[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-reference-en":3,"site-nav-zh":4,"site-nav-zh-all-daoism":289,"event-categories-zh":498,"site-settings":741,"node-zh-daoism\u002Ftaoist-festivals-rituals\u002Fdaoist-audience-tablets-hu-courtly-form-ritual-address":783,"live-course-events":815},null,{"data":5},{"header":6,"footer":264},[7,51,82,123,161,187,229,260],{"to":8,"label":9,"label_zh":10,"children":11},"\u002Fdao","TAO","道",[12,17,22,26,30,34,39,43,47],{"to":13,"label":14,"label_zh":15,"n":16},"\u002Fdao\u002Fintroduction","Begin with the Tao","道學入門",9,{"to":18,"label":19,"label_zh":20,"n":21},"\u002Fdao\u002Fyi-jing","I Ching","易經",7,{"to":23,"label":24,"label_zh":25,"n":16},"\u002Fdao\u002Fdao-de-jing","Tao Te Ching","道德經",{"to":27,"label":28,"label_zh":29,"n":21},"\u002Fdao\u002Ftaiji","Taiji","太極",{"to":31,"label":32,"label_zh":33,"n":21},"\u002Fdao\u002Fzhuang-zi","Zhuangzi","莊子",{"to":35,"label":36,"label_zh":37,"n":38},"\u002Fdao\u002Fclassics","Classical Library","道家經典文庫",1,{"to":40,"label":41,"label_zh":42},"\u002Fdao\u002Fdaoist-philosophy","Taoist Philosophy","道家哲學",{"to":44,"label":45,"label_zh":46},"\u002Fdao\u002Fwu-wei-natural-living","Wu Wei & Natural Living","無為與自然生活",{"to":48,"label":49,"label_zh":50},"\u002Fdao\u002Fdaoist-view-of-life","A Taoist View of Life","道家人生觀",{"to":52,"label":53,"label_zh":54,"children":55},"\u002Fmartial-arts","Martial Arts","武當武術",[56,61,65,70,74,78],{"to":57,"label":58,"label_zh":59,"n":60},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Foundations of Internal Martial Arts","內家拳基礎",6,{"to":62,"label":63,"label_zh":64,"n":21},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan (Tai Chi)","太極拳",{"to":66,"label":67,"label_zh":68,"n":69},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、換掌與身法變化",5,{"to":71,"label":72,"label_zh":73,"n":69},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan: Structure, Intention and Direct Training","形意拳：結構、意念與直接訓練",{"to":75,"label":76,"label_zh":77,"n":21},"\u002Fmartial-arts\u002Fweapons","Wudang Sword and Weapons: History, Practice and Context","武當劍與兵器：歷史、練習與文化語境",{"to":79,"label":80,"label_zh":81,"n":21},"\u002Fmartial-arts\u002Ftraining-practice","Training and Practice: Building a Sustainable Wudang Routine","訓練與習練：建立可持續的武當練習",{"to":83,"label":84,"label_zh":85,"children":86},"\u002Fwellness","Wellness","養生",[87,91,95,99,103,107,111,115,119],{"to":88,"label":89,"label_zh":90,"n":21},"\u002Fwellness\u002Fqigong","Qigong","氣功",{"to":92,"label":93,"label_zh":94,"n":60},"\u002Fwellness\u002Fherbal-healing","Chinese Herbal Medicine","中藥與本草",{"to":96,"label":97,"label_zh":98,"n":60},"\u002Fwellness\u002Ftaoist-medicine","Taoist Medicine","道家醫學",{"to":100,"label":101,"label_zh":102,"n":60},"\u002Fwellness\u002Fenergy-sound-healing","Sound & Energy Practices","聲音與能量練習",{"to":104,"label":105,"label_zh":106},"\u002Fwellness\u002Fstanding-practice","Standing Practice","站樁",{"to":108,"label":109,"label_zh":110},"\u002Fwellness\u002Fwudang-internal-cultivation","Wudang Internal Cultivation","武當內修",{"to":112,"label":113,"label_zh":114},"\u002Fwellness\u002Fmoxibustion","Moxibustion","艾灸",{"to":116,"label":117,"label_zh":118},"\u002Fwellness\u002Fbigu","Bigu","辟穀",{"to":120,"label":121,"label_zh":122,"n":38},"\u002Fwellness\u002Fbaduanjin","Baduanjin (Eight Brocades)","八段錦",{"to":124,"label":125,"label_zh":126,"children":127},"\u002Farts","Literati Arts","文人雅藝",[128,133,138,143,148,153,157],{"to":129,"label":130,"label_zh":131,"n":132},"\u002Farts\u002Fchinese-poetry-literature","Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中國詩詞與文學：體式、語境與閱讀路徑",49,{"to":134,"label":135,"label_zh":136,"n":137},"\u002Farts\u002Fcalligraphy","Chinese Calligraphy: Scripts, Materials and Ways of Looking","中國書法：書體、材料與觀賞入門",17,{"to":139,"label":140,"label_zh":141,"n":142},"\u002Farts\u002Ftea-ceremony","Chinese Tea Culture","中國茶文化",39,{"to":144,"label":145,"label_zh":146,"n":147},"\u002Farts\u002Fguqin","Guqin: Sound, History and Ways to Listen","古琴：認識聲音、歷史與聆聽方法",12,{"to":149,"label":150,"label_zh":151,"n":152},"\u002Farts\u002Fpainting","Chinese Painting: Materials, Formats and Ways of Looking","中國繪畫：材料、形制與觀看方法",15,{"to":154,"label":155,"label_zh":156,"n":16},"\u002Farts\u002Fincense","Chinese Incense Culture","中國香文化",{"to":158,"label":159,"label_zh":160,"n":21},"\u002Farts\u002Fflower-arrangement","Chinese Flower Arrangement: History, Materials and Ways of Looking","中國插花：歷史、花材與觀看方法",{"to":162,"label":163,"label_zh":164,"children":165},"\u002Fdaoism","Taoist Culture","道教文化",[166,170,174,178,183],{"to":167,"label":168,"label_zh":169,"n":16},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙與神明體系：結構與層級指南",{"to":171,"label":172,"label_zh":173,"n":21},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山與宮觀：聖地、建築與制度指南",{"to":175,"label":176,"label_zh":177,"n":21},"\u002Fdaoism\u002Ftaoist-schools-lineages","Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派與傳承：正一、全真及歷史道派",{"to":179,"label":180,"label_zh":181,"n":182},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教節日與科儀：神誕、齋醮與歲時儀式",19,{"to":184,"label":185,"label_zh":186,"n":60},"\u002Fdaoism\u002Feight-immortals","The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象徵與道教傳說",{"to":188,"label":189,"label_zh":190,"children":191},"\u002Fchinese-metaphysics","Chinese Metaphysics","易學與傳統術數",[192,196,200,204,208,213,217,221,225],{"to":193,"label":194,"label_zh":195,"n":21},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Yin-Yang and the Five Phases in Chinese Thought","陰陽五行：理解關係與變化",{"to":197,"label":198,"label_zh":199,"n":21},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中國曆法與術數的六十迴圈",{"to":201,"label":202,"label_zh":203,"n":21},"\u002Fchinese-metaphysics\u002Ffeng-shui","Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中國風水：形勢、羅盤方法與負責任實踐",{"to":205,"label":206,"label_zh":207,"n":21},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八個字如何構成命盤",{"to":209,"label":210,"label_zh":211,"n":212},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗數：十二宮命盤如何運作",8,{"to":214,"label":215,"label_zh":216,"n":212},"\u002Fchinese-metaphysics\u002Fdate-selection","Chinese Date Selection: How Auspicious Days Are Chosen","中國擇吉：傳統吉日如何選擇",{"to":218,"label":219,"label_zh":220,"n":21},"\u002Fchinese-metaphysics\u002Fphysiognomy","Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中國相術：面相、手相及其侷限",{"to":222,"label":223,"label_zh":224,"n":21},"\u002Fchinese-metaphysics\u002Fdivination-arts","Chinese Divination Arts: Methods, History and Responsible Use","中國占卜術：方法、歷史與負責任使用",{"to":226,"label":227,"label_zh":228,"n":21},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河圖、洛書與九宮：中國傳統圖式的歷史與用途",{"to":230,"label":231,"label_zh":232,"children":233},"\u002Fwudang-mountain","Experience