[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-reference-en":3,"site-nav-zh":4,"site-nav-zh-all-martial-arts":289,"event-categories-zh":456,"site-settings":699,"node-zh-martial-arts\u002Fweapons\u002Fwudang-jian":741,"live-course-events":768},null,{"data":5},{"header":6,"footer":264},[7,51,82,123,161,187,229,260],{"to":8,"label":9,"label_zh":10,"children":11},"\u002Fdao","TAO","道",[12,17,22,26,30,34,39,43,47],{"to":13,"label":14,"label_zh":15,"n":16},"\u002Fdao\u002Fintroduction","Begin with the Tao","道學入門",9,{"to":18,"label":19,"label_zh":20,"n":21},"\u002Fdao\u002Fyi-jing","I Ching","易經",7,{"to":23,"label":24,"label_zh":25,"n":16},"\u002Fdao\u002Fdao-de-jing","Tao Te Ching","道德經",{"to":27,"label":28,"label_zh":29,"n":21},"\u002Fdao\u002Ftaiji","Taiji","太極",{"to":31,"label":32,"label_zh":33,"n":21},"\u002Fdao\u002Fzhuang-zi","Zhuangzi","莊子",{"to":35,"label":36,"label_zh":37,"n":38},"\u002Fdao\u002Fclassics","Classical Library","道家經典文庫",1,{"to":40,"label":41,"label_zh":42},"\u002Fdao\u002Fdaoist-philosophy","Taoist Philosophy","道家哲學",{"to":44,"label":45,"label_zh":46},"\u002Fdao\u002Fwu-wei-natural-living","Wu Wei & Natural Living","無為與自然生活",{"to":48,"label":49,"label_zh":50},"\u002Fdao\u002Fdaoist-view-of-life","A Taoist View of Life","道家人生觀",{"to":52,"label":53,"label_zh":54,"children":55},"\u002Fmartial-arts","Martial Arts","武當武術",[56,61,65,70,74,78],{"to":57,"label":58,"label_zh":59,"n":60},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Foundations of Internal Martial Arts","內家拳基礎",6,{"to":62,"label":63,"label_zh":64,"n":21},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan (Tai Chi)","太極拳",{"to":66,"label":67,"label_zh":68,"n":69},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、換掌與身法變化",5,{"to":71,"label":72,"label_zh":73,"n":69},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan: Structure, Intention and Direct Training","形意拳：結構、意念與直接訓練",{"to":75,"label":76,"label_zh":77,"n":21},"\u002Fmartial-arts\u002Fweapons","Wudang Sword and Weapons: History, Practice and Context","武當劍與兵器：歷史、練習與文化語境",{"to":79,"label":80,"label_zh":81,"n":21},"\u002Fmartial-arts\u002Ftraining-practice","Training and Practice: Building a Sustainable Wudang Routine","訓練與習練：建立可持續的武當練習",{"to":83,"label":84,"label_zh":85,"children":86},"\u002Fwellness","Wellness","養生",[87,91,95,99,103,107,111,115,119],{"to":88,"label":89,"label_zh":90,"n":21},"\u002Fwellness\u002Fqigong","Qigong","氣功",{"to":92,"label":93,"label_zh":94,"n":60},"\u002Fwellness\u002Fherbal-healing","Chinese Herbal Medicine","中藥與本草",{"to":96,"label":97,"label_zh":98,"n":60},"\u002Fwellness\u002Ftaoist-medicine","Taoist Medicine","道家醫學",{"to":100,"label":101,"label_zh":102,"n":60},"\u002Fwellness\u002Fenergy-sound-healing","Sound & Energy Practices","聲音與能量練習",{"to":104,"label":105,"label_zh":106},"\u002Fwellness\u002Fstanding-practice","Standing Practice","站樁",{"to":108,"label":109,"label_zh":110},"\u002Fwellness\u002Fwudang-internal-cultivation","Wudang Internal Cultivation","武當內修",{"to":112,"label":113,"label_zh":114},"\u002Fwellness\u002Fmoxibustion","Moxibustion","艾灸",{"to":116,"label":117,"label_zh":118},"\u002Fwellness\u002Fbigu","Bigu","辟穀",{"to":120,"label":121,"label_zh":122,"n":38},"\u002Fwellness\u002Fbaduanjin","Baduanjin (Eight Brocades)","八段錦",{"to":124,"label":125,"label_zh":126,"children":127},"\u002Farts","Literati Arts","文人雅藝",[128,133,138,143,148,153,157],{"to":129,"label":130,"label_zh":131,"n":132},"\u002Farts\u002Fchinese-poetry-literature","Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中國詩詞與文學：體式、語境與閱讀路徑",49,{"to":134,"label":135,"label_zh":136,"n":137},"\u002Farts\u002Fcalligraphy","Chinese Calligraphy: Scripts, Materials and Ways of Looking","中國書法：書體、材料與觀賞入門",17,{"to":139,"label":140,"label_zh":141,"n":142},"\u002Farts\u002Ftea-ceremony","Chinese Tea Culture","中國茶文化",39,{"to":144,"label":145,"label_zh":146,"n":147},"\u002Farts\u002Fguqin","Guqin: Sound, History and Ways to Listen","古琴：認識聲音、歷史與聆聽方法",12,{"to":149,"label":150,"label_zh":151,"n":152},"\u002Farts\u002Fpainting","Chinese Painting: Materials, Formats and Ways of Looking","中國繪畫：材料、形制與觀看方法",15,{"to":154,"label":155,"label_zh":156,"n":16},"\u002Farts\u002Fincense","Chinese Incense Culture","中國香文化",{"to":158,"label":159,"label_zh":160,"n":21},"\u002Farts\u002Fflower-arrangement","Chinese Flower Arrangement: History, Materials and Ways of Looking","中國插花：歷史、花材與觀看方法",{"to":162,"label":163,"label_zh":164,"children":165},"\u002Fdaoism","Taoist Culture","道教文化",[166,170,174,178,183],{"to":167,"label":168,"label_zh":169,"n":16},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙與神明體系：結構與層級指南",{"to":171,"label":172,"label_zh":173,"n":21},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山與宮觀：聖地、建築與制度指南",{"to":175,"label":176,"label_zh":177,"n":21},"\u002Fdaoism\u002Ftaoist-schools-lineages","Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派與傳承：正一、全真及歷史道派",{"to":179,"label":180,"label_zh":181,"n":182},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教節日與科儀：神誕、齋醮與歲時儀式",19,{"to":184,"label":185,"label_zh":186,"n":60},"\u002Fdaoism\u002Feight-immortals","The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象徵與道教傳說",{"to":188,"label":189,"label_zh":190,"children":191},"\u002Fchinese-metaphysics","Chinese Metaphysics","易學與傳統術數",[192,196,200,204,208,213,217,221,225],{"to":193,"label":194,"label_zh":195,"n":21},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Yin-Yang and the Five Phases in Chinese Thought","陰陽五行：理解關係與變化",{"to":197,"label":198,"label_zh":199,"n":21},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中國曆法與術數的六十迴圈",{"to":201,"label":202,"label_zh":203,"n":21},"\u002Fchinese-metaphysics\u002Ffeng-shui","Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中國風水：形勢、羅盤方法與負責任實踐",{"to":205,"label":206,"label_zh":207,"n":21},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八個字如何構成命盤",{"to":209,"label":210,"label_zh":211,"n":212},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗數：十二宮命盤如何運作",8,{"to":214,"label":215,"label_zh":216,"n":212},"\u002Fchinese-metaphysics\u002Fdate-selection","Chinese Date Selection: How Auspicious Days Are Chosen","中國擇吉：傳統吉日如何選擇",{"to":218,"label":219,"label_zh":220,"n":21},"\u002Fchinese-metaphysics\u002Fphysiognomy","Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中國相術：面相、手相及其侷限",{"to":222,"label":223,"label_zh":224,"n":21},"\u002Fchinese-metaphysics\u002Fdivination-arts","Chinese Divination Arts: Methods, History and Responsible