"label_zh":409},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fin-practice","BaZi Readings Today: Interpretation, Responsibility and Limits","今日八字解讀：意義、責任與界限",{"to":411,"label":412,"label_zh":413},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars\u002Fkey-sources-further-reading","BaZi Sources: Classical Texts, Commentaries and Further Reading","八字資料：經典、註疏與延伸閱讀",{"to":209,"label":210,"label_zh":211,"children":415},[416,420,424,428,432,436,440,444],{"to":417,"label":418,"label_zh":419},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Forigins-history","History of Zi Wei Dou Shu: Origins, Legends and Documented Evidence","紫微斗數的起源與歷史：傳說、文獻與可考證據",{"to":421,"label":422,"label_zh":423},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ftwelve-palaces","The Twelve Palaces of Zi Wei Dou Shu: A Guide to the Life Domains","紫微斗數十二宮：命盤生活領域完整指南",{"to":425,"label":426,"label_zh":427},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fthe-stars","Zi Wei Dou Shu Stars: The Fourteen Major Stars and Their Meanings","紫微斗數星曜：十四主星及其含義",{"to":429,"label":430,"label_zh":431},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fcasting-and-reading","How a Zi Wei Dou Shu Chart Is Cast and Read","紫微斗數如何排盤與解讀",{"to":433,"label":434,"label_zh":435},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Ffour-transformations","Zi Wei Dou Shu Four Transformations: How the Chart Moves Through Time","紫微斗數四化：命盤如何隨時間變化",{"to":437,"label":438,"label_zh":439},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fin-practice","Zi Wei Dou Shu Readings Today: Interpretation, Responsibility and Limits","今日紫微斗數解讀：意義、責任與界限",{"to":441,"label":442,"label_zh":443},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fkey-sources-further-reading","Zi Wei Dou Shu Sources: Classical Texts, Schools and Further Reading","紫微斗數資料：經典、流派與延伸閱讀",{"to":445,"label":446,"label_zh":447},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu\u002Fglossary","Zi Wei Dou Shu Glossary: Palaces, Stars, Transformations and Time Cycles","紫微斗數術語表：宮位、星曜、四化與時間週期",{"to":214,"label":215,"label_zh":216,"children":449},[450,454,458,462,466,470,474,478],{"to":451,"label":452,"label_zh":453},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Forigins-history","Origins and History of Chinese Date Selection","中國擇吉的起源與歷史",{"to":455,"label":456,"label_zh":457},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fthe-almanac","The Chinese Almanac: How the Tongshu Guides Everyday Dates","通書：中國人的日用擇日指南",{"to":459,"label":460,"label_zh":461},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcyclical-qualities","How Chinese Calendars Describe the Qualities of Days","中國曆法如何描述日子的週期屬性",{"to":463,"label":464,"label_zh":465},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fstars-and-officers","Auspicious Stars and Day Officers in Chinese Date Selection","擇吉中的吉星、值日神與神煞",{"to":467,"label":468,"label_zh":469},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fchoosing-a-date","How Chinese Date Selection Works in Practice","中國擇日的實際操作",{"to":471,"label":472,"label_zh":473},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fcultural-meaning-and-responsible-practice","Chinese Date Selection: Cultural Meaning and Responsible Practice","中國擇日的文化意義與負責任實踐",{"to":475,"label":476,"label_zh":477},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Fkey-sources-further-reading","Chinese Date Selection: Key Sources and Further Reading","中國擇日的重要資料與延伸閱讀",{"to":479,"label":480,"label_zh":481},"\u002Fchinese-metaphysics\u002Fdate-selection\u002Ftwenty-four-solar-terms-seasonal-time-chinese-calendar","The Twenty-Four Solar Terms: Seasonal Time in the Chinese Calendar","二十四節氣：中國曆法中的季節時間",{"to":218,"label":219,"label_zh":220,"children":483},[484,488,492,496,500,504,508],{"to":485,"label":486,"label_zh":487},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Forigins-history","Origins and History of Chinese Physiognomy","中國相術的起源與歷史",{"to":489,"label":490,"label_zh":491},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fface-reading","Chinese Face Reading (Mianxiang): Methods, Meanings and Limits","中國面相術：方法、含義與侷限",{"to":493,"label":494,"label_zh":495},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fpalm-reading","Chinese Palm Reading (Shouxiang): Traditions, Methods and Limits","中國手相術：傳統、方法與侷限",{"to":497,"label":498,"label_zh":499},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-practice","Chinese Physiognomy in Practice Today: Readings, Apps and Risks","當代中國相術：看相、應用程式與風險",{"to":501,"label":502,"label_zh":503},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fhistory-interpretation-and-context","How to Interpret Chinese Physiognomy Responsibly","如何負責任地理解中國相術",{"to":505,"label":506,"label_zh":507},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fin-culture","Chinese Physiognomy in History, Literature and Everyday Culture","中國相術在歷史、文學與日常文化中",{"to":509,"label":510,"label_zh":511},"\u002Fchinese-metaphysics\u002Fphysiognomy\u002Fkey-sources-further-reading","Chinese Physiognomy: Primary Sources and Further Reading","中國相術的重要資料與延伸閱讀",{"to":222,"label":223,"label_zh":224,"children":513},[514,518,522,526,530,534,538],{"to":515,"label":516,"label_zh":517},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Forigins-history","Origins and History of Chinese Divination","中國占卜的起源與歷史",{"to":519,"label":520,"label_zh":521},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Foracle-bones","Chinese