[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-reference-en":3,"site-nav-zh":4,"site-nav-zh-all-daoism":289,"event-categories-zh":498,"site-settings":741,"node-zh-daoism\u002Ftaoist-festivals-rituals\u002Fdaoist-crowns-headscarves-dress-rank-ritual-context":783,"live-course-events":815},null,{"data":5},{"header":6,"footer":264},[7,51,82,123,161,187,229,260],{"to":8,"label":9,"label_zh":10,"children":11},"\u002Fdao","TAO","道",[12,17,22,26,30,34,39,43,47],{"to":13,"label":14,"label_zh":15,"n":16},"\u002Fdao\u002Fintroduction","Begin with the Tao","道學入門",9,{"to":18,"label":19,"label_zh":20,"n":21},"\u002Fdao\u002Fyi-jing","I Ching","易經",7,{"to":23,"label":24,"label_zh":25,"n":16},"\u002Fdao\u002Fdao-de-jing","Tao Te Ching","道德經",{"to":27,"label":28,"label_zh":29,"n":21},"\u002Fdao\u002Ftaiji","Taiji","太極",{"to":31,"label":32,"label_zh":33,"n":21},"\u002Fdao\u002Fzhuang-zi","Zhuangzi","莊子",{"to":35,"label":36,"label_zh":37,"n":38},"\u002Fdao\u002Fclassics","Classical Library","道家經典文庫",1,{"to":40,"label":41,"label_zh":42},"\u002Fdao\u002Fdaoist-philosophy","Taoist Philosophy","道家哲學",{"to":44,"label":45,"label_zh":46},"\u002Fdao\u002Fwu-wei-natural-living","Wu Wei & Natural Living","無為與自然生活",{"to":48,"label":49,"label_zh":50},"\u002Fdao\u002Fdaoist-view-of-life","A Taoist View of Life","道家人生觀",{"to":52,"label":53,"label_zh":54,"children":55},"\u002Fmartial-arts","Martial Arts","武當武術",[56,61,65,70,74,78],{"to":57,"label":58,"label_zh":59,"n":60},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Foundations of Internal Martial Arts","內家拳基礎",6,{"to":62,"label":63,"label_zh":64,"n":21},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan (Tai Chi)","太極拳",{"to":66,"label":67,"label_zh":68,"n":69},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、換掌與身法變化",5,{"to":71,"label":72,"label_zh":73,"n":69},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan: Structure, Intention and Direct Training","形意拳：結構、意念與直接訓練",{"to":75,"label":76,"label_zh":77,"n":21},"\u002Fmartial-arts\u002Fweapons","Wudang Sword and Weapons: History, Practice and Context","武當劍與兵器：歷史、練習與文化語境",{"to":79,"label":80,"label_zh":81,"n":21},"\u002Fmartial-arts\u002Ftraining-practice","Training and Practice: Building a Sustainable Wudang Routine","訓練與習練：建立可持續的武當練習",{"to":83,"label":84,"label_zh":85,"children":86},"\u002Fwellness","Wellness","養生",[87,91,95,99,103,107,111,115,119],{"to":88,"label":89,"label_zh":90,"n":21},"\u002Fwellness\u002Fqigong","Qigong","氣功",{"to":92,"label":93,"label_zh":94,"n":60},"\u002Fwellness\u002Fherbal-healing","Chinese Herbal Medicine","中藥與本草",{"to":96,"label":97,"label_zh":98,"n":60},"\u002Fwellness\u002Ftaoist-medicine","Taoist Medicine","道家醫學",{"to":100,"label":101,"label_zh":102,"n":60},"\u002Fwellness\u002Fenergy-sound-healing","Sound & Energy Practices","聲音與能量練習",{"to":104,"label":105,"label_zh":106},"\u002Fwellness\u002Fstanding-practice","Standing Practice","站樁",{"to":108,"label":109,"label_zh":110},"\u002Fwellness\u002Fwudang-internal-cultivation","Wudang Internal Cultivation","武當內修",{"to":112,"label":113,"label_zh":114},"\u002Fwellness\u002Fmoxibustion","Moxibustion","艾灸",{"to":116,"label":117,"label_zh":118},"\u002Fwellness\u002Fbigu","Bigu","辟穀",{"to":120,"label":121,"label_zh":122,"n":38},"\u002Fwellness\u002Fbaduanjin","Baduanjin (Eight Brocades)","八段錦",{"to":124,"label":125,"label_zh":126,"children":127},"\u002Farts","Literati Arts","文人雅藝",[128,133,138,143,148,153,157],{"to":129,"label":130,"label_zh":131,"n":132},"\u002Farts\u002Fchinese-poetry-literature","Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中國詩詞與文學：體式、語境與閱讀路徑",53,{"to":134,"label":135,"label_zh":136,"n":137},"\u002Farts\u002Fcalligraphy","Chinese Calligraphy: Scripts, Materials and Ways of Looking","中國書法：書體、材料與觀賞入門",17,{"to":139,"label":140,"label_zh":141,"n":142},"\u002Farts\u002Ftea-ceremony","Chinese Tea Culture","中國茶文化",39,{"to":144,"label":145,"label_zh":146,"n":147},"\u002Farts\u002Fguqin","Guqin: Sound, History and Ways to Listen","古琴：認識聲音、歷史與聆聽方法",12,{"to":149,"label":150,"label_zh":151,"n":152},"\u002Farts\u002Fpainting","Chinese Painting: Materials, Formats and Ways of Looking","中國繪畫：材料、形制與觀看方法",15,{"to":154,"label":155,"label_zh":156,"n":16},"\u002Farts\u002Fincense","Chinese Incense Culture","中國香文化",{"to":158,"label":159,"label_zh":160,"n":21},"\u002Farts\u002Fflower-arrangement","Chinese Flower Arrangement: History, Materials and Ways of Looking","中國插花：歷史、花材與觀看方法",{"to":162,"label":163,"label_zh":164,"children":165},"\u002Fdaoism","Taoist Culture","道教文化",[166,170,174,178,183],{"to":167,"label":168,"label_zh":169,"n":16},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙與神明體系：結構與層級指南",{"to":171,"label":172,"label_zh":173,"n":21},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山與宮觀：聖地、建築與制度指南",{"to":175,"label":176,"label_zh":177,"n":21},"\u002Fdaoism\u002Ftaoist-schools-lineages","Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派與傳承：正一、全真及歷史道派",{"to":179,"label":180,"label_zh":181,"n":182},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教節日與科儀：神誕、齋醮與歲時儀式",19,{"to":184,"label":185,"label_zh":186,"n":60},"\u002Fdaoism\u002Feight-immortals","The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象徵與道教傳說",{"to":188,"label":189,"label_zh":190,"children":191},"\u002Fchinese-metaphysics","Chinese Metaphysics","易學與傳統術數",[192,196,200,204,208,213,217,221,225],{"to":193,"label":194,"label_zh":195,"n":21},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Yin-Yang and the Five Phases in Chinese Thought","陰陽五行：理解關係與變化",{"to":197,"label":198,"label_zh":199,"n":21},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中國曆法與術數的六十循環",{"to":201,"label":202,"label_zh":203,"n":21},"\u002Fchinese-metaphysics\u002Ffeng-shui","Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中國風水：形勢、羅盤方法與負責任實踐",{"to":205,"label":206,"label_zh":207,"n":21},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八個字如何構成命盤",{"to":209,"label":210,"label_zh":211,"n":212},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗數：十二宮命盤如何運作",8,{"to":214,"label":215,"label_zh":216,"n":212},"\u002Fchinese-metaphysics\u002Fdate-selection","Chinese Date Selection: How Auspicious Days Are Chosen","中國擇吉：傳統吉日如何選擇",{"to":218,"label":219,"label_zh":220,"n":21},"\u002Fchinese-metaphysics\u002Fphysiognomy","Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中國相術：面相、手相及其侷限",{"to":222,"label":223,"label_zh":224,"n":21},"\u002Fchinese-metaphysics\u002Fdivination-arts","Chinese Divination Arts: Methods, History and Responsible Use","中國占卜術：方法、歷史與負責任使用",{"to":226,"label":227,"label_zh":228,"n":21},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河圖、洛書與九宮：中國傳統圖式的歷史與用途",{"to":230,"label":231,"label_zh":232,"children":233},"\u002Fwudang-mountain","Experience