[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-reference-en":3,"site-nav-zh":4,"site-nav-zh-all-daoism":289,"event-categories-zh":498,"site-settings":741,"node-zh-daoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-robes-garment-image-ceremony":783,"live-course-events":815},null,{"data":5},{"header":6,"footer":264},[7,51,82,123,161,187,229,260],{"to":8,"label":9,"label_zh":10,"children":11},"\u002Fdao","TAO","道",[12,17,22,26,30,34,39,43,47],{"to":13,"label":14,"label_zh":15,"n":16},"\u002Fdao\u002Fintroduction","Begin with the Tao","道學入門",9,{"to":18,"label":19,"label_zh":20,"n":21},"\u002Fdao\u002Fyi-jing","I Ching","易經",7,{"to":23,"label":24,"label_zh":25,"n":16},"\u002Fdao\u002Fdao-de-jing","Tao Te Ching","道德經",{"to":27,"label":28,"label_zh":29,"n":21},"\u002Fdao\u002Ftaiji","Taiji","太極",{"to":31,"label":32,"label_zh":33,"n":21},"\u002Fdao\u002Fzhuang-zi","Zhuangzi","莊子",{"to":35,"label":36,"label_zh":37,"n":38},"\u002Fdao\u002Fclassics","Classical Library","道家經典文庫",1,{"to":40,"label":41,"label_zh":42},"\u002Fdao\u002Fdaoist-philosophy","Taoist Philosophy","道家哲學",{"to":44,"label":45,"label_zh":46},"\u002Fdao\u002Fwu-wei-natural-living","Wu Wei & Natural Living","無為與自然生活",{"to":48,"label":49,"label_zh":50},"\u002Fdao\u002Fdaoist-view-of-life","A Taoist View of Life","道家人生觀",{"to":52,"label":53,"label_zh":54,"children":55},"\u002Fmartial-arts","Martial Arts","武當武術",[56,61,65,70,74,78],{"to":57,"label":58,"label_zh":59,"n":60},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Foundations of Internal Martial Arts","內家拳基礎",6,{"to":62,"label":63,"label_zh":64,"n":21},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan (Tai Chi)","太極拳",{"to":66,"label":67,"label_zh":68,"n":69},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、換掌與身法變化",5,{"to":71,"label":72,"label_zh":73,"n":69},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan: Structure, Intention and Direct Training","形意拳：結構、意念與直接訓練",{"to":75,"label":76,"label_zh":77,"n":21},"\u002Fmartial-arts\u002Fweapons","Wudang Sword and Weapons: History, Practice and Context","武當劍與兵器：歷史、練習與文化語境",{"to":79,"label":80,"label_zh":81,"n":21},"\u002Fmartial-arts\u002Ftraining-practice","Training and Practice: Building a Sustainable Wudang Routine","訓練與習練：建立可持續的武當練習",{"to":83,"label":84,"label_zh":85,"children":86},"\u002Fwellness","Wellness","養生",[87,91,95,99,103,107,111,115,119],{"to":88,"label":89,"label_zh":90,"n":21},"\u002Fwellness\u002Fqigong","Qigong","氣功",{"to":92,"label":93,"label_zh":94,"n":60},"\u002Fwellness\u002Fherbal-healing","Chinese Herbal Medicine","中藥與本草",{"to":96,"label":97,"label_zh":98,"n":60},"\u002Fwellness\u002Ftaoist-medicine","Taoist Medicine","道家醫學",{"to":100,"label":101,"label_zh":102,"n":60},"\u002Fwellness\u002Fenergy-sound-healing","Sound & Energy Practices","聲音與能量練習",{"to":104,"label":105,"label_zh":106},"\u002Fwellness\u002Fstanding-practice","Standing Practice","站樁",{"to":108,"label":109,"label_zh":110},"\u002Fwellness\u002Fwudang-internal-cultivation","Wudang Internal Cultivation","武當內修",{"to":112,"label":113,"label_zh":114},"\u002Fwellness\u002Fmoxibustion","Moxibustion","艾灸",{"to":116,"label":117,"label_zh":118},"\u002Fwellness\u002Fbigu","Bigu","辟穀",{"to":120,"label":121,"label_zh":122,"n":38},"\u002Fwellness\u002Fbaduanjin","Baduanjin (Eight Brocades)","八段錦",{"to":124,"label":125,"label_zh":126,"children":127},"\u002Farts","Literati Arts","文人雅藝",[128,133,138,143,148,153,157],{"to":129,"label":130,"label_zh":131,"n":132},"\u002Farts\u002Fchinese-poetry-literature","Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中國詩詞與文學：體式、語境與閱讀路徑",49,{"to":134,"label":135,"label_zh":136,"n":137},"\u002Farts\u002Fcalligraphy","Chinese Calligraphy: Scripts, Materials and Ways of Looking","中國書法：書體、材料與觀賞入門",17,{"to":139,"label":140,"label_zh":141,"n":142},"\u002Farts\u002Ftea-ceremony","Chinese Tea Culture","中國茶文化",39,{"to":144,"label":145,"label_zh":146,"n":147},"\u002Farts\u002Fguqin","Guqin: Sound, History and Ways to Listen","古琴：認識聲音、歷史與聆聽方法",12,{"to":149,"label":150,"label_zh":151,"n":152},"\u002Farts\u002Fpainting","Chinese Painting: Materials, Formats and Ways of Looking","中國繪畫：材料、形制與觀看方法",15,{"to":154,"label":155,"label_zh":156,"n":16},"\u002Farts\u002Fincense","Chinese Incense Culture","中國香文化",{"to":158,"label":159,"label_zh":160,"n":21},"\u002Farts\u002Fflower-arrangement","Chinese Flower Arrangement: History, Materials and Ways of Looking","中國插花：歷史、花材與觀看方法",{"to":162,"label":163,"label_zh":164,"children":165},"\u002Fdaoism","Taoist Culture","道教文化",[166,170,174,178,183],{"to":167,"label":168,"label_zh":169,"n":16},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙與神明體系：結構與層級指南",{"to":171,"label":172,"label_zh":173,"n":21},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山與宮觀：聖地、建築與制度指南",{"to":175,"label":176,"label_zh":177,"n":21},"\u002Fdaoism\u002Ftaoist-schools-lineages","Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派與傳承：正一、全真及歷史道派",{"to":179,"label":180,"label_zh":181,"n":182},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教節日與科儀：神誕、齋醮與歲時儀式",19,{"to":184,"label":185,"label_zh":186,"n":60},"\u002Fdaoism\u002Feight-immortals","The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象徵與道教傳說",{"to":188,"label":189,"label_zh":190,"children":191},"\u002Fchinese-metaphysics","Chinese Metaphysics","易學與傳統術數",[192,196,200,204,208,213,217,221,225],{"to":193,"label":194,"label_zh":195,"n":21},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Yin-Yang and the Five Phases in Chinese Thought","陰陽五行：理解關係與變化",{"to":197,"label":198,"label_zh":199,"n":21},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中國曆法與術數的六十迴圈",{"to":201,"label":202,"label_zh":203,"n":21},"\u002Fchinese-metaphysics\u002Ffeng-shui","Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中國風水：形勢、羅盤方法與負責任實踐",{"to":205,"label":206,"label_zh":207,"n":21},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八個字如何構成命盤",{"to":209,"label":210,"label_zh":211,"n":212},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗數：十二宮命盤如何運作",8,{"to":214,"label":215,"label_zh":216,"n":212},"\u002Fchinese-metaphysics\u002Fdate-selection","Chinese Date Selection: How Auspicious Days Are Chosen","中國擇吉：傳統吉日如何選擇",{"to":218,"label":219,"label_zh":220,"n":21},"\u002Fchinese-metaphysics\u002Fphysiognomy","Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中國相術：面相、手相及其侷限",{"to":222,"label":223,"label_zh":224,"n":21},"\u002Fchinese-metaphysics\u002Fdivination-arts","Chinese Divination Arts: Methods, History and Responsible Use","中國占卜術：方法、歷史與負責任使用",{"to":226,"label":227,"label_zh":228,"n":21},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河圖、洛書與九宮：中國傳統圖式的歷史與用途",{"to":230,"label":231,"label_zh":232,"children":233},"\u002Fwudang-mountain","Experience Wudang","武當之旅",[234,238,243,248,252,256],{"to":235,"label":236,"label_zh":237,"n":21},"\u002Fwudang-mountain\u002Fintroduction","Introduction