Oracle Bones and Turtle-Shell Divination","中國甲骨與龜卜：商代占卜和早期文字",{"to":523,"label":524,"label_zh":525},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fyijing-milfoil","The Yijing and Milfoil Divination: How Hexagrams Are Cast and Read","《易經》與筮佔：卦象如何生成與解讀",{"to":527,"label":528,"label_zh":529},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fcoins-and-lots","Chinese Coin Divination and Temple Lots: Methods and Meaning","中國錢佔與求籤：方法、解讀與文化意義",{"to":531,"label":532,"label_zh":533},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fin-practice","Chinese Divination in Practice Today: Consultations, Apps and Risks","當代中國占卜：諮詢、應用程式與風險",{"to":535,"label":536,"label_zh":537},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fmeaning-reflection-and-responsible-practice","How to Use Chinese Divination Responsibly","如何負責任地使用中國占卜",{"to":539,"label":540,"label_zh":541},"\u002Fchinese-metaphysics\u002Fdivination-arts\u002Fkey-sources-further-reading","Chinese Divination: Primary Sources and Further Reading","中國占卜的重要資料與延伸閱讀",{"to":226,"label":227,"label_zh":228,"children":543},[544,548,552,556,560,564,568],{"to":545,"label":546,"label_zh":547},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Forigins-history","Origins and History of the Hetu and Luoshu Diagrams","河圖與洛書圖式的起源與歷史",{"to":549,"label":550,"label_zh":551},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fhetu-river-chart","The Hetu River Chart: Numbers, Directions and the Five Phases","河圖：數字、方位與五行結構",{"to":553,"label":554,"label_zh":555},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fluoshu-magic-square","The Luoshu Magic Square: Numbers, Structure and Cultural Meaning","洛書幻方：數字結構與文化含義",{"to":557,"label":558,"label_zh":559},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fnine-palaces","The Nine Palaces (Jiugong): Directions, Time Cycles and Traditional Uses","九宮：方位、時間週期與傳統用途",{"to":561,"label":562,"label_zh":563},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fin-practice","Hetu, Luoshu and Nine Palaces in Practice Today","河圖、洛書與九宮在今天的實際應用",{"to":565,"label":566,"label_zh":567},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fmathematics-tradition-and-interpretation","How to Interpret the Hetu and Luoshu: Mathematics, History and Symbolism","如何理解河圖與洛書：數學、歷史與象徵",{"to":569,"label":570,"label_zh":571},"\u002Fchinese-metaphysics\u002Fluoshu-hetu\u002Fkey-sources-further-reading","Hetu, Luoshu and Nine Palaces: Primary Sources and Further Reading","河圖、洛書與九宮的重要資料與延伸閱讀",[],[],{"data":575},[576,612,635,654,675,694,714,732,753,776,798],{"id":38,"uuid":577,"slug":578,"available_locales":579,"name":583,"description":586,"body":588,"path":591,"images":592,"image_urls":597,"hero_image":3,"hero_image_url":3,"seo_title":602,"seo_description":605,"sort_order":607,"is_active":608,"status":609,"created_at":610,"updated_at":611},"f1a30881-20c6-407b-b546-669e839a178a","feng-shui-learning",[580,581,582],"en","zh","fr",{"en":584,"zh":585},"Feng Shui Learning","風水課程",{"en":587,"zh":3},"Study feng shui as a historical Chinese tradition of interpreting orientation, form and environment—with clear limits on predictive claims.",{"en":589,"zh":590},"\u003Ch2>\u003Cem>Feng shui 風水 developed through multiple schools, texts and professional traditions. It brings together observations of landform, orientation, water, buildings and correlative cosmology. It should not be reduced to decorative rules, nor presented as a scientifically proven way to guarantee health, wealth or relationships.\u003C\u002Fem>\u003C\u002Fh2>\u003Cp>\u003Cem>Classes introduce core vocabulary, the distinction between major approaches and the cultural contexts in which feng shui has been practised. Contemporary applications are discussed critically. Students remain responsible for property, financial and personal decisions and should seek qualified professional advice where those decisions carry material consequences.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>風水形成於不同的流派、典籍與專業傳統，綜合觀察地形、方位、水勢、建築以及陰陽五行等關聯性宇宙觀。它不應被簡化為裝飾規則，也不能被宣傳為保證健康、財富或關係結果的科學方法。\u003C\u002Fp>\u003Cp>課程介紹基本術語、主要方法的差別，以及風水在歷史社會中的實踐語境，並以批判態度討論當代應用。涉及房產、財務或其他重大決定時，學員仍應根據事實判斷，並諮詢具備資質的相關專業人士。\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[593,594,595,596],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[598,599,600,601],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",{"en":603,"zh":604},"Feng Shui Classes and Courses","風水課程：方位、形勢與空間觀念入門",{"en":587,"zh":606},"從歷史、環境與文化語境學習風水，理解方位、形勢與空間觀念，同時明確傳統解釋與科學證據的界限。",0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":60,"uuid":613,"slug":614,"available_locales":615,"name":616,"description":619,"body":622,"path":625,"images":626,"image_urls":627,"hero_image":3,"hero_image_url":3,"seo_title":628,"seo_description":631,"sort_order":607,"is_active":608,"status":609,"created_at":634,"updated_at":611},"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[580,581,582],{"en":617,"zh":618},"Internal Arts & Wellness","內家功法與養生",{"en":620,"zh":621},"Classes, workshops and retreats in Baduanjin, Taijiquan, qigong and traditional practices for movement, breathing and mindful cultivation.","彙集八段錦、太極拳、氣功及傳統身心修習的課程、工作坊與靜修活動。",{"en":623,"zh":624},"\u003Cp>Explore small-group classes, workshops and retreats introducing Wudang internal arts and traditional wellness practices. Programmes may include Baduanjin, Taijiquan, qigong, standing practice, breathing and their cultural foundations.