Use","中國占卜術：方法、歷史與負責任使用",{"to":226,"label":227,"label_zh":228,"n":21},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河圖、洛書與九宮：中國傳統圖式的歷史與用途",{"to":230,"label":231,"label_zh":232,"children":233},"\u002Fwudang-mountain","Experience Wudang","武當之旅",[234,238,243,248,252,256],{"to":235,"label":236,"label_zh":237,"n":21},"\u002Fwudang-mountain\u002Fintroduction","Introduction to Wudang Mountain","初識武當山",{"to":239,"label":240,"label_zh":241,"n":242},"\u002Fwudang-mountain\u002Ftemples-and-sites","Wudang Mountain Temples and Sacred Sites","武當山宮觀與勝蹟",3,{"to":244,"label":245,"label_zh":246,"n":247},"\u002Fwudang-mountain\u002Fplanning-a-visit","Planning a Visit to Wudang Mountain","武當山行前規劃指南",4,{"to":249,"label":250,"label_zh":251,"n":242},"\u002Fwudang-mountain\u002Fstudying-at-wudang","Studying Martial Arts at Wudang Mountain","在武當山學習武術",{"to":253,"label":254,"label_zh":255,"n":242},"\u002Fwudang-mountain\u002Ftemple-etiquette","Wudang Temple Etiquette: A Visitor’s Guide","武當宮觀參訪禮儀",{"to":257,"label":258,"label_zh":259,"n":69},"\u002Fwudang-mountain\u002Fpractical-reference","Wudang Mountain Practical Reference","武當山實用參考資料",{"to":261,"label":262,"label_zh":263},"\u002Fwudang-mountain\u002Feveryday-wudang","Everyday Wudang","武當日常",[265,266,267,268,269,270,271,272,273,277,281,285],{"to":8,"label":9,"label_zh":10},{"to":52,"label":53,"label_zh":54},{"to":83,"label":84,"label_zh":85},{"to":124,"label":125,"label_zh":126},{"to":162,"label":163,"label_zh":164},{"to":188,"label":189,"label_zh":190},{"to":230,"label":231,"label_zh":232},{"to":261,"label":262,"label_zh":263},{"to":274,"label":275,"label_zh":276},"\u002Fabout","About Wudang.Org","關於 Wudang.Org",{"to":278,"label":279,"label_zh":280},"\u002Fstart-here","Start Here","從這裡開始",{"to":282,"label":283,"label_zh":284},"\u002Ffind-a-practice","Find a Practice","找到適合你的修習",{"to":286,"label":287,"label_zh":288},"\u002Fteachers","Our Teachers","授課老師",{"data":290},{"all":291,"header":454,"footer":455},[292],{"to":52,"label":53,"label_zh":54,"children":293},[294,320,350,372,394,424],{"to":57,"label":58,"label_zh":59,"children":295},[296,300,304,308,312,316],{"to":297,"label":298,"label_zh":299},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Finternal-vs-external","Internal vs. External: Neijia and Waijia","內家與外家",{"to":301,"label":302,"label_zh":303},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fzhang-sanfeng-legend","Zhang Sanfeng: Ming-Dynasty Daoist, Wudang Tradition and Martial Legacy","張三丰：明代道士、武當傳統與武術傳承",{"to":305,"label":306,"label_zh":307},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fthree-treasures","The Three Treasures: Jing, Qi and Shen","精、氣、神：內丹詞彙與武術訓練",{"to":309,"label":310,"label_zh":311},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fsong-rooting-jin","Song, Rooting and Whole-Body Power","松、沉、整勁：核心功夫與檢驗方法",{"to":313,"label":314,"label_zh":315},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fmartial-cultivation","Martial Arts as Taoist Cultivation","以武入道：武術與道家修養的關係",{"to":317,"label":318,"label_zh":319},"\u002Fmartial-arts\u002Ffoundations-internal-arts\u002Fkey-sources-further-reading","Key Sources and Further Reading","讀什麼，用什麼本子，按什麼順序",{"to":62,"label":63,"label_zh":64,"children":321},[322,326,330,334,338,342,346],{"to":323,"label":324,"label_zh":325},"\u002Fmartial-arts\u002Ftaijiquan\u002Forigins-history","Origins and History of Taijiquan","太極拳從哪來：傳說、拳譜與考據",{"to":327,"label":328,"label_zh":329},"\u002Fmartial-arts\u002Ftaijiquan\u002Ffamily-styles","Taijiquan Family Styles: Chen, Yang, Wu, Wu (Hao) and Sun","太極拳五大家：陳式、楊式、吳式、武（郝）式與孫式",{"to":331,"label":332,"label_zh":333},"\u002Fmartial-arts\u002Ftaijiquan\u002Fwudang-taijiquan","Wudang Taijiquan: History, Revival and Living Practice","武當太極拳：歷史、復興與當代實踐",{"to":335,"label":336,"label_zh":337},"\u002Fmartial-arts\u002Ftaijiquan\u002Fprinciples-classics","Core Principles and the Taiji Classics","太極拳經典與核心原則",{"to":339,"label":340,"label_zh":341},"\u002Fmartial-arts\u002Ftaijiquan\u002Fpush-hands","Taijiquan Push Hands (Tui Shou): Partner Drills, Skills and Safety","太極拳推手：雙人練習、訓練目標與安全規則",{"to":343,"label":344,"label_zh":345},"\u002Fmartial-arts\u002Ftaijiquan\u002Fhealth-and-combat","Health and Martial Practice in Taijiquan","太極拳養生與技擊：證據、目標與訓練方法",{"to":347,"label":348,"label_zh":349},"\u002Fmartial-arts\u002Ftaijiquan\u002Fkey-sources-further-reading","Taijiquan Sources and Reading Paths","太極拳資料與閱讀路徑",{"to":66,"label":67,"label_zh":68,"children":351},[352,356,360,364,368],{"to":353,"label":354,"label_zh":355},"\u002Fmartial-arts\u002Fbaguazhang\u002Forigins-history","Origins and History of Baguazhang: Dong Haichuan and the Record","八卦掌源流：董海川、碑銘與早期資料",{"to":357,"label":358,"label_zh":359},"\u002Fmartial-arts\u002Fbaguazhang\u002Fcircle-walking-palm-changes","Circle Walking and Palm Changes in Baguazhang","八卦掌走圈與換掌：變數、轉向與練習進階",{"to":361,"label":362,"label_zh":363},"\u002Fmartial-arts\u002Fbaguazhang\u002Fbagua-yijing-connection","Baguazhang and the Yijing: History, Diagrams and Practice","八卦掌與《易》：歷史、卦圖與練法解釋",{"to":365,"label":366,"label_zh":367},"\u002Fmartial-arts\u002Fbaguazhang\u002Fprinciples","Baguazhang Principles: Turning, Angling and Continuous Change","八卦掌法則：轉身、走斜與連續變化",{"to":369,"label":370,"label_zh":371},"\u002Fmartial-arts\u002Fbaguazhang\u002Fkey-sources-further-reading","Baguazhang Sources and Reading Paths","八卦掌資料與閱讀路徑",{"to":71,"label":72,"label_zh":73,"children":373},[374,378,382,386,390],{"to":375,"label":376,"label_zh":377},"\u002Fmartial-arts\u002Fxingyiquan\u002Forigins-history","Origins and History of Xingyiquan","形意拳的起源與歷史",{"to":379,"label":380,"label_zh":381},"\u002Fmartial-arts\u002Fxingyiquan\u002Ffive-element-fists","The Five Fists of Xingyiquan","形意拳五行拳：劈、崩、鑽、炮、橫",{"to":383,"label":384,"label_zh":385},"\u002Fmartial-arts\u002Fxingyiquan\u002Ftwelve-animals","Xingyiquan’s Twelve Animal Forms","形意拳十二形：動物意象與訓練方法",{"to":387,"label":388,"label_zh":389},"\u002Fmartial-arts\u002Fxingyiquan\u002Fprinciples","Xingyiquan Principles: Six Harmonies, Intention and Power","形意拳原理：六合、意與勁力訓練",{"to":391,"label":392,"label_zh":393},"\u002Fmartial-arts\u002Fxingyiquan\u002Fkey-sources-further-reading","Xingyiquan Sources and Reading Paths","形意拳資料與閱讀路徑：拳譜、版本與證據",{"to":75,"label":76,"label_zh":77,"children":395},[396,400,404,408,412,416,420],{"to":397,"label":398,"label_zh":399},"\u002Fmartial-arts\u002Fweapons\u002Fwudang-jian","Wudang Straight Sword: The 1931 Curriculum and Its