Wudang","武當之旅",[234,238,243,248,252,256],{"to":235,"label":236,"label_zh":237,"n":21},"\u002Fwudang-mountain\u002Fintroduction","Introduction to Wudang Mountain","初識武當山",{"to":239,"label":240,"label_zh":241,"n":242},"\u002Fwudang-mountain\u002Ftemples-and-sites","Wudang Mountain Temples and Sacred Sites","武當山宮觀與勝蹟",3,{"to":244,"label":245,"label_zh":246,"n":247},"\u002Fwudang-mountain\u002Fplanning-a-visit","Planning a Visit to Wudang Mountain","武當山行前規劃指南",4,{"to":249,"label":250,"label_zh":251,"n":242},"\u002Fwudang-mountain\u002Fstudying-at-wudang","Studying Martial Arts at Wudang Mountain","在武當山學習武術",{"to":253,"label":254,"label_zh":255,"n":242},"\u002Fwudang-mountain\u002Ftemple-etiquette","Wudang Temple Etiquette: A Visitor’s Guide","武當宮觀參訪禮儀",{"to":257,"label":258,"label_zh":259,"n":69},"\u002Fwudang-mountain\u002Fpractical-reference","Wudang Mountain Practical Reference","武當山實用參考資料",{"to":261,"label":262,"label_zh":263},"\u002Fwudang-mountain\u002Feveryday-wudang","Everyday Wudang","武當日常",[265,266,267,268,269,270,271,272,273,277,281,285],{"to":8,"label":9,"label_zh":10},{"to":52,"label":53,"label_zh":54},{"to":83,"label":84,"label_zh":85},{"to":124,"label":125,"label_zh":126},{"to":162,"label":163,"label_zh":164},{"to":188,"label":189,"label_zh":190},{"to":230,"label":231,"label_zh":232},{"to":261,"label":262,"label_zh":263},{"to":274,"label":275,"label_zh":276},"\u002Fabout","About Wudang.Org","關於 Wudang.Org",{"to":278,"label":279,"label_zh":280},"\u002Fstart-here","Start Here","從這裡開始",{"to":282,"label":283,"label_zh":284},"\u002Ffind-a-practice","Find a Practice","找到適合你的修習",{"to":286,"label":287,"label_zh":288},"\u002Fteachers","Our Teachers","授課老師",{"data":290},{"all":291,"header":496,"footer":497},[292],{"to":162,"label":163,"label_zh":164,"children":293},[294,332,362,392,470],{"to":167,"label":168,"label_zh":169,"children":295},[296,300,304,308,312,316,320,324,328],{"to":297,"label":298,"label_zh":299},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-pure-ones","The Three Pure Ones: Highest Deities of the Taoist Pantheon","道教三清：神明體系中的最高尊神",{"to":301,"label":302,"label_zh":303},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fjade-emperor","The Jade Emperor in Taoism: Ruler of the Celestial Bureaucracy","道教玉皇大帝：天庭官府的治理者",{"to":305,"label":306,"label_zh":307},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Forigins-of-pantheon","How the Taoist Pantheon Developed: Origins of Its Gods","道教神明體系如何形成：諸神的不同來源",{"to":309,"label":310,"label_zh":311},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fcelestial-bureaucracy","Taoist Immortals and the Celestial Bureaucracy: Shen and Xian","道教神明、仙真與天庭官府：神和仙有什麼不同",{"to":313,"label":314,"label_zh":315},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fguan-yu-mazu-popular-deities","Guan Yu, Mazu and Popular Chinese Deities: How Humans Become Gods","關羽、媽祖與民間神祇：人如何成為神",{"to":317,"label":318,"label_zh":319},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fdeities-of-wudang-mountain","Deities of Wudang Mountain: Zhenwu and His Sacred Court","武當山神明：真武大帝與他的神聖侍從",{"to":321,"label":322,"label_zh":323},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fworship-temples-offerings","Taoist Temple Worship: Incense, Offerings, Vows and Donations","道教宮觀祭祀：上香、供養、許願與捐獻",{"to":325,"label":326,"label_zh":327},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fnorthern-dipper-stars-images-ritual-maps","The Northern Dipper in Daoist Culture: Stars, Images and Ritual Maps","道教文化中的北斗：星象、影像與儀式圖式",{"to":329,"label":330,"label_zh":331},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-officials-sanguan-heaven-earth-water-three-yuan","The Three Officials in Daoism: Heaven, Earth, Water and the Three Yuan","道教三官大帝：天、地、水與三元節期",{"to":171,"label":172,"label_zh":173,"children":333},[334,338,342,346,350,354,358],{"to":335,"label":336,"label_zh":337},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwudang-mountain","Wudang Mountain in Taoism: Zhenwu, the Ming Court and Sacred Status","道教中的武當山：真武信仰、明廷與聖地地位",{"to":339,"label":340,"label_zh":341},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-longhu","Mount Longhu and the Celestial Masters: Centre of Zhengyi Taoism","龍虎山與天師道：正一道的制度中心",{"to":343,"label":344,"label_zh":345},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-qingcheng","Mount Qingcheng: How Organised Taoism Took Institutional Form","青城山：有組織道教如何形成制度",{"to":347,"label":348,"label_zh":349},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-tai","Mount Tai: China’s Foremost State Sacred Mountain","泰山：中國最重要的國家祭祀名山",{"to":351,"label":352,"label_zh":353},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwhite-cloud-temple-beijing","White Cloud Temple in Beijing: Quanzhen Taoism’s Urban Monastery","北京白雲觀：全真道的城市宮觀",{"to":355,"label":356,"label_zh":357},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Ftemple-architecture-sacred-geometry","How to Read Taoist Temple Architecture and Sacred Space","如何讀懂道教宮觀建築與神聖空間",{"to":359,"label":360,"label_zh":361},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fpilgrimage-temple-etiquette","Taoist Pilgrimage and Temple Etiquette: A Practical Guide","道教朝山進香與宮觀禮儀：實用指南",{"to":175,"label":176,"label_zh":177,"children":363},[364,368,372,376,380,384,388],{"to":365,"label":366,"label_zh":367},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcelestial-masters-zhengyi","Zhengyi Taoism and the Celestial Masters: Householder Priests and Ritual Authority","正一道與天師道：在家道士和科儀權威",{"to":369,"label":370,"label_zh":371},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcomplete-perfection-quanzhen","Quanzhen Taoism: Monastic Life, Inner Cultivation and Wudang","全真道：出家生活、內在修煉與武當",{"to":373,"label":374,"label_zh":375},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fshangqing-school","Shangqing Taoism: Highest Clarity Revelations and Inner Visualisation","上清道：最高明啟、存思與身體內的神明",{"to":377,"label":378,"label_zh":379},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Flingbao-tradition","Lingbao Taoism: Numinous Treasure Scriptures and Communal Ritual","靈寶道：經典、普度與共同體科儀",{"to":381,"label":382,"label_zh":383},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fwu-liu-school","The Wu-Liu School: A Clearer System of Taoist Internal Alchemy","伍柳派：較為清晰的道教內丹體系",{"to":385,"label":386,"label_zh":387},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmonastic-vs-householder-priesthood","Quanzhen Monastics and Zhengyi Householder Priests: What Is the Difference?","全真出家道士與正一在家道士有什麼不同",{"to":389,"label":390,"label_zh":391},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmodern-transmission-ordination","Taoist Ordination and Lineage Today: How Transmission Is Verified","今日道教傳承與授籙傳戒：如何核實師承",{"to":179,"label":180,"label_zh":181,"children":393},[394,398,402,406,410,414,418,422,426,430,434,438,442,446,450,454,458,462,466],{"to":395,"label":396,"label_zh":397},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjade-emperor-birthday","The