to Wudang Mountain","初識武當山",{"to":239,"label":240,"label_zh":241,"n":242},"\u002Fwudang-mountain\u002Ftemples-and-sites","Wudang Mountain Temples and Sacred Sites","武當山宮觀與勝蹟",3,{"to":244,"label":245,"label_zh":246,"n":247},"\u002Fwudang-mountain\u002Fplanning-a-visit","Planning a Visit to Wudang Mountain","武當山行前規劃指南",4,{"to":249,"label":250,"label_zh":251,"n":242},"\u002Fwudang-mountain\u002Fstudying-at-wudang","Studying Martial Arts at Wudang Mountain","在武當山學習武術",{"to":253,"label":254,"label_zh":255,"n":242},"\u002Fwudang-mountain\u002Ftemple-etiquette","Wudang Temple Etiquette: A Visitor’s Guide","武當宮觀參訪禮儀",{"to":257,"label":258,"label_zh":259,"n":69},"\u002Fwudang-mountain\u002Fpractical-reference","Wudang Mountain Practical Reference","武當山實用參考資料",{"to":261,"label":262,"label_zh":263},"\u002Fwudang-mountain\u002Feveryday-wudang","Everyday Wudang","武當日常",[265,266,267,268,269,270,271,272,273,277,281,285],{"to":8,"label":9,"label_zh":10},{"to":52,"label":53,"label_zh":54},{"to":83,"label":84,"label_zh":85},{"to":124,"label":125,"label_zh":126},{"to":162,"label":163,"label_zh":164},{"to":188,"label":189,"label_zh":190},{"to":230,"label":231,"label_zh":232},{"to":261,"label":262,"label_zh":263},{"to":274,"label":275,"label_zh":276},"\u002Fabout","About Wudang.Org","關於 Wudang.Org",{"to":278,"label":279,"label_zh":280},"\u002Fstart-here","Start Here","從這裡開始",{"to":282,"label":283,"label_zh":284},"\u002Ffind-a-practice","Find a Practice","找到適合你的修習",{"to":286,"label":287,"label_zh":288},"\u002Fteachers","Our Teachers","授課老師",{"data":290},{"all":291,"header":496,"footer":497},[292],{"to":162,"label":163,"label_zh":164,"children":293},[294,332,362,392,470],{"to":167,"label":168,"label_zh":169,"children":295},[296,300,304,308,312,316,320,324,328],{"to":297,"label":298,"label_zh":299},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-pure-ones","The Three Pure Ones: Highest Deities of the Taoist Pantheon","道教三清：神明體系中的最高尊神",{"to":301,"label":302,"label_zh":303},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fjade-emperor","The Jade Emperor in Taoism: Ruler of the Celestial Bureaucracy","道教玉皇大帝：天庭官府的治理者",{"to":305,"label":306,"label_zh":307},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Forigins-of-pantheon","How the Taoist Pantheon Developed: Origins of Its Gods","道教神明體系如何形成：諸神的不同來源",{"to":309,"label":310,"label_zh":311},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fcelestial-bureaucracy","Taoist Immortals and the Celestial Bureaucracy: Shen and Xian","道教神明、仙真與天庭官府：神和仙有什麼不同",{"to":313,"label":314,"label_zh":315},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fguan-yu-mazu-popular-deities","Guan Yu, Mazu and Popular Chinese Deities: How Humans Become Gods","關羽、媽祖與民間神祇：人如何成為神",{"to":317,"label":318,"label_zh":319},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fdeities-of-wudang-mountain","Deities of Wudang Mountain: Zhenwu and His Sacred Court","武當山神明：真武大帝與他的神聖侍從",{"to":321,"label":322,"label_zh":323},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fworship-temples-offerings","Taoist Temple Worship: Incense, Offerings, Vows and Donations","道教宮觀祭祀：上香、供養、許願與捐獻",{"to":325,"label":326,"label_zh":327},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fnorthern-dipper-stars-images-ritual-maps","The Northern Dipper in Daoist Culture: Stars, Images and Ritual Maps","道教文化中的北斗：星象、影像與儀式圖式",{"to":329,"label":330,"label_zh":331},"\u002Fdaoism\u002Ftaoist-deities-pantheon\u002Fthree-officials-sanguan-heaven-earth-water-three-yuan","The Three Officials in Daoism: Heaven, Earth, Water and the Three Yuan","道教三官大帝：天、地、水與三元節期",{"to":171,"label":172,"label_zh":173,"children":333},[334,338,342,346,350,354,358],{"to":335,"label":336,"label_zh":337},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwudang-mountain","Wudang Mountain in Taoism: Zhenwu, the Ming Court and Sacred Status","道教中的武當山：真武信仰、明廷與聖地地位",{"to":339,"label":340,"label_zh":341},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-longhu","Mount Longhu and the Celestial Masters: Centre of Zhengyi Taoism","龍虎山與天師道：正一道的制度中心",{"to":343,"label":344,"label_zh":345},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-qingcheng","Mount Qingcheng: How Organised Taoism Took Institutional Form","青城山：有組織道教如何形成制度",{"to":347,"label":348,"label_zh":349},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fmount-tai","Mount Tai: China’s Foremost State Sacred Mountain","泰山：中國最重要的國家祭祀名山",{"to":351,"label":352,"label_zh":353},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fwhite-cloud-temple-beijing","White Cloud Temple in Beijing: Quanzhen Taoism’s Urban Monastery","北京白雲觀：全真道的城市宮觀",{"to":355,"label":356,"label_zh":357},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Ftemple-architecture-sacred-geometry","How to Read Taoist Temple Architecture and Sacred Space","如何讀懂道教宮觀建築與神聖空間",{"to":359,"label":360,"label_zh":361},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains\u002Fpilgrimage-temple-etiquette","Taoist Pilgrimage and Temple Etiquette: A Practical Guide","道教朝山進香與宮觀禮儀：實用指南",{"to":175,"label":176,"label_zh":177,"children":363},[364,368,372,376,380,384,388],{"to":365,"label":366,"label_zh":367},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcelestial-masters-zhengyi","Zhengyi Taoism and the Celestial Masters: Householder Priests and Ritual Authority","正一道與天師道：在家道士和科儀權威",{"to":369,"label":370,"label_zh":371},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fcomplete-perfection-quanzhen","Quanzhen Taoism: Monastic Life, Inner Cultivation and Wudang","全真道：出家生活、內在修煉與武當",{"to":373,"label":374,"label_zh":375},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fshangqing-school","Shangqing Taoism: Highest Clarity Revelations and Inner Visualisation","上清道：最高明啟、存思與身體內的神明",{"to":377,"label":378,"label_zh":379},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Flingbao-tradition","Lingbao Taoism: Numinous Treasure Scriptures and Communal Ritual","靈寶道：經典、普度與共同體科儀",{"to":381,"label":382,"label_zh":383},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fwu-liu-school","The Wu-Liu School: A Clearer System of Taoist Internal Alchemy","伍柳派：較為清晰的道教內丹體系",{"to":385,"label":386,"label_zh":387},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmonastic-vs-householder-priesthood","Quanzhen Monastics and Zhengyi Householder Priests: What Is the Difference?","全真出家道士與正一在家道士有什麼不同",{"to":389,"label":390,"label_zh":391},"\u002Fdaoism\u002Ftaoist-schools-lineages\u002Fmodern-transmission-ordination","Taoist Ordination and Lineage Today: How Transmission Is Verified","今日道教傳承與授籙傳戒：如何核實師承",{"to":179,"label":180,"label_zh":181,"children":393},[394,398,402,406,410,414,418,422,426,430,434,438,442,446,450,454,458,462,466],{"to":395,"label":396,"label_zh":397},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjade-emperor-birthday","The