Context","武當劍：1931年課程、十三勢與史料邊界",{"to":401,"label":402,"label_zh":403},"\u002Fmartial-arts\u002Fweapons\u002Fbroadsword-staff-spear","The Sabre, Staff and Spear: A Guide to Chinese Weapons","刀、棍、槍：認識傳統兵器與練習方式",{"to":405,"label":406,"label_zh":407},"\u002Fmartial-arts\u002Fweapons\u002Fwhisk-fan-rare-weapons","Whisk, Fan and Other Wudang Implements: Objects and Practice","拂塵、扇與其他武當器械：器物、文化與練習",{"to":409,"label":410,"label_zh":411},"\u002Fmartial-arts\u002Fweapons\u002Fweapon-as-extension","The Weapon and the Body: Coordination, Perception and Practice","器械與身體：協調、知覺與練習",{"to":413,"label":414,"label_zh":415},"\u002Fmartial-arts\u002Fweapons\u002Fkey-sources-further-reading","Weapons Sources and Reading Paths: How to Compare the Evidence","武當兵器資料與閱讀路徑：怎樣比較不同證據",{"to":417,"label":418,"label_zh":419},"\u002Fmartial-arts\u002Fweapons\u002Fhow-to-read-chinese-jian","How to Read a Chinese Jian: Blade, Hilt, Scabbard and Context","怎樣讀懂中國劍：劍身、劍柄、劍鞘與時代語境",{"to":421,"label":422,"label_zh":423},"\u002Fmartial-arts\u002Fweapons\u002Fhow-to-read-chinese-dao","How to Read a Chinese Dao: Edge, Curve, Mountings and Context","怎樣讀懂中國刀：刃口、弧度、裝具與時代語境",{"to":79,"label":80,"label_zh":81,"children":425},[426,430,434,438,442,446,450],{"to":427,"label":428,"label_zh":429},"\u002Fmartial-arts\u002Ftraining-practice\u002Fjibengong-stances","Jibengong and Stance Training: Building Foundations Safely","基本功與樁功：安全建立訓練基礎",{"to":431,"label":432,"label_zh":433},"\u002Fmartial-arts\u002Ftraining-practice\u002Fforms-drills-applications","Forms, Drills and Applications: Connecting Solo and Partner Practice","套路、操手與應用：連線單練與對練",{"to":435,"label":436,"label_zh":437},"\u002Fmartial-arts\u002Ftraining-practice\u002Fneigong","Neigong: Internal Training, Breath and Attention","內功：內在訓練、呼吸與專注",{"to":439,"label":440,"label_zh":441},"\u002Fmartial-arts\u002Ftraining-practice\u002Fwude-lineage","Wude: Martial Ethics, Lineage and Responsible Teaching","武德：武術倫理、傳承與負責任的教學",{"to":443,"label":444,"label_zh":445},"\u002Fmartial-arts\u002Ftraining-practice\u002Ftraining-at-wudang","Training at Wudang: How to Choose a School or Retreat","在武當習武：如何選擇武館或研修專案",{"to":447,"label":448,"label_zh":449},"\u002Fmartial-arts\u002Ftraining-practice\u002Fkey-sources-further-reading","Training Sources and Reading Paths: From Manuals to Practice","訓練資料與閱讀路徑：從拳譜到實練",{"to":451,"label":452,"label_zh":453},"\u002Fmartial-arts\u002Ftraining-practice\u002Fbeginner-pathway","How to Begin Wudang Practice: A Beginner Pathway","如何開始武當修習：初學者路徑",[],[],{"data":457},[458,494,517,536,557,576,596,614,635,658,680],{"id":38,"uuid":459,"slug":460,"available_locales":461,"name":465,"description":468,"body":470,"path":473,"images":474,"image_urls":479,"hero_image":3,"hero_image_url":3,"seo_title":484,"seo_description":487,"sort_order":489,"is_active":490,"status":491,"created_at":492,"updated_at":493},"f1a30881-20c6-407b-b546-669e839a178a","feng-shui-learning",[462,463,464],"en","zh","fr",{"en":466,"zh":467},"Feng Shui Learning","風水課程",{"en":469,"zh":3},"Study feng shui as a historical Chinese tradition of interpreting orientation, form and environment—with clear limits on predictive claims.",{"en":471,"zh":472},"\u003Ch2>\u003Cem>Feng shui 風水 developed through multiple schools, texts and professional traditions. It brings together observations of landform, orientation, water, buildings and correlative cosmology. It should not be reduced to decorative rules, nor presented as a scientifically proven way to guarantee health, wealth or relationships.\u003C\u002Fem>\u003C\u002Fh2>\u003Cp>\u003Cem>Classes introduce core vocabulary, the distinction between major approaches and the cultural contexts in which feng shui has been practised. Contemporary applications are discussed critically. Students remain responsible for property, financial and personal decisions and should seek qualified professional advice where those decisions carry material consequences.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>風水形成於不同的流派、典籍與專業傳統，綜合觀察地形、方位、水勢、建築以及陰陽五行等關聯性宇宙觀。它不應被簡化為裝飾規則，也不能被宣傳為保證健康、財富或關係結果的科學方法。\u003C\u002Fp>\u003Cp>課程介紹基本術語、主要方法的差別，以及風水在歷史社會中的實踐語境，並以批判態度討論當代應用。涉及房產、財務或其他重大決定時，學員仍應根據事實判斷，並諮詢具備資質的相關專業人士。\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[475,476,477,478],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[480,481,482,483],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",{"en":485,"zh":486},"Feng Shui Classes and Courses","風水課程：方位、形勢與空間觀念入門",{"en":469,"zh":488},"從歷史、環境與文化語境學習風水，理解方位、形勢與空間觀念，同時明確傳統解釋與科學證據的界限。",0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":60,"uuid":495,"slug":496,"available_locales":497,"name":498,"description":501,"body":504,"path":507,"images":508,"image_urls":509,"hero_image":3,"hero_image_url":3,"seo_title":510,"seo_description":513,"sort_order":489,"is_active":490,"status":491,"created_at":516,"updated_at":493},"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[462,463,464],{"en":499,"zh":500},"Internal Arts & Wellness","內家功法與養生",{"en":502,"zh":503},"Classes, workshops and retreats in Baduanjin, Taijiquan, qigong and traditional practices for movement, breathing and mindful cultivation.","彙集八段錦、太極拳、氣功及傳統身心修習的課程、工作坊與靜修活動。",{"en":505,"zh":506},"\u003Cp>Explore small-group classes, workshops and retreats introducing Wudang internal arts and traditional wellness practices. Programmes may include Baduanjin, Taijiquan, qigong, standing practice, breathing and their cultural foundations.\u003C\u002Fp>\u003Cp>Each listing provides its teacher, schedule, experience level and registration arrangements.\u003C\u002Fp>","\u003Cp>本類別彙集武當內家功法與傳統養生修習的小班課程、工作坊及靜修活動，內容可涵蓋八段錦、太極拳、氣功、站樁、呼吸練習及相關文化基礎。\u003C\u002Fp>\u003Cp>每項活動都會註明導師、日期、適合程度與報名方式，方便參加者選擇合適的學習體驗。