Jade Emperor’s Birthday and Festivals of the Heavenly Court","玉皇誕：正月初九的意義與宮觀儀式",{"to":399,"label":400,"label_zh":401},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhongyuan-ghost-festival","Zhongyuan Festival: Ghost Festival, the Earth Official and Universal Salvation","中元節：七月十五、地官赦罪與普度",{"to":403,"label":404,"label_zh":405},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Flaozi-birthday","Laozi’s Birthday: From the Sage Laozi to the Divine Lord Lao","老君誕：從老子到太上老君",{"to":407,"label":408,"label_zh":409},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdouble-ninth-festival","Double Ninth Festival: Chongyang, Longevity and Respect for Elders","重陽節：九月初九、長生觀念與敬老傳統",{"to":411,"label":412,"label_zh":413},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjiao-offering-ritual","Jiao Rituals: Taoism’s Grand Community Offering","醮儀：道教大型共同體祭獻科儀",{"to":415,"label":416,"label_zh":417},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhai-purification-fasting","Zhai Rituals: Taoist Purification, Fasting and Preparation","齋儀：道教潔淨、持戒與祭前準備",{"to":419,"label":420,"label_zh":421},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Ftemple-fairs-pilgrimage","Taoist Temple Fairs and Seasonal Pilgrimage","道教廟會與朝山：宗教、集市與季節性朝聖",{"to":423,"label":424,"label_zh":425},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-robes-garment-image-ceremony","Daoist Ritual Robes: Garment, Image and Ceremonial Role","道教法衣：衣式、影像與科儀身份",{"to":427,"label":428,"label_zh":429},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdavid-vases-daoist-offering-blue-white-porcelain","The David Vases: A Daoist Offering and a Dated Porcelain Landmark","大維德對瓶：道觀供器與青花紀年座標",{"to":431,"label":432,"label_zh":433},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-seals-impression-authority-documents","Daoist Ritual Seals: Impression, Authority and the Work of Documents","道教法印：印痕、權威與儀式文書",{"to":435,"label":436,"label_zh":437},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-music-bells-drums-chant","Daoist Ritual Music: Bells, Drums, Chant and Ceremonial Time","道教科儀音樂：鍾鈴、鼓樂、經韻與儀式時間",{"to":439,"label":440,"label_zh":441},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-lamp-rituals-light-cosmic-patterns-ceremonial-space","Daoist Lamp Rituals: Light, Cosmic Patterns and Ceremonial Space","道教燈儀：光明、星象秩序與科儀空間",{"to":443,"label":444,"label_zh":445},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-talismans-script-ritual-action","Daoist Talismans: Script, Ritual Action and the Limits of Looking","道教符籙：書寫、科儀行動與觀看邊界",{"to":447,"label":448,"label_zh":449},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-mirrors-reflection-cosmology-ritual-evidence","Daoist Mirrors: Reflection, Cosmology and Ritual Evidence","道教銅鏡：映照、宇宙圖式與科儀證據",{"to":451,"label":452,"label_zh":453},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-petitions-memorials-celestial-administration","Daoist Petitions and Memorials: Writing to the Celestial Administration","道教章表：寫給天庭的儀式文書",{"to":455,"label":456,"label_zh":457},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-registers-lu-rank-transmission-celestial-administration","Daoist Registers (Lu): Rank, Transmission and Celestial Administration","道教法籙：品秩、傳授與天曹體系",{"to":459,"label":460,"label_zh":461},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-audience-tablets-hu-courtly-form-ritual-address","Daoist Audience Tablets (Hu): Courtly Form and Ritual Address","道教朝笏：朝儀形制與科儀奏達",{"to":463,"label":464,"label_zh":465},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-crowns-headscarves-dress-rank-ritual-context","Daoist Crowns and Headscarves: Dress, Rank and Ritual Context","道教冠巾：衣制、職司與科儀語境",{"to":467,"label":468,"label_zh":469},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-footwear-cloth-cloud-shoes-ritual-movement","Daoist Footwear: Cloth Shoes, Cloud Shoes and Ritual Movement","道教鞋履：布鞋、雲履與科儀步伐",{"to":184,"label":185,"label_zh":186,"children":471},[472,476,480,484,488,492],{"to":473,"label":474,"label_zh":475},"\u002Fdaoism\u002Feight-immortals\u002Flu-dongbin","Lü Dongbin: Scholar Immortal, Quanzhen Patriarch and Sword Bearer","呂洞賓：士人仙真、全真祖師與佩劍象徵",{"to":477,"label":478,"label_zh":479},"\u002Fdaoism\u002Feight-immortals\u002Fzhang-guolao","Zhang Guolao: Tang Recluse and Backward-Riding Immortal","張果老：唐代隱士與倒騎驢的仙人",{"to":481,"label":482,"label_zh":483},"\u002Fdaoism\u002Feight-immortals\u002Fhe-xiangu","He Xiangu: The Woman Immortal of the Eight","何仙姑：八仙中唯一的女性仙真",{"to":485,"label":486,"label_zh":487},"\u002Fdaoism\u002Feight-immortals\u002Fhan-xiangzi-lan-caihe","Han Xiangzi and Lan Caihe: Music, Flowers and Ambiguous Identity","韓湘子與藍采和：音樂、花與身份邊界",{"to":489,"label":490,"label_zh":491},"\u002Fdaoism\u002Feight-immortals\u002Fcao-guojiu-li-tieguai","Cao Guojiu and Li Tieguai: Privilege, Poverty and the Immortal Body","曹國舅與鐵柺李：特權、貧困與身體身份",{"to":493,"label":494,"label_zh":495},"\u002Fdaoism\u002Feight-immortals\u002Fzhongli-quan","Zhongli Quan: Teacher of Lü Dongbin and Patriarch of Internal Alchemy","鍾離權：呂洞賓之師與內丹祖師",[],[],{"data":499},[500,536,559,578,599,618,638,656,677,700,722],{"id":38,"uuid":501,"slug":502,"available_locales":503,"name":507,"description":510,"body":512,"path":515,"images":516,"image_urls":521,"hero_image":3,"hero_image_url":3,"seo_title":526,"seo_description":529,"sort_order":531,"is_active":532,"status":533,"created_at":534,"updated_at":535},"f1a30881-20c6-407b-b546-669e839a178a","feng-shui-learning",[504,505,506],"en","zh","fr",{"en":508,"zh":509},"Feng Shui Learning","風水課程",{"en":511,"zh":3},"Study feng shui as a historical Chinese tradition of interpreting orientation, form and environment—with clear limits on predictive claims.",{"en":513,"zh":514},"\u003Ch2>\u003Cem>Feng shui 風水 developed through multiple schools, texts and professional traditions. It brings together observations of landform, orientation, water, buildings and correlative cosmology. It should not be reduced to decorative rules, nor presented as a scientifically proven way to guarantee health, wealth or relationships.\u003C\u002Fem>\u003C\u002Fh2>\u003Cp>\u003Cem>Classes introduce core vocabulary, the distinction between major approaches and the cultural contexts in which feng shui has been practised. Contemporary applications are discussed critically. Students remain responsible for property, financial and personal decisions and should seek qualified professional advice where those decisions carry material consequences.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>風水形成於不同的流派、典籍與專業傳統，綜合觀察地形、方位、水勢、建築以及陰陽五行等關聯性宇宙觀。它不應被簡化為裝飾規則，也不能被宣傳為保證健康、財富或關係結果的科學方法。\u003C\u002Fp>\u003Cp>課程介紹基本術語、主要方法的差別，以及風水在歷史社會中的實踐語境，並以批判態度討論當代應用。涉及房產、財務或其他重大決定時，學員仍應根據事實判斷，並諮詢具備資質的相關專業人士。