Wudang","武當之旅",[234,238,243,248,252,256],{"to":235,"label":236,"label_zh":237,"n":21},"\u002Fwudang-mountain\u002Fintroduction","Introduction to Wudang Mountain","初識武當山",{"to":239,"label":240,"label_zh":241,"n":242},"\u002Fwudang-mountain\u002Ftemples-and-sites","Wudang Mountain Temples and Sacred Sites","武當山宮觀與勝蹟",3,{"to":244,"label":245,"label_zh":246,"n":247},"\u002Fwudang-mountain\u002Fplanning-a-visit","Planning a Visit to Wudang Mountain","武當山行前規劃指南",4,{"to":249,"label":250,"label_zh":251,"n":242},"\u002Fwudang-mountain\u002Fstudying-at-wudang","Studying Martial Arts at Wudang Mountain","在武當山學習武術",{"to":253,"label":254,"label_zh":255,"n":242},"\u002Fwudang-mountain\u002Ftemple-etiquette","Wudang Temple Etiquette: A Visitor’s Guide","武當宮觀參訪禮儀",{"to":257,"label":258,"label_zh":259,"n":69},"\u002Fwudang-mountain\u002Fpractical-reference","Wudang Mountain Practical Reference","武當山實用參考資料",{"to":261,"label":262,"label_zh":263},"\u002Fwudang-mountain\u002Feveryday-wudang","Everyday Wudang","武當日常",[265,266,267,268,269,270,271,272,273,277,281,285],{"to":8,"label":9,"label_zh":10},{"to":52,"label":53,"label_zh":54},{"to":83,"label":84,"label_zh":85},{"to":124,"label":125,"label_zh":126},{"to":162,"label":163,"label_zh":164},{"to":188,"label":189,"label_zh":190},{"to":230,"label":231,"label_zh":232},{"to":261,"label":262,"label_zh":263},{"to":274,"label":275,"label_zh":276},"\u002Fabout","About Wudang.Org","關於 Wudang.Org",{"to":278,"label":279,"label_zh":280},"\u002Fstart-here","Start Here","從這裡開始",{"to":282,"label":283,"label_zh":284},"\u002Ffind-a-practice","Find a Practice","找到適合你的修習",{"to":286,"label":287,"label_zh":288},"\u002Fteachers","Our Teachers","授課老師",{"data":290},{"all":291,"header":496,"footer":497},[292],{"to":162,"label":163,"label_zh":164,"children":293},[294,332,362,392,470],{"to":167,"label":168,"label_zh":169,"children":295},[296,300,304,308,312,316,320,324,328],{"to":297,"label":298,"label_zh":299},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-pure-ones","The Three Pure Ones: Highest Deities of the Taoist Pantheon","道教三清：神明體系中的最高尊神",{"to":301,"label":302,"label_zh":303},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fjade-emperor","The Jade Emperor in Taoism: Ruler of the Celestial Bureaucracy","道教玉皇大帝：天庭官府的治理者",{"to":305,"label":306,"label_zh":307},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Forigins-of-pantheon","How the Taoist Pantheon Developed: Origins of Its Gods","道教神明體系如何形成：諸神的不同來源",{"to":309,"label":310,"label_zh":311},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fcelestial-bureaucracy","Taoist Immortals and the Celestial Bureaucracy: Shen and Xian","道教神明、仙真與天庭官府：神和仙有什麼不同",{"to":313,"label":314,"label_zh":315},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fguan-yu-mazu-popular-deities","Guan Yu, Mazu and Popular Chinese Deities: How Humans Become Gods","關羽、媽祖與民間神祇：人如何成為神",{"to":317,"label":318,"label_zh":319},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fdeities-of-wudang-mountain","Deities of Wudang Mountain: Zhenwu and His Sacred Court","武當山神明：真武大帝與他的神聖侍從",{"to":321,"label":322,"label_zh":323},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fworship-temples-offerings","Taoist Temple Worship: Incense, Offerings, Vows and Donations","道教宮觀祭祀：上香、供養、許願與捐獻",{"to":325,"label":326,"label_zh":327},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fnorthern-dipper-stars-images-ritual-maps","The Northern Dipper in Daoist Culture: Stars, Images and Ritual Maps","道教文化中的北斗：星象、影像與儀式圖式",{"to":329,"label":330,"label_zh":331},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-officials-sanguan-heaven-earth-water-three-yuan","The Three Officials in Daoism: Heaven, Earth, Water and the Three Yuan","道教三官大帝：天、地、水與三元節期",{"to":171,"label":172,"label_zh":173,"children":333},[334,338,342,346,350,354,358],{"to":335,"label":336,"label_zh":337},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwudang-mountain","Wudang Mountain in Taoism: Zhenwu, the Ming Court and Sacred Status","道教中的武當山：真武信仰、明廷與聖地地位",{"to":339,"label":340,"label_zh":341},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-longhu","Mount Longhu and the Celestial Masters: Centre of Zhengyi Taoism","龍虎山與天師道：正一道的制度中心",{"to":343,"label":344,"label_zh":345},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-qingcheng","Mount Qingcheng: How Organised Taoism Took Institutional Form","青城山：有組織道教如何形成制度",{"to":347,"label":348,"label_zh":349},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-tai","Mount Tai: China’s Foremost State Sacred Mountain","泰山：中國最重要的國家祭祀名山",{"to":351,"label":352,"label_zh":353},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwhite-cloud-temple-beijing","White Cloud Temple in Beijing: Quanzhen Taoism’s Urban Monastery","北京白雲觀：全真道的城市宮觀",{"to":355,"label":356,"label_zh":357},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Ftemple-architecture-sacred-geometry","How to Read Taoist Temple Architecture and Sacred Space","如何讀懂道教宮觀建築與神聖空間",{"to":359,"label":360,"label_zh":361},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fpilgrimage-temple-etiquette","Taoist Pilgrimage and Temple Etiquette: A Practical Guide","道教朝山進香與宮觀禮儀：實用指南",{"to":175,"label":176,"label_zh":177,"children":363},[364,368,372,376,380,384,388],{"to":365,"label":366,"label_zh":367},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcelestial-masters-zhengyi","Zhengyi Taoism and the Celestial Masters: Householder Priests and Ritual Authority","正一道與天師道：在家道士和科儀權威",{"to":369,"label":370,"label_zh":371},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcomplete-perfection-quanzhen","Quanzhen Taoism: Monastic Life, Inner Cultivation and Wudang","全真道：出家生活、內在修煉與武當",{"to":373,"label":374,"label_zh":375},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fshangqing-school","Shangqing Taoism: Highest Clarity Revelations and Inner Visualisation","上清道：最高明啟、存思與身體內的神明",{"to":377,"label":378,"label_zh":379},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Flingbao-tradition","Lingbao Taoism: Numinous Treasure Scriptures and Communal Ritual","靈寶道：經典、普度與共同體科儀",{"to":381,"label":382,"label_zh":383},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fwu-liu-school","The Wu-Liu School: A Clearer System of Taoist Internal Alchemy","伍柳派：較為清晰的道教內丹體系",{"to":385,"label":386,"label_zh":387},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmonastic-vs-householder-priesthood","Quanzhen Monastics and Zhengyi Householder Priests: What Is the Difference?","全真出家道士與正一在家道士有什麼不同",{"to":389,"label":390,"label_zh":391},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmodern-transmission-ordination","Taoist Ordination and Lineage Today: How Transmission Is