\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"en":511,"zh":512},"Internal Arts & Wellness Events","內家功法與養生活動",{"en":514,"zh":515},"Explore Baduanjin, Taijiquan, qigong and traditional wellness classes, workshops and retreats listed by Wudang.Org.","探索八段錦、太極拳、氣功與傳統養生課程、工作坊及靜修活動。","2026-08-16T19:23:45.000000Z",{"id":518,"uuid":519,"slug":520,"available_locales":521,"name":522,"description":525,"body":526,"path":527,"images":528,"image_urls":529,"hero_image":3,"hero_image_url":3,"seo_title":530,"seo_description":532,"sort_order":489,"is_active":490,"status":491,"created_at":535,"updated_at":493},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[462,463,464],{"en":523,"zh":524},"Face Reading Learning","面相課程",[],[],"\u002Fevents\u002Fface-reading-learning",[],[],{"en":531},"Chinese Face Reading Classes and Workshops",{"en":533,"zh":534},"Learn Chinese face reading (面相) as a cultural tradition: its classical framework, history and uses, taught with clear limits on predictive claims.","把面相作為中國傳統文化來學習：認識其經典框架、歷史與用法，並清楚說明傳統詮釋的邊界。","2026-08-30T17:01:43.000000Z",{"id":537,"uuid":538,"slug":539,"available_locales":540,"name":541,"description":544,"body":546,"path":549,"images":550,"image_urls":551,"hero_image":3,"hero_image_url":3,"seo_title":552,"seo_description":555,"sort_order":38,"is_active":490,"status":491,"created_at":492,"updated_at":493},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[462,463,464],{"en":542,"zh":543},"Zi Wei Dou Shu Learning","紫微斗數課程",{"en":545,"zh":3},"Explore Purple Star Astrology as a traditional Chinese interpretive system, approached as cultural knowledge rather than scientific prediction.",{"en":547,"zh":548},"\u003Cp>Zi Wei Dou Shu 紫微鬥數 organises birth information through palaces, stars and patterned relationships. The system has a substantial technical vocabulary and several interpretive traditions, but its predictive claims are not established by modern scientific evidence.\u003C\u002Fp>\u003Cp>Courses explain how charts are structured, how symbols are read and how historical and contemporary practitioners differ. The aim is cultural literacy and disciplined reflection—not certainty about the future. Readings do not replace medical, legal, financial, employment or psychological expertise.\u003C\u002Fp>","\u003Cp>紫微斗數依據出生資訊，以宮位、星曜和彼此關係組織命盤。它具有複雜的術語與多種解釋傳統，但其預測主張並未得到現代科學證據的確立。\u003C\u002Fp>\u003Cp>課程說明命盤結構、符號閱讀方法，以及歷史與當代實踐者之間的差異。學習目的在於文化理解與有紀律的自我反思，而不是獲得關於未來的確定答案。相關解讀不能代替醫療、法律、財務、就業或心理專業意見。\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"en":553,"zh":554},"Zi Wei Dou Shu (Purple Star Astrology) Classes","紫微斗數課程：命盤、宮位與星曜入門",{"en":545,"zh":556},"把紫微斗數作為中國傳統詮釋體系來學習，認識命盤、宮位與星曜，不把它包裝成科學預測。",{"id":247,"uuid":558,"slug":559,"available_locales":560,"name":561,"description":564,"body":565,"path":566,"images":567,"image_urls":568,"hero_image":3,"hero_image_url":3,"seo_title":569,"seo_description":572,"sort_order":38,"is_active":490,"status":491,"created_at":575,"updated_at":493},"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[462,463,464],{"en":562,"zh":563},"Tea Arts","茶藝",[],[],"\u002Fevents\u002Ftea-arts",[],[],{"en":570,"zh":571},"Chinese Tea Art Classes and Workshops","茶藝課程與工作坊",{"en":573,"zh":574},"Chinese tea art (茶藝) classes and workshops: tea types, brewing methods, tea-table etiquette and the quiet attention of sharing tea.","茶藝課程與工作坊：認識茶類、泡茶方法與茶席禮儀，在一席茶中體會從容與專注。","2026-08-16T17:13:57.000000Z",{"id":242,"uuid":577,"slug":578,"available_locales":579,"name":580,"description":583,"body":585,"path":588,"images":589,"image_urls":590,"hero_image":3,"hero_image_url":3,"seo_title":591,"seo_description":594,"sort_order":537,"is_active":490,"status":491,"created_at":492,"updated_at":493},"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[462,463,464],{"en":581,"zh":582},"Ba Zi Learning","八字課程",{"en":584,"zh":3},"Study the Four Pillars as a traditional system of stems, branches and five-phase correspondence, with history and limitations made explicit.",{"en":586,"zh":587},"\u003Cp>Ba Zi 八字 interprets year, month, day and hour through the heavenly stems, earthly branches, yin-yang and five-phase relationships. It is an influential part of Chinese metaphysical culture, not an observational science in the modern empirical sense.\u003C\u002Fp>\u003Cp>Classes introduce chart structure, terminology and common interpretive methods while distinguishing tradition from evidence. Students are encouraged to treat readings as prompts for reflection and never as guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>八字以年、月、日、時四柱為框架，通過天干、地支、陰陽與五行關係進行解釋。它是中國術數文化中影響深遠的傳統體系，並非現代經驗科學。\u003C\u002Fp>\u003Cp>課程介紹命盤結構、基本術語和常見詮釋方法，同時說明傳統觀點與科學證據的差別。學員可把解讀作為反思的線索，但不應把它當作保證、診斷，或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"en":592,"zh":593},"BaZi (Four Pillars) Classes and Courses","八字課程：四柱、天干地支與五行入門",{"en":584,"zh":595},"學習四柱中的天干、地支與五行關係，理解其歷史與方法，也清楚區分傳統詮釋和現代實證知識。",{"id":69,"uuid":597,"slug":598,"available_locales":599,"name":600,"description":603,"body":604,"path":605,"images":606,"image_urls":607,"hero_image":3,"hero_image_url":3,"seo_title":608,"seo_description":611,"sort_order":537,"is_active":490,"status":491,"created_at":575,"updated_at":493},"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[462,463,464],{"en":601,"zh":602},"Incense Culture","香文化",[],[],"\u002Fevents\u002Fincense-culture",[],[],{"en":609,"zh":610},"Chinese Incense Culture Workshops","香文化活動與工作坊",{"en":612,"zh":613},"Workshops on Chinese incense culture (香文化): aromatic materials, traditional ways of preparing and appreciating incense, and incense as calm attention.","香文化活動與工作坊：認識香材、傳統制香與品香方式，在一爐香中練習安靜與專注。",{"id":615,"uuid":616,"slug":617,"available_locales":618,"name":619,"description":622,"body":625,"path":628,"images":629,"image_urls":630,"hero_image":3,"hero_image_url":3,"seo_title":631,"seo_description":633,"sort_order":537,"is_active":490,"status":491,"created_at":634,"updated_at":493},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[462,463,464],{"en":620,"zh":621},"I Ching Learning","易經課程",{"en":623,"zh":624},"Explore the I Ching through its hexagrams, traditional interpretive methods and historical context, with scope and limitations made explicit.","通過卦象、傳統解讀方法與歷史語境認識《易經》，並清楚說明其適用範圍與侷限。",{"en":626,"zh":627},"\u003Cp>The I Ching 易經 is a classical Chinese text centred on sixty-four hexagrams and a long history of commentary and divination. It has shaped Chinese philosophy, cosmology and metaphysical practice, but its divinatory claims are not established as modern empirical science.\u003C\u002Fp>\u003Cp>Classes introduce structures, terminology and traditional methods such as Liu Yao while distinguishing cultural study from evidence. Readings should be treated as prompts for reflection, not guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>《易經》是一部以六十四卦為核心的中國經典，形成了悠久的註疏與占筮傳統，並深刻影響中國哲學、宇宙觀與術數文化；其占筮主張並非現代經驗科學所證實。\u003C\u002Fp>\u003Cp>課程介紹基本結構、術語和六爻等傳統方法，同時區分文化學習與科學證據。