\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[517,518,519,520],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[522,523,524,525],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",{"en":527,"zh":528},"Feng Shui Classes and Courses","風水課程：方位、形勢與空間觀念入門",{"en":511,"zh":530},"從歷史、環境與文化語境學習風水，理解方位、形勢與空間觀念，同時明確傳統解釋與科學證據的界限。",0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":60,"uuid":537,"slug":538,"available_locales":539,"name":540,"description":543,"body":546,"path":549,"images":550,"image_urls":551,"hero_image":3,"hero_image_url":3,"seo_title":552,"seo_description":555,"sort_order":531,"is_active":532,"status":533,"created_at":558,"updated_at":535},"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[504,505,506],{"en":541,"zh":542},"Internal Arts & Wellness","內家功法與養生",{"en":544,"zh":545},"Classes, workshops and retreats in Baduanjin, Taijiquan, qigong and traditional practices for movement, breathing and mindful cultivation.","彙集八段錦、太極拳、氣功及傳統身心修習的課程、工作坊與靜修活動。",{"en":547,"zh":548},"\u003Cp>Explore small-group classes, workshops and retreats introducing Wudang internal arts and traditional wellness practices. Programmes may include Baduanjin, Taijiquan, qigong, standing practice, breathing and their cultural foundations.\u003C\u002Fp>\u003Cp>Each listing provides its teacher, schedule, experience level and registration arrangements.\u003C\u002Fp>","\u003Cp>本類別彙集武當內家功法與傳統養生修習的小班課程、工作坊及靜修活動，內容可涵蓋八段錦、太極拳、氣功、站樁、呼吸練習及相關文化基礎。\u003C\u002Fp>\u003Cp>每項活動都會註明導師、日期、適合程度與報名方式，方便參加者選擇合適的學習體驗。\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"en":553,"zh":554},"Internal Arts & Wellness Events","內家功法與養生活動",{"en":556,"zh":557},"Explore Baduanjin, Taijiquan, qigong and traditional wellness classes, workshops and retreats listed by Wudang.Org.","探索八段錦、太極拳、氣功與傳統養生課程、工作坊及靜修活動。","2026-08-16T19:23:45.000000Z",{"id":560,"uuid":561,"slug":562,"available_locales":563,"name":564,"description":567,"body":568,"path":569,"images":570,"image_urls":571,"hero_image":3,"hero_image_url":3,"seo_title":572,"seo_description":574,"sort_order":531,"is_active":532,"status":533,"created_at":577,"updated_at":535},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[504,505,506],{"en":565,"zh":566},"Face Reading Learning","面相課程",[],[],"\u002Fevents\u002Fface-reading-learning",[],[],{"en":573},"Chinese Face Reading Classes and Workshops",{"en":575,"zh":576},"Learn Chinese face reading (面相) as a cultural tradition: its classical framework, history and uses, taught with clear limits on predictive claims.","把面相作為中國傳統文化來學習：認識其經典框架、歷史與用法，並清楚說明傳統詮釋的邊界。","2026-08-30T17:01:43.000000Z",{"id":579,"uuid":580,"slug":581,"available_locales":582,"name":583,"description":586,"body":588,"path":591,"images":592,"image_urls":593,"hero_image":3,"hero_image_url":3,"seo_title":594,"seo_description":597,"sort_order":38,"is_active":532,"status":533,"created_at":534,"updated_at":535},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[504,505,506],{"en":584,"zh":585},"Zi Wei Dou Shu Learning","紫微斗數課程",{"en":587,"zh":3},"Explore Purple Star Astrology as a traditional Chinese interpretive system, approached as cultural knowledge rather than scientific prediction.",{"en":589,"zh":590},"\u003Cp>Zi Wei Dou Shu 紫微鬥數 organises birth information through palaces, stars and patterned relationships. The system has a substantial technical vocabulary and several interpretive traditions, but its predictive claims are not established by modern scientific evidence.\u003C\u002Fp>\u003Cp>Courses explain how charts are structured, how symbols are read and how historical and contemporary practitioners differ. The aim is cultural literacy and disciplined reflection—not certainty about the future. Readings do not replace medical, legal, financial, employment or psychological expertise.\u003C\u002Fp>","\u003Cp>紫微斗數依據出生資訊，以宮位、星曜和彼此關係組織命盤。它具有複雜的術語與多種解釋傳統，但其預測主張並未得到現代科學證據的確立。\u003C\u002Fp>\u003Cp>課程說明命盤結構、符號閱讀方法，以及歷史與當代實踐者之間的差異。學習目的在於文化理解與有紀律的自我反思，而不是獲得關於未來的確定答案。相關解讀不能代替醫療、法律、財務、就業或心理專業意見。\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"en":595,"zh":596},"Zi Wei Dou Shu (Purple Star Astrology) Classes","紫微斗數課程：命盤、宮位與星曜入門",{"en":587,"zh":598},"把紫微斗數作為中國傳統詮釋體系來學習，認識命盤、宮位與星曜，不把它包裝成科學預測。",{"id":247,"uuid":600,"slug":601,"available_locales":602,"name":603,"description":606,"body":607,"path":608,"images":609,"image_urls":610,"hero_image":3,"hero_image_url":3,"seo_title":611,"seo_description":614,"sort_order":38,"is_active":532,"status":533,"created_at":617,"updated_at":535},"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[504,505,506],{"en":604,"zh":605},"Tea Arts","茶藝",[],[],"\u002Fevents\u002Ftea-arts",[],[],{"en":612,"zh":613},"Chinese Tea Art Classes and Workshops","茶藝課程與工作坊",{"en":615,"zh":616},"Chinese tea art (茶藝) classes and workshops: tea types, brewing methods, tea-table etiquette and the quiet attention of sharing tea.","茶藝課程與工作坊：認識茶類、泡茶方法與茶席禮儀，在一席茶中體會從容與專注。","2026-08-16T17:13:57.000000Z",{"id":242,"uuid":619,"slug":620,"available_locales":621,"name":622,"description":625,"body":627,"path":630,"images":631,"image_urls":632,"hero_image":3,"hero_image_url":3,"seo_title":633,"seo_description":636,"sort_order":579,"is_active":532,"status":533,"created_at":534,"updated_at":535},"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[504,505,506],{"en":623,"zh":624},"Ba Zi Learning","八字課程",{"en":626,"zh":3},"Study the Four Pillars as a traditional system of stems, branches and five-phase correspondence, with history and limitations made explicit.",{"en":628,"zh":629},"\u003Cp>Ba Zi 八字 interprets year, month, day and hour through the heavenly stems, earthly branches, yin-yang and five-phase relationships. It is an influential part of Chinese metaphysical culture, not an observational science in the modern empirical sense.\u003C\u002Fp>\u003Cp>Classes introduce chart structure, terminology and common interpretive methods while distinguishing tradition from evidence. Students are encouraged to treat readings as prompts for reflection and never as guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>八字以年、月、日、時四柱為框架，通過天干、地支、陰陽與五行關係進行解釋。它是中國術數文化中影響深遠的傳統體系，並非現代經驗科學。\u003C\u002Fp>\u003Cp>課程介紹命盤結構、基本術語和常見詮釋方法，同時說明傳統觀點與科學證據的差別。