Verified","今日道教傳承與授籙傳戒：如何核實師承",{"to":179,"label":180,"label_zh":181,"children":393},[394,398,402,406,410,414,418,422,426,430,434,438,442,446,450,454,458,462,466],{"to":395,"label":396,"label_zh":397},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjade-emperor-birthday","The Jade Emperor’s Birthday and Festivals of the Heavenly Court","玉皇誕：正月初九的意義與宮觀儀式",{"to":399,"label":400,"label_zh":401},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhongyuan-ghost-festival","Zhongyuan Festival: Ghost Festival, the Earth Official and Universal Salvation","中元節：七月十五、地官赦罪與普度",{"to":403,"label":404,"label_zh":405},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Flaozi-birthday","Laozi’s Birthday: From the Sage Laozi to the Divine Lord Lao","老君誕：從老子到太上老君",{"to":407,"label":408,"label_zh":409},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdouble-ninth-festival","Double Ninth Festival: Chongyang, Longevity and Respect for Elders","重陽節：九月初九、長生觀念與敬老傳統",{"to":411,"label":412,"label_zh":413},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjiao-offering-ritual","Jiao Rituals: Taoism’s Grand Community Offering","醮儀：道教大型共同體祭獻科儀",{"to":415,"label":416,"label_zh":417},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhai-purification-fasting","Zhai Rituals: Taoist Purification, Fasting and Preparation","齋儀：道教潔淨、持戒與祭前準備",{"to":419,"label":420,"label_zh":421},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Ftemple-fairs-pilgrimage","Taoist Temple Fairs and Seasonal Pilgrimage","道教廟會與朝山：宗教、集市與季節性朝聖",{"to":423,"label":424,"label_zh":425},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-robes-garment-image-ceremony","Daoist Ritual Robes: Garment, Image and Ceremonial Role","道教法衣：衣式、影像與科儀身份",{"to":427,"label":428,"label_zh":429},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdavid-vases-daoist-offering-blue-white-porcelain","The David Vases: A Daoist Offering and a Dated Porcelain Landmark","大維德對瓶：道觀供器與青花紀年座標",{"to":431,"label":432,"label_zh":433},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-seals-impression-authority-documents","Daoist Ritual Seals: Impression, Authority and the Work of Documents","道教法印：印痕、權威與儀式文書",{"to":435,"label":436,"label_zh":437},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-music-bells-drums-chant","Daoist Ritual Music: Bells, Drums, Chant and Ceremonial Time","道教科儀音樂：鍾鈴、鼓樂、經韻與儀式時間",{"to":439,"label":440,"label_zh":441},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-lamp-rituals-light-cosmic-patterns-ceremonial-space","Daoist Lamp Rituals: Light, Cosmic Patterns and Ceremonial Space","道教燈儀：光明、星象秩序與科儀空間",{"to":443,"label":444,"label_zh":445},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-talismans-script-ritual-action","Daoist Talismans: Script, Ritual Action and the Limits of Looking","道教符籙：書寫、科儀行動與觀看邊界",{"to":447,"label":448,"label_zh":449},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-mirrors-reflection-cosmology-ritual-evidence","Daoist Mirrors: Reflection, Cosmology and Ritual Evidence","道教銅鏡：映照、宇宙圖式與科儀證據",{"to":451,"label":452,"label_zh":453},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-petitions-memorials-celestial-administration","Daoist Petitions and Memorials: Writing to the Celestial Administration","道教章表：寫給天庭的儀式文書",{"to":455,"label":456,"label_zh":457},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-registers-lu-rank-transmission-celestial-administration","Daoist Registers (Lu): Rank, Transmission and Celestial Administration","道教法籙：品秩、傳授與天曹體系",{"to":459,"label":460,"label_zh":461},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-audience-tablets-hu-courtly-form-ritual-address","Daoist Audience Tablets (Hu): Courtly Form and Ritual Address","道教朝笏：朝儀形制與科儀奏達",{"to":463,"label":464,"label_zh":465},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-crowns-headscarves-dress-rank-ritual-context","Daoist Crowns and Headscarves: Dress, Rank and Ritual Context","道教冠巾：衣制、職司與科儀語境",{"to":467,"label":468,"label_zh":469},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-footwear-cloth-cloud-shoes-ritual-movement","Daoist Footwear: Cloth Shoes, Cloud Shoes and Ritual Movement","道教鞋履：布鞋、雲履與科儀步伐",{"to":184,"label":185,"label_zh":186,"children":471},[472,476,480,484,488,492],{"to":473,"label":474,"label_zh":475},"\u002Fdaoism\u002Feight-immortals\u002Flu-dongbin","Lü Dongbin: Scholar Immortal, Quanzhen Patriarch and Sword Bearer","呂洞賓：士人仙真、全真祖師與佩劍象徵",{"to":477,"label":478,"label_zh":479},"\u002Fdaoism\u002Feight-immortals\u002Fzhang-guolao","Zhang Guolao: Tang Recluse and Backward-Riding Immortal","張果老：唐代隱士與倒騎驢的仙人",{"to":481,"label":482,"label_zh":483},"\u002Fdaoism\u002Feight-immortals\u002Fhe-xiangu","He Xiangu: The Woman Immortal of the Eight","何仙姑：八仙中唯一的女性仙真",{"to":485,"label":486,"label_zh":487},"\u002Fdaoism\u002Feight-immortals\u002Fhan-xiangzi-lan-caihe","Han Xiangzi and Lan Caihe: Music, Flowers and Ambiguous Identity","韓湘子與藍采和：音樂、花與身份邊界",{"to":489,"label":490,"label_zh":491},"\u002Fdaoism\u002Feight-immortals\u002Fcao-guojiu-li-tieguai","Cao Guojiu and Li Tieguai: Privilege, Poverty and the Immortal Body","曹國舅與鐵柺李：特權、貧困與身體身份",{"to":493,"label":494,"label_zh":495},"\u002Fdaoism\u002Feight-immortals\u002Fzhongli-quan","Zhongli Quan: Teacher of Lü Dongbin and Patriarch of Internal Alchemy","鍾離權：呂洞賓之師與內丹祖師",[],[],{"data":499},[500,536,559,578,599,618,638,656,677,700,722],{"id":38,"uuid":501,"slug":502,"available_locales":503,"name":507,"description":510,"body":512,"path":515,"images":516,"image_urls":521,"hero_image":3,"hero_image_url":3,"seo_title":526,"seo_description":529,"sort_order":531,"is_active":532,"status":533,"created_at":534,"updated_at":535},"f1a30881-20c6-407b-b546-669e839a178a","feng-shui-learning",[504,505,506],"en","zh","fr",{"en":508,"zh":509},"Feng Shui Learning","風水課程",{"en":511,"zh":3},"Study feng shui as a historical Chinese tradition of interpreting orientation, form and environment—with clear limits on predictive claims.",{"en":513,"zh":514},"\u003Ch2>\u003Cem>Feng shui 風水 developed through multiple schools, texts and professional traditions. It brings together observations of landform, orientation, water, buildings and correlative cosmology. It should not be reduced to decorative rules, nor presented as a scientifically proven way to guarantee health, wealth or relationships.\u003C\u002Fem>\u003C\u002Fh2>\u003Cp>\u003Cem>Classes introduce core vocabulary, the distinction between major approaches and the cultural contexts in which feng shui has been practised. Contemporary applications are discussed critically. Students remain responsible for property, financial and personal decisions and should seek qualified professional advice where those decisions carry material consequences.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>風水形成於不同的流派、典籍與專業傳統，綜合觀察地形、方位、水勢、建築以及陰陽五行等關聯性宇宙觀。它不應被簡化為裝飾規則，也不能被宣傳為保證健康、財富或關係結果的科學方法。