\u003C\u002Fp>\u003Cp>Each listing provides its teacher, schedule, experience level and registration arrangements.\u003C\u002Fp>","\u003Cp>本類別彙集武當內家功法與傳統養生修習的小班課程、工作坊及靜修活動，內容可涵蓋八段錦、太極拳、氣功、站樁、呼吸練習及相關文化基礎。\u003C\u002Fp>\u003Cp>每項活動都會註明導師、日期、適合程度與報名方式，方便參加者選擇合適的學習體驗。\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"en":629,"zh":630},"Internal Arts & Wellness Events","內家功法與養生活動",{"en":632,"zh":633},"Explore Baduanjin, Taijiquan, qigong and traditional wellness classes, workshops and retreats listed by Wudang.Org.","探索八段錦、太極拳、氣功與傳統養生課程、工作坊及靜修活動。","2026-08-16T19:23:45.000000Z",{"id":636,"uuid":637,"slug":638,"available_locales":639,"name":640,"description":643,"body":644,"path":645,"images":646,"image_urls":647,"hero_image":3,"hero_image_url":3,"seo_title":648,"seo_description":650,"sort_order":607,"is_active":608,"status":609,"created_at":653,"updated_at":611},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[580,581,582],{"en":641,"zh":642},"Face Reading Learning","面相課程",[],[],"\u002Fevents\u002Fface-reading-learning",[],[],{"en":649},"Chinese Face Reading Classes and Workshops",{"en":651,"zh":652},"Learn Chinese face reading (面相) as a cultural tradition: its classical framework, history and uses, taught with clear limits on predictive claims.","把面相作為中國傳統文化來學習：認識其經典框架、歷史與用法，並清楚說明傳統詮釋的邊界。","2026-08-30T17:01:43.000000Z",{"id":655,"uuid":656,"slug":657,"available_locales":658,"name":659,"description":662,"body":664,"path":667,"images":668,"image_urls":669,"hero_image":3,"hero_image_url":3,"seo_title":670,"seo_description":673,"sort_order":38,"is_active":608,"status":609,"created_at":610,"updated_at":611},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[580,581,582],{"en":660,"zh":661},"Zi Wei Dou Shu Learning","紫微斗數課程",{"en":663,"zh":3},"Explore Purple Star Astrology as a traditional Chinese interpretive system, approached as cultural knowledge rather than scientific prediction.",{"en":665,"zh":666},"\u003Cp>Zi Wei Dou Shu 紫微鬥數 organises birth information through palaces, stars and patterned relationships. The system has a substantial technical vocabulary and several interpretive traditions, but its predictive claims are not established by modern scientific evidence.\u003C\u002Fp>\u003Cp>Courses explain how charts are structured, how symbols are read and how historical and contemporary practitioners differ. The aim is cultural literacy and disciplined reflection—not certainty about the future. Readings do not replace medical, legal, financial, employment or psychological expertise.\u003C\u002Fp>","\u003Cp>紫微斗數依據出生資訊，以宮位、星曜和彼此關係組織命盤。它具有複雜的術語與多種解釋傳統，但其預測主張並未得到現代科學證據的確立。\u003C\u002Fp>\u003Cp>課程說明命盤結構、符號閱讀方法，以及歷史與當代實踐者之間的差異。學習目的在於文化理解與有紀律的自我反思，而不是獲得關於未來的確定答案。相關解讀不能代替醫療、法律、財務、就業或心理專業意見。\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"en":671,"zh":672},"Zi Wei Dou Shu (Purple Star Astrology) Classes","紫微斗數課程：命盤、宮位與星曜入門",{"en":663,"zh":674},"把紫微斗數作為中國傳統詮釋體系來學習，認識命盤、宮位與星曜，不把它包裝成科學預測。",{"id":247,"uuid":676,"slug":677,"available_locales":678,"name":679,"description":682,"body":683,"path":684,"images":685,"image_urls":686,"hero_image":3,"hero_image_url":3,"seo_title":687,"seo_description":690,"sort_order":38,"is_active":608,"status":609,"created_at":693,"updated_at":611},"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[580,581,582],{"en":680,"zh":681},"Tea Arts","茶藝",[],[],"\u002Fevents\u002Ftea-arts",[],[],{"en":688,"zh":689},"Chinese Tea Art Classes and Workshops","茶藝課程與工作坊",{"en":691,"zh":692},"Chinese tea art (茶藝) classes and workshops: tea types, brewing methods, tea-table etiquette and the quiet attention of sharing tea.","茶藝課程與工作坊：認識茶類、泡茶方法與茶席禮儀，在一席茶中體會從容與專注。","2026-08-16T17:13:57.000000Z",{"id":242,"uuid":695,"slug":696,"available_locales":697,"name":698,"description":701,"body":703,"path":706,"images":707,"image_urls":708,"hero_image":3,"hero_image_url":3,"seo_title":709,"seo_description":712,"sort_order":655,"is_active":608,"status":609,"created_at":610,"updated_at":611},"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[580,581,582],{"en":699,"zh":700},"Ba Zi Learning","八字課程",{"en":702,"zh":3},"Study the Four Pillars as a traditional system of stems, branches and five-phase correspondence, with history and limitations made explicit.",{"en":704,"zh":705},"\u003Cp>Ba Zi 八字 interprets year, month, day and hour through the heavenly stems, earthly branches, yin-yang and five-phase relationships. It is an influential part of Chinese metaphysical culture, not an observational science in the modern empirical sense.\u003C\u002Fp>\u003Cp>Classes introduce chart structure, terminology and common interpretive methods while distinguishing tradition from evidence. Students are encouraged to treat readings as prompts for reflection and never as guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>八字以年、月、日、時四柱為框架，通過天干、地支、陰陽與五行關係進行解釋。它是中國術數文化中影響深遠的傳統體系，並非現代經驗科學。\u003C\u002Fp>\u003Cp>課程介紹命盤結構、基本術語和常見詮釋方法，同時說明傳統觀點與科學證據的差別。