解讀宜作為反思線索，不應視為保證、診斷或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"en":632,"zh":621},"I Ching Classes and Courses",{"en":623,"zh":624},"2026-09-08T00:15:35.000000Z",{"id":21,"uuid":636,"slug":637,"available_locales":638,"name":639,"description":642,"body":645,"path":648,"images":649,"image_urls":650,"hero_image":3,"hero_image_url":3,"seo_title":651,"seo_description":654,"sort_order":242,"is_active":490,"status":491,"created_at":657,"updated_at":493},"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[462,463,464],{"en":640,"zh":641},"Traditional Arts & Crafts","傳統藝術與手作",{"en":643,"zh":644},"Hands-on workshops exploring Chinese handicrafts and decorative arts through guided making and cultural appreciation.","通過親手製作與文化欣賞，體驗中國傳統手作及裝飾藝術。",{"en":646,"zh":647},"\u003Cp>Discover practical workshops in Chinese decorative arts and handcraft traditions. Activities may include gold-leaf painting, cloisonné enamel, mother-of-pearl work, Song brocade and other guided projects.\u003C\u002Fp>\u003Cp>These welcoming sessions introduce materials, techniques and cultural context while allowing participants to complete a piece of their own.\u003C\u002Fp>","\u003Cp>本類別彙集中國傳統裝飾藝術與手作體驗，內容可涵蓋金箔畫、掐絲琺琅、螺鈿工藝、宋錦及其他創作專案。\u003C\u002Fp>\u003Cp>課程以輕鬆易懂的方式介紹材料、技法與文化背景，讓參加者在導師帶領下完成屬於自己的作品。\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"en":652,"zh":653},"Traditional Arts & Crafts Events","傳統藝術與手作活動",{"en":655,"zh":656},"Explore Chinese handicraft and decorative arts workshops, including gold-leaf, cloisonné, mother-of-pearl and brocade.","探索金箔畫、掐絲琺琅、螺鈿、宋錦等中國傳統手作及裝飾藝術體驗。","2026-08-16T19:24:04.000000Z",{"id":212,"uuid":659,"slug":660,"available_locales":661,"name":662,"description":665,"body":668,"path":671,"images":672,"image_urls":673,"hero_image":3,"hero_image_url":3,"seo_title":674,"seo_description":676,"sort_order":247,"is_active":490,"status":491,"created_at":679,"updated_at":493},"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[462,463,464],{"en":663,"zh":664},"Wudang Community","武當社群活動",{"en":666,"zh":667},"Talks, broadcasts and community gatherings connecting people with Wudang culture, learning and living practice.","通過講座、直播與社群聚會，連線武當文化、學習與日常實踐。",{"en":669,"zh":670},"\u003Cp>Wudang Community brings together public talks, livestreams, gatherings and shared cultural activities connected with Wudang.\u003C\u002Fp>\u003Cp>These programmes create welcoming ways to meet practitioners, explore ideas and participate in a growing community of learning and practice.\u003C\u002Fp>","\u003Cp>武當社群活動彙集與武當文化相關的公開講座、直播、聚會及共享文化體驗。\u003C\u002Fp>\u003Cp>這些活動以友善開放的方式連線練習者與學習者，讓大家交流心得、認識傳統，並共同參與持續發展的文化社群。\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"en":675,"zh":664},"Wudang Community Events",{"en":677,"zh":678},"Discover Wudang community talks, broadcasts and gatherings connecting people with culture, learning and living practice.","探索連線武當文化、學習與日常實踐的講座、直播及社群聚會。","2026-08-16T19:24:18.000000Z",{"id":16,"uuid":681,"slug":682,"available_locales":683,"name":684,"description":687,"body":688,"path":689,"images":690,"image_urls":691,"hero_image":3,"hero_image_url":3,"seo_title":692,"seo_description":695,"sort_order":69,"is_active":490,"status":491,"created_at":698,"updated_at":493},"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[462,463,464],{"en":685,"zh":686},"Wudang Journeys & Retreats","武當旅修與行程",[],[],"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"en":693,"zh":694},"Wudang Mountain Retreats and Guided Journeys","武當山旅修與靜修行程",{"en":696,"zh":697},"Guided journeys and retreats to Wudang Mountain that combine practice, temple visits and cultural learning, with itineraries and expectations set out clearly.","前往武當山的旅修與靜修：結合修習、宮觀參訪與文化學習，提前說明行程安排與參加須知。","2026-08-18T11:09:38.000000Z",{"data":700},{"hero_type":701,"hero_image":702,"hero_image_alt":703,"hero_youtube_id":704,"hero_content_on":490,"hero_heading":705,"hero_subheading":706,"hero_text":707,"hero_subheading_zh":708,"hero_text_zh":709,"hero_buttons":710,"home_seo":716,"page_layout":722,"shop_enabled":723,"contact":724,"journey":740},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武當文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","這裡既是學習之地，也是讓文化融入日常的所在。","從道家思想、內家武術、文人雅藝與武當山出發，以清晰、踏實的方式，在新加坡及世界各地認識和體驗武當文化。",[711,713],{"label":712,"link":278},"Start Your Wudang Journey",{"label":714,"link":715},"View Events & Courses","\u002Fevents",{"title":717,"description":719},{"en":718,"zh":3},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":720,"zh":721},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","從太極、氣功、道家思想、武術、傳統雅藝與養生文化認識武當山，探索武當文化及武當山的日常生活。","sidebar",false,{"methods":725,"has_any":490,"text":733},{"email":726,"whatsapp":727,"wechat_id":728,"wechat_qr_url":729,"instagram":730,"instagram_handle":731,"facebook":732,"facebook_handle":731},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":734,"china_heading_zh":735,"china_company_en":736,"china_company_zh":737,"china_address_en":738,"china_address_zh":739},"China Operations","中國運營","Xunwei Wudang Co., Ltd.","尋味武當有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武當山王家園劍河二路72號",{"title_en":3,"title_zh":3,"intro_en":3,"intro_zh":3,"enabled":490},{"data":742},{"to":397,"type":743,"available_locales":744,"is_content_page":490,"title":745,"subtitle":746,"body":749,"hero_image_url":752,"hero_width":753,"hero_height":754,"hero_image_alt":755,"hero_image_decorative":723,"hero_credit":3,"hero_alt":758,"hero_style":759,"card_layout":760,"link_type":3,"link_ref":3,"seo_title":761,"seo_description":764,"children":767},"page",[462,463,464],{"en":398,"zh":399},{"en":747,"zh":748},"Read Huang Yuanxiu’s thirteen methods, staged partner work and lineage preface as one documented Republican-era curriculum","把黃元秀的十三勢、分級對練與源流序言，讀作一套有據可查的民國時期課程",{"en":750,"zh":751},"\u003Cp>“Wudang straight sword” can name a broad family of later practices, but one curriculum is unusually visible in print: Huang Yuanxiu’s \u003Cem>Essentials of the Wudang Sword Art\u003C\u002Fem>, published in 1931 from teaching attributed to Li Jinglin. Its photographs, named methods and staged partner work let us discuss what that book actually taught without treating every statement in its prefaces as proven lineage history.\u003C\u002Fp>\n\u003Cp>This guide reads the 1931 witness closely, compares it with dated museum objects and separates its curriculum from modern competition. It does not turn one book into a rulebook for every jian tradition.\u003C\u002Fp>\n\n\u003Ch2>What this article can—and cannot—establish\u003C\u002Fh2>\n\u003Cp>A dated manual can establish that particular language, exercises and claims were in circulation when it appeared. It can show how an author arranged learning and what photographs the edition chose to include. It cannot, by itself, prove that the material remained unchanged for centuries or that every school using the same name teaches the same methods.