[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"site-nav-reference-en":3,"site-nav-zh":4,"site-nav-zh-all-wudang-mountain":289,"event-categories-zh":650,"site-settings":893,"node-zh-wudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fphotography":935,"live-course-events":962},null,{"data":5},{"header":6,"footer":264},[7,51,82,123,161,187,229,260],{"to":8,"label":9,"label_zh":10,"children":11},"\u002Fdao","TAO","道",[12,17,22,26,30,34,39,43,47],{"to":13,"label":14,"label_zh":15,"n":16},"\u002Fdao\u002Fintroduction","Begin with the Tao","道學入門",9,{"to":18,"label":19,"label_zh":20,"n":21},"\u002Fdao\u002Fyi-jing","I Ching","易經",7,{"to":23,"label":24,"label_zh":25,"n":16},"\u002Fdao\u002Fdao-de-jing","Tao Te Ching","道德經",{"to":27,"label":28,"label_zh":29,"n":21},"\u002Fdao\u002Ftaiji","Taiji","太極",{"to":31,"label":32,"label_zh":33,"n":21},"\u002Fdao\u002Fzhuang-zi","Zhuangzi","莊子",{"to":35,"label":36,"label_zh":37,"n":38},"\u002Fdao\u002Fclassics","Classical Library","道家經典文庫",1,{"to":40,"label":41,"label_zh":42},"\u002Fdao\u002Fdaoist-philosophy","Taoist Philosophy","道家哲學",{"to":44,"label":45,"label_zh":46},"\u002Fdao\u002Fwu-wei-natural-living","Wu Wei & Natural Living","無為與自然生活",{"to":48,"label":49,"label_zh":50},"\u002Fdao\u002Fdaoist-view-of-life","A Taoist View of Life","道家人生觀",{"to":52,"label":53,"label_zh":54,"children":55},"\u002Fmartial-arts","Martial Arts","武當武術",[56,61,65,70,74,78],{"to":57,"label":58,"label_zh":59,"n":60},"\u002Fmartial-arts\u002Ffoundations-internal-arts","Foundations of Internal Martial Arts","內家拳基礎",6,{"to":62,"label":63,"label_zh":64,"n":21},"\u002Fmartial-arts\u002Ftaijiquan","Taijiquan (Tai Chi)","太極拳",{"to":66,"label":67,"label_zh":68,"n":69},"\u002Fmartial-arts\u002Fbaguazhang","Baguazhang: Circle Walking, Palm Changes and Movement","八卦掌：走圈、換掌與身法變化",5,{"to":71,"label":72,"label_zh":73,"n":69},"\u002Fmartial-arts\u002Fxingyiquan","Xingyiquan: Structure, Intention and Direct Training","形意拳：結構、意念與直接訓練",{"to":75,"label":76,"label_zh":77,"n":21},"\u002Fmartial-arts\u002Fweapons","Wudang Sword and Weapons: History, Practice and Context","武當劍與兵器：歷史、練習與文化語境",{"to":79,"label":80,"label_zh":81,"n":21},"\u002Fmartial-arts\u002Ftraining-practice","Training and Practice: Building a Sustainable Wudang Routine","訓練與習練：建立可持續的武當練習",{"to":83,"label":84,"label_zh":85,"children":86},"\u002Fwellness","Wellness","養生",[87,91,95,99,103,107,111,115,119],{"to":88,"label":89,"label_zh":90,"n":21},"\u002Fwellness\u002Fqigong","Qigong","氣功",{"to":92,"label":93,"label_zh":94,"n":60},"\u002Fwellness\u002Fherbal-healing","Chinese Herbal Medicine","中藥與本草",{"to":96,"label":97,"label_zh":98,"n":60},"\u002Fwellness\u002Ftaoist-medicine","Taoist Medicine","道家醫學",{"to":100,"label":101,"label_zh":102,"n":60},"\u002Fwellness\u002Fenergy-sound-healing","Sound & Energy Practices","聲音與能量練習",{"to":104,"label":105,"label_zh":106},"\u002Fwellness\u002Fstanding-practice","Standing Practice","站樁",{"to":108,"label":109,"label_zh":110},"\u002Fwellness\u002Fwudang-internal-cultivation","Wudang Internal Cultivation","武當內修",{"to":112,"label":113,"label_zh":114},"\u002Fwellness\u002Fmoxibustion","Moxibustion","艾灸",{"to":116,"label":117,"label_zh":118},"\u002Fwellness\u002Fbigu","Bigu","辟穀",{"to":120,"label":121,"label_zh":122,"n":38},"\u002Fwellness\u002Fbaduanjin","Baduanjin (Eight Brocades)","八段錦",{"to":124,"label":125,"label_zh":126,"children":127},"\u002Farts","Literati Arts","文人雅藝",[128,133,138,143,148,153,157],{"to":129,"label":130,"label_zh":131,"n":132},"\u002Farts\u002Fchinese-poetry-literature","Chinese Poetry and Literature: Forms, Contexts and Reading Paths","中國詩詞與文學：體式、語境與閱讀路徑",49,{"to":134,"label":135,"label_zh":136,"n":137},"\u002Farts\u002Fcalligraphy","Chinese Calligraphy: Scripts, Materials and Ways of Looking","中國書法：書體、材料與觀賞入門",17,{"to":139,"label":140,"label_zh":141,"n":142},"\u002Farts\u002Ftea-ceremony","Chinese Tea Culture","中國茶文化",39,{"to":144,"label":145,"label_zh":146,"n":147},"\u002Farts\u002Fguqin","Guqin: Sound, History and Ways to Listen","古琴：認識聲音、歷史與聆聽方法",12,{"to":149,"label":150,"label_zh":151,"n":152},"\u002Farts\u002Fpainting","Chinese Painting: Materials, Formats and Ways of Looking","中國繪畫：材料、形制與觀看方法",15,{"to":154,"label":155,"label_zh":156,"n":16},"\u002Farts\u002Fincense","Chinese Incense Culture","中國香文化",{"to":158,"label":159,"label_zh":160,"n":21},"\u002Farts\u002Fflower-arrangement","Chinese Flower Arrangement: History, Materials and Ways of Looking","中國插花：歷史、花材與觀看方法",{"to":162,"label":163,"label_zh":164,"children":165},"\u002Fdaoism","Taoist Culture","道教文化",[166,170,174,178,183],{"to":167,"label":168,"label_zh":169,"n":16},"\u002Fdaoism\u002Ftaoist-deities-pantheon","Taoist Deities and the Chinese Pantheon: A Structural Guide","道教神仙與神明體系：結構與層級指南",{"to":171,"label":172,"label_zh":173,"n":21},"\u002Fdaoism\u002Ftaoist-temples-sacred-mountains","Taoist Temples and Sacred Mountains: A Guide to Places and Architecture","道教名山與宮觀：聖地、建築與制度指南",{"to":175,"label":176,"label_zh":177,"n":21},"\u002Fdaoism\u002Ftaoist-schools-lineages","Taoist Schools and Lineages: Zhengyi, Quanzhen and Historical Traditions","道教流派與傳承：正一、全真及歷史道派",{"to":179,"label":180,"label_zh":181,"n":182},"\u002Fdaoism\u002Ftaoist-festivals-rituals","Taoist Festivals and Rituals: Calendars, Offerings and Community Rites","道教節日與科儀：神誕、齋醮與歲時儀式",19,{"to":184,"label":185,"label_zh":186,"n":60},"\u002Fdaoism\u002Feight-immortals","The Eight Immortals: Origins, Symbols and Taoist Legends","八仙：人物、象徵與道教傳說",{"to":188,"label":189,"label_zh":190,"children":191},"\u002Fchinese-metaphysics","Chinese Metaphysics","易學與傳統術數",[192,196,200,204,208,213,217,221,225],{"to":193,"label":194,"label_zh":195,"n":21},"\u002Fchinese-metaphysics\u002Fyin-yang-five-elements","Yin-Yang and the Five Phases in Chinese Thought","陰陽五行：理解關係與變化",{"to":197,"label":198,"label_zh":199,"n":21},"\u002Fchinese-metaphysics\u002Fganzhi-stems-branches","Chinese Heavenly Stems and Earthly Branches (Ganzhi)","天干地支（干支）：中國曆法與術數的六十迴圈",{"to":201,"label":202,"label_zh":203,"n":21},"\u002Fchinese-metaphysics\u002Ffeng-shui","Chinese Feng Shui: Landscape, Compass Methods and Responsible Practice","中國風水：形勢、羅盤方法與負責任實踐",{"to":205,"label":206,"label_zh":207,"n":21},"\u002Fchinese-metaphysics\u002Fbazi-four-pillars","BaZi (Four Pillars of Destiny): How the Eight Characters Work","八字四柱命理：八個字如何構成命盤",{"to":209,"label":210,"label_zh":211,"n":212},"\u002Fchinese-metaphysics\u002Fzi-wei-dou-shu","Zi Wei Dou Shu (Purple Star Astrology): How the Twelve-Palace Chart Works","紫微斗數：十二宮命盤如何運作",8,{"to":214,"label":215,"label_zh":216,"n":212},"\u002Fchinese-metaphysics\u002Fdate-selection","Chinese Date Selection: How Auspicious Days Are Chosen","中國擇吉：傳統吉日如何選擇",{"to":218,"label":219,"label_zh":220,"n":21},"\u002Fchinese-metaphysics\u002Fphysiognomy","Chinese Physiognomy: Face Reading, Palm Reading and Their Limits","中國相術：面相、手相及其侷限",{"to":222,"label":223,"label_zh":224,"n":21},"\u002Fchinese-metaphysics\u002Fdivination-arts","Chinese Divination Arts: Methods, History and Responsible Use","中國占卜術：方法、歷史與負責任使用",{"to":226,"label":227,"label_zh":228,"n":21},"\u002Fchinese-metaphysics\u002Fluoshu-hetu","The Hetu, Luoshu and Nine Palaces in Chinese Cosmology","河圖、洛書與九宮：中國傳統圖式的歷史與用途",{"to":230,"label":231,"label_zh":232,"children":233},"\u002Fwudang-mountain","Experience Wudang","武當之旅",[234,238,243,248,252,256],{"to":235,"label":236,"label_zh":237,"n":21},"\u002Fwudang-mountain\u002Fintroduction","Introduction to Wudang Mountain","初識武當山",{"to":239,"label":240,"label_zh":241,"n":242},"\u002Fwudang-mountain\u002Ftemples-and-sites","Wudang Mountain Temples and Sacred Sites","武當山宮觀與勝蹟",3,{"to":244,"label":245,"label_zh":246,"n":247},"\u002Fwudang-mountain\u002Fplanning-a-visit","Planning