學員可把解讀作為反思的線索，但不應把它當作保證、診斷，或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"en":710,"zh":711},"BaZi (Four Pillars) Classes and Courses","八字課程：四柱、天干地支與五行入門",{"en":702,"zh":713},"學習四柱中的天干、地支與五行關係，理解其歷史與方法，也清楚區分傳統詮釋和現代實證知識。",{"id":69,"uuid":715,"slug":716,"available_locales":717,"name":718,"description":721,"body":722,"path":723,"images":724,"image_urls":725,"hero_image":3,"hero_image_url":3,"seo_title":726,"seo_description":729,"sort_order":655,"is_active":608,"status":609,"created_at":693,"updated_at":611},"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[580,581,582],{"en":719,"zh":720},"Incense Culture","香文化",[],[],"\u002Fevents\u002Fincense-culture",[],[],{"en":727,"zh":728},"Chinese Incense Culture Workshops","香文化活動與工作坊",{"en":730,"zh":731},"Workshops on Chinese incense culture (香文化): aromatic materials, traditional ways of preparing and appreciating incense, and incense as calm attention.","香文化活動與工作坊：認識香材、傳統制香與品香方式，在一爐香中練習安靜與專注。",{"id":733,"uuid":734,"slug":735,"available_locales":736,"name":737,"description":740,"body":743,"path":746,"images":747,"image_urls":748,"hero_image":3,"hero_image_url":3,"seo_title":749,"seo_description":751,"sort_order":655,"is_active":608,"status":609,"created_at":752,"updated_at":611},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[580,581,582],{"en":738,"zh":739},"I Ching Learning","易經課程",{"en":741,"zh":742},"Explore the I Ching through its hexagrams, traditional interpretive methods and historical context, with scope and limitations made explicit.","通過卦象、傳統解讀方法與歷史語境認識《易經》，並清楚說明其適用範圍與侷限。",{"en":744,"zh":745},"\u003Cp>The I Ching 易經 is a classical Chinese text centred on sixty-four hexagrams and a long history of commentary and divination. It has shaped Chinese philosophy, cosmology and metaphysical practice, but its divinatory claims are not established as modern empirical science.\u003C\u002Fp>\u003Cp>Classes introduce structures, terminology and traditional methods such as Liu Yao while distinguishing cultural study from evidence. Readings should be treated as prompts for reflection, not guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>《易經》是一部以六十四卦為核心的中國經典，形成了悠久的註疏與占筮傳統，並深刻影響中國哲學、宇宙觀與術數文化；其占筮主張並非現代經驗科學所證實。\u003C\u002Fp>\u003Cp>課程介紹基本結構、術語和六爻等傳統方法，同時區分文化學習與科學證據。解讀宜作為反思線索，不應視為保證、診斷或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"en":750,"zh":739},"I Ching Classes and Courses",{"en":741,"zh":742},"2026-09-08T00:15:35.000000Z",{"id":21,"uuid":754,"slug":755,"available_locales":756,"name":757,"description":760,"body":763,"path":766,"images":767,"image_urls":768,"hero_image":3,"hero_image_url":3,"seo_title":769,"seo_description":772,"sort_order":242,"is_active":608,"status":609,"created_at":775,"updated_at":611},"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[580,581,582],{"en":758,"zh":759},"Traditional Arts & Crafts","傳統藝術與手作",{"en":761,"zh":762},"Hands-on workshops exploring Chinese handicrafts and decorative arts through guided making and cultural appreciation.","通過親手製作與文化欣賞，體驗中國傳統手作及裝飾藝術。",{"en":764,"zh":765},"\u003Cp>Discover practical workshops in Chinese decorative arts and handcraft traditions. Activities may include gold-leaf painting, cloisonné enamel, mother-of-pearl work, Song brocade and other guided projects.\u003C\u002Fp>\u003Cp>These welcoming sessions introduce materials, techniques and cultural context while allowing participants to complete a piece of their own.\u003C\u002Fp>","\u003Cp>本類別彙集中國傳統裝飾藝術與手作體驗，內容可涵蓋金箔畫、掐絲琺琅、螺鈿工藝、宋錦及其他創作專案。\u003C\u002Fp>\u003Cp>課程以輕鬆易懂的方式介紹材料、技法與文化背景，讓參加者在導師帶領下完成屬於自己的作品。\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"en":770,"zh":771},"Traditional Arts & Crafts Events","傳統藝術與手作活動",{"en":773,"zh":774},"Explore Chinese handicraft and decorative arts workshops, including gold-leaf, cloisonné, mother-of-pearl and brocade.","探索金箔畫、掐絲琺琅、螺鈿、宋錦等中國傳統手作及裝飾藝術體驗。","2026-08-16T19:24:04.000000Z",{"id":212,"uuid":777,"slug":778,"available_locales":779,"name":780,"description":783,"body":786,"path":789,"images":790,"image_urls":791,"hero_image":3,"hero_image_url":3,"seo_title":792,"seo_description":794,"sort_order":247,"is_active":608,"status":609,"created_at":797,"updated_at":611},"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[580,581,582],{"en":781,"zh":782},"Wudang Community","武當社群活動",{"en":784,"zh":785},"Talks, broadcasts and community gatherings connecting people with Wudang culture, learning and living practice.","通過講座、直播與社群聚會，連線武當文化、學習與日常實踐。",{"en":787,"zh":788},"\u003Cp>Wudang Community brings together public talks, livestreams, gatherings and shared cultural activities connected with Wudang.\u003C\u002Fp>\u003Cp>These programmes create welcoming ways to meet practitioners, explore ideas and participate in a growing community of learning and practice.\u003C\u002Fp>","\u003Cp>武當社群活動彙集與武當文化相關的公開講座、直播、聚會及共享文化體驗。\u003C\u002Fp>\u003Cp>這些活動以友善開放的方式連線練習者與學習者，讓大家交流心得、認識傳統，並共同參與持續發展的文化社群。\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"en":793,"zh":782},"Wudang Community Events",{"en":795,"zh":796},"Discover Wudang community talks, broadcasts and gatherings connecting people with culture, learning and living practice.","探索連線武當文化、學習與日常實踐的講座、直播及社群聚會。","2026-08-16T19:24:18.000000Z",{"id":16,"uuid":799,"slug":800,"available_locales":801,"name":802,"description":805,"body":806,"path":807,"images":808,"image_urls":809,"hero_image":3,"hero_image_url":3,"seo_title":810,"seo_description":813,"sort_order":69,"is_active":608,"status":609,"created_at":816,"updated_at":611},"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[580,581,582],{"en":803,"zh":804},"Wudang Journeys & Retreats","武當旅修與行程",[],[],"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"en":811,"zh":812},"Wudang Mountain Retreats and Guided Journeys","武當山旅修與靜修行程",{"en":814,"zh":815},"Guided journeys and retreats to Wudang Mountain that combine practice, temple visits