\u003C\u002Fp>\n\u003Cp>Accordingly, “Huang writes” and “this curriculum uses” are important phrases here. Modern coaching suggestions are labelled separately. Questions that depend on an uninspected edition, an unnamed ritual source or a generalisation from replicas are left open rather than filled with legend.\u003C\u002Fp>\n\n\u003Ch2>Dated objects before universal specifications\u003C\u002Fh2>\n\u003Cp>The \u003Cem>jian\u003C\u002Fem> is a straight, double-edged sword, but surviving examples differ. The Royal Armouries catalogues a Chinese \u003Ca href=\"https:\u002F\u002Froyalarmouries.org\u002Fcollection\u002Fobject\u002Fobject-31743\">sword and scabbard dated about 1420\u003C\u002Fa>, probably made in the Yongle emperor’s court workshops. Its particular decoration, construction and presentation context belong to that object; they do not define every Ming or later sword.\u003C\u002Fp>\n\u003Cp>Other Royal Armouries records describe \u003Ca href=\"https:\u002F\u002Froyalarmouries.org\u002Fcollection\u002Fobject\u002Fobject-1871\">nineteenth-century\u003C\u002Fa> and \u003Ca href=\"https:\u002F\u002Froyalarmouries.org\u002Fcollection\u002Fobject\u002Fobject-21674\">Qing-period\u003C\u002Fa> examples with different fittings and motifs. This range is why the article does not prescribe one historical length, mass or balance. A training sword should instead be described by its own measured properties and intended task.\u003C\u002Fp>\n\n\u003Ch2>Huang Yuanxiu’s 1931 witness\u003C\u002Fh2>\n\u003Cp>The inspectable bilingual presentation of \u003Ca href=\"https:\u002F\u002Fbrennantranslation.wordpress.com\u002F2014\u002F06\u002F01\u002Fwudang-sword\u002F\">\u003Cem>武當劍法大要\u003C\u002Fem>\u003C\u002Fa> identifies Huang Yuanxiu as recorder of teaching by Li Jinglin. Huang’s preface is dated summer 1930; the edition is identified as a Commercial Press publication issued in Shanghai in July 1931.\u003C\u002Fp>\n\u003Cp>The contents extend well beyond a solo routine. They include five cautions for learners, thirteen methods with photographs, hand-position circles, graded practice, two-person triangles, active and passive circles, an arranged sparring set, moving-step sparring, free-sparring methods, fundamentals, and training of eyes, body, hands and steps. That sequence is a valuable record of how one Republican-era author presented progression.\u003C\u002Fp>\n\n\u003Ch2>The thirteen methods are Huang’s vocabulary\u003C\u002Fh2>\n\u003Cp>Huang gives a compact thirteen-word sequence: \u003Cstrong>抽、帶、提、格、擊、刺、點、崩、攪、壓、劈、截、洗\u003C\u002Fstrong>. The bilingual page glosses them as drawing, dragging, lifting, blocking, striking, stabbing, tapping, flicking, stirring, pressing, chopping, checking and clearing. One-word translations are only signposts; the following photographs and explanations supply the action.\u003C\u002Fp>\n\u003Cul>\u003Cli>\u003Cp>\u003Cstrong>抽、帶、提\u003C\u002Fstrong> change contact while drawing, carrying or lifting along a line.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>格、擊、刺、點\u003C\u002Fstrong> cover distinct forms of interception or arrival in Huang’s descriptions.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>崩、攪、壓\u003C\u002Fstrong> organise upward, circling and downward changes.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>劈、截、洗\u003C\u002Fstrong> retain their Chinese graphs because “chop,” “check” and “clear” do not capture every described variation.\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\n\u003Cp>This is Huang’s classification for the curriculum he records. Other jian traditions may divide, combine, name or perform actions differently; disagreement in a list is not proof that one branch is incomplete.\u003C\u002Fp>\n\n\u003Ch2>From individual actions to paired decisions\u003C\u002Fh2>\n\u003Cp>The book’s arrangement moves from fundamentals and individual methods toward increasingly variable partner formats. Arranged work can teach line, distance and a safe response sequence. Moving-step work changes where contact occurs. Freer exchange requires choice rather than recall. Huang’s own note warns learners not to enter free sword work before the preceding paired stages are competent.\u003C\u002Fp>\n\u003Cp>This supports a progression, not a fixed timetable. Present teachers must adapt pace and equipment to the people in front of them. Nor does the existence of free sparring in one book prove that every later group practised it continuously. The page describes the printed curriculum; it does not invent an unbroken performance history.\u003C\u002Fp>\n\n\u003Ch2>Eyes, body, hands and steps in a period teaching system\u003C\u002Fh2>\n\u003Cp>Huang names eye method, body method, hand method and stepping as four fundamentals, then relates them to attention, courage, power, speed and calmness. Elsewhere the book uses period concepts such as intention, qi, the dantian, fullness and emptiness. These terms belong to its explanatory world and should first be read in that context.\u003C\u002Fp>\n\u003Cp>A present-day drill can make parts of the instruction observable: keep the point within an agreed line, change steps without colliding, maintain a controlled grip, or stop on signal. That translation into tasks is a coaching choice, not a claim that traditional language secretly states modern anatomy. Sword-finger gestures and their religious history also require their own sources; this article does not assign them a single origin.\u003C\u002Fp>\n\n\u003Ch2>The lineage preface and Zhang Sanfeng\u003C\u002Fh2>\n\u003Cp>The 1931 prefatory material presents Li Jinglin’s teaching through Song Weiyi and connects the lineage to Zhang Sanfeng. Zhang Sanfeng is a Ming-dynasty figure of enduring importance in Wudang culture and later martial memory. Treating that importance respectfully does not require confusing types of evidence.\u003C\u002Fp>\n\u003Cp>The preface documents what this Republican-era publication claimed about lineage. The technical chapters document what Huang chose to teach and illustrate. Neither supplies, by itself, a continuous set of dated records from the Ming to 1931. The reported 1923 Song Weiyi manual should not carry exact historical or technical claims until an inspectable copy or institutional catalogue record is located.