a Visit to Wudang Mountain","武當山行前規劃指南",4,{"to":249,"label":250,"label_zh":251,"n":242},"\u002Fwudang-mountain\u002Fstudying-at-wudang","Studying Martial Arts at Wudang Mountain","在武當山學習武術",{"to":253,"label":254,"label_zh":255,"n":242},"\u002Fwudang-mountain\u002Ftemple-etiquette","Wudang Temple Etiquette: A Visitor’s Guide","武當宮觀參訪禮儀",{"to":257,"label":258,"label_zh":259,"n":69},"\u002Fwudang-mountain\u002Fpractical-reference","Wudang Mountain Practical Reference","武當山實用參考資料",{"to":261,"label":262,"label_zh":263},"\u002Fwudang-mountain\u002Feveryday-wudang","Everyday Wudang","武當日常",[265,266,267,268,269,270,271,272,273,277,281,285],{"to":8,"label":9,"label_zh":10},{"to":52,"label":53,"label_zh":54},{"to":83,"label":84,"label_zh":85},{"to":124,"label":125,"label_zh":126},{"to":162,"label":163,"label_zh":164},{"to":188,"label":189,"label_zh":190},{"to":230,"label":231,"label_zh":232},{"to":261,"label":262,"label_zh":263},{"to":274,"label":275,"label_zh":276},"\u002Fabout","About Wudang.Org","關於 Wudang.Org",{"to":278,"label":279,"label_zh":280},"\u002Fstart-here","Start Here","從這裡開始",{"to":282,"label":283,"label_zh":284},"\u002Ffind-a-practice","Find a Practice","找到適合你的修習",{"to":286,"label":287,"label_zh":288},"\u002Fteachers","Our Teachers","授課老師",{"data":290},{"all":291,"header":648,"footer":649},[292],{"to":230,"label":231,"label_zh":232,"children":293},[294,324,409,467,520,569,591,592],{"to":235,"label":236,"label_zh":237,"children":295},[296,300,304,308,312,316,320],{"to":297,"label":298,"label_zh":299},"\u002Fwudang-mountain\u002Fintroduction\u002Fzhenwu","Zhenwu: The Taoist Deity at the Heart of Wudang Mountain","真武大帝：武當山的主神",{"to":301,"label":302,"label_zh":303},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-today","Wudang Mountain Today: Temples, Tourism and Daily Life","今天的武當山：宮觀、旅遊與日常生活",{"to":305,"label":306,"label_zh":307},"\u002Fwudang-mountain\u002Fintroduction\u002Fis-a-visit-right-for-you","Should You Visit Wudang Mountain?","武當山適合你去嗎？",{"to":309,"label":310,"label_zh":311},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-world-heritage","Wudang World Heritage: What UNESCO Inscribed and Why","武當山世界遺產：古建築群為何列入名錄",{"to":313,"label":314,"label_zh":315},"\u002Fwudang-mountain\u002Fintroduction\u002Fstone-inscriptions-and-steles","Reading Wudang’s Stone Inscriptions: Steles, Dates and Imperial Memory","讀懂武當碑刻：碑石、年代與皇家記憶",{"to":317,"label":318,"label_zh":319},"\u002Fwudang-mountain\u002Fintroduction\u002Fwudang-gazetteers-sacred-geography","How Wudang Was Recorded: Gazetteers and Sacred Geography","武當如何被寫進山志：文獻與神聖地理",{"to":321,"label":322,"label_zh":323},"\u002Fwudang-mountain\u002Fintroduction\u002Fplaques-couplets-calligraphy","Reading Wudang’s Plaques and Couplets: Names, Calligraphy and Layers of Time","讀懂武當匾額與楹聯：名號、書法與歷史層次",{"to":239,"label":240,"label_zh":241,"children":325},[326,347,364],{"to":327,"label":328,"label_zh":329,"children":330},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route","The Central Temple Route at Wudang Mountain","武當山主線宮觀路線",[331,335,339,343],{"to":332,"label":333,"label_zh":334},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fmozhen-well-and-taizipo","Mozhen Well and Taizipo at Wudang Mountain","武當山磨針井與太子坡",{"to":336,"label":337,"label_zh":338},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fzixiao-palace","Zixiao Palace at Wudang Mountain: A Visitor’s Guide","武當山紫霄宮：參觀指南",{"to":340,"label":341,"label_zh":342},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fnanyan-palace","Nanyan Palace at Wudang Mountain: Cliff Temple and Dragon-Head Incense","武當山南巖宮：懸崖宮觀與龍頭香",{"to":344,"label":345,"label_zh":346},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Fcentral-route\u002Fthe-summit","Wudang Mountain Summit: Taihe Palace and the Golden Hall","武當山金頂：太和宮與金殿",{"to":348,"label":349,"label_zh":350,"children":351},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces","Outlying Palaces and Quiet Sites at Wudang Mountain","武當山外圍宮觀",[352,356,360],{"to":353,"label":354,"label_zh":355},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fyuxu-palace","Yuxu Palace at Wudang Mountain: Imperial Ruins and Administrative Centre","武當山玉虛宮：明代皇家遺址與全山管理中心",{"to":357,"label":358,"label_zh":359},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fyuzhen-palace","Yuzhen Palace at Wudang Mountain: Zhang Sanfeng, Fire and Relocation","武當山遇真宮：張三丰、火災與整體抬升",{"to":361,"label":362,"label_zh":363},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Foutlying-palaces\u002Fwulong-palace","Wulong Palace at Wudang Mountain: The Oldest Remote Temple Site","武當山五龍宮：最古老的偏遠宮觀遺址",{"to":365,"label":366,"label_zh":367,"children":368},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture","Wudang Mountain Temple Layout and Architecture","武當山宮觀佈局與建築",[369,373,377,381,385,389,393,397,401,405],{"to":370,"label":371,"label_zh":372},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fthe-overall-plan","How Wudang Mountain’s Temples Form One Imperial Route","武當山宮觀總體佈局：一條皇家朝山路線",{"to":374,"label":375,"label_zh":376},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fbuilding-on-difficult-ground","How Wudang Mountain Temples Were Built on Difficult Ground","武當山宮觀如何建在險峻山地",{"to":378,"label":379,"label_zh":380},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fwhat-survives","What Is Original at Wudang Mountain—and What Was Rebuilt","武當山哪些是原物，哪些經過修復或復建",{"to":382,"label":383,"label_zh":384},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-roofs","How to Read a Wudang Roof: Tiles, Rank and Repair","如何讀懂武當屋頂：瓦作、等級與修繕",{"to":386,"label":387,"label_zh":388},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-painted-timber","How to Read Painted Timber at Wudang: Colour, Craft and Renewal","如何讀懂武當建築彩畫：色彩、工藝與更新",{"to":390,"label":391,"label_zh":392},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-dougong","How to Read Dougong at Wudang: Brackets, Loads and Building Rank","如何讀懂武當斗拱：構件、荷載與建築等級",{"to":394,"label":395,"label_zh":396},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-bronze","How to Read Bronze at Wudang: Casting, Gilding and Imperial Networks","如何讀懂武當銅建築：鑄造、鎏金與帝國網路",{"to":398,"label":399,"label_zh":400},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-doors-windows","How to Read Doors and Windows at Wudang: Frames, Lattice and Repair","如何讀懂武當門窗：框架、欞格與修繕",{"to":402,"label":403,"label_zh":404},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-wudang-temples-manage-rainwater","How Water Leaves a Wudang Temple: Roofs, Courtyards and Mountain Drainage","武當宮觀如何排水：屋面、院落與山地水路",{"to":406,"label":407,"label_zh":408},"\u002Fwudang-mountain\u002Ftemples-and-sites\u002Flayout-and-architecture\u002Fhow-to-read-wudang-stonework-platforms-steps-weathering","How to Read Stonework at Wudang: Platforms, Steps and Weathering","怎樣讀懂武當山石作：臺基、階道與風化痕跡",{"to":244,"label":245,"label_zh":246,"children":410},[411,424,441,454],{"to":412,"label":413,"label_zh":414,"children":415},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around","Getting to and Around Wudang Mountain","如何前往武當山並在景區內出行",[416,420],{"to":417,"label":418,"label_zh":419},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around\u002Freaching-wudang","How to Reach Wudang Mountain","如何前往武當山",{"to":421,"label":422,"label_zh":423},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fgetting-there-and-around\u002Fgetting-around-the-mountain","Getting Around Wudang Mountain","如何在武當山景區內出行",{"to":425,"label":426,"label_zh":427,"children":428},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons","Wudang Mountain Tickets, Costs and Best