and cultural learning, with itineraries and expectations set out clearly.","前往武當山的旅修與靜修：結合修習、宮觀參訪與文化學習，提前說明行程安排與參加須知。","2026-08-18T11:09:38.000000Z",{"data":818},{"hero_type":819,"hero_image":820,"hero_image_alt":821,"hero_youtube_id":822,"hero_content_on":608,"hero_heading":823,"hero_subheading":824,"hero_text":825,"hero_subheading_zh":826,"hero_text_zh":827,"hero_buttons":828,"home_seo":834,"page_layout":840,"shop_enabled":841,"contact":842,"journey":858},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武當文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","這裡既是學習之地，也是讓文化融入日常的所在。","從道家思想、內家武術、文人雅藝與武當山出發，以清晰、踏實的方式，在新加坡及世界各地認識和體驗武當文化。",[829,831],{"label":830,"link":278},"Start Your Wudang Journey",{"label":832,"link":833},"View Events & Courses","\u002Fevents",{"title":835,"description":837},{"en":836,"zh":3},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":838,"zh":839},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","從太極、氣功、道家思想、武術、傳統雅藝與養生文化認識武當山，探索武當文化及武當山的日常生活。","sidebar",false,{"methods":843,"has_any":608,"text":851},{"email":844,"whatsapp":845,"wechat_id":846,"wechat_qr_url":847,"instagram":848,"instagram_handle":849,"facebook":850,"facebook_handle":849},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":852,"china_heading_zh":853,"china_company_en":854,"china_company_zh":855,"china_address_en":856,"china_address_zh":857},"China Operations","中國運營","Xunwei Wudang Co., Ltd.","尋味武當有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武當山王家園劍河二路72號",{"title_en":3,"title_zh":3,"intro_en":3,"intro_zh":3,"enabled":608},{"data":860},{"to":421,"type":861,"available_locales":862,"is_content_page":608,"title":863,"subtitle":864,"body":867,"hero_image_url":870,"hero_width":871,"hero_height":872,"hero_image_alt":873,"hero_image_decorative":841,"hero_credit":3,"hero_alt":876,"hero_style":877,"card_layout":878,"link_type":3,"link_ref":3,"seo_title":879,"seo_description":882,"children":885},"page",[580,581,582],{"en":422,"zh":423},{"en":865,"zh":866},"How the Life, Career, Wealth, Relationships and other palaces organise a Purple Star chart","命宮、官祿、財帛、夫妻等宮位如何組織紫微命盤",{"en":868,"zh":869},"\u003Cp>If the stars are the actors in a Zi Wei Dou Shu reading, the \u003Cstrong>twelve palaces\u003C\u002Fstrong> are the stage. They are the structural heart of the system, and understanding them is the first real step in understanding how a chart is read. Where the Four Pillars compress a life into a single grid of eight characters, Zi Wei Dou Shu spreads it out into twelve distinct compartments, each assigned to a particular domain of human experience. The chart is drawn as a ring — traditionally a square divided into twelve cells around the edge — and each cell is a palace.\u003C\u002Fp>\u003Ch2>Anchored to the twelve Branches\u003C\u002Fh2>\u003Cp>The palaces are anchored to the twelve \u003Cstrong>Earthly Branches\u003C\u002Fstrong>, so that the ring of palaces corresponds to the familiar cycle of Rat, Ox, Tiger, and the rest. This is the link back to the calendar and to the sexagenary system described elsewhere in this section: the same twelve Branches that mark the double-hours and the months here mark the twelve positions of the chart. Onto this fixed ring of Branches, the system lays a second layer of meaning — the twelve \u003Cstrong>life-domains\u003C\u002Fstrong> — and the way these two layers are aligned depends on the birth data, which is what makes each chart individual.\u003C\u002Fp>\u003Ch2>The twelve life-domains\u003C\u002Fh2>\u003Cp>The twelve life-domains are the substance of the reading, and their names give a clear sense of the system’s scope. The first and most important is the Life Palace (命宮), which describes the core self — temperament, disposition, and the overall shape of the life. Around it run the others: the Palace of Siblings (兄弟宮); the Palace of the Spouse or Marriage (夫妻宮); the Palace of Children (子女宮); the Palace of Wealth (財帛宮); the Palace of Health or Illness (疾厄宮); the Palace of Travel or Movement (遷移宮); the Palace of Friends and Subordinates (僕役宮, sometimes called the Palace of Companions); the Palace of Career or Officialdom (官祿宮); the Palace of Property (田宅宮); the Palace of Fortune and Virtue (福德宮), concerning inner life and enjoyment; and the Palace of Parents (父母宮). A thirteenth designation, the Body Palace (身宮), does not occupy its own cell but overlays one of the twelve, marking an area of especially strong emphasis in the second half of life.\u003C\u002Fp>\u003Ch2>A checklist of what mattered\u003C\u002Fh2>\u003Cp>Read together, these palaces amount to a comprehensive checklist of the domains a traditional society considered central to a life: who you are, your family of origin and your marriage, your children, your money and property, your health, your work, your travels, your friendships, and your inner contentment. Part of the appeal of Zi Wei Dou Shu, compared with the more abstract elemental reasoning of BaZi, is exactly this concreteness. A reader can point to a single palace and speak directly about marriage or career, rather than inferring everything from the interaction of five phases. The system feels, to many, more like reading a detailed map than interpreting a code.