Jade Emperor’s Birthday and Festivals of the Heavenly Court","玉皇誕：正月初九的意義與宮觀儀式",{"to":399,"label":400,"label_zh":401},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhongyuan-ghost-festival","Zhongyuan Festival: Ghost Festival, the Earth Official and Universal Salvation","中元節：七月十五、地官赦罪與普度",{"to":403,"label":404,"label_zh":405},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Flaozi-birthday","Laozi’s Birthday: From the Sage Laozi to the Divine Lord Lao","老君誕：從老子到太上老君",{"to":407,"label":408,"label_zh":409},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdouble-ninth-festival","Double Ninth Festival: Chongyang, Longevity and Respect for Elders","重陽節：九月初九、長生觀念與敬老傳統",{"to":411,"label":412,"label_zh":413},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjiao-offering-ritual","Jiao Rituals: Taoism’s Grand Community Offering","醮儀：道教大型共同體祭獻科儀",{"to":415,"label":416,"label_zh":417},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fzhai-purification-fasting","Zhai Rituals: Taoist Purification, Fasting and Preparation","齋儀：道教潔淨、持戒與祭前準備",{"to":419,"label":420,"label_zh":421},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Ftemple-fairs-pilgrimage","Taoist Temple Fairs and Seasonal Pilgrimage","道教廟會與朝山：宗教、集市與季節性朝聖",{"to":423,"label":424,"label_zh":425},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-robes-garment-image-ceremony","Daoist Ritual Robes: Garment, Image and Ceremonial Role","道教法衣：衣式、影像與科儀身份",{"to":427,"label":428,"label_zh":429},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdavid-vases-daoist-offering-blue-white-porcelain","The David Vases: A Daoist Offering and a Dated Porcelain Landmark","大維德對瓶：道觀供器與青花紀年座標",{"to":431,"label":432,"label_zh":433},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-seals-impression-authority-documents","Daoist Ritual Seals: Impression, Authority and the Work of Documents","道教法印：印痕、權威與儀式文書",{"to":435,"label":436,"label_zh":437},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-ritual-music-bells-drums-chant","Daoist Ritual Music: Bells, Drums, Chant and Ceremonial Time","道教科儀音樂：鍾鈴、鼓樂、經韻與儀式時間",{"to":439,"label":440,"label_zh":441},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-lamp-rituals-light-cosmic-patterns-ceremonial-space","Daoist Lamp Rituals: Light, Cosmic Patterns and Ceremonial Space","道教燈儀：光明、星象秩序與科儀空間",{"to":443,"label":444,"label_zh":445},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-talismans-script-ritual-action","Daoist Talismans: Script, Ritual Action and the Limits of Looking","道教符籙：書寫、科儀行動與觀看邊界",{"to":447,"label":448,"label_zh":449},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-mirrors-reflection-cosmology-ritual-evidence","Daoist Mirrors: Reflection, Cosmology and Ritual Evidence","道教銅鏡：映照、宇宙圖式與科儀證據",{"to":451,"label":452,"label_zh":453},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-petitions-memorials-celestial-administration","Daoist Petitions and Memorials: Writing to the Celestial Administration","道教章表：寫給天庭的儀式文書",{"to":455,"label":456,"label_zh":457},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-registers-lu-rank-transmission-celestial-administration","Daoist Registers (Lu): Rank, Transmission and Celestial Administration","道教法籙：品秩、傳授與天曹體系",{"to":459,"label":460,"label_zh":461},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-audience-tablets-hu-courtly-form-ritual-address","Daoist Audience Tablets (Hu): Courtly Form and Ritual Address","道教朝笏：朝儀形制與科儀奏達",{"to":463,"label":464,"label_zh":465},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-crowns-headscarves-dress-rank-ritual-context","Daoist Crowns and Headscarves: Dress, Rank and Ritual Context","道教冠巾：衣制、職司與科儀語境",{"to":467,"label":468,"label_zh":469},"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fdaoist-footwear-cloth-cloud-shoes-ritual-movement","Daoist Footwear: Cloth Shoes, Cloud Shoes and Ritual Movement","道教鞋履：布鞋、雲履與科儀步伐",{"to":184,"label":185,"label_zh":186,"children":471},[472,476,480,484,488,492],{"to":473,"label":474,"label_zh":475},"\u002Fdaoism\u002Feight-immortals\u002Flu-dongbin","Lü Dongbin: Scholar Immortal, Quanzhen Patriarch and Sword Bearer","呂洞賓：士人仙真、全真祖師與佩劍象徵",{"to":477,"label":478,"label_zh":479},"\u002Fdaoism\u002Feight-immortals\u002Fzhang-guolao","Zhang Guolao: Tang Recluse and Backward-Riding Immortal","張果老：唐代隱士與倒騎驢的仙人",{"to":481,"label":482,"label_zh":483},"\u002Fdaoism\u002Feight-immortals\u002Fhe-xiangu","He Xiangu: The Woman Immortal of the Eight","何仙姑：八仙中唯一的女性仙真",{"to":485,"label":486,"label_zh":487},"\u002Fdaoism\u002Feight-immortals\u002Fhan-xiangzi-lan-caihe","Han Xiangzi and Lan Caihe: Music, Flowers and Ambiguous Identity","韓湘子與藍采和：音樂、花與身份邊界",{"to":489,"label":490,"label_zh":491},"\u002Fdaoism\u002Feight-immortals\u002Fcao-guojiu-li-tieguai","Cao Guojiu and Li Tieguai: Privilege, Poverty and the Immortal Body","曹國舅與鐵柺李：特權、貧困與身體身份",{"to":493,"label":494,"label_zh":495},"\u002Fdaoism\u002Feight-immortals\u002Fzhongli-quan","Zhongli Quan: Teacher of Lü Dongbin and Patriarch of Internal Alchemy","鍾離權：呂洞賓之師與內丹祖師",[],[],{"data":499},[500,536,559,578,599,618,638,656,677,700,722],{"id":38,"uuid":501,"slug":502,"available_locales":503,"name":507,"description":510,"body":512,"path":515,"images":516,"image_urls":521,"hero_image":3,"hero_image_url":3,"seo_title":526,"seo_description":529,"sort_order":531,"is_active":532,"status":533,"created_at":534,"updated_at":535},"f1a30881-20c6-407b-b546-669e839a178a","feng-shui-learning",[504,505,506],"en","zh","fr",{"en":508,"zh":509},"Feng Shui Learning","風水課程",{"en":511,"zh":3},"Study feng shui as a historical Chinese tradition of interpreting orientation, form and environment—with clear limits on predictive claims.",{"en":513,"zh":514},"\u003Ch2>\u003Cem>Feng shui 風水 developed through multiple schools, texts and professional traditions. It brings together observations of landform, orientation, water, buildings and correlative cosmology. It should not be reduced to decorative rules, nor presented as a scientifically proven way to guarantee health, wealth or relationships.\u003C\u002Fem>\u003C\u002Fh2>\u003Cp>\u003Cem>Classes introduce core vocabulary, the distinction between major approaches and the cultural contexts in which feng shui has been practised. Contemporary applications are discussed critically. Students remain responsible for property, financial and personal decisions and should seek qualified professional advice where those decisions carry material consequences.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>風水形成於不同的流派、典籍與專業傳統，綜合觀察地形、方位、水勢、建築以及陰陽五行等關聯性宇宙觀。它不應被簡化為裝飾規則，也不能被宣傳為保證健康、財富或關係結果的科學方法。\u003C\u002Fp>\u003Cp>課程介紹基本術語、主要方法的差別，以及風水在歷史社會中的實踐語境，並以批判態度討論當代應用。涉及房產、財務或其他重大決定時，學員仍應根據事實判斷，並諮詢具備資質的相關專業人士。