Seasons","武當山門票、花費與最佳季節",[429,433,437],{"to":430,"label":431,"label_zh":432},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Ftickets-and-what-they-cover","Wudang Mountain Tickets and What They Cover","武當山門票包含什麼",{"to":434,"label":435,"label_zh":436},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Fwhat-a-trip-costs","What a Trip to Wudang Mountain Costs","去武當山旅行需要多少費用",{"to":438,"label":439,"label_zh":440},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ftickets-costs-and-seasons\u002Fwhen-to-go","When to Visit Wudang Mountain","什麼時候去武當山最合適",{"to":442,"label":443,"label_zh":444,"children":445},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fstaying-and-eating","Where to Stay and Eat at Wudang Mountain","武當山住宿與飲食指南",[446,450],{"to":447,"label":448,"label_zh":449},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fstaying-and-eating\u002Fwhere-to-stay","Where to Stay at Wudang Mountain","去武當山住在哪裡",{"to":451,"label":452,"label_zh":453},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Fstaying-and-eating\u002Feating","What to Eat at Wudang Mountain","武當山吃什麼",{"to":455,"label":456,"label_zh":457,"children":458},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ffitness-access-and-safety","Wudang Mountain Fitness, Access and Safety","武當山體力要求、通行條件與安全",[459,463],{"to":460,"label":461,"label_zh":462},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ffitness-access-and-safety\u002Fhow-hard-is-it","How Physically Demanding Is Wudang Mountain?","遊覽武當山需要多少體力",{"to":464,"label":465,"label_zh":466},"\u002Fwudang-mountain\u002Fplanning-a-visit\u002Ffitness-access-and-safety\u002Fsafety-and-weather","Wudang Mountain Weather and Safety","武當山天氣與出行安全",{"to":249,"label":250,"label_zh":251,"children":468},[469,486,503],{"to":470,"label":471,"label_zh":472,"children":473},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-is-actually-taught","What Wudang Mountain Martial Arts Schools Actually Teach","武當山武館實際教什麼",[474,478,482],{"to":475,"label":476,"label_zh":477},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-is-actually-taught\u002Fwhat-the-label-means","Wudang Martial Arts: What the Label Means","“武當武術”這個名目",{"to":479,"label":480,"label_zh":481},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-is-actually-taught\u002Fqigong-and-internal-practice","Qigong, Meditation and Internal Practice at Wudang Schools","武當武館的氣功、打坐與內功訓練",{"to":483,"label":484,"label_zh":485},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-is-actually-taught\u002Fother-subjects","Weapons and Other Subjects at Wudang Martial Arts Schools","武當武館的兵器與其他課程",{"to":487,"label":488,"label_zh":489,"children":490},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school","How to Choose a Martial Arts School at Wudang Mountain","如何選擇武當山武館",[491,495,499],{"to":492,"label":493,"label_zh":494},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school\u002Fhow-schools-are-organised","How Wudang Martial Arts Schools Are Organised","武當武館如何組織和運作",{"to":496,"label":497,"label_zh":498},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school\u002Fhow-to-evaluate","How to Evaluate a Wudang Martial Arts School Before Paying","交費前如何考察武當武館",{"to":500,"label":501,"label_zh":502},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fchoosing-a-school\u002Fwarning-signs","Warning Signs When Choosing a Wudang Martial Arts School","選擇武當武館時需要警惕的跡象",{"to":504,"label":505,"label_zh":506,"children":507},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like","What Martial Arts Training at Wudang Mountain Is Really Like","武當山武術訓練的真實樣子",[508,512,516],{"to":509,"label":510,"label_zh":511},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like\u002Fa-typical-day","A Typical Day Training at a Wudang Martial Arts School","在武當武館訓練的一天",{"to":513,"label":514,"label_zh":515},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like\u002Fcosts-and-practicalities","Wudang Martial Arts Training Costs, Paperwork and Practicalities","武當武術學習的費用、手續與實際安排",{"to":517,"label":518,"label_zh":519},"\u002Fwudang-mountain\u002Fstudying-at-wudang\u002Fwhat-training-is-like\u002Frealistic-expectations","Realistic Results from Training at Wudang Mountain","在武當山練武能達到什麼程度",{"to":253,"label":254,"label_zh":255,"children":521},[522,535,552],{"to":523,"label":524,"label_zh":525,"children":526},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fbefore-you-go-in","Before You Enter a Wudang Temple","進入武當宮觀之前",[527,531],{"to":528,"label":529,"label_zh":530},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fbefore-you-go-in\u002Fwhat-a-working-temple-is","How a Working Wudang Temple Operates","武當宮觀如何日常運作",{"to":532,"label":533,"label_zh":534},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fbefore-you-go-in\u002Fdress-timing-and-what-to-bring","What to Wear and Bring to a Wudang Temple","參訪武當宮觀：穿著、時間與隨身物品",{"to":536,"label":537,"label_zh":538,"children":539},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls","Inside a Wudang Temple Hall","武當宮觀殿內禮儀",[540,544,548],{"to":541,"label":542,"label_zh":543},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fentering-a-hall","Entering and Moving Around a Wudang Temple Hall","進入武當宮觀殿堂與殿內走動",{"to":545,"label":546,"label_zh":547},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fincense-and-bowing","Incense, Bowing and Offerings at Wudang Temples","武當宮觀的上香、叩拜與供品",{"to":549,"label":550,"label_zh":551},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Finside-the-halls\u002Fphotography","Photography and Respect in Wudang Temples","武當宮觀拍照與禮儀分寸",{"to":553,"label":554,"label_zh":555,"children":556},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes","Taoist Clergy, Donations and Common Mistakes at Wudang Temples","武當宮觀中的道長、功德與常見錯誤",[557,561,565],{"to":558,"label":559,"label_zh":560},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Ftaoist-clergy","Taoist Clergy: How to Address Them","在武當山如何稱呼和對待道長",{"to":562,"label":563,"label_zh":564},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Fdonations-and-fees","Donations, Fees and What to Refuse at Wudang Temples","武當宮觀的功德、收費與該拒絕的事",{"to":566,"label":567,"label_zh":568},"\u002Fwudang-mountain\u002Ftemple-etiquette\u002Fpeople-money-and-mistakes\u002Fcommon-mistakes","Common Wudang Temple Etiquette Mistakes","武當宮觀參訪常見錯誤與補救",{"to":257,"label":258,"label_zh":259,"children":570},[571,575,579,583,587],{"to":572,"label":573,"label_zh":574},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fnames-and-terms","A Glossary of Wudang Mountain Names and Terms","武當山名詞與地名速查",{"to":576,"label":577,"label_zh":578},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fidentifying-the-figures","How to Identify Deities in Wudang Temple Halls","如何辨認武當宮觀殿內神像",{"to":580,"label":581,"label_zh":582},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fitineraries","Wudang Mountain Itineraries: Half Day to Several Days","武當山行程建議：半天至數日",{"to":584,"label":585,"label_zh":586},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fsources-and-further-reading","Wudang Mountain Sources and Further Reading","武當山資料來源與延伸閱讀",{"to":588,"label":589,"label_zh":590},"\u002Fwudang-mountain\u002Fpractical-reference\u002Fmap-and-route-guide","Wudang Mountain Map and Route Guide","武當山地圖與遊覽路線指南",{"to":261,"label":262,"label_zh":263},{"to":593,"label":594,"label_zh":595,"children":596},"\u002Fwudang-mountain\u002Fnatural-landscape","Wudang Mountain’s 72 Peaks, 36 Cliffs and 24 Streams","武當山七十二峰、三十六巖與二十四澗",[597,606,619,628,632,636,640,644],{"to":598,"label":599,"label_zh":600,"children":601},"\u002Fwudang-mountain\u002Fnatural-landscape\u002F72-peaks","The 72 Peaks of Wudang Mountain","武當山七十二峰",[602],{"to":603,"label":604,"label_zh":605},"\u002Fwudang-mountain\u002Fnatural-landscape\u002F72-peaks\u002Ftianzhu-peak","Tianzhu