\u003C\u002Fp>\u003Ch2>Palaces opposite one another\u003C\u002Fh2>\u003Cp>The palaces are not read in isolation from one another. A central principle of the system is that palaces sitting opposite each other across the ring, and those at the triangular points from a given palace, form relationships that must be read together. The palace directly across from the Life Palace, for example — the Travel Palace — is held to illuminate the self by showing how the person meets the outside world, and the trio of palaces at the triangular positions is read as a mutually reinforcing set. This means a competent reading is never a matter of examining one palace alone; it is a matter of seeing how the twelve stand in relation to one another, so that wealth is read against career, marriage against travel, and so on. The web of relationships among the palaces is as important as the palaces themselves.\u003C\u002Fp>\u003Ch2>The triangle and the four positions\u003C\u002Fh2>\u003Cp>Palaces are never read in isolation, and the standard grouping goes beyond the opposite pair. The technical term is san fang si zheng (三方四正), the three sides and four positions, and it names the set of four palaces always considered together when examining any one of them.\u003C\u002Fp>\u003Cp>The four are the palace itself, the palace directly opposite it, and the two palaces that form an equilateral triangle with it — those four and eight positions around the ring. Because the twelve palaces are anchored to the twelve branches, and the branches already group themselves into four sets of three by the traditional trine relationships, this grouping is not arbitrary within the system’s own logic: it inherits the branch triads described in the Ganzhi pages of this section.\u003C\u002Fp>\u003Cp>In practice this means that a question about career is never answered from the career palace alone. The career palace is read together with its opposite, the spouse palace, and with the two palaces trine to it, which are the life palace and the wealth palace. A strong star in any of the four contributes; an afflicted one in any of the four is felt. This is why a chart with an empty or unpromising palace for some domain may still be read favourably for it, and why practitioners resist quick judgements based on a single compartment.\u003C\u002Fp>\u003Cp>It also has a structural consequence worth noticing. Since the life palace, career palace and wealth palace always fall in the same triangle, the system treats selfhood, occupation and money as intrinsically linked — you cannot examine one without the others entering. Likewise marriage, travel and fortune-and-virtue form a triangle, so relationships, movement and inner life are read as one complex. These groupings are built into the geometry and are not conclusions drawn from any particular chart. Whether they reflect something true about lives or merely the way the diagram happens to divide is a fair question, and the tradition does not raise it.\u003C\u002Fp>\u003Ch2>The Body Palace and other reference points\u003C\u002Fh2>\u003Cp>The Life Palace is the principal reference point but not the only one, and a reader meeting a full chart will find several markers whose function is easy to confuse.\u003C\u002Fp>\u003Cp>The most important is the Body Palace (身宮). It is derived from the same two pieces of data as the Life Palace, the lunar month and the birth hour, but counted in the opposite direction, so it always falls in one of a limited set of positions relative to the Life Palace. Where the Life Palace is usually explained as the given self — disposition, native character and what a person starts with — the Body Palace is explained as the acquired self, what a person becomes through effort and circumstance, and it is often said to matter more in later life. Lineages place different emphasis on this distinction, and some modern teachers use the Body Palace sparingly. Readers should therefore note the framework a source follows and apply it consistently.\u003C\u002Fp>\u003Cp>Two further markers are the ruler of the Life Palace and the ruler of the Body Palace, each a designated star assigned by rule from the relevant branch. These are understood to indicate an underlying disposition independent of which stars occupy the palaces. They are prominent in older material and treated as secondary in much modern practice, illustrating how lineages preserve different layers of the system. When a chart element seems unfamiliar, it may be one of these older devices retained by some traditions while others give priority to a smaller set of core markers.\u003C\u002Fp>\u003Ch2>Empty palaces and borrowed stars\u003C\u002Fh2>\u003Cp>There are fourteen major stars and twelve palaces, so a chart cannot fill every palace evenly. Some palaces receive two major stars and others receive none at all. A palace with no major star is called an empty palace (空宮), and how to read one is a standard technical problem rather than an unusual case — most charts contain several.\u003C\u002Fp>\u003Cp>Empty does not mean unimportant or void of content. The usual procedure is to borrow the stars of the opposite palace and read them into the empty one, on the reasoning that opposite palaces are already treated as a pair. A person with an empty marriage palace facing a strong opposite palace is therefore not read as having no marriage prospects; the opposite palace’s stars supply the description. Minor stars, of which there are many, also occupy palaces and contribute, so an empty palace is rarely blank on the page.