\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[517,518,519,520],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[522,523,524,525],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",{"en":527,"zh":528},"Feng Shui Classes and Courses","風水課程：方位、形勢與空間觀念入門",{"en":511,"zh":530},"從歷史、環境與文化語境學習風水，理解方位、形勢與空間觀念，同時明確傳統解釋與科學證據的界限。",0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":60,"uuid":537,"slug":538,"available_locales":539,"name":540,"description":543,"body":546,"path":549,"images":550,"image_urls":551,"hero_image":3,"hero_image_url":3,"seo_title":552,"seo_description":555,"sort_order":531,"is_active":532,"status":533,"created_at":558,"updated_at":535},"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[504,505,506],{"en":541,"zh":542},"Internal Arts & Wellness","內家功法與養生",{"en":544,"zh":545},"Classes, workshops and retreats in Baduanjin, Taijiquan, qigong and traditional practices for movement, breathing and mindful cultivation.","彙集八段錦、太極拳、氣功及傳統身心修習的課程、工作坊與靜修活動。",{"en":547,"zh":548},"\u003Cp>Explore small-group classes, workshops and retreats introducing Wudang internal arts and traditional wellness practices. Programmes may include Baduanjin, Taijiquan, qigong, standing practice, breathing and their cultural foundations.\u003C\u002Fp>\u003Cp>Each listing provides its teacher, schedule, experience level and registration arrangements.\u003C\u002Fp>","\u003Cp>本類別彙集武當內家功法與傳統養生修習的小班課程、工作坊及靜修活動，內容可涵蓋八段錦、太極拳、氣功、站樁、呼吸練習及相關文化基礎。\u003C\u002Fp>\u003Cp>每項活動都會註明導師、日期、適合程度與報名方式，方便參加者選擇合適的學習體驗。\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"en":553,"zh":554},"Internal Arts & Wellness Events","內家功法與養生活動",{"en":556,"zh":557},"Explore Baduanjin, Taijiquan, qigong and traditional wellness classes, workshops and retreats listed by Wudang.Org.","探索八段錦、太極拳、氣功與傳統養生課程、工作坊及靜修活動。","2026-08-16T19:23:45.000000Z",{"id":560,"uuid":561,"slug":562,"available_locales":563,"name":564,"description":567,"body":568,"path":569,"images":570,"image_urls":571,"hero_image":3,"hero_image_url":3,"seo_title":572,"seo_description":574,"sort_order":531,"is_active":532,"status":533,"created_at":577,"updated_at":535},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[504,505,506],{"en":565,"zh":566},"Face Reading Learning","面相課程",[],[],"\u002Fevents\u002Fface-reading-learning",[],[],{"en":573},"Chinese Face Reading Classes and Workshops",{"en":575,"zh":576},"Learn Chinese face reading (面相) as a cultural tradition: its classical framework, history and uses, taught with clear limits on predictive claims.","把面相作為中國傳統文化來學習：認識其經典框架、歷史與用法，並清楚說明傳統詮釋的邊界。","2026-08-30T17:01:43.000000Z",{"id":579,"uuid":580,"slug":581,"available_locales":582,"name":583,"description":586,"body":588,"path":591,"images":592,"image_urls":593,"hero_image":3,"hero_image_url":3,"seo_title":594,"seo_description":597,"sort_order":38,"is_active":532,"status":533,"created_at":534,"updated_at":535},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[504,505,506],{"en":584,"zh":585},"Zi Wei Dou Shu Learning","紫微斗數課程",{"en":587,"zh":3},"Explore Purple Star Astrology as a traditional Chinese interpretive system, approached as cultural knowledge rather than scientific prediction.",{"en":589,"zh":590},"\u003Cp>Zi Wei Dou Shu 紫微鬥數 organises birth information through palaces, stars and patterned relationships. The system has a substantial technical vocabulary and several interpretive traditions, but its predictive claims are not established by modern scientific evidence.\u003C\u002Fp>\u003Cp>Courses explain how charts are structured, how symbols are read and how historical and contemporary practitioners differ. The aim is cultural literacy and disciplined reflection—not certainty about the future. Readings do not replace medical, legal, financial, employment or psychological expertise.\u003C\u002Fp>","\u003Cp>紫微斗數依據出生資訊，以宮位、星曜和彼此關係組織命盤。它具有複雜的術語與多種解釋傳統，但其預測主張並未得到現代科學證據的確立。\u003C\u002Fp>\u003Cp>課程說明命盤結構、符號閱讀方法，以及歷史與當代實踐者之間的差異。學習目的在於文化理解與有紀律的自我反思，而不是獲得關於未來的確定答案。相關解讀不能代替醫療、法律、財務、就業或心理專業意見。\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"en":595,"zh":596},"Zi Wei Dou Shu (Purple Star Astrology) Classes","紫微斗數課程：命盤、宮位與星曜入門",{"en":587,"zh":598},"把紫微斗數作為中國傳統詮釋體系來學習，認識命盤、宮位與星曜，不把它包裝成科學預測。",{"id":247,"uuid":600,"slug":601,"available_locales":602,"name":603,"description":606,"body":607,"path":608,"images":609,"image_urls":610,"hero_image":3,"hero_image_url":3,"seo_title":611,"seo_description":614,"sort_order":38,"is_active":532,"status":533,"created_at":617,"updated_at":535},"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[504,505,506],{"en":604,"zh":605},"Tea Arts","茶藝",[],[],"\u002Fevents\u002Ftea-arts",[],[],{"en":612,"zh":613},"Chinese Tea Art Classes and Workshops","茶藝課程與工作坊",{"en":615,"zh":616},"Chinese tea art (茶藝) classes and workshops: tea types, brewing methods, tea-table etiquette and the quiet attention of sharing tea.","茶藝課程與工作坊：認識茶類、泡茶方法與茶席禮儀，在一席茶中體會從容與專注。","2026-08-16T17:13:57.000000Z",{"id":242,"uuid":619,"slug":620,"available_locales":621,"name":622,"description":625,"body":627,"path":630,"images":631,"image_urls":632,"hero_image":3,"hero_image_url":3,"seo_title":633,"seo_description":636,"sort_order":579,"is_active":532,"status":533,"created_at":534,"updated_at":535},"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[504,505,506],{"en":623,"zh":624},"Ba Zi Learning","八字課程",{"en":626,"zh":3},"Study the Four Pillars as a traditional system of stems, branches and five-phase correspondence, with history and limitations made explicit.",{"en":628,"zh":629},"\u003Cp>Ba Zi 八字 interprets year, month, day and hour through the heavenly stems, earthly branches, yin-yang and five-phase relationships. It is an influential part of Chinese metaphysical culture, not an observational science in the modern empirical sense.\u003C\u002Fp>\u003Cp>Classes introduce chart structure, terminology and common interpretive methods while distinguishing tradition from evidence. Students are encouraged to treat readings as prompts for reflection and never as guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>八字以年、月、日、時四柱為框架，通過天干、地支、陰陽與五行關係進行解釋。它是中國術數文化中影響深遠的傳統體系，並非現代經驗科學。\u003C\u002Fp>\u003Cp>課程介紹命盤結構、基本術語和常見詮釋方法，同時說明傳統觀點與科學證據的差別。