學員可把解讀作為反思的線索，但不應把它當作保證、診斷，或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"en":634,"zh":635},"BaZi (Four Pillars) Classes and Courses","八字課程：四柱、天干地支與五行入門",{"en":626,"zh":637},"學習四柱中的天干、地支與五行關係，理解其歷史與方法，也清楚區分傳統詮釋和現代實證知識。",{"id":69,"uuid":639,"slug":640,"available_locales":641,"name":642,"description":645,"body":646,"path":647,"images":648,"image_urls":649,"hero_image":3,"hero_image_url":3,"seo_title":650,"seo_description":653,"sort_order":579,"is_active":532,"status":533,"created_at":617,"updated_at":535},"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[504,505,506],{"en":643,"zh":644},"Incense Culture","香文化",[],[],"\u002Fevents\u002Fincense-culture",[],[],{"en":651,"zh":652},"Chinese Incense Culture Workshops","香文化活動與工作坊",{"en":654,"zh":655},"Workshops on Chinese incense culture (香文化): aromatic materials, traditional ways of preparing and appreciating incense, and incense as calm attention.","香文化活動與工作坊：認識香材、傳統制香與品香方式，在一爐香中練習安靜與專注。",{"id":657,"uuid":658,"slug":659,"available_locales":660,"name":661,"description":664,"body":667,"path":670,"images":671,"image_urls":672,"hero_image":3,"hero_image_url":3,"seo_title":673,"seo_description":675,"sort_order":579,"is_active":532,"status":533,"created_at":676,"updated_at":535},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[504,505,506],{"en":662,"zh":663},"I Ching Learning","易經課程",{"en":665,"zh":666},"Explore the I Ching through its hexagrams, traditional interpretive methods and historical context, with scope and limitations made explicit.","通過卦象、傳統解讀方法與歷史語境認識《易經》，並清楚說明其適用範圍與侷限。",{"en":668,"zh":669},"\u003Cp>The I Ching 易經 is a classical Chinese text centred on sixty-four hexagrams and a long history of commentary and divination. It has shaped Chinese philosophy, cosmology and metaphysical practice, but its divinatory claims are not established as modern empirical science.\u003C\u002Fp>\u003Cp>Classes introduce structures, terminology and traditional methods such as Liu Yao while distinguishing cultural study from evidence. Readings should be treated as prompts for reflection, not guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>《易經》是一部以六十四卦為核心的中國經典，形成了悠久的註疏與占筮傳統，並深刻影響中國哲學、宇宙觀與術數文化；其占筮主張並非現代經驗科學所證實。\u003C\u002Fp>\u003Cp>課程介紹基本結構、術語和六爻等傳統方法，同時區分文化學習與科學證據。解讀宜作為反思線索，不應視為保證、診斷或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"en":674,"zh":663},"I Ching Classes and Courses",{"en":665,"zh":666},"2026-09-08T00:15:35.000000Z",{"id":21,"uuid":678,"slug":679,"available_locales":680,"name":681,"description":684,"body":687,"path":690,"images":691,"image_urls":692,"hero_image":3,"hero_image_url":3,"seo_title":693,"seo_description":696,"sort_order":242,"is_active":532,"status":533,"created_at":699,"updated_at":535},"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[504,505,506],{"en":682,"zh":683},"Traditional Arts & Crafts","傳統藝術與手作",{"en":685,"zh":686},"Hands-on workshops exploring Chinese handicrafts and decorative arts through guided making and cultural appreciation.","通過親手製作與文化欣賞，體驗中國傳統手作及裝飾藝術。",{"en":688,"zh":689},"\u003Cp>Discover practical workshops in Chinese decorative arts and handcraft traditions. Activities may include gold-leaf painting, cloisonné enamel, mother-of-pearl work, Song brocade and other guided projects.\u003C\u002Fp>\u003Cp>These welcoming sessions introduce materials, techniques and cultural context while allowing participants to complete a piece of their own.\u003C\u002Fp>","\u003Cp>本類別彙集中國傳統裝飾藝術與手作體驗，內容可涵蓋金箔畫、掐絲琺琅、螺鈿工藝、宋錦及其他創作專案。\u003C\u002Fp>\u003Cp>課程以輕鬆易懂的方式介紹材料、技法與文化背景，讓參加者在導師帶領下完成屬於自己的作品。\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"en":694,"zh":695},"Traditional Arts & Crafts Events","傳統藝術與手作活動",{"en":697,"zh":698},"Explore Chinese handicraft and decorative arts workshops, including gold-leaf, cloisonné, mother-of-pearl and brocade.","探索金箔畫、掐絲琺琅、螺鈿、宋錦等中國傳統手作及裝飾藝術體驗。","2026-08-16T19:24:04.000000Z",{"id":212,"uuid":701,"slug":702,"available_locales":703,"name":704,"description":707,"body":710,"path":713,"images":714,"image_urls":715,"hero_image":3,"hero_image_url":3,"seo_title":716,"seo_description":718,"sort_order":247,"is_active":532,"status":533,"created_at":721,"updated_at":535},"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[504,505,506],{"en":705,"zh":706},"Wudang Community","武當社群活動",{"en":708,"zh":709},"Talks, broadcasts and community gatherings connecting people with Wudang culture, learning and living practice.","通過講座、直播與社群聚會，連線武當文化、學習與日常實踐。",{"en":711,"zh":712},"\u003Cp>Wudang Community brings together public talks, livestreams, gatherings and shared cultural activities connected with Wudang.\u003C\u002Fp>\u003Cp>These programmes create welcoming ways to meet practitioners, explore ideas and participate in a growing community of learning and practice.\u003C\u002Fp>","\u003Cp>武當社群活動彙集與武當文化相關的公開講座、直播、聚會及共享文化體驗。\u003C\u002Fp>\u003Cp>這些活動以友善開放的方式連線練習者與學習者，讓大家交流心得、認識傳統，並共同參與持續發展的文化社群。\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"en":717,"zh":706},"Wudang Community Events",{"en":719,"zh":720},"Discover Wudang community talks, broadcasts and gatherings connecting people with culture, learning and living practice.","探索連線武當文化、學習與日常實踐的講座、直播及社群聚會。","2026-08-16T19:24:18.000000Z",{"id":16,"uuid":723,"slug":724,"available_locales":725,"name":726,"description":729,"body":730,"path":731,"images":732,"image_urls":733,"hero_image":3,"hero_image_url":3,"seo_title":734,"seo_description":737,"sort_order":69,"is_active":532,"status":533,"created_at":740,"updated_at":535},"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[504,505,506],{"en":727,"zh":728},"Wudang Journeys & Retreats","武當旅修與行程",[],[],"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"en":735,"zh":736},"Wudang Mountain Retreats and Guided Journeys","武當山旅修與靜修行程",{"en":738,"zh":739},"Guided journeys and retreats to Wudang Mountain that combine practice, temple visits and cultural learning, with itineraries and expectations set out clearly.","前往武當山的旅修與靜修：結合修習、宮觀參訪與文化學習，提前說明行程安排與參加須知。","2026-08-18T11:09:38.000000Z",{"data":742},{"hero_type":743,"hero_image":744,"hero_image_alt":745,"hero_youtube_id":746,"hero_content_on":532,"hero_heading":747,"hero_subheading":748,"hero_text":749,"hero_subheading_zh":750,"hero_text_zh":751,"hero_buttons":752,"home_seo":758,"page_layout":764,"shop_enabled":765,"contact":766,"journey":782},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武當文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","這裡既是學習之地，也是讓文化融入日常的所在。","從道家思想、內家武術、文人雅藝與武當山出發，以清晰、踏實的方式，在新加坡及世界各地認識和體驗武當文化。",[753,755],{"label":754,"link":278},"Start Your Wudang Journey",{"label":756,"link":757},"View Events & Courses","\u002Fevents",{"title":759,"description":761},{"en":760,"zh":3},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":762,"zh":763},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","從太極、氣功、道家思想、武術、傳統雅藝與養生文化認識武當山，探索武當文化及武當山的日常生活。","sidebar",false,{"methods":767,"has_any":532,"text":775},{"email":768,"whatsapp":769,"wechat_id":770,"wechat_qr_url":771,"instagram":772,"instagram_handle":773,"facebook":774,"facebook_handle":773},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":776,"china_heading_zh":777,"china_company_en":778,"china_company_zh":779,"china_address_en":780,"china_address_zh":781},"China Operations","中國運營","Xunwei Wudang