\u003C\u002Fp>\u003Cp>課程介紹基本術語、主要方法的差別，以及風水在歷史社會中的實踐語境，並以批判態度討論當代應用。涉及房產、財務或其他重大決定時，學員仍應根據事實判斷，並諮詢具備資質的相關專業人士。\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[517,518,519,520],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[522,523,524,525],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",{"en":527,"zh":528},"Feng Shui Classes and Courses","風水課程：方位、形勢與空間觀念入門",{"en":511,"zh":530},"從歷史、環境與文化語境學習風水，理解方位、形勢與空間觀念，同時明確傳統解釋與科學證據的界限。",0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":60,"uuid":537,"slug":538,"available_locales":539,"name":540,"description":543,"body":546,"path":549,"images":550,"image_urls":551,"hero_image":3,"hero_image_url":3,"seo_title":552,"seo_description":555,"sort_order":531,"is_active":532,"status":533,"created_at":558,"updated_at":535},"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[504,505,506],{"en":541,"zh":542},"Internal Arts & Wellness","內家功法與養生",{"en":544,"zh":545},"Classes, workshops and retreats in Baduanjin, Taijiquan, qigong and traditional practices for movement, breathing and mindful cultivation.","彙集八段錦、太極拳、氣功及傳統身心修習的課程、工作坊與靜修活動。",{"en":547,"zh":548},"\u003Cp>Explore small-group classes, workshops and retreats introducing Wudang internal arts and traditional wellness practices. Programmes may include Baduanjin, Taijiquan, qigong, standing practice, breathing and their cultural foundations.\u003C\u002Fp>\u003Cp>Each listing provides its teacher, schedule, experience level and registration arrangements.\u003C\u002Fp>","\u003Cp>本類別彙集武當內家功法與傳統養生修習的小班課程、工作坊及靜修活動，內容可涵蓋八段錦、太極拳、氣功、站樁、呼吸練習及相關文化基礎。\u003C\u002Fp>\u003Cp>每項活動都會註明導師、日期、適合程度與報名方式，方便參加者選擇合適的學習體驗。\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"en":553,"zh":554},"Internal Arts & Wellness Events","內家功法與養生活動",{"en":556,"zh":557},"Explore Baduanjin, Taijiquan, qigong and traditional wellness classes, workshops and retreats listed by Wudang.Org.","探索八段錦、太極拳、氣功與傳統養生課程、工作坊及靜修活動。","2026-08-16T19:23:45.000000Z",{"id":560,"uuid":561,"slug":562,"available_locales":563,"name":564,"description":567,"body":568,"path":569,"images":570,"image_urls":571,"hero_image":3,"hero_image_url":3,"seo_title":572,"seo_description":574,"sort_order":531,"is_active":532,"status":533,"created_at":577,"updated_at":535},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[504,505,506],{"en":565,"zh":566},"Face Reading Learning","面相課程",[],[],"\u002Fevents\u002Fface-reading-learning",[],[],{"en":573},"Chinese Face Reading Classes and Workshops",{"en":575,"zh":576},"Learn Chinese face reading (面相) as a cultural tradition: its classical framework, history and uses, taught with clear limits on predictive claims.","把面相作為中國傳統文化來學習：認識其經典框架、歷史與用法，並清楚說明傳統詮釋的邊界。","2026-08-30T17:01:43.000000Z",{"id":579,"uuid":580,"slug":581,"available_locales":582,"name":583,"description":586,"body":588,"path":591,"images":592,"image_urls":593,"hero_image":3,"hero_image_url":3,"seo_title":594,"seo_description":597,"sort_order":38,"is_active":532,"status":533,"created_at":534,"updated_at":535},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[504,505,506],{"en":584,"zh":585},"Zi Wei Dou Shu Learning","紫微斗數課程",{"en":587,"zh":3},"Explore Purple Star Astrology as a traditional Chinese interpretive system, approached as cultural knowledge rather than scientific prediction.",{"en":589,"zh":590},"\u003Cp>Zi Wei Dou Shu 紫微鬥數 organises birth information through palaces, stars and patterned relationships. The system has a substantial technical vocabulary and several interpretive traditions, but its predictive claims are not established by modern scientific evidence.\u003C\u002Fp>\u003Cp>Courses explain how charts are structured, how symbols are read and how historical and contemporary practitioners differ. The aim is cultural literacy and disciplined reflection—not certainty about the future. Readings do not replace medical, legal, financial, employment or psychological expertise.\u003C\u002Fp>","\u003Cp>紫微斗數依據出生資訊，以宮位、星曜和彼此關係組織命盤。它具有複雜的術語與多種解釋傳統，但其預測主張並未得到現代科學證據的確立。\u003C\u002Fp>\u003Cp>課程說明命盤結構、符號閱讀方法，以及歷史與當代實踐者之間的差異。學習目的在於文化理解與有紀律的自我反思，而不是獲得關於未來的確定答案。相關解讀不能代替醫療、法律、財務、就業或心理專業意見。\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"en":595,"zh":596},"Zi Wei Dou Shu (Purple Star Astrology) Classes","紫微斗數課程：命盤、宮位與星曜入門",{"en":587,"zh":598},"把紫微斗數作為中國傳統詮釋體系來學習，認識命盤、宮位與星曜，不把它包裝成科學預測。",{"id":247,"uuid":600,"slug":601,"available_locales":602,"name":603,"description":606,"body":607,"path":608,"images":609,"image_urls":610,"hero_image":3,"hero_image_url":3,"seo_title":611,"seo_description":614,"sort_order":38,"is_active":532,"status":533,"created_at":617,"updated_at":535},"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[504,505,506],{"en":604,"zh":605},"Tea Arts","茶藝",[],[],"\u002Fevents\u002Ftea-arts",[],[],{"en":612,"zh":613},"Chinese Tea Art Classes and Workshops","茶藝課程與工作坊",{"en":615,"zh":616},"Chinese tea art (茶藝) classes and workshops: tea types, brewing methods, tea-table etiquette and the quiet attention of sharing tea.","茶藝課程與工作坊：認識茶類、泡茶方法與茶席禮儀，在一席茶中體會從容與專注。","2026-08-16T17:13:57.000000Z",{"id":242,"uuid":619,"slug":620,"available_locales":621,"name":622,"description":625,"body":627,"path":630,"images":631,"image_urls":632,"hero_image":3,"hero_image_url":3,"seo_title":633,"seo_description":636,"sort_order":579,"is_active":532,"status":533,"created_at":534,"updated_at":535},"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[504,505,506],{"en":623,"zh":624},"Ba Zi Learning","八字課程",{"en":626,"zh":3},"Study the Four Pillars as a traditional system of stems, branches and five-phase correspondence, with history and limitations made explicit.",{"en":628,"zh":629},"\u003Cp>Ba Zi 八字 interprets year, month, day and hour through the heavenly stems, earthly branches, yin-yang and five-phase relationships. It is an influential part of Chinese metaphysical culture, not an observational science in the modern empirical sense.\u003C\u002Fp>\u003Cp>Classes introduce chart structure, terminology and common interpretive methods while distinguishing tradition from evidence. Students are encouraged to treat readings as prompts for reflection and never as guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>八字以年、月、日、時四柱為框架，通過天干、地支、陰陽與五行關係進行解釋。它是中國術數文化中影響深遠的傳統體系，並非現代經驗科學。\u003C\u002Fp>\u003Cp>課程介紹命盤結構、基本術語和常見詮釋方法，同時說明傳統觀點與科學證據的差別。