學員可把解讀作為反思的線索，但不應把它當作保證、診斷，或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"en":634,"zh":635},"BaZi (Four Pillars) Classes and Courses","八字課程：四柱、天干地支與五行入門",{"en":626,"zh":637},"學習四柱中的天干、地支與五行關係，理解其歷史與方法，也清楚區分傳統詮釋和現代實證知識。",{"id":69,"uuid":639,"slug":640,"available_locales":641,"name":642,"description":645,"body":646,"path":647,"images":648,"image_urls":649,"hero_image":3,"hero_image_url":3,"seo_title":650,"seo_description":653,"sort_order":579,"is_active":532,"status":533,"created_at":617,"updated_at":535},"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[504,505,506],{"en":643,"zh":644},"Incense Culture","香文化",[],[],"\u002Fevents\u002Fincense-culture",[],[],{"en":651,"zh":652},"Chinese Incense Culture Workshops","香文化活動與工作坊",{"en":654,"zh":655},"Workshops on Chinese incense culture (香文化): aromatic materials, traditional ways of preparing and appreciating incense, and incense as calm attention.","香文化活動與工作坊：認識香材、傳統制香與品香方式，在一爐香中練習安靜與專注。",{"id":657,"uuid":658,"slug":659,"available_locales":660,"name":661,"description":664,"body":667,"path":670,"images":671,"image_urls":672,"hero_image":3,"hero_image_url":3,"seo_title":673,"seo_description":675,"sort_order":579,"is_active":532,"status":533,"created_at":676,"updated_at":535},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[504,505,506],{"en":662,"zh":663},"I Ching Learning","易經課程",{"en":665,"zh":666},"Explore the I Ching through its hexagrams, traditional interpretive methods and historical context, with scope and limitations made explicit.","通過卦象、傳統解讀方法與歷史語境認識《易經》，並清楚說明其適用範圍與侷限。",{"en":668,"zh":669},"\u003Cp>The I Ching 易經 is a classical Chinese text centred on sixty-four hexagrams and a long history of commentary and divination. It has shaped Chinese philosophy, cosmology and metaphysical practice, but its divinatory claims are not established as modern empirical science.\u003C\u002Fp>\u003Cp>Classes introduce structures, terminology and traditional methods such as Liu Yao while distinguishing cultural study from evidence. Readings should be treated as prompts for reflection, not guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>《易經》是一部以六十四卦為核心的中國經典，形成了悠久的註疏與占筮傳統，並深刻影響中國哲學、宇宙觀與術數文化；其占筮主張並非現代經驗科學所證實。\u003C\u002Fp>\u003Cp>課程介紹基本結構、術語和六爻等傳統方法，同時區分文化學習與科學證據。解讀宜作為反思線索，不應視為保證、診斷或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"en":674,"zh":663},"I Ching Classes and Courses",{"en":665,"zh":666},"2026-09-08T00:15:35.000000Z",{"id":21,"uuid":678,"slug":679,"available_locales":680,"name":681,"description":684,"body":687,"path":690,"images":691,"image_urls":692,"hero_image":3,"hero_image_url":3,"seo_title":693,"seo_description":696,"sort_order":242,"is_active":532,"status":533,"created_at":699,"updated_at":535},"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[504,505,506],{"en":682,"zh":683},"Traditional Arts & Crafts","傳統藝術與手作",{"en":685,"zh":686},"Hands-on workshops exploring Chinese handicrafts and decorative arts through guided making and cultural appreciation.","通過親手製作與文化欣賞，體驗中國傳統手作及裝飾藝術。",{"en":688,"zh":689},"\u003Cp>Discover practical workshops in Chinese decorative arts and handcraft traditions. Activities may include gold-leaf painting, cloisonné enamel, mother-of-pearl work, Song brocade and other guided projects.\u003C\u002Fp>\u003Cp>These welcoming sessions introduce materials, techniques and cultural context while allowing participants to complete a piece of their own.\u003C\u002Fp>","\u003Cp>本類別彙集中國傳統裝飾藝術與手作體驗，內容可涵蓋金箔畫、掐絲琺琅、螺鈿工藝、宋錦及其他創作專案。\u003C\u002Fp>\u003Cp>課程以輕鬆易懂的方式介紹材料、技法與文化背景，讓參加者在導師帶領下完成屬於自己的作品。\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"en":694,"zh":695},"Traditional Arts & Crafts Events","傳統藝術與手作活動",{"en":697,"zh":698},"Explore Chinese handicraft and decorative arts workshops, including gold-leaf, cloisonné, mother-of-pearl and brocade.","探索金箔畫、掐絲琺琅、螺鈿、宋錦等中國傳統手作及裝飾藝術體驗。","2026-08-16T19:24:04.000000Z",{"id":212,"uuid":701,"slug":702,"available_locales":703,"name":704,"description":707,"body":710,"path":713,"images":714,"image_urls":715,"hero_image":3,"hero_image_url":3,"seo_title":716,"seo_description":718,"sort_order":247,"is_active":532,"status":533,"created_at":721,"updated_at":535},"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[504,505,506],{"en":705,"zh":706},"Wudang Community","武當社群活動",{"en":708,"zh":709},"Talks, broadcasts and community gatherings connecting people with Wudang culture, learning and living practice.","通過講座、直播與社群聚會，連線武當文化、學習與日常實踐。",{"en":711,"zh":712},"\u003Cp>Wudang Community brings together public talks, livestreams, gatherings and shared cultural activities connected with Wudang.\u003C\u002Fp>\u003Cp>These programmes create welcoming ways to meet practitioners, explore ideas and participate in a growing community of learning and practice.\u003C\u002Fp>","\u003Cp>武當社群活動彙集與武當文化相關的公開講座、直播、聚會及共享文化體驗。\u003C\u002Fp>\u003Cp>這些活動以友善開放的方式連線練習者與學習者，讓大家交流心得、認識傳統，並共同參與持續發展的文化社群。\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"en":717,"zh":706},"Wudang Community Events",{"en":719,"zh":720},"Discover Wudang community talks, broadcasts and gatherings connecting people with culture, learning and living practice.","探索連線武當文化、學習與日常實踐的講座、直播及社群聚會。","2026-08-16T19:24:18.000000Z",{"id":16,"uuid":723,"slug":724,"available_locales":725,"name":726,"description":729,"body":730,"path":731,"images":732,"image_urls":733,"hero_image":3,"hero_image_url":3,"seo_title":734,"seo_description":737,"sort_order":69,"is_active":532,"status":533,"created_at":740,"updated_at":535},"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[504,505,506],{"en":727,"zh":728},"Wudang Journeys & Retreats","武當旅修與行程",[],[],"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"en":735,"zh":736},"Wudang Mountain Retreats and Guided Journeys","武當山旅修與靜修行程",{"en":738,"zh":739},"Guided journeys and retreats to Wudang Mountain that combine practice, temple visits and cultural learning, with itineraries and expectations set out clearly.","前往武當山的旅修與靜修：結合修習、宮觀參訪與文化學習，提前說明行程安排與參加須知。","2026-08-18T11:09:38.000000Z",{"data":742},{"hero_type":743,"hero_image":744,"hero_image_alt":745,"hero_youtube_id":746,"hero_content_on":532,"hero_heading":747,"hero_subheading":748,"hero_text":749,"hero_subheading_zh":750,"hero_text_zh":751,"hero_buttons":752,"home_seo":758,"page_layout":764,"shop_enabled":765,"contact":766,"journey":782},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武當文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","這裡既是學習之地，也是讓文化融入日常的所在。","從道家思想、內家武術、文人雅藝與武當山出發，以清晰、踏實的方式，在新加坡及世界各地認識和體驗武當文化。",[753,755],{"label":754,"link":278},"Start Your Wudang Journey",{"label":756,"link":757},"View Events & Courses","\u002Fevents",{"title":759,"description":761},{"en":760,"zh":3},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":762,"zh":763},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","從太極、氣功、道家思想、武術、傳統雅藝與養生文化認識武當山，探索武當文化及武當山的日常生活。","sidebar",false,{"methods":767,"has_any":532,"text":775},{"email":768,"whatsapp":769,"wechat_id":770,"wechat_qr_url":771,"instagram":772,"instagram_handle":773,"facebook":774,"facebook_handle":773},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":776,"china_heading_zh":777,"china_company_en":778,"china_company_zh":779,"china_address_en":780,"china_address_zh":781},"China Operations","中國運營","Xunwei Wudang Co., Ltd.","尋味武當有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武當山王家園劍河二路72號",{"title_en":3,"title_zh":3,"intro_en":3,"intro_zh":3,"enabled":532},{"data":784},{"to":423,"type":785,"available_locales":786,"is_content_page":532,"title":787,"subtitle":788,"body":791,"hero_image_url":794,"hero_width":795,"hero_height":796,"hero_image_alt":797,"hero_image_decorative":765,"hero_credit":800,"hero_alt":805,"hero_style":806,"card_layout":807,"link_type":3,"link_ref":3,"seo_title":808,"seo_description":811,"children":814},"page",[504,505,506],{"en":424,"zh":425},{"en":789,"zh":790},"How to distinguish robe types, read cosmological embroidery and return a museum textile to the movement and hierarchy of ritual","辨認法衣型別、解讀宇宙影像，並把博物館中的織物放回科儀動作與儀式秩序中",{"en":792,"zh":793},"\u003Cp>A Daoist ritual robe is not simply a decorated coat. Its cut changes the officiant’s silhouette; its images organize a cosmos across the body; its weight and width become visible when the wearer turns, bows or raises the arms. Museum cases preserve remarkable textiles, but they can also make a moving garment appear flat and self-contained.