Peak at Wudang Mountain: Summit, Golden Hall and Sacred Landscape","武當山天柱峰：山頂、金殿與神聖景觀",{"to":607,"label":608,"label_zh":609,"children":610},"\u002Fwudang-mountain\u002Fnatural-landscape\u002F36-cliffs","The 36 Cliffs of Wudang Mountain","武當山三十六巖",[611,615],{"to":612,"label":613,"label_zh":614},"\u002Fwudang-mountain\u002Fnatural-landscape\u002F36-cliffs\u002Fnanyan-cliff","Nanyan Cliff at Wudang Mountain: Three Historical Names and a Sacred Ledge","武當山南巖：三個歷史名稱、山崖地貌與宮觀",{"to":616,"label":617,"label_zh":618},"\u002Fwudang-mountain\u002Fnatural-landscape\u002F36-cliffs\u002Fyinxian-rock","Yinxian Rock at Wudang Mountain: Cave, Inscription and Hermit Traditions","武當山隱仙岩：巖洞、至順三年題刻與隱士傳統",{"to":620,"label":621,"label_zh":622,"children":623},"\u002Fwudang-mountain\u002Fnatural-landscape\u002F24-streams","The 24 Streams of Wudang Mountain","武當山二十四澗",[624],{"to":625,"label":626,"label_zh":627},"\u002Fwudang-mountain\u002Fnatural-landscape\u002F24-streams\u002Ffrom-ravine-to-reservoir-reading-water-at-wudang","From Ravine to Reservoir: Reading Water at Wudang Mountain","從山澗到水庫：讀懂武當山的水",{"to":629,"label":630,"label_zh":631},"\u002Fwudang-mountain\u002Fnatural-landscape\u002Flandscape-temples-and-routes","How Wudang Mountain’s Landscape Shaped Its Temples and Routes","武當山地形如何塑造宮觀與參訪路線",{"to":633,"label":634,"label_zh":635},"\u002Fwudang-mountain\u002Fnatural-landscape\u002Fold-trees-living-heritage","Old Trees at Wudang: Living Heritage, Age and Care","武當古樹：活態遺產、樹齡與守護",{"to":637,"label":638,"label_zh":639},"\u002Fwudang-mountain\u002Fnatural-landscape\u002Fwild-edible-plants-pilgrimage","Wild Edible Plants at Wudang: Food, Pilgrimage and Living Knowledge","武當山野菜：飲食、朝山與活態知識",{"to":641,"label":642,"label_zh":643},"\u002Fwudang-mountain\u002Fnatural-landscape\u002Fwudang-mountain-mist-clouds-visibility","Mist at Wudang: Weather, Visibility and the Art of Mountain Looking","武當山雲霧：天氣、能見度與觀山之道",{"to":645,"label":646,"label_zh":647},"\u002Fwudang-mountain\u002Fnatural-landscape\u002Freading-wudang-forests-elevation-canopy-sacred-landscape","Reading Wudang’s Forests: Elevation, Canopy and Sacred Landscape","讀懂武當山森林：海拔、林冠與神聖景觀",[],[],{"data":651},[652,688,711,730,751,770,790,808,829,852,874],{"id":38,"uuid":653,"slug":654,"available_locales":655,"name":659,"description":662,"body":664,"path":667,"images":668,"image_urls":673,"hero_image":3,"hero_image_url":3,"seo_title":678,"seo_description":681,"sort_order":683,"is_active":684,"status":685,"created_at":686,"updated_at":687},"f1a30881-20c6-407b-b546-669e839a178a","feng-shui-learning",[656,657,658],"en","zh","fr",{"en":660,"zh":661},"Feng Shui Learning","風水課程",{"en":663,"zh":3},"Study feng shui as a historical Chinese tradition of interpreting orientation, form and environment—with clear limits on predictive claims.",{"en":665,"zh":666},"\u003Ch2>\u003Cem>Feng shui 風水 developed through multiple schools, texts and professional traditions. It brings together observations of landform, orientation, water, buildings and correlative cosmology. It should not be reduced to decorative rules, nor presented as a scientifically proven way to guarantee health, wealth or relationships.\u003C\u002Fem>\u003C\u002Fh2>\u003Cp>\u003Cem>Classes introduce core vocabulary, the distinction between major approaches and the cultural contexts in which feng shui has been practised. Contemporary applications are discussed critically. Students remain responsible for property, financial and personal decisions and should seek qualified professional advice where those decisions carry material consequences.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>風水形成於不同的流派、典籍與專業傳統，綜合觀察地形、方位、水勢、建築以及陰陽五行等關聯性宇宙觀。它不應被簡化為裝飾規則，也不能被宣傳為保證健康、財富或關係結果的科學方法。\u003C\u002Fp>\u003Cp>課程介紹基本術語、主要方法的差別，以及風水在歷史社會中的實踐語境，並以批判態度討論當代應用。涉及房產、財務或其他重大決定時，學員仍應根據事實判斷，並諮詢具備資質的相關專業人士。\u003C\u002Fp>","\u002Fevents\u002Ffeng-shui-learning",[669,670,671,672],"wudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","wudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","wudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","wudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",[674,675,676,677],"https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FYpvXV9T4BG3YVD0NQ150.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FfhZyCVAEQXsL76XmGdVp.webp","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FAt5a8W2EGZ9IhDUbI4f3.avif","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fevents\u002FBKPjfYeMNJ617LWJ7tgv.avif",{"en":679,"zh":680},"Feng Shui Classes and Courses","風水課程：方位、形勢與空間觀念入門",{"en":663,"zh":682},"從歷史、環境與文化語境學習風水，理解方位、形勢與空間觀念，同時明確傳統解釋與科學證據的界限。",0,true,"active","2026-07-13T05:17:57.000000Z","2026-09-25T03:51:12.000000Z",{"id":60,"uuid":689,"slug":690,"available_locales":691,"name":692,"description":695,"body":698,"path":701,"images":702,"image_urls":703,"hero_image":3,"hero_image_url":3,"seo_title":704,"seo_description":707,"sort_order":683,"is_active":684,"status":685,"created_at":710,"updated_at":687},"c85bf6cc-b84e-4c36-bbd7-9e92b53bbe50","internal-arts-wellness",[656,657,658],{"en":693,"zh":694},"Internal Arts & Wellness","內家功法與養生",{"en":696,"zh":697},"Classes, workshops and retreats in Baduanjin, Taijiquan, qigong and traditional practices for movement, breathing and mindful cultivation.","彙集八段錦、太極拳、氣功及傳統身心修習的課程、工作坊與靜修活動。",{"en":699,"zh":700},"\u003Cp>Explore small-group classes, workshops and retreats introducing Wudang internal arts and traditional wellness practices. Programmes may include Baduanjin, Taijiquan, qigong, standing practice, breathing and their cultural foundations.\u003C\u002Fp>\u003Cp>Each listing provides its teacher, schedule, experience level and registration arrangements.\u003C\u002Fp>","\u003Cp>本類別彙集武當內家功法與傳統養生修習的小班課程、工作坊及靜修活動，內容可涵蓋八段錦、太極拳、氣功、站樁、呼吸練習及相關文化基礎。\u003C\u002Fp>\u003Cp>每項活動都會註明導師、日期、適合程度與報名方式，方便參加者選擇合適的學習體驗。\u003C\u002Fp>","\u002Fevents\u002Finternal-arts-wellness",[],[],{"en":705,"zh":706},"Internal Arts & Wellness Events","內家功法與養生活動",{"en":708,"zh":709},"Explore Baduanjin, Taijiquan, qigong and traditional wellness classes, workshops and retreats listed by Wudang.Org.","探索八段錦、太極拳、氣功與傳統養生課程、工作坊及靜修活動。","2026-08-16T19:23:45.000000Z",{"id":712,"uuid":713,"slug":714,"available_locales":715,"name":716,"description":719,"body":720,"path":721,"images":722,"image_urls":723,"hero_image":3,"hero_image_url":3,"seo_title":724,"seo_description":726,"sort_order":683,"is_active":684,"status":685,"created_at":729,"updated_at":687},10,"884ed965-8c72-49e2-acee-0fc2f7aec70a","face-reading-learning",[656,657,658],{"en":717,"zh":718},"Face Reading Learning","面相課程",[],[],"\u002Fevents\u002Fface-reading-learning",[],[],{"en":725},"Chinese Face Reading Classes and Workshops",{"en":727,"zh":728},"Learn Chinese face reading (面相) as a cultural tradition: its classical framework, history and uses, taught with clear limits on predictive claims.","把面相作為中國傳統文化來學習：認識其經典框架、歷史與用法，並清楚說明傳統詮釋的邊界。","2026-08-30T17:01:43.000000Z",{"id":731,"uuid":732,"slug":733,"available_locales":734,"name":735,"description":738,"body":740,"path":743,"images":744,"image_urls":745,"hero_image":3,"hero_image_url":3,"seo_title":746,"seo_description":749,"sort_order":38,"is_active":684,"status":685,"created_at":686,"updated_at":687},2,"8792a80b-d0c8-4ef9-9634-5cb91827932b","zi-wei-dou-shu-learning",[656,657,658],{"en":736,"zh":737},"Zi Wei Dou Shu Learning","紫微斗數課程",{"en":739,"zh":3},"Explore Purple Star Astrology as a traditional Chinese interpretive system, approached as cultural knowledge rather than scientific prediction.",{"en":741,"zh":742},"\u003Cp>Zi Wei Dou Shu 紫微鬥數 organises birth information through palaces, stars and patterned relationships. The system has a substantial technical vocabulary and several interpretive traditions, but its predictive claims are not established by modern scientific evidence.