\u003C\u002Fp>\n\n\u003Ch2>Modern routine competition is another context\u003C\u002Fh2>\n\u003Cp>The International Wushu Federation’s \u003Ca href=\"https:\u002F\u002Fiwuf.org\u002Fwp-content\u002Fuploads\u002F2020\u002F03\u002FIWUF-Traditional-Wushu-Competition-Rules-and-Judging-Methods-Trial-2019.pdf\">2019 traditional competition rules\u003C\u002Fa> distinguish individual routines, choreographed sparring, group routines and performance events. They require approved weaponry and list deductions for a deformed, broken or dropped weapon and for partner errors in choreographed work.\u003C\u002Fp>\n\u003Cp>Those rules show that modern competition has explicit formats and equipment controls. They do not show that a competition sword reproduces Huang’s equipment, that blade sound is an authenticity test or that a routine implement is safe for free contact. Historical curriculum, current competition and partner fencing should be named separately.\u003C\u002Fp>\n\n\u003Ch2>Practise with explicit limits\u003C\u002Fh2>\n\u003Cp>Begin with an intact blunt trainer suited to the drill, a clear floor and enough overhead and lateral space. Agree on speed, targets, contact, stopping distance and a stop signal before paired work. Progress from isolated actions to pre-arranged exchanges and only then to constrained choice. Sharp blades, damaged weapons and uncontrolled contact do not belong in ordinary partner practice.\u003C\u002Fp>\n\u003Cp>Protective equipment reduces only the risks it was designed for; it does not replace control. If a teacher cannot explain the task, resistance and stopping condition, the drill is not ready to speed up. Return to the \u003Ca href=\"\u002Fmartial-arts\u002Fweapons\">Wudang sword and weapons gateway\u003C\u002Fa> for the wider evidence map and the other weapon categories.\u003C\u002Fp>","\u003Cp>“武當劍”可以泛指多種後起練法，但其中有一套課程在印刷史料中格外清楚：黃元秀根據所稱李景林傳授內容編成的《武當劍法大要》，1931年出版。書中的照片、具名手法和分階段對練，使我們能夠討論這部書實際教了什麼，而不必把序言中的每一條源流說法都當成已經證實的歷史。\u003C\u002Fp>\n\u003Cp>本頁細讀這份1931年文本，以有年代的館藏實物作對照，並把它與當代競賽分開。一本書不能成為所有劍術門派的統一法典。\u003C\u002Fp>\n\n\u003Ch2>本頁能證明什麼，不能證明什麼\u003C\u002Fh2>\n\u003Cp>有年代的劍譜可以證明某些說法、練習和術語在出版時已經流通，也能顯示作者如何安排學習、版本選擇了哪些照片。它不能單獨證明內容幾百年一成不變，更不能證明所有使用同一名稱的門派都教相同方法。\u003C\u002Fp>\n\u003Cp>因此，下文會反覆使用“黃元秀寫道”和“這套課程採用”之類限定語。今天的教學建議另行標明。凡是依賴尚未見到的版本、未具名科儀文本或從現代複製品推匯出的結論，一律保留問題，不拿傳說補空白。\u003C\u002Fp>\n\n\u003Ch2>先看有年代的實物，再談統一規格\u003C\u002Fh2>\n\u003Cp>劍是直身雙刃兵器，但傳世實物並不整齊劃一。英國皇家軍械博物館收藏一套約1420年的中國\u003Ca href=\"https:\u002F\u002Froyalarmouries.org\u002Fcollection\u002Fobject\u002Fobject-31743\">劍與劍鞘\u003C\u002Fa>，館方判斷可能出自明成祖永樂年間的宮廷作坊。這件器物的裝飾、製作與陳設語境屬於它自身，不能代表所有明代或後世之劍。\u003C\u002Fp>\n\u003Cp>該館另有\u003Ca href=\"https:\u002F\u002Froyalarmouries.org\u002Fcollection\u002Fobject\u002Fobject-1871\">十九世紀例項\u003C\u002Fa>以及帶不同裝具、紋飾的\u003Ca href=\"https:\u002F\u002Froyalarmouries.org\u002Fcollection\u002Fobject\u002Fobject-21674\">清代例項\u003C\u002Fa>。正因實物有差異，本頁不規定一個放之四海而皆準的歷史長度、重量或重心。訓練器材應按自身實測性質和具體任務來說明。\u003C\u002Fp>\n\n\u003Ch2>黃元秀的1931年文本\u003C\u002Fh2>\n\u003Cp>可直接核對的\u003Ca href=\"https:\u002F\u002Fbrennantranslation.wordpress.com\u002F2014\u002F06\u002F01\u002Fwudang-sword\u002F\">\u003Cem>《武當劍法大要》雙語整理\u003C\u002Fem>\u003C\u002Fa>，把黃元秀標為記錄者、李景林標為口授者。黃氏自序署1930年夏，版本資訊則說明該書1931年7月由上海商務印書館出版。\u003C\u002Fp>\n\u003Cp>目錄遠不只一趟單練套路：先列學劍五戒，再有十三勢及圖說、手法陰陽圈、分級練習、對劍三角、陰陽劍圈、成套對練、活步對劍、散劍、基本功，以及眼法、身法、手法與步法實習。這套次序是民國時期一位作者如何呈現進階訓練的珍貴記錄。\u003C\u002Fp>\n\n\u003Ch2>十三勢是黃氏課程的詞彙\u003C\u002Fh2>\n\u003Cp>黃元秀列出十三字：\u003Cstrong>抽、帶、提、格、擊、刺、點、崩、攪、壓、劈、截、洗\u003C\u002Fstrong>。雙語頁面暫譯為 drawing、dragging、lifting、blocking、striking、stabbing、tapping、flicking、stirring、pressing、chopping、checking、clearing。單字翻譯只是路標，真正的動作仍要回到後文照片與圖說。\u003C\u002Fp>\n\u003Cul>\u003Cli>\u003Cp>\u003Cstrong>抽、帶、提\u003C\u002Fstrong>在黃氏圖說中沿不同線路改變接觸。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>格、擊、刺、點\u003C\u002Fstrong>分別描述攔接或到達的不同方式。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>崩、攪、壓\u003C\u002Fstrong>組織向上、繞轉與向下的變化。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>\u003Cstrong>劈、截、洗\u003C\u002Fstrong>應保留原字，因為任何一個外語詞都難以涵蓋圖說中的變化。\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\n\u003Cp>這是黃元秀對自己所錄課程的分類。其他劍術傳承可以拆分、合併、改名或採用不同動作；名單不同，並不自動說明哪一支殘缺。\u003C\u002Fp>\n\n\u003Ch2>從單式動作走向搭手決策\u003C\u002Fh2>\n\u003Cp>全書由基本與單式走向逐漸增加變化的對練。約定對練可以在共同順序下練線路、距離與應答；活步改變雙方接觸發生的位置；散劍要求臨場選擇，而不只是背熟次序。黃氏在散劍章後特別提醒：前面的活步對練尚未熟練，不可跳級進入散劍。\u003C\u002Fp>\n\u003Cp>這支援一條進階思路，卻不等於固定年限。今天的教師仍要按實際學習者調整節奏與器械。某書寫有散劍，也不能證明後來每一個群體都連續保留了這項練法。本頁描述的是印刷課程，不虛構不斷線的演練史。\u003C\u002Fp>\n\n\u003Ch2>民國教學體系中的眼、身、手、步\u003C\u002Fh2>\n\u003Cp>黃元秀把眼法、身法、手法、步法列為四項基本，隨後又談膽力、內勁、速力與沉著。書中還使用意、氣、丹田、虛實等時代性的解釋詞彙。閱讀時首先應把它們放回該書自己的教學世界，而不是急著改寫成現代人體學。\u003C\u002Fp>\n\u003Cp>今天的練習可以把一部分要求變成可觀察任務：讓劍尖留在約定線路內，換步時不相撞，握持保持可控，聽到停止訊號立即收住。這是教學翻譯，不是說傳統術語暗中等於現代解剖學。劍指手勢與宗教史也需要獨立材料，本頁不替它指定一個唯一源頭。\u003C\u002Fp>\n\n\u003Ch2>源流序言與張三丰\u003C\u002Fh2>\n\u003Cp>1931年序言把李景林所傳經宋唯一上溯至張三丰。本站尊重張三丰作為明代人物，以及他在武當文化和後世武術記憶中的深遠地位；尊重這一地位，並不意味著必須混淆不同證據。\u003C\u002Fp>\n\u003Cp>序言證明的是：民國時期這部出版物怎樣講述自己的傳承。技術章節證明的是：黃元秀選擇教什麼、畫什麼、拍什麼。兩者都不能單獨提供一條從明代連續排到1931年的有年代記錄。二手材料所稱宋唯一1923年劍譜，在找到可直接查閱的版本或機構目錄以前，不應用來承載精確史實或技法結論。\u003C\u002Fp>\n\n\u003Ch2>當代套路競賽屬於另一種語境\u003C\u002Fh2>\n\u003Cp>國際武術聯合會的\u003Ca href=\"https:\u002F\u002Fiwuf.org\u002Fwp-content\u002Fuploads\u002F2020\u002F03\u002FIWUF-Traditional-Wushu-Competition-Rules-and-Judging-Methods-Trial-2019.pdf\">2019年傳統武術競賽規則（試行）\u003C\u002Fa>，區分個人套路、對練、集體套路和表演專案，並要求使用認可器械；器械變形、折斷、掉地，以及對練中的偏靶、失誤或誤擊，都有相應扣分。\u003C\u002Fp>\n\u003Cp>這能證明現代競賽有明確專案和器械管理，卻不能證明競賽劍複製了黃元秀的器材，也不能證明劍身響聲或劍穗長短能夠鑑定真偽，更不能說明套路器械適合自由接觸。歷史課程、當代競賽與器械對抗應分別標註。\u003C\u002Fp>\n\n\u003Ch2>在明確邊界內練習\u003C\u002Fh2>\n\u003Cp>先使用完整、鈍頭且適合任務的訓練器材，清出地面、頭頂與側面的空間。進入搭手前，共同約定速度、目標、接觸程度、停止距離和停止訊號。由單式進入預定交換，再進入有限選擇。開刃器械、破損器械和失控接觸都不屬於普通搭手。\u003C\u002Fp>\n\u003Cp>護具只能降低其設計範圍內的風險，不能代替控制。若教師無法說明任務、阻力和停止條件，就不應加速。可返回\u003Ca href=\"\u002Fzh\u002Fmartial-arts\u002Fweapons\">武當劍與兵器總覽\u003C\u002Fa>，檢視更廣的證據地圖和其他器械類別。\u003C\u002Fp>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002FQLATAJKsttvkrrKUpCT2.webp",1920,600,{"en":756,"zh":757},"Painted scene of a robed swordsman holding a straight sword before misty mountains and temple-style buildings","水墨畫風場景：一名束髮長袍男子在雲霧山巒與殿宇前持直劍展勢",{"en":756,"zh":757},"banner","list",{"en":762,"zh":763},"Wudang Straight Sword: Huang Yuanxiu’s 1931 Curriculum","武當劍：黃元秀1931年課程與十三勢",{"en":765,"zh":766},"Explore Huang Yuanxiu’s 1931 Wudang sword curriculum, its thirteen methods, partner stages, lineage claims and modern practice limits.","黃元秀1931年出版的《武當劍法大要》，記錄了所稱李景林傳授的十三勢與分階段對練。