\u003C\u002Fp>\n\u003Cp>This guide begins with dated objects and museum records, then returns them to ceremonial use. It complements the overview of \u003Ca href=\"\u002Fdaoism\u002Ftaoist-festivals-rituals\">Daoist festivals and rituals\u003C\u002Fa>, the guide to \u003Ca href=\"\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjiao-offering-ritual\">jiao community offerings\u003C\u002Fa> and the practical page on \u003Ca href=\"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Ftaoist-clergy\">addressing Daoist clergy at Wudang\u003C\u002Fa>. None of the museum robes below is presented as a documented Wudang object.\u003C\u002Fp>\n\n\u003Ch2>Identify the garment before interpreting its images\u003C\u002Fh2>\n\n\u003Ch3>Jiangyi and daopao are related but not interchangeable\u003C\u002Fh3>\n\u003Cp>The RISD Museum’s exhibition \u003Ca href=\"https:\u002F\u002Frisdmuseum.org\u002Fexhibitions-events\u002Fexhibitions\u002Fland-immortals\">\u003Cem>From the Land of the Immortals\u003C\u002Fem>\u003C\u002Fa> distinguishes two recurring forms. The \u003Cem>jiangyi\u003C\u002Fem>, often translated as “robe of descent,” is a broad, poncho-like outer vestment associated with major ritual roles. The \u003Cem>daopao\u003C\u002Fem> is a sleeved Daoist robe. Names, ranks and uses vary across communities and periods, so the safest first step is to retain the catalogue term attached to a particular object.\u003C\u002Fp>\n\n\u003Ch3>Cut determines what the garment can do in motion\u003C\u002Fh3>\n\u003Cp>A wide rectangle can open into an emphatic square when the arms extend; a sleeved robe gathers and releases fabric differently. Borders may frame the body, while a central back field remains visible to people standing behind the officiant. These are not incidental tailoring choices. They connect image, movement and viewing position, but no photograph of an empty robe can reconstruct a complete choreography.\u003C\u002Fp>\n\n\u003Ch3>Construction is evidence alongside iconography\u003C\u002Fh3>\n\u003Cp>The Smithsonian’s \u003Ca href=\"https:\u002F\u002Fwww.si.edu\u002Fobject\u002Fdaoist-priests-robe%3Achndm_1968-135-77\">nineteenth-century Daoist priest’s robe\u003C\u002Fa> records continuous fabric widths, a centre-front opening, hand openings, embroidered borders and a silk damask lining. Looking at seams, lining, wear and later repairs can reveal how a robe was assembled and used. Motifs should not displace this material evidence.\u003C\u002Fp>\n\n\u003Cfigure>\u003Cimg src=\"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FRtZ4HcZKg0Rk0yllYVjQ.webp\" alt=\"Conceptual AI-generated overhead photograph of fictional embroidered silk study pieces showing lining, seams, couching stitches, a crane and wave border\" loading=\"lazy\">\u003Cfigcaption>Conceptual AI-generated construction study. These contemporary fictional textile pieces do not reproduce a historic robe, museum object or conservation treatment.\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\u003Ch2>Read the robe as an ordered field\u003C\u002Fh2>\n\n\u003Ch3>Upper and lower zones can orient heaven and earth\u003C\u002Fh3>\n\u003Cp>The Metropolitan Museum of Art’s \u003Ca href=\"https:\u002F\u002Fwww.metmuseum.org\u002Fart\u002Fcollection\u002Fsearch\u002F68508\">late-eighteenth-century robe with a celestial palace\u003C\u002Fa> places the sun and moon above, cranes through the field, and mountains, waves and mythical creatures along the lower border. Read together, these images establish directions and levels rather than a random collection of auspicious emblems. The record describes one object; another robe may select and arrange its imagery differently.\u003C\u002Fp>\n\n\u003Ch3>A robe can map a pantheon around the officiant\u003C\u002Fh3>\n\u003Cp>A second Met vestment, dated to the \u003Ca href=\"https:\u002F\u002Fwww.metmuseum.org\u002Fart\u002Fcollection\u002Fsearch\u002F69856\">late sixteenth or early seventeenth century\u003C\u002Fa>, is densely embroidered with deities. The museum notes a scholarly interpretation that relates its arrangement to the orientation of a Daoist temple: major figures occupy the back, while lesser figures appear toward the front. This is a valuable reading of that robe’s program, not proof that every vestment is a portable floor plan.\u003C\u002Fp>\n\n\u003Ch3>Familiar motifs do not have one fixed meaning\u003C\u002Fh3>\n\u003Cp>Sun, moon, Big Dipper, cranes, dragons, sacred peaks, clouds and waves recur across Chinese religious, courtly and decorative arts. Context narrows their work. A crane may participate in imagery of longevity or transcendence; a tortoise entwined with a snake may mark the northern figure Xuanwu; a wave border may locate mountains within a cosmic landscape. Identification is the beginning of interpretation, not its end.\u003C\u002Fp>\n\n\u003Ch2>Return the textile to ceremony, hierarchy and time\u003C\u002Fh2>\n\n\u003Ch3>Ritual clothing makes office visible\u003C\u002Fh3>\n\u003Cp>The Spencer Museum describes its \u003Ca href=\"https:\u002F\u002Fspencerart.ku.edu\u002Fart\u002Fcollections-online\u002Fobject\u002F8902\">\u003Cem>jiangyi\u003C\u002Fem>\u003C\u002Fa> as an outer robe worn by a high-ranking priest in certain ceremonies. Its volume enveloped the wearer in cosmological signs and amplified movement. The point is not personal luxury: clothing distinguishes roles inside an ordered rite. Daily dress, ordination clothing and grand vestments therefore should not be collapsed into one “Daoist costume.”\u003C\u002Fp>\n\n\u003Ch3>Dated survivors are witnesses, not an unbroken timeline\u003C\u002Fh3>\n\u003Cp>A robe catalogued to the eighteenth or nineteenth century proves that this textile existed by the date and in the form documented. It does not by itself prove that every motif, stitch or ritual use remained unchanged from the Ming dynasty, or that present practice everywhere follows it. Compare object records, inscriptions, photographs, ritual manuals and living communities while keeping their evidential roles separate.