學員可把解讀作為反思的線索，但不應把它當作保證、診斷，或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"en":634,"zh":635},"BaZi (Four Pillars) Classes and Courses","八字課程：四柱、天干地支與五行入門",{"en":626,"zh":637},"學習四柱中的天干、地支與五行關係，理解其歷史與方法，也清楚區分傳統詮釋和現代實證知識。",{"id":69,"uuid":639,"slug":640,"available_locales":641,"name":642,"description":645,"body":646,"path":647,"images":648,"image_urls":649,"hero_image":3,"hero_image_url":3,"seo_title":650,"seo_description":653,"sort_order":579,"is_active":532,"status":533,"created_at":617,"updated_at":535},"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[504,505,506],{"en":643,"zh":644},"Incense Culture","香文化",[],[],"\u002Fevents\u002Fincense-culture",[],[],{"en":651,"zh":652},"Chinese Incense Culture Workshops","香文化活動與工作坊",{"en":654,"zh":655},"Workshops on Chinese incense culture (香文化): aromatic materials, traditional ways of preparing and appreciating incense, and incense as calm attention.","香文化活動與工作坊：認識香材、傳統制香與品香方式，在一爐香中練習安靜與專注。",{"id":657,"uuid":658,"slug":659,"available_locales":660,"name":661,"description":664,"body":667,"path":670,"images":671,"image_urls":672,"hero_image":3,"hero_image_url":3,"seo_title":673,"seo_description":675,"sort_order":579,"is_active":532,"status":533,"created_at":676,"updated_at":535},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[504,505,506],{"en":662,"zh":663},"I Ching Learning","易經課程",{"en":665,"zh":666},"Explore the I Ching through its hexagrams, traditional interpretive methods and historical context, with scope and limitations made explicit.","通過卦象、傳統解讀方法與歷史語境認識《易經》，並清楚說明其適用範圍與侷限。",{"en":668,"zh":669},"\u003Cp>The I Ching 易經 is a classical Chinese text centred on sixty-four hexagrams and a long history of commentary and divination. It has shaped Chinese philosophy, cosmology and metaphysical practice, but its divinatory claims are not established as modern empirical science.\u003C\u002Fp>\u003Cp>Classes introduce structures, terminology and traditional methods such as Liu Yao while distinguishing cultural study from evidence. Readings should be treated as prompts for reflection, not guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>《易經》是一部以六十四卦為核心的中國經典，形成了悠久的註疏與占筮傳統，並深刻影響中國哲學、宇宙觀與術數文化；其占筮主張並非現代經驗科學所證實。\u003C\u002Fp>\u003Cp>課程介紹基本結構、術語和六爻等傳統方法，同時區分文化學習與科學證據。解讀宜作為反思線索，不應視為保證、診斷或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"en":674,"zh":663},"I Ching Classes and Courses",{"en":665,"zh":666},"2026-09-08T00:15:35.000000Z",{"id":21,"uuid":678,"slug":679,"available_locales":680,"name":681,"description":684,"body":687,"path":690,"images":691,"image_urls":692,"hero_image":3,"hero_image_url":3,"seo_title":693,"seo_description":696,"sort_order":242,"is_active":532,"status":533,"created_at":699,"updated_at":535},"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[504,505,506],{"en":682,"zh":683},"Traditional Arts & Crafts","傳統藝術與手作",{"en":685,"zh":686},"Hands-on workshops exploring Chinese handicrafts and decorative arts through guided making and cultural appreciation.","通過親手製作與文化欣賞，體驗中國傳統手作及裝飾藝術。",{"en":688,"zh":689},"\u003Cp>Discover practical workshops in Chinese decorative arts and handcraft traditions. Activities may include gold-leaf painting, cloisonné enamel, mother-of-pearl work, Song brocade and other guided projects.\u003C\u002Fp>\u003Cp>These welcoming sessions introduce materials, techniques and cultural context while allowing participants to complete a piece of their own.\u003C\u002Fp>","\u003Cp>本類別彙集中國傳統裝飾藝術與手作體驗，內容可涵蓋金箔畫、掐絲琺琅、螺鈿工藝、宋錦及其他創作專案。\u003C\u002Fp>\u003Cp>課程以輕鬆易懂的方式介紹材料、技法與文化背景，讓參加者在導師帶領下完成屬於自己的作品。\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"en":694,"zh":695},"Traditional Arts & Crafts Events","傳統藝術與手作活動",{"en":697,"zh":698},"Explore Chinese handicraft and decorative arts workshops, including gold-leaf, cloisonné, mother-of-pearl and brocade.","探索金箔畫、掐絲琺琅、螺鈿、宋錦等中國傳統手作及裝飾藝術體驗。","2026-08-16T19:24:04.000000Z",{"id":212,"uuid":701,"slug":702,"available_locales":703,"name":704,"description":707,"body":710,"path":713,"images":714,"image_urls":715,"hero_image":3,"hero_image_url":3,"seo_title":716,"seo_description":718,"sort_order":247,"is_active":532,"status":533,"created_at":721,"updated_at":535},"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[504,505,506],{"en":705,"zh":706},"Wudang Community","武當社群活動",{"en":708,"zh":709},"Talks, broadcasts and community gatherings connecting people with Wudang culture, learning and living practice.","通過講座、直播與社群聚會，連線武當文化、學習與日常實踐。",{"en":711,"zh":712},"\u003Cp>Wudang Community brings together public talks, livestreams, gatherings and shared cultural activities connected with Wudang.\u003C\u002Fp>\u003Cp>These programmes create welcoming ways to meet practitioners, explore ideas and participate in a growing community of learning and practice.\u003C\u002Fp>","\u003Cp>武當社群活動彙集與武當文化相關的公開講座、直播、聚會及共享文化體驗。\u003C\u002Fp>\u003Cp>這些活動以友善開放的方式連線練習者與學習者，讓大家交流心得、認識傳統，並共同參與持續發展的文化社群。\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"en":717,"zh":706},"Wudang Community Events",{"en":719,"zh":720},"Discover Wudang community talks, broadcasts and gatherings connecting people with culture, learning and living practice.","探索連線武當文化、學習與日常實踐的講座、直播及社群聚會。","2026-08-16T19:24:18.000000Z",{"id":16,"uuid":723,"slug":724,"available_locales":725,"name":726,"description":729,"body":730,"path":731,"images":732,"image_urls":733,"hero_image":3,"hero_image_url":3,"seo_title":734,"seo_description":737,"sort_order":69,"is_active":532,"status":533,"created_at":740,"updated_at":535},"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[504,505,506],{"en":727,"zh":728},"Wudang Journeys & Retreats","武當旅修與行程",[],[],"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"en":735,"zh":736},"Wudang Mountain Retreats and Guided Journeys","武當山旅修與靜修行程",{"en":738,"zh":739},"Guided journeys and retreats to Wudang Mountain that combine practice, temple visits and cultural learning, with itineraries and expectations set out clearly.","前往武當山的旅修與靜修：結合修習、宮觀參訪與文化學習，提前說明行程安排與參加須知。","2026-08-18T11:09:38.000000Z",{"data":742},{"hero_type":743,"hero_image":744,"hero_image_alt":745,"hero_youtube_id":746,"hero_content_on":532,"hero_heading":747,"hero_subheading":748,"hero_text":749,"hero_subheading_zh":750,"hero_text_zh":751,"hero_buttons":752,"home_seo":758,"page_layout":764,"shop_enabled":765,"contact":766,"journey":782},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武當文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","這裡既是學習之地，也是讓文化融入日常的所在。","從道家思想、內家武術、文人雅藝與武當山出發，以清晰、踏實的方式，在新加坡及世界各地認識和體驗武當文化。",[753,755],{"label":754,"link":278},"Start Your Wudang Journey",{"label":756,"link":757},"View Events & Courses","\u002Fevents",{"title":759,"description":761},{"en":760,"zh":3},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":762,"zh":763},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","從太極、氣功、道家思想、武術、傳統雅藝與養生文化認識武當山，探索武當文化及武當山的日常生活。","sidebar",false,{"methods":767,"has_any":532,"text":775},{"email":768,"whatsapp":769,"wechat_id":770,"wechat_qr_url":771,"instagram":772,"instagram_handle":773,"facebook":774,"facebook_handle":773},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":776,"china_heading_zh":777,"china_company_en":778,"china_company_zh":779,"china_address_en":780,"china_address_zh":781},"China