\u003C\u002Fp>\u003Cp>Courses explain how charts are structured, how symbols are read and how historical and contemporary practitioners differ. The aim is cultural literacy and disciplined reflection—not certainty about the future. Readings do not replace medical, legal, financial, employment or psychological expertise.\u003C\u002Fp>","\u003Cp>紫微斗數依據出生資訊，以宮位、星曜和彼此關係組織命盤。它具有複雜的術語與多種解釋傳統，但其預測主張並未得到現代科學證據的確立。\u003C\u002Fp>\u003Cp>課程說明命盤結構、符號閱讀方法，以及歷史與當代實踐者之間的差異。學習目的在於文化理解與有紀律的自我反思，而不是獲得關於未來的確定答案。相關解讀不能代替醫療、法律、財務、就業或心理專業意見。\u003C\u002Fp>","\u002Fevents\u002Fzi-wei-dou-shu-learning",[],[],{"en":747,"zh":748},"Zi Wei Dou Shu (Purple Star Astrology) Classes","紫微斗數課程：命盤、宮位與星曜入門",{"en":739,"zh":750},"把紫微斗數作為中國傳統詮釋體系來學習，認識命盤、宮位與星曜，不把它包裝成科學預測。",{"id":247,"uuid":752,"slug":753,"available_locales":754,"name":755,"description":758,"body":759,"path":760,"images":761,"image_urls":762,"hero_image":3,"hero_image_url":3,"seo_title":763,"seo_description":766,"sort_order":38,"is_active":684,"status":685,"created_at":769,"updated_at":687},"09958025-4f1d-40e6-ae1c-8b1517ac824e","tea-arts",[656,657,658],{"en":756,"zh":757},"Tea Arts","茶藝",[],[],"\u002Fevents\u002Ftea-arts",[],[],{"en":764,"zh":765},"Chinese Tea Art Classes and Workshops","茶藝課程與工作坊",{"en":767,"zh":768},"Chinese tea art (茶藝) classes and workshops: tea types, brewing methods, tea-table etiquette and the quiet attention of sharing tea.","茶藝課程與工作坊：認識茶類、泡茶方法與茶席禮儀，在一席茶中體會從容與專注。","2026-08-16T17:13:57.000000Z",{"id":242,"uuid":771,"slug":772,"available_locales":773,"name":774,"description":777,"body":779,"path":782,"images":783,"image_urls":784,"hero_image":3,"hero_image_url":3,"seo_title":785,"seo_description":788,"sort_order":731,"is_active":684,"status":685,"created_at":686,"updated_at":687},"e52a261e-348a-4b8a-bd51-43f4e6b1d861","ba-zi-learning",[656,657,658],{"en":775,"zh":776},"Ba Zi Learning","八字課程",{"en":778,"zh":3},"Study the Four Pillars as a traditional system of stems, branches and five-phase correspondence, with history and limitations made explicit.",{"en":780,"zh":781},"\u003Cp>Ba Zi 八字 interprets year, month, day and hour through the heavenly stems, earthly branches, yin-yang and five-phase relationships. It is an influential part of Chinese metaphysical culture, not an observational science in the modern empirical sense.\u003C\u002Fp>\u003Cp>Classes introduce chart structure, terminology and common interpretive methods while distinguishing tradition from evidence. Students are encouraged to treat readings as prompts for reflection and never as guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>八字以年、月、日、時四柱為框架，通過天干、地支、陰陽與五行關係進行解釋。它是中國術數文化中影響深遠的傳統體系，並非現代經驗科學。\u003C\u002Fp>\u003Cp>課程介紹命盤結構、基本術語和常見詮釋方法，同時說明傳統觀點與科學證據的差別。學員可把解讀作為反思的線索，但不應把它當作保證、診斷，或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fba-zi-learning",[],[],{"en":786,"zh":787},"BaZi (Four Pillars) Classes and Courses","八字課程：四柱、天干地支與五行入門",{"en":778,"zh":789},"學習四柱中的天干、地支與五行關係，理解其歷史與方法，也清楚區分傳統詮釋和現代實證知識。",{"id":69,"uuid":791,"slug":792,"available_locales":793,"name":794,"description":797,"body":798,"path":799,"images":800,"image_urls":801,"hero_image":3,"hero_image_url":3,"seo_title":802,"seo_description":805,"sort_order":731,"is_active":684,"status":685,"created_at":769,"updated_at":687},"76718b8e-3137-42fc-a257-c9e318b3e364","incense-culture",[656,657,658],{"en":795,"zh":796},"Incense Culture","香文化",[],[],"\u002Fevents\u002Fincense-culture",[],[],{"en":803,"zh":804},"Chinese Incense Culture Workshops","香文化活動與工作坊",{"en":806,"zh":807},"Workshops on Chinese incense culture (香文化): aromatic materials, traditional ways of preparing and appreciating incense, and incense as calm attention.","香文化活動與工作坊：認識香材、傳統制香與品香方式，在一爐香中練習安靜與專注。",{"id":809,"uuid":810,"slug":811,"available_locales":812,"name":813,"description":816,"body":819,"path":822,"images":823,"image_urls":824,"hero_image":3,"hero_image_url":3,"seo_title":825,"seo_description":827,"sort_order":731,"is_active":684,"status":685,"created_at":828,"updated_at":687},11,"c39cc557-40eb-4266-9736-7fb84891d407","i-ching-learning",[656,657,658],{"en":814,"zh":815},"I Ching Learning","易經課程",{"en":817,"zh":818},"Explore the I Ching through its hexagrams, traditional interpretive methods and historical context, with scope and limitations made explicit.","通過卦象、傳統解讀方法與歷史語境認識《易經》，並清楚說明其適用範圍與侷限。",{"en":820,"zh":821},"\u003Cp>The I Ching 易經 is a classical Chinese text centred on sixty-four hexagrams and a long history of commentary and divination. It has shaped Chinese philosophy, cosmology and metaphysical practice, but its divinatory claims are not established as modern empirical science.\u003C\u002Fp>\u003Cp>Classes introduce structures, terminology and traditional methods such as Liu Yao while distinguishing cultural study from evidence. Readings should be treated as prompts for reflection, not guarantees, diagnoses or substitutes for professional advice.\u003C\u002Fp>","\u003Cp>《易經》是一部以六十四卦為核心的中國經典，形成了悠久的註疏與占筮傳統，並深刻影響中國哲學、宇宙觀與術數文化；其占筮主張並非現代經驗科學所證實。\u003C\u002Fp>\u003Cp>課程介紹基本結構、術語和六爻等傳統方法，同時區分文化學習與科學證據。解讀宜作為反思線索，不應視為保證、診斷或任何專業意見的替代品。\u003C\u002Fp>","\u002Fevents\u002Fi-ching-learning",[],[],{"en":826,"zh":815},"I Ching Classes and Courses",{"en":817,"zh":818},"2026-09-08T00:15:35.000000Z",{"id":21,"uuid":830,"slug":831,"available_locales":832,"name":833,"description":836,"body":839,"path":842,"images":843,"image_urls":844,"hero_image":3,"hero_image_url":3,"seo_title":845,"seo_description":848,"sort_order":242,"is_active":684,"status":685,"created_at":851,"updated_at":687},"ee2330c6-5a3e-4ac2-a2d1-1a0dc110c58c","traditional-arts-crafts",[656,657,658],{"en":834,"zh":835},"Traditional Arts & Crafts","傳統藝術與手作",{"en":837,"zh":838},"Hands-on workshops exploring Chinese handicrafts and decorative arts through guided making and cultural appreciation.","通過親手製作與文化欣賞，體驗中國傳統手作及裝飾藝術。",{"en":840,"zh":841},"\u003Cp>Discover practical workshops in Chinese decorative arts and handcraft traditions. Activities may include gold-leaf painting, cloisonné enamel, mother-of-pearl work, Song brocade and other guided projects.\u003C\u002Fp>\u003Cp>These welcoming sessions introduce materials, techniques and cultural context while allowing participants to complete a piece of their own.\u003C\u002Fp>","\u003Cp>本類別彙集中國傳統裝飾藝術與手作體驗，內容可涵蓋金箔畫、掐絲琺琅、螺鈿工藝、宋錦及其他創作專案。\u003C\u002Fp>\u003Cp>課程以輕鬆易懂的方式介紹材料、技法與文化背景，讓參加者在導師帶領下完成屬於自己的作品。\u003C\u002Fp>","\u002Fevents\u002Ftraditional-arts-crafts",[],[],{"en":846,"zh":847},"Traditional Arts & Crafts Events","傳統藝術與手作活動",{"en":849,"zh":850},"Explore Chinese handicraft and decorative arts workshops, including gold-leaf, cloisonné, mother-of-pearl and brocade.","探索金箔畫、掐絲琺琅、螺鈿、宋錦等中國傳統手作及裝飾藝術體驗。","2026-08-16T19:24:04.000000Z",{"id":212,"uuid":853,"slug":854,"available_locales":855,"name":856,"description":859,"body":862,"path":865,"images":866,"image_urls":867,"hero_image":3,"hero_image_url":3,"seo_title":868,"seo_description":870,"sort_order":247,"is_active":684,"status":685,"created_at":873,"updated_at":687},"824f78c1-1181-4983-bae5-77e7cdbbbc1d","wudang-community",[656,657,658],{"en":857,"zh":858},"Wudang Community","武當社群活動",{"en":860,"zh":861},"Talks, broadcasts and community gatherings connecting people with Wudang culture, learning and living practice.","通過講座、直播與社群聚會，連線武當文化、學習與日常實踐。",{"en":863,"zh":864},"\u003Cp>Wudang Community brings together public talks, livestreams, gatherings and shared cultural activities connected with Wudang.