Co., Ltd.","尋味武當有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武當山王家園劍河二路72號",{"title_en":3,"title_zh":3,"intro_en":3,"intro_zh":3,"enabled":532},{"data":784},{"to":463,"type":785,"available_locales":786,"is_content_page":532,"title":787,"subtitle":788,"body":791,"hero_image_url":794,"hero_width":795,"hero_height":796,"hero_image_alt":797,"hero_image_decorative":765,"hero_credit":800,"hero_alt":805,"hero_style":806,"card_layout":807,"link_type":3,"link_ref":3,"seo_title":808,"seo_description":811,"children":814},"page",[504,505,506],{"en":464,"zh":465},{"en":789,"zh":790},"A visual and historical guide to guan and jin, ceremonial differentiation, Quanzhen identity, and the distinct meaning of the guanjin admission rite.","從視覺與歷史角度認識“冠”與“巾”、科儀服飾的區分、全真身份，以及“冠巾”入道儀式的特定含義。",{"en":792,"zh":793},"\u003Cp>Daoist headwear can look deceptively simple: a black cloth folded over a hair knot, a structured cap, or a many-petalled ceremonial crown. Yet these forms do more than complete an outfit. In different communities they can distinguish ordinary dress from altar service, make clerical identity visible, or mark a particular ritual role. The safest way to read them is through the Chinese terms, the wearer, the occasion and the source—not through shape alone.\u003C\u002Fp>\n\u003Cp>This guide extends Wudang.Org’s pages on \u003Ca href=\"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-robes-garment-image-ceremony\">ritual robes\u003C\u002Fa>, \u003Ca href=\"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-audience-tablets-hu-courtly-form-ritual-address\">audience tablets\u003C\u002Fa>, \u003Ca href=\"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-registers-lu-rank-transmission-celestial-administration\">registers and transmission\u003C\u002Fa>, \u003Ca href=\"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-music-bells-drums-chant\">ritual music\u003C\u002Fa> and \u003Ca href=\"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmodern-transmission-ordination\">ordination today\u003C\u002Fa>. It offers historical and visual literacy, not a dress code, initiation guide or method for assigning rank to a living person.\u003C\u002Fp>\n\n\u003Ch2>Begin with two words: \u003Cem>jin\u003C\u002Fem> and \u003Cem>guan\u003C\u002Fem>\u003C\u002Fh2>\n\u003Ch3>Cloth headwear and ceremonial crowns\u003C\u002Fh3>\n\u003Cp>\u003Cem>Jin\u003C\u002Fem> (巾) originally names cloth used to bind or cover the head; \u003Cem>guan\u003C\u002Fem> (冠) points toward a more structured crown or cap. In modern Daoist descriptions the terms can separate everyday or community dress from more formal ceremonial headwear, but actual usage is neither timeless nor uniform. Translation adds another problem: “cap,” “scarf,” “crown” and “headdress” overlap, so the original catalogue term should remain visible.\u003C\u002Fp>\n\u003Ch3>A field of clothing, not one uniform\u003C\u002Fh3>\n\u003Cp>Taiwan’s national religion information service defines ritual vestment broadly to include garments, headwear, footwear and attached objects used when a Daoist officiates. The \u003Ca href=\"https:\u002F\u002Fdaoistmusichk.org\u002Fen\u002Fnode\u002F48\">Hong Kong Quanzhen ritual-music archive\u003C\u002Fa> likewise shows that the clothing of altar participants varies with their position and the type of rite. These are strong reasons to resist the image of a single universal “Daoist costume.”\u003C\u002Fp>\n\n\u003Ch2>Dress makes a community visible\u003C\u002Fh2>\n\u003Ch3>Quanzhen identity in history\u003C\u002Fh3>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.academia.edu\u002F11779073\u002FThe_Invention_of_an_Order_Collective_Identity_in_Thirteenth_Century_Quanzhen_Taoism\">Vincent Goossaert’s study of thirteenth-century Quanzhen institutions\u003C\u002Fa> notes that distinctive robes and caps helped clerics identify themselves to one another and to lay communities. Dress was one element among names, discipline, itinerancy, liturgy and shared stories. The same study cautions that the detailed formation of a Quanzhen dress code remains poorly documented, so later lists should not automatically be projected back onto the order’s founders.\u003C\u002Fp>\n\u003Ch3>Recognition is not authentication\u003C\u002Fh3>\n\u003Cp>A cap can signal affiliation in a portrait or public ceremony, but it cannot by itself prove lineage, ordination, rank or date. Garments may be borrowed, remade, staged, preserved outside their original setting or represented by an artist. A reliable identification joins visual evidence to inscriptions, provenance, institutional records and the surrounding ritual ensemble.\u003C\u002Fp>\n\n\u003Ch2>Headwear changes with ritual role\u003C\u002Fh2>\n\u003Ch3>The altar is differentiated\u003C\u002Fh3>\n\u003Cp>The Hong Kong archive describes a high priest’s Cihang cap used for a particular salvation ritual and a lotus-petal “Five-emperor” attachment worn when the officiant represents divine authority while expounding scripture. This is a valuable record of one living regional tradition. It is not a licence to call every petalled crown by the same name or to assume identical use in Zhengyi, Quanzhen and local ritual communities.\u003C\u002Fp>\n\u003Ch3>Read headwear with the whole body\u003C\u002Fh3>\n\u003Cp>A late-eighteenth-century \u003Ca href=\"https:\u002F\u002Fwww.smb.museum\u002Ffileadmin\u002Fwebsite\u002FPresse\u002FPressematerial\u002F2017\u002F10\u002F03_AKU_171010_Faces_of_China_Site_Plan_Upper_Level.pdf\">portrait of a Daoist priest\u003C\u002Fa> in the Royal Ontario Museum shows crown, \u003Cem>jiangyi\u003C\u002Fem> robe, \u003Cem>ruyi\u003C\u002Fem> sceptre and cloud-patterned shoes as a coordinated image of elevated status. The exhibition catalogue suggests the portrait served veneration in a temple. The crown becomes meaningful through that complete arrangement, not as an isolated fashion detail.\u003C\u002Fp>\n\n\u003Cfigure>\u003Cimg src=\"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FviqZ4dXWZrGQT3NpBMD6.webp\" alt=\"Conceptual museum photograph of a fictional five-petal fabric headdress with abstract cloud patterns on a conservation mannequin\">\u003Cfigcaption>Conceptual AI-generated conservation view. The abstract five-petal headdress is not a replica of a consecrated object and does not reproduce deity portraits, texts or a lineage-specific design.\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\u003Ch2>A five-petalled crown as a case study\u003C\u002Fh2>\n\u003Ch3>Object record before symbolism\u003C\u002Fh3>\n\u003Cp>Taiwan’s National Cultural Memory Database records a \u003Ca href=\"https:\u002F\u002Ftcmb.culture.tw\u002Fzh-tw\u002Fdetail?id=105000041644&indexCode=MOCCOLLECTIONS\">Five Old Lords crown\u003C\u002Fa> made from five elongated pentagonal textile panels fixed to a black band. Each panel bears one of the Five Old Lords, identified with the rulers of the five directions. The record dates the object to the 1960s and associates it with ritual use in Taiwan. Material, construction, imagery, place and date are all more secure starting points than a free-floating symbolic reading.