Operations","中國運營","Xunwei Wudang Co., Ltd.","尋味武當有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武當山王家園劍河二路72號",{"title_en":3,"title_zh":3,"intro_en":3,"intro_zh":3,"enabled":532},{"data":784},{"to":459,"type":785,"available_locales":786,"is_content_page":532,"title":787,"subtitle":788,"body":791,"hero_image_url":794,"hero_width":795,"hero_height":796,"hero_image_alt":797,"hero_image_decorative":765,"hero_credit":800,"hero_alt":805,"hero_style":806,"card_layout":807,"link_type":3,"link_ref":3,"seo_title":808,"seo_description":811,"children":814},"page",[504,505,506],{"en":460,"zh":461},{"en":789,"zh":790},"A visual and historical guide to the hu, its courtly form, ritual use, and the evidence needed to distinguish an audience tablet from other Daoist implements.","從視覺與歷史角度認識笏的朝儀形制、科儀用途，以及辨別朝笏與其他道教法器所需的證據。",{"en":792,"zh":793},"\u003Cp>A long, narrow tablet held before the body appears in Daoist sculpture, ritual manuals and surviving implements. It is commonly called \u003Cem>hu\u003C\u002Fem> (笏) or \u003Cem>chaojian\u003C\u002Fem> (朝簡): an audience tablet whose form recalls the equipment of court officials. Within Daoist settings it helps make a ritual address visible—an embodied sign that a person stands in an ordered relation to a sacred administration.\u003C\u002Fp>\n\u003Cp>This guide complements Wudang.Org’s pages on \u003Ca href=\"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-petitions-memorials-celestial-administration\">petitions and memorials\u003C\u002Fa>, \u003Ca href=\"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-seals-impression-authority-documents\">ritual seals\u003C\u002Fa>, \u003Ca href=\"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-registers-lu-rank-transmission-celestial-administration\">registers and transmission\u003C\u002Fa>, \u003Ca href=\"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-robes-garment-image-ceremony\">ritual robes\u003C\u002Fa> and \u003Ca href=\"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmodern-transmission-ordination\">ordination today\u003C\u002Fa>. It offers historical and visual literacy, not instructions for performing a rite or identifying a practitioner’s rank.\u003C\u002Fp>\n\n\u003Ch2>Begin with the object\u003C\u002Fh2>\n\u003Ch3>\u003Cem>Hu\u003C\u002Fem>, \u003Cem>chaojian\u003C\u002Fem> and “audience tablet”\u003C\u002Fh3>\n\u003Cp>English labels vary. “Audience tablet” usefully preserves the object’s relation to formal audience, while “ritual tablet” is broader and can be ambiguous. The Global Daoism Archive lists \u003Cem>chaojian\u003C\u002Fem> or \u003Cem>hu\u003C\u002Fem> among ritual implements. Shape, material and finish differ across periods and communities, so the name should be joined to context rather than inferred from a silhouette alone.\u003C\u002Fp>\n\u003Ch3>Not every “tablet” is the same implement\u003C\u002Fh3>\n\u003Cp>A \u003Cem>hu\u003C\u002Fem> should not be collapsed into a \u003Cem>lingpai\u003C\u002Fem>, or command plaque, nor into a spirit tablet representing a deceased person or deity. The \u003Ca href=\"https:\u002F\u002Fwww.britishmuseum.org\u002Fcollection\u002Fobject\u002FA_1885-1227-91\">British Museum’s wooden \u003Cem>lingpai\u003C\u002Fem>\u003C\u002Fa>, engraved with a wind deity and ritual characters, shows why translation alone is unsafe: its catalogue also calls it a “Daoist ritual tablet,” yet its imagery and command-plaque function belong to a different object family.\u003C\u002Fp>\n\n\u003Ch2>From court audience to Daoist ritual\u003C\u002Fh2>\n\u003Ch3>A courtly prototype\u003C\u002Fh3>\n\u003Cp>The audience tablet had an older life in the visual and ceremonial world of government. Daoist communities adapted bureaucratic forms—offices, ranks, petitions, seals and audiences—to describe relations with sacred powers. The tablet’s restrained surface and frontal position could therefore evoke disciplined attendance more effectively than a decorative emblem.\u003C\u002Fp>\n\u003Ch3>Adaptation, not an unchanging line\u003C\u002Fh3>\n\u003Cp>Similarity does not prove that one standardized court object passed unchanged into every Daoist tradition. Materials, names and gestures varied, and later communities could reinterpret older forms. It is more accurate to speak of selective adaptation within changing ritual systems than of a single invention with one fixed meaning.\u003C\u002Fp>\n\n\u003Ch2>Gesture, rank and ritual address\u003C\u002Fh2>\n\u003Ch3>Making an audience visible\u003C\u002Fh3>\n\u003Cp>Held before the torso, the tablet organizes hands, gaze and posture into a formal frontality. Together with vestment, written memorial and seal, it can frame ritual speech as an authorized address rather than casual conversation. That visual grammar helps viewers understand why a seemingly plain object matters.\u003C\u002Fp>\n\u003Ch3>Prescriptions depend on status and setting\u003C\u002Fh3>\n\u003Cp>Livia Kohn’s translation of the medieval \u003Cem>Fengdao kejie\u003C\u002Fem> notes that participants in scripture recitation either folded their hands or held a ritual tablet depending on rank. This is valuable textual evidence, but it belongs to a specific manual and historical setting. It should not be turned into a universal rule for all Daoist traditions, temples or modern practitioners.\u003C\u002Fp>\n\n\u003Cfigure>\u003Cimg src=\"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FnywteDDbNGtQSu6Acqhg.webp\" alt=\"Conceptual cropped photograph of a fictional adult in a plain grey cross-collar robe holding a blank wooden tablet upright against a cool studio backdrop\">\u003Cfigcaption>Conceptual AI-generated study of posture and silhouette. The clothing and hand position are generic and do not document or prescribe a historical or lineage-specific ritual gesture.\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\u003Ch2>Images as evidence\u003C\u002Fh2>\n\u003Ch3>A dated stele from 567\u003C\u002Fh3>\n\u003Cp>A small stone stele in the \u003Ca href=\"https:\u002F\u002Fwww.si.edu\u002Fobject\u002Fsmall-daoist-stele-depicting-laojun-niche%3Afsg_FSC-S-48\">Smithsonian’s National Museum of Asian Art\u003C\u002Fa> depicts Lord Lao seated in a niche with two standing attendants holding \u003Cem>hu\u003C\u002Fem> tablets. Its inscription dates the dedication to 567. The image establishes that tablet-bearing figures belonged to a sixth-century Daoist visual setting; it does not by itself tell us the full procedure of a contemporary rite.