\u003C\u002Fp>\u003Cp>These programmes create welcoming ways to meet practitioners, explore ideas and participate in a growing community of learning and practice.\u003C\u002Fp>","\u003Cp>武當社群活動彙集與武當文化相關的公開講座、直播、聚會及共享文化體驗。\u003C\u002Fp>\u003Cp>這些活動以友善開放的方式連線練習者與學習者，讓大家交流心得、認識傳統，並共同參與持續發展的文化社群。\u003C\u002Fp>","\u002Fevents\u002Fwudang-community",[],[],{"en":869,"zh":858},"Wudang Community Events",{"en":871,"zh":872},"Discover Wudang community talks, broadcasts and gatherings connecting people with culture, learning and living practice.","探索連線武當文化、學習與日常實踐的講座、直播及社群聚會。","2026-08-16T19:24:18.000000Z",{"id":16,"uuid":875,"slug":876,"available_locales":877,"name":878,"description":881,"body":882,"path":883,"images":884,"image_urls":885,"hero_image":3,"hero_image_url":3,"seo_title":886,"seo_description":889,"sort_order":69,"is_active":684,"status":685,"created_at":892,"updated_at":687},"25641c0b-8e5a-46d7-9b18-95c344015f97","wudang-journeys-retreats",[656,657,658],{"en":879,"zh":880},"Wudang Journeys & Retreats","武當旅修與行程",[],[],"\u002Fevents\u002Fwudang-journeys-retreats",[],[],{"en":887,"zh":888},"Wudang Mountain Retreats and Guided Journeys","武當山旅修與靜修行程",{"en":890,"zh":891},"Guided journeys and retreats to Wudang Mountain that combine practice, temple visits and cultural learning, with itineraries and expectations set out clearly.","前往武當山的旅修與靜修：結合修習、宮觀參訪與文化學習，提前說明行程安排與參加須知。","2026-08-18T11:09:38.000000Z",{"data":894},{"hero_type":895,"hero_image":896,"hero_image_alt":897,"hero_youtube_id":898,"hero_content_on":684,"hero_heading":899,"hero_subheading":900,"hero_text":901,"hero_subheading_zh":902,"hero_text_zh":903,"hero_buttons":904,"home_seo":910,"page_layout":916,"shop_enabled":917,"contact":918,"journey":934},"image","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fsite\u002Fwudanghomepagehero.webp","Wudang mountain temple in mist","VgirFbjpiy4","武當文化，道在日常\nWudang Culture, Practised with Purpose","A place for learning. A home for living culture.","Explore Taoist thought, internal arts, literati traditions and Wudang Mountain through grounded learning in Singapore and beyond.","這裡既是學習之地，也是讓文化融入日常的所在。","從道家思想、內家武術、文人雅藝與武當山出發，以清晰、踏實的方式，在新加坡及世界各地認識和體驗武當文化。",[905,907],{"label":906,"link":278},"Start Your Wudang Journey",{"label":908,"link":909},"View Events & Courses","\u002Fevents",{"title":911,"description":913},{"en":912,"zh":3},"Wudang Mountain: Tai Chi, Qigong & Taoist Culture",{"en":914,"zh":915},"Explore Wudang Mountain through Tai Chi, Qigong, Daoist philosophy, martial arts, traditional arts, wellness, culture and everyday life in Wudang.","從太極、氣功、道家思想、武術、傳統雅藝與養生文化認識武當山，探索武當文化及武當山的日常生活。","sidebar",false,{"methods":919,"has_any":684,"text":927},{"email":920,"whatsapp":921,"wechat_id":922,"wechat_qr_url":923,"instagram":924,"instagram_handle":925,"facebook":926,"facebook_handle":925},"hello@wudang.org","+6588169599","Cldjcll0305","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fcontact\u002Fkcs9Z5IEY7CugW2mEYA8.webp","https:\u002F\u002Fwww.instagram.com\u002Fleewudang.sg","@leewudang.sg","https:\u002F\u002Fwww.facebook.com\u002Fleewudang.sg\u002F",{"china_heading_en":928,"china_heading_zh":929,"china_company_en":930,"china_company_zh":931,"china_address_en":932,"china_address_zh":933},"China Operations","中國運營","Xunwei Wudang Co., Ltd.","尋味武當有限公司","No. 72 Jianhe 2nd Road, Wangjiayuan, Wudang Mountain, Shiyan, Hubei, China","湖北省十堰市武當山王家園劍河二路72號",{"title_en":3,"title_zh":3,"intro_en":3,"intro_zh":3,"enabled":684},{"data":936},{"to":549,"type":937,"available_locales":938,"is_content_page":684,"title":939,"subtitle":940,"body":943,"hero_image_url":946,"hero_width":947,"hero_height":948,"hero_image_alt":949,"hero_image_decorative":917,"hero_credit":3,"hero_alt":952,"hero_style":953,"card_layout":954,"link_type":3,"link_ref":3,"seo_title":955,"seo_description":958,"children":961},"page",[656,657,658],{"en":550,"zh":551},{"en":941,"zh":942},"When to take photographs, when to stop and how to protect worshippers, services and heritage","何時可以拍照、何時應收起相機，以及如何尊重法事、參拜者與文物",{"en":944,"zh":945},"\u003Cp>Photography is the area where visitors most often go wrong, not through disrespect but because a camera changes how you move, where you stand and what you pay attention to. This page sets out what is generally acceptable, what is not, and why the answer always defers to the notice on the wall in front of you.\u003C\u002Fp>\n\n\u003Ch2>The general position\u003C\u002Fh2>\n\u003Cp>Photography is normal at Wudang. The site is a major visitor destination, cameras are everywhere, and nobody regards a tourist taking pictures as unusual or objectionable. You do not need to be furtive.\u003C\u002Fp>\n\u003Cp>What varies is where. Outdoor photography of buildings, courtyards, views and architectural detail is almost always fine. Photography inside halls is sometimes permitted, sometimes restricted, and sometimes prohibited, and the restriction is set locally, hall by hall, with no consistent pattern you can rely on across the mountain.\u003C\u002Fp>\n\u003Cp>The reasons for restriction are worth knowing because they make the rules feel less arbitrary. Some are conservation-based, since repeated flash exposure damages pigments and some sculpture and painting is genuinely fragile. Some are about the ritual use of the space, since a hall in active use is not a set. And some are practical crowd management, because a group posing in a doorway stops a hall from functioning.\u003C\u002Fp>\n\u003Cp>The working rule is simple: look for a sign before raising a camera in a hall, and if you cannot find one and nobody else is photographing, assume not.\u003C\u002Fp>\n\n\u003Ch2>Inside halls\u003C\u002Fh2>\n\u003Cp>Assume restriction rather than permission indoors, and check.\u003C\u002Fp>\n\u003Cp>Where photography is allowed, keep it discreet. No flash, whether or not a sign mentions it, since flash is the main conservation concern and the most intrusive thing you can do in a dim hall. Turn off shutter sounds. Take a few considered photographs rather than many quick ones.\u003C\u002Fp>\n\u003Cp>Do not photograph from the centre line directly in front of an altar. This is the position that obstructs, and it is also not the best angle for a sculpture. Standing off to one side gives you a better photograph and inconveniences nobody, which is an unusually easy trade.\u003C\u002Fp>\n\u003Cp>Do not move anything to improve a shot. Not a cloth, not a stand, not an offering, not a barrier. This is worth stating explicitly because the impulse to remove a small obstruction from a frame is very strong and it is the point at which photography becomes handling.\u003C\u002Fp>\n\u003Cp>Do not walk backwards while framing. It is how visitors collide with altar tables and lamp stands, and it causes most of the actual damage that occurs in halls.\u003C\u002Fp>\n\u003Cp>Do not use a tripod inside a hall without asking. It occupies floor space in a working room and reads as a production rather than a visit.\u003C\u002Fp>\n\n\u003Ch2>During a service\u003C\u002Fh2>\n\u003Cp>This is the clearest case and the one where visitors most often misjudge.\u003C\u002Fp>\n\u003Cp>Do not photograph a service. Even where photography is otherwise permitted in that hall, a rite in progress is a different situation. It is the working activity of the resident community, not a performance, and a camera turns participants into subjects.\u003C\u002Fp>\n\u003Cp>The temptation is considerable, because a service is visually the most striking thing you will see: robes, instruments, movement, incense, low light. Resisting it is the single clearest courtesy available to a visitor, and the memory is not diminished by the absence of a photograph.