\u003C\u002Fp>\n\n\u003Ch3>Display preserves the object but removes part of its life\u003C\u002Fh3>\n\u003Cp>A museum mount lets viewers study front, back, embroidery and scale without handling fragile silk. It also freezes fabric that once folded, sounded and caught light around a moving body. Conservation images of linings and stitches restore some material history, while ritual documentation restores some performative context. Neither should be forced to answer for what it cannot show.\u003C\u002Fp>\n\n\u003Ch2>Use a six-pass method in museums and temples\u003C\u002Fh2>\n\n\u003Ch3>Separate observation from inference\u003C\u002Fh3>\n\u003Col>\n\u003Cli>\u003Cstrong>Identity:\u003C\u002Fstrong> Record the catalogue name, date range, place, medium and dimensions.\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Form:\u003C\u002Fstrong> Distinguish a sleeved robe from a broad outer vestment and note openings, borders and panels.\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Construction:\u003C\u002Fstrong> Examine weave, embroidery, metallic thread, lining, seams, wear and repairs.\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Program:\u003C\u002Fstrong> Map images by front, back, upper, lower, centre and border before decoding them.\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Use:\u003C\u002Fstrong> Ask what the record actually says about wearer, rank, ceremony and movement.\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Limits:\u003C\u002Fstrong> State what remains unknown and avoid assigning Wudang provenance without evidence.\u003C\u002Fli>\n\u003C\u002Fol>\n\n\u003Ch3>At Wudang, respect the person before studying the robe\u003C\u002Fh3>\n\u003Cp>A living officiant is not a museum display. Do not touch clothing, interrupt preparation or ask someone to pose during a rite. Follow the temple’s instructions and request permission before making images; the guide to \u003Ca href=\"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fphotography\">photography and respect in Wudang temples\u003C\u002Fa> explains the practical boundary. If a garment appears in a public ceremony, describe only what you can responsibly observe and what participants choose to explain.\u003C\u002Fp>\n\n\u003Ch3>Let comparison sharpen, not flatten, the tradition\u003C\u002Fh3>\n\u003Cp>Set several dated robes beside one another. Differences in form, deity groups, borders, materials and scale are evidence of choice, region, workshop, rank or occasion—questions to investigate, not defects to erase. A careful reading moves from textile to image to ceremonial context and back again. Continue with the site’s guides to \u003Ca href=\"\u002Fdaoism\u002Ftaoist-deities-pantheon\">the Daoist pantheon\u003C\u002Fa> and \u003Ca href=\"\u002Fdaoism\u002Ftaoist-festivals-rituals\">ritual calendars and community rites\u003C\u002Fa> to place the garment within the larger religious world.\u003C\u002Fp>","\u003Cp>道教法衣不只是一件繡滿圖案的外袍。衣式會改變高功在壇場中的輪廓，影像把宇宙秩序鋪陳到身體之上，衣料的重量與寬度則會在轉身、禮拜和展臂時顯現出來。博物館展櫃儲存了難得的織物，卻也可能把一件原本會隨人而動的衣服固定成平面的陳列品。\u003C\u002Fp>\n\u003Cp>本文先從有明確年代與館藏記錄的實物出發，再把它們放回科儀語境。可結合\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-festivals-rituals\">道教節日與科儀\u003C\u002Fa>、\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-festivals-rituals\u002Fjiao-offering-ritual\">醮儀\u003C\u002Fa>以及\u003Ca href=\"\u002Fzh\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Ftaoist-clergy\">在武當山如何稱呼和對待道長\u003C\u002Fa>繼續閱讀。下文引用的館藏法衣，都不被說成有確鑿武當來源。\u003C\u002Fp>\n\n\u003Ch2>先辨衣式，再讀影像\u003C\u002Fh2>\n\n\u003Ch3>絳衣與道袍有關聯，卻不能混為一談\u003C\u002Fh3>\n\u003Cp>羅德島設計學院博物館的展覽\u003Ca href=\"https:\u002F\u002Frisdmuseum.org\u002Fexhibitions-events\u002Fexhibitions\u002Fland-immortals\">“仙鄉之來”\u003C\u002Fa>區分了兩種常見形制。\u003Cem>絳衣\u003C\u002Fem>常譯作“降臨之衣”，是一種寬大的披式外層法衣，常與重要科儀職分相聯絡；\u003Cem>道袍\u003C\u002Fem>則有明確的衣袖。不同年代和道教群體對名稱、品秩與用途的安排並不完全相同，因此第一步應保留具體館藏記錄所使用的名稱。\u003C\u002Fp>\n\n\u003Ch3>剪裁決定法衣如何進入動作\u003C\u002Fh3>\n\u003Cp>寬闊的長方形衣身在展臂時可以形成醒目的方形輪廓；有袖道袍則以另一種方式聚攏、垂落和展開。邊緣紋樣圍合身體，背部中央的大塊影像則朝向高功身後的人群。這些不是無關緊要的裁衣細節，而是把影像、動作與觀看位置連線起來。不過，一張空衣照片仍然無法復原完整的科儀動作。\u003C\u002Fp>\n\n\u003Ch3>結構和影像同樣是證據\u003C\u002Fh3>\n\u003Cp>史密森學會所藏的\u003Ca href=\"https:\u002F\u002Fwww.si.edu\u002Fobject\u002Fdaoist-priests-robe%3Achndm_1968-135-77\">十九世紀道士法衣\u003C\u002Fa>，館藏記錄寫明瞭連續的衣料幅面、前中開口、手部開口、刺繡邊飾與綢質暗花裡襯。縫線、裡料、磨損和後世修補都能說明法衣怎樣製作與使用；不能因為紋樣奪目，就把這些材料證據放到一邊。\u003C\u002Fp>\n\n\u003Cfigure>\u003Cimg src=\"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FRtZ4HcZKg0Rk0yllYVjQ.webp\" alt=\"AI生成的概念俯拍照片：虛構的刺繡絲織練習片展示裡襯、接縫、盤金針法、仙鶴與海水邊飾\" loading=\"lazy\">\u003Cfigcaption>AI生成的概念性結構研究圖。圖中的當代虛構織物並不複製歷史法衣、博物館藏品或真實修復方案。\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\u003Ch2>把法衣當作有秩序的影像場來讀\u003C\u002Fh2>\n\n\u003Ch3>上、下區位可以組織天地\u003C\u002Fh3>\n\u003Cp>大都會藝術博物館所藏的一件\u003Ca href=\"https:\u002F\u002Fwww.metmuseum.org\u002Fart\u002Fcollection\u002Fsearch\u002F68508\">十八世紀晚期天宮紋道教法衣\u003C\u002Fa>，把日月置於上方，以仙鶴穿行其間，並在下緣安排山峰、海水與神獸。合在一起看，這些影像建立的是方向和層次，而不是隨意拼成的吉祥圖案。不過，這份記錄只說明這一件實物；另一件法衣可能選用不同紋樣，也可能重新安排位置。\u003C\u002Fp>\n\n\u003Ch3>法衣可以把神明體系環繞在高功身上\u003C\u002Fh3>\n\u003Cp>大都會藝術博物館另一件定為\u003Ca href=\"https:\u002F\u002Fwww.metmuseum.org\u002Fart\u002Fcollection\u002Fsearch\u002F69856\">十六世紀末至十七世紀初\u003C\u002Fa>的法衣，密繡道教神明。館方介紹了一種學術解釋：紋樣佈局可能與道教宮觀的方位相呼應，重要神明位於背面，次要神明更接近正面。這為理解該件法衣提供了有力線索，卻不能據此斷言所有法衣都是一張可以穿在身上的宮觀平面圖。\u003C\u002Fp>\n\n\u003Ch3>熟悉的紋樣沒有一個脫離語境的固定答案\u003C\u002Fh3>\n\u003Cp>日月、北斗、仙鶴、龍、五嶽、雲氣與海水，同時出現在中國宗教、宮廷和裝飾藝術之中。語境決定它們在一件法衣上具體做什麼：仙鶴可能參與長生或超越的影像，龜蛇相纏可能指向北方玄武，海水邊飾則可能把山嶽安置在宇宙景觀中。辨認名稱只是解釋的起點，不是終點。\u003C\u002Fp>\n\n\u003Ch2>把織物放回科儀、職分與時間\u003C\u002Fh2>\n\n\u003Ch3>法衣讓科儀職分變得可見\u003C\u002Fh3>\n\u003Cp>斯賓塞藝術博物館把所藏\u003Ca href=\"https:\u002F\u002Fspencerart.ku.edu\u002Fart\u002Fcollections-online\u002Fobject\u002F8902\">絳衣\u003C\u002Fa>說明為某些科儀中由高階道士穿著的外層法衣。寬大的衣身讓穿著者被宇宙影像包圍，也強化了動作的視覺效果。重點不在個人奢華，而在服飾如何區分有秩序的壇場職分。因此，常服、戒衣和大型科儀法衣不能都含混地稱作一種“道教服裝”。\u003C\u002Fp>\n\n\u003Ch3>有年代的實物是見證，不是一條不斷裂的時間線\u003C\u002Fh3>\n\u003Cp>館藏把一件法衣定為十八或十九世紀，能證明的是這件織物在該時段以記錄下來的形態存在。它本身不能證明每一種紋樣、針法和用法從明代起始終不變，也不能證明各地今天仍以同一方式使用。實物記錄、題記、照片、科儀文獻和當代道教群體可以互相參照，但各自回答的問題不同。\u003C\u002Fp>\n\n\u003Ch3>陳列保護了實物，也抽離了它的一部分生命\u003C\u002Fh3>\n\u003Cp>博物館展架讓觀眾無需觸控脆弱絲織物，就能觀察正背面、刺繡和尺度；與此同時，它也把曾經會摺疊、摩擦、發出細響並隨身體受光的衣料固定下來。裡襯與針法的修復記錄補回一部分材料史，科儀影像則補回一部分動作語境。兩者都不應被要求證明自己看不見的部分。\u003C\u002Fp>\n\n\u003Ch2>在博物館與宮觀中使用六步閱讀法\u003C\u002Fh2>\n\n\u003Ch3>把觀察與推斷分開\u003C\u002Fh3>\n\u003Col>\n\u003Cli>\u003Cstrong>身份：\u003C\u002Fstrong>記錄館藏名稱、年代範圍、產地、材質和尺寸。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>衣式：\u003C\u002Fstrong>區分有袖道袍與寬披式外衣，觀察開口、邊飾和分片。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>結構：\u003C\u002Fstrong>檢視織法、刺繡、金屬線、裡襯、接縫、磨損與修補。