\u003C\u002Fp>\n\u003Ch3>A surviving nineteenth-century object\u003C\u002Fh3>\n\u003Cp>The \u003Ca href=\"https:\u002F\u002Fallenartcollection.oberlin.edu\u002Fobjects\u002F12422\u002Fdaoist-ritual-tablet?ctx=963fb1cb1d9efee70dbfc48c8804673899a047c3&idx=3\">Allen Memorial Art Museum\u003C\u002Fa> preserves a mid-nineteenth-century wooden example with black lacquer and gilding, measuring 42.5 centimetres high. Its documented museum record gives material and scale, but its earlier provenance is unknown. That gap is a reminder that an object can be authentic evidence without carrying a complete biography.\u003C\u002Fp>\n\n\u003Ch2>A six-pass method for reading a tablet\u003C\u002Fh2>\n\u003Ch3>Move from record to interpretation\u003C\u002Fh3>\n\u003Col>\u003Cli>\u003Cstrong>Read the catalogue noun.\u003C\u002Fstrong> Note whether the source says \u003Cem>hu\u003C\u002Fem>, \u003Cem>chaojian\u003C\u002Fem>, audience tablet, command plaque or simply ritual tablet.\u003C\u002Fli>\u003Cli>\u003Cstrong>Check the date and medium.\u003C\u002Fstrong> Stone representation, carved wood and modern reconstruction answer different questions.\u003C\u002Fli>\u003Cli>\u003Cstrong>Observe the profile.\u003C\u002Fstrong> Record length, curvature, widening ends, inscriptions and surface treatment without deciding function too early.\u003C\u002Fli>\u003Cli>\u003Cstrong>Study the hands and company.\u003C\u002Fstrong> A frontal attendant in an audience scene offers different evidence from a deity engraved on a portable plaque.\u003C\u002Fli>\u003Cli>\u003Cstrong>Connect nearby documents.\u003C\u002Fstrong> Petitions, seals, registers and robes can reveal a wider system of office and address.\u003C\u002Fli>\u003Cli>\u003Cstrong>State the limit.\u003C\u002Fstrong> Say what the source demonstrates—and what remains unknown about lineage, gesture, owner or occasion.\u003C\u002Fli>\u003C\u002Fol>\n\n\u003Ch2>Among documents and ritual implements\u003C\u002Fh2>\n\u003Cp>The \u003Cem>hu\u003C\u002Fem> is best understood within an ensemble. A petition gives an address linguistic form; a seal may authenticate it; a register can connect a person to transmitted status; robes make office visible; and the audience tablet disciplines bodily presentation. These objects do not all perform the same task, but together they show how material culture can organize communication with a celestial bureaucracy.\u003C\u002Fp>\n\n\u003Ch2>Living traditions, access and respect\u003C\u002Fh2>\n\u003Cp>Present-day uses differ by institution, lineage, office and occasion. Museum displays and public photographs cannot disclose every rule governing consecrated objects or restricted texts. Visitors should not handle, copy or stage a tablet without permission, and an unverified replica should never be presented as a lineage object. For contemporary practice, ask the relevant community and accept that some details are not public.\u003C\u002Fp>\n\n\u003Ch2>Sources and limits\u003C\u002Fh2>\n\u003Ch3>What the evidence supports\u003C\u002Fh3>\n\u003Cp>This account combines a dated early image, a museum object, a translated monastic manual and scholarship on medieval ritual action. Yang Wu’s open-access study of \u003Ca href=\"https:\u002F\u002Fdoi.org\u002F10.3390\u002Frel14121468\">ritualized prostration in medieval Daoism\u003C\u002Fa> is especially useful for understanding how bodily acts moved between secular and religious settings; Kohn’s \u003Ca href=\"https:\u002F\u002Facademic.oup.com\u002Fbook\u002F50210\u002Fchapter-abstract\u002F422713157\">\u003Cem>Daoist Monastic Manual\u003C\u002Fem>\u003C\u002Fa> anchors the rank-dependent prescription. The Metropolitan Museum’s overview of \u003Ca href=\"https:\u002F\u002Fwww.metmuseum.org\u002Fessays\u002Fdaoism-and-daoist-art\">Daoism and Daoist art\u003C\u002Fa> provides a broader caution: Daoist objects arise from diverse practices, and their functions are not always recoverable from appearance. None of these sources licenses a single, timeless choreography.\u003C\u002Fp>","\u003Cp>在道教造像、科儀文獻與傳世法器中，常可見一種持於身前的狹長板狀器物，通常稱為“笏”或“朝簡”。它沿用了朝廷儀禮中朝笏的形制，又在道教語境裡成為“奏達”的可視標誌：持笏者以端正姿態立於有秩序的神聖行政體系之前。\u003C\u002Fp>\n\u003Cp>本文與本站的\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-petitions-memorials-celestial-administration\">章表與天曹奏達\u003C\u002Fa>、\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-seals-impression-authority-documents\">法印\u003C\u002Fa>、\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-registers-lu-rank-transmission-celestial-administration\">法籙與傳授\u003C\u002Fa>、\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-robes-garment-image-ceremony\">道教法服\u003C\u002Fa>及\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmodern-transmission-ordination\">當代傳承與授受\u003C\u002Fa>相互參照。目的在於提供歷史與視覺辨識方法，而非教授科儀，也不能據此判斷現實人物的法職品秩。\u003C\u002Fp>\n\n\u003Ch2>先從器物本身看起\u003C\u002Fh2>\n\u003Ch3>“笏”“朝簡”與朝儀器物\u003C\u002Fh3>\n\u003Cp>不同資料對名稱的處理並不完全一致。“朝笏”強調正式朝見的禮儀關係，“法笏”則突出了道教用途；英文“ritual tablet”（儀式板牌）範圍更廣，容易含混。全球道教資料庫把 \u003Cem>chaojian\u003C\u002Fem> 或 \u003Cem>hu\u003C\u002Fem> 列入科儀法器。各時代、各地傳統的材質、表面處理與細部形制並不相同，因此不能只看一條輪廓便貿然定名。\u003C\u002Fp>\n\u003Ch3>不是所有“板牌”都是笏\u003C\u002Fh3>\n\u003Cp>朝笏不可與“令牌”混為一談，也不同於代表神靈或亡者的神主、牌位。\u003Ca href=\"https:\u002F\u002Fwww.britishmuseum.org\u002Fcollection\u002Fobject\u002FA_1885-1227-91\">大英博物館所藏木質令牌\u003C\u002Fa>一面刻風神，一面有人身龍尾形象與科儀文字。其英文目錄也使用“Daoist ritual tablet”，正好說明僅憑譯名並不可靠：影像與發令功能表明它屬於另一類法器。\u003C\u002Fp>\n\n\u003Ch2>從朝廷禮儀到道教科儀\u003C\u002Fh2>\n\u003Ch3>朝儀形制的原型\u003C\u002Fh3>\n\u003Cp>笏原已存在於官府朝儀與視覺文化之中。道教傳統又借用官職、品秩、章表、印信與朝會等制度語言，表達人與神聖權力之間的關係。朝笏表面往往剋制簡淨，持於正面時所形成的端肅姿態，比裝飾性符號更能表現“奉職而朝”的秩序感。\u003C\u002Fp>\n\u003Ch3>是選擇性改造，不是凝固不變的直線傳承\u003C\u002Fh3>\n\u003Cp>形制相似，並不能證明某一種標準化宮廷器物原封不動地進入所有道教傳統。材料、名稱、動作及解釋都會隨時代和團體而變化。與其把它說成一次發明後意義永遠固定，不如理解為不同科儀體系對既有朝儀形式的選擇性吸收與再解釋。\u003C\u002Fp>\n\n\u003Ch2>手勢、品秩與科儀奏達\u003C\u002Fh2>\n\u003Ch3>讓“朝見”成為可見的姿態\u003C\u002Fh3>\n\u003Cp>笏持於胸腹之前，使雙手、視線與身姿形成一種正面而有節制的構圖。它與法服、章表、印信共同出現時，能把儀式語言界定為有職司、有程式的奏達，而不是日常交談。正因如此，一件看似素樸的器物才具有重要意義。\u003C\u002Fp>\n\u003Ch3>持笏規範取決於身份與場合\u003C\u002Fh3>\n\u003Cp>孔麗霞（Livia Kohn）翻譯的中古道教《奉道科戒》指出，誦經時依品秩不同，參與者或拱手，或持法笏。這是重要的文字證據，但它屬於特定文獻與歷史環境，不能被擴張成適用於所有道派、宮觀與當代修持者的普遍規則。\u003C\u002Fp>\n\n\u003Cfigure>\u003Cimg src=\"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FnywteDDbNGtQSu6Acqhg.webp\" alt=\"概念裁切照片：一名虛構成年人身著素灰交領衣，雙手豎持空白木笏，背景為冷色影棚\">\u003Cfigcaption>由 AI 生成的姿態與輪廓概念圖。服裝與手勢均為概括性表現，不記錄也不規定任何歷史時期或特定法派的科儀動作。\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\u003Ch2>把影像當作證據來讀\u003C\u002Fh2>\n\u003Ch3>西元 567 年的紀年造像碑\u003C\u002Fh3>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.si.edu\u002Fobject\u002Fsmall-daoist-stele-depicting-laojun-niche%3Afsg_FSC-S-48\">史密森尼國立亞洲藝術博物館\u003C\u002Fa>收藏一方小型石碑：老君居於龕內，兩側各有一名持笏侍者。碑銘將造像明確紀年為北周天和二年，即西元 567 年。它證明持笏人物已進入六世紀道教造像語境，卻不能單獨還原某場儀式的完整程式。\u003C\u002Fp>\n\u003Ch3>十九世紀中期的傳世實物\u003C\u002Fh3>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fallenartcollection.oberlin.edu\u002Fobjects\u002F12422\u002Fdaoist-ritual-tablet?ctx=963fb1cb1d9efee70dbfc48c8804673899a047c3&idx=3\">奧伯林學院艾倫紀念藝術博物館\u003C\u002Fa>收藏一件十九世紀中期木笏，通體黑漆描金，高 42.5 釐米。