\u003C\u002Fp>\n\u003Cp>If you are unsure whether what you are watching is a service, the absence of a photograph costs you nothing and the presence of one might cost somebody else something. Watch instead. Watching attentively is what the situation actually rewards.\u003C\u002Fp>\n\u003Cp>If somebody indicates that you should stop, stop immediately and put the camera away rather than lowering it. Continuing at a reduced level is worse than stopping.\u003C\u002Fp>\n\n\u003Ch2>People\u003C\u002Fh2>\n\u003Cp>Photographing people requires more thought than photographing buildings, and the standard is the same one you would apply at home.\u003C\u002Fp>\n\u003Cp>Do not photograph anyone at worship. Somebody kneeling, bowing, offering incense or praying is engaged in a private act in a public place, and a camera pointed at them is intrusive regardless of intention. This is the most common genuine offence committed by visitors at Chinese temples.\u003C\u002Fp>\n\u003Cp>Do not photograph clergy without asking. They are working, they are not attractions, and being photographed constantly by strangers is a known irritation for anyone in visible religious dress. If you ask and they decline, that is the end of it. If you ask and they agree, keep it brief.\u003C\u002Fp>\n\u003Cp>Ask before photographing individuals generally, and accept refusal gracefully. A gesture toward the camera and a questioning look communicates perfectly well without language.\u003C\u002Fp>\n\u003Cp>Be careful with children, and be more careful than you would be at home. Photographing other people's children without a parent's clear agreement is unwelcome in China as elsewhere.\u003C\u002Fp>\n\u003Cp>Crowds and general scenes are a different matter and are ordinarily fine. The distinction is whether an identifiable person is the subject.\u003C\u002Fp>\n\n\u003Ch2>Yourself in the photograph\u003C\u002Fh2>\n\u003Cp>Photographs of yourself are entirely normal, and a small number of positions are worth avoiding.\u003C\u002Fp>\n\u003Cp>Do not pose with your back to a principal figure. It is the standard instinct, it is the position that blocks the axis, and it reads badly in a way that is easy to avoid by turning slightly and standing to one side.\u003C\u002Fp>\n\u003Cp>Do not pose on, over or beside ritual equipment: the kneeling cushion, the altar table, incense burners, bells. Do not sit on anything you are not sure about.\u003C\u002Fp>\n\u003Cp>Do not photograph yourself performing a devotional act. Bowing, kneeling or offering incense while a companion photographs you converts the gesture into a picture of a gesture, which is the one thing that genuinely does look disrespectful to onlookers.\u003C\u002Fp>\n\u003Cp>Do not use a selfie stick in a crowded hall or on narrow stairs. This is a practical point as much as a courtesy: the routes at Wudang include long flights of steps with drops beside them.\u003C\u002Fp>\n\u003Cp>Group photographs are fine in courtyards and best arranged out of the flow of people rather than in a gateway.\u003C\u002Fp>\n\n\u003Ch2>Drones\u003C\u002Fh2>\n\u003Cp>Assume you cannot fly a drone, and verify before considering otherwise.\u003C\u002Fp>\n\u003Cp>Wudang is a protected heritage and scenic area, and unmanned aircraft are subject to national regulation in China as well as to local rules that may restrict or prohibit flight over the area entirely. Rules on registration, permitted airspace and operation change, and enforcement at managed sites is real.\u003C\u002Fp>\n\u003Cp>Beyond legality, a drone over a working temple during a service or over crowded stairs is intrusive and hazardous in obvious ways. Even where flight is permissible, the site is often busy, mountainous, subject to sudden cloud and wind, and full of buildings that must not be struck.\u003C\u002Fp>\n\u003Cp>If you intend to fly, that requires checking current national regulations and obtaining any local permission in advance, which is a process rather than a question you can resolve on arrival. This site cannot tell you the current position and does not attempt to.\u003C\u002Fp>\n\n\u003Ch2>Physical respect beyond the camera\u003C\u002Fh2>\n\u003Cp>Photography is one form of contact with a place, and the same principle governs the others: look as much as you like, handle nothing.\u003C\u002Fp>\n\u003Cp>Do not touch sculpture, carvings, inscriptions, altar objects or painted surfaces. Skin oils accumulate, and a surface touched by a thousand visitors a year deteriorates measurably. This applies to the things that appear robust as much as the obviously delicate ones.\u003C\u002Fp>\n\u003Cp>Do not lean on altar tables, railings, columns or door frames, and do not put a bag down on anything that is not a floor.\u003C\u002Fp>\n\u003Cp>Do not take rubbings of stelae or carved boards, and do not run a hand over an inscription to read it.\u003C\u002Fp>\n\u003Cp>Do not remove anything, including a fallen leaf from a courtyard tree, a fragment of tile, or a stick of incense from a bundle. The impulse to take a small physical memory is understandable and the aggregate effect of it is not small.\u003C\u002Fp>\n\u003Cp>Do not climb on anything: platforms, bases, walls, railings, or architectural features. This is both a conservation matter and a safety one, since much of what looks climbable at Wudang has a considerable drop on the other side.\u003C\u002Fp>\n\n\u003Ch2>Why the local sign always wins\u003C\u002Fh2>\n\u003Cp>Every page in this section defers to local notices, and it is worth explaining why rather than simply repeating it.\u003C\u002Fp>\n\u003Cp>Conditions change. A hall may be photographable one year and not the next because conservation assessment changed, or because a particular object was moved, or because visitor numbers rose. A section may be closed for repair, a service may be scheduled, or a temporary arrangement may be in force. None of that reaches a website.\u003C\u002Fp>\n\u003Cp>Authority is also divided. The mountain is administered by secular authorities and the temples by a Taoist organisation, and the notices you see may come from either. Both are current and specific, and this page is neither.\u003C\u002Fp>\n\u003Cp>So the hierarchy is straightforward: a sign, or an instruction from someone on site, outranks anything written here. If they conflict, follow the sign, and do not ask for an explanation. Compliance without argument is the entire expectation, and it is a very low one.\u003C\u002Fp>\n\n\u003Cblockquote>\u003Cp>Sources and limits: rules on photography, drones, access and conduct are set locally and by national regulation, vary between halls and sites, and change without notice. Nothing here is a statement of current regulation, and drone operation in particular requires verification of current national and local rules in advance. Notices and instructions at any specific site always take precedence over this page.\u003C\u002Fp>\u003C\u002Fblockquote>\n\n\u003Ch2>Key points\u003C\u002Fh2>\n\u003Cul>\n\u003Cli>Photography is normal outdoors and variable indoors. Look for a sign before raising a camera in a hall, and if there is none and nobody else is shooting, assume not.\u003C\u002Fli>\n\u003Cli>No flash, no shutter sounds, no tripods without asking, and never move anything to improve a shot.\u003C\u002Fli>\n\u003Cli>Do not photograph from the centre line in front of an altar; standing to one side gives a better image and blocks nobody.\u003C\u002Fli>\n\u003Cli>Never photograph a service, even where the hall otherwise permits photography.\u003C\u002Fli>\n\u003Cli>Never photograph anyone at worship, and ask before photographing clergy or individuals. Accept refusal without argument.