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>影像佈局：\u003C\u002Fstrong>先按正背、上下、中部與邊緣定點陣圖像，再談含義。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>使用：\u003C\u002Fstrong>只依據記錄討論穿著者、品秩、科儀與動作。\u003C\u002Fli>\n\u003Cli>\u003Cstrong>邊界：\u003C\u002Fstrong>明確未知之處，沒有證據時不要擅加武當來源。\u003C\u002Fli>\n\u003C\u002Fol>\n\n\u003Ch3>在武當山，先尊重穿衣的人，再研究法衣\u003C\u002Fh3>\n\u003Cp>真實的高功或道眾不是博物館展品。不要觸碰衣物，不要打斷科儀準備，也不要在儀式進行中要求擺拍。應聽從宮觀安排，拍照前先徵得許可；\u003Ca href=\"\u002Fzh\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fphotography\">武當宮觀拍照與禮儀分寸\u003C\u002Fa>一文提供了具體邊界。若在公開科儀中看到法衣，只描述自己能夠負責地觀察到的部分，以及參與者願意說明的內容。\u003C\u002Fp>\n\n\u003Ch3>比較應讓問題更精確，而不是抹平差異\u003C\u002Fh3>\n\u003Cp>把幾件有明確年代的法衣並置，衣式、神明組合、邊飾、材料和尺寸的差異，可能指向選擇、地域、工坊、品秩或場合。這些是需要繼續研究的問題，不是必須消除的“偏差”。穩妥的閱讀會在織物、影像與科儀語境之間來回核對。可繼續閱讀\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-deities-pantheon\">道教神仙與神明體系\u003C\u002Fa>及\u003Ca href=\"\u002Fzh\u002Fdaoism\u002Ftaoist-festivals-rituals\">節日、齋醮與共同體科儀\u003C\u002Fa>，把法衣放回更大的宗教世界。\u003C\u002Fp>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FSeMqAXJEksQwJmv9LJHQ.webp",1536,1024,{"en":798,"zh":799},"Conceptual AI-generated photograph of a fictional indigo Daoist ceremonial robe displayed on an anonymous gallery mount","AI生成的概念照片：一件虛構的深藍色道教法衣陳列在不具名的展架上",{"caption":801,"creator":802,"source_url":3,"license_label":803,"license_url":3,"changes":804},"AI生成的概念照片。圖中的虛構法衣與展廳並非對真實藏品、宮觀或科儀的記錄。","OpenAI image generation","AI-generated conceptual image","作為非紀實性的概念配圖生成。",{"en":798,"zh":799},"banner","list",{"en":809,"zh":810},"Daoist Ritual Robes: How to Read Garment and Symbol","道教法衣：怎樣讀懂衣式、紋樣與科儀身份",{"en":812,"zh":813},"Learn how to distinguish jiangyi and daopao, read cosmic motifs, understand ceremonial movement and assess Daoist robes without universalizing one object.","辨認絳衣與道袍，理解宇宙紋樣、科儀動作與身份層次，並學會不把一件藏品當成普遍規則。",[],{"data":816},[817,893,994,1085],{"id":818,"slug":819,"available_locales":820,"path":821,"title":822,"venue":825,"hero_image_url":3,"card_image_url":828,"card_landscape_url":829,"lifecycle":830,"session_mode":831,"sessions":832,"next_session":892},15601,"liu-yao-beginner-course",[504,505,506],"\u002Fevents\u002Fi-ching-learning\u002Fliu-yao-beginner-course",{"en":823,"zh":824},"Liu Yao Beginner Course","六爻初級課",{"en":826,"zh":827},"Singapore","新加坡","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FQzqp0uXPJyVi3CvdDM1S.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002Fvariants\u002FQzqp0uXPJyVi3CvdDM1S-16x9.webp","upcoming","choose_one",[833,852,865,878],{"status":834,"date_slug":835,"time_label":836,"timezone_abbr":837,"date_label":838,"date_label_fr":839,"date_short_fr":840,"date_only_fr":841,"date_range_label_fr":3,"time_label_fr":842,"date_label_zh":843,"date_short":844,"date_short_zh":845,"date_only":846,"date_only_zh":847,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":38,"month_short":848,"month_long":849,"month_num":657,"year":850,"weekday_short":851,"weekday_index":531},"scheduled","2026-11-01","9:00am–5:00pm","SGT","Sunday, 1 November 2026","dimanche 1 novembre 2026","dim. 1 nov.","1 nov. 2026","09:00–17:00","2026年11月1日 星期日","Sun 1 Nov","11月1日 週日","1 Nov 2026","2026年11月1日","Nov","November",2026,"Sun",{"status":834,"date_slug":853,"time_label":836,"timezone_abbr":837,"date_label":854,"date_label_fr":855,"date_short_fr":856,"date_only_fr":857,"date_range_label_fr":3,"time_label_fr":842,"date_label_zh":858,"date_short":859,"date_short_zh":860,"date_only":861,"date_only_zh":862,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":863,"month_short":848,"month_long":849,"month_num":657,"year":850,"weekday_short":864,"weekday_index":60},"2026-11-21","Saturday, 21 November 2026","samedi 21 novembre 2026","sam. 21 nov.","21 nov. 2026","2026年11月21日 星期六","Sat 21 Nov","11月21日 週六","21 Nov 2026","2026年11月21日",21,"Sat",{"status":834,"date_slug":866,"time_label":836,"timezone_abbr":837,"date_label":867,"date_label_fr":868,"date_short_fr":869,"date_only_fr":870,"date_range_label_fr":3,"time_label_fr":842,"date_label_zh":871,"date_short":872,"date_short_zh":873,"date_only":874,"date_only_zh":875,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":147,"month_short":876,"month_long":877,"month_num":147,"year":850,"weekday_short":864,"weekday_index":60},"2026-12-12","Saturday, 12 December 2026","samedi 12 décembre 2026","sam. 12 déc.","12 déc. 2026","2026年12月12日 星期六","Sat 12 Dec","12月12日 週六","12 Dec 2026","2026年12月12日","Dec","December",{"status":834,"date_slug":879,"time_label":836,"timezone_abbr":837,"date_label":880,"date_label_fr":881,"date_short_fr":882,"date_only_fr":883,"date_range_label_fr":3,"time_label_fr":842,"date_label_zh":884,"date_short":885,"date_short_zh":886,"date_only":887,"date_only_zh":888,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":137,"month_short":889,"month_long":890,"month_num":38,"year":891,"weekday_short":851,"weekday_index":531},"2027-01-17","Sunday, 17 January 2027","dimanche 17 janvier 2027","dim. 17 janv.","17 janv. 2027","2027年1月17日 星期日","Sun 17 Jan","1月17日 週日","17 Jan 2027","2027年1月17日","Jan","January",2027,{"status":834,"date_slug":835,"time_label":836,"timezone_abbr":837,"date_label":838,"date_label_fr":839,"date_short_fr":840,"date_only_fr":841,"date_range_label_fr":3,"time_label_fr":842,"date_label_zh":843,"date_short":844,"date_short_zh":845,"date_only":846,"date_only_zh":847,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":38,"month_short":848,"month_long":849,"month_num":657,"year":850,"weekday_short":851,"weekday_index":531},{"id":894,"slug":895,"available_locales":896,"path":897,"title":898,"venue":901,"hero_image_url":902,"card_image_url":902,"card_landscape_url":903,"lifecycle":830,"session_mode":831,"sessions":904,"next_session":993},78700,"baduanjin-workshop-september",[504,505,506],"\u002Fevents\u002Finternal-arts-wellness\u002Fbaduanjin-workshop-september",{"en":899,"zh":900},"Baduanjin Workshop — November 2026 Sessions","古法八段錦 · 2026年11月班",{"en":826,"zh":827},"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FWU46jadRUq4I84xPdaTQ.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002Fvariants\u002FCQB6xxmg8kF7eqWPQgAl-16x9.webp",[905,922,934,947,958,959,970,981],{"status":906,"date_slug":907,"time_label":908,"timezone_abbr":837,"date_label":909,"date_label_fr":910,"date_short_fr":911,"date_only_fr":912,"date_range_label_fr":3,"time_label_fr":913,"date_label_zh":914,"date_short":915,"date_short_zh":916,"date_only":917,"date_only_zh":918,"is_multi_day":765,"date_range_label":3,"date_range_label_zh":3,"day_of_month":919,"month_short":920,"month_long":921,"month_num":16,"year":850,"weekday_short":851,"weekday_index":531},"completed","2026-09-13","10:00am–12:00pm","Sunday, 13 September 2026","dimanche 13 septembre 2026","dim. 13 sept.","13 sept. 2026","10:00–12:00","2026年9月13日 星期日","Sun 13 Sep","9月13日 週日","13 Sep 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