\u003C\u002Fp>\n\u003Ch3>One name can conceal several distinctions\u003C\u002Fh3>\n\u003Cp>The Hong Kong “Five-emperor” attachment and the Taiwanese Five Old Lords crown share a five-petalled arrangement and directional imagery, yet their catalogues, ritual communities and stated uses are not identical. They should be compared, not collapsed. Even when English labels sound interchangeable, photographs cannot establish consecration, office or the precise ceremony in which an object was worn.\u003C\u002Fp>\n\n\u003Ch2>“Guanjin” can name an admission rite\u003C\u002Fh2>\n\u003Ch3>Headwear becomes an institutional action\u003C\u002Fh3>\n\u003Cp>In contemporary Quanzhen usage, \u003Cem>guanjin\u003C\u002Fem> (冠巾) also names a rite through which an eligible resident practitioner is formally admitted. Regulations approved by the Chinese Taoist Association in 2015 describe application, qualified masters, a traditional ceremony, a certificate and subsequent registration. Here the compound does not merely label two objects; it names a recognized institutional passage.\u003C\u002Fp>\n\u003Cp>Sik Sik Yuen’s Wong Tai Sin Temple documents its own \u003Ca href=\"https:\u002F\u002Fwww2.siksikyuen.org.hk\u002Fzh-HK\u002Freligious-affairs\u002Ftaoist-rituals\u002Ftaoist-school-admittance-rite\">Guanzhen admission and covenant rite\u003C\u002Fa>, in which robe, headwear and a transmission document participate in establishing identity. The mainland \u003Ca href=\"https:\u002F\u002Fwww.sara.gov.cn\u002Fstatic\u002Fcontent\u002Fxxgk\u002F2015-10-15\u002F1306305903263219712.html\">management rules for Quanzhen guanjin activities\u003C\u002Fa> describe a related but administratively specific system. Neither source should be used to define every Daoist admission practice everywhere.\u003C\u002Fp>\n\n\u003Ch2>A six-pass method for reading headwear\u003C\u002Fh2>\n\u003Ch3>From silhouette to evidence\u003C\u002Fh3>\n\u003Col>\u003Cli>\u003Cstrong>Keep the source term.\u003C\u002Fstrong> Record whether the catalogue says \u003Cem>jin\u003C\u002Fem>, \u003Cem>guan\u003C\u002Fem>, cap, crown, attachment or admission rite.\u003C\u002Fli>\u003Cli>\u003Cstrong>Identify the wearer.\u003C\u002Fstrong> Distinguish a historical person, living officiant, deity, actor, mannequin or unidentified portrait sitter.\u003C\u002Fli>\u003Cli>\u003Cstrong>Describe construction.\u003C\u002Fstrong> Note cloth, rigid frame, panels, ties, fasteners, embroidery and signs of repair before interpreting symbols.\u003C\u002Fli>\u003Cli>\u003Cstrong>Read the ensemble.\u003C\u002Fstrong> Robe, shoes, tablet, sceptre, instruments and altar position may clarify function.\u003C\u002Fli>\u003Cli>\u003Cstrong>Locate the occasion.\u003C\u002Fstrong> Daily residence, public procession, scripture exposition, salvation rite and admission ceremony are not interchangeable.\u003C\u002Fli>\u003Cli>\u003Cstrong>State the limit.\u003C\u002Fstrong> Say what the record supports and what remains unknown about consecration, lineage, ownership or rank.\u003C\u002Fli>\u003C\u002Fol>\n\n\u003Ch2>Living traditions and respectful looking\u003C\u002Fh2>\n\u003Cp>Daoist dress remains living religious culture. Visitors should not try on, rearrange or copy ceremonial headwear without permission, and photographs should not expose private rites against a community’s wishes. A newly manufactured item can still be ritually important, while an old museum object may have lost its original context. Age and sacred status are separate questions.\u003C\u002Fp>\n\n\u003Ch2>Sources and interpretive limits\u003C\u002Fh2>\n\u003Cp>The evidence connects headwear to visible clerical identity, differentiated altar roles, coordinated ritual dress and contemporary admission procedures. It does not yield a universal taxonomy. The sources range from institutional regulations and living-community documentation to museum catalogues and historical scholarship; each answers a different question. Names, dates and functions therefore remain attached to their sources rather than being merged into one timeless costume system.\u003C\u002Fp>","\u003Cp>道教頭飾看似簡樸：一方裹住髮髻的黑巾、一頂有硬挺輪廓的道帽，或一件多瓣式科儀法冠。然而，這些形制並不只是服裝的收尾。不同傳統中，它們可能區分日常衣著與登壇行儀，顯示教職身份，或標示某一特定科儀角色。辨讀時最可靠的路徑，是同時核對中文名稱、佩戴者、場合與資料來源，而不是隻憑外形猜測。\u003C\u002Fp>\n\u003Cp>本文與本站的\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-robes-garment-image-ceremony\">道教法服\u003C\u002Fa>、\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-audience-tablets-hu-courtly-form-ritual-address\">朝笏\u003C\u002Fa>、\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-registers-lu-rank-transmission-celestial-administration\">法籙與傳授\u003C\u002Fa>、\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-music-bells-drums-chant\">科儀音樂\u003C\u002Fa>及\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmodern-transmission-ordination\">當代傳承與授受\u003C\u002Fa>相互參照。它提供歷史與視覺辨識方法，不是服制規範、入道教程，也不能據此給現實人物判定品秩。\u003C\u002Fp>\n\n\u003Ch2>先分清兩個字：“巾”與“冠”\u003C\u002Fh2>\n\u003Ch3>布制頭巾與儀式法冠\u003C\u002Fh3>\n\u003Cp>“巾”本指用來束髮或覆頭的織物，“冠”則多指更具結構的帽冠。現代道教說明有時以二者區分日常或團體衣著與較正式的科儀頭飾，但真實用法並非跨時代、跨地區完全一致。翻譯又會增加困難：英文中的 cap、scarf、crown、headdress 範圍彼此重疊，因此閱讀館藏或照片時，最好保留原始中文目錄詞。\u003C\u002Fp>\n\u003Ch3>是一整套衣冠系統，不是單一制服\u003C\u002Fh3>\n\u003Cp>臺灣全國宗教資訊網把“法服”廣義解釋為道士演法時所穿戴的衣冠、鞋履及配戴物件。\u003Ca href=\"https:\u002F\u002Fdaoistmusichk.org\u002Fzh-hans\u002Fnode\u002F48\">香港全真道堂科儀音樂資料庫\u003C\u002Fa>也顯示，壇場中不同位置的道士會依科儀性質選擇相應衣冠。這些資料都提醒我們：並不存在一套適用於所有道派與場合的普遍“道士制服”。\u003C\u002Fp>\n\n\u003Ch2>衣冠讓團體身份變得可見\u003C\u002Fh2>\n\u003Ch3>歷史中的全真身份\u003C\u002Fh3>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.academia.edu\u002F11779073\u002FThe_Invention_of_an_Order_Collective_Identity_in_Thirteenth_Century_Quanzhen_Taoism\">高萬桑（Vincent Goossaert）對十三世紀全真制度的研究\u003C\u002Fa>指出，具有辨識度的袍服與帽冠，使全真教職人員能被同道及信眾一眼認出。衣冠只是身份機制的一部分，還要與法名、戒律、遊方、科儀和共同敘事合看。該研究同時強調，全真服制的具體形成過程仍缺乏詳盡證據，後世名目不能直接投射到早期祖師時代。\u003C\u002Fp>\n\u003Ch3>能辨識，不等於能認證\u003C\u002Fh3>\n\u003Cp>畫像或公開儀式中的帽冠或許提示所屬團體，卻不能單憑它證明法派、授受、品秩或年代。衣物可能經過借用、改制、舞臺化展示，或由畫家依一定圖式表現。可靠判斷必須把視覺線索與題記、流傳經過、機構檔案及整套科儀器物結合起來。\u003C\u002Fp>\n\n\u003Ch2>頭飾隨科儀職司而變化\u003C\u002Fh2>\n\u003Ch3>壇場內部有明確區分\u003C\u002Fh3>\n\u003Cp>香港資料庫記錄了一種高功專用的慈航帽，用於特定的先天救煉科儀；高功代表神明講經說法時，帽前還會繫上蓮瓣狀“五老冠”。這是某一活態地區傳統的重要資料，卻不能據此把所有多瓣法冠都叫作同一名稱，更不能假定正一、全真及各地法壇的用法完全相同。\u003C\u002Fp>\n\u003Ch3>要把頭飾放回整個人物形象\u003C\u002Fh3>\n\u003Cp>皇家安大略博物館所藏十八世紀晚期\u003Ca href=\"https:\u002F\u002Fwww.smb.museum\u002Ffileadmin\u002Fwebsite\u002FPresse\u002FPressematerial\u002F2017\u002F10\u002F03_AKU_171010_Faces_of_China_Site_Plan_Upper_Level.pdf\">道士畫像\u003C\u002Fa>中，法冠、絳衣、如意與雲履共同構成高位道士的完整形象。展覽圖錄推測此像原置於宮觀供奉。法冠的意義來自這套整體配置，而不是孤立的服飾細節。