本頁逐項細讀這份民國課程，並分清書中的源流說法與可以證實的史料。",[],{"data":769},[770,846,947,1038],{"id":771,"slug":772,"available_locales":773,"path":774,"title":775,"venue":778,"hero_image_url":3,"card_image_url":781,"card_landscape_url":782,"lifecycle":783,"session_mode":784,"sessions":785,"next_session":845},15601,"liu-yao-beginner-course",[462,463,464],"\u002Fevents\u002Fi-ching-learning\u002Fliu-yao-beginner-course",{"en":776,"zh":777},"Liu Yao Beginner Course","六爻初級課",{"en":779,"zh":780},"Singapore","新加坡","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FQzqp0uXPJyVi3CvdDM1S.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002Fvariants\u002FQzqp0uXPJyVi3CvdDM1S-16x9.webp","upcoming","choose_one",[786,805,818,831],{"status":787,"date_slug":788,"time_label":789,"timezone_abbr":790,"date_label":791,"date_label_fr":792,"date_short_fr":793,"date_only_fr":794,"date_range_label_fr":3,"time_label_fr":795,"date_label_zh":796,"date_short":797,"date_short_zh":798,"date_only":799,"date_only_zh":800,"is_multi_day":723,"date_range_label":3,"date_range_label_zh":3,"day_of_month":38,"month_short":801,"month_long":802,"month_num":615,"year":803,"weekday_short":804,"weekday_index":489},"scheduled","2026-11-01","9:00am–5:00pm","SGT","Sunday, 1 November 2026","dimanche 1 novembre 2026","dim. 1 nov.","1 nov. 2026","09:00–17:00","2026年11月1日 星期日","Sun 1 Nov","11月1日 週日","1 Nov 2026","2026年11月1日","Nov","November",2026,"Sun",{"status":787,"date_slug":806,"time_label":789,"timezone_abbr":790,"date_label":807,"date_label_fr":808,"date_short_fr":809,"date_only_fr":810,"date_range_label_fr":3,"time_label_fr":795,"date_label_zh":811,"date_short":812,"date_short_zh":813,"date_only":814,"date_only_zh":815,"is_multi_day":723,"date_range_label":3,"date_range_label_zh":3,"day_of_month":816,"month_short":801,"month_long":802,"month_num":615,"year":803,"weekday_short":817,"weekday_index":60},"2026-11-21","Saturday, 21 November 2026","samedi 21 novembre 2026","sam. 21 nov.","21 nov. 2026","2026年11月21日 星期六","Sat 21 Nov","11月21日 週六","21 Nov 2026","2026年11月21日",21,"Sat",{"status":787,"date_slug":819,"time_label":789,"timezone_abbr":790,"date_label":820,"date_label_fr":821,"date_short_fr":822,"date_only_fr":823,"date_range_label_fr":3,"time_label_fr":795,"date_label_zh":824,"date_short":825,"date_short_zh":826,"date_only":827,"date_only_zh":828,"is_multi_day":723,"date_range_label":3,"date_range_label_zh":3,"day_of_month":147,"month_short":829,"month_long":830,"month_num":147,"year":803,"weekday_short":817,"weekday_index":60},"2026-12-12","Saturday, 12 December 2026","samedi 12 décembre 2026","sam. 12 déc.","12 déc. 2026","2026年12月12日 星期六","Sat 12 Dec","12月12日 週六","12 Dec 2026","2026年12月12日","Dec","December",{"status":787,"date_slug":832,"time_label":789,"timezone_abbr":790,"date_label":833,"date_label_fr":834,"date_short_fr":835,"date_only_fr":836,"date_range_label_fr":3,"time_label_fr":795,"date_label_zh":837,"date_short":838,"date_short_zh":839,"date_only":840,"date_only_zh":841,"is_multi_day":723,"date_range_label":3,"date_range_label_zh":3,"day_of_month":137,"month_short":842,"month_long":843,"month_num":38,"year":844,"weekday_short":804,"weekday_index":489},"2027-01-17","Sunday, 17 January 2027","dimanche 17 janvier 2027","dim. 17 janv.","17 janv. 2027","2027年1月17日 星期日","Sun 17 Jan","1月17日 週日","17 Jan 2027","2027年1月17日","Jan","January",2027,{"status":787,"date_slug":788,"time_label":789,"timezone_abbr":790,"date_label":791,"date_label_fr":792,"date_short_fr":793,"date_only_fr":794,"date_range_label_fr":3,"time_label_fr":795,"date_label_zh":796,"date_short":797,"date_short_zh":798,"date_only":799,"date_only_zh":800,"is_multi_day":723,"date_range_label":3,"date_range_label_zh":3,"day_of_month":38,"month_short":801,"month_long":802,"month_num":615,"year":803,"weekday_short":804,"weekday_index":489},{"id":847,"slug":848,"available_locales":849,"path":850,"title":851,"venue":854,"hero_image_url":855,"card_image_url":855,"card_landscape_url":856,"lifecycle":783,"session_mode":784,"sessions":857,"next_session":946},78700,"baduanjin-workshop-september",[462,463,464],"\u002Fevents\u002Finternal-arts-wellness\u002Fbaduanjin-workshop-september",{"en":852,"zh":853},"Baduanjin Workshop — November 2026 Sessions","古法八段錦 · 2026年11月班",{"en":779,"zh":780},"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FWU46jadRUq4I84xPdaTQ.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002Fvariants\u002FCQB6xxmg8kF7eqWPQgAl-16x9.webp",[858,875,887,900,911,912,923,934],{"status":859,"date_slug":860,"time_label":861,"timezone_abbr":790,"date_label":862,"date_label_fr":863,"date_short_fr":864,"date_only_fr":865,"date_range_label_fr":3,"time_label_fr":866,"date_label_zh":867,"date_short":868,"date_short_zh":869,"date_only":870,"date_only_zh":871,"is_multi_day":723,"date_range_label":3,"date_range_label_zh":3,"day_of_month":872,"month_short":873,"month_long":874,"month_num":16,"year":803,"weekday_short":804,"weekday_index":489},"completed","2026-09-13","10:00am–12:00pm","Sunday, 13 September 2026","dimanche 13 septembre 2026","dim. 13 sept.","13 sept. 2026","10:00–12:00","2026年9月13日 星期日","Sun 13 Sep","9月13日 週日","13 Sep 2026","2026年9月13日",13,"Sep","September",{"status":859,"date_slug":876,"time_label":861,"timezone_abbr":790,"date_label":877,"date_label_fr":878,"date_short_fr":879,"date_only_fr":880,"date_range_label_fr":3,"time_label_fr":866,"date_label_zh":881,"date_short":882,"date_short_zh":883,"date_only":884,"date_only_zh":885,"is_multi_day":723,"date_range_label":3,"date_range_label_zh":3,"day_of_month":886,"month_short":873,"month_long":874,"month_num":16,"year":803,"weekday_short":804,"weekday_index":489},"2026-09-27","Sunday, 27 September 2026","dimanche 27 septembre 2026","dim. 27 sept.","27 sept. 2026","2026年9月27日 星期日","Sun 27 Sep","9月27日 週日","27 Sep 2026","2026年9月27日",27,{"status":859,"date_slug":888,"time_label":861,"timezone_abbr":790,"date_label":889,"date_label_fr":890,"date_short_fr":891,"date_only_fr":892,"date_range_label_fr":3,"time_label_fr":866,"date_label_zh":893,"date_short":894,"date_short_zh":895,"date_only":896,"date_only_zh":897,"is_multi_day":723,"date_range_label":3,"date_range_label_zh":3,"day_of_month":247,"month_short":898,"month_long":899,"month_num":518,"year":803,"weekday_short":804,"weekday_index":489},"2026-10-04","Sunday, 4 October 2026","dimanche 4 octobre 2026","dim. 4 oct.","4 oct. 2026","2026年10月4日 星期日","Sun 4 Oct","10月4日 週日","4 Oct 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