館藏記錄為我們提供了材質與尺度，但其早期流傳經歷不詳。這一空白提醒我們：一件實物可以是真實證據，卻未必保留完整的身世。\u003C\u002Fp>\n\n\u003Ch2>六步辨讀法\u003C\u002Fh2>\n\u003Ch3>從記錄走向解釋\u003C\u002Fh3>\n\u003Col>\u003Cli>\u003Cstrong>先看目錄用詞。\u003C\u002Fstrong>核對資料寫的是笏、朝簡、朝笏、令牌，還是籠統的“儀式板牌”。\u003C\u002Fli>\u003Cli>\u003Cstrong>確認年代與材質。\u003C\u002Fstrong>石刻影像、雕木實物與現代復原品回答的是不同問題。\u003C\u002Fli>\u003Cli>\u003Cstrong>記錄外形。\u003C\u002Fstrong>觀察長度、弧度、兩端寬窄、銘文與表面裝飾，不要過早認定功能。\u003C\u002Fli>\u003Cli>\u003Cstrong>觀察雙手與場景。\u003C\u002Fstrong>朝見場面中正面侍立的人物，與刻有神將形象的手持令牌，證據性質不同。\u003C\u002Fli>\u003Cli>\u003Cstrong>聯絡周邊文書。\u003C\u002Fstrong>章表、法印、法籙與法服能揭示更完整的職司與奏達體系。\u003C\u002Fli>\u003Cli>\u003Cstrong>明確證據邊界。\u003C\u002Fstrong>說明材料能證明什麼，也要說明法派、動作、原主人或使用場合有哪些仍未知。\u003C\u002Fli>\u003C\u002Fol>\n\n\u003Ch2>置於文書與法器系統之中\u003C\u002Fh2>\n\u003Cp>理解朝笏，最好把它放回整套儀式器物之中：章表讓奏達形成文字，法印可能用於驗信，法籙把受授者與儀式身份聯絡起來，法服使職司變得可見，而朝笏則約束身體呈現。這些器物功能並不相同，卻共同顯示物質文化如何組織人與“天曹”之間的溝通。\u003C\u002Fp>\n\n\u003Ch2>當代傳統、知情同意與尊重\u003C\u002Fh2>\n\u003Cp>今天的用法會因宮觀、法派、職司與場合而異。博物館陳列和公開照片不能揭示開光法器、內部文獻的全部規範。未經許可，不應觸碰、複製或模擬持用；來歷未明的復刻品也不應冒充某一法派的傳承物。涉及當代實踐，應詢問相關團體，並尊重部分細節不公開的事實。\u003C\u002Fp>\n\n\u003Ch2>資料依據與解釋限度\u003C\u002Fh2>\n\u003Ch3>證據實際支援到哪裡\u003C\u002Fh3>\n\u003Cp>本文綜合了有紀年的早期影像、博物館實物、譯註本戒律文獻與中古科儀研究。吳陽關於\u003Ca href=\"https:\u002F\u002Fdoi.org\u002F10.3390\u002Frel14121468\">中古道教禮拜動作\u003C\u002Fa>的開放獲取論文，有助於理解身體禮儀如何在世俗與宗教場域之間轉換；孔麗霞的\u003Ca href=\"https:\u002F\u002Facademic.oup.com\u002Fbook\u002F50210\u002Fchapter-abstract\u002F422713157\">《道教宮觀科儀手冊》研究\u003C\u002Fa>則為依品秩持笏提供文字依據。紐約大都會藝術博物館的\u003Ca href=\"https:\u002F\u002Fwww.metmuseum.org\u002Fessays\u002Fdaoism-and-daoist-art\">道教與道教藝術概述\u003C\u002Fa>提醒我們：道教物質文化來自多樣實踐，器物功能不一定能從外觀完全復原。以上資料都不足以證明一套跨時代、跨法派而永恆不變的動作程式。\u003C\u002Fp>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FIfMoYkv1zz0kJ1SOLySN.webp",1916,821,{"en":798,"zh":799},"Conceptual photograph of a fictional blank curved wooden audience tablet resting on indigo cloth in a warm study","概念照片：暖色書齋中，一枚虛構的空白弧形木笏置於靛藍布料上",{"caption":801,"creator":802,"source_url":3,"license_label":803,"license_url":3,"changes":804},"由 AI 生成的虛構空白朝笏概念照片；不描繪有文獻依據的實物、地點、人物、科儀或歷史事件。","OpenAI","AI-generated conceptual image","作為原創非紀實靜物圖生成，不含文字，也不作器物歸屬主張。",{"en":798,"zh":799},"banner","list",{"en":809,"zh":810},"Daoist Audience Tablets (Hu): Form and Ritual","道教朝笏：形制、朝儀與科儀奏達",{"en":812,"zh":813},"Learn how Daoist audience tablets adapted a courtly object for ritual address, how images and texts document their use, and how to avoid confusing a hu with a command plaque.","瞭解道教朝笏如何借用朝儀器物表達科儀奏達，影像與文獻如何留下證據，以及怎樣避免把笏與令牌混為一談。",[],{"data":816},[817,893,994,1085],{"id":818,"slug":819,"available_locales":820,"path":821,"title":822,"venue":825,"hero_image_url":3,"card_image_url":828,"card_landscape_url":829,"lifecycle":830,"session_mode":831,"sessions":832,"next_session":892},15601,"liu-yao-beginner-course",[504,505,506],"\u002Fevents\u002Fi-ching-learning\u002Fliu-yao-beginner-course",{"en":823,"zh":824},"Liu Yao Beginner 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2026","2026年11月21日",21,"Sat",{"status":834,"date_slug":866,"time_label":836,"timezone_abbr":837,"date_label":867,"date_label_fr":868,"date_short_fr":869,"date_only_fr":870,"date_range_label_fr":3,"time_label_fr":842,"date_label_zh":871,"date_short":872,"date_short_zh":873,"date_only":874,"date_only_zh":875,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":147,"month_short":876,"month_long":877,"month_num":147,"year":850,"weekday_short":864,"weekday_index":60},"2026-12-12","Saturday, 12 December 2026","samedi 12 décembre 2026","sam. 12 déc.","12 déc. 2026","2026年12月12日 星期六","Sat 12 Dec","12月12日 週六","12 Dec 2026","2026年12月12日","Dec","December",{"status":834,"date_slug":879,"time_label":836,"timezone_abbr":837,"date_label":880,"date_label_fr":881,"date_short_fr":882,"date_only_fr":883,"date_range_label_fr":3,"time_label_fr":842,"date_label_zh":884,"date_short":885,"date_short_zh":886,"date_only":887,"date_only_zh":888,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":137,"month_short":889,"month_long":890,"month_num":38,"year":891,"weekday_short":851,"weekday_index":531},"2027-01-17","Sunday, 17 January 2027","dimanche 17 janvier 2027","dim. 17 janv.","17 janv. 2027","2027年1月17日 星期日","Sun 17 Jan","1月17日 週日","17 Jan 2027","2027年1月17日","Jan","January",2027,{"status":834,"date_slug":835,"time_label":836,"timezone_abbr":837,"date_label":838,"date_label_fr":839,"date_short_fr":840,"date_only_fr":841,"date_range_label_fr":3,"time_label_fr":842,"date_label_zh":843,"date_short":844,"date_short_zh":845,"date_only":846,"date_only_zh":847,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":38,"month_short":848,"month_long":849,"month_num":657,"year":850,"weekday_short":851,"weekday_index":531},{"id":894,"slug":895,"available_locales":896,"path":897,"title":898,"venue":901,"hero_image_url":902,"card_image_url":902,"card_landscape_url":903,"lifecycle":830,"session_mode":831,"sessions":904,"next_session":993},78700,"baduanjin-workshop-september",[504,505,506],"\u002Fevents\u002Finternal-arts-wellness\u002Fbaduanjin-workshop-september",{"en":899,"zh":900},"Baduanjin Workshop — November 2026 Sessions","古法八段錦 · 2026年11月班",{"en":826,"zh":827},"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FWU46jadRUq4I84xPdaTQ.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002Fvariants\u002FCQB6xxmg8kF7eqWPQgAl-16x9.webp",[905,922,934,947,958,959,970,981],{"status":906,"date_slug":907,"time_label":908,"timezone_abbr":837,"date_label":909,"date_label_fr":910,"date_short_fr":911,"date_only_fr":912,"date_range_label_fr":3,"time_label_fr":913,"date_label_zh":914,"date_short":915,"date_short_zh":916,"date_only":917,"date_only_zh":918,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":919,"month_short":920,"month_long":921,"month_num":16,"year":850,"weekday_short":851,"weekday_index":531},"completed","2026-09-13","10:00am–12:00pm","Sunday, 13 September 2026","dimanche 13 septembre 2026","dim. 13 sept.","13 sept. 2026","10:00–12:00","2026年9月13日 星期日","Sun 13 Sep","9月13日 週日","13 Sep 2026","2026年9月13日",13,"Sep","September",{"status":906,"date_slug":923,"time_label":908,"timezone_abbr":837,"date_label":924,"date_label_fr":925,"date_short_fr":926,"date_only_fr":927,"date_range_label_fr":3,"time_label_fr":913,"date_label_zh":928,"date_short":929,"date_short_zh":930,"date_only":931,"date_only_zh":932,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":933,"month_short":920,"month_long":921,"month_num":16,"year":850,"weekday_short":851,"weekday_index":531},"2026-09-27","Sunday, 27 September 2026","dimanche 27 septembre 2026","dim. 27 sept.","27 sept. 2026","2026年9月27日 星期日","Sun 27 Sep","9月27日 週日","27 Sep 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