\u003C\u002Fp>\n\n\u003Cfigure>\u003Cimg src=\"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FviqZ4dXWZrGQT3NpBMD6.webp\" alt=\"概念博物館照片：一頂飾有抽象雲紋的虛構五瓣布冠置於文物保護人臺上\">\u003Cfigcaption>由 AI 生成的文物保護概念圖。圖中抽象五瓣冠並非開光法器複製品，也不復現神像、經文或特定法派形制。\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\u003Ch2>以五瓣式法冠為例\u003C\u002Fh2>\n\u003Ch3>先讀器物記錄，再談象徵\u003C\u002Fh3>\n\u003Cp>臺灣國家文化記憶庫收錄一件\u003Ca href=\"https:\u002F\u002Ftcmb.culture.tw\u002Fzh-tw\u002Fdetail?id=105000041644&indexCode=MOCCOLLECTIONS\">五老君冠\u003C\u002Fa>：五片狹長五角形布塊固定於黑色布條上，每片繡一位與五方相應的五老君。館藏將其年代定為民國五十年代，並聯系臺灣祭典禮儀。材質、構造、影像、地點與年代，都是比脫離語境的象徵聯想更可靠的起點。\u003C\u002Fp>\n\u003Ch3>相似名稱背後仍有差別\u003C\u002Fh3>\n\u003Cp>香港記錄中的“五老冠”附件與臺灣館藏五老君冠，都有五瓣佈局及五方影像，但目錄語言、科儀團體和所述用途並不完全相同。二者適合比較，不應合併成一件“標準器”。即使英文標籤近似，照片也無法證明是否開光、由何職司佩戴，或究竟用於哪一種科儀。\u003C\u002Fp>\n\n\u003Ch2>“冠巾”也可以是一項入道儀式\u003C\u002Fh2>\n\u003Ch3>從頭飾轉為制度行動\u003C\u002Fh3>\n\u003Cp>在當代全真語境中，“冠巾”還指符合條件的常住學道者正式入道的儀式。中國道教協會 2015 年通過的管理辦法，規定申請、三師資格、依傳統科儀舉行、發給冠巾證及登記備案等程式。此時，“冠巾”不只是兩類物件的合稱，而是一項受到制度確認的身份轉變。\u003C\u002Fp>\n\u003Cp>香港黃大仙祠記錄其自身的\u003Ca href=\"https:\u002F\u002Fwww2.siksikyuen.org.hk\u002Fzh-CN\u002Freligious-affairs\u002Ftaoist-rituals\u002Ftaoist-school-admittance-rite\">皈依冠巾證盟科儀\u003C\u002Fa>，道袍、道冠與道牒共同參與身份確立。中國大陸的\u003Ca href=\"https:\u002F\u002Fwww.sara.gov.cn\u002Fstatic\u002Fcontent\u002Fxxgk\u002F2015-10-15\u002F1306305903263219712.html\">《道教全真派冠巾活動管理辦法》\u003C\u002Fa>則描述相關但具特定行政環境的制度。兩者都不能代替所有地區、所有道派的入道方式。\u003C\u002Fp>\n\n\u003Ch2>辨讀冠巾的六步法\u003C\u002Fh2>\n\u003Ch3>從輪廓走向證據\u003C\u002Fh3>\n\u003Col>\u003Cli>\u003Cstrong>保留原始名稱。\u003C\u002Fstrong>目錄寫的是巾、冠、帽、冠飾，還是冠巾儀式，必須先分清。\u003C\u002Fli>\u003Cli>\u003Cstrong>確認佩戴者。\u003C\u002Fstrong>辨別歷史人物、當代高功、神像、演員、展示人臺或身份未明的畫像人物。\u003C\u002Fli>\u003Cli>\u003Cstrong>記錄製作方式。\u003C\u002Fstrong>觀察織物、硬架、瓣片、繫帶、扣件、刺繡和修補痕跡，暫不急於解釋象徵。\u003C\u002Fli>\u003Cli>\u003Cstrong>閱讀整套配置。\u003C\u002Fstrong>法衣、雲履、朝笏、如意、樂器與壇場位置，可能比頭飾單件更能說明功能。\u003C\u002Fli>\u003Cli>\u003Cstrong>明確使用場合。\u003C\u002Fstrong>日常住觀、公眾巡遊、講經、救煉科儀和入道儀式不能混為一談。\u003C\u002Fli>\u003Cli>\u003Cstrong>說明證據邊界。\u003C\u002Fstrong>既要說清資料支援什麼，也要註明開光、法派、原主人或品秩有哪些仍未知。\u003C\u002Fli>\u003C\u002Fol>\n\n\u003Ch2>活態傳統與觀看倫理\u003C\u002Fh2>\n\u003Cp>道教衣冠至今仍屬於活態宗教文化。未經允許，訪客不應試戴、移動或仿製科儀頭飾；若團體不願公開內部儀式，也不應以攝影強行揭露。新制器物仍可能具有重要宗教意義，古老館藏卻可能已失去原有使用語境。年代與神聖性必須分開討論。\u003C\u002Fp>\n\n\u003Ch2>資料依據與解釋限度\u003C\u002Fh2>\n\u003Cp>現有證據能把冠巾與教職身份、壇場分工、整套法服及當代入道程式聯絡起來，卻不足以建立一套普遍不變的分類表。本文所用資料包括制度辦法、活態團體記錄、博物館目錄與歷史研究，各自回答的問題不同。因此，名稱、年代和功能都緊貼原始來源，不把它們拼成一套跨時代的“道教制服”。\u003C\u002Fp>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FixILiiv3sxy6URtu0lRz.webp",1966,800,{"en":798,"zh":799},"Conceptual photograph of a fictional black cloth headscarf, pale jade fastener and folded indigo robe on a warm wooden study table","概念照片：暖色木質書案上擺著虛構的黑色布巾、淺色玉扣與摺疊的靛藍道袍",{"caption":801,"creator":802,"source_url":3,"license_label":803,"license_url":3,"changes":804},"由 AI 生成的虛構衣冠概念靜物；不描繪有文獻依據的道教實物、館藏、宮觀、法派或歷史事件。","OpenAI","AI-generated conceptual image","作為原創非紀實研究圖生成，不含文字、神聖徽記或器物歸屬主張。",{"en":798,"zh":799},"banner","list",{"en":809,"zh":810},"Daoist Crowns and Headscarves: Guan, Jin and Ritual","道教冠巾：形制、職司與科儀語境",{"en":812,"zh":813},"Learn how Daoist crowns and headscarves express clerical identity and ritual context, how to read a five-petal headdress, and why guanjin also names an admission rite.","瞭解道教冠巾如何呈現教職身份與科儀語境，怎樣辨讀五瓣式法冠，以及“冠巾”為何也指全真入道儀式。",[],{"data":816},[817,893,995,1086],{"id":818,"slug":819,"available_locales":820,"path":821,"title":822,"venue":825,"hero_image_url":3,"card_image_url":828,"card_landscape_url":829,"lifecycle":830,"session_mode":831,"sessions":832,"next_session":892},15601,"liu-yao-beginner-course",[504,505,506],"\u002Fevents\u002Fi-ching-learning\u002Fliu-yao-beginner-course",{"en":823,"zh":824},"Liu Yao Beginner 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2026","2026年11月21日",21,"Sat",{"status":834,"date_slug":866,"time_label":836,"timezone_abbr":837,"date_label":867,"date_label_fr":868,"date_short_fr":869,"date_only_fr":870,"date_range_label_fr":3,"time_label_fr":842,"date_label_zh":871,"date_short":872,"date_short_zh":873,"date_only":874,"date_only_zh":875,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":147,"month_short":876,"month_long":877,"month_num":147,"year":850,"weekday_short":864,"weekday_index":60},"2026-12-12","Saturday, 12 December 2026","samedi 12 décembre 2026","sam. 12 déc.","12 déc. 2026","2026年12月12日 星期六","Sat 12 Dec","12月12日 週六","12 Dec 2026","2026年12月12日","Dec","December",{"status":834,"date_slug":879,"time_label":836,"timezone_abbr":837,"date_label":880,"date_label_fr":881,"date_short_fr":882,"date_only_fr":883,"date_range_label_fr":3,"time_label_fr":842,"date_label_zh":884,"date_short":885,"date_short_zh":886,"date_only":887,"date_only_zh":888,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":137,"month_short":889,"month_long":890,"month_num":38,"year":891,"weekday_short":851,"weekday_index":531},"2027-01-17","Sunday, 17 January 2027","dimanche 17 janvier 2027","dim. 17 janv.","17 janv. 2027","2027年1月17日 星期日","Sun 17 Jan","1月17日 週日","17 Jan 2027","2027年1月17日","Jan","January",2027,{"status":834,"date_slug":835,"time_label":836,"timezone_abbr":837,"date_label":838,"date_label_fr":839,"date_short_fr":840,"date_only_fr":841,"date_range_label_fr":3,"time_label_fr":842,"date_label_zh":843,"date_short":844,"date_short_zh":845,"date_only":846,"date_only_zh":847,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":38,"month_short":848,"month_long":849,"month_num":657,"year":850,"weekday_short":851,"weekday_index":531},{"id":894,"slug":895,"available_locales":896,"path":897,"title":898,"venue":901,"hero_image_url":902,"card_image_url":902,"card_landscape_url":903,"lifecycle":904,"session_mode":831,"sessions":905,"next_session":994},78700,"baduanjin-workshop-september",[504,505,506],"\u002Fevents\u002Finternal-arts-wellness\u002Fbaduanjin-workshop-september",{"en":899,"zh":900},"Baduanjin Workshop — November 2026 Sessions","古法八段錦 · 2026年11月班",{"en":826,"zh":827},"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FWU46jadRUq4I84xPdaTQ.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002Fvariants\u002FCQB6xxmg8kF7eqWPQgAl-16x9.webp","upcoming",[906,923,935,948,959,960,971,982],{"status":907,"date_slug":908,"time_label":909,"timezone_abbr":837,"date_label":910,"date_label_fr":911,"date_short_fr":912,"date_only_fr":913,"date_range_label_fr":3,"time_label_fr":914,"date_label_zh":915,"date_short":916,"date_short_zh":917,"date_only":918,"date_only_zh":919,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":920,"month_short":921,"month_long":922,"month_num":16,"year":850,"weekday_short":851,"weekday_index":531},"completed","2026-09-13","10:00am–12:00pm","Sunday, 13 September 2026","dimanche 13 septembre 2026","dim. 13 sept.","13 sept. 2026","10:00–12:00","2026年9月13日 星期日","Sun 13 Sep","9月13日 週日","13 Sep 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