\u003C\u002Fli>\n\u003Cli>Do not pose with your back to a principal figure, on ritual equipment, or while performing a devotional act.\u003C\u002Fli>\n\u003Cli>Assume drones are not permitted; flight would require verifying current national and local rules in advance.\u003C\u002Fli>\n\u003Cli>Touch nothing: sculpture, carvings, inscriptions, altar objects and painted surfaces all degrade from accumulated contact.\u003C\u002Fli>\n\u003Cli>Take nothing away, and climb on nothing. Much of what looks climbable here has a drop behind it.\u003C\u002Fli>\n\u003Cli>A local sign or an instruction on site outranks this page. Follow it without needing a reason.\u003C\u002Fli>\n\u003C\u002Ful>","\u003Cp>拍照是遊客最常出錯的一塊，原因不是不敬，而是相機會改變你走動的方式、站立的位置和注意的物件。這一頁說明一般可以接受什麼、不可以什麼，以及為什麼答案始終以你面前牆上的那塊告示為準。\u003C\u002Fp>\u003Ch2>一般的立場\u003C\u002Fh2>\u003Cp>在武當拍照是尋常的。這裡是重要的遊覽目的地，相機到處都有，遊客拍照通常也不會被看作不合宜。你不需要偷偷摸摸。\u003C\u002Fp>\u003Cp>有差異的是“在哪裡”。在戶外拍建築、庭院、景觀和建築細部，幾乎總是可以。殿內拍照有時允許，有時受限，有時禁止，而限制由當地逐殿設定，全山並沒有一個你可以依賴的統一規律。\u003C\u002Fp>\u003Cp>知道限制的理由是有用的，因為那會讓規定顯得不那麼隨意。有些出於文物保護，因為反覆的閃光會損傷顏料，而部分塑像和彩畫確實脆弱。有些關乎空間的儀式使用，因為一座在用的殿堂不是佈景。還有些是實際的人流管理，因為一群人在門道里擺拍，會讓整座殿堂無法運轉。\u003C\u002Fp>\u003Cp>可用的規矩很簡單：在殿內舉起相機之前先找告示；如果找不到，而且別人也都沒在拍，就當作不可以。\u003C\u002Fp>\u003Ch2>殿內\u003C\u002Fh2>\u003Cp>在室內請假定受限而不是假定允許，並且去核實。\u003C\u002Fp>\u003Cp>在允許拍照的地方，要拍得不張揚。不用閃光，不論告示是否提到，因為閃光既是文物保護上的主要顧慮，也是你在一座光線暗的殿堂裡能做的最擾人的事。關掉快門聲。拍幾張想好的，而不是拍很多張隨手的。\u003C\u002Fp>\u003Cp>不要站在神壇正前方的中線上拍。那是會擋人的位置，而且對塑像來說也不是最好的角度。往一側站開，你能拍到更好的照片，又不妨礙任何人，這是一筆難得容易的交換。\u003C\u002Fp>\u003Cp>不要為了取景更好而移動任何東西。不動布幔，不動支架，不動供品，不動圍欄。這一點值得明說，因為“把畫面裡一個小障礙挪開”的衝動非常強，而那正是拍照變成“上手”的那一刻。\u003C\u002Fp>\u003Cp>不要一邊取景一邊後退。遊客就是這樣撞上供桌和燈架的，而殿內實際發生的損壞多數由此而來。\u003C\u002Fp>\u003Cp>不要不問就在殿內使用三腳架。它在一個在用的房間裡佔據地面，而且讀起來像一場製作，不像一次參觀。\u003C\u002Fp>\u003Ch2>法事期間\u003C\u002Fh2>\u003Cp>這是最清楚的一種情形，也是遊客最常判斷失誤的一種。\u003C\u002Fp>\u003Cp>不要拍法事。即使那座殿在其他時候允許拍照，正在進行的儀式是另一種處境。它是常住共同體的工作，不是表演，而相機會把參與者變成被攝物件。\u003C\u002Fp>\u003Cp>誘惑相當大，因為法事在視覺上是你能看到的最抓人的東西：法衣、樂器、動作、香菸、低光。忍住它，是一位遊客能做出的最明確的一份周到，而記憶並不會因為少了一張照片而減損。\u003C\u002Fp>\u003Cp>如果你不確定眼前看到的是不是法事，那麼“沒有那張照片”不花你任何代價，而“有那張照片”可能讓別人付出些什麼。改為觀看。用心地看，才是這種處境真正回報你的事。\u003C\u002Fp>\u003Cp>如果有人示意你停下，請立刻停下並把相機收起來，而不是把它放低。降格繼續比停下來更糟。\u003C\u002Fp>\u003Ch2>人\u003C\u002Fh2>\u003Cp>拍人比拍建築需要更多考慮，而標準就是你在自己家鄉會用的那一套。\u003C\u002Fp>\u003Cp>不要拍任何在拜的人。跪著、行禮、上香或禱告的人，是在一個公共場所裡做一件私人的事，而對著他們的鏡頭無論出於什麼用意都是侵入。這是遊客在中國廟宇裡最常犯的、真正意義上的失禮。\u003C\u002Fp>\u003Cp>不要不問就拍道士。他們在工作，他們不是景點，而被陌生人不斷拍照，對任何穿著顯眼宗教服飾的人來說都是眾所公認的困擾。如果你問了而對方謝絕，那就到此為止。如果你問了而對方同意，請拍得簡短。\u003C\u002Fp>\u003Cp>一般來說，拍個人之前先問，並且從容地接受拒絕。朝相機比一下手勢、加一個詢問的眼神，不用語言也能溝通得很好。\u003C\u002Fp>\u003Cp>對兒童要謹慎，而且要比在自己家鄉更謹慎。未經家長明確同意而拍別人的孩子，在中國和在別處一樣不受歡迎。\u003C\u002Fp>\u003Cp>人群和一般場景是另一回事，通常沒有問題。區別在於：某個可辨認的人是否成了被攝主體。\u003C\u002Fp>\u003Ch2>你自己出現在照片裡\u003C\u002Fh2>\u003Cp>給自己拍照完全正常，只有少數幾個位置值得避開。\u003C\u002Fp>\u003Cp>不要背對主尊擺拍。這是標準的本能，是擋住軸線的那個位置，而且讀起來不好；只要稍微轉個身、往一側站開，就很容易避免。\u003C\u002Fp>\u003Cp>不要在法器上、跨著法器或者緊靠法器擺拍：跪墊、供桌、香爐、鐘磬。凡是你沒把握的東西，不要坐上去。\u003C\u002Fp>\u003Cp>不要給自己拍“正在敬拜”的照片。一邊行禮、跪拜或上香，一邊讓同伴給你拍，會把這個動作變成一張關於動作的照片，而這恰恰是在旁觀者眼裡真正顯得不敬的一件事。\u003C\u002Fp>\u003Cp>不要在擁擠的殿堂裡或者狹窄的臺階上使用自拍杆。這既是禮數，也是實際問題：武當的路線包含長段臺階，旁邊就是落差。\u003C\u002Fp>\u003Cp>合影在庭院裡沒有問題，最好安排在人流之外，而不要在門洞裡。\u003C\u002Fp>\u003Ch2>無人機\u003C\u002Fh2>\u003Cp>請假定你不能飛無人機，在考慮相反的做法之前先去核實。\u003C\u002Fp>\u003Cp>武當是受保護的文物與風景區，而無人駕駛航空器在中國受國家法規約束，此外還有可能限制或者完全禁止在本區域上方飛行的地方規定。關於登記、可飛空域和操作的規定會變，而在受管理的場所，執法是實在的。\u003C\u002Fp>\u003Cp>除了合法性之外，一架無人機在法事期間飛過一座在用的道觀，或者飛過擁擠的臺階，其侵入性和危險性都很明顯。即使在允許飛行的地方，這個場所也常常人多、多山、易起突發的雲與風，而且滿是不能被撞到的建築。\u003C\u002Fp>\u003Cp>如果你確實打算飛，那需要事先核實現行的國家法規並取得任何地方許可，而這是一道流程，不是到了地方就能解決的一個問題。本站無法告訴你現行的規定，也不試圖這樣做。\u003C\u002Fp>\u003Cp>關於拍人，可以給出幾條可操作的做法：先取得同意，哪怕只是舉起相機示意、對方點頭；不要拍攝正在跪拜、祈禱或情緒外露的人；不要為了構圖去引導對方擺姿勢；兒童的照片尤其要經過隨行大人的同意。若對方拒絕，直接放下相機即可，不必解釋或勸說。這些做法在任何地方都適用，在宗教場所只是更要緊一些。\u003C\u002Fp>\u003Ch2>相機之外的身體上的敬意\u003C\u002Fh2>\u003Cp>拍照是與一個地方接觸的一種形式，而其餘形式受同一條原則支配：看多少都可以，什麼都不要上手。\u003C\u002Fp>\u003Cp>不要觸控塑像、雕刻、碑刻、神壇器物或彩畫表面。皮膚的油脂會累積，而一年被上千位遊客摸過的表面，劣化是可測量的。這對看起來結實的東西和對明顯脆弱的東西同樣適用。\u003C\u002Fp>\u003Cp>不要倚靠供桌、欄杆、柱子或門框，也不要把包放在任何不是地面的東西上。\u003C\u002Fp>\u003Cp>不要給石碑或刻板做拓片，也不要為了讀碑而用手摸過刻字。\u003C\u002Fp>\u003Cp>不要帶走任何東西，包括庭院樹上落下的一片葉子、一塊瓦片碎片，或者從一把香裡抽出的一支。想留一點實物記憶的衝動可以理解，而它累加起來的效果並不小。\u003C\u002Fp>\u003Cp>不要爬上任何東西：臺座、基座、牆、欄杆或建築構件。這既是文物保護問題，也是安全問題，因為武當許多看起來能爬的地方，另一側就是相當大的落差。\u003C\u002Fp>\u003Cp>無人機這一項在中國有明確的規定：多數景區和文物保護單位禁止起飛，部分割槽域還屬於管制空域，飛行需要事先申請並完成實名登記。武當山屬世界遺產地，管理更嚴。在沒有得到書面許可之前，不要起飛——這不只是禮貌問題，涉及的是行政處罰甚至裝置被扣。\u003C\u002Fp>\u003Ch2>為什麼當地的告示始終優先\u003C\u002Fh2>\u003Cp>本部分每一頁都以當地告示為準，值得解釋為什麼，而不只是把這句話重複一遍。\u003C\u002Fp>\u003Cp>情況會變。一座殿堂可能今年能拍、明年不能，因為文物保護的評估變了，或者某件器物被移動了，或者遊客量上升了。某個段落可能因維修而封閉，某場法事可能被排定，某項臨時安排可能正在生效。這些都不會傳到一個網站上。\u003C\u002Fp>\u003Cp>許可權也是分開的。山由世俗部門管理，道觀由道教組織管理，而你看到的告示可能出自任何一方。兩者都是當下的、具體的，而這一頁兩樣都不是。\u003C\u002Fp>\u003Cp>所以次序很直白：一塊告示，或者現場某人的一句指示，效力高於此處所寫的一切。若有衝突，照告示辦，不要索取解釋。不爭辯地照辦就是全部的期待，而這是一個很低的期待。\u003C\u002Fp>\u003Cblockquote>\u003Cp>資料與限度：關於拍照、無人機、通行和舉止的規定，由當地和國家法規設定，各殿各處不同，並且會不經通告而變動。此處任何內容都不是對現行法規的陳述；無人機的操作尤其需要事先核實現行的國家與地方規定。任何具體地點的告示與指示，效力始終高於本頁。\u003C\u002Fp>\u003C\u002Fblockquote>\u003Ch2>要點\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cp>戶外拍照尋常，室內因地而異。在殿內舉相機之前先找告示；沒有告示、別人也沒在拍，就當作不可以。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>不用閃光，關掉快門聲，不問不用三腳架，絕不為取景移動任何東西。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>不要在神壇前的中線上拍；往一側站既拍得更好又不擋人。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>絕不拍法事，即使那座殿平時允許拍照。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>絕不拍在拜的人；拍道士或個人之前先問，被拒就不爭辯。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>不要背對主尊擺拍，不要在法器上擺拍，也不要給自己拍正在敬拜的照片。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>假定不能飛無人機；要飛需事先核實現行的國家與地方規定。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>什麼都不要摸：塑像、雕刻、碑刻、神壇器物和彩畫都會因累積的接觸而劣化。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>什麼都不要帶走，什麼都不要爬。這裡許多看似能爬的地方，背後就是落差。\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>當地告示或現場指示的效力高於本頁。照辦，不必要一個理由。\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>","https:\u002F\u002Fimg.wudang.org\u002Ffiles\u002Fwudang\u002Fpages\u002F1wbCM2hd0Ra6WIGqcLHQ.webp",1920,600,{"en":950,"zh":951},"Ink illustration of a visitor greeting a Taoist cleric with joined hands before a temple, while another puts away his camera near a seated statue.","水墨插畫：一位遊客在道觀前向一位道長合手行禮，另一人在一尊坐像旁收起相機。",{"en":950,"zh":951},"banner","list",{"en":956,"zh":957},"Photography Rules and Respect in Wudang Temples","武當宮觀拍照規則：法事、參拜者與文物保護",{"en":959,"zh":960},"Learn when photography is appropriate in Wudang temples, why services and worshippers require privacy, and how to protect halls, objects and painted surfaces.","瞭解武當宮觀中何時可以拍照、何時應收起相機，以及如何尊重法事、參拜者、殿堂陳設與彩繪表面。",[],{"data":963},[964,1040,1141,1232],{"id":965,"slug":966,"available_locales":967,"path":968,"title":969,"venue":972,"hero_image_url":3,"card_image_url":975,"card_landscape_url":976,"lifecycle":977,"session_mode":978,"sessions":979,"next_session":1039},15601,"liu-yao-beginner-course",[656,657,658],"\u002Fevents\u002Fi-ching-learning\u002Fliu-yao-beginner-course",{"en":970,"zh":971},"Liu Yao Beginner 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2026","2026年11月21日",21,"Sat",{"status":981,"date_slug":1013,"time_label":983,"timezone_abbr":984,"date_label":1014,"date_label_fr":1015,"date_short_fr":1016,"date_only_fr":1017,"date_range_label_fr":3,"time_label_fr":989,"date_label_zh":1018,"date_short":1019,"date_short_zh":1020,"date_only":1021,"date_only_zh":1022,"is_multi_day":917,"date_range_label":3,"date_range_label_zh":3,"day_of_month":147,"month_short":1023,"month_long":1024,"month_num":147,"year":997,"weekday_short":1011,"weekday_index":60},"2026-12-12","Saturday, 12 December 2026","samedi 12 décembre 2026","sam. 12 déc.","12 déc. 2026","2026年12月12日 星期六","Sat 12 Dec","12月12日 週六","12 Dec 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