\u003C\u002Fp>\u003Cp>There is an interpretive lesson here. Because borrowing is available, palaces with no major stars, with supportive stars or with challenging stars can all be integrated into a complete reading. This flexibility allows the system to address every chart, and it also places responsibility on the reader to state the method clearly. Some lineages understand an empty palace as an area that draws more strongly on external support; others emphasise adaptability and the influence of the opposite palace. These can be approached as different emphases within the same relational structure.\u003C\u002Fp>\u003Ch2>The palaces can be re-centred\u003C\u002Fh2>\u003Cp>There is a further sophistication worth noting. The twelve life-domains do not stay fixed to the person’s own life alone. In a technique sometimes called “borrowing the palaces,” any palace can be taken as a new starting point in order to read the life of a relevant other person — treating the Spouse Palace, say, as the “Life Palace” of the partner and reading the rest of the chart around it. This rotational logic lets a single chart be interrogated from many angles, and it is one of the features that gives experienced practitioners so much to work with. It also, inevitably, adds to the system’s flexibility and therefore to the difficulty of pinning its claims down.\u003C\u002Fp>\u003Ch2>A note of perspective\u003C\u002Fh2>\u003Cp>As always, a note of perspective is in order. The twelve-palace framework is an elegant and genuinely useful way of organising a discussion of a life; its categories map neatly onto the concerns most people actually have. But the framework’s usefulness as a way of structuring reflection should not be confused with evidence that the positions of symbolic stars in these palaces actually determine marriage, wealth, or health. The palaces provide the vocabulary and the map; whether the map corresponds to the territory of a real future is precisely the claim that the tradition asserts and that modern evidence does not support. Described here on its own terms, the system’s structure is worth understanding; its predictive power should be regarded with appropriate caution.\u003C\u002Fp>\u003Ch2>Key points\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>The twelve palaces are the structural frame of a Zi Wei chart — the stage on which the stars act.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>They are anchored to the twelve Earthly Branches, linking the chart to the calendar.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Each palace covers one life-domain, and their names show the system’s scope.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Together they form a checklist of the areas a traditional society treated as central.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Palaces opposite each other are read together, so no palace is interpreted alone.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>The twelve domains can be re-centred to read a chart from a different starting point.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>The framework is a genuinely useful way of organising a life into topics, whatever one makes of its predictive claims.\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\u003Cblockquote>\u003Cp>Sources drawn on for this article include: Richard J. Smith, Fortune-tellers and Philosophers: Divination in Traditional Chinese Society; Ho Peng Yoke, Chinese Mathematical Astrology: Reaching Out to the Stars; and standard reference expositions of the twelve palaces (shi’er gong) within the Zi Wei Dou Shu tradition.\u003C\u002Fp>\u003C\u002Fblockquote>","\u003Ch2>十二格釘在十二地支上\u003C\u002Fh2>\u003Cp>斗數的盤是固定的：一張十二格的圖，每格對應一個地支，順序永遠是子、醜、寅、卯……這個骨架對所有人都一樣。\u003C\u002Fp>\u003Cp>變的是宮名。\u003Cstrong>命宮落在哪一格，由出生的農曆月與時辰算出\u003C\u002Fstrong>；命宮定了，其餘十一宮按固定順序依次排在後面的格子裡。所以兩個人的盤看起來格局不同，差別首先來自命宮的位置。\u003C\u002Fp>\u003Cp>十二宮釘在十二地支上，這一點帶來一個實際的後果：宮與支是一一對應的，所以說某宮在寅、某宮在申，指的既是人事的領域，也是盤上的方位。安星的規則用的是地支，解盤時說的卻是宮名，初學常在這兩套說法之間繞不過來。記住它們指的是同一格，就不會亂。\u003C\u002Fp>\u003Ch2>十二個領域\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>\u003Cstrong>命宮\u003C\u002Fstrong>——本人：性格、基本氣質、一生的主調。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>兄弟宮\u003C\u002Fstrong>——兄弟姐妹與手足關係。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>夫妻宮\u003C\u002Fstrong>——配偶與婚姻。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>子女宮\u003C\u002Fstrong>——子女，也關聯晚輩與生育。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>財帛宮\u003C\u002Fstrong>——收入與錢財的來去。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>疾厄宮\u003C\u002Fstrong>——身體與容易出問題的地方。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>遷移宮\u003C\u002Fstrong>——外出、遠行、離鄉與外在環境。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>交友宮\u003C\u002Fstrong>——朋友與部屬，舊稱奴僕宮。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>官祿宮\u003C\u002Fstrong>——事業、職位與工作表現。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>田宅宮\u003C\u002Fstrong>——房產、土地與家宅。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>福德宮\u003C\u002Fstrong>——精神生活、享受、內心是否安定。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>父母宮\u003C\u002Fstrong>——父母與長輩，也關聯庇護。\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\u003Cp>還該說明：這十二個領域並非等量齊觀。命、財帛、事業、夫妻這幾宮，在實際解盤中被問得最多，著墨也最多；疾厄、父母、兄弟幾宮，古書裡的材料就單薄些。這個輕重不是理論定的，是使用者問什麼就長出什麼。今人又添了自己的關切，例如把交友宮用來看職場同事，把田宅宮用來看不動產投資，這些引申古書裡都沒有。\u003C\u002Fp>\u003Ch2>這張清單反映的是什麼社會\u003C\u002Fh2>\u003Cp>把十二宮連起來讀，會發現它其實是一份\u003Cstrong>清單：一個人一生要交待的賬目\u003C\u002Fstrong>。有幾點值得注意。\u003C\u002Fp>\u003Cp>\u003Cstrong>家族佔了一半。\u003C\u002Fstrong>兄弟、夫妻、子女、父母、田宅、交友——六個宮直接處理親屬與依附關係。這是宗族社會的重心所在。\u003C\u002Fp>\u003Cp>\u003Cstrong>沒有現代人關心的若干專案。\u003C\u002Fstrong>教育與學習沒有獨立的宮（附在父母、官祿裡），興趣、志向、心理狀態也沒有專門位置，最接近內在生活的是福德宮。\u003Cstrong>這份清單是明清社會的關注點，不是普適的人生分類。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>\u003Cstrong>交友宮舊稱奴僕宮\u003C\u002Fstrong>，這個名字直接暴露了它成形時的社會結構：與你有關係的下位者被歸成一類。現代著作改稱交友、部屬，含義隨之調整。\u003C\u002Fp>\u003Cp>指出這一層不是要否定它，而是提醒：\u003Cstrong>任何分類清單都會塑造它所描述的人生。\u003C\u002Fstrong>用一份四百年前的清單來談今天的生活，有些專案自然對不上，需要解讀者臨時調整——而這類調整正是解讀彈性的來源之一。\u003C\u002Fp>\u003Cp>這十二個領域的次序也不是隨意的：由命宮起，依次是兄弟、夫妻、子女、財帛、疾厄、遷移、交友、事業、田宅、福德、父母，繞一圈回到命宮。這個次序大致由近及遠——先是血親與配偶，再是子嗣與錢財，然後是身體、出門在外、往來的人，最後是事業、家業、心性與父母。把它當作一條由內而外鋪開的線來記，比零散地背十二個名目容易得多。\u003C\u002Fp>\u003Ch2>對宮\u003C\u002Fh2>\u003Cp>十二宮兩兩相對，構成六組，相對的兩宮在盤上隔六格正對：\u003Cstrong>命宮對遷移，兄弟對交友，夫妻對官祿，子女對田宅，財帛對福德，疾厄對父母。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>解讀時，一個宮的對宮被視為它的另一面，兩者要合看。其中有幾組的配對很有意思：夫妻對官祿，意味著婚姻與事業被看成互相牽動的一對；財帛對福德，意味著錢財與內心是否安定被放在一條軸上。\u003Cstrong>這些配對本身就是一種人生觀的表達\u003C\u002Fstrong>，讀斗數時值得注意它在替你預設什麼。\u003C\u002Fp>\u003Ch2>三方四正\u003C\u002Fh2>\u003Cp>傳統解讀最常用的組合叫\u003Cstrong>三方四正\u003C\u002Fstrong>：以命宮為準，加上與它成三合的財帛宮、官祿宮（命、財、官三方），再加上對面的遷移宮，四個格子一起看。\u003C\u002Fp>\u003Cp>這是三合派的核心方法。它的道理是：本人、錢財、事業、外部環境四者互相關聯，不能只看一格。\u003Cstrong>實際效果是把判斷的材料擴大了四倍\u003C\u002Fstrong>——命宮裡沒有主星時，就從三方四正借。這既增加了周全，也增加了可解釋的空間。\u003C\u002Fp>\u003Cp>三方四正還有一層結構上的含意值得點出。命宮、事業宮、財帛宮永遠同在一個三角之內，於是這套系統把自我、職業與錢財當作本來就連在一起的東西——看其一，另兩個必然入局。同樣，夫妻、遷移、福德也自成一個三角，於是情感、走動與內心被當作一個整體來讀。這些歸併是畫在圖形裡的，不是從哪一個盤推出來的結論。它們究竟反映了人生裡某種真實的關聯，還是僅僅因為這張圖恰好這樣分格，是個公道的問題，而這個傳統並不提出這個問題。\u003C\u002Fp>\u003Ch2>身宮與其他幾個座標\u003C\u002Fh2>\u003Cp>命宮是主要的座標，卻不是唯一的；初見一張完整的盤，會碰到幾個記號，功用容易混淆。\u003C\u002Fp>\u003Cp>其中最要緊的是身宮。它所依的資料與命宮相同，都是農曆月份與出生時辰，只是數的方向相反，所以總落在相對於命宮的少數幾個位置之一。命宮通常被解釋為先天的自己——性情、本來的稟賦和起步時帶著的條件；身宮則被解釋為後天的自己，即一個人經由努力與際遇所成的樣子，舊說也常講它在中晚年分量更重。各傳承會對這層分別給予不同分量，一些現代老師較少使用身宮。讀者宜先辨明資料依據的框架，再在同一方法中前後一致地理解。\u003C\u002Fp>\u003Cp>另外兩個記號是命主與身主，各由相關地支按規則指定一顆星，用來說明不完全依賴宮內星曜的一層底子。這兩項在較早材料裡頗為顯眼，在許多現代做法中則居於次要位置，說明不同傳承儲存了系統的不同層次。若在盤上遇到陌生專案，它往往就是這一類舊有裝置：有些傳統繼續使用，另一些則把重點放在較精簡的核心要素上。\u003C\u002Fp>\u003Ch2>空宮與借星\u003C\u002Fh2>\u003Cp>十四主星配十二宮，一個盤不可能把每一宮都填得均勻。有的宮得兩顆主星，有的宮一顆也沒有。沒有主星的宮叫空宮，而怎麼讀空宮是一個常規的技術問題，不是罕見的情形——多數盤裡都有好幾個。\u003C\u002Fp>\u003Cp>空不等於不重要，也不等於其中無物。通常的辦法是借對宮的星讀進這一宮，所依的道理是：對宮本來就當作一對來看。夫妻宮空而對宮星強的人，並不因此被讀作無婚緣；那份描述由對宮的星來提供。此外輔星、雜星數目眾多，也各佔宮位而有所貢獻，所以空宮在紙面上很少真是空白。\u003C\u002Fp>\u003Cp>這裡有一層解讀上的提醒。因為可以借對宮，無主星、見助力或見挑戰等不同配置，都能被納入一份完整說明。正因如此，術者更應清楚交代所用方法。有些傳承把空宮看作較多借助外部條件的領域，另一些則強調適應性與對宮的帶動；這些可以理解為同一關係結構下的不同側重。\u003C\u002Fp>\u003Ch2>宮位可以重新定中心\u003C\u002Fh2>\u003Cp>還有一種做法：把某個宮當作新的中心來看。想看配偶的情況，就以夫妻宮為“命宮”重新排一圈，看以它為中心時其餘各宮的關係。飛星一路把這稱為移動太極點。\u003C\u002Fp>\u003Cp>這個手法很靈活，也說明了一件事：\u003Cstrong>這套系統的核心不是十二個固定內容，而是一套可以反覆套用的關係結構。\u003C\u002Fstrong>結構越靈活，能生成的說法越多，這一點在講實際運用時會再回到。\u003C\u002Fp>\u003Cp>宮位重新定中心這個做法，是紫微斗數頗為靈巧的一處：要看父親的事，就把父母宮當作那個人的命宮，其餘各宮依次重排，於是同一張盤可以當作親屬的盤來讀。這個辦法用起來很方便，但也應當看清它的代價——一張盤因此可以被翻出許多套說法，而說法越多，落空的就越難被察覺。\u003C\u002Fp>\u003Ch2>一點提醒\u003C\u002Fh2>\u003Cp>十二宮給人的第一印象是“全面”——人生的方面都被覆蓋了。但要看清這種全面的性質：\u003Cstrong>它來自清單的完備，不來自判斷的準確。\u003C\u002Fstrong>把生活切成十二塊並逐塊討論，確實條理清楚，也確實容易讓人覺得被說中了，因為總有幾塊說得上。\u003C\u002Fp>\u003Cp>把這一點記住，再往下讀星曜與四化，就不容易被系統的精巧帶著走。\u003C\u002Fp>\u003Cp>最後把這一頁收一句：十二宮是這套系統的骨架，而骨架本身簡單——十二格、固定的次序、幾組固定的連帶關係。真正難的不在記住它們，而在明白它們之間的牽連使得任何一宮都不能單看。初學最常見的毛病，就是抓住某一宮的某一顆星便下斷語；老手則總是先把三方四正擺出來，再開口。\u003C\u002Fp>\u003Ch2>要點\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>盤是固定的十二格，對應十二地支；命宮位置由農曆月與時辰算出，其餘宮依序排列。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>十二宮為命、兄弟、夫妻、子女、財帛、疾厄、遷移、交友、官祿、田宅、福德、父母。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>六個宮直接處理親屬與依附關係，反映宗族社會的重心。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>教育、興趣、心理狀態沒有獨立宮位，最接近內在生活的是福德宮。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>交友宮舊稱奴僕宮，名稱暴露了成形時的社會結構。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>四百年前的分類清單與今天的生活難免錯位，臨時調整是解讀彈性的來源之一。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>對宮六組：命對遷移、兄弟對交友、夫妻對官祿、子女對田宅、財帛對福德、疾厄對父母。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>三方四正為命宮加財帛、官祿與對面的遷移宮，是三合派的核心方法。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>宮位可重新定中心（移動太極點），說明系統核心是一套可反覆套用的關係結構。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>十二宮的“全面”來自清單完備，不來自判斷準確。\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FpPhputBxRXaFmLlIRiM9.webp",1920,600,{"en":874,"zh":875},"Ink illustration of a large midnight-blue wheel divided into twelve starry sections around a radiant violet star, floating among clouds above mountains and a palace.","水墨插畫：一個巨大的深藍色輪盤分為十二個星空區塊，環繞中心一顆紫色亮星，漂浮在雲端，下方是群山與宮殿。",{"en":874,"zh":875},"banner","list",{"en":880,"zh":881},"Zi Wei Dou Shu Twelve Palaces: Life Domains Explained","紫微斗數十二宮：命宮與生活領域詳解",{"en":883,"zh":884},"The twelve palaces of Zi Wei Dou Shu: what each life domain covers, which palaces face each other, the three sides and four positions, and empty palaces.","命宮落在哪一格，由出生農曆月與時辰決定，其餘十一宮依次排開。本篇逐一說明命宮、夫妻、財帛、官祿等十二宮的含義，以及對宮、三方四正與身宮如何參與解盤。",[],{"data":887},[888,964,1065,1156],{"id":889,"slug":890,"available_locales":891,"path":892,"title":893,"venue":896,"hero_image_url":3,"card_image_url":899,"card_landscape_url":900,"lifecycle":901,"session_mode":902,"sessions":903,"next_session":963},15601,"liu-yao-beginner-course",[580,581,582],"\u002Fevents\u002Fi-ching